animatazz-moviemanual - drumond parkstoryboards help you prepare each movie scene and keep...
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!"#$%$&&'())*+,%-./0"!11'''2 3453657323'''24849
WHA
T’S
INSI
DE
Oh
, hi!
I’m
Ta
zzte
r. I’m
just
he
lpin
g m
y fr
ien
ds
Gu
sto
ff a
nd
An
na
he
re. T
hey
’re
th
e s
tars
of
ou
r
an
ima
ted
mo
vie
!
You
’re
he
re t
o le
arn
ab
ou
t m
ovi
e-m
ak
ing
to
o, a
ren
’t
you
? W
ell
, yo
u’v
e c
om
e t
o t
he
rig
ht
pla
ce!
Re
ad
on
an
d e
njo
y.
Firs
t p
ub
lish
ed in
Irel
an
d a
nd
Gre
at
Bri
tain
in 2
00
8 b
y A
nim
ata
zz©
Clu
b A
nim
ata
zz L
td 2
00
8
Th
e ri
gh
t o
f C
lub
An
ima
tazz
Ltd
. to
be
iden
tifi
ed a
s th
e a
uth
or
of
this
wo
rk h
as
bee
n
ass
erte
d in
acc
ord
an
ce w
ith
th
e C
op
yrig
ht,
Des
ign
s a
nd
pa
ten
ts A
ct 1
98
8
All
rig
hts
res
erve
d. N
o p
art
of
this
pu
blic
ati
on
ma
y b
e re
pro
du
ced
, sto
red
in r
etri
eva
l sy
stem
, or
tra
nsm
itte
d, i
n a
ny
form
or
by
an
y m
ean
s, e
lect
ron
ic, m
ech
an
ica
l, p
ho
toco
pyi
ng
, rec
ord
ing
or
oth
erw
ise,
wit
ho
ut
the
pri
or
per
mis
sio
n o
f b
oth
th
e co
pyr
igh
t o
wn
er a
nd
th
e a
bo
ve p
ub
lish
er.
2
Hi!
He
llo
!
Her
e’s
a li
st o
f a
ll th
e th
ing
s yo
u n
eed
to
do
, to
ma
ke a
mo
vie!
PRE-
PRO
DU
CTI
ON
:
Th
ink
up
a s
tory
, use
yo
ur
ima
gin
ati
on
, bu
t m
ake
su
re y
ou
ca
n t
ell y
ou
r st
ory
th
rou
gh
sim
ple
an
ima
tio
n.
Des
ign
an
d m
ake
yo
ur
cha
ract
ers,
bu
ild s
ets
tha
t fi
t in
wit
h t
he
sto
ry y
ou
w
an
t to
tel
l.
Wri
te o
ut
the
det
ails
of
you
r st
ory
(th
e ‘s
crip
t’)
an
d f
igu
re o
ut
ho
w y
ou
will
sh
ow
th
e a
ud
ien
ce w
ha
t h
ap
pen
s in
th
e st
ory
(th
e ‘t
rea
tmen
t’ a
s th
ey s
ay
in s
ho
wb
iz).
PRO
DU
CTI
ON
:
Reh
ears
e a
nd
an
ima
te y
ou
r ch
ara
cter
s o
n t
he
set,
sh
oo
tin
g it
mo
ve b
y m
ove
, sc
ene
by
scen
e.
Rec
ord
vo
ices
an
d s
ou
nd
ef
fect
s.
Loa
d t
he
sho
ts a
nd
so
un
ds
on
to y
ou
r co
mp
ute
r, ch
ecki
ng
th
at
they
are
go
od
en
ou
gh
fo
r yo
ur
mo
vie.
POST
-PR
OD
UC
TIO
N:
Arr
an
ge
all
you
r b
est
sho
ts in
to t
he
rig
ht
ord
er
so y
ou
ca
n t
ell t
he
sto
ry -
th
is is
ca
lled
‘ed
itin
g’.
Join
up
th
e so
un
d e
ffec
ts,
voic
es a
nd
sp
ecia
l eff
ects
.
Put
you
r fi
na
l cu
t (t
he
fin
ish
ed a
nim
ati
on
) o
n
DV
D o
r th
e In
tern
et.
1 2 3 1 2 3 1 2 3
3
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Pre-
Prod
uctio
n
Crea
te y
our
char
acte
rs, t
hink
up
a st
ory
& p
lan
your
mov
ie
2. F
latt
en a
sm
all
ba
ll o
f p
last
icin
e a
nd
wra
p it
aro
un
d t
he
wri
st a
nd
ha
nd
- n
o f
limsy
fin
ger
s to
fa
ll o
ff!
For
the
thu
mb
, ro
ll a
ve
ry s
ma
ll b
all
an
d b
len
d it
on
at
the
sid
e.
MO
DEL
LIN
G TH
E FA
CE
ME
AO
W
1. Pi
nch
an
d p
ress
sm
all
pie
ces
of
pla
stic
ine
all
ove
r th
e Ea
sy-A
ctio
n
An
ima
tio
n F
igu
re. P
ress
ou
t th
e ed
ges
un
til y
ou
ha
ve t
he
thic
knes
s yo
u w
an
t.
CO
VER
ING
THE
BO
DY
W
ITH
PLA
STIC
INE
Soft
en t
he
pla
stic
ine
in y
ou
r h
an
ds
by
pre
ssin
g a
nd
sq
uee
zin
g
it. T
ake
ver
y sm
all
am
ou
nts
an
d
roll
into
sm
all
ba
lls. I
t w
ill s
oft
en
qu
ickl
y a
nd
ca
n t
hen
be
mo
re
easi
ly a
pp
lied
.
3.
Wit
h t
he
tip
of
the
mo
del
ling
to
ol o
r a
pen
cil,
dra
w a
ha
irlin
e.
Pla
ce s
ma
ll p
inch
es o
f p
last
icin
e in
sid
e th
e lin
e, t
hen
sh
ap
e a
nd
sty
le
as
you
like
! Try
sp
ikes
or
a b
ob
!
4. Ro
ll sm
all
pin
ches
of
face
-co
lou
red
pla
stic
ine
into
ba
lls
for
the
no
se a
nd
ea
rs. P
op
th
em in
po
siti
on
, giv
e th
em
a s
ha
pe.
.. th
en u
se o
ur
mo
del
ling
to
ol o
r a
pen
cil t
o
ma
ke s
ma
ll h
ole
s.
HAIR
NO
SE &
EA
RS
5. Ro
ll o
ut
two
eye
ba
lls u
sin
g w
hit
e p
last
icin
e. P
ress
fla
t a
ga
inst
th
e fa
ce.
Roll
a s
ma
ller
ba
ll o
f d
ark
pla
stic
ine
as
the
cen
tre
of
each
eye
-
you
nee
d t
o b
e a
ble
to
mo
ve t
hem
aro
un
d t
o s
ho
w e
ye m
ove
men
t.
Bri
ng
yo
ur
eyes
to
life
wit
h e
yelid
s th
at
blin
k! R
oll
two
pin
ches
of
fa
ce-c
olo
ure
d p
last
icin
e in
to b
alls
, fla
tten
into
a d
isk
sha
pe
big
en
ou
gh
to
co
ver
the
wh
ites
of
the
eyes
.
6. Th
e m
ou
th is
act
ua
lly
mo
uth
s! A
t le
ast
fiv
e d
iffe
ren
t sh
ap
es m
ad
e fr
om
sm
all
pin
ches
of
red
or
pin
k p
last
icin
e, r
olle
d in
to b
alls
an
d
fla
tten
ed in
to s
ou
nd
sh
ap
es
an
d f
aci
al e
xpre
ssio
ns.
7. Ro
ll tw
o s
ma
ll p
inch
es o
f d
ark
pla
stic
ine
into
a b
alls
an
d
stre
tch
ou
t sl
igh
tly
into
arc
hes
. Pla
ce t
hes
e a
bo
ve t
he
eyes
lig
htl
y –
you
will
wa
nt
to b
e a
ble
to
mo
ve t
hem
ea
sily
.
Giv
ing
yo
ur
cha
ract
er a
pa
ir o
f sh
oes
will
hel
p t
o c
om
ple
te t
he
loo
k o
f yo
ur
cha
ract
er a
nd
giv
e it
mo
re b
ala
nce
. Ro
ll tw
o b
alls
o
f p
last
icin
e in
a c
olo
ur
of
you
r ch
oic
e, s
ha
pe
an
d d
eta
il a
s sh
oes
an
d a
tta
ch a
t th
e b
ase
.
SUR
PR
ISE
SAD
AN
GR
YC
UR
IOU
SH
AP
PY
EYESAD
DIN
G B
RO
WS
MO
UTH
54
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Sta
rt w
ith
a s
ho
rt a
nd
sim
ple
sto
ry -
on
e yo
u c
an
te
ll w
ith
just
on
e o
r tw
o c
ha
ract
ers
an
d s
imp
le
pro
ps.
I’ve
dec
ided
to
tel
l a s
tory
ab
ou
t G
ust
off
, a
nd
th
e d
ay
he
trie
d t
o f
ish
fo
r a
bir
d! T
o m
ake
it
mo
re f
un
, I’v
e w
ritt
en o
ut
my
sto
ry a
s a
po
em.
FISH
ING
FOR
BIR
DS
One
day
, Gus
toff
had
a c
razy
not
ion
And
beg
an to
put
his
plan
in m
otio
n.H
olly
was
com
plet
ely
lost
for w
ords
:He
said
‘I’m
goi
ng fi
shin
g fo
r bird
s!’
He’d
trai
n th
e bi
rds t
o be
his
mat
e,Gu
stof
f th
ough
t the
idea
was
gre
at!
He fe
tche
d a
net t
o m
ake
a tr
apA
nd fo
und
a bi
rd o
ut e
atin
g sc
raps
.
Just
abo
ut to
dro
p th
e ne
t,H
is sis
ter r
an to
save
the
pet:
‘Sto
p! W
hat a
re y
ou d
oing
, lad
?Yo
u’re
nut
s! H
ave
you
gone
mad
?’
Gust
off
hadn
’t he
ard
a w
ord,
But
set a
bout
trap
ping
the
bird
.A
s he
step
ped
up, i
t got
a fr
ight
And
in a
fla
sh to
ok o
ff in
flig
ht.
OK
, sto
ry t
ime!
I’m t
he
dir
ecto
r, G
ust
off
. I s
ay
wh
en w
e st
art
!
Act
ion
!
6
Star
tled
, he
trie
d to
go
afte
r it,
But
cau
ght h
is fe
et u
p in
his
kit.
His
cont
rapt
ion
wor
ked
alri
ght -
It ta
ngle
d Gu
stof
f up
real
tigh
t!
Gust
off
let o
ut a
mig
hty
yelp
,Lo
okin
g fa
r and
wid
e fo
r hel
p.Lu
rchi
ng a
roun
d, th
is w
ay a
nd th
at,
Cra
shin
g do
wn
wit
h a
grea
t big
spla
t!
Than
ks to
Ann
a, h
e w
as fr
eed
But
onl
y af
ter h
e’d a
gree
d,‘I
Gust
off
will
kee
p m
y w
ord,
I’ll
neve
r aga
in g
o fi
shin
g fo
r bird
s!’
LS is
a lo
ng
sh
ot
– a
bit
cl
ose
r to
th
e sc
ene.
Full
Sh
ot
– o
ne
tha
t in
clu
des
mo
st o
f th
e b
od
y.
TYPE
S O
F SH
OTS
XLS
me
an
s ‘e
xtr
em
e
lon
g s
ho
t’ –
on
e th
at
is
film
ed f
rom
fa
r a
wa
y a
nd
ta
kes
in a
ll o
f th
e se
t. S
om
etim
es c
alle
d a
n
‘est
ab
lish
ing
sh
ot’
.
Th
is ‘s
ho
t lis
t’
hel
ps
me
wo
rk o
ut
an
d p
lan
my
mo
vie,
st
ep b
y st
ep.
Shot
list
- F
ishin
g fo
r bird
s
Shot
1 -
LS
Gust
off
ente
rs fr
om th
e le
ftSh
ot 2
- L
S B
irdie
fly
ing
over
head
Shot
3 -
LS
Gust
off
com
es u
p w
ith
a cu
nnin
g pl
anSh
ot 4
- L
S Gu
stof
f ex
its l
eft o
f sc
reen
and
Bird
ie
en
ters
righ
t pec
king
the
grou
nd
Sh
ot 5
- L
S Gu
toff
ent
ers f
rom
the
left
wit
h hi
s net
Shot
6 -
LS
Ann
a en
ters
righ
t of
scre
en (‘
Stop
!’)
Shot
7 -
CU
Ann
a sa
ying
her
line
s Sh
ot 8
- M
S Gu
stof
f se
ttin
g hi
s tra
pSh
ot 9
- C
U o
f B
irdie
alm
ost u
nder
the
net /
trap
Shot
10
- C
U A
nna
telli
ng G
usto
ff to
stop
(rum
ble
tu
mbl
e no
ise to
the
left
)Sh
ot 1
1 -
MS
Gust
off
enta
ngle
d in
the
net
Shot
12
- C
U A
nna
aski
ng fo
r hel
pSh
ot 1
3 -
LS, G
usto
ff, A
nna
& B
irdie
(pec
king
cru
mbs
)
ta
ngle
d ne
t on
the
grou
nd, t
hey
wav
e go
odby
e
XC
U is
an
ex
tre
me
cl
ose
up
– n
o
ba
ckg
rou
nd
bu
t ju
st
the
sub
ject
itse
lf.
CU
sta
nd
s fo
r cl
ose
u
p –
no
t m
uch
b
ack
gro
un
d le
ft, b
ut
go
od
fo
r d
eta
il.
MS
is a
me
diu
m s
ho
t –
fro
m t
he
wa
ist
up
. G
oo
d f
or ‘
exp
osi
tio
n
scen
es’,
mo
vem
ent
an
d
som
e d
ialo
gu
e (s
pee
ch).
dia
log
ue
7
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Prod
uctio
n A
nim
ate
your
mov
ie
char
acte
rs
Do
I lo
ok
go
od
?
Sto
ryb
oa
rds
hel
p y
ou
pre
pa
re e
ach
m
ovi
e sc
ene
an
d k
eep
un
exp
ecte
d
surp
rise
s to
a m
inim
um
.
Shot
1Sh
ot 2
Shot
3
Shot
9Sh
ot 8
Shot
7
Th
e st
ory
bo
ard
is a
n im
po
rta
nt
pa
rt o
f p
lan
nin
g y
ou
r m
ovi
e b
efo
re y
ou
st
art
sh
oo
tin
g. I
t w
ill h
elp
yo
u t
o w
ork
ou
t h
ow
bes
t to
tel
l yo
ur
sto
ry t
hro
ug
h
pic
ture
s, a
nd
ho
w t
o g
et a
rou
nd
an
y ch
alle
ng
es t
ha
t m
ay
lie a
hea
d. O
ther
wis
e,
you
mig
ht
on
ly s
po
t a
pro
ble
m w
hen
yo
u a
re in
th
e m
idd
le o
f sh
oo
tin
g, w
hen
it
ma
y b
e to
o la
te a
nd
req
uir
e yo
u t
o g
o ‘b
ack
to
th
e d
raw
ing
bo
ard
’.
Sket
ched
fra
me-
by-
fra
me,
a s
tory
bo
ard
sh
ow
s h
ow
yo
ur
mo
vie
will
loo
k.
You
on
ly n
eed
a p
enci
l an
d p
ap
er, s
o it
’s a
fa
st y
et t
ho
rou
gh
wa
y o
f w
ork
ing
ou
t h
ow
yo
u’r
e g
oin
g t
o s
et u
p a
nd
ph
oto
gra
ph
ea
ch s
ho
t. It
als
o h
elp
s yo
u c
hec
k th
at
you
r a
ud
ien
ce w
ill f
ollo
w y
ou
r st
ory
.
Get
yo
ur
cha
ract
ers
on
to t
he
set
an
d le
t’s
get
sh
oo
tin
g.
Posi
tio
ns,
PLE
ASE
, ev
eryb
od
y!
For
ou
r fi
rst
scen
e -
we
wa
nt
to s
ho
w G
ust
off
loo
kin
g
up
at
the
sky.
He
spo
ts a
bir
d a
nd
su
dd
enly
ha
s a
n id
ea.
I’ve
go
t G
ust
off
loo
kin
g u
p a
t th
e b
ird
– y
ou
ca
n s
ee t
ha
t h
is p
up
ils a
re a
t th
e to
ps
of
his
eye
s a
nd
his
eye
bro
ws
are
arc
hed
. I t
ake
a p
ictu
re o
f h
im r
igh
t th
ere,
an
d t
hen
I g
et h
im t
o m
ove
on
e st
ep f
orw
ard
an
d li
ft h
is a
rm u
p t
o h
is
chin
. Th
en I
take
th
e n
ext
pic
ture
.
I get
him
to
tu
rn b
it b
y b
it, t
aki
ng
a s
ho
t a
fter
ea
ch m
ove
men
t, f
ollo
win
g
the
pa
th o
f th
e b
ird
acr
oss
th
e sk
y. I
sho
w t
he
bir
d f
lyin
g a
cro
ss t
he
top
ed
ge
of
the
fra
me.
Th
en w
e g
et s
ho
ts o
f h
im a
s th
e id
ea o
f ca
tch
ing
a b
ird
co
mes
to
him
, an
d
th
en s
mili
ng
.I’m
th
e st
ar.
98
!"#$%$&&'())*+,%-./0"!11'''=:>
3453657323'''24849
!
"#
$
Peck
aw
ay,
Bir
die
, th
at’
s g
oo
d. N
ow
loo
k o
ver
you
r w
ing
to
see
wh
o is
co
min
g. V
ery
go
od
!
Kee
p lo
oki
ng
up
, Gu
sto
ff,
bu
t tu
rn y
ou
r h
ead
slig
htl
y to
wa
rds
the
cam
era
, an
d I’
ll ta
ke a
no
ther
sh
ot.
No
w w
e n
eed
to
get
a c
lose
up
of
the
bir
d p
ecki
ng
th
e cr
um
bs
rig
ht
un
der
th
e n
et –
to
sh
ow
Gu
sto
ff p
lan
.
Nex
t w
e n
eed
to
pu
ll b
ack
fro
m t
he
sho
t o
f th
e b
ird
ie, a
nd
sh
ow
Gu
sto
ff t
ryin
g
to a
dju
st t
he
net
. He
sto
ps
an
d is
just
ab
ou
t to
dro
p t
he
net
wh
en h
e se
es
A
nn
a c
om
ing
.
Gu
sto
ff t
hen
go
es o
ff t
o g
et h
is n
et. H
e co
mes
ba
ck in
to t
he
fra
me
wit
h it
, se
ts u
p h
is t
rap
an
d t
hro
ws
som
e cr
um
bs
on
th
e g
rou
nd
to
tem
pt
the
bir
d.
Gu
sto
ff!
Putt
ing
th
is t
rap
to
get
her
is g
etti
ng
yo
u a
lit
tle
an
no
yed
. ...
aa
an
d A
CTI
ON
!
11
OK
, An
na
, tim
e fo
r yo
ur
scen
e. I
ho
pe
you
rem
emb
er y
ou
r lin
es.
You
will
nee
d t
o t
ake
ph
oto
s o
f A
nn
a w
ith
th
ese
mo
uth
sh
ap
es t
o m
ake
it lo
ok
like
she
is t
alk
ing
. Do
n’t
fo
rget
to
ch
an
ge
her
fa
cia
l exp
ress
ion
s, t
oo
. We
will
be
ma
tch
ing
th
em t
o s
ou
nd
aft
er w
e h
ave
fin
ish
ed t
aki
ng
all
the
ph
oto
gra
ph
s.
‘Sto
p! W
ha
t a
re y
ou
do
ing
, la
d?
Ha
ve y
ou
go
ne
nu
ts o
r h
as
you
r b
rain
go
ne
ba
d?’
Her
e a
re t
he
sho
ts t
ha
t w
e h
ave
ta
ken
of
An
na
as
she
says
her
lin
es t
o G
ust
off
. If
yo
u a
re h
avi
ng
an
y d
iffi
cult
y w
ork
ing
ou
t th
e ex
pre
ssio
ns
an
d m
ou
th s
ha
pes
fo
r yo
ur
cha
ract
er, w
hy
no
t a
ct o
ut
the
lines
yo
urs
elf
in f
ron
t o
f a
mir
ror?
E (a
in)
M (
br)
M (
uts
)
M (
b)
M (
st)
OO
(o
)O
(p
)W
(w
h)
W (
you
)
W (
you
r)
W (
you
)
W (a
)
E (t
)
E (n
e)
A (a
re)
O (d
)
O (
go
ne)
O (
or)
O (
nu
)
O (
go
)
W (
oin
g)
A (
lad
)
A (a
d)
A (
ha
ve)
A (
ha
s)
10
!"#$%$&&'())*+,%-./0"!11'''23:22
3453657323'''2484=
Ou
r st
ory
en
ds
wit
h G
ust
off
ca
ug
ht
up
in h
is o
wn
tra
p a
nd
An
na
rel
easi
ng
him
o
nly
aft
er h
e p
rom
ises
nev
er t
o t
ry t
his
kin
d o
f th
ing
ag
ain
. Po
or
Gu
sto
ff -
h
e re
ally
do
esn
’t li
ke h
avi
ng
his
sis
ter
com
e to
th
e re
scu
e!
Post
-Pro
duct
ion
Edit
your
mov
ie
for a
wor
ldw
ide
audi
ence
CO
NG
RA
TU
LAT
ION
S!
You
’ve
com
e to
th
e en
d o
f th
e a
nim
ati
ng
. Did
yo
u t
ry s
om
eth
ing
si
mila
r? G
rea
t! N
ow
let’
s g
et t
he
resu
lts
on
to t
he
com
pu
ter
for
edit
ing
rig
ht
aw
ay.
I ca
n’t
wa
it t
o s
ee h
ow
it a
ll lo
oks
!
OK
! R
emem
ber
Gu
sto
ff...
act
as
if y
ou
are
rea
lly t
ied
up
in t
he
net
. Ver
y G
oo
d...
aa
an
d A
CTI
ON
!
Th
at’
s g
rea
t ...
sm
ile
an
d w
ave
, gu
ys!
Smile
a
nd
wa
ve!
AN
D C
UT.
Mo
st P
Cs
will
ha
ve a
pro
gra
mm
e lik
e
Mo
vie
Ma
ker,
for
exa
mp
le, t
ha
t a
llow
s yo
u
to e
dit
mo
vies
, wh
ile o
n M
ac,
it w
ill p
rob
ab
ly b
e iM
ovi
e.
Th
ere
are
ma
ny
oth
ers
- th
ey a
ll w
ork
in m
uch
th
e sa
me
wa
y, b
ut
wit
h d
iffe
ren
t la
bel
s fo
r th
e sa
me
thin
gs.
UPL
OA
DIN
G YO
UR
IMA
GES
Get
tin
g y
ou
r p
ho
tog
rap
hs
fro
m y
ou
r ca
mer
a t
o y
ou
r co
mp
ute
r sh
ou
ld b
e ju
st a
m
att
er o
f co
nn
ecti
ng
up
th
e ca
mer
a a
nd
tu
rnin
g it
on
.
Follo
w t
he
on
-scr
een
op
tio
ns:
yo
ur
com
pu
ter
will
ask
yo
u t
o s
ave
yo
ur
ph
oto
s.
Cre
ate
a n
ew f
old
er s
pec
ially
fo
r th
is a
nim
ati
on
– le
t’s
call
it ‘F
ish
ing
fo
r B
ird
s’.
Ou
r fi
rst
sho
ot
is o
ver.
LET
’S G
ET E
DIT
ING
A
ND
SEE
HO
W IT
LO
OK
S!
A m
ovie
edi
tor p
rogr
amm
e ha
s thr
ee m
ain
feat
ures
2. T
he
mo
nit
or,
wh
ere
we
view
th
e re
sult
s o
f th
e ed
itin
g.
1. T
he
sto
rag
e, w
her
e w
e st
ore
an
d f
ind
all
the
file
s –
ima
ges
an
d s
ou
nd
s –
tha
t w
e ca
n m
ix a
nd
ed
it t
og
eth
er.
3. T
he
tim
elin
e, w
her
e w
e p
ut
the
mo
vie
tog
eth
er a
nd
ad
d
spec
ial e
ffec
ts a
nd
so
un
d.
Spen
d a
few
min
ute
s ex
plo
rin
g t
he
mo
vie
edit
or
pro
gra
mm
e.
1U
nd
er t
he
File
men
u o
r fr
om
th
e sh
ort
cut
links
, ch
oo
se t
he
Imp
ort
ta
sk, a
nd
bro
wse
th
rou
gh
yo
ur
com
pu
ter
to w
her
e yo
u h
ave
sa
ved
yo
ur
ima
ges
. Sel
ect
all
you
r im
ag
es in
to o
ne
gro
up
an
d h
it Im
po
rt.
2O
nce
th
e im
ag
es a
re im
po
rted
, th
ey w
ill a
pp
ear
in t
he
sto
rag
e a
rea
u
nd
er C
olle
ctio
ns.
No
w is
a g
oo
d t
ime
to s
ave
th
is p
roje
ct, s
o g
o t
o t
he
File
men
u a
ga
in a
nd
sa
ve ‘F
ish
ing
fo
r B
ird
s’ a
s a
Mo
vie
Ma
ker
pro
ject
.
No
w, t
o s
ee h
ow
th
ose
ph
oto
gra
ph
s yo
u h
ave
ta
ken
wo
rk a
s a
mo
vie:
h
igh
ligh
t a
ll yo
ur
still
s a
nd
dra
g t
hem
do
wn
into
th
e ti
mel
ine.
On
ce
they
are
all
lined
up
in t
he
tim
elin
e, c
lick
on
th
e P
lay
bu
tto
n a
nd
en
joy
the
MA
GIC
OF
AN
IMA
TIO
N! V
iew
it a
few
tim
es b
efo
re d
oin
g a
ny
edit
ing
.
3
Ma
ke s
ure
yo
u s
et
you
r im
po
rte
d im
ag
e t
o .1
25
seco
nd
s in
th
e V
iew
Me
nu
/ O
pti
on
s
1312
!"#$%$&&'())*+,%-./0"!11'''27:2;
3453657323'''2484=
GOO
D N
ETIQ
UET
TE
If y
ou
nee
d t
o d
elet
e a
fra
me
tha
t yo
u d
on
’t w
an
t, ju
st c
lick
on
it in
th
e ti
mel
ine
an
d h
it D
elet
e.
To m
ake
a f
ram
e la
st lo
ng
er o
r sh
ort
er, s
elec
t th
e fr
am
e a
nd
dra
g t
he
‘ha
nd
les’
ou
twa
rds
or
inw
ard
s –
cha
ng
ing
th
e im
ag
e w
idth
ch
an
ges
th
e ti
me
it la
sts
in t
he
mo
vie.
You
ca
n a
lso
exp
erim
ent
wit
h a
ra
ng
e o
f ef
fect
s u
nd
er t
he
Too
ls m
enu
an
d V
ideo
Ef
fect
s.
Fin
ally
, to
pu
blis
h y
ou
r a
nim
ati
on
, go
to
File
/ S
ave
Mo
vie.
In S
etti
ng
s, s
elec
t O
ther
…
an
d s
cro
ll d
ow
n t
o V
ideo
fo
r b
roa
db
an
d f
ile c
on
ten
t (1
50 k
bp
s to
tal)
an
d c
lick
OK
.
4 5 6
7 8
No
w m
atc
h u
p y
ou
r im
ag
es t
o t
he
voic
e yo
u h
ave
just
rec
ord
ed b
y d
rag
gin
g t
he
rig
ht
ima
ge
for
the
rig
ht
sou
nd
into
th
e ti
mel
ine
at
the
po
int
wh
ere
you
nee
d it
. As
you
g
o a
lon
g, y
ou
ca
n p
ress
Pla
y o
n t
he
mo
nit
or
to s
ee h
ow
wel
l th
e so
un
ds
fit
wit
h t
he
pic
ture
s (‘
lip-s
ynci
ng
’). I
t’s
easy
th
en t
o m
ove
th
e im
ag
es a
bo
ut
to m
atc
h t
he
rig
ht
mo
uth
sh
ap
e a
nd
fa
ce e
xpre
ssio
n t
o t
he
wo
rd o
r so
un
d. Y
ou
ca
n a
lso
ea
sily
pu
ll in
ex
tra
ima
ges
or
a b
ette
r im
ag
e fr
om
yo
ur
ima
ge
colle
ctio
n f
old
er. J
ust
dra
g a
nd
dro
p
it o
n t
he
tim
elin
e w
her
e yo
u t
hin
k it
sh
ou
ld g
o. R
emem
ber
: if
it’s
th
e w
ron
g im
ag
e,
you
ca
n ju
st d
elet
e it
fro
m t
he
tim
elin
e a
nd
try
a d
iffe
ren
t o
ne.
Plu
g y
ou
r m
icro
ph
on
e in
to t
he
com
pu
ter,
swit
ch
it o
n a
nd
sta
rt r
eco
rdin
g y
ou
r vo
ice.
Clic
k St
art
N
arr
ati
on
. Wh
en y
ou
ha
ve f
inis
hed
rec
ord
ing
w
ha
t yo
u w
an
t yo
ur
cha
ract
er t
o s
ay,
clic
k St
op
N
arr
ati
on
. Mo
vie
Ma
ker
will
pro
mp
t yo
u t
o s
ave
yo
ur
sou
nd
file
an
d p
lace
it o
nto
th
e ti
mel
ine.
You
ca
n c
ha
ng
e th
e o
rder
of
fra
mes
an
d r
e-u
se c
erta
in f
ram
es (
for
exa
mp
le,
mo
uth
sh
ap
es a
nd
fa
cia
l exp
ress
ion
s, e
tc.)
by
usi
ng
th
e u
sua
l co
py
an
d p
ast
e/d
rag
an
d d
rop
met
ho
ds.
To
giv
e A
nn
a a
vo
ice,
yo
u n
eed
to
clic
k o
n t
he
mic
rop
ho
ne
ico
n o
n t
he
tim
elin
e.
Just
pu
ll it
into
th
e ti
mel
ine
YOU
HA
VE A
RA
NGE
OF
OPT
ION
S FO
R W
HAT
TO D
O W
ITH
YO
UR
MO
VIE
:
Put
you
r m
ovi
e o
n y
ou
r p
ho
ne.
Em
ail
it t
o f
rien
ds.
Pu
t it
up
on
Yo
uTu
be.
Sen
d
it t
o A
nim
ata
zz t
o b
e in
clu
ded
in o
ur
an
ima
tio
n
mo
vie
ga
llery
!
Wh
en p
ost
ing
mo
vies
on
th
e in
tern
et,
keep
yo
ur
cred
its
sho
rt. O
pen
wit
h y
ou
r m
ovi
e ti
tle
an
d p
lace
all
oth
er c
red
its
at
the
end
.
Sen
d it
to
An
ima
tazz
to
b
e in
clu
ded
in o
ur
an
ima
tio
n
mo
vie
ga
llery
Fish
ing
fo
r B
ird
s
USI
NG
THE
AN
IMA
TAZZ
WEB
SITE
If y
ou
r m
ovi
e m
eets
ou
r a
pp
rova
l, A
nim
ata
zz.c
om
will
ho
st y
ou
r m
ovi
e in
ou
r m
ovi
e g
alle
ry a
nd
on
th
e A
nim
ata
zz c
ha
nn
els
of
oth
er s
ha
rin
g s
ites
su
ch a
s Yo
uTu
be.
An
ima
tazz
.co
m is
a s
ecu
re r
eso
urc
e fo
r p
eop
le in
tere
sted
in t
he
ma
kin
g o
f st
op
-m
oti
on
an
ima
tio
n m
ovi
es, b
rin
gin
g t
og
eth
er in
form
ati
on
an
d r
eso
urc
es f
rom
m
an
y a
rea
s o
f st
op
-mo
tio
n a
nim
ati
on
mo
vie-
ma
kin
g.
An
ima
tazz
.co
m h
as
a b
log
wh
ere
you
ca
n s
ha
re a
nim
ati
on
tip
s w
ith
oth
er
enth
usi
ast
s. T
he
site
is p
ack
ed w
ith
tec
hn
ica
l hin
ts a
nd
lin
ks t
o o
ther
an
ima
tio
n
serv
ices
th
at
you
ma
y w
an
t to
try
, fo
r ex
am
ple
, ap
plic
ati
on
s fo
r a
ud
io e
dit
ing
a
nd
fra
me
cap
turi
ng
.
An
ima
tazz
.co
m a
lso
hel
ps
tea
cher
s, p
are
nts
an
d g
ua
rdia
ns
get
th
e m
ost
fro
m
the
An
ima
tazz
exp
erie
nce
as
edu
tain
men
t.
No
te t
o p
are
nts
: An
ima
tazz
.co
m a
dh
eres
to
a s
tric
t ch
ild p
rote
ctio
n p
olic
y a
nd
a
pp
lies
firm
web
eth
ics
in it
s ru
nn
ing
. It
is a
sa
fe e
nvi
ron
men
t fo
r ch
ildre
n t
o
exh
ibit
th
eir
mo
vies
as
wel
l as
enjo
y th
ose
of
oth
ers.
Th
e A
nim
ata
zz t
eam
ch
ecks
ev
ery
mo
vie
fro
m s
tart
to
fin
ish
bef
ore
it is
po
sted
.
1514
!"#$%$&&'())*+,%-./0"!11'''2<:24
3453657323'''2484=
Phew, I’m tired after all that movie work, but it was great fun,
wasn’t it?
They have a red carpet for us, and Fishing for Birds up
in lights!
And we still have to go to the premiere!
Club Animatazz Ltd Guiness Enterprise Centre Taylor’s Lane Dublin 8
© Club Animatazz Ltd 2008. www.animatazz.com
© 2010 Drumond Park Limited www.drumondpark.com
!"#$%$&&'())*+,%-./0"!11'''26 3453657323'''2484=