an american utopia and its global audiences: transnational perspectives on edward bellamy’s...
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An American Utopia and Its Global Audiences: Transnational
Perspectives on Edward Bellamys Looking Backward*
CARL J. GUARNERI
Looking Backward, Edward Bellamys socialist utopia of 1888, has been celebrated as an
American bestseller and has been extensively analyzed in relation to late nineteenth-
century American culture and society.1
Much less discussed, although well documented,
is the fact that Bellamys novel enjoyed a huge success beyond Americas borders.
WhileLooking Backwardtook its final shape as a romance of the ideal nation, Bellamy
intended it as a romance of an ideal world (Bellamy Speaks 200). Because global
readers were able to separate the books message from its American origins,Looking
Backwardbecame an international sensation. It sold more than half a million copies in
the United States in its first two decades, a quarter million in England, and perhaps two
million elsewhere. Translated into many languages, it appeared, often in multiple
editions, throughout Europe, in Russia, Australia, New Zealand, and even Japan
(Bowman, Year 2000, 121). Thousands of readers in these places testified that Bellamys
utopia changed their lives, and leaders of many social and political movements credited it
with spreading their doctrines successfully. In 1935, when they were asked to name the
ten most influential books worldwide of the previous fifty years, the philosopher John
Dewey and historian Charles Beard placedLooking Backwardsecond only to MarxsDas
Kapital. (Sadler 553) If an analogous survey were taken in Britain or Germany, the
results would probably have been similar.
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Little about Edward Bellamys biography beforeLooking Backwardpresaged
such global influence.2
Sickly, introspective, and bookish, Bellamy grew up in an
established middle-class household in Chicopee Falls, Massachusetts and spent most of
his adult life within walking distance of it. Many commentators have detected strains of
nostalgic anti-urbanism in this village utopian; fewer have noticed that Bellamys
village became an industrial city during his youth and that Bellamy hungrily absorbed
worldly ideas and information from his travels to Boston, New York, and Germany.3
Ambition, curiosity, and a lifelong habit of detachment made Bellamy a cosmopolitan
even in his provincial location. After a year of college Bellamy spent the winter of 1867-
68 in Dresden, which introduced him to European urban life. In 1871 he took a job as a
reporter for the New YorkEvening Post, where he filed stories about Tammany Hall and
striking workers and met veterans of the antebellum Fourierist movement. When
Bellamy returned to Chicopee Falls in 1872 he saw its industrial transformation through
new, more critical eyes. That year he gave an admiring address on Socialism to the
local lyceum and became the literary editor of the Springfield Union, a post that allowed
him to read widely in British and American social literature. Bellamys own literary
career began with psychological tales modeled on Nathaniel Hawthornes short stories,
but privately he longed to write a great book that would address the broadest questions
of social organization. By 1886 the impact of the Haymarket Riot and concern for his
young childrens future made his fictional treatise an urgent priority. When Bellamy
described the hero of an unfinished story that year, he was really describing himself:
Cured once and for all of Hermitism and self-absorption, he plunges with enthusiasm,
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with tremendous earnestness into the study of social conditions and develops
nationalism (qtd Thomas 168). Looking Backwardwas the result.
Bellamy harbored hopes that his book would give the voters ... a platform worth
voting for, and he took an immediate interest in stimulating foreign sales (Thomas 265).
Still, he was unprepared forLooking Backwards overnight success at home and abroad.
Hundreds of thousands of readers in North America, Europe, and Australasia were
moved, outraged, and inspired by Bellamys utopia. Three examples suggest the depth of
their engagement. The first is one among dozens of conversion stories, so numerous that
they almost constitute a genre. Philip Winser, a landowner in Kent, England, was the
eldest son of a dissenting Unitarian family. By his own account Winser had been
pondering the anomalies of society, and how it was that the hardest workers seemed
to get the worst of it. The answer came to him when he read Bellamys book. He wrote
immediately to the Boston Bellamy Club and was informed about a utopian colony
already underway in California, the Kaweah Cooperative Commonwealth. Dropping
everything, Winser sold the family farm and sailed from Liverpool. In Boston he met
Bellamy, who tried to talk him out of the colony scheme. The time for such small
escapist colonies was past, Bellamy announced; the best way to revolutionize society was
to work directly through national politics toward a socialist state. Undeterred, Winser
crossed the continent, climbed on a Sierra Nevada stagecoach, and arrived at Kaweah in
1891 (Hine 85-6).
The second example comes from Italy. In the city library of Ferrara, there is a
heavily marked copy of the ninth edition of an Italian translation ofLooking Backward.
On its front pages and throughout its margins, half a dozen readers from the year 1913
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signed their names and heatedly debated the book. Some welcomed Bellamy as a
socialist comrade, others endorsed or questioned features of his utopia, and each argued
vehemently in the margins with other readers over the books merits (Fink 346-8). These
readers anticipated by nearly a century the impassioned and often contentious responses
that readers post today on bookstore and interest-group websites.
A third, much smaller set of readers prefigured a different response that has
become common today: they glimpsed the specter of Americanization haunting
Bellamys promised land. Although Bellamy projected Boston of 2000 as a socialist
utopia, he visualized it as an extension of an American consumer-style society.Looking
Backwardanticipated modern capitalisms mail catalogs, shopping malls, and credit
cards as well as its labor-saving gadgets and electronic entertainment. One early
twentieth-century French critic complained that Bellamy, like the American corporate
plutocrats he claimed to oppose, dreams of rebuilding the world on the model of an
American general [i.e., department] store (Victor Dupont, qtd. in Levin 297).
Such passionate responses were not uncommon. Looking Backwardprompted the
publication of more than forty utopian novels as rejoinders in the United States and at
least a dozen more in Europe. Its appearance led to long book reviews that warned
potential readers away from its allegedly dangerous messages. And although Bellamy set
out to attract readers to his specific state-socialist creed, his utopia produced an
amazingly diverse cohort of converts. Crusading Protestant ministers, American
feminists, Australian trade unionists, British town planners, Bolshevik propagandists,
French technocrats, German Zionists, and Dutch welfare-state advocates lavished praise
uponLooking Backward, and each group claimed to realize its ideals. Against the limited
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national horizons of much American literary scholarship, these responses affirm that
Looking Backwardbecame a transnational intervention, a treatise in the form of fiction
that joined an ongoing international debate about the future of industrial society. Bellamy
was no doubt surprised by the books global reach, but he welcomed opportunities to
publish translations ofLooking Backwardand to address foreign events and audiences in
the pages of his Nationalist periodicals.
Why wasLooking Backwardso popular throughout the western world between
1888 and the outbreak of World War II? How did its construction as a literary utopia
inspire widely divergent responses among reviewers and activists? Where did readers
position Bellamys book in debates over socialist internationalism and revisionism?
What role did different national contexts and conversations play in filtering the global
reception of Bellamys utopia? What resonances didLooking Backwardhave for
audiences in different social and national settings, and why?
Asking such questions moves us away from the insularity of traditional American
studies scholarship and its obsession with uniquely American literary traits and points
toward transnational contexts and themes. In the second half of the twentieth century, as
Looking Backwardtransitioned from political influence to scholarly consideration,
commentary inside the U.S. initially adopted the dominant exceptionalist premises of the
American studies movement. Beginning in the 1950s several studies featuring myth-
and-symbol approaches or more traditional literary history methods located Bellamys
utopia in pre-eminently American traditions such as Puritanism, Transcendentalism,
Progressive liberalism, and technological optimism. Most of these studies analyzed the
genesis and content of Bellamys views, not their impact. Some examined how
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Bellamys utopia attempted to reconcile his American cultural inheritance with modern
American lifePuritan guilt with democratic free will, individualist initiative with
Darwinian evolution, agrarian values with industrialism.4Others explored the internal
tensions and contradictions of Bellamys vision and those of other American utopian
writers.5
This kind of commentary continues to appear, but since the 1980s it has
overshadowed by more internationally-informed and ideologically explicit perspectives.
One approach has been to revive intramural socialist debates in more sophisticated form
In a study by Arthur Lipow Bellamys Nationalist creed is fingered as the ideological
precursor of authoritarian socialists in America and Europe, while Matthew Beaumont
reducesLooking Backwardin orthodox Marxist fashion to a reformist anodyne. But the
dominant thrust of recent scholarship takes aim at the messianic nationalism and
consumerism that are said to undermine Bellamys utopia and to prefigure the ills of
todays U.S.-led globalization. Studies by Thomas Peyser and Philip Wegner suggest
that Bellamy envisioned--and probably approved--the impersonal consumer culture that
America is now spreading around the world. Analogous studies by Susan Matarese tie
Bellamy to the missionary impulse of U.S. foreign policy, discovering inLooking
Backwardthe nave and potentially dangerous confidence that American society
represents universal ideals which should be imitated globally. These books flesh out a
version, specifically centered on Bellamy, of the cultural imperialism argument that
critics have adopted to denounce the imposition of American capitalist and consumerist
values abroad (Tomlinson). Yet none test such claims against the actual reception of the
book within or outside the U.S.
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Kenneth Roemers Utopian Audiences addresses this shortcoming by offering a
multi-faceted interpretation ofLooking Backwardbased on reader-response theory. This
intriguing and playful study explores various readings ofLooking Backwardin the past
and present, ranging from Bellamys commentary on his own book and reactions by
reviewers in the 1890s to the impressionsLooking Backwardmakes on college students
today. Although Roemer includes only snippets of commentary from readers outside the
U.S., his book offers two important insights conducive to a transnational approach. First,
he embeds his work in textual analysis by discussing the particular qualities of the literary
utopia as transnational genre. Second, by examining a multiplicity of responses to
Looking Backward, Roemer shows how readers use their social contexts and personal
lives to locate, interpret, and transform cultural products they encounter. Both of these
insights can assist us as we followLooking Backwards international career.
The argument presented here attempts to bring a genre-based approach to literary
utopias into dialogue with specific information about readers responses toLooking
Backwardduring its international run. Two bodies of scholarship have done much of the
theoretical and factual groundbreaking that makes this synthesis possible. Roemer,
Darko Suvin, Gary Morson, Peter Ruppert, and others have dissected the hybrid nature of
utopian fictions and offered explanations for how literary utopias narrative tensions help
both to disorient and to engage their readers. Meanwhile, scholars interested inLooking
Backwards reception can draw upon detailed accounts in biographies of Bellamy,
several studies of Bellamys influence on American politics and reform, and an excellent
but neglected collection of essays edited by Sylvia Bowman,Edward Bellamy Abroad.
My indebtedness to these works should be apparent in this essay and bibliography.
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My presentation is arranged in three parts, each reflecting different but related
angles of approach. The first centers on qualities of the text. By consideringLooking
Backwardas a contribution to utopian fiction rather than as a characteristic product of
American culture, I suggest how literary utopias like Bellamys lend themselves to
multiple readings and sketch out some of the resulting divergent responses to Looking
Backward. The other two sections focus on context more than text. By situatingLooking
Backwardin the debate over industrial capitalism, socialism, and the state that occupied
the industrialized West between 1890 and World War II, I discuss how Bellamys novel
helped create a transnational literature that shaped an international socialist community.
Finally, I examine briefly the comparative reception of Bellamys novel in several
western countries. This reveals some collective patterns in the process by which readers
located, rejected, and transformed the books message according to local debates and
national cultural understandings. In an informal way each section of this essay is meant
to showcase a different transnational approach to the reception of Bellamys utopia, and
to others by implication: first a genre-based approach, then a transnational history of
ideas, and finally comparative analysis. It may be true, as Kenneth Roemer writes, that
we will never know exactly whyLooking Backwardbecame so influential (Text and
Context 206). But I believe that internationalizing our frame of analysis and linking the
qualities of the text to the historical record of its reception can give us a fresh response to
this question, one appropriately scaled to Bellamys era of economic and cultural
globalization, and our own.
Four Elements of Utopia and Their Impact
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Like many modern utopias,Looking Backwardis a hybrid literary form, blending
separate but related projects, sometimes quite awkwardly, into a single tale. Analysis of
utopias as hybrid constructions has been developed in works by Morson and Ruppert,
who emphasize their jarring but often effective juxtaposition of disparate narrative forms.
Suvin introduced the concept of cognitive estrangement to capture the techniques of
distancing and disorientation that detach readers of utopias and science fiction from their
own society and prepare them to accept its inversion. Suvin, Kumar (Utopia and Anti-
Utopia), and others have emphasized Bellamys skill at portraying the daily detail of life
in utopia, giving readers a comfortable feel for a future that seemed both desirable and
plausible. Roemer has insightfully counterposed this familiarization with Suvins
estrangement in his discussion ofLooking Backwards appeal (Contexts and Texts 216-
23; Utopian Audiences 111-12).6
This essay offers an alternative synthesis of text and context, one that absorbs the
analysis of estrangement and familiarization into a framework that considers four
intentional components of Bellamys utopian hybrid, and that links each with specific
responses in the historical record. Looking Backwards tremendous popularity broadcast
four related but different utopian projectsa social critique, a tale of social
transformation, an organizational blueprint for the ideal society, and a futurist picture of
daily life--in an attractive fictional package. Readers who unpacked Bellamys narrative
could select, argue with, endorse, or extend any one of its elements, or even combine
them in new ways. Whether open-ended, radical, reformist, or conservative, the four
components of futurist utopias include a variety of arguments, ideas, and images to nudge
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readers in various directions, to provoke their agreement or disagreement, to encourage a
selective reading, or to inspire them to follow their own course.
As Frank and Fritzie Manuel demonstrated, when the idea of progress spread in
the eighteenth century the emblematic Western utopia shifted from description of a
Golden Age or faraway land to a visit to the blissful future, often in the same place
centuries later (4). In the nineteenth-century wake of revolution and industrialization,
utopias, whether embodied in early socialist tracts or fictional fantasies, became
blueprints for an ideal society and programs of social transformation. Looking Backward
was among the first literary utopias to take this path. Bellamy claimed that he initially
imagined his novel in traditional utopian terms as a fairy tale of social felicity (Bellamy
Speaks 199). As the project developed, he became convinced that the seeds of future
happiness were visible in the present beneath the surface chaos of industrial capitalism.
The same processes of mechanization and centralization that capitalists were deploying
could be harnessed to the public good. In an appendix toLooking Backward, Bellamy
called it a forecast, in accordance with the principles of evolution, of the next stage in
the industrial and social development of humanity (312).
Exactly how would society pass from the misery of extreme inequality to the
felicity of Boston in the year 2000? In the novel Bellamy used a version of the
traditional magic-trick voyage to utopia: he has his hero Julian West fall asleep under the
influence of a mesmerist and wake up 113 years later. But commitment to genuine social
transformation required a specific and plausible scenario by which an entire society might
become utopian. In Bellamys collective magic trick, the gigantic corporate trusts
become the publics Great Trust when the people stage a nonviolent coup, taking over
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consolidated business and capital and organizing them as an enormous public operation.
Because the change was seen as rational and in everyones interest, it was not opposed by
the capitalists or the result of class warfare, but arrived peacefully when all groups rallied
to the National Party.
Looking Backwardwas short on the details of this transformation, as many critics
noted, but Bellamy made it clear that a chain of individual conversions had prepared the
way for a social miracle. Despite the environmental determinism implied by Bellamys
utopia, in which new economic arrangements induce changed behavior, Bellamy traced
the origins of the Great Change to a religion of solidarity that had replaced the
individualist ethos of capitalist society. He presented the redeemed Boston of 2000 as a
secularized version of Christs second coming, underscored by the fact that Julian West
woke up on the day after the first Christmas of the third millennium. InEquality (1897),
his sequel toLooking Backward, Bellamy made Nationalisms religious underpinnings
even more explicit by describingthe final phase before the Great Change as a
spontaneous religious outpouring called The Great Revival.
Much of the structure and drama ofLooking Backwardis designed to promote
among readers a conversion experience akin to this collective transformation. Bellamy
intended Julian Wests pilgrimage from confused traveler to appreciative guest and then
full-fledged convert as a model for readers. He used several devices to deepen readers
identification with Julian, including describing in intricate psychological detail Wests
disorientation as he threw off his old beliefs, charting his growing euphoria as he took on
the new, and playing on Wests and the readers guilt over not doing more to hasten the
millennial day.
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In another, quite different story he told of the books origins, Bellamy explained
that his romantic plot was meant to sugarcoat a definite scheme of social reorganization
(Bellamy Speaks202). In the fall or winter of 1886, he wrote,
I sat down to my desk with the definite purpose of trying to reason out a
method of economic organization by which the republic might guarantee
the livelihood and material welfare of its citizens on a basis of equality
corresponding to and supplementing their political equality. (Bellamy
Speaks 223-4)
The arrangements of Boston in 2000 followed as logical consequences from the
principles of equality and collective ownership. In Bellamys centralized economy
industry has been nationalized and the equal distribution of its products rationalized. All
able-bodied Bostonians serve from young adulthood until age forty-five in the industrial
army and receive the same annual income. Because the army is so productive there are
enough goods to sustain everyone in comfort, to construct magnificent parks and public
buildings, and to guarantee sustenance and leisure to retirees. Leaders of the productive
force are elected from men who have advanced through the army hierarchy, and the
nations president is selected among them by vote of retirees. Since the system functions
so smoothly there is no need for politics, legislation, or a criminal system.
Bellamy made this schematic and rather rigid plan for the future comprehensible
and inviting to readers by extrapolating several of its features, from its modes of
production to its household conveniences, forward from the world of the 1880s. Although
Julian Wests guide Dr. Leete tells him that the Bostonians organizational plan is meant
to settle the major questions of social order for all time, Julian also learns about
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labor-saving devices, schemes of mental and physical improvement, and other inventions
that are being developed by the utopians (230). Bellamy incorporated predictions of
radios, credit cards, airplanes, and pneumatic-tube transport systems into his utopia of
2000. Yet for all these innovations Bellamy was intent on reassuring middle-class
readers that their way of life would not have to change substantially. Culturally, Boston
of the year 2000 remains astonishingly Victorian, and Julians hosts still dress, speak, and
act like proper nineteenth-century Anglo-Americans. Julian engages in a chaste ritual of
courtship that conformed to middle-class conventions in 1888 but would seem quaint or
even ridiculous to actual audiences a century later.
Unlike the social blueprint ofLooking Backward, which is deduced from
principles about the good society, its predictive features are inductive and provisional, the
result of the authors scanning of present society and projecting current trends forward.
In the novel a different narrative technique accompanies each element: the blueprint is
explained through conversation while the predictions are demonstrated in details of
everyday life. In this game of show and tell prescription and prediction embody
opposing ideological tendencies. The prescription radically inverts the wrongs of present
society and appeals to readers desire for change, while the prediction portrays a future
only incrementally different from the present, reassuring readers that the coming change
will not be jarring. Because it shows how close the real and ideal worlds are, utopian
prediction performs a more conservative function than utopian planning.
Looking Backwardthus offered a scenario for social change, an organizational
blueprint for utopia, and a predictive, reassuring speaking picture of the future. Still,
the most widely acclaimed aspect of the book was its fourth feature: its critique of
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nineteenth-century competitive capitalism and the ideologies that legitimized it. Since
Bellamy rehashed themes that were common currency among socialists and other
commentators, his novel included little original social criticism. Instead, it was the way
his book indicted present society that compelled readers and demonstrated the distinctive
power of literary utopias. Roemer (Contexts and Texts), Kumar (Utopia and Anti-
Utopia, 167), and others have described the techniques of contrast and distancing that
made the critical dimension ofLooking Backwardso effective: its narrative inversion of
telling people of the future about the readers world instead of the conventional opposite;
its dramatic and simple contrasts between then and now; and its frequent use of
analogies and parables.
The novels most famous passage offered an extended metaphorical riff on
competitive capitalism. InLooking Backward, Bellamy compared nineteenth-century
society to a coach being driven by hunger on a sandy road. Its passengers range
themselves in seats on levels reflective of their class situation. The wealthy ride
comfortably on top but are periodically disturbed by bumps in the road that might throw
them off, or by complaints from the workers who pull the coach, who threaten to stop.
Generally the rich mollify the workers by pep talks, religious consolation, philosophical
justifications, and other salves and liniments, even as they solidify their position
through inheritance and come to believe themselves naturally superior. Most sincerely
believe that the situation cannot be helped. In this compact analogy Bellamy managed to
condemn capitalist inequality, to satirize the use of class, religious, and economic
ideologies to legitimize it, and to mock the prevailing fatalist sentiment that there was
no other way in which Society could get along (98).
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This indictment, likeLooking Backwards tale of transformation, its prescriptive
blueprint, and its futurist projections, contained enough details and ambiguities to prod
readers in many different directions. Capacious and paradoxical, utopian fictions like
Looking Backwardpresent readers with an attractive but often confusing mixture of the
novel and familiar, challenge and comfort, criticism and hope. How audiences absorb or
select these messages--a process that is mediated by their understandings, interests, and
commitments--conditions their response to the book.
Because Bellamys indictment of late nineteenth-century society was couched in
both structural and moralistic terms, for example, it appealed to a range of social critics.
Dispassionate analysis and extended metaphors lentLooking Backwardan air of
authority and impartiality. No particular group was responsible for the coachs bumpy
ride, and all were victimized by it in different ways. Detached and impersonal,Looking
Backwardindicted a flawed system rather than its builders or upholders. This especially
pleased educated middle-class readers, who expressed relief not to find class hatred in
Bellamys story; army veterans, who praised the application of military discipline to
peacetime production; and professionals, who seconded Dr. Leetes detailed indictment
of the wastes of capitalism rather than its injustice. We make no war upon individuals,
declared the manifesto adopted by American Nationalist Clubs. We do not censure those
who have accumulated immense fortunes simply by carrying to a logical end the false
principles upon which business is now based (Bellamy Speaks 23).
Ironically, Bellamys emphasis on capitalisms inefficiencies and structural
inequalities also attracted committed revolutionaries. Looking Backwards coach analogy
was widely approved by socialist reviewers, whose commitment to the scientific (i.e.
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Marxist) approach favored structural critiques and discouraged ad hominem attacks on
capitalists. The Parable of the Water Tank, a pseudo-biblical story that Bellamy
inserted inEquality,was read as an allegory of Marxs theory of surplus value and an
indictment of worker exploitation under capitalism. Produced in pamphlet form, the
Parable proved tremendously popular during the Russian Revolution of 1905. After
the Bolshevik Revolution of 1917 Soviet authorities distributed over 250,000 copies
(Nikoljukin 71-3).
On the other hand, the novels moralistic indictment of capitalist competition
attracted readers moved by ethical concerns to question their society. Julian Wests
nightmare return to the inhumanity of nineteenth-century Boston mesmerized Leo
Tolstoy, who heavily marked the passage in his copy ofLooking Backwardin 1889 and
immediately arranged for the first Russian translation (Nikoljukin 67-8). The Dutch poet
and idealist Frederick van Eeden, the founder of a short-lived cooperative agricultural
colony called Walden, dismissed Bellamys future as impossibly perfect and ...dull but
found his criticism of contemporary society clear and penetrating (Zylstra and Bogaard
223). Not surprisingly, readers who fixed upon one version of Bellamys social critique
disagreed not only with each other but took issue with other parts of Bellamys book.
Moralists like van Eeden tended to find Bellamys blueprint too mechanical and
deterministic while structuralists criticized Bellamys gradualist scenario as
implausible, whether too fast (from a realistic standpoint) or toopeaceful and
bourgeois (from a Marxist revolutionary perspective).
Still, the idea of a gradual and peaceful social revolution had a seductive appeal.
Bellamys specific contribution to reformist socialism in the industrialized West will be
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discussed in the next section of this essay. Meanwhile, a related theme that emerges from
reader responses is Bellamys ability to imbue socialism with religious significance, a
feature that helped to produce many reader conversions.
Bellamys message of collective responsibility through the religion of solidarity
and his absorption of Christian millennialism into socialist teleology madeLooking
Backwardcompelling reading to adherents of new religious creeds that promoted this-
worldly utopias. Looking Backwardwas recommended by Helena Blavatsky, the founder
of the eclectic East-West creed Theosophy, and her followers played prominent roles in
the New England and California Bellamy associations. The British Theosophist Annie
Besant championed Bellamys book among the Fabians. Theosophists identified
Bellamys beliefs with their own goal of universal brotherhood, their faith in social
change through consensus, and their merging of individual identities with all of
humanity. In their eyes, both Theosophy and Bellamys Nationalism were religions of
solidarity (Morgan 260-75; Bowman,Bellamy Abroad385-405).
There was an especially productive synergybetween Bellamys socialist
millennialism and the left wing of the Anglo-American Protestant Social Gospel
movement. Advocates of Social Christianity believed that society could be as sinful as
individuals, that the Bible foretold a kingdom of heaven on earth, and that Christian
socialism offered a godly solution to social problems. In 1889 W. D. P. Bliss and other
Social Gospel ministers who belonged to Nationalist clubs founded the American Society
of Christian Socialists, and six years later they formed the American Fabian League.
Through Blisss evangelizing a branch ofLooking Backwards American progeny can be
traced that led to the ministry of Americas most influential Social Gospel preacher,
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Walter Rauschenbusch, to Christian socialist support for Eugene Debss Socialist Party of
America, and to the reforms of the Progressive movement, the first phase of the
American welfare state (Bowman,Bellamy 116-9; Hopkins; Phillips).
Progressive reformers and parliamentary socialists shared with Christian socialists
the belief that individual conversion could be the linchpin of social transformation.
Bellamy succeeded to a remarkable degree in inducing conversion experiences. Philip
Winser was not alone in havingLooking Backwardchange his life. Readers testimonials
aboutLooking Backwardinclude dozens of striking conversion stories, some from
prominent American socialists like Eugene Debs and Norman Thomas, others from
journalists and academics around the world, and many from ordinary men and women,
students and workers. In memoirs, reviews, and letters, these readers reported being
shaken, startled, awakened, and inspired by Bellamys tale. This testimony may
exaggerate in retrospect the novels impact, but there is no denying its ability to win
readers hearts. Henry Holiday, a British artist, first readLooking Backwardwhen
pressed by one of his students.
On finishing the book I experienced a sensation unlike anything I had
known before. It was the sense of a strong hope, of a gleam of light
where all had been gloom, a feeling of exaltation, and a consciousness
that life offered something indeed worth living for. (214)
Winser, Holiday, and other readers reenacted the conversion of Julian West from horror
and guilt to hope, elation, and ultimately action. Bellamy had tremendous faith in the
power of books to effect social change. ThroughLooking Backwardhe succeeded not
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only in illustrating but in creating the intoxicating effect of hope on minds long
accustomed to despair (280).
Of allLooking Backwards features,the books organizational blueprint drew
perhaps the widest range of reader responses. Modern critics have noted the lack ofpictorial detail inLooking Backward, and such objections were also voiced in the 1890s.
One Italian reviewer complained that the author keeps us ...on the threshold of his
world, whose structure and regulations were described only summarily (Fink, 336).
But the generic quality of Bellamys utopia probably helped it to travel well. Looking
Backwards plan is universally applicable, not the product of a particular national context
or socialist sect. Its implementation is not conditioned by local or national traits, and the
ideal city of the future is abstract and placeless: Bellamys Boston, unlike William
Morriss London, is described so generally that it could be any city at all.
Freed from its specific locale,Looking Backwardcould easily be cleansed of its
superficial plot andread simply as a tract. By making his blueprint explicit and by
demonstrating its logic through Dr. Leetes explanations, Bellamy lent his novel the
authority of a textbook or treatise. Julian West functions as a stand-in for the reader by
asking questions and voicing doubts, while Dr. Leete provides clear responses and
effective counter-arguments. This catechistic question-and-answer mode persuaded at
least some readers who followed its logic. Alfred Russel Wallace, the British proponent
of evolutionary theory, testified that the logical power of Bellamys presentation
eliminated his doubts about socialism:
Every objection, every argument I had ever read against socialism was
here met and shown to be absolutely trivial or altogether baseless, while
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the inevitable results of such a social state in giving to every human being
the necessaries and enjoyments of life were made equally clear. (326 -7)
Not all were convinced. Wherever it appeared, Bellamys blueprint inspired
many types of literary and political responses and rejoinders. Although professional
reviewers, and many of the books translators, appraised the books literary qualities,
most spent more time evaluating its detailed plan of a working socialist future. The key
issues they discerned in Bellamys planthe viability (or desirability) of collectivized
wealth and equal distribution, the impact of a high degree of social organization on
individuals, the notion that social reconstruction or religious regeneration could change
human behavior, and the idea that family, church, and state would evolve into new
formsbecame the grist for approving or disapproving reactions. Literary responses to
Looking Backwardoften took the form of utopian fictions, and the book triggered a
decade-long surge in this genre. Solomon Schindlers Young West(U.S., 1894), Charles
Caryls The New Era(U.S., 1897), and Hansel TruthsAm Ende des Jahrausends
(Germany, 1891) sketched additional features of Bellamys new world. Arthur Birds
Looking Forward(U.S., 1899), William MorrissNews from Nowhere (Britain, 1890),
and S.F. SharapovsFifty Years Later(Russia, 1902) were among many direct responses
that offered alternative visions of the future. Richard Michaelis,Looking Further
Forward(U.S., 1890) and Ernst MuellersEin Rueckblick aus dem Jahre 2037 auf das
Jahr 2000 (Germany, 1891) were anti-utopian fictions that aimed to show the
impossibility or danger of Bellamys plan. Many more novels, including H. G. Wellss
When the Sleeper Wakes(Britain, 1899) and Theodor HertzlsAlteneuland(Austria,
1902), were prompted by the appearance ofLooking Backwardand sometimes borrowed
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its literary effects and character types. Among political activists, socialist and non-
socialist comentators in several countries staked out their positions, whether negative or
positive, on the books portrayal of life a century hence. In Dr. Leetes tours and lectures
these activists found enough particulars of the socialist future to select aspects of life in
2000 of which they approved or to single out specific features for criticism.
Among those who approved, Bellamys influence on feminism and urban
planning was particularly notable. These demonstrated how, when the books
dissemination coincided with nascent reform movements,Looking Backwards abstract
blueprint for the utopian future could inspire specific, practical ideas for change.
Bellamys feminism was limited and patronizing, steeped in Victorian stereotypes
about womens physical limitations and separate spheres. Despite its traditional ideas
about women, nearly every important American feminist of the 1890s praisedLooking
Backwardand affiliated with Bellamys Nationalist movement. What attracted them was
the way Bellamys economic guarantees promised to free women for independent
decisions about occupations and marriage (although such liberated women were not
among the books characters) and especially how Bellamys public laundries, central
kitchens, and communal dining houses (which were in fact described inLooking
Backward) freed women from household drudgery.
The feminist possibilities of Bellamys arrangements were sensed by Charlotte
Perkins Gilman and other advocates of cooperative housekeeping. Gilman made
apartment hotels, kitchenless dwellings, and housework by trained professionals part of
her influential feminist/socialist program for guaranteeing womens independence and
equality in practical terms. Other American feminists detached such features from
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socialism and linked them to various reform agendas, from the pure food crusade and
womens education to the settlement house movement and concerns for domestic
efficiency. As result, Bellamy was credited by turn-of-the-century feminists for such
measures as home economics curricula in schools, municipal kitchens and public
laundries, and cooperative boarding clubs (Hayden 134-49).
A similar convergence took place between Bellamys blueprint and new
developments in urban planning. AlthoughLooking Backwardprovided few details
about urban design in 2000, Bellamys generalized conception of the new Boston as a
composite of country and city life inspired Ebenezer Howard, founder of the Garden City
movement in England. Howard was fairly carried away byLooking Backwardand
arranged for a British edition to be published. Howard developed his plan for a British
Nationalist colony into Garden Cities of Tomorrow (1898), a treatise that brought him
fame and influence on both sides of the Atlantic. His vision of medium-sized satellite
cities extending into the countryside, community control over property rights, communal
dining halls, and a balance between rural and urban environments owed a strong debt to
Bellamys utopia (Macfayden 21). These conceptions returned across the Atlantic to
shape the agenda of American regional planners in the 1920s. (Thomas 361).
Finally, there is the quite different impact of Bellamys futurist extrapolations,
especially the technological inventions of 2000 that Bellamy described with obvious
delightradios, videophones, catalog stores, credit cards, airplanes, and pneumatic
transport systems. These predictive aspects ofLooking Backwardmade the future
attractive to many readers, but they also undermined with concrete details the collectivist
pieties voiced by Dr. Leete and linked Bellamy, despite his socialist objectives, to the
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dominant capitalist mores of his time. By leaving Victorian conventions of gender and
family untouched and by offering readers a world of corporate production and privatized,
abundant consumption, Bellamy portrayed a future in tune with the technological
advances and consumer capitalism of his day. It is not surprising that this aspect of the
book entranced many middle-class readers; it is equally unsurprising that it appalled
cultural radicals like William Morris, who deridedLooking Backwardas a materialistic
paradise whose middle-class preferences exposed its author as interested only in half
change: Bellamys socialism reorganized the economy, Morris wrote, but in other areas
of life, peoples ways of life and habits of thought will be pretty much as they are now
(Morris II: 50; Political Writings 336-7).
Looking Backwards influence among capitalists originated from Bellamys praise
for mechanized production and corporate organization, which some enthusiastic readers
simply detached from Bellamys program ofstate supervision. Arthur Lipow has
detected a thread of influence that passed from Bellamys followers to the scientific
management of Frederick W. Taylor, which was obsessed with efficiency through
specialization, and also to General Electrics Charles Steinmetz and other corporate
spokesmen who promoted their organizations as models for social progress (90-3).
More than Bellamys fascination with efficient production,Looking Backwards
portrait ofthe Bostonians life ofleisure and consumption gave readers a vivid,
reassuring, andin the industrialized West--accurate glimpse of their future. Instead of a
life that integrates work and play, the public and private, as envisioned by Morris and
radical cultural utopians, Bellamy presents a compartmentalized world where work and
leisure are kept apart and Victorian middle-class privatism prevails. Labor, considered
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inherently disagreeable, ends when Bellamys utopians reach age forty-five, followed by
decades of leisure, self-improvement, and consumption. Housework is simplified by
electric cooking, mechanical vacuums, and washing machines. Radio and videophones
offer in-home entertainment, and credit cards, covered streets, and mechanical delivery
make consumption pleasant. In line with the gendered conventions of his day, Bellamy
declared shopping one of womens special interests; his heroine, Edith Leete, admits to
being an indefatigable shopper (156). And like modern advertisers, Bellamy made the
taste for consumer goods an important badge of self-expression. An enormous
neighborhood emporium plays a central role inLooking Backward. Its luxurious domed
space is the first public building Julian West visits and the only one he describes in detail.
Its centralization of shopping exemplifies the efficiencies of utopia as does the
transmission of sales orders and goods via pneumatic tubes.
One of Bellamys American disciples, Maine businessman Bradford Peck,
developed a plan for enormous co-operative stores in his own utopian novel, The World a
Department Store (1900), and tried it out in a short-lived experiment in his hometown
(Davies). From Bellamy and Peck through the socialist muckraker Upton Sinclairs
campaign for governor of California in 1934, a direct current of influence extended that
created a chain of cooperative grocery stores in northern California (which lasted until
the 1980s), and a host of similar enterprises elsewhere (Neptune).
Another line of influence fromLooking Backward, less distinct but in the long run
more powerful, led not to consumer cooperatives but to corporate consumerism. Once
removed from the socialist blueprint that created it, Bellamys utopia of consumption and
leisure was invoked by advertisers of ovens that promised to relieve overworked
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housewives and replicate the ideal life of the twentieth century, as shown by Bellamy
(qtd. in Hayden 148). Directed at such audiences, Bellamys consumerist vision made his
utopia less an alternative to capitalist practice than an alternative version ofit. Eventually
Bellamys accommodation of socialism to nineteenth-century middle-class norms,
especially evident in his consumerist fantasies, helped to prepare readers for the capitalist
futurism ofthe early twentieth centurys worlds fairs, with their promise of better living
through technology and their unveiling of houses, cars, and worlds of tomorrow that
were only incrementally different from the present (Corn 61-86).
Evolutionary Socialism, the Welfare State, and Globalized Dissent
While the varied components ofLooking Backwardevoked an impressive range
of responses internationally, among social activists the dominant reading of Bellamys
program was its promotion of evolutionary socialism.7
Given the social and economic
crisis that provoked Bellamys switch from a writer of psychological tales to a social
commentator, it is not surprising that Looking Backwardwas interpreted as a foray into
the debate over capitalist industrialism. In this context its most powerful practical effect
was to offer support to new labor and socialist parties committed to a gradualist
revolution.
Writing in 1887,Bellamy pressed his publisher to put the book out quickly
because the time was ripe for a publication touching on social and industrial questions to
obtain a hearing (qtd. in Bowman, Year 2000, 115). The year before, the Haymarket riot
in Chicago opened an era of intense polarization between American capitalists and
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workers that continued through dramatic strikes in the 1890s and the rise of a viable
socialist political movement by the turn of the century. As Bellamy himself was aware,
such developments were not limited to the United States. Economic crises and
depressions, the emergence of large corporations, the increased frequency of strikes and
pitched battles between business and workers, the new imperialism and the growth of
militarized states, the rise of socialist, feminist and reform responses, and government
suppression of dissenters were common patterns in the industrialized West between 1888
and World War I. They underscore the transatlantic relevance of Bellamys anticapitalist
critique and his socialist solution to what was commonly called the labor problem or
the social question.
As the debate over socialism and the emergence of the welfare state played out
across a transnational field, Bellamys book was enlisted as a prominent intervention. In
most cases it helped thatLooking Backwardwas a novel, for Bellamys hunch that
socialist ideas embodied in fictional form would meet less resistance proved prescient.
Looking Backwardpassed unscathed through Russian censors, whereas Bellamys sequel,
Equality, a more overt socialist textbook, was banned by Czarist authorities, who labeled
it far removed from a harmless and safe Utopia (qtd. in Nikoljukin 70). Still,Looking
Backwardwas widely understood by reviewers to be a treatise cast in fictional form, one
that provided an everyday picture of the socialist future and disguised its arguments
rather thinly in dialogue.
It also mattered little to many readers that Bellamy was American. A survey of
notices published abroad shows that most reviewers responded directly toLooking
Backwards economic and philosophical arguments without commenting on its supposed
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Americanness. Because Bellamy did not clutter his utopia with specifically American
allusions, the book placed few stumbling blocks in the way of foreign readers.Looking
Backwardpassed over immigration, race, and the closing of the frontier, topical issues
that preoccupied many ofBellamys American contemporaries, in favor of a class- and
morality-based language that set aside regional or national peculiarities. The novels
generic description of strikes and its coach metaphor for capitalism made them
recognizable elsewhere.
Perhaps most important,Looking Backwardstood out among American utopias of
its timeand even among Bellamys writingsfor its lack of exceptionalist views about
the uniqueness or superiority of American institutions. Bellamy saw the growing power
of capitalist monopolies in America and Europe as a common process; in the second
edition ofLooking Backwardhe even excised the explanation that in the United States
this tendency was later in developing than in Europe (125). And nowhere inLooking
Backwarddid Bellamy attribute Bostons transformation by 2000 into a socialist utopia
to the influence of special American ideals or conditions. This internationalist neutrality
contrasts dramatically with the books sequel,Equality, where Bellamy retreated
wholesale to the conventions of American mythology. InEquality and in several
Nationalist writings of the 1890s, Bellamy, intent upon building an American political
movement, took conservative positions on race and immigration and wrote long
explanatory passages that aimed to align his program with the revolution of 1776,
distinctive features of the U.S. Constitution, and the Founders republican ideology.
Looking Backwardwas different. In contrast to most American utopian authors of
his time, Bellamy expected that the coming revolution would not find its sole refuge in
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America but would course around the globe. Like socialists elsewhere, Bellamy
premised his alternative to capitalist organization on a scientific analysis of global trends
and endorsed theories that, with adjustments for local conditions, were meant to be
applied everywhere. In an article on Why I WroteLooking Backward, Bellamy
revealed that his initial premise was global rather than national. In the first draft of
Looking Backwardthe United States was merely an administrative province of the great
World Nation, whose affairs were directed from the World Capital of Berne, Switzerland.
Only after Bellamy hit upon the idea of nationalizing industry as the lever of change and
moved the arrival of utopia forward from 3000 to 2000 did he substitute the program of
separate national evolution for the original idea of a homogeneous world-wide social
system (Bellamy Speaks 200-3). In the final version ofLooking Backwardthe movement
toward federalized global socialism began in the United States, then spread to Europe,
Australia, Mexico, and South America. As Dr. Leete explained to Julian West, once the
more advanced nations reached the heights of utopia they helped the backward ones
climb up after them (103).
Recent critics, most notably Susan Matarese, have highlighted the echoes of
Anglo-Saxon racial supremacy and missionary nationalism in this statement. But the faint
overtones of American messianic nationalism that can be heard in a few passages of
Looking Backwardare drowned out by the books insistent internationalist message. By
lumpingLooking Backwardwith all utopias that portrayed the United States as a moral
exemplar to the world, Matarese fails to distinguish between the exceptionalist version
of American nationalism and Bellamys American version of socialist internationalism
(40-46). The first dwells upon Americas unique development andprojects a providential
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mission based on its special qualities; the second merely depicts it as the first nation to
evolve toward a common socialist future.
Bellamy chose the label Nationalism to avoid the alien associations of socialism
in American readers minds: socialism, he told the writer William Dean Howellsa
fellow Christian socialistsmells to the average American of petroleum, suggests the
red flag, with all manner of sexual novelties, and an abusive tone about God and religion
(qtd. Morgan 374). But inLooking BackwardBellamy identified Nationalism not with
any special American ideals but with the nationalization (that is, government ownership)
of industry, and he hoped to link his program with the patriotic aspirations of readers
everywhere.
In Bellamys view and that of many contemporary activists, national pride and
patriotism were consistent with socialist solidarity across national boundaries. It is
important to recall, as C.A. Bayly points out, that for many nineteenth-century
movements, from the Red Cross to feminism and socialism, national organization was not
the enemy but the precursor to international cooperation (239-43). Looking Backward
can be read in transatlantic context as one of several national expressions of the dream of
socialist internationalism, each of which asserted the relevance of socialist ideas and class
solidarities across national lines, and mostbut not all--of which envisioned that its
home nation would lead the way to a global socialist utopia. (In a Bellamyite utopia that
was serialized in The Nationalistthree years after the publication ofLooking Backward,
Henry Barnard SalisburysBirth of Freedom (1890), AmericafollowsEuropes example
in adopting the Nationalist program.) Other national versions of socialist
internationalism were expressed in France, Germany, Russia, and even New Zealand.8
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These national variants, which became mixed with transnational currents such as
reformism, anarchism, or syndicalism, proved hardy enough to survive hard-line
Marxists domination of the Second International in the 1890s (Wright 10).
Of course, Bellamys dream of a world union that was cemented by his
Nationalist system never materialized, just as other socialist sects or nationally-based
movements failed to capture lands beyond their place of origin between 1890 and 1914.
Various ripostes toLooking Backwardpredicted that its Nationalist program would create
international global chaos, not harmony. In John BacheldersA.D. 2050 (1890), the
Nationalists takeover of America led to a decline that was ended through a successful
invasion led by exiled businessmen and technocrats, who then kept international peace
through military deterrence. Arthur Vinton, inLooking Further Backward(1890),
foresaw that the Bellamyites open borders and pacific ideals would weaken the United
States so badly that it would succumb to invasion and occupation by China. These anti-
utopias formed American additions to the hundreds of future war stories catalogued by
I.F. Clarke that were published in England and on the European continent between the
late nineteenth century and the outbreak of World War I. This sensational genre
addressed popular alarm that militarism, imperialist rivalries, and conflicting class
ideologies would explode into a global conflagration. These authors fears proved more
accurate than the Bellamyites hopes, forWorld War I famously shattered the dreams of
leftists who predicted that global socialist or working-class solidarity would prevail over
national loyalties.
Nevertheless, Bellamys bookhad a discernible impact in shaping an international
community of reformist socialists in the two decades after its publication. Globally,
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Looking Backwards strongest and most coherent influence was to offer support to new
labor and socialist partiesor factions of existing ones--that were committed to a
gradualist program. The ingredients of an evolutionary version of socialism, whether
Marxist or non-Marxist, were coalescing just as Bellamys utopia circulated in several
Western nations. Orthodox Marxists repudiated the idea that revolution could come
without conflict and working-class leadership; their reading of history was dialectical and
materialist. By the 1890s, however, more idealistic, revisionist forms of socialism
were developing in Western Europe and the U.S. as Marxist splinter groups, religious
liberals, and parliamentary socialists gravitated toward social democracy. Their
promotion of near-term reforms and gradual constitutional change kept socialism as the
ultimate goal but advocated long-term, consensual strategies for achieving it. Through
different national versions of revisionism developed by the exiled German Eduard
Bernstein, Frances Jean Jaurs, British Fabians, and the American, Dutch, and New
Zealand Socialist Parties (among others), important segments of the international socialist
movement were transformed into cross-class coalitions that adapted utopian socialist
ideals to the industrial age. Where such reformist versions of socialism became popular
Looking Backwardoffered inspiration and ideas.9
In England, Bellamys influence became entwined with Fabianism, which shared
his professional-class detachment and his evolutionary socialist agenda. H.G. Wells,
whose utopias owed a strong debt to Bellamy, recommendedLooking Backwardto
George Bernard Shaw, who eventually adopted Bellamys commitment to strict
economic equality. According to the historian R. C. K. Ensor, the trajectory of nearly all
British socialist propagandists of the 1890s was to move from Henry Georges land
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reform program to Bellamys state socialism (334). Through veterans of land reform
organizations as well as the Fabians, Bellamys ideas coursed into the British Labour
Party (Marshall 103-7; Manton 326-47). In New Zealand, where a Labour Party had not
yet been organized, a Bellamy admirer, the Fabian socialist William Pember Reeves won
appointment as a Liberal Party minister in 1891 and enacted laws encouraging union
organizing, establishing minimum working standards, and imposing state arbitration of
lengthy labor disputes (Coleman 31-35). Francis Shor argues that the statist beliefs of
Reeves, union leaders, and other New Zealand liberal collectivists paved the way for
Bellamys influence on national legislation there (39-42).
In the U.S. of the 1890s the antistatist views of many labor leaders, as well as the
absence of a viable national labor or socialist party, led Bellamy and his followers into a
brief alliance with the mainly agrarian Populist Party, one that proved disastrous for
Bellamyites after the Populists electoral defeat in 1896 (MacNair). Yet remnants of the
Nationalist Clubs remained politically active. The establishment of the Socialist Party of
America (SPA) in the following decade relied heavily in regions like Boston and
California on Bellamyites. Job Harriman, Debss vice-presidential running mate in 1900,
was one of hundreds of Nationalist Club veterans who played leading roles in the early
SPA. Bellamy proposed to use civil service, cooperative stores, and municipal ownership
of transport and utilities as first steps toward the Nationalist utopia, and his American
followers helped to inject these gradualist measures into the Socialist Party platform by
1912.10
World War I interrupted this trajectory of influence, but the global crisis of the
Great Depression reactivated it. In the 1930s a revival among Bellamys followers
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influenced movements in industrialized nations where socialists and social liberals were
seeking alternatives to fascism or communism. An International Bellamy League was
organized with clubs in New Zealand, Switzerland, France, Italy, the Netherlands, South
Africa, and Uruguay (Bowman,Bellamy Abroadxx, 379) Some of Bellamys
Depression-era disciples in the U.S., Canada, and these nations were socialist, others
were not, but most adopted specific schemes from Bellamys book, such as centrally
planned production, subsidized worker cooperatives, regional development schemes,
public works projects, and publicly-funded retirement plans, to construct what came to be
known as the welfare state.
Nonpartisan Bellamy Associations established in the U.S. and the Netherlands in
the early 1930s favored a general turn to government planning. The Utopian Society of
America, which claimed 700,000 members by 1934, advocated a literal version of
Bellamys vision: an end to private ownership, the establishment of a priceless,
profitless system, and the creation of a great cooperative commonwealth with only
those between the ages of twenty-five and forty-five called upon to work (qtd. in
Bowman,Bellamy 121). Other clubs engaged in party politics. In New Zealand, the
crusading publisher Alexander Scott put his Bellamyite followers to work for the Labour
Party, which won the general elections for the first time in 1935 (Roth 239-56). Bellamy
enthusiasts were among the founders of Canadas Cooperative Commonwealth
Federation in 1932, a farm-based nationalization movement reminiscent of the American
Populist Party (Fraser 145-6).
Bellamys legacy can also be traced among elitist movements of the 1930s that
championed a thoroughgoing application of technology to production and distribution. In
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the U.S., the Technocracy movement, inspired by the maverick economist Thorstein
Veblen as well as Bellamy, rallied professionals around its vague promises of scientific
breakthroughs and control over production by top engineers. By 1933 the movement
split. One faction, calling itself Technocracy, Inc., combined militaristic uniforms and a
rigid hierarchy with mounting anti-Catholicisma combination that struck some
commentators as proto-fascist. The leftist faction, led by Bellamy admirer Harold Loeb,
formed the Continental Committee on Technocracy, which called for a Bellamy-style
industrial democracy before succumbing to factionalism itself in 1936 (Segal 120-8).
The main effect of the American Bellamy revival of the 1930s was to shape and
support Franklin Roosevelts New Deal program. Roosevelt enlisted several second-
generation devotees of Bellamy in his so-called Brains Trust, including Adolphe Berle
and Rexford Tugwell, the latter the head of FDRs Rural Resettlement Administration,
which constructed a handful of greenbelt cities based on Garden City ideals (Morgan
xii; Arnold). Arthur Morgan, Bellamys biographer, became the first director of the
Tennessee Valley Authority. According to Morgan, the TVAs comprehensive planning
and conservation programs reflected utopian visions of an integrated social and
economic order adapted to the realities of regional development (Bowman, Bellamy
128).
Roosevelts Social Security system was a less obvious Bellamy legacy. After
readingLooking Backward, Francis Townsend, a retired California doctor, published his
plan in 1933 for an Old Age Revolving Pension whose automatic monthly payments to
persons over sixty would sustain the elderly and generate jobs. The Townsend Clubs
enrolled nearly 250,000 members by the time their plan was introduced in Congress in
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January 1935. Public pressure to enact Townsends plan helped Roosevelts more
modest pension program pass through Congress later that year (Bowman,Bellamy 123-
24).
The New Deal illustrated how even during the turbulent 1930s the reformist
dimension of Bellamys program continued to outweigh the revolutionary design of his
blueprint. In orthodox Marxist circles where the welfare state and reformist socialism
were repudiated, Bellamys book became a spur to debate and a benchmark for clarifying
where activists stood on the leftist spectrum. In the Soviet Union communist authorities
denounced Bellamys program as bourgeois socialism,but they also promoted his
indictment of capitalist competition and his glowing picture of socialist abundance. In
short,Looking Backwards international vogue circulated a toolbox of arguments,
programs, and images, which socialists, communists, and social liberals drew upon to
validate a gradualist path to revolution or to confirm their opposition to it.
The fact that Bellamys book was a novel added a new dimension to the debates,
forLooking Backwardrepresented a landmark convergence between global literature and
globalized dissent. Viewed as a transnational phenomenon,Looking Backwardembodied
simultaneously two competing features of late-nineteenth-century globalization. On one
hand, it was an example of what Marx and Engels in the Communist Manifesto called a
world literature of bourgeois hegemony, especially as demonstrated by global diffusion
of the novel:
The bourgeoisie has through its exploitation of the world market given a
cosmopolitan character to production and consumption in every country.
... And as in material, so also in intellectual production. The intellectual
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creations of individual nations become common property. National one-
sidedness and narrow-mindedness become more and more impossible, and
from the numerous national and local literatures there arises a world
literature. (Marx 10-11)
On the other hand,Looking Backwarddid as much as any work of nonfiction to articulate
and spread a global socialist alternative. Bellamys utopia, with its dozens of fictional
imitators and thousands of real-world disciples, united a transnational band of social
dreamers and dissenters in an imagined community of progressive activists. In a
publishing venture analogous to the reports of the socialist Second International or the
international womens rights organizations of its day,11
but without their conventions and
collective discipline,Looking Backwardhelped energize the international socialist
community in the pre-World War I era to counteract the spreading global capitalist nexus.
National Patterns of Reception
It should be obvious by now, however, that not all readers ofLooking Backward
drew a socialist moralor even the same message--from it. A third transnational
perspective on Bellamys book concerns the way people in different settings related it to
pre-existing traditions, local problems, and ongoing debates. Many such contexts,
including religion, race, class and gender, could be analyzed to discern patterns of
reception;but because translations of Bellamys appeared in many nations and because
national literary and political contexts so clearly shaped its reception, I have chosen
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national comparisons as the focus of this essays concluding section. In what ways did
Looking Backwardresonate in different national settings?
One conclusion hinted at earlier bears repeating. In Europe, North America, and
Australasia, readers and reviewers who were engaged in discussing social problems
appraisedLooking Backwardlargely according to their preconceived opinions.
Bellamys book staked out positions on issues that became central to the contest between
capitalism and socialism: Should industry and the means of production be nationalized?
Can a society governed by strict equality function without traditional economic
incentives? Is there an unchanging, imperfect human nature, or are humans capable of
being perfected by their surroundings? Such questions preoccupied reviewers in all
western countries, and how they weighed in on them largely determined their assessment
of Bellamys book.
A second clear pattern was that activist readers (as opposed to journalistic
reviewers) readily took fromLooking Backwardpermission to champion their own
schemes as the most promising levers of social change. Like Philip Winser, those
inspired by Bellamys vision often chose other ways to implement it, even methods that
Bellamy himself rejected. For many, the atmosphere of hope (in the words of John
Dewey) that permeated Bellamys tale became the books dominant impression, and his
program was not a final destination but a stepping-stone to other creeds and
commitments. (qtd in Bowman,Bellamy 125) Looking Backwardinfused social
activism with moral sentiment, proclaimed that humans could control their own destiny,
and emphasized genuine possibilities rather than distant dreams.12
The books appeal
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across sectarian religious and socialist lines testifies to activist readers hunger for
encouragement, whatever the precise nature of their social program or cause.
Thirdly, individual responses tended to cluster into patterns that demonstrated
Looking Backwards different resonance in different national contexts. In the English-
speaking world, including Britain, its settler colonies, and the U.S., a political culture of
broad suffrage and legislative reform made Bellamys scheme for ballot-box socialism
plausible. There too, Bellamys utopia found fertile soil in traditions of labor unionism,
utopian colonization, and Christian socialism that had developed prior to and often apart
from the Marxist strand of socialism.
13
Thus, despiteLooking Backwards stricture that
labor unions were committed to a narrow, class-based agenda, worker groups from the
U.S. and Britain perceived Bellamy as their ally. Prominent American labor leaders such
as Terence Powderly of the Knights of Labor, Peter J. Maguire of the American
Federation of Labor, and Eugene Debs of the American Railway Union praised
Bellamys book. These men injectedLooking Backwardinto ongoing intramural
struggles between narrow craft and broader reform unionism, drawing upon Bellamy
to argue for a version of the latter: a labor coalition that organized industry-wide and
pursued much wider changes than eight-hour laws, such as nationalizing the railroads,
telegraph, and mines. Looking Backwardplayed a key role in pushing union officials like
Debs and Burnette Haskell of the Seamans Union toward larger social aims (Rosemont
159-61).
Bellamys impact on the Australian labor movement was especially profound.
Promoted by William Lane, Australias most prominent labor journalist,Looking
Backwardwas presented as the natural [con]sequence of unionism and union
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federation as the germ of the new socialist society. Bellamys book arrived on the island
continent in time to galvanize worker support for the huge Maritime Strike of 1890, and
in the wake of the strikers defeat to legitimize the birth of an Australian Labour Party
(Gollan 130).
Similarly, despite the fact that Bellamy himself repudiated communitarianism as
outmoded and escapist, the British socialists, California Bellamy Clubs, Christian
socialist ministers in several U.S. states, and even Australian emigrants to Paraguay used
his book to establish cooperative community experiments. The British Nationalization of
Labour Society formed plans for a cooperative colony that would serve as an object
lesson of Bellamys principles and spread nationally (Marshall 99-102; Manton 345-6).
In the U.S., the tireless labor journalist Julius Wayland founded the Ruskin Colony in
Tennessee as a practical demonstration of the Bellamy plan of social organization
(Brundage 31). The Kaweah Cooperative Commonwealth, which Philip Winser joined,
drew a large proportion of its members from Nationalist Clubs, and advertisements in The
Nationalistpromoted the colony as Bellamys Dream Realized! Kaweah was one of
several California utopian colonies inspired byLooking Backward.14
Eugene Debs
interpretedLooking Backwardto endorse his plan to raise funds to establish cooperative
colonies for unemployed workers in the Pacific Northwest. Only when this scheme
foundered in 1898 did Debs join the socialist splinter group that rejected utopian
colonization, ran him for President in 1900, and formed the Socialist Party of America
the next year (Bell, 48-53, 57-58). Unlike most Marxist socialists, activists in Britain and
its settler societies drew few rigid lines between socialist political work, labor union
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activities, and experimental colonies, and they moved back and forth among these
strategies depending on opportunities and circumstances.
By contrast, in Germany, Russia, and to a lesser extent Italy,Looking Backward
fit readily into well-developed sectarian debates among socialists, controversies that were
decisively shaped by advocates of various shades of Marxism and their capitalist or
monarchist enemies. (It is significant that none of these countries had a vital Christian
socialist movement.) Consequently,Looking Backwardexerted little independent
influence among intellectuals or activists but was used by ideological spokesmen to
confirm their position on key socialist issues or on the question of socialism generally. In
Germany, interest in Bellamy was probably greater than anywhere outside the English-
speaking world. Numerous editions ofLooking Backwardwere published in at least
seven different translations, one by Clara Zetkin, a prominent socialist feminist.
Responses to the book were registered in book reviews, essays, lectures, and in a wave of
counter and alternative utopias. Seven translations ofLooking Backwardalso appeared
in Russia between 1898 and 1918, including the initial one arranged by Tolstoy.
Bellamys popularity among Russian readers, especially in intellectual and worker
circles, escalated with the agitations that preceded the Revolutions of 1905 and 1917. In
Italy,Looking Backwards three translations went through several editions, and
Bellamys book became a political football kicked between conservative and socialist
journals.
All three nations had strong monarchist or authoritarian traditions that were
upheld during the 1890s in condemnatory reviews ofLooking Backward. The dominant
antisocialist response blamed Bellamy for subverting the family, religion, and property as
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well as ignoring human imperfection. In contrast, the dominant Marxist socialist response
was that Bellamysbook was useful for demonstrating the evils of capitalism but
hopelessly utopian in its plan to enlist the middle class in collectivizing production.
German Social Democrats such as Auguste Bebel and Karl Kautsky shared Bellamys
hopes for socialist electoral victories, but they insisted that working-class struggles were
the engine of social change and denounced Bellamys Boston of 2000 as a bourgeois
fantasy. (Toth, 166-72). Not surprisingly, anarchists in Italy condemned Bellamysplan
as a statist dystopia.
Amid the polemics there were occasional voices that offered a balanced
appraisal. One moderating factor was that socialists of many stripes recognizedLooking
Backwardspropaganda value. As one of Bellamys Italian publishers shrewdly noted,
the merit of Bellamys work lies in the fact that the book is good propaganda, supremely
and deeply socialistic, and yet it neither provokes nor disgusts the upper classes (qtd.
in Fink 330) Others recognized that Bellamys book, however flawed, won over many
working-class readers to socialism. One Russian economist claimed in 1906 thatLooking
Backwardhad provided more effective propaganda of the ideas of socialism among the
broad masses than any other book during the past thirty years (M.I. Tugan-Baranovsky,
qtd. in Nikojulin 72). Certainly some of the Italian readers of the 1913 edition ofLooking
Backwardfelt this way. Comrade Bellamy, one wrote in the books margins, I cannot
tell you how impressed I was when I read your book.... I think that if socialism were
practiced in the manner you propose, it might bring about a golden age.... Hurray for
Socialism! (Fink 347)
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Among the responses in major European nations the most intriguing and
exceptional was France. Although four translations ofLooking Backwardappeared in
France in the 1890s and some critical commentary ensued, Bellamys book stimulated
surprisingly little journalistic interest and debate. In theory, Bellamys book should have
had great traction in France. French socialism derived from utopian and romantic roots as
much as from Marxism. French journalists of the 1890s wrote influential books and
articles about American trusts and monopolies, opening a controversy among socialists
about whether the centralization of capitalist business was a step away from or toward
nationalized industry.Looking Backwardarrived amid French socialist debates over this
possibilist scenario as well as Eduard Bernsteins revisionism (Roger 219-53).
Yet there were important filtersblocking the books favorable reception. One
was French socialists preference for theoretical treatises over speculative fiction: it was
not a complement when one reviewer called Bellamy the Jules Verne of socialism (qtd.
in Levin 287). The biggest obstacle was that the French fit Bellamys utopia into existing
fears of Americanization, a word the French had invented in the 1860s not to describe
the actual invasion of American ways and products, but as a shorthand for modern
developments they deplored and which they attributed to the U.S., especially its
technological prowess (Kroes 153-4; Roger Global Anti-Americanism) Some French
critics found that far from portraying a generic socialist future, Bellamy forecast the
spread of American-style technological production and middle-class consumerism. The
world of 2000 had been rebuilt on the model of an American general store, and
Bellamy had corrupted socialism with fordism by stressing mechanical efficiency and
material abundance (qtd. in Levin 297). A few French critics linkedLooking Backward
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to an Anglo-Saxon fascination with efficiency and consumption that Americans shared
with the British and Germans (Levin, 282). But much more readily than other European
readers, the French viewedLooking Backwardas a specifically American cultural
product and used the trope of Americanization to critique it.
There was, to be sure, real evidence that a capitalist camel that had stuck its nose
in Bellamys capacious tent. French critics of the early twentieth century, like literary
critics of the 1990s, were right to spot Bellamys obsession with efficient production and
to see prophecies of an impersonal consumer culture inLooking Backward. Where they
erred was in identifying these modern capitalist trends as uniquely American rather than
emergen