an acoustic instrumental journey down the blue ridge ... fountain -cd...2 come thou fount of every...

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1 Cleansing Fountain (Words William Cowper) “There is a fountain filled with blood drawn from Immanuel’s veins.” The many fountains of the Blue Ridge spring from limestone, quartzite, and granite and tumble over precipices such as the two Crabtree Falls—clean water for the life around and beyond. 2 Come Thou Fount of Every Blessing: Nettleton/Beach Spring/Restoration (I Will Arise) (Words Robert Robinson) “Intune my heart to sing thy grace.” All three of these well- known tunes are associated with this uplifting text. 3 Pisgah (Words Isaac Watts) “When I can read my title clear to mansions in the skies.” Mount Pisgah, in Pisgah National Forest, is named for the peak where Moses looked across into the promised land just before his death, just as this hymn which ponders a future in heaven. 4 Babel’s Streams (Words anon.) “By Babel’s streams we sat and wept as Zion we thought on.” The folk hymns are full of mountain and stream images, such as this quote from the Psalms./Promised Land (Words Samuel Stennett) “On Jordan’s stormy banks I stand and cast a wishful eye.” 5 Villulia 3:30 (Words anon.) “Mercy, O thou son of David,” Thus poor blind Bartimeus prayed. 6 Foundation (Words Rippon’s Selection, 1787) “How firm a foundation, ye saints of our Lord, is laid for your faith in his excellent word!” 7 Pilgrim (John Barleycorn) (Words anon.) “Come, all ye mourning pilgrims dear, who’re bound for Canaan’s land.” 8 Resignation (Words Isaac Watts) “My shepherd shall supply my need: Jehovah is his name; in pastures fresh he makes me feed.” 9 Wondrous Love (Words anon.) “What wondrous love is this, O my soul!” 10 Converted Thief (Words Samuel Stennett) “As on the cross the Savior hung and wept and bled and died” tells the ballad of the thief who asked forgiveness. 11 Virginia (Words Isaac Watts) “Blest are the souls that hear and know the gospel’s joyful sound.”/Carolina (Words Charles Wesley) “A charge to keep I have, a God to glorify.” Musicians: Timothy Seaman Dusty Strings D600 hammered dulcimer, flute, mountain dulcimer, guitar, bamboo flute, whistle, harmonica, autoharp, melodica, bowed psaltery, vocalizing, percussion Bill Gurley Banjo, fiddle, mandolin, guitar (www.billandpamgurley.com) Josh Thompson drums, percussion Henry Smith bass Rowena Seaman vocalizing www.timothyseaman.com 127 Winter East, Williamsburg, VA 23188 757-565-1461 © 2007 Pine Wind Music, Inc. Recorded at Outback Studio, Mechanicsville, VA (804-730-4174) and Pine Wind Studios, Williamsburg, VA, by Timothy Seaman and Henry Smith. Cover art by Jane Hillhouse, Hillhouse Graphic Design, LLC (www.hillhouse4design.com). Photography by Kenneth Murray, used with permission, and Timothy Seaman (instrument shots). Further grateful acknowledgements: Lynn Davis, Ann Childress, Karen Searle, Sam Rizzetta and Trapezoid, Cathy Seaman, Laurie Jean Seaman, Mills Gruber and Bob Lentz. Dedicated to the memory of Appalachian folklorist George Pullen Jackson and Buffalo Mountain pastor Bob Childress. Humpback Rocks Visitor Center, Milepost 6 An acoustic instrumental journey down the Blue Ridge Parkway with Timothy Seaman FEATURING NEW INTERPRETATIONS OF APPALACHIAN FOLK HYMNS Folk hymns of the Blue Ridge are as varied as the sources and singers, ranging from a stark and profound ancient ballad, to a moving and simple cry of a rustic heart. Throughout the nineteenth century and much of the twentieth, these tunes were at the center of social events across Appalachia, and particularly the Blue Ridge region, called “singings and dinner on the lawn” at countless clapboard or stone chapels. Extensive scholarship began with George Pullen Jackson in the 1920s, from which much of the material within is drawn; with respect for the hymns’ heritage, Timothy Seaman and Friends offer a new and personal expression of a few of these gems, both familiar and obscure. An acoustic instrumental journey down the Blue Ridge Parkway with Timothy Seaman FEATURING NEW INTERPRETATIONS OF APPALACHIAN FOLK HYMNS Mayberry Presbyterian Church, Meadows of Dan, Virginia, Milepost 180

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1 Cleansing Fountain(Words William Cowper)“ThereisafountainfilledwithblooddrawnfromImmanuel’sveins.”ThemanyfountainsoftheBlueRidgespringfromlimestone,quartzite,andgraniteandtumbleoverprecipicessuchasthetwoCrabtreeFalls—cleanwaterforthelifearoundandbeyond.

2 Come Thou Fount of Every Blessing: Nettleton/Beach Spring/Restoration (I Will Arise)(Words Robert Robinson)“Intunemyhearttosingthygrace.”Allthreeofthesewell-knowntunesareassociatedwiththisupliftingtext.

3 Pisgah(Words Isaac Watts)“WhenIcanreadmytitlecleartomansionsintheskies.”MountPisgah,inPisgahNationalForest,isnamedforthepeakwhereMoseslookedacrossintothepromisedlandjustbeforehisdeath,justasthishymnwhichpondersafutureinheaven.

4 Babel’s Streams(Words anon.)“ByBabel’sstreamswesatandweptasZionwethoughton.”Thefolkhymnsarefullofmountainandstreamimages,suchasthisquotefromthePsalms./Promised Land(Words Samuel Stennett)“OnJordan’sstormybanksIstandandcastawishfuleye.”

5 Villulia3:30(Words anon.)“Mercy,OthousonofDavid,”ThuspoorblindBartimeusprayed.

6 Foundation(Words Rippon’s Selection, 1787)“Howfirmafoundation,yesaintsofourLord,islaidforyourfaithinhisexcellentword!”

7 Pilgrim (John Barleycorn) (Words anon.)“Come,allyemourningpilgrimsdear,who’reboundforCanaan’sland.”

8 Resignation(Words Isaac Watts)“Myshepherdshallsupplymyneed:Jehovahishisname;inpasturesfreshhemakesmefeed.”

9 Wondrous Love(Words anon.)“Whatwondrousloveisthis,Omysoul!”10 Converted Thief(Words Samuel Stennett)“AsonthecrosstheSaviorhungandweptand

bledanddied”tellstheballadofthethiefwhoaskedforgiveness.11 Virginia(Words Isaac Watts)“Blestarethesoulsthathearandknowthegospel’sjoyful

sound.”/Carolina(Words Charles Wesley)“AchargetokeepIhave,aGodtoglorify.”

Musicians:Timothy SeamanDustyStringsD600hammereddulcimer,flute,mountaindulcimer,guitar,bambooflute,whistle,harmonica,autoharp,melodica,bowedpsaltery,vocalizing,percussion

Bill GurleyBanjo,fiddle,mandolin,guitar(www.billandpamgurley.com)

Josh Thompsondrums,percussion

Henry Smithbass

Rowena Seamanvocalizing

www.timothyseaman.com

127 Winter East, Williamsburg, VA 23188

757-565-1461 © 2007 Pine Wind Music, Inc.

Recorded at Outback Studio, Mechanicsville, VA (804-730-4174) and Pine Wind Studios, Williamsburg, VA, by Timothy Seaman and Henry Smith.

Cover art by Jane Hillhouse, Hillhouse Graphic Design, llc (www.hillhouse4design.com). Photography by Kenneth Murray, used with permission, and Timothy Seaman (instrument shots).

Further grateful acknowledgements: Lynn Davis, Ann Childress, Karen Searle, Sam Rizzetta and Trapezoid, Cathy Seaman, Laurie Jean Seaman, Mills Gruber and Bob Lentz.

Dedicated to the memory of Appalachian folklorist George Pullen Jackson and Buffalo Mountain pastor Bob Childress.

Humpback Rocks Visitor Center, Milepost 6

An acoustic instrumental journey down the Blue Ridge Parkway with Timothy Seaman

F E AT u R I n G n E W I n T E R P R E T AT I O n S O F A P P A L A C H I A n F O L K H y M n S

Folk hymns of the Blue Ridgeareasvariedasthesources

andsingers,rangingfromastarkandprofoundancientballad,toa

movingandsimplecryofarusticheart.Throughoutthenineteenth

centuryandmuchofthetwentieth,these

tuneswereatthecenterofsocialevents

acrossAppalachia,andparticularly

theBlueRidgeregion,called“singings

anddinneronthelawn”atcountless

clapboardorstonechapels.Extensive

scholarshipbeganwithGeorgePullen

Jacksoninthe1920s,fromwhichmuch

ofthematerialwithinisdrawn;with

respectforthehymns’heritage,Timothy

SeamanandFriendsofferanewand

personalexpressionofafewofthese

gems,bothfamiliarandobscure.

An acoustic instrumental journey down the Blue Ridge Parkway with Timothy Seaman

F E AT u R I n G n E W I n T E R P R E T AT I O n S O F A P P A L A C H I A n F O L K H y M n S

Mayberry Presbyterian Church, Meadows of Dan, Virginia, Milepost 180

Harmony.Carolina(Words Charles Wesley) “AchargetokeepIhave,aGodtoglorify.”Thetuneisofthewidespread“LordRandall”groupofballadsthatincludesAmerica’s“TheWifeofUsher’sWell”andthefolkhymn“Idumea.”Iampartialtothesestrongoldfolktunesthatwereoncejoinedwithpopulartextssuchasthis.Howthewordsgainforce!Resignation(Words Isaac Watts)“Myshepherdwillsupplymyneed:Jehovahishisname;inpasturesfreshhemakesmefeed.”ForCrabtreeMeadows(Milepost340)andShiningRockWilderness(Milespost420).

7 Linville(Words Isaac Watts; music by Timothy Seaman, © 2007 Pine Wind Music, Inc.)“UpwardIliftmineeyes:fromGodisallmyaid.”NearGrandfatherMountain,LinvilleFallsanditsgorge(Milepost316)areahighlandparadiseofpoundingandrushingwaters.Therecordingengineer,HenrySmith,grewupinnearbyCrossnore.

8 Bartimeus (Words anon.) “‘Mercy,OthousonofDavid,’thuspoorblindBartimeusprayed.”Thesongisintheoldballadmanner,andisfoundinThe Sacred Harp,1844.

9 Dulcimer(Words Joseph Swain)“Hisvoice,asthesoundofthedulcimersweet,isheardthroughthevalleyofdeath.”Thetuneisakinto“LordLovell”and“TheMermaid.”Bothtypesofdulcimerareincludedinthisarrangement.TheBlueRidgeishometoanumberoffinebuildersoftheseinstruments.Jefferson(Words John Newton, 1779) “Gloriousthingsoftheearespoken,Zion,cityofourGod,ontherockofagesfounded.”JeffersonandBoone,NC,(Milepost299),arehighlandtownsnamedforgreatearlyleadersamongthesettlersoftheBlueRidge.Cumberland(Words anon. & Joseph Swain)“Come,allyehappyracewhoareransomedbygrace.”Thetuneisofthe“Bailiff ’sDaughter”familyanddatesfromthesixteenthcenturyandearlier.CumberlandKnob(Milepost218),atthestateline,wastheParkway’sfirstrecreationareaandthelocationofthebeginningofitsconstructionin1935.

10 Converted Thief(Words attrib. Samuel Stennett) “AsonthecrosstheSaviorhungandweptandbledanddied”isanold-styleballadoftherobberwhoaskedforgivenessduringhisexecution,withtextfromMercer’s Cluster,1817.

11 New Britain (Words John Newton)“Amazinggrace(howsweetthesound)thatsavedawretchlikeme!”TheoldBritishIslesmelodywasfirstpublishedinWinchester,VAinVirginia Harmony,1831,thenjoinedwiththesewordsthreeyearslaterin The Southern Harmony.

12 Virginia(Words Isaac Watts, from Psalm 89) “Thywordstheragingwindscontrol...”Salem (Words Isaac Watts)“Hedies,thefriendofsinnersdies!Lo,Salem’sdaughtersweeparound.”Thetuneislikethesecular“ABriskYoungSailor.”Salem,VA,isnearRoanokeMountain,wheretheParkwayhassideroadstothepeakandnaturecenters(Milepost120);alsonearbyisaspurtoVirginia’sExplorePark(Milepost115).Rockbridge(Words Isaac Watts)“LifeisthetimetoservetheLord.”AnoldtunefromBritain,withshape-notepartsfromThe Southern Harmony.RockbridgeCountyisnamedfortheNaturalBridge,oneofthe“sevennaturalwondersoftheworld,”nearthehighestpointontheParkwayinVirginia(Milepost77).Staunton(Words Philip Doddridge)“Awake,oursouls,andblesshisname!”ThefirstsettleroftheShenandoahValleywastheScotch-IrishmanJohnLewisin1732nearpresent-dayStaunton(Milepost0).Thetuneisinthe“BabeofBethlehem”group,andwasinKentucky Harmony,1815.Peaks of Otter (Words Isaac Watts; music by Timothy Seaman, © 2007 Pine Wind Music, Inc.)FromWatts’88-stanzainterpretationoftheSongofSolomon.AtMilepost86liesafineidyllicretreatbyalakesurroundedbypeakstoclimb!SharpTopwasoncethoughttobethehighestintheEast.

13 Come Thou FounT oF every Blessing(Words Robert Robinson, 1758):“…tunemyhearttosingthygrace;streamsofblessingneverceasing…”Allthreeofthesewell-knowntunesareassociatedwiththisupliftingtext.Nettletonisavariantofthechildren’ssong“Go,TellAuntRhody.”Beach Springwasfirstpublishedin1844inThe Sacred Harp.OneofmyfavoriteBlueRidgefeaturesisaspringflowingoutfromrocksoverastream’sbeach.Restoration(I Will Arise)isrelatedtotheseculartune“TheCruelMother.”ForthefallsonCampbellCreekinThreeRidgesWilderness(Milepost14).

14 Pisgah(Words Isaac Watts)“WhenIcanreadmytitlecleartomansionsintheskies…”ThemelodyisrelatedtobothBritish(“LittleMusgraveandLadyBarnard”)andAfricanAmerican(“Lord,RememberMe”)sources.MountPisgah(Milepost408),inPisgahNationalForest,isnamedforthepeakwhereMoseslookedacrossintothepromisedlandjustbeforehisdeath,justasthishymnwhichpondersafutureinheaven.How Firm a Foundation(Words Rippon’s Selection, 1787) “…yesaintsofourLord,islaidforyourfaithinhisexcellentword!”ManyyearsagoIhadthenightlyprivilegeofsingingmyyoungdaughterstosleepwiththismasterpiece. Lead Me to the Rock (Words anon.)“InseasonsofgrieftomyGodI’llrepair…LeadmetotherockthatishigherthanI.”ForHumpbackRocks(Milepost6),RockyKnobRecreationArea(Milepost165)andLookingGlassRock(Milepost412).Sheet music of each melody in a singable key, full text, and suggested chords, is available at www.timothyseaman.com.

Cleansing Fountain A n A C O u S T I C I n S T R u M E n T A L J O u R n E y D O W n T H E B L u E R I D G E P A R K W Ay W I T H T I M O T H y S E A M A n , F E AT u R I n G n E W I n T E R P R E T AT I O n S O F A P P A L A C H I A n F O L K H y M n S

1 Cleansing Fountain(Words William Cowper, 1771)“ThereisafountainfilledwithblooddrawnfromImmanuel’sveins.”ThemanyfountainsoftheBlueRidgespringfromlimestone,quartzite,andgranite,tumblingoverprecipicessuchasthetwoCrabtreeFalls(Mileposts27and339)—cleanwaterforthelifearoundandbeyond.

2 JourneyingWealllongforourtruehome;formanyofus,themountainsareahomelikedestination.Babel’s Streams (Words anon.)“ByBabel’sstreamswesatandweptasZionwethoughton.”Thefolkhymnsarefullofmountainandstreamimages,suchasthisquotefromPsalm137,wordedsimilarlytothe1583Day’sPsalter.Pilgrim(John Barleycorn) (Words anon.) “Come,allyemourningpilgrimsdear,who’reboundforCanaan’sland.”ThiswidelyusedmelodyisthoughttohaveinfluencedStephenFoster’swriting.Bound for the Promised Land(Words Samuel Stennett)“OnJordan’sstormybanksIstandandcastawishfuleye.”Thetuneislike“I’llGoEnlistforaSailor,”andappearsintheoldbooksequallyinmajorandminorkeys.ForMountMitchell,thehighestpeakintheeasternU.S.at6,684feet(Milepost355).

3Wondrous Love(Words anon.)“Whatwondrousloveisthis,Omysoul!”Thisdorian-modemasterpieceisofthe“CaptainKidd”groupoffolksongswidelysungsincetheearly1700s.Thearrangementhereisfromtheshape-notesofWilliamWalker’sSouthern Harmony,1854.Acloselyrelatedtuneis“Bartimeus”below.

4Morning Trumpet (Words John Leland)“OwhenshallIseeJesusandreignwithhimabove,andwehearthetrumpetsoundinthatmorning?Andfromtheflowingfountaindrinkeverlastinglove…”ThisrevivalspiritualisakintoAfricanAmericanspirituals;theauthorisnotedforpresentingPresidentJeffersonwitha1,600lb.wheofcheese.HishymnwaslaterafavoriteofAbrahamLincoln.

5 Holy Manna(Words George Adkins)“Brethren,wehavemettoworshipandadoretheLordourGod.”ThisperennialfavoritewasfirstseeninWilliamMoore’sColumbian Harmony,1825.

6 French Broad (Words William Walker)“Higho’erthehillsthemountainsrise.”TheauthorwrotethewordswhiletravelingonthemagnificentFrenchBroadRiver(Milepost394)in1831.Itsmelodyisavariantof“Kedron;”theshapenotesofthe“fa-so-lafolk”arefromThe Southern

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1 Cleansing Fountain (There Is a Fountain) 5:23 2 Journeying: Babel’s Streams/Pilgrim (John Barleycorn)/Bound for the Promised Land 5:52 3 Wondrous Love 2:15 4 Morning Trumpet 3:20` 5 Holy Manna (Brethren, We Have Met to Worship) 4:58

6 French Broad/Carolina/ Linville/Resignation (My Shepherd Will Supply My Need) 4:27 7 Linville 2:25

an acoustic instrumental journey down the blue ridge parkway

Journeywithusonthe469flowingmilesoftheBlueRidgeParkway,fromShenandoahNationalParkinVirginiatotheGreatSmokyMountainsinNorthCarolina:alongtheridges,pastearlysettlers’cabinsandwaterfalls,artists’centersandgristmills,stonechapelsandrivers,theAppalachianTrailandrhododendrons.Heartheearlyfolkhymntunesfromtheshape-notetradition,aheritageoftheBlueRidgesettlersfromtheBritishIsles,newlyinterpretedonhammereddulcimer,mountaindulcimer,bambooflute,whistle,andguitar,withbanjo,fiddle,mandolin,psaltery,autoharp,andharmonica---tuneswithnamesevokingthisregion’sstrongcharacter.

©2007PineWindMusic,Inc.:www.timothyseaman.com•FriendsoftheBlueRidgeParkway:www.blueridgefriends.org

8 Bartimeus 3:33 9 Dulcimer/ Jefferson/Cumberland 5:39 10 Converted Thief 4:34 11 New Britain (Amazing Grace) 1:37 12 Virginia/Salem/Rockbridge/Staunton/ Peaks of Otter 5:36 13 Come Thou Fount of Every Blessing: Nettleton/ Beach Spring/Restoration (I Will Arise) 5:07

14 Pisgah (When I Can Read My Title Clear)/ How Firm a Foundation/Lead Me to the Rock 5:22

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