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Ancient Theatre
Medieval/Restoration
ShakespeareanTheatre
AsianTheatre
Commedia Del Arte
African/Realism/
Absurdism
This form of drama originated in the 6th century to honor their gods during a festival dedicated to the god of wine and fertility.
Ancient Theatre 100
This is generally symbolic of a character's identity or emotions being expressed.These were used to identify the gender and character (women's roles were performed by men in early Greek drama). Each was designed to allow the audience to also identify the age and social rank of the character. In addition to the actor, there might be a chorus which also wore these. The dramatic structure of Greek plays allowed actors to exit the stage to change these, while the chorus remained to perform for the audience.
Ancient Theatre 200
Identify these definitions in order
The actors who were not well respected.
Athena's Theatres.
Circus Like Entertainment
Ancient Theatre 300
Identify these definitions in order- a hymn devoted to the god of pleasure and wine,
Dynosos
- an active agent who arrives unexpectedly to solve a problem and/ or rescue the protagonist; usually a Greek god
- a mythical being who’s half human, half goat
Ancient Theatre 400
Similarities● Most of Roman
culture had been influenced by the Greeks, including theatre.
● Both forms of theatre were intended to tell a story, mainly a myth about a hero or their gods.
● Both theatres primarily had a cast and audience composed of only males.
● Also actors in both forms had to wear masks.
Ancient Theatre 500
Differences• The Greeks built permanent
theatres, The Romans only built theatres for performances, then tore them down afterwards.
• Greeks were known to have a chorus in any form of theatre, Romans had eliminated the chorus in theatre. Chorus area became additional seating.
• Greek theatre aimed to serve a religious purpose, Roman theatre aimed to entertain.
• Greeks Never had violence on the stage, Roman were less about story and more about the violence
_________ refers to the theatre in the period between the fall of the Western Roman Empire in the 5th century A.D. and the beginning of the Renaissance in approximately the 15th century A.D. It covers all drama produced in Europe over that thousand year period and refers to a variety of genres, including liturgical drama, mystery plays, morality plays, farces and masques.
Medieval/Restoration 100
____________ banned performances of plays, as an attempt to curb the remains of Roman theatre. In turn, the arts moved to mimes, jugglers, bards and storytellers. Hardly any records of these performers remain.
Medieval/Restoration 200
In 1660 Charles II was restored as king and theatre required a fresh start as acting groups had been disbanded years before.
His actions lead to…
Medieval/Restoration 400
Soon after the restoration movement woman began to be recognized as
writers in Drama.
One of the first was _________, who was established as one of the most
industrious female playwrights, writing 18 plays which were highly
successful.
Medieval/Restoration 500
Set against Medieval English history. The Shakespeare __________ dramatize the Hundred Years War with France and therefore comprises the Henry Tetralogy,
Richard II, Richard III and King John – many of which feature the same characters at different ages.
Not always accurate. In writing theses plays, Shakespeare was not attempting to render an accurate
picture of the past. Rather, he was writing for the entertainment of his theater audience and therefore
molded events to suit their prejudices.
Shakespearean Theatre 100
• A greater emphasis on situations than characters. • A struggle of young lovers to overcome difficulty,
often presented by elders.• Separation and reunification.• Deception of characters.• Interesting climax often with an unexpected twist
Multiple, intertwining plotsUse of all styles of comedyPastoral element, originally an element of Pastoral Romance, exploited by Shakespeare for his comic plots and often parodied there in for humorous effectsEnding everyone gets married
Shakespearean Theatre 200
a noble protagonist that is put through stressful situations which causes death.
The plots focus on the reverse of fortune of the central characters which leads to their ruin and ultimately, death.
Shakespearean Theatre 300
Shakespearean Theatre 400
Comedies: All's Well That Ends Well, As You Like It, The Comedy of Errors, Love's Labour's Lost, Measure for Measure, The Merchant of Venice, The Merry Wives of Windsor, A Midsummer Night's Dream, Much Ado About Nothing, The Taming of the Shrew, The Two Gentlemen of Verona, The Two Noble Kinsmen, Twelfth NightTragedies: Titus Andronicus, Romeo and Juliet, Julius CaesarHamlet, Troilus and Cressida, Othello, King Lear, Macbeth, Timon of Athens, Antony and Cleopatra, Coriolanus, Cymbeline, Histories: King John, Edward III, Henry IV, Part 1, Henry IV, Part 2Henry V, Henry VI, Part 1, Henry VI, Part 2, Henry VI, Part 3Richard IIIHenry VIII
Shakespeare's Romances or tragicomic plays were written late in his career and published originally under either tragedy or comedy share some elements of tragedy featuring a high status central character but end happily like Shakespearean comedies. hundred years after Shakespeare's death, scholar F.S. Boas also coined a fourth category, Shakespearean __________, for plays that don't fit neatly into a single classification because of their subject matter, setting, or ending. The classifications of certain Shakespeare plays are still debated among scholars.
Shakespearean Theatre 500
Asian Theatre 200
• a type of theatre that includes music, dance and drama.• Popularized by a man named “Zeami.”• specifically means “skill” or “talent “• Structured around singing and dancing • Movement for dance is slow, language is poetic, tone is
monotonous and costumes are rich and heavy. • Themes often relate to dreams, the supernatural, Ghosts
and spirits. • Introduced in the 14th century.
Asian Theatre 300
includes comic theatre and entertainment.
means "mad words" or "wild speech".
It is Expressed through art.
is performed to the music of the flute, drums and gong.
It was later known as sarugaku.
Introduced in the 8th century.
Asian Theatre 400
Best known form of japanese theatre. Famous for wild costumes and sword fights. ( Used real swords )First performance took place in 1603.was performed in a modern, noisy way to shock the audience.combines music, drama, and dance
Asian Theatre 500
Traditional puppet theatre of japan. Used puppets that were half life sized. And operated by three performers.The puppeteers are involved in the procedure of working with the limbs, eyelids, eyeballs, eyebrows and mouths of the puppets by producing lifelike actions and facial expressions. Story is narrated by one person that does a variety of voices for each puppet. The stories are often themed as classic tragic love stories, heroic legends and tales based on historical events are popular.
Commedia Del Arte 100
An improvised popular comedy in Italian theaters in the ______________, based on
stock characters.
Actors adapted their comic dialogue and action according to a few basic plots like commonly love intrigues and to topical
issues.
Bonus point – provide start date
What is
Commedia Improvisa (Improvised Comedy)
Commedia Non Escrita(Unscripted Comedy)
Commedia A Mascara (Masked Comedy)
Commedia Dell’Arte Al’Improvisa (Professional improvised comedy)?
Commedia Del Arte 200
Commedia dell'arte originated in the streets and markets of the early
Italian Renaissance, although it's roots can be traced as far back as far
as Ancient Greek and Roman Theatre. It was rooted in the use of
_________ Characters
Commedia Del Arte 400
is a special rehearsed routine that could be
inserted into the plays at convenient points to heighten the comedy
Commedia Del Arte 500
Theatrical _______ was a general movement in 19th-century theatre from
the time period of 1870-1960 that developed a set of dramatic and
theatrical conventions with the aim of bringing a greater fidelity of real life to
texts and performances.
African/Realism/Absurdism 100
____________ was a modernist movement, initially in poetry and
painting, originating in Germany at the beginning of the 20th century. Its typical trait is to present the world solely from a
subjective perspective, distorting it radically for emotional effect in order to
evoke moods or ideas.
African/Realism/Absurdism 200
This type of theatre does not used the traditional plot structure. Instead it is cyclical, random and requires
we question are purpose.
African/Realism/Absurdism 300
The type of theatre was developed to discuss the issues plaguing the
country, for example Apartheid. The lesson were indirect making
commentary of the injustices in society.
African/Realism/Absurdism 400
The most significant American playwright to have plays produced by the Theatre Guild was __________ (1888-1953), with five of their plays appearing at one time in New York during the 1924-25 season. They helped establish serious realistic Drama as the main Broadway form. His Long Day’s Journey Into Night and Desire Under The Elms are two of their great dramas.
African/Realism/Absurdism 500
Connect at least 3 different genres, with similarities that led
from one to the other.
Click on screen to continue
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