the renaissance chapter 13-3. mannerism michelangelo was the bridge between italian renaissance art...

The RenaissanceChapter 13-3

Mannerism

Michelangelo was the bridge between Italian Renaissance Art and Mannerism

Belief that painting in the Renaissance style had reached perfection so…

Exaggerated poses, elongated limbs, weird

Tintoretto’s Baptism of Christ

El Greco was the greatest Mannerist of all

Unnatural pigmentsElongated Limbs

The Burial of Count Orgaz

The Northern Renaissance

The Northern Renaissance was More Religious More emotion in the art More detailed especially in the

background More preoccupation with deathThe art in the North reflected Christian

Humanism: How can the knowledge of human nature as revealed in the ancient texts be blended with Christian principles to create a better (more Christian) world?

Flemish Style

Van Eyck: Perfected oil painting Had much religious symbolism Arnolfini and his Wife

Arnolfini and his Wife

Netherlands

Bosch: Symbolism, surreal, fantasy Death and the Miser

Peter Bruegal the Elder Peasant Wedding Not much Renaissance influence Focused on lives of ordinary people

Death and the Miser

Peasant Wedding

The Germans

Durer: Master of the woodcut Was the first to bring Renaissance style

to the North

Hans Holbein the Younger: Portraits The Ambassadors Henry VIII Erasmus

Durer’s Four Horsemen of the Apocalypse

The Ambassadors

Henry VIII

Erasmus

(Spain)El Greco’s The Holy Trinity

The Fugger Family

Like the Medici, they were bankers who patronized the arts in the North