sayre2e ch20 images_cap
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Copyright ©2012 Pearson Inc.
Juan Bautista de Toledo and Juan de Herrera. The Escorial: aerial view. 1563-84.
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Map: Spain in 1600.
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Juan Bautista de Toledo and Juan de Herrera. The Escorial. Detail after an anonymous 18th-century painting. 1563-84.
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Map: The Empire of Charles V ca. 1521.
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Palestrina presents music to Pope Julius II, Title page of Palestrina’s Missarum liber primus (First Book of Masses), published in Rome. 1554.
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Michelangelo. Victory, frontal view. Early 1520s.Height: 8’ 7”.
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Michelangelo. Victory, view from the back. Early 1520s.Height: 8’ 7”.
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Michelangelo. Last Judgment, Altar wall, Sistine Chapel, Vatican, Rome. 1534-41.48' × 44’.
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Michelangelo. Last Judgment, detail. Altar wall, Sistine Chapel, Vatican, Rome. 1534-41.
48' × 44’.
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Correggio. Jupiter and Io. Early 1530s.69" × 29-1/2”.
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Titian. The Rape of Europa. 1559-62.5’ 9-1/4" × 7’ 8-1/4”.
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Parmigianino. The Madonna with the Long Neck. ca. 1535.7’ 1" × 4’ 4”.
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Sofonisba Anguissola. Bernardino Campi painting Sofonisba Anguissola. Late 1550s.
42-1/2" × 43”.
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Closer Look: Bronzino's Allegory with Venus and Cupid: Chateau de Chambord, near Blois, France. 1519-47.
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Agnolo Bronzino. Closer Look: Bronzino's Allegory with Venus and Cupid. 1540s.
61" × 56-1/4”.
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Lavinia Fontana. Consecration of the Virgin. 1599.9’ 2-1/4" × 6’ 2-1/4”.
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Giovanni Bologna (Jean de Boulogne). Rape of the Sabine Women. 1579-83.
Height: 13’ 5-1/2”.
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Benvenuto Cellini. Perseus. 1545-54.Height: 10’ 6”.
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Benvenuto Cellini. Saltcellar of Francis I. 1539-43.9-1/4" × 13-1/8”.
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Veronese. Feast in the House of Levi. 1573.18' 2" × 42’.
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El Greco (Domenico Theotokopulos). Resurrection. 1597-1604.9’ 1/4" × 4’ 2”.
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Felice Maria Casoni. Continuity & Change: Portrait Medal of Lavinia Fontana. 1611.
Diameter: 2-1/2”.
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Artemisia Gentileschi. Continuity & Change: Self-portrait as the Allegory of Painting. 1630.35-1/4" × 29”.
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