ramon casas (1866–1932)1

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YOU CAN WATCH this presentation with MUSIC on the link: http://www.authorstream.com/Presentation/sandamichaela-2339729-casas1/ Thank you! Please see also: http://www.slideshare.net/michaelasanda/ramon-casas4 http://www.slideshare.net/michaelasanda/ramon-casas3 http://www.slideshare.net/michaelasanda/ramon-casas2 Ramon Casas i Carbó (1866–1932) was a Catalan Spanish artist. Living through a turbulent time in the history of his native Barcelona, he was known as a portraitist, sketching and painting the intellectual, economic, and political elite of Barcelona, Paris, Madrid, and beyond; he was also known for his paintings of crowd scenes ranging from the audience at a bullfight to the assembly for an execution to rioters in the Barcelona streets. Also a graphic designer, his posters and postcards helped to define the Catalan art movement known as modernism.

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Ramon Casas i Carbó (1866–1932) was a Catalan Spanish artist. Living through a turbulent time in the history of his native Barcelona, he was known as a portraitist, sketching and painting the intellectual, economic, and political elite of Barcelona, Paris, Madrid, and beyond; he was also known for his paintings of crowd scenes ranging from the audience at a bullfight to the assembly for an execution to rioters in the Barcelona streets. Also a graphic designer, his posters and postcards helped to define the Catalan art movement known as modernism.In 1890s, Casas was one of many artists exercising their artistic talents around the Moulin de la Galette in Paris. Casas and his friend, and fellow artist, Santiago Rusinol, constructed several exhibitions back in their native city of Barcelona, that exhibited their first-hand experiences of the French culture and art. Over time, these exhibitions quickly evolved into a center of progressive painting scenes within the Modernist movement. Casas became a leading figure in the revival of Catalan culture, and was one of the first Spanish artists to introduce French Modernisme to Spain in the late nineteenth-century.

Self-portrait, Museo Nacional de Arte de Cataluña, Barcelona

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Cartell de l’exposició “Ramon Casas i l’Art publicitari del Cartell”

Copa Cataluña (1908) Colección de

R.A.C.C.A

Ámbar y espuma 1898

130 x 197 cm Colección Codorniu

Poster advertising

Codorniu Champagne Lola Plumet

1898

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This famous Spanish brand of anise, often considered along with several French anisettes to be the finest of its type, was founded by Vicente Bosch at the end of the last century.

Mono y mona. Estudio para el cartel «Anís del Mono» Museu National d'Arte de Catalunya MNAC, Barcelona C

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Els Quatre Gats, often written Els 4 Gats, was a café in Barcelona which opened on 12 June 1897. It also operated as a hostel, a cabaret, a pub and a restaurant. Active until 1903, Els Quatre Gats became one of the main centers of Modernisme in Barcelona.

The artist Ramon Casas i Carbó largely financed this bar on the ground floor of Casa Martí (1896), a building by the architect Josep Puig i Cadafalch in Carrer Montsió near the center of Barcelona. Els Quatre Gats was reconstructed 1978. Pablo Picasso visited this pub–restaurant often in his early art career.

Sombras, by Ramon Casas and

Miguel Utrillo

Ramon Casas and Pere Romeu on a Tandem, 1897Museu National d'Arte de Catalunya MNAC, Barcelona

Els Quatre Gats was the inheritor of a legacy of tertulias and art reunions specific to Barcelona but also drew inspiration from the Parisian cabaret Le Chat Noir

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Pere Romeu, the barman at the famous

beer-hall Els Quatre Gats

Ramón Casas y Pere Romeu en un automovil. (1901) 208 x 291 cmMuseo de Arte de Cataluña

“Four Cats” is a colloquial Catalan expression for “only a few people” and the name of Els Quatre Gats is derived from this saying

Pere Romeu (1897) 86 x 67 cm

Colección particular

Pere Romeu (1897/99)

Museu Nacional d'Art de Catalunya

Like Le Chat Noir, Els 4 Gats attempted in 1899 its own literary and artistic magazine, to which Casas was a major contributor.

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Auto-garage Central 1901

Museu Nacional d'Art de Catalunya,

BarcelonaWoman Driving

Sifi

lisSífilis (1900) Póster, 80 x 34.3 cm Museu Nacional d'Art de Catalunya, Barcelona

JOB, 1900

M. Fvster. Fabricación de silicatos 1898Museu Nacional d'Art de Catalunya, Barcelona

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Montmarte (1901) Museu Comarcal

de la Garrotxa. Olot

La tuberculosi amenaça la vida i

la riquesa de Catalunya (1922) Museu Nacional

d'Art de Catalunya, Barcelona

Headpiece for the magazine 'Pèl & Ploma' 1899

Headpiece for the magazine 'Pèl & Ploma’ Museu Nacional d'Art de Catalunya, Barcelona

Molinera de la Galette (1900)

64 x 43 cm Colección Oriol

Galería d'Art

Study of a Standing Woman,

c. 1902The Art Institute of

Chicago

At the Races

Antepalco del Liceo (Autorretrato)

Isaac Albéniz (1860-1909)

Novedades

Sala Descans

The Liceum 1901

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Interior del Moulin de la Galette

1890-189178.5 x 68.5 cm

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El Baile del Moulin de la Galette. (1890-1891) 100 x 81.5 cm Museu del Cau Ferrat. Consorci del Patrimoni de Sitges

Moulin de la Galette1902(Obra pintada para la Rotonda del

Círculo del Liceo, Barcelona)

Bal de l'après-midi, 1896172 x 233 cm

Círculo del Liceo, Barcelona

Cartel de toros

Spanish GirlThe Art Institute of Chicago

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Plaza de toros 1900 Suerte de pica (1886) Colección Artur Ramón

Picador (1900) Abadía de MontserratT

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Torero

Una corrida, 1884Museu de Montserrat

Sardanes a la font de Sant Roc a Olot, 1901-02

144 x 201 cm

Revetlla(The Open-Air Party)

1901-1902, Círculo del Liceo,

Barcelona

En el hipodromo 1898-1901Fundación Francisco Godia de Barcelona

Seated Woman with a Greyhound Puppy, 1900The Art Institute of Chicago

Young Woman at a Piano The Art Institute of Chicago

Portrait of Mrs. John Paul Welling (Mrs. Harriet Walker Welling), 1924 The Art Institute of Chicago

Seated Woman with a Greyhound Puppy, 1900The Art Institute of Chicago

Portrait of Hattie Welling, 1924 The Art Institute of Chicago

Portrait of Mary Paul Welling, 1924 The Art Institute of Chicago

Mujer con campana

21 x 14 cm Colección particular

Galería Senda Barcelona

Barraca. Mujer y soldadoca 1900

Sound: Isaac Albéniz - Azulejos

Text and pictures: InternetCopyright: All the images belong to their authors

Presentation: Sanda Foi oreanuşwww.slideshare.net/michaelasanda

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