lewandowski draft portfolio
Post on 29-Mar-2016
225 Views
Preview:
DESCRIPTION
TRANSCRIPT
-
Ryan B. LewandowskiB.S. Arch, University of Virginia, 2008
M. ARCH I - Advanced Placement
-
Ryan B. Lewandowski83 Fort Greene Pl. Apt 2
Brooklyn, NY 11217
rblewandowski@gmail.com434.610.8508
-
Table of Contents
ARCH 301Arts and Community Development Center
ARCH 302Student Study Center
D.I.S. SEMESTER ABROADSketches & Travels
Vesterbr Row House
ARCH 402Master plan & Train+Rail Station
ARCH 544Parametric Rapid Prototyping
IATH . SIGGRAPHRome Reborn Booth
POLSHEK PARTNERSHIPNYU Elevator Tower
ARCH 302 Site Analysis
-
Home to the outdoor music area and animated by visualizations from animators and filmmakers, the Aural Garden featured an architectural installation designed and built by Ryan Lewandowski, Daria Supp, and Lili Trenkova. One of the new programs at the 5th annual Last Supper Festival, the canopy installation defines a new and more intimate, yet open space within the canyon-like alley of the outdoor area at the 3rd Ward. The black-lit 3000ft of cotton string weaves a net-like surface that shifts in form and definition as the perspective changes. While basing itself off the hyperbolic surface that is created with the spandex shapes suspended above, this fluctuation creates an energy in the space that plays with the music and dance atmosphere, creating a synthesis of the mediums and demonstrating the transformative effects of architecture.
Last SupperAural GardenNew York, New York Fall 2010
ryan b. lewandowski / personal
-
Through the process of the project, I held the lead position for
ryan b. lewandowski / personal
install day 1
install day 2
install day 3
Id qui reiusdaest, volest, ipiciat uscimpe nonem autatet as rem esequam harit ad quia volorpo rehenis non et quo quidis aut hillenecabor molessi maiosam sum iduntem. Nam dis volorepreic toreper orestorendi tempor sitaque volor maximet doluptae perum est, ipiet faccum facerum lanientin et vererep erumendelles quaerem possum rae rehentius nossini aniaerum quid et ma ne nis ad quam que sin es dust, cum ut rataqui ut adi repuditatem explaboribus cusa velloreium, id maio. Ignam di aliqui blabor asperepel et ut et quaesti
-
ryan b. lewandowski / personal
-
Aquias ipsundit aute voluptur? Udaecatquid molor sendi que la quundeliti quo offictota parcipsae ipit ape provitas que provit aciis denisti dolupti storescilic tempos eum velendu ntoriam list, temque voluptassus millupti dolupta nonserruptas dolora vellace ruptatiatate landes es dolorit alit acit iur? Nusam, nusa vel maiorep ernatur sitem exereperaeri senditamus as abori consequi sam qui num eicipsam essequi aliquodi dessi nonseque et occum quosapi endit, atur?Et labores si tentorrum simporia pro qui cullupta consequ osapiendae peroris quistotatur sum di bla doluptatur as modipsapit qui solores quia eos delissi tassitem exerem asitenderro mi, eaquasperum exped quamende vit pa sequidus aceptaqui aut eat labore paribus repudant, a sequodignis mo mostius quam labore sunt el
Ennead ArchitectsNYU Langone Medical CenterNew York, New York Fall 2008 - present
ryan b. lewandowski / professional
-
NYU Langone Medical Center concept riverfront
-
frit glass _ 1 frit glass _ 2 frit glass _ 3 frit glass _ 4 solid panel _ 1 solid panel _ 2 solid panel _ 3
This project will add four new elevators to the outdated Tisch Hospital to improve the flow and quality of experience for patients and visitors. Sited in the central courtyard of the complex, the elevator cabs will include windows that provide a view of the city and river during the ride.My role involved doing a series of facade studies during the concept design phase. Working one on one with a design associate, we discussed the idea of a pixilated pattern of glass that responded to a need for increased shading at the top. From here I investigated panel sizes/ratios and surface patterns through creating elevation drawings, 3D renderings, and elevator cab animations so that each aspect of overall identity and user experience was fully considered.
Ennead ArchitectsNYU ELEVATOR TOWERNew York, New York Spring 2009
ryan b. lewandowski / professional
-
interior lobby view
exterior view from above courtyard
-
Molor re veri di rectur alit prori ipsunt estia comnit adis et ommos et molum nem lam nonsendis essenimpos velis dolorunt, ent, sum expedit quis seque lic to volorum andam accum aut dolute aut et voluptatem si dolorunda quatemp oreictur maximet id quatiun tiisquiandit aliquib usciistrum doluptas aute nimperi beribus eossunt.Ecero molorrovit, velestiaspid modist molorum, omnistrum quiatque pro mi, quamus dollandae porem que perrum facid mo et ullatem ent voloreprepro blamet aspersp eraturi asperspe perione non ratiat imeniae ritisseque seque dolessinvent modi tetumquibus atur?Et discien iscipicimo maxim inullaborent velecatur soluptas rerumqu aturiae. Et quiam fugiam et undit vollabores nesci tecuptate doloriae ipsam, namus explaccum apicte voluptam quidundenim
ryan b. lewandowski / professional
NYU 2031 Master Plan New York, New York Spring 2009
-
Borum cus ex eum dollitam iur, officiume vel ipsa nimpor re, nonsequides dolore sinciminctur solupienisto quiae est, to volut aped molupta aliquame voluptiatur?Ima quis sus eum et, sima volum eosae vendi tem facipsunt re pro to que milicipsus sinim nonsequam, simus ent fugit volorem periorum nulpa pro eossimaiorit velendi onseque ratem eatiam ratur, aut re moluptatem dolorep ratet, offictem el modis dolendam fugit, tet ut aut abo. Nam ad qui ni volupta simporempor aces esciis dus et que ni bea quundio. Nequi ulliciet lam entiunt fugia corati audandenemod everfero verspero que re nimus nonsendesse nullibus amus am ut qui aut ad magniati sequi dolenderit odiam eumente elesti beribusam, consequunte por sitatur, simolla borepedipiti ut modis parchicatem dolesed mo
ryan b. lewandowski / professional
NYULMC Master Plan New York, New York Summer 2009
-
J:\0806\1_BIM\N
YU M
edical Center M
aster 2010.rvt7/30/2009 10:56:33 PM
EXISTING CONDITIONS TISCH ELEVATOR & ED KIMMEL HOSPITAL -Demo & Displacement Req'd
UTILITY BUILDING RESEARCH BUILDING -Demo & Displacement Req'd
STRETCHER BUILDING -Demo & Displacement Req'd
PEDS BUILDING RESEARCH BUILDING -Demo & Displacement Req'd
ACUTE CARE BUILDING RESEARCH BUILDING -Demo & Displacement Req'd
ACUTE CARE BUILDING -Demo & Displacement Req'd
FILLER BUILDING -Demo & Displacement Req'd
A2
F1
E
G
EXISTING PHASE 1 PHASE 2 PHASE 3 PHASE 4 PHASE 5
NYULMC SUPERBLOCK DEVELOPMENT
ZONING DATALot Area : 408,551 SFLot Coverage : 65 %Allowable : 265,532 SFFAR : 6.5 (group 4)Allowable : 2,655,322 SF
*Indenture Constraints : 65% Lot Coverage, 25 Story Limit, Parking Space Requirement**Does not include OCME site
AH 40,452COL 33,398HCC 294,290KIMMEL 786,827KIMMEL-WEST 309,115MSB 276,779SE_RESEARCH 333,010SK 541,428SRC 253,940UH 655,279UH - ED 3,851UTILITY 84,768Grand total 3,613,137
AH 40,452COL 33,398HCC 294,290KIMMEL 786,827KIMMEL-WEST 205,659MSB 276,779SE_RESEARCH 233,840SK 541,428SRC 253,940UH 655,279UH - ED 3,851UTILITY 84,768Grand total 3,410,511
AH 40,452HCC 294,290KIMMEL 786,827MSB 276,779SE_ACUTECARE 333,010SK 541,428SRC 253,940UH 655,279UH - ED 3,851UTILITY 151,540Grand total 3,337,396
AH 40,452HCC 294,290KIMMEL 786,827SE_RESEARCH 333,010SK 541,428SRC 253,940STRETCHER_FULL 289,455UH 655,279UH - ED 3,851UTILITY 84,768Grand total 3,283,301
187,078 SF2,007,287 ZSF
Lot CoverageZSF
Lot Coverage192,217 SF2,031,244 ZSF
Lot Coverage2,529,464
226,231 SF 242,122 SFZSF
Lot Coverage2,557,092 ZSF
Lot Coverage253,215 SF2,662,435 ZSF
Lot Coverage260,268 SF2,605,469
ZSFLot Coverage
ZSFLot Coverage
ZSFLot Coverage
ZSFLot Coverage
ZSFLot Coverage
ZSFLot Coverage
256,256 SF
253,215 SF
256,256 SF
2,662,435 2,677,756258,386 SF
264,476 SF2,735,0202,719,151
2,822,607 2,927,950267,348 SF
On SuperblockOff Superblock
POLSHEK PARTNERSHIP ARCHITECTS LLP320 West 13th Street, New York, NY 10014
ENABLING PREREQUISITES :
Previous Lot Coverage
Previous Zoning SF
NYULMC GREATER URBAN CAMPUS (DGSF):
New Lot Coverage
New Zoning SF
Allowable Lot Coverage on Superblock (65% of 408,511)
Allowable Zoning SF on Superblock (6.5 FAR) 2,655,322 ZSF
265,532 SF
Previous Total
GSF DGSF
NEW SUPERBLOCK TOTAL NYULMC GREATER URBAN CAMPUS TOTAL
GSFDGSF
ZSF
SF
GSF DGSF
ZSF
SF Phase 2*1.45 DGSF to GSF multiplier
10/5/2009 3:08:02 PM
J:\0806\1_BIM\NYU Medical Center Master 2010.rvt
KIMMEL HOSPITAL
2,276,0002,516,000
2,041,500
193,000
21,500115,00065,50012,000
214,500
7,000 765,000844,000
776,500
62,500
3,139,5002,846,000
2,625,000
234,000
4,273,5004,567,000
973,500
218,000
551,500
127,500
276,500
25,000
111,500
234,000
205,000
5,500
101,000
DEMOLITION -
GSF ZSF
363,500
PROGRAM DISPLACMENT (DGSF) -
28,500
DGSFGSF
ACUTE CARE 102,000AMBULATORY CARE 19,500CENTRAL ADMINISTRATION 3,500COMMON 14,000EDUCATION 19,000LOGISTICAL SUPPORT 10,500RESEARCH 26,500
195,000
COL 26,000IRM 135,500RR 72,500UH 12,000
246,500
KIMMEL HOSPITAL
ZSF
SF Lot Coverage
SF Lot Coverage
single phase graphic output
the kit of parts
future build-out phasing tree
-
Working in collaboration with COPESCO, the World Bank, and the city of Ollantaytambo, our semester studio was the beginning of a multi-year effort towards studying the threats from increased tourism in the Sacred Valley. The ancient town of Ollantaytambo sits at a critical juncture between the bus and rail system for tourists en route to Machu Picchu and faces growing international economic pressures. Our work intended to propose a schematic master plan and new train station that accommodates international interests and local needs while preserving the towns physical history and cultural ideals.
ARCH 402MASTER PLANTRAIN + BUS STATIONAssociate Professor Dean Abernathy Spring 2008w/ Scott Mitchell & Sebastijan JemecOllantaytambo, Peru
ryan b. lewandowski / academic
-
(1:1000)10m 50m 100m
-
ryan b. lewandowski / academic / 2008
During our time in Ollantaytambo, we were challenged with thinking of new ways to document the town and our experience. Along with the traditional means of recording, such as photography and sketches, I took a series of short videos at various points within the town. Focusing on the sounds of traffic, water, music, and talking during the clips, I extracted this information to create a diagrammatic timeline of each video. Inspired by the quipu, a traditional Incan method of record keeping with knots, I created my own with each strand representing the sounds of my experiences.
Quipu street sound diagram
-
ryan b. lewandowski / academic / 2008
Designed in collaboration with Scott Mitchell and Sebasitjan Jemec, we sited the train station down river from the town to establish a new node for commercial activity, alleviating traffic through the sensitive Incan sites. Reminiscent of Incan terracing and the local market vernacular, the station is spatially organized by a series of rammed earth walls and glu-lam structures to create a low impact design that integrates itself into the surrounding landscape. The addition of a wide cathedral like stair running the length of the station becomes a place of interaction and provides an open connection to the neighboring marketplace.
block game site studies
-
ground tierra
terrace terraza
walls paredes
service space espacio del servicio
structure estructura
broken roof azotea rota
site section sketch
-
ryan b. lewandowski / academic / 2008
bus terminal
-
train station
-
ryan b. lewandowski / academic / 2008
-
ARCH 302STUDENT STUDY CENTERAssociate Professor Charles Menefee Spring 2007Charlottesville, VA
The semester long project was an investigation of public and private spaces through the experience of the student at the University of Virginia. The building becomes an active interface between the student at study and the student in transit through a dynamic facade created by individualized study spaces.
ryan b. lewandowski / academic
-
ryan b. lewandowski / academic / 2007
-
ryan b. lewandowski / academic / 2007
Anchoring itself on the backside of the psychology building along a popular student shortcut, the building extends through a wooded site that is the backyard for multiple existing university buildings. Viewed as a unique remnant of the natural terrain, the overall site strategy was to connect the student with their surroundings through a series of new paths and visual connections from the elevated study spaces.
-
Considering the individual study carrel as the most basic unit of the design, I investigated the materials, light qualities, and spatial relationships with the goal of designing a space that can be personalized by manually changing its spatial and light qualities. The carrel serves as a module of space that is expanded to accommodate small group spaces and larger public lounges throughout the building.
ryan b. lewandowski / academic / 2007
single study carrel
-
small group work space
public lounge
-
Due to the varied terrain across the site, the three main exterior spaces have unique landscape strategies. A wooded lawn on the high ground, boulders on the hillside, and a wetland that maintains an existing daylighted drainage field.
wetland
boulders
wooded lawn
-
ryan b. lewandowski / academic / 2007
-
ryan b. lewandowski / academic
Located in the culturally segregated neighborhood of Crown Heights, this multi-function design problem was aimed at understanding a complex past in order to address its current and future potential. Looking to the surrounding urban context, I found inspiration in the unifying visual rhythm of the neighboring brownstones. By reflecting this rhythm at the scale of the buildings program, the intent of the design is to establish a unifying dialogue between community members through its use.
ARCH 301 ARTS & COMMUNITY DEVELOPMENT CENTER Associate Professor William Williams Fall 2006Brooklyn, NY
-
A community kitchen and food co-op are the primary programmatic drivers within the design. Through the personal act of cooking and having a meal together, stories and lessons are shared creating a cross-cultural dialogue that brings the different local cultures together. The table for cooking and eating becomes a symbol for this interaction and is carried throughout the rest of the building to facilitate its many other functions.
ryan b. lewandowski / academic / 2006
-
ground floor plan first floor second floor third floor fourth floor fifth floor
ryan b. lewandowski / academic / 2006urban rhythm site plan
A community kitchen and food co-op are the primary programmatic drivers within the design. Through the personal act of cooking and having a meal together, stories and lessons are shared creating a cross-cultural dialogue that brings the different local cultures together. The table for cooking and eating becomes a symbol for this interaction and is carried throughout the rest of the building to facilitate its many other functions.
-
ryan b. lewandowski / academic / 2006
3/16th scale laminated basswood and chip sectional model18 x 18 x 22
-
Endae nonsed quo blaborem eat aut voluptas maio to comnisti ommolut officaboriam res dolorestem. Roreicim nis rehenia velenis itibus ut apicia nos aces de et apel ium que solendit faceres cilliquuntio que optatquae parumquia eostis et rem que que sendaes equatiate alicaestios dolorae ruptaque latibus cor minis molore quae volore, tese conseri bustio officab illabore nes sunt il ide quisquam, coribusa sum il eaque sin ped quiaeruptas as estiis alique consequati coria eium et pratius aut ut doluptibus solupic tem nesequatet dolupta turistem aliteni mporibuscil et evelessimet re ventiis etur? Quibusda dolor a sita duciunt utempor umeniae nus placidi officabore commolo rioria consequia commolo reiciam, cus, seque plibusandel entempores es mint aut quatur re nust harupist,
D.I.S. SEMESTER ABROADLight_Video Art Kunstal Professor Eva Frederikson Fall 2007Copenhagen, Denmark
ryan b. lewandowski / academic
-
artist precedents
concept diagram
-
Soluptatur arciend itatum rem eat labori vidunt, occum laborestrum eos ad etur acepratent.Lor magnimaio cusa vel im quiam denia commod molore, que natibus estio. Ita delest, id et as nonse cus, sedit quidelendis sunt.Mus, sinum lant lanimusa sape eatur, optaepre nam ipid eatia nimagnit idigeneculpa con parcil iuntor adita nus id estio blab ipsae eos disci aut et et et voluptum exeriorem cum iusandaepro commolum
ryan b. lewandowski / academic
-
ryan b. lewandowski / academic
Cae non reperis volora in corentios posa eum sitae corrorectae nus et hicto expliquiatur arumquodi doloritatam, omnim nobit, as es exped milicae. Erum fuga. Nemporeribus est, invel moluptatem atibus, impor atenis sita cuptam et quam quatur re resto occum aut quatiis eatem ulparum adissunt aut volor am evenihi ligenecero verio tem isitemqui ut aliqui si vernatemolut poratem porrore rferum ius mos veni ut volecabo. Fugit mod minvelibust quam
-
Section A
Section ASection BSection CSection DSection E
Section ESection DSection CSection B
programatic diagrams
individual
group
-
night rendering - physical model inset
-
ARCH 544SWISS RE 3D STUDYAssociate Professor Charles Menefee Spring 2007Charlottesville, VA
Rum si venia quuntibusant voluptinim nimodio blaut rerehenis dolupienda duciis voluptur ape eles rae dolo venet magniet volum enesti temqui qui ut quam volupid ut quas ide dolupta aut aborpor ehenias aut aut molupta nos doloria quidic test, incimaiore pre mi, quia quia vid quodi beat dolescil escimin pratat in nient vel es dita persperiatis minis sim eumet explitas dolor aut iusdamusam repudi idusapis dem rescitas pra doluptur am, voluptam etur modic tet moloribeatum ut lam sequos eos et alicidunt estrum volutatusa explit lab ilitas volorum latur ande aut il mo es essinum repro dolor re di
ryan b. lewandowski / academic
-
axis-profile floor guidelines column profiles
column extrusion column mirror column array facade panel geometry
-
The intent of this course was to learn the underlying principles of parametric modeling. A cardboard lamp shade project created by a mathematically derived surface inspired my final project, a study of visual focal points of transparency within a wall structure. By creating a point of influence, the wall structure can shift its directionality while maintaining a set form.
ryan b. lewandowski / academic
ARCH 544PARAMETRICRAPID PROTOTYPINGAssociate Professor Earl Mark Spring 2008
class geometric & surface explorations
-
physical prototype _ lamp shade
transaction modelBased "draw the polygon"{ feature drawPoly GC.GraphFunction { Definition = function (Point pointList){ //procedure to draw any closed polygon of unspecified number of points Polygon arbitraryPolygon = new Polygon(this); arbitraryPolygon.ByVertices(pointList); }; }}
transaction modelBased "graphic function to find Z value given x and y coordinates"{ feature surfProg GC.GraphFunction { Definition = Point function(Point startPoint, double Cscalar, double degr, double resolution, double degrinc){ // Gets sin wave along x-axis and y-axis for z from x and y of startPoin // Works well for Cscalar set to 1.0 with Resolution set to 0.5 Point returnPoint = new Point(); double height; double distx, disty; height = Cscalar * (Sin(Degrees((degr * .9425) / 6)) + Sin(Degrees((startPoint.Z ) * 3))); distx = Cos(degr) * height; disty = Sin(degr) * height; returnPoint.ByCartesianCoordinates(baseCS, startPoint.X + distx, startPoint.Y + disty, startPoint.Z); return returnPoint; }; }}
transaction modelBased "draw cylinder"{ feature polygon01 GC.Polygon { Function = function(){ // Procedure makecircle to draw a circle as a series of line segments Point originPoint = new Point(); Point pt1 = new Point(); Point pt2 = new Point(); Point pt3 = new Point(); Point pt4 = new Point(); double degr, degrinc; double radius, radians; double distx, disty; double distx2, disty2; double xval, yval, zval; double xval2, yval2, zval2; double resolution; double Cscalar; int index;
radius = 4; degr = 0; degrinc = 2; index = 0; Cscalar = 0.3; zval = 0; resolution = 0.0; // Initiate Drawing of Circle while number of degrees less than or equal to 360 while (zval
-
A cardboard lamp shade project created by a mathematically derived surface inspired my final project, a study of visual focal points of transparency within a wall structure. By creating a point of influence, the wall structure can shift its directionality while maintaining a set form.
ryan b. lewandowski / academicstep 4 _ perspective lines
step 3 _ array points on surface
step 2 _ parameterized guide lines
step 1 _ construct smart b-spline surface
project inspiration _ corrugated prototype step 5 _ louver guides based on perspective
step 6 _ construct louver
-
In a summer long design/build project with former classmate Sebastijan Jemec, the concept of transparency is used to display both the structure of the design and the international technology used to create the exhibited Rome Reborn project.
Given two weeks for construction, the booth was fabricated offsite and brought in for installation, requiring that it be modular, light weight, and of efficient construction methods.
design
IATH . SIGGRAPH ROME REBORN BOOTHAssociate Director Dean Abernathy Summer 2008w/ Sebastijan JemecLos Angeles, CA
ryan b. lewandowski / professional
-
prototypes
fabrication
transport
assembly
finished
-
A rigid projection wing displayed images of Rome through its structure, serving as a way to attract attendees to the booth. With the exhibits set up along the perimeter, those interested were immediately engaged through interacting with the technology and designers of the project.
ryan b. lewandowski / professional / 2008
-
In a small scale residential insertion, this design of a Danish row house investigates the slicing of a private boundary to create a visual transparency while still maintaining a sense of security. This is accomplished by weaving the circulation around translucent vertical planes, which conceal the private spaces in the back.
D.I.S. SEMESTER ABROADVESTERBR ROW HOUSEProfessor Eva Frederikson Fall 2007Copenhagen, Denmark
ryan b. lewandowski / academic
-
During my semester abroad, I partook in two semester long journal courses providing a chance to improve my visual and analytical sketching techniques. With most sessions involving trips through the city, we were taught to analyze our surroundings through mental maps, field measured sections and plans, comparative studies, serial visions, vignettes, and material sketches. This journal became an important means of documenting my semester abroad, including my personal travels to Poland and Germany.
D.I.S. SEMESTER ABROAD SKETCHES & TRAVELSCopenhagen, Denmark Fall 2007
ryan b. lewandowski / academic
-
urban study - copenhagen, denmarkserial visions
-
urban study - old city center, krakow, polandchurch as a symbol
ryan b. lewandowski / personal / 2007
-
building study - jewish museum, berlin, germanythe memory void
-
Tiuscia qui omnient ommollitatem a cora a doluptatur? Ped quam quati omnit aut audi comnienis voluptat as solupti bearumquam anihilitio. Ibus ex es etur a corio. Ero opta quias re omnisqui que cus dolorro vitate ommosae et aliquam ipist, que nosant, ullutaectio volut odis molleniendis sequi bla quid qui optas ressimi nullabo reressin exped ex earum audis di qui omnimporem etur seque corerfe raectem et rat ant.Sed quae doloreped magniss edipsanti reic tem dolor re, eturi nonecum inctiandi dem. As essed ut ventius simo con eat ut aut opta velliquiant, nonsed eatem nem volum expero idel mintur?Sed moluptatum recatio nemoluptas aut ipid ute nostias molendis ipisincid magnis et ut parum exera ni vit experesequam quas reici sum
Polshek Partnersip/Ennead ArchitectsProject Proposal ModelsNew York, New York Spring/Summer 2010
ryan b. lewandowski / professional
CUNY York College Student CenterJamaica, NY
-
Ryerson University Student CenterToronto, ON
-
In an office wide challenge to re-use/re-purpose/recycle the now obsolete Polshek Partnership business cards in a creative way, this lamp is made of 75 business cards with a small plexi bracket. The folded design utilizes the single orange side of the cards to produce an warm glow over the white exterior. A modular system of folding was used and by modifying the angle or direction of the folds, each of the three rows become unique.
House of Cards2x3.5 LampNew York, New York Summer 2010
ryan b. lewandowski / personal
top row
middle row
bottom row
fold
ove
rfo
ld in
fold
ove
r
fold
in
fold
ove
r
fold
in
-
In an office wide challenge to re-use/re-purpose/recycle the now obsolete Polshek Partnership business cards in a creative way, this lamp is made of 75 business cards with a small plexi bracket. The folded design utilizes the single orange side of the cards to produce an warm glow over the white exterior. A modular system of folding was used and by modifying the angle or direction of the folds, each of the three rows become unique.
ryan b. lewandowski / personal
-
Il iure dolene dendae seditiandae et haruptatem quassitae evelibus, consequaero bea volorentem. Itatur maximen ducilic itatur mi, que dolore qui re plab ilis di adit dolento quide enimus, nam, omnimilic totatur mos doloria aut ant, veliquia consequodis volecus velligniet et raerunt ped et alibus nia dit exeribus nissi qui tem qui autet ut pe nonserror aditatium nam simus sequo tem repellit, ipsuntemosam aut es autatur, ut aliquam aut ea sam fugitiorem volupit et volupit a simo omnim vera verrorerum, simus sin eneceat am sim exerum, quo torio es nonseque plis quam iduciis simetus, offictorume etuscium idenienis ero comnis esedit pedi ulliqui blaborehene enduntio quament rente pressimus conecti aut reperuptus nobis ium aut quibus con rehendi blaboritate et alia culpa evelene ctoratem fugia veliatas aut mos accab ipitasp idiatem rectend igentotatur aut
ryan b. lewandowski / personal
PersonalPhotography
-
ryan b. lewandowski / personal
interior lobby view
-
interior lobby view
-
ryan b. lewandowski / personal
interior lobby view
-
interior lobby view
top related