kerrigan and lowdermilk male songbook.pdf

8/17/2019 Kerrigan and Lowdermilk Male Songbook.pdf

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about the writers

KAIT KERRIGAN & BRIAN LOWDERMILK’s adaptation of Henry & Mudge had an Off-Broadway run at theLucille Lortel Theatre and is currently touring the country with TheatreworksUSA. Their latest originalmusical The Unauthorized Autobiography of Samantha Brown was most recently developed at aworkshop at Manhattan Theatre Club directed by Christopher Ashley. This musical also received areading at the Artists’ Showcase Reading Series at the 92nd Street Y, and was featured in the 2005NAMT Songwriters Showcase.

They have collaborated on two other musicals: The Woman Upstairs and Wrong Number , both of whichwere featured in the New York Musical Theatre Festival. They are recipients of a 2006 Jonathan LarsonAward and a 2004-2005 Jonathan Larson Fellowship at the Dramatists Guild, and they are members ofthe BMI Musical Theatre Advanced workshop, ASCAP and the Dramatists Guild.

Kerrigan is a graduate of Barnard College. Her plays include Transit and Imaginary Love, which was a2006 Princess Grace Award Finalist. Lowdermilk studied at Harvard University and NYU where hereceived the Alan Menken Award. With collaborator Marcus Stevens, Lowdermilk was the recipient of aRichard Rodgers Award for his musical RED .

www.kerrigan-lowdermilk.com

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Moderately q»•¢

I am walk - ing home

legato

from the sub - way stop.

Dbsus2

The lights keep chang - ing,

œ œ œ œ

I just stand and watch.

I should know what's wrong,

œ œ œ œ œ œ œ

Ebsus4

like I should know which way to go.

How to Not e with You

Music and lyrics byBRIAN LOWDERMILK

Dbsus2

I should hurt less,

œ œ œ œ

œ œ œ œ œ

Ebsus4 Db/F Eb/G

and I should re - mem - ber my way

Dbsus2(addm11)

home. But I don't.

œœ œ œ œ œ œ

Œ ‰

Absus2/C

I can't see

œ œ œ œ

œ ‰

œ œ œ œ œ œ

Bbsus2/D

now that you're not walk - ing next

œ œ ˙

œ œ ˙ Œ

to me.

Db/F Eb/G

I don't know how

œ œ œ œ

œ œ œ

Eb(add4)/G

to not be with you.

œ œ œ œ

œ œ œ

I don't re - mem - ber where I'm from.

œ œ œ œ

œ œ œ œ œ œ œ œw

Dbsus2

œ œ œ œ

Ebsus4

j œ j

œ œ œ

F m C 7sus4/F

I know your touch, know ev - 'ry -

œ œ œ œ

Ab/Eb Bb7/D

thing you do. Well,

œ œ œ œ

‰ œ œ

Bbmin/Db Ab/C

I know ev - 'ry - thing ex - cept how

Bbmin Eb7sus4

to not be with you.

œ œ œ

œ œ œ œ

cresc..

Più Mosso

Absus2

Hands out and head bowed,

œ œ œ œ

stronger

œ œ œ œ

Fm7 add11)

I am still wait - ing for you

œ œ œ œ

Œ ‰

You keep on chang - ing,

œ œ œ œ

Œ ‰

Eb7sus4

I'm not through.

œœ œœ œœ œœ

I should hold my ground,

œ œ œ œ œ œ

Eb(add4)

I should have noth - ing to say.

Œ œ . J œ œ œ

Dbsus2(addm11)

Should you reach for me,

œ œ œ œ œ œ œ œ œ œ

Ebsus4

I should run my heart a - way.

Dbsus2(add m11)

But I won't

Œ ‰ j ˙

j œ œ

Absus2/C

I'm not free.

œ œ œ œ

œ œ œ

Bbsus2/D

I'm not a lot of things I used

œ œ œ

DbMaj9 Db/F Ebsus4/G

to be, ba - by, I

˙˙ œ œœ œ

Absus2

oh I don't know how

œ œ œ œ

Ebsus4/G

to not be with you.

œ œ œ œ œ

œ œ œ œ

Fm7 add11)

œ œ œ œ œ

I know your touch, know ev - 'ry -

œ j j œ j

Ab/Eb D dim

thing you do. Well,

œ j ˙

‰ œ œ

Bbmin/Db Ab/C

I know ev - 'ry - thing, ex - cept how

œ œ œ œœ ˙

Bbmin Eb7sus4

to not be with you.

˙œ œ œ œ

œ œ œ œ

cresc.

œ œ œ œ œ

œ œ œ œ

poco rit.

Meno Mosso

≈ œ œ œ œ œ

œ œ œ

œ œ œ œ œ

Cbsus2 Gb2/Bb

If I had not foll - owed you, would I

‰ Œ

œ œ œ œ

œ œ ˙

Fbsus2

know my way out?

. j . œ œ

œ œ œ œ

œ œ œ

Db Ab/C Db/C

'Cuz I let you lead me home and I

≈ œ œ œ

≈ r œ œ

Cbsus2

can't find it now.

rall.‰ ≈

F sus4

œ œ œ œ œ

œ œ œ

Bbsus2

I don't know how

a tempo

Œ ‰

œ œ œ J œ J

F sus4/A

to not be with you.

œ œ œ œ

G m7 add11)

Œ ‰

≈ r .

≈ r . œ

know your touch, know ev - 'ry -

œ j j œ j

Bb/F C 7/E

thing you do. Well,

C min/Eb Bb/D

I know ev - 'ry - thing, ex - cept how

J J œ

C min F7sus4

to not be with you.

œ œ œ

œ œ œ œ

J J œ

Bbsus2

œ œ œ

Œ ‰

œ œ œ œ

Gm7 add11)

I am still wait - ing for you.

œ œ œ œ

Œ ‰

œ œ œ œ

Œ ‰ j j œ j

F 7sus4

I'll keep wait - ing for you.

I don't know how...

œ œ œ œ

œ œ œ

F sus4

œ œ œ œ

œ œ œ

Bbsus2

Hands out,

œœ œœ œœ

œ œ œ œ

œ œ œ œ œ

Ebsus2/G

head bowed.

œ œ œ œ

œ œ œ œ œ

F sus4

œ œ ˙

Hands out,

œ œ œ

add2) Bb/D

head bowed.

‰ œ œ œ ‰ œ œ œ

C m7 F7sus4

I'll be wait - ing for

»§¢Steady, in one

Let me

catch my breath.

Œ œ œ

This is

œ œ œ

real ly hard.

Run way with Me

Lyrics by KAIT KERRIGANMusic by BRIAN LOWDERMILK

from The Unauthorized Autobiography of Samantha Brown

start to look

like I'm

sweat ing, well...

œ œ œ

(add2)/Eb

œ œ œ

That's 'cause I am.

œ œ œ

Eb7sus4

Œ ‰ j œ

I'm not

(add2)/F

œ œ œ

good with words.

Œ ‰ j

But that's

(add2)/F

noth ing new.

Œ œ œ

Still I

œ œ œ

have to try

œ œ œ

plain what I

(add2)/Eb

want to

Bbsus2/D

with you.

cresc.

œ Œ Œ

Eb7sus4

B bm/Eb

Eb7sus4

Eb(no3)

way with me.

Let me be your

p colla voce

ride out of town.

Let me be the

place that you hide.

We can make our

lives on the go.

Eb7sus4

way with me.

Œ œ œ œ œ

Tex as in the

(add2)

a tempo

œ œ œ œ

sum mer is cool.

(add2)/G

œ œ œ œ œ

We'll be on the

œ œ œ

road like Jack

Ebsus4

Ke rou ac

Look in' back.

Alt. lyric:

Sam,Get

you'reting

read read

- - --

˙ œ œ

where.

Get the car

œ œ œ œ packed and throw

œ œ œ œme the key.

œ œ œRun a

Ebsus4

œ œ œway with me.

lush, thick

Sam, I

(add2)

knowthis

it'sis

fast. fast.

Œ œ œ

œ œ œ

I'mWhat

inelse

Fm( b13)

lovecan

with I

you.do?

A b(add4)

Sam, It

it'sseems

cracra

butbut

Sam, I'm

I'mmuch

œ œ œ

crazcraz

(add2)/Eb

œ œ œ

for for

you. you.

Œ Œ œ

havehave

thesethese

plans. plans.

œ œ œ

cresc. poco a poco

Sam, I

œ œ œ

haveall

thesethese

plans plans

Of For

a house}

œ œ œ

that we

œ œ œ

DbMaj7/Eb

œ œ œ œ

build on a bay

œ œ œ

when we

run a way.

Let me be your

(add2)

pushing ahead

ride out of town.

Let me be the

Dbm6/Fb

œ œ œ œ œ

We can make our

(add2)/Eb

œ œ œ œ

lives on the go.

œ œ œ

Eb7sus4

œ œ œ

way with me.

Al a bam a

(add2)

heat, sign me up!

(add2)/G

We'll b e on the

road like some

coun try song.

Won't be long.

Sam,We'll

you'rebe

read read

where.

Œ œ œ œ

Get the car

œ œ œ

packed and throw

me the key.

Ebsus4

way with me.

driving

Œ ‰

I'm not

f œ œ œ

(add2)

try ing to make

œ œ œ

you a wife

œ œ œ

Œ ‰

I'm not

try ing to tie

(add2)

D Maj7/Eb

Œ ‰

I'm just

(add2)

say ing there might

be a life

here– a new

œ œ œ œ œ œ

one as

œ œ œ œ œ œ

(add2)

soon as we

j œ œ j

run, just as

soon as we

run. Run a way.

œ œ œ œ œ

. Let me be your

(add2)

œ œ œ œ

ride out of town.

œ œ œ œ œ

Let me be the

œ J œ J

Ebm6/Gb

We can make our

(add2)/F

lives on the go.

F 7sus4

way with me.

Mis s is sip pi

˙ œ œ

(add2)

mud, watch me slide!

(add2)/A

We'll be on the

˙ œ œ

road like Jack

Ke rou ac

cresc.

look ing back.

Sam, Al

you'remost

poco rall.

read read

Sam.now.

- - --

Œ œ œ œ œ

Let me be your

C (add2)

a tempo

out of town.

C (add2)/G

way with me.

Cal i for niaœ

œ œ œ œ

C (add2)

dreams, here we come!

. j œ œ

C (add2)/B

Ro me o is

G/A A m

cal ling for

œ œ œ

- - - - - -

Ju li et.

Rea dy,

set, Sam,

you're

- - - -

œ ˙go

œ œ œan y.

œ œ œ œ œ œ œ œ œ œ

Jœ ‰ Œ Ó

‰ Œ

Œ ‰ j

Just six more months.

‰ Ó

‰ Œ Ó

Œ ‰

What's six more months?

Œ j ‰ Ó

‰Œ Ó

Œ ‰ j

What's half a year of

‰ Œ j ‰

‰ Œ ‰

chop ping up to ma toes?

‰ j‰

Œ ‰ j œ œ œBut more than that,

‰ Ó

‰ Œ Ó

Œ ‰ j œ œ œ œIt's six more months of

Œ j ‰ Ó

‰ Œ Ó

œ . œ œ œ œ œ pray ing a fi re will de

Someone Else's Lifefrom Tales from the Bad Years

Music by

Brian Lowdermilk

Lyrics by

Kait Kerrigan

stroy my fath er's rest aur ant. See,

I don't e ven call it mine 'Cause

that's where I have drawn the

- - - -

line. I'd walk out the door right

œ œ . œ œ .

œ œ œ œ

now If there on ly were a

œ œ . œ œ .

œ œ œ

way to re wind.

. j œ œ

œ œ œ œ

œ œ œ œ œ œ

I'd walk out the door and

not look back, If there were

œ œ œ œ

œ œ œ œ œ œ œ œ œ œan y way to leave my self be

. Œhind.

Give me some one el

se's life.

œ œ œ

Switch me with some oth er jerk 'cause I'm

tired of mak ing se mi Turk ish

˙ jœ

‰ Œ

food. Give me

œ œœ œœ œ œœ œ œœ œ œœ œ

œ œ œ

some one el se's life. Don't

œ œ œ œ œ œ œ œ œ œ œ

œ œ œ

- - - - - -

œ œ œ

ask me to de vein this prawn 'cause I

‰ ‰

Œ ‰

œ œ œ

won't be here I'll be long gone with

Œ ‰

œ œ œ œ œ

œ œ œ œ œ j ‰some one el se's job, Some one el se's dad,

œ œ œ

‰ ‰ j

Œ ‰

œ œ œ œ œ œ œ œ œ œ œ œSome one el se's shit ty day. As long as i t's

Œ ‰

- - - - - - -

some one el se's life.

œ œ œ

I know I should be grate ful.

‰ Œ Ó

Œ ‰ j

My sous chef says

j ‰ Ó

‰ Œ Ó

Œ ‰

My life is great

Œ j ‰ Ó

‰ Œ Ó

Œ ‰ j

But that's com pared to

Œ j ‰ Œ j ‰

‰ Œ ‰

flee ing Gua te ma la.

œ ‰ œ ‰ j ‰ j ‰

- - - -

Œ ‰ j

It's not so bad.

‰ Ó

‰ Œ Ó

Œ ‰

It's on ly the most

Œ j ‰ Ó

‰ Œ Ó

bor ing pro fes sion in the

œ œ œ œ œ œ œ œwhole en ti re world. It is n't

œ œ œ œ œ œ œ œdan ger ous or bad ass and it

œ œ œ œ œ œis n't ev en fun. No.

‰ Œ Œ

‰ Œ ‰

- - - - - - - -

Give me some one el

œ œ œ

se's life.

œ œ œ œ

œ œ œ

Six months then a no ther six. I'll be

œ œ œ

‰ ‰

Œ ‰

eight y and I 'll still be mix ing

œœ œœ

Œ ‰

dough. But in

œœ œ œœ œœ œ œœ œ œœ œ œœ œ

œ œ œ

some one el se's life, I'd

œ œ œ œ œ œ œ œ œ œ œ

œ œ œ

- - - -

œ œ œ

take charge of the way things went I could

‰ ‰

Œ ‰

œ œ œ

make a choice if hea ven sent me

Œ ‰

œ œ œ œ j ‰ œ œ œ œ j ‰Some one el se's spine. Some one el se's brain.

‰ ‰

Œ ‰

œ œ œ œ œ œ œ œ œSome one el se's caus tic ball and chain.

‰ ‰ j

Œ ‰ j

- - - - - -

œ œ œ

me up on the dot ted line. Be it

‰ ‰

Œ ‰

œ œ œ

spy or crook. It's all cloud nine with

œ œ œ

Œ ‰

Some one el se's house Some one el se's bed

‰ ‰ j

Œ ‰ j

œ œ œ

Some one el se's in side of their head.

œ œ œ

‰ ‰

Œ ‰

- - - - - -

œ œ œ

Some one el se's dog Some one el se's strife

‰ ‰

Œ ‰

œ œ ˙

Some one's el se's kitch en knife.

œ ‰

- - - - - -

œ œ œ œ œSome one else who knows what

œ œ œ œ œ Œhe has left to give.

œ œ œ

colla voce

Earnest Pop q»¡º¢

E sus4

Have sex with me.

Have sex with m e.

a tempo

In my room, I have

˙ ˙˙

F m7 (add4)

a pack of con

˙ œ œ

In the oth er room,

B 7sus4

I e ven have a

bed. Have sex with me

The roposal

Lyrics by KAIT KERRIGAN

Music by BRIAN LOWDERMILK

from The Unauthorized Autobiography of Samantha Brown

poco rit.

Œ ‰

B 7sus4

and I'll give you your own

a tempo

œ œ œ œœ

D B 9sus4

cresc.

Just sleep with me.

œw œ œ œ

stronger

œ œ œ œ

Please sleep with

œ œ œ

I will make you p an

œ œ œ

œ œ œ œ œ

F m7(add4)

cakes in the morn

œ œ œ

j . Ó

E (add2)/G

Œ œ œ œ œ œ

And I'll make you break

- -- -

B sus4 E/B B 7sus4

fast in bed won't you

please have sex with me.

j œ œ j

poco rit.

Œ ‰

B 7sus4

I make great dar jee ling

a tempo

œ œ œ

Can't you hear the wind out there?

œ œ œ œ œœ œœ œœ

œ œ œ œ œ œ œ œ

GMaj7( m11)

Backup: AhAh

expansive

‰ œ œ œ œ J .

Can't you hear it whis per

F 7sus4

in your hair?

‰ œ œ œ œ œ œ œ œ

GMaj7( m11)

All the gales and gods un der stood:

Ó J œ J

B 7sus4

Sex is good.

. ‰ j

mid night po ets know

a tempo

you love

po po etsets

œ œ œ œ

Asus2/C

by choos ing what

know.know.

decresc.

it is you see.

Have sex with me.

Have sex.

Œ œ œ œ œ

Have sex with me.

HaveHaveHave sex.

œ Œ Ó

A sus2

HaveHave sex.

Œ œ œ œ œ œ

May be not to day,

œ œ œ

F m7(add4)

may be to mor

œ œ œ

Have sex to mor

May be not to mor

j . Ó

- -- - - -

B 7sus4

row, may be in a

MayMay be be inin aa

œ œ œ

week. Have sex with me,

œ œ œ

week.week. HaveHaveHave sex.

œ> œ>

˙ œ œ œ œ œ œ

œ ‰

B 7sus4

And your din ner will be

HaveHaveHave sexsexsex withwithwith

a tempo

B 7sus4

Have sex with

me.me.me.

Ah.Ah.Ah.

Moderately q

»¡™º

BbMaj7 Db

B m7 (b5)

Œ ‰

We lived our life a

Bb D b

sleep. We lived in side our

colla voce

Where Did We Go Wrong

Lyrics by KAIT KERRIGANMusic by BRIAN LOWDERMILK

from Wrong Number

head. We had noth ing to

A min/C

say. We were the liv ing

B m7 (b5)

dead. We woke up to the

news. The past was re ar

ranged. The fu ture had ar

rived. And ev 'ry thing had

B m7 (b5)

- - - - - -

changed. You

thought the world was wait

Œ ‰

ing. You

Bbsus2

œ œ œ J œ Jdreamed of your de but.

. ‰ jThe

Bbsus2

œ œ œ J œ Jworld don't wait for an

y one as in

Bbsus2

no cent as you.

Ebsus2

Where did we go

- - - - -

wrong?

Where did we go

wrong?

Where did

C 7sus4

wrong?

Œ ‰ j œ œ œ œYou can't sleep through the

Bb D b

œ ‰ j œ œ œ œnight. You break in to a

heavy groove

œ ‰ j œ œ œ œsweat. But morn ing comes a

A min/C

gain. You light a cig ar

B m7 (b5)

ette. You don't have an y

Bb D b

choice. You know that you're a

- - - -

live. And time is run ning

out. You're turn ing twen ty

B m7 (b5)

˙cresc.

œ œ œ

thought the world was wait

Œ ‰

ing. You

Bbsus2

Œ ‰

œ œ œ J œ Jdreamed of your de but.

Œ ‰

. ‰ jThe

Bbsus2

Œ ‰

œ œ œ J œ Jworld don't wait for an

Œ ‰

y one as in

Bbsus2

j j œ j

no cent as you.

Ebsus2

Where did we go

C sus4

- - - -

wrong?

Where did we go

wrong?

B m7 (b5)

Where did

C 7sus4

wrong?

New Tempo: Broadly, in two h

»§•

˙ Œ œOh

G sus4

œ œ œ œ

poco rall.

˙ Œ œThere's

œ œ œ œ œ œ

noth ing here of con

œ œ œ

expansive

œ œ œ œ œse quence. There's

- - - -

œ œ œ

noth ing to dis cuss.

œ œ œ

œ œ œ œ

No bo dy will ev

- - - - -

œ œ œ œ

er write the his

œœ œ ˙˙

tor y of us.

Dbsus/Gb

F sus/C

- - - - - -

a tempo

rit. e dim.

œ œ œ œWhere did we go

Tempo Primo

wrong?

a tempo

Where did we go

wrong?

Where did

C 7sus4

œ œ œ

B m7 (b5)

wrong?

BbMaj7

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