el acto de ser deenesh ghyczy
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EL ACTO DE SER DEENESH GHYCZY
EL ACTO DE SER DEENESH GHYCZY
Exhibition from February 15 to 28, 2014. alejandrogallery, Carrer Consell de Cent 204, BarcelonaEL ACTO DE SER DEENESH GHYCZY
EL ACTO DE SER DEENESH GHYCZY
En colaboración con:
Pantocrátor Gallery
&
EL ACTO DE SER DEENESH GHYCZY
Autoretrato. 2013óleo sobre papel65 x 50 cm
We seem to perceive time as a continuum. However, in between two perceptible moments
there is always one imperceptible.
(Jean Pierre Garnier Malet, Unfolding Theory of Time)
We are delighted to be presenting this selection of Deenesh Ghyczy’s work from different periods.
The notion of space in the work of Deenesh Ghyczy is constantly broken. The portrayed figures mix with the surrounding space and even seem to emerge from it or sink into it. They seem physically bound to the surroudings butmentally detached from it. The absentmindedness, expressed in their faces, gives the impression of acute alooness, as if the were completely absorbed by and concentrated on their emotional life. Individuals are revealed as the artist perceives the people around him, his generation, which exist in a multicultural urban environment.
Although “individual” means “indivisible”, individuality implies the illusion of being divided. In his portraits, Ghyczy divides his subjects into variousfragments. He uses consciously calculated distortions and fragmentations as a reflection of our multifaceted nature.
This deconstruction of forms leads to an optical widening of perception which can be unsettling, especially for a gaze in search of certainty and pictorial stability. As a result the constant quest of our mind for a single, coherent image is faling, which is exactly the artist’s intention.
Looking at his paintings is like entering into a spacebeyond the conventions of perception.In spite of their impossible, digitally designed structures, they uphold an almost academic sense of composition one person, a head in the middle a continuation of a thousand year old tradition. Yet the formality and structure of these images support a meditative state of self reflection; a mysterious stillness beneath the surface, a silent introspection and absorption of the persons depicted. Ghyczy establishes a specific realm of intimacy and melancholia, a state of timelessness that reflects back
on the contemplator. He makes a personal depiction of time.The presence of past, future and immediate emotion are synchronized and merged into an interval of time.
Ultimately, these displaced shapes and apparently unstable images question the truth of our empirical perception, and redirect our focus towards the soulful and singular nature of all human beings.
Mind Out Of Time Uwe Goldenstein, 2010A world of split personalities Andreea Anca, 2008Chaque être humain, (c) Anke Ulrich, 2013 Fabian Faltin, for Perfect Day magazin 2008
“Tenemos la sensación de percibir un tiempo continuo. Sin embargo, tal como demuestran los diagnósticos por imágenes, en nuestro cerebro se imprimen solamente
imágenes intermitentes. Entre dos instantes perceptibles siempre hay un instante imperceptible”
(Jean Pierre Garnier Malet, padre de la teoría del desdoblamiento del tiempo)
La noción de espacio en la obra de Deenesh Ghyczy está constantemente roto. Las figuras representadas se mezclan con el espacio circundante e incluso parecen salir o hundirse en él .
Los retratados aparecen físicamente unidos al espa-cio pero mentalmente separados de el, la distracción expresada en sus rostros da la impresión de un intenso distanciamiento, como si estuvieran completamente absorbidos por el y se concentraran en su vida emocional. Los individuos se revelan como el artista percibe la gente a su alrededor, su generación, en un entorno urbano multicultural.
Aunque “individuo “ significa “ indivisible”, individuali-dad implica la ilusión de ser dividido.En sus retratos , Ghyczy divide sus sujetos en varios fragmentos, utilizando las distorsiones y fragmentaciones calculadas conscientemente como un reflejo de nuestra naturaleza multifacética .Esta deconstrucción de las formas conduce a una ampliación óptica de la percepción que puede resultar inquietante , especialmente para una mirada en busca de certeza y estabilidad pictórica.Entrar en sus pinturas es como entrar en un espacio más allá de las convenciones de la percepción, donde a pesar de sus estructuras imposibles , diseñadas previa-mente digitalmente, su pintura hace alarde del sentido académico de la composición antigua.
La formalidad y la estructura de las personas representadas, se apoyan en un estado meditativo de autorreflexión, un silencio misterioso debajo de la superficie, una introspección silenciosa.
Ghyczy establece un ámbito específico de la intimidad y la melancolía, un estado de atemporalidad que se refleja en el espectador, haciendo una representación personal del tiempo.La presencia del pasado, el futuro y la emoción
inmediata se sincronizan y se combinan en el mismo intervalo de tiempo.
En última instancia, estas formas desplazadas e imágenes aparentemente inestables ponen en duda la realidad de nuestra percepción empírica , y nos hace reorientar nuestro enfoque hacia la naturaleza emotiva y singular de todos los seres humanos .
Mind Out Of Time Uwe Goldenstein, 2010A world of split personalities Andreea Anca, 2008Chaque être humain, (c) Anke Ulrich, 2013 Fabian Faltin, for Perfect Day magazin 2008
EL ACTO DE SER DEENESH GHYCZY
EL ACTO DE SER DEENESH GHYCZY Selected Works
Xiao Xiao. 2012óleo sobre lienzo80x60cm
Kilian. 2006óleo sobre lienzo120x160cm
Max. 2013óleo sobre lienzo140x105cm
Ksenia. 2013óleo sobre lienzo80x60cm
Ian. 2009óleo sobre lienzo160x130cm
Felix. 2009óleo sobre lienzo160x130cm
Rilana. 2012óleo sobre lienzo165x130cm
Felix. 2006óleo sobre lienzo165x125cm
Felix. 2006óleo sobre lienzo140x110cm
Diane. 2013óleo sobre lienzo105x140cm
Rita. 2006óleo sobre lienzo155x125cm
Isabel. 2014óleo sobre papel40 x 40 cm
Katayun. 2014óleo sobre papel40 x 40 cm
Marian. 2014óleo sobre papel40 x 40 cm
Deenesh Ghyczy
1970 born in Diepholz, Germany
1972- lives in Holland
1988-1990 studies at the Gerrit Rietveld Academy, Amsterdam
1990-1991 studies at the Art Academy, Budapest
1991-1992 studies at the St.Luc Academy, Brussels
1992-2005 lives in Budapest
2005- lives in Berlin
One Man Shows (since 2000)
2014 El acto de ser, Alejandro Gallery, Barcelona
2013 Die Gefühlte Mitte, Klettgau Gallery, Klettgau
Chaque être humain, 5 Pieces Gallery, Bern (internet Gallery)
2012 Soul Out, Art Suites Gallery, Istanbul
Echo Vision, Neonchocolate Gallery, Berlin
2010 Napp und Ghyczy, Schreier & Von Metternich Fine Arts, Düsseldorf (with Janetta Napp)
Mind Out Of Time, Erika Deák Gallery, Budapest (catalogue)
Tuning In, Galerie kulturreich, Hamburg (curated by Uwe Goldenstein)
2008 Hybriden, Berlin Art Scouts, Berlin (curated by Marc Wellmann)
Mental Collage, Erika Deák Gallery, Budapest 2007
Siamese Savants, Emmanuel Walderdorff Gallery, Cologne
2006 Observations, Vizivárosi Gallery, Budapest (with Tibor Iski Kocsis)
2005 Second Layer, Emmanuel Walderdorff Gallery, Cologne
2004 Between Two Worlds, Erika Deák Gallery, Budapest
Reflections, Kunstraum die Rampe, Bielefeld
2003 Glass and the Maiden, Ignác Tragor Museum, Vác, Hungary
Vakuum - Raum, Goethe-Institut, Budapest
Fragile, Erika Deák Gallery, Budapest
Unbreakable, Emmanuel Walderdorff Gallery, Köln (catalogue)
2001 From a Different Perspektive, Szinyei Salon, Budapest
2000 Divide, Illárium Gallery, Budapest
Groupshows (since 2000)
2014 Frühjahrsausstellung, Klettgau Gallery, Klettgau (with Nina Nolte and Marco Reichert)
2013 Viel Zu Viel, Galerie Baum Auf Dem Hügel, Berlin
2012 I`m Sorry, I Couldn´t Recognize You, Port-Art Gallery, Ankara
Schatzlager, Emmanuel Walderdorff Gallery, Cologne
2011 Technology Won´t Save Us, Art Suites Gallery, Istanbul
Young European Landscape, Collegium Hungaricum, Berlin and Galerie Wolfsen, Aalborg, Denmark
Ungarische Gegenwartskunst aus Berlin, Hungarian Ambassy, Berlin (with Gábor A.Nagy, Adam Bota and Konstantin Déry)
2010 I´m Not There, Collegium Hungaricum, Berlin (with Simone Haack, Alejandro Rodriguez-Gonzalez, Steffi Stangl and Attila Szücs, curated by Uwe Goldenstein)
On Paper, Erika Deák Gallery, Budapest
2009 Host Culture, Vizivárosi Gallery, Budapest
Jahresgaben, Leopold Hoesch Museum, Düren
2008 10 Years, Erika Deák Gallery, Budapest
Fragile Welten, Galerie im Park, Bremen (with Anja Fußbach, Peter Hampel and Philip von Mentzingen, curated by Uwe Goldenstein)
2007 Ungarischer Sommer, Kunstraum B, Kiel (with Lilla von Puttkamer)
Junge Kunst aus Ungarn, die Drostei, Pinnberg
Life Spotting, Vonderbank Gallery, Berlin (with Jörg Lohse and Anne Wölk)
2006 Figure & Space, Vonderbank Gallery, Berlin
2005 Analogue, Szinyei Salon, Budapest (with Tamás Fuchs and László Györffy)
2004 Mediafactory: Interface, former Zsolnay Factory, Pécs, Ungarn
Techno realism?, Institute of Contemporary Art, Dunaújváros,Hungary(catalogue)
2003 Portrait, Erika Deák Gallery, Budapest
Cream 2003, MEO, Budapest
2002 Inherited Realism, Municipal Gallery, Szombathely, Hungary (catalogue)
2001 Aritmia 9, Institute of Contemporary Art, Dunaújváros, Hungary
2000 Art Expo-Fresh, Artmill, Szentendre, Hungary (catalogue)
Dialogue, Hall of Arts (Mücsarnok), Budapest
El Acto de SerDeenesh Ghyczy
Exhibition from February 15 to 28, 2014.
Carrer Consell de Cent 204, Barcelonawww.alejandrogallery.com
EL ACTO DE SER DEENESH GHYCZY
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