creative commons casually

No restrictions No freedoms

Free CultureFree culture is one where all members are free to participate in its transmission and evolution, without artificial limits on who can participate or in what way. The free culture movement seeks to develop this culture by promoting four things:

* creativity and innovation; * communication and free expression; * public access to knowledge; * and citizens' civil liberties.

freeculture.org/

• Creative Commons Guidant Les Contributeurs, adapted from Liberty Leading the People (1830) by Eugène Delacroix

Attribution (BY)

Requires that the user of the licensed work credit and acknowledge the original author

Attribution (BY)

Requires that the user of the licensed work credit and acknowledge the original author

Noncommercial (NC)

Allows the licensed work to be used, but not for commercial purposes or for profit

Attribution (BY)

Requires that the user of the licensed work credit and acknowledge the original author

Noncommercial (NC)

Allows the licensed work to be used, but not for commercial purposes or for profit

No Derivative (ND)

Does not allow the user of a licensed work to alter the work in any way; it must stay in its original form

Attribution (BY)

Requires that the user of the licensed work credit and acknowledge the original author

Noncommercial (NC)

Allows the licensed work to be used, but not for commercial purposes or for profit

No Derivative (ND)

Does not allow the user of a licensed work to alter the work in any way; it must stay in its original form

Share Alike (SA)

Requires that any new work must be licensed under the same terms as the original work

Attribution 3.0 New Zealand (BY)

Attribution-Noncommercial 3.0 New Zealand (BY-NC)

Attribution-Noncommercial-No Derivative Works 3.0 New Zealand (BY-NC-ND)

Attribution-Noncommercial-Share Alike 3.0 New Zealand (BY-NC-SA)

Attribution-No Derivative Works 3.0 New Zealand (BY-ND)

Attribution-Share Alike 3.0 New Zealand (BY-SA)

• Unported versions might be preferable for projects and content aimed at international communities. Keeps look and identity ‘global’ + they’re always updated.

• Ported licences carry the nuances of a jurisdiction’s language and legal system, and associates content with its owner’s home country.

• If licences need to be enforced in court, a ported licence can streamline the process of bringing a lawsuit within your ownjuristdiction.

• Widespread use of jurisdiction-specific licences gives CC staff inthose countries incentives to develop and update licences.

Ported versus Unported

Creative Commons Aotearoa New Zealand (CCANZ)

• Live in 2007

• Plain English

• Te Whainga Aronui

The Council for the Humanities

Idology

Meeting audience in other mediums

Connecting with consumers

Practicality

Kete Horowhenua “pulls in” material that is uploaded by the public

• CC is used to manage the IP rights of user

generated content

• Like flickr, users can choose a NZ licence for

each piece of material they upload

Clients and creators want the freedom to exploit themselves

“Today, too many creators take a passive attitude toward their copyrights. The matter seems complex, and publishers or distributors may tell you that everyone does it their way, or

that giving up copyrights is standard practice. But giving up your rights under copyright is a decision, not a default option. If you stand passively by, you may over the course of a long creative career produce a large body of work, most of which is owned and controlled by other people, whose interests and yours may diverge.”

THE CLAW!

creator-friendly

could be worse

creator-unfriendly

Author signs all manuscript rights to publisher.

Publisher adds value through editing, typesetting,marketing, organising printing and distribution.

Publisher sells the value-added product to consumers under “all rights reserved”.

10%?

One million potential customers/readers

One billion potential customer/readers

Author licenses manuscript as to the world, but grants a publisher commercial rights in return for a percentage of any profits.

Publisher adds value through editing, typesetting, marketing, organising printing and distribution.

Publisher sells the print product and releases the ebook as while also providing online payment channels to readers.

10%?

Stimulating innovation

sciencecommons.org

Open PSI• NZ Govt Open Access Licencing framework (NZGOAL framework)

• CC mapping data on Koordinates

• Open Government Ninjas groups.open.org.nz/groups/ninja-talk

Creative Commons Aotearoa New Zealand (CCANZ)

• Live in 2007

• Plain English

• Te Whainga Aronui

The Council for the Humanities

new licences

workshops

prizesand events

research

web resources

internships

education

Creative Commons Swag Contest 2007_2 by TilarX CC-BYCreative Commons guidant les contributeurs by Ju gatsu mikka CC-BY-SACC on Orange by Yamashita Yohei CC-BYCreative Commons by Giuli-O CC-BYSkyway Bridge 275 south St Petersburg Sarasota by amanderson2 CC-BYKISS Band Member Cupcakes by clevercupcakes CC-BYTeddy's Washington jazz band by DeusXFlorida CC-BYYeti Sketch by formatbrain CC-BYWork in progress... by formatbrain CC-BYlol-psycat - evopsych 1 by smiteme CC-BYHersman Girls - Already on Computers... by whiteafrican CC-BYTokyo Design Festa 2008 by midorisyu CC-BYMM00025287 by Florida Keys--Public Libraries CC-BYpainter's house, isfahan, iran october 2007 by seier+seier+seier CC-BYBanlieue Graffitti | Vlissingen, Zeeland NL by PresleyJesus CC-BYimage of academic? by gochie* CC-BYTED 2010 Feb 11th by afromusing CC-BYSingularity University by jurvetson CC-BYSpectacular Cephalopods by jurvetson CC-BYA study in Depth of Field: The Dandelion by tibchris CC-BYDandelion in the wind by tibchris CC-BYBeehive and Parliament Buildings by The Chosun Bimbo CC-BY

Thanks for your images (They’ve been mangled)!

Darwin meets NASA by jurvetson CC-BYCanoes in the Desert by jurvetson CC-BYStar Wars Mural by Official Star Wars Blog CC-BYA wonderful second life by Cosmic Kitty CC-BYJavaFX, Danny Coward In Second Life by hiperia3d CC-BY6pi by Ramona.Forcella CC-BYfrom little mo's dog scrapbook by http://TheConcreteJungl eBook.com CC-BYCellphone glow by bennylin0724 CC-BYPeeking into the Frame by Bala CC-BYScience Fiction Museum by ricardo.martins CC-BY“Photo” by dierk schaefer CC-BYNSW Government Printing Office, Sydney by State Records NSW CC-BYPills by rodrigo senna CC-BYTen things you can do to improve interestingness and increase chances of getting into Explore by kevindooley CC-BYCC on Light by Yohei Yamashita CC-BYLarry Lessig by Robert Scoble CC-BYLove Not War! by KB35 CC-BYRain Coat! by cappenstance CC-BY-NC-SACreative Brains Event [1] and…. Creative Brains Event [2] with courtesy from Gaetan LeeSymbols form Public Domain Clip ArtLife, Synthetic Life! By jurvetson CC-BYKeep your Copyright logo and text with permission from their websiteTruly madly deeply by Kyla Oh CC-BY-NC-SASLSC Parody - Wall-E - Eve by inacentaurdump CC-BY

This work is licensed under a Creative Commons BY-NC-SA New Zealand licence

Jane HornibrookProject Developer Creative Commons Aotearoa New Zealand

admin@creativecommons.org.nzadmin@humanitiesresearch.netjanehornibrook@gmail.com@janehornibrook

www.creativecommons.org.nzwww.humanitiesrsearch.net