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Observe and Listen. Share and Grow.
Created by Jane Fox
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ith,
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ial
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ks t
o:C
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rch
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evel
opm
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eam
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bers
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ridg
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atio
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othe
rs w
ho fi
eld
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ed th
e to
ol
Cov
er a
rt: O
rpha
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irl a
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elac
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iblic
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nglis
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ocie
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otat
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ked
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om Th
e Li
ving
Bib
le c
opyr
ight
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Use
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rmiss
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ouse
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trea
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is 60
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ptur
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otat
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oly
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e, N
ew L
ivin
g Tr
ansla
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pyri
ght ©
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ynda
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ndat
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se P
ublis
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arol
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eam
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nois
6018
8. A
ll ri
ghts
rese
rved
.
All
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ts re
serv
ed. ©
2008
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9 C
ru P
ress
, Fo
rmer
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2007
©C
ampu
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ay b
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rm o
r by
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ns, e
xcep
t in
the
case
of b
rief
quo
tatio
ns p
rint
ed in
art
icle
s or
revi
ews,
with
out p
rior
per
miss
ion
in w
ritin
g fr
om th
e pu
blish
er.
ISBN
: 978
-1-5
7334
-121
-9
Obs
erve
and
List
en.
Shar
e and
Gro
w.
CRU
PRES
S
C1M
19-0
21
Start by spreading the images out and let people pick which art they want to discuss. Or, select one card ahead of time for your small group. [Note: Paper and pen may be needed for a drawing activity.]
ObserveLook at the art together and begin by asking the first question, “What do you notice?” You can easily expand on that question by asking, “What story is the artist telling?” or “Is there anything you would like to ask the artist?” Be sure to read the topic title and attribution before going on to question 2.
ListenPay attention to what everyone says about the art and the topic. If you are facilitating the discussion, occasionally restate what someone has said. Listen for a new perspective.
ShareWhile discussing the topic, share experiences, feelings, thoughts, and pictures with each other. Everyone should have a chance to contribute. Don’t be afraid of feeling uncomfortable.
GrowAs we journey together while looking at art and discussing vital topics, we hope to grow in empathy, compassion, truth, and peace. Mother Teresa said, “If we have not peace, it is because we have forgotten that we belong to each other.”
ii
How to Use The Cards
Table of Contents
iii
1. All You Need is Love Woman Taken in Adultery
2. Creativity Summer
3. End of Life Sorrowing Old Man
4. Fake It Till You Make It The Water Carrier of Seville
5. Generosity vs. Greed Generosity versus Greed
6. A Good Name Surcoat
7. Happy Hour Youth Kneeling and Holding Out a Wine Cup
8. Haters Gonna Hate The Three Races or Equality before the Law
9. Hero Story Mosaic of Christ
10. Honor Your Parents My Parents After 40 Years of Marriage
11. Let Yourself Be Seen Orphan Girl at the Cemetery
12. Managing Time Part of the Qingming Scroll
13. Music: the Universal Language The Guitar Player
14. A New Beginning Sphinx of Hatshepsut
15. Performance A Lady Playing the Tanpura
16. Pursuing Intimacy and Pleasure in Sex The Kiss
17. Risk St. Paul in Prison
18. The Rhythm of Life The Young Amphibians
19. Satisfying Friendships The Banjo Lesson
20. Significance: Where Does It Come From? Page from Illuminated Gospel
21. A Single Story Willow Tree 22. Scream! The Scream
23. Vanitas Still Life with Bouquet and Skull
24. We Love Beauty Portrait of a Young Man
25. What Do We Adore? Relief Sculpture
Table of Contents
1
All
You
Nee
d is
Lov
eW
oman
Tak
en in
Adu
ltery
, 165
3.
Gab
riel
Met
su, F
renc
h.
Mus
ée d
e Lo
vre,
Par
is.
1. W
hat d
o yo
u no
tice
in th
is w
ork
of a
rt?
2. Th
e Be
atle
s onc
e sa
ng, A
ll Yo
u N
eed
Is L
ove.
If lo
ve
is w
hat m
akes
rela
tions
hips
wor
k, d
isloy
alty
te
ars r
elat
ions
hips
apa
rt. G
ive
an e
xam
ple
of a
re
latio
nshi
p de
stro
yed
by b
etra
yal o
r disl
oyal
ty.
3. C
hoos
e a o
r b b
elow
:a.
Atu
l Pur
ohit
said
, “Li
fe is
abo
ut tr
ustin
g yo
ur fe
elin
gs a
nd ta
king
cha
nces
, los
ing
and
findi
ng h
appi
ness
, app
reci
atin
g th
e m
emor
ies,
lear
ning
from
the
past
, and
re
aliz
ing
peop
le c
hang
e.” W
hat d
o yo
u th
ink
peop
le c
an le
arn
from
the
expe
rien
ces
of b
etra
ying
som
eone
and
bei
ng b
etra
yed?
4. M
etsu
’s pa
inti
ng sh
ows r
elig
ious
men
acc
usin
g a
wom
an o
f adu
ltery
. How
do
you
thin
k th
e w
oman
feel
s? Je
sus i
s the
man
wri
ting
in th
e sa
nd. D
escr
ibe
his a
ttit
ude.
Dra
w a
pi
ctur
e or
find
a d
igit
al im
age
illus
trat
ing
loya
l lov
e.
b. Th
e Bi
ble
says
that
adu
ltery
, hav
ing
a se
xual
rela
tions
hip
with
som
eone
bes
ides
yo
ur sp
ouse
, is w
rong
, sha
mef
ul, a
nd a
n ac
t of b
etra
yal.
Prov
erbs
6:3
2 sa
ys, “
But
a m
an w
ho c
omm
its a
dulte
ry h
as n
o se
nse;
who
ever
doe
s so
dest
roys
him
self.
” W
hat d
o yo
u th
ink
of th
is st
atem
ent?
1
21
A S
ingl
e St
ory
Will
ow T
ree,
Roo
ipla
at F
arm
, Nor
ther
n Tr
ansv
aal -
Sun
rise,
1925
. J.H
. Pie
rnee
f, So
uth
Afr
ican
.
1. W
hat d
o yo
u no
tice
in th
is w
ork
of a
rt?
2. W
e oft
en m
ake
assu
mpt
ions
abo
ut p
eopl
e an
d pl
aces
w
e kn
ow li
ttle
abo
ut. T
ell a
stor
y ab
out a
false
as
sum
ptio
n yo
u m
ade
abou
t som
eone
or s
omep
lace
.
3. C
hoos
e a o
r b b
elow
:a.
Aut
hor C
him
aman
da N
gozi
Adi
chie
wro
te:
“Sho
w a
peo
ple a
s one
thin
g, a
s onl
y on
e th
ing,
ove
r and
ove
r aga
in, a
nd th
at is
wha
t th
ey b
ecom
e...W
hen
we r
ealiz
e tha
t the
re
is ne
ver a
sing
le st
ory
abou
t any
pla
ce, w
e re
gain
a k
ind
of d
igni
ty.”
Wha
t pla
ce o
r pe
rson
wou
ld y
ou li
ke to
lear
n m
ore a
bout
, in
ord
er to
repl
ace a
sing
le st
ory?
4. P
iern
eef p
aint
ed th
is sc
ene
in S
outh
Afr
ica.
If y
ou h
ad n
ever
seen
oth
er la
ndsc
apes
of
Afr
ica,
wha
t mig
ht y
ou fa
lsely
ass
ume
to b
e tr
ue a
bout
the
who
le c
onti
nent
? Dra
w a
pi
ctur
e or
find
a d
igit
al im
age
of a
land
scap
e on
e w
ould
find
in y
our c
ount
ry.
b. W
hen
Jesu
s of N
azar
eth
met
Nat
hana
el,
Nat
hana
el a
sked
, “C
an a
nyth
ing
good
co
me
from
Naz
aret
h?” (
John
1:46
, NLT
). O
bvio
usly
, Naz
aret
h di
d no
t hav
e a
grea
t rep
utat
ion.
Yet
, Jes
us o
f Naz
aret
h w
as o
utst
andi
ng. W
hat a
re so
me
of o
ur
false
ass
umpt
ions
abo
ut p
eopl
e ba
sed
on
whe
re th
ey g
rew
up?
Scream!The Scream, 1895. Edvard Munch, Norwegian. The Munch Museum, Oslo.
1. What do you notice in this work of art?
2. Why do you think people sometimes feel like screaming? Tell a story about when you screamed.
3. Choose a or b below:a. Nobel Prize-
winning author Elias Canetti wrote, “All the things one has forgotten scream for help in dreams.” What do you think he means? Is there anything that screams at you?
4. Edvard Munch described what inspired his painting: “My friends went on—I stood there trembling with anxiety—and I felt a vast infinite scream [tear] through nature.” Draw a picture or find a digital image of people screaming. Tell what may have prompted the scream.
22
b. One night, Jesus’s disciples were rowing across the Sea of Galilee. Suddenly they saw Jesus walking on the water coming toward them. They screamed in terror, thinking they were seeing a ghost. Jesus said, “Take courage, it is I. Don’t be afraid” (Matthew 14:27). When he climbed into the boat, the storm died down. How might Jesus and his words give us courage in the midst of life’s storms?
22
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