color and space
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Color, Aerial Perspective & Landscape Space
Glenn Hirsch
The sky is timeless – the clouds look the same way now as they did in the ancient past
Space is emotion – clouds of feeling (Emil Nolde, watercolor)
Van Gogh
Caspar David Friedrich
Joseph Turner
Daniel Rabier
Daniel Rabier
Suzy Barnard
Aerial perspective – things far away look duller and lighter in value compared to the foreground
Aerial perspective – things far away look duller and lighter in value compared to the foreground
Aerial perspective – things far away look duller and lighter in value compared to the foreground
Gustave Guillaumet
Aerial perspective – things far away look duller and lighter in value compared to the foreground
Aerial perspective – things far away look duller and lighter in value compared to the foreground
Jay Glimme
Glenn Hirsch
Glenn Hirsch
Student work
Student work
Edward Hopper
Robert Bechtle (watercolor)
Robert Birmelin
Claude Monet
Jean Francois Millet
Odd Nerdrum
Berthe Morisot
Aerial Perspective – can work in a still life too – here the apple in the back is duller in color and cooler blue-green compared to the apple in the foreground (yellow green)
Color/Space Abstract
Glenn Hirsch
Space can be flat. Flat patterns of shapes on a flat background.
Space can have depth. The viewer sees into a window in which the shapes “swim.”
Francis Picabia 1913
Francis Picabia 1913
Francis Picabia 1913
Arshile Gorky 1940
Arshile Gorky 1943
Andre Masson 1955
Kandinsky 1940
Avinash Chandra 1963
Philip Guston 1959
Robert Motherwell 1945
3-D forms appear in a space which becomes a stage. (Graham Sutherland 1973)
Shapes can be positive or negative.
Black against white?
White against black?
Both!
Do you see bats or angels?
Both?
Franz Kline, 1956
Space ArchitecturalGlenn Hirsch
1. Window Light
2. Window View (painting within a painting)
3. Complex Spaces
Window light
Vincent Perez
Elmer Bischoff
Elmer Bischoff
Constance Marie Charpentier
Berthe Morisot
Window View(a painting within a painting)
Rogier van der Weyden
Edward Hopper
Edward Hopper
After Edward Hopper by student Brian Labrie
Claude Monet
Balthus
Student work (Adam Hirsch
Complex SpacesLinear perspective
Bruce McGaw (pastel)
Rembrandt
Piero Della Francesca
Edward Hopper
Edward Hoper
Student work Dan Keith
Student work
Student work Jane Willson
Ana Teresa Fernandez
Ana Teresa Fernandez
Ana Teresa Fernandez
Student work Laura Cook
Student work Jeri Wyrick
Student work Servando Garcia
Smearing, like butter on toast
Flat, minimal and smooth
Double-Loading and SMEARING 2 COLORS TOGETHER
Thin LINES
hard edged PATTERNS
Press and lift, use the TENSION of the blade
SCRATCHING and scraping
Change the PRESSURE of your hand, create thick and thin in flowing motion
Eddie Fitzgerald
Van Gogh
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