avenged sevenfold - hail to the king (digitabs)
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TRANSCRIPT
Intro Free Time
Words and Music by Matthew Sanders, Jonathan Seward, Brian Haner, Jr. and Zachary Baker
Acid Rain
© 2013 EMI BLACKWOOD MUSIC INC., SLAYER ST PUBLISHING,LEWIS CHRIST PUBLISHING, S GATESMUSIC and SKELETONS AND BOWTIES PUBLISHING
All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Hail to the King
Moderately q = 103
rit.
Slowly q. = 61
1
*Gtr. 1
(Rumbling)
μ
5 sec. w/ fingerslet ring throughout
Dm
mp
Dm7/C Bb
*Piano arr. for gtr.
Bbmaj7/A Bb5 Gm Gm7/F Asus4 A
Gtr. 2 (clean)
let ring throughout
Riff A
Gtr. 1 tacet
Dm
mp
Dm/C Bbmaj7 Bbmaj7/A Bbmaj7
Gm Gm/F Asus4 A
End Riff A
0231
3321
1333
0323
133 0 2
3553 3
33
1
333
3
33
0
230
23
0
220
55
02
31
32
3
23
13
2
1
23
13
2
0
23
1
23
35
33
33
1
33
33
3
02
23
23
02
22
22
1
Gtr. 3(dist.)
Gtr. 2: w/ Riff A
w/ ambient delay
mf
Dm Dm/C Bbmaj7 Bbmaj7/A Bbmaj7
3
1 1 1 1 1/2 1 1/2
Gm Gm/F Asus4 A
1 1
1 1/2
Verse
Gm
A,1. our day has come,
CGtr. 3 tacet
Gtr. 3
1
Gtr. 2
Riff B End Riff B
Gtr. 2: w/ Riff B (3 times)
Gm
it’s drawn in the sky,
C
8 8 8 6 88 X 8 6 87 7 7 7
8 88 6 8 6 5 5 5 6 5
6
3
03
33
3
3
03
33
3
32
01
01
32
01
01
2
Gm
so don’t shed a tear
C
now,
Gm
be thank ful- for the time.
C
Pre-ChorusA[b9]
Life would n’t- be so pre cious,- dear, if there nev er- was an end.
*Gtrs. 2 & 4 Riff C End Riff C3
*Gtr. 4 (slight dist.), played mf.
Chil
ChorusGtrs. 2 & 4: w/ Riff A
Dm
dren- still play
Dm/C
in the gar
Bbmaj7
den,-
Bbmaj7/A
Bbmaj7
dance
Gm
as the sun
Gm/F
slips a way.
Asus4
-
A
VerseGtr. 2: w/ Riff B (4 times)
Gm
We2. stand on the edge
C
now,
02
2 3 22
02
2 3 2 3 22
02
2 3 22
02
2 3 22
3
Gm
we’ve come so far,
C
Gm
and through all the dust it be comes-
C
clear,
Gm
you will al ways- be my heart.
C
Pre-ChorusGtrs. 2 & 4: w/ Riff C
A[b9]
There’s no death, no end of time when I’m fac ing- it with you.
Chil
ChorusGtrs. 2 & 4: w/ Riff A (2 times)
Dm
dren- still play
Dm/C
in the gar
Bbmaj7
den,-
Bbmaj7/A
Bbmaj7
dance
Gm
as the sun
Gm/F
slips a way.
Asus4
-
A
Not
Dm
e ven- stars
Dm/C
last for ev
Bbmaj7
- er,-
Bbmaj7/A Bbmaj7
cleanse
Gm
us,
Gm/F
ac id- rain.
Asus4 A
4
Gtrs. 2 & 4
InterludeBb Bb/A Gm Gm/F D
Stand
BridgeGtrs. 2 & 4 tacet
Gm
near
F/A
to
Bb
me,
G/B
Gtr. 1
don’t
Cm
look,
A/C#
be
Dm
brave.
C/E
O
Fm
ver- the black ened- moon
C/E
I’ll car
Fm
ry- you a way,
D/F#
-
13
3
03
3
3
33
1
33
423
3
33
56
87
6
75 7
8 8
67
6
7
7
78 0
15
12
13
12
11
1010 13
1312
13
12
12
1414
17 15
14
13
1212
13
1415 13
1012
15 1213 11
9
810
109
88
910
913 11 9
8
6
8
109 10
12
10 10
11
10
12
12
14
14
5
through
Gm
the plan
F/A
ets- we fly.
Bb D
Gtr. 3
Guitar SoloGtr. 1 tacetGtr. 2: w/ Riff B (4 times)
Gm C Gm 1 1 1 1/2 1
C Gm
3 3
1 1/2 1/2 1 1
C
33 3
1/2 1/2 1 11 1 1
Gm C
steady gliss.
w/ bar
Gtrs. 2 & 4: w/ Riff C
A[b9] 1/2
15
15
1211 11
1010
12
12
10
1010
1010
10
1110
1210
12 1210 11
101110
1110
1110
1110
1110
5 5 3 55 5
3 3 5 5
56
5 53
36 3
6 36 5 5 5 5 5 6 6 6 3
6
36 6
66 3
6 3 5 5 5 5
510
5 78 10 10 8 10
7 37 96 6 1 3 5 6 8 8 10 11 8
6
3 3
3 5
Chil
ChorusGtrs. 2 & 4: w/ Riff A (2 times)
Dm
dren- still play
Dm/C
in the gar
Bbmaj7
den,-
1/2
Bbmaj7/A
Bbmaj7
dance
Gm
as the sun
Gm/F
slips a way.
Asus4
-
A
Not
Dm
e ven- stars
Dm/F
last for -
3 3 3
10 11
10
11
13 12 1311 12
9 10 12 12
7 8 107 8 11 7 8 11
9 1210
10 12 1310 11 14
10 12
12 12 12 1010 10
10 13 12 1010 10
6 10 10 13 11 10 11 1112
10 11 1010 12
10 119 39 7
6 7 9 108 9 11 10 9
98 9 10
9 10 12 13 13
7
ev
Bbmaj7
er,-
Bbmaj7/A
Bbmaj7
cleanse
Gm
us,
Gm/F
ac id-
8va
1 11 1/2
rain.
Asus4 A
8va
loco
3
OutroBb
Bb/A
Send
Gm
us
Gm/F
home,
D
Gtr. 3
1 1 1/2 1/2 1
Gtrs.2 & 4
Riff D End Riff D
15 15 15 15 15 15
17 18 15 17 18 15 1718
1517 18 15 17
17 17 17 15 1417 14 15 17
17 17 1717 14 14 7 1414 11 12 14 1514 12 15 14
13
3
03
3
3
33
1
33
02
32
32
02
32
32
8
Gtrs. 2 & 4: w/ Riff D (2 times)
Bb
Bb/A
send
Gm
us
Gm/F
home,
D
Gtr. 3
8va
11
Bb
Bb/A
send
Gm
us
Gm/F
home,
D
loco
1 1
Bb
Bb/A
send
Gm
us
Gm/F
home,
D
Gtr. 3
1
Gtrs. 2 & 4
(Storm noises) 64 sec.
17 17 17 1217 17 14 15 1415 16 15
14 15 14 17 18 17
17 17 17 17 14 15 14 11 12 11 7 8 7 2 3 2
3 3 3 3 5 5 2
13
3
03
3
3
33
1
33
423
9
Intro Very fast q = 184
Words and Music by Matthew Sanders, Jonathan Seward, Brian Haner, Jr. and Zachary Baker
Coming Home
© 2013 EMI BLACKWOOD MUSIC INC., SLAYER ST PUBLISHING, LEWIS CHRIST PUBLISHING,S GATESMUSIC and SKELETONS AND BOWTIES PUBLISHING
All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Hail to the King
Gtr. 1 (slight dist.)
Drop D tuning, down 1/2 step:(low to high) Db-Ab-Db-Gb-Bb-Eb
*
mf
D5 D[b6]
let ring
Dsus4 D5
let ring
*Chord symbols reflect implied harmony.
Dm Dsus4
let ring C5 Csus4 C Csus2 C Csus4
let ring
Verse
D5
I’ve1. been a way,
D[b6]
- search
Dsus4
ing- for a rea
D5
son,-
Riff A
let ring let ring
5 57
5 57
58
58
5 5 58
5 5 55
5 55
57
57
5 5 57
5
5 53
5 53
55
55
5 5 55
55
3 33
3 32
3 30
3 32
33
3
5 57
5 57
58
58
5 5 58
5 5 55
5 55
57
57
5 5 57
5
1
Dm
an oth- er- pur
Dsus4
pose- to find.
C5 Csus4 C
Csus2 C Csus4
let ring
End Riff A
let ring
Gtr. 1: w/ Riff A (2 1/2 times)
D5
I’ve sailed the seas,
D[b6]
fought
Dsus4
my man y- de
D5
mons;-
Gtr. 2 (dist.)
Riff B
*ppw/ slight delay
mp
*Vol swell
Dm
I’ve looked to gods
Dsus4
in the skies.
C5 Csus4 C
Csus2 C Csus4
End Riff B
Gtr. 2: w/ Riff B (2 times)
D5
I’ve stood in hell,
D[b6]
where man
Dsus4
y- had to suf
D5
fer;-
Gtr. 3 (slight dist.)
Rhy. Fig. 1
mfP.M. P.M. P.M. P.M.
5 53
5 53
55
55
5 5 55
5 35
3 33
3 32
3 30
3 32
33
3
12
12 10
57
5 5 5 5 5 58
5 5 5 5 5 5 55
5 5 5 5 5 57
5 5 5 5 5 5
2
I stared the
D[b6]
Dev il- in the eyes.
C5 Csus4 C
Csus2 C Csus4
P.M.
End Rhy. Fig. 1
P.M. P.M. P.M. P.M. P.M.
Gtr. 3: w/ Rhy. Fig. 1
D5
Walked man y- roads
D[b6]
to wit
Dsus4
ness- an cient- i
D5
dols,-
Dm
and found the great
Dsus4
gates of fire.
Gtr. 1 tacet
C5 Csus4 C Csus2 C Csus4
Gtr. 4 (dist.)
f
Rhy. Fill 1 End Rhy. Fill 1
Gtr. 1
let ring f
Gtr. 5 (dist.)
57
5 5 5 5 5 58
5 5 5 5 5 5 35
3 3 33
3 32
3 30
3 32
33
35
33
32
30
32
33
5 53
5 53
55
55
5 5 55
35
3
Gtr. 7 (dist.)
InterludeGtrs. 4 & 5: w/ Rhy. Fig. 1
f
D5 D[b6] Dsus4 D5
1
Gtr. 6 (dist.)
f
1/2
D[b6]
Gtrs. 4 & 5: w/ Rhy. Fill 1
C5 Csus4 C Csus2 C Csus4
Gtrs. 4 & 5: w/ Rhy. Fig. 11st time, Gtrs. 6 & 7 tacet3rd time, Gtr. 10 tacet
Verse
D5
HadEsMy
2. 3. 4.
mancaped
sto-
y
ry
-
-the
stormshailends
D[b6]
ofnot
quescalfar
Dsus4
tioncu
from
--
mylat
where-
conedit
-vicmorstart
D5
- tion,tars,ed;
---
gavethenmy
ardrankwear y-
miesthe
-bloodlimbs
D[b6]
rea sonof
have
- toa
grown
rise.king.old.
Gtrs. 4 & 5: w/ Rhy. Fill 1
C5 Csus4 C
Csus2 C Csus4
Gtrs. 4 & 5: w/ Rhy. Fig. 1
D5
TheTheI’ve
hangdesseen
ert-man’s
the
-rainworld
D[b6]
search ing-
through
forhasthe
boneswashed
eyes
Dsus4
ahe
wayof
-candia
borrecno
D5
-rowtion,mad.
---
1010
12 10 1210
10
1010
12 10 1210
10
12
12 10 9 10 12 10 12 10 12 12 1012
10
56 5
75 6
7
66 5
75 6
7
85
7 5 75
75
75 5
77
7
1010
12 10 1210
10
1010
12 10 1210
1013 10 10 8 8 6 8 10
56 5
75 6
7
66 5
75 6
78 6 5 5 3 5 6
4
Home
whilehadis
Ian
where
esgelsthe
-caped
heart
D[b6]
-look ing
is-
inaf
I’ve been
theter-
night.me.
told.
Gtrs. 4 & 5: w/ Rhy. Fill 1
C5 Csus4 C Csus2
FightSoSo
C
oritI
Csus4
flight.seems.go.
Eb5 μ
Gtrs. 4 & 5
P.M. P.M. P.M. P.M.
Live
ChorusG5
a gain,- all
F5
roads end;
Gtr. 9 (slight dist.)
mf
*Gtr. 8 (dist.)
Riff C
mf
*Doubled throughout
Gtrs. 4 & 5
Rhy. Fig. 2
111
111
111
111
5 60
3 50
1 30
0 10
0 1 03
8X11
8X11
8X11
8X11
8X11
8X11
7X10
7X10
7X10
7X10
7X10
7X10
0 2 3 0 2 3 3 23 3
0 2 0
555
555
555
555
555
555
333
333
333
333
333
333
5
I’ll
Eb5
be com ing- home.
F5
End Riff C
End Rhy. Fig. 2
Tend
Gtrs. 4 & 5: w/ Rhy. Fig. 2Gtr. 8: w/ Riff C
G5
your light, ’cause on
F5
this night,
Gtr. 9
5X8
7X10
5X8
5X8
5X8
5X8
7X10
7X10
7X10
7X10
7X10
7X10
7X10
1010
1010
1010
1010
1010
3 23 3 0 3
111
111
111
111
111
111
333
333
333
333
333
333
333
333
333
333
333
333
8X11
8X11
8X11
8X11
8X11
8X11
7X10
7X10
7X10
7X10
7X10
7X10
6
CTo oda 1.
2.
I’ll
Eb5
be com ing- home.
F5
Gtr. 4
InterludeGtr. 9 tacet
G5
P.M.
G[b6]
P.M.
Gsus4
P.M.
G5
P.M.
Gtr. 5
Gtr. 9 tacet
Interlude
G5
Gtr. 9 Gtr. 10 (dist.)
f
1 1 1
Gtrs. 4 & 5
P.M. P.M.
5X8
7X10
5X8
5X8
5X8
5X8
7X10
7X10
7X10
7X10
7X10
7X10
7X10
7X10
7X10
7X10
7X10
7X10
55
5 5 5 5 5 56
5 5 5 5 5 5 53
5 5 5 5 5 55
5 5 5 5 5 5
555
7X10
7X10
108
7X10
7X10
7X10
7X10
1210
1311
13
55
5 55
5 55
7
F5
Eb5
1 1 1 1 1 1
P.M. P.M. P.M. P.M.
Gtr. 10
F5
1 1
Gtr. 11 (dist.)
f
Gtrs. 4 & 5
*P.M.
*Gradually lift P.M.
1210
1311
1513
15 1311
1513
1715
33
3 33
3 33
11
1 11
1 11
1715
17 2018
2018
10 1210 12
10 1210 13
11
33
3 3 3 3 3 3 33
33
33
33
33
33
33
33
8
Gt. 11
Guitar SoloGtr. 10 tacet
D5 D[b6] Dsus4 D5
grad. bend
D[b6] Dsus4
1 1 1
Gtrs. 4 & 5
Rhy. Fig. 3
P.M. P.M. P.M. P.M. P.M. P.M.
D5 D[b6] Dsus4 D5
1
P.M. P.M. P.M. P.M. P.M.
End Rhy. Fig. 3
P.M.
Gtr. 11
Gtrs. 4 & 5: w/ Rhy. Fill 1
C5 Csus4 C Csus2 C Csus4
Gtrs. 4 & 5: w/ Rhy. Fig. 3
D5 D[b6] Dsus4
33
11
1
13 1313 13 1013 12 12
57
5 58
5 55
5 57
57
0 0 0 057
5 58
5 55
12 12 128 10
1310 10
1210 10
1310 10
1210 10 10
1310
13 15
5 57
57
0 0 0 057
5 58
5 55
5 57
57
0 0 0 0
12 13 1312 13
1412
1312 15
1312
1312 12
9
D5
P.M.
D[b6] Dsus4 D5
1
8va loco
D[b6]
Dsus4 D5
T T T **Tap w/ ring finger.
T T T T T T
Gtrs. 4 & 5: w/ Rhy. Fill 1
C5 Csus4 C 8valocoCsus2 C Csus4
7 7
65
T T T T T T T T T T T T T T T T T T T T T T
Gtr. 11
Bb5
grad. bend
Gtr. 11 tacet
C5
11
Gtr. 10
P.M. P.M. P.M. P.M. P.M. P.M. P.M.1
Gtrs. 4 & 5
Rhy. Fig. 4
12 12 12 0
13 10 12 13 12 10 13 10 12 13 12 10 13 10 12 13 12 10 13 10 12 13 12 10 13 10 12 13 12 10 13 10
17 18 17 13 1013 17 18 17 13 10
12 17 19 17 12 10 12 14 17 14 12 10 12 14 12 10 12 10 12 10 12
19 12 10 14 12 10 22 12 10 17 12 10
17 20 17 13 17 20 17 13 1017 20 17 13 17 20 17 13
12 17 19 17 19 17 12 10 12 14 1012
13 13
810
8
810
11
810
10
810
11
810
8
1010
12
10
1012
1312
1313 12
1313 12 13
13
13
13
35
10
Gtr. 10
D5
F5
G5 F5 D5
Gtrs. 4 & 5
P.M.
F5 G5 F5 Bb5
11/2
1
P.M. End Rhy. Fig. 4
Gtr. 10
Gtrs. 4 & 5: w/ Rhy. Fig. 4Gtr. 11 tacet
P.M.
Bb5
P.M. P.M. P.M. P.M. P.M.
C5
P.M.
13 13
0 5 87
710 15
1415
13 17 16 15 1315
1415
00
0 0 0 0 0 0 0 0 0 0 33
55
33
00
12 1514
1513 16 17 16 15 13
15 1313 13 13 13
00
0 0 0 0 0 0 0 0 0 0 33
55
33 1
3
810
8
810
11
810
10
810
11
810
8
1010
12
10
1012
1312
13
11
D5
grad. bend
F5 G5 F58va D5
*
*2nd string caught w/ bend finger due to vib.; don’t pick.
1
loco
F5 G5 F5 D58va
Gtr. 10
Bb58va
Gtr. 10 tacet
C5
1
Gtr. 7
8va
Gtr. 6
*Gtrs. 4 & 5
Rhy. Fig. 5 End Rhy. Fig. 5
*Composite arrangement
12
13
1213
15
1720
2020
2020 20
20
12 1012
14 1012
15 1012
12 1012
14 1012
13 1012
13 1013
15 1013
12 17 1917 18 20
17 20
20 22
12 13 13 15 17 15 13 15 15 17 18
8 10 10 12 13 12 10 12 12 13 15
13
13
13
13
13
35
35
35
35
35
35
35
12
1.
Gtr. 7
loco
D5 C5
Gtr. 6
Gtrs. 4 & 5
Gtr. 7
Gtrs. 4 & 5: w/ Rhy. Fig. 5
Bb5 C58va
Gtr. 6
13 17 15 17 13 17 15 17 13 17 15 1717
17 15 1717
17 15 1717
17 15 17
10 13 12 13 10 13 12 13 10 13 12 1313
13 12 1313
13 12 1313
13 12 13
57
57
57
57
57
57
57
35
35
35
35
35
35
35
13 13 15 17 15 13 15 15 17 18
10 10 12 13 12 10 12 12 13 15
13
2.
Gtr. 7
Half-time feel
Bb5 G5
8va loco
End half-time feel
Gtr. 6 8va
Gtrs. 4 & 5
C5 A/C#
loco
1513 12 13
1513 12 13
1513 12 13 18 15
1815
1515
1815
1515
1815
1515 13 15
1515 13 15
1515 13 15 20
18 17 1820
18 17 1820
18 17 18
13
13
13
13
13
55
55
55
55
55
55
55
1313 12 13
1313 12 13
1313 12 13
1413 12 13
1412 15 12
14 1112
14 1113 10 13
11 1412
11 1412
810 8 10
810 8 10
810 8 10
1010 9 10
109 12 9
11 89
11 810 7 10
8 119
8 119
35
35
35
35
35
35
35
35
35
35
35
35
35
35
47
47
47
47
47
47
47
47
47
47
47
47
47
47
47
47
47
14
D.S. al Coda
Gtr. 7
Gtrs. 4 & 5: w/ Rhy. Fig. 1
D5 D[b6]Gtrs. 6 & 7 tacet
1/2
Gtr. 6
1
Gtr. 10
grad. release
3
1
Gtr. 10
Dsus4
D5
3
D[b6]
1/4 1 1
Gtrs. 4 & 5: w/ Rhy. Fill 1
C5 Csus4 C
Csus2 C Csus4
1 1hold bend 1 1/2 T *
*Execute vib w/ frethand.
1
17 17
13 13
13 13 13 13 13
13 1010
12
101010
1012 10 12
10 12 12 12 1012
1210
12 1012 10
12 12 12 12 1012 10 12 12 19 19
15
Coda
InterludeGtr. 9 tacet2nd time, Gtrs. 6 & 7: w/ Riffs E & E1 (1st meas.)
G5
F5
Gtr. 7
Gtr. 6
Gtr. 9
Gtr. 8
Riff D
Gtrs. 4 & 5
Rhy. Fig. 6
15 13 1515
15 13 1515
15 13 1514
15 13 1514
15 13 1514
15 13 15
11 10 1112
11 10 1112
11 10 1110
11 10 1110
11 10 1110
11 10 11
7X10
7X10
7X10
7X10
7X10
7X10
0 2 3 0 2 3 3 23 3
0 2 0
555
555
555
555
555
555
333
333
333
333
333
333
16
1.
2.
Gtr. 11
Eb5
F5
8va
1
Gtr. 7
Riff E1 End Riff E1
Gtr. 6
Riff E End Riff E
Gtr. 8 End Riff D
Gtrs. 4 & 5 End Rhy. Fig. 6
Outro-Guitar SoloGtrs. 4 & 5: w/ Rhy. Fig. 6 (till fade)Gtrs. 6 & 7: w/ Riffs E & E1 (till fade)Gtr. 9: w/ Riff D (till fade)
G5
I’m
F5
com ing-
Gtr. 11
grad. bend
grad. release
8va
1 1 2 1/2 1
18 18
1515 13 15
1515 13 15
1515 13 15
1415 13 15
1415 13 15
1415 13 15 13 15
1415 13 15
1211 10 11
1211 10 11
1211 10 11
1011 10 11
1011 10 11
1011 10 11 10 11
1011 10 11
3 23 0 3 3
111
111
111
111
111
111
333
333
333
333
333
333
333
333
333
333
18 18 18 18 18 18 18 18
17
home.
Eb5 F5
8va
locosteady gliss.
1
G5
I’m
F5
com ing-
grad. release 1
home.
Eb5 F5
1
G5
I’m
F5
com ing-
8va
1 1 1/211
1815 17 17 15 17 17
12 1515
17 15 1518 18 18
15 17 17 15 17 17 12 19
20 20 20 20 20 2018 17 20 20 18
18
Fade out
home.
Begin fade
Eb5 F5
8va loco
1 1 1
G5
I’m
F5
com ing-
home.
Eb5 F5
1 1
G5
I’m
F5
com ing- home.
Eb5
8va 1
17 1820
17 17 1715 17 17 17
14 1517
14 15 14 15 15 10 10 127 15
14 1518
17 17 171518
17
1515
17 1518
20 20 1820
19
Intro Slow q = 68
Words and Music by Matthew Sanders, Jonathan Seward, Brian Haner, Jr. and Zachary Baker
Crimson Day
© 2013 EMI BLACKWOOD MUSIC INC., SLAYER ST PUBLISHING, LEWIS CHRIST PUBLISHING,S GATESMUSIC and SKELETONS AND BOWTIES PUBLISHING
All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Hail to the King
Gtr. 1 (clean)
*
mfw/ choruslet ring throughout
Em D/F# G5 C
*Chord symbols reflect implied harmony.
Am Dsus2 Em['9]
DarkDon’t
Verse2nd time, Gtr. 3 tacet
1.2.
Em
yearsspeak,
D5 G5
broughtno
enduse
lessfor
- rain.words.
C'9
0
20
2 42
32
3
03
0
3
0
01
02
0
2
01
20 0
2
03
20
02
40
0
40
00
0
20
2 0 02
32
0
3
03
0
3
0
03
02
1
Am
OutLie
inin
themy
cold,arms,
D
I lostsleep
myse
way.cure.-
G5 D/F#
ButI
stormswon
Em
won’tder- what
last,you’re
they cleardream
D5
theing-
airof,
G5
forlands
somerare
thingand
- new.far.
C'9
Am
TheA
suntime
cameless-
outflight
D
andto
broughtreach
youthe
through.stars.
Em
Pre-ChorusAm
A life time- full of words to say,
Em
a hope
D
that time will slow the pass ing- day.
*Gtrs. 1 & 2
let ring throughout
Riff A End Riff A
*Gtr. 2 w/ clean tone & chorus, played mf.
0
2
01
22 0
2
23
20
3
0
30
00
2
02
3
0
20
2 0 02
32
0
3
03
0
3
0
03
02
0
2
01
22 0
2
23
20
0
20
2
00
00
02
21
01
22
02
21
01
22
0
20
00
00
2
0
20
00
00
2 02
32
23
20 0
23
2
23
20
2
C'9
Gtr. 2 tacet
Em
D/F# G5 A5 G/B
Gtrs. 1 & 2Gtr. 1
*Gtr. 3 (dist.)
fP.M.
*Two gtrs. arr. for one.
I’ve
3rd time, Gtr. 4: w/ Fill 1
Chorus
C'9
been wrong times o
G5
ver- and
Gtr. 1
Gtr. 3
let ring P.M.
Fill 1Gtr. 4
32
02
03
02
30
20
2
2
02
0
3
0
0
00
0
2
0
022
022
022
25
35
002
25
32
02
03
02
32
0
03
0
3
00
0
33
00
3
00
0
33
00
355 5
5355
355
355
355
355
00
355
355
355
355
355
355
355
15 15
3
I’ve
C'9
been shamed with no words to find.
G5
But if the
P.M.
sun
D
will rise, bring us to mor-
Em
row.-
D
32
02
03
02
32
0
03
02
3
00
0
33
00
3
00
0
33
0
355
355
355
355
355
355
0355
355
355
355
355
355
355
355
355
355
02
32
23
20 0
23
2
23
20
0
20
00
00
2 02
32
23
2 0
57
57
57
57
57
57
57
57
79
79
79
79
57
57
57
57
57
57
4
CTo oda 1.
2.
Walk
C'9
with
G/B
me,
Am C/G
crim son- day.
D D/C
Riff B
Rhy. Fig. 1
D/B D/A
End Riff B
G5 D/F#
End Rhy. Fig. 1
Walk
Gtr. 1: w/ Riff BGtr. 3: w/ Rhy. Fig. 1
C'9
with
G/B
me,
Am C/G
crim son- day.
32
03
03
00
20
03
03
00
02
21
01
22
3
2
10
01
02 0
23
23
2
3
23
23
23
35
35
35
25
25
25
02
02
3X2
3X2
57
57
57
57
3X2
3X2
3X2
3X2
2
23
23
20
00
23
23
20
3
00
30
0
3
00
2
02
3
2X2
2X2
2X2
2X2
0 02
02
02
02
02
3X0
5
D D/C D/B D/A
Gtr. 4 (dist.)
f 6 11
Guitar SoloC'9 D Em
Gtr. 4
1/2
Gtr. 1
Gtr. 3
1211
1012 11 9
10 12 1411 12 14
12 13 1512 14
15 14 14 14 12 10 12 14 15 12 12 1010 12 12 7 7 10
3
03
0
03
0
30
23
2
23
20
0
20
00
00
00
00
00
0
35
35
57
57
57
57
57
79
79
79
79
79
79
79
6
Gtr. 5 (dist.)
C'9
D Em
f
Gtr. 4 6
hold bend 1
Gtr. 1
Gtr. 3
9 12
10 8 8 7 710 10 8 10
1010
1010
1010 10 10 8
9 7 9 94 9
3
03
0
03
0
30
23
2
23
20
0
20
00
00
00
00
00
0
35
35
35
35
57
57
57
57
57
79
79
79
79
79
79
79
79
79
79
7
C'9
D
Em
D5 C'9 G/B
8va 3
6
3
3
6
3
3
1411 11 12
1214
12 13 15 13 12 13 12
1716
1715 17 19 17 15
17 17
107 7 9 12 11 12 14
1214 12 14 12
1412
1212 14 15 14 12
13 13
1412
12
3
03
0
03
0
30
23
2
23
20
0
20
0
02
32
3
03
0
2
03
0
35
35
35
35
35
57
57
57
57
57
79
57
35
25
8
Gtr. 4
Gtr. 5 tacet
Am D Em 6
hold bend 1
Gtr. 1
Gtr. 3
P.M.
BridgeGtr. 1: w/ Riff A (1st 2 meas.)Gtrs. 3 & 4 tacet
Am
I’ve come so far to meet you here,
Em
to
share
D
this life with one I hold so dear.
C'9
Gtr. 1
Gtr. 1: w/ Riff A
Am
And I won’t speak but what is true.
Em
The
15 13 13 12 12 12 10 10 8 1010
1010
1010
10 10 10 89 7 9 9
02
21
01
22 0
23
2
23
20
0
20
2
00
00
0
02
57
57
57
57
02
02
02
02
02
02
02
02
02
02
02
02
02
32
23
20 0
23
2
23
20
32
03
03
02
32
03
03
02
9
D.S. al Coda(take 1st ending)
Coda
world
D
out side- cre at- ed- just for you,
Gtr. 1: w/ Riff B
C'9 G/B
it’s for you,
Am C/G
for you.
D D/C D/B D/A
Gtr. 4
6 3 3 6 1 1/2 1 1
Gtr. 3
P.M.
Gtr. 1
D/B D/A C5 G5
Gtr. 3
P.M.
10 12 1410 12 14
11 14 12 1114 10 12 14
11 12 1412 13 15 15
12 1417 17 17 17 15 17 17 17 15 17
14
00
00
57
3X2
2X2
02
2
23
2
23
20
0
23
2
23
23
3
3X003
2X2
2X2
02
02
0 2 35
00
35
10
Intro Fast q = 160
Words and Music by Matthew Sanders, Jonathan Seward, Brian Haner, Jr. and Zachary Baker
Doing Time
© 2013 EMI BLACKWOOD MUSIC INC., SLAYER ST PUBLISHING,LEWIS CHRIST PUBLISHING, S GATESMUSIC and SKELETONS AND BOWTIES PUBLISHING
All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Hail to the King
Gtr. 1 (dist.)
Drop D tuning:(low to high) D-A-D-G-B-E
Riff A
μ
f
1113
E5 D57fr
111
A59fr
111
B58fr
222
Bb54fr
333
F#5
222
F5
111
E5
type 2
Spoken: Ha,
Gtr. 1: w/ Riff A (3 1/2 times)
E5
ha, ha, ha, ha, ha, ha, ha, ha.
End Riff A
Gtrs. 2 & 3 (dist.)
f
D5
The lives of some men. If walls could talk to spill
A5
the lies, we’d
E5
see the world through devil’s eyes.
(Gtr. 2, cont, in slashes)
50
50
50 0
707
07
08
08
08
010
010
012
012
012
015 17 5
050
50 0
707
07
08
08
08
010
010
012
012
012
015 17
2224
000
777
777
777
2224
1
Gtr. 2
*
Rhy. Fig. 1
E5 D5
Whoa.
Gtr. 3
P.M.
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
A5
(cont. in notation)
P.M.
B5 Bb5 A5 G5 E5 D5
(Ah!)
E5 G5 E5 G5 E5 D5 E5
Gtr. 4 (dist.)
f
12
1
11 10
1
8
1
5
1
3
111 1
Gtrs. 2 & 3 End Rhy. Fig. 1 Rhy. Fig. 2
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
22
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00 0
202
02
02
02
02
02
02
02
02
02
02
02
02
02
02
14 13 12 10 7 5 7 7
999
888
777
555
222
000
22
55
22
55
22
00
22
2
G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5
Bb5
A5 G5 A5 G5 D5 E5
5 5 5
( )
1 1/21 1/2
End Rhy. Fig. 2
G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 Bb5
P.M.
5 5 5 5
1 1/2 1/2
77 7 7 7 7 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9
22
22
55
22
55
22
00
22
22
55
22
55
55
22
00
88
88
77
55
77
55
00
22
9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 140
22
22
55
22
55
22
00
22
22
55
22
55
22
00
22
55
22
55
55
22
00
88
3
A5 G5
A5 G5 D5 E5
Verse
1. I main tain- an ad dic- tion,-
Eb5 D5 E5
1/2
P.M.
Rhy. Fig. 3
P.M. End Rhy. Fig. 3
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (1 1/2 times)Gtr. 4 tacet
been knowndon’t
toyou
takelook
itat
toome
high.wrong.
Eb5 D5 E5
I gotFucked
an itchup
withand
athrown
loadined-
tohair
the- guttrig
ter,ger
Eb5
--
gotand
D5
taa
-
E5
fixone
whatway-
don’ttick et-
beto
long.fly.
-
Eb5 D5 F#5
Gtrs. 2 & 3
P.M. P.M.
14 14 14 12 14 1212 14 14
88
88
77
55
77
55
00
2224
2224
22
22
22
22
22
22
22
22
22
22
2224
1113
00
2224
22
22
22
22
2224
1113
00
2224
2224
22
22
22
22
22
22
22
22
22
22
2224
1113
00
444
4
IWhen there’s
seenothe
writwrit
inging
--
onon
thethe
wall,wall,
G5
I see the
Chorus
life
B5
less
A5
- dev
B5
ils
D5
- start
B5
to
A5
crawl,
G5
Rhy. Fig. 4
and I
A5
don’t need no les
B5
sons.-
F5 D5
P.M.
B5 F5
Af
D5
ter- all,
G5
ev
A5
’ry- bod- y’s- do in’- their time.
P.M.
End Rhy. Fig. 4
444
444
444
444
444
444
444
444
444
444
444
555
555
555
555
555
555
555
555
555
555
555
555
999
777
999
121212
999
777
555
555
555
555
555
555
555
555
777
777
777
777
777
999
333
00
00
00
999
333
00
00
00
555
555
555
555
555
777
777
777
777
5
1.
2.
B5 F5 D5 F5 B5
Verse
E5
2. Caught your eye in the cor -
P.M.
- ner,
Eb5 D5 E5
Oo,
BridgeG5
that’s just the price
F#5
to play so
(Ah.)
P.M.
tell
B5
me what ya like.
A5 G5
Got ta- hand on the
Gtr. 4
P.H.
8va
3 1 1
Gtrs. 2 & 3
999
333
00
333
999
999
2224
22
22
22
22
22
22
22
22
22
22
2224
1113
00
2224
555
555
555
555
444
444
444
444
9 9 9 9 9 79 7 9 9
999
999
999
999
777
777
777
777
555
555
555
555
555
555
6
ker
F#5
o- sene- match to night.-
B5
loco
7
1
7 7
1 7
7
7
(cont. in slashes)
Gtrs. 2 & 3
B5
Guitar SoloGtrs. 2 & 3: w/ Rhy. Fig. 2
E5 G5 E5 G5 E5 D5 E5
Whoa.
(Ah!)
Gtr. 4
10
1
10 10
1
10
1
11
1
12
1
12
1 1
G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 Bb5
A5 G5 A5 G5 D5 E5
12
1
12
1
12 12
1
12
1 1 1
10 10 10 10 10 10 10
444
444
444
444
444
999
999
999
999
999
999
999
999
13 13 13 13 14 15 15
151512
1515 15 15 15 1515
7
G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 E5
Gtr. 4
15
1
15 15 15
11 1
Gtrs. 2 & 3Rhy. Fig. 5
G5 E5 G5 E5 D5 Bb5 A5 G5 A5 G5 D5 E5
3 3
17
1
17
1
17
1
17
1
17
1
17
1
End Rhy. Fig. 5
18 18 18 18
22
22
55
22
55
22
00
22
22
55
22
55
22
00
22
18 20 20 20 20 20 20 2017
22
22
55
22
55
55
22
00
88
88
77
55
77
55
00
22
8
Gtrs. 2 & 3: w/ Rhy. Fig. 5
G5 E5 G5 E5 D5 E5
G5 E5 G5 E5 D5 E5
Gtr. 4
G5 E5 G5 E5 D5 Bb5 A5 G5 A5 G5 D5
E5
3 33
Gtr. 4
G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 E5 G5 E5 G5 E5 D5 Bb5
( )
( )
1/21/2
1 1 1/21
Gtrs. 2 & 3
15 11 12 15 12 11 15 11 12 15 12 11 15 11 12 15 12 11 15 11 12 15 12 11 15 11 12 15 12 11 12 11
17 12 15 17 15 1217 12 15 17 15 12
12 1412 15
12 17 15 1217 15 12
15 14 1214 12 12
1212
1212
14 12 141414
1414
14 12 1414
1212
1212
14 121414
1414
14 12 1515
22
22
55
22
55
22
00
22
22
55
22
55
22
00
22
22
55
22
55
55
22
00
88
9
A5 G5 A5 G5 D5
InterludeGtr. 1: w/ Riff A (1 1/2 times)Gtrs. 2 & 3: w/ Rhy. Fig. 1
E5
12
11/41/41/41/4
Gtr. 4
D5 A5
14 15
1 1 1 1
B5
Bb5 A5 G5
E5 D5
12
1
11 10
1
8
1
5
1
3
11
Verse
E5
3. Had e nough- of o pin- ions.-
Eb5 D5 E5Gtr. 4 tacet
I got e nough- on my mind.
Gtr. 4 w/ bar
5
1
5
1
-2 1/2 -4 1/2
*Gtrs. 2 & 3
*Composite arrangement
1515
1515
1212 15
151515
1515
88
88
77
55
77
55
00
17 17 1817 18
1815
1815
14 13 12 10 7 5
7 7
2224
2224
2224
2224
2224
2224
2224
2224
2224
2224
2224
2224
2224
1113
0002
2224
2224
2224
2224
2224
2224
2224
2224
10
Eb5 D5 E5
Sell your soul for ap prov- al- and a dol lar.
Eb5
- Got
D5
a
E5
Gtrs. 2 & 3
pret ty- lit tle- bod y- to grind.
Eb5 D5 F#5
I see your
num ber- on the wall.
G5
I see the
life
ChorusGtrs. 2 & 3: w/ Rhy. Fig. 4
B5
less
A5
- dev
B5
ils
D5
- start
B5
to
A5
crawl,
G5
and
2224
2224
2224
2224
2224
1113
0002
2224
2224
2224
2224
2224
2224
2224
2224
2224
2224
2224
2224
2224
1113
0002
2224
2224
2224
2224
2224
2224
2224
2224
2224
2224
2224
2224
2224
2224
1113
0002
4446
4446
4446
4446
4446
4446
4446
4446
4446
4446
4446
4446
4446
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
5557
11
I
A5
don’t need no les
B5
sons.-
F5 D5 B5 F5
Watch
D5
the fall,
Gtr. 4
( )
1/2
1
G5
you
A5
lost my at ten-
Gtrs. 2 & 3: w/ Rhy. Fig. 4 (last 4 meas.)
B5
tion.-
F5 D5
7
1
7
1
7
1
B5 F5
Af
D5
ter- all,
G5
ev
A5
’ry- bod- y’s- do in’- their time.
3 3 3
7 7
1
type 2 type 2
1 1
Gtrs. 2 & 3
OutroB5 Bb5 A5 F#5 F5 E5 D5 E5 B5
Time.
Gtr. 4
12 11 10 7 6 5 3 5 12
1
1 1 1 1 1 1 1 1
77
999
77
99 9
99
99
7
7 710 1010 1010
10107
10 10 1010 10 10 77 9
10 710 10 9 7
97 9 7
9 9 7 9
14 1314 1213 9 812 9 7 58 7 75 147 1412
12
Intro Moderately q = 118
Words and Music by Matthew Sanders, Jonathan Seward, Brian Haner, Jr. and Zachary Baker
Hail to the King
© 2013 EMI BLACKWOOD MUSIC INC., SLAYER ST PUBLISHING,LEWIS CHRIST PUBLISHING, S GATESMUSIC and SKELETONS AND BOWTIES PUBLISHING
All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Hail to the King
Drop D tuning, down 1/2 step:(low to high) Db-Ab-Db-Gb-Bb-Eb
Gtr. 1 (dist.)
*
Riff A
Em
mf
*Chord symbols reflect implied harmony.
End Riff A
Gtr. 2(dist.)
Gtr. 1: w/ Riff A (4 times)
mf
E5 F#5 G5 μ
E5 F#5 G5 μ
E5 F#5 G5 μ
E5 F#5 G5 μ
12 1212
14 012
15 012
14 012
14 012 12
12 1212
14 012
15 012
14 012
14 012 12
12 1212
14 012
15 012
14 012
14 012 12
17 015
17 015
15 015
15 015
14 015 0
22
44
55
55
22
44
55
55
22
44
55
XX
XX
22
44
55
XX
XX
1
*Gtrs. 2 & 3
Rhy. Fig. 1
E5 F#5 G5 μ E5 F#5 G5 μEnd Rhy. Fig. 1
*Gtr. 3 (dist.), played mf.
Rhy. Fig. 2
E5 F#5 G5 μ E5 F#5 G5 D5End Rhy. Fig. 2
Gtr. 1E5 G5 D5 E5 G5 D5 E5
Gtrs. 2 & 3
G5 D5
22
44
55
XX
XX
XX
XX
XX
XX
22
44
55
XX
XX
XX
XX
XX
XX
22
44
55
XX
XX
XX
XX
XX
XX
22
44
55
55
00
5 4 0
5 8 5 0 5 8 5 0 5 8 5 0 3 5 3 0 5 8 5 0 5 8 5 0 5 8 5 0 3 5 3 0
22
22
22
55
00
22
22
22
55
00
22
5 8 5 0 5 8 5 0 5 8 5 0 3 5 3 0 3 5 3 0 3 5 3 0 3 5 3 0 3 5 3 0
22
22
22
55
00
5 4 0
2
VerseE5
WatchBlood
1.2.
youris
tonguespilt
orwhile
havehold
itin’-
cutkeys
fromto
yourthe
head.throne.
G5 D5
Riff B
Rhy. Fig. 3
P.M.
E5
SaveBorn
youra
lifegain,-
bybut
keepit’s
in’too
- whislate
D5
persto
- una
said.tone.
--
End Riff B
P.M. End Rhy. Fig. 3
Gtr. 1: w/ Riff BGtrs. 2 & 3: w/ Rhy. Fig. 3
E5
ChilNo
dren- roammer
thecy-
streets,from
nowthe
oredge
phansof
- ofthe
war.blade.
G5 D5 E5
BodDare
ieses
- hangcape-
in’and- in
learnthethe
streetsprice
D5
toto
abe
dore.paid.
-
5 8 5 0 5 8 5 0 3 5 3 0 3 5 3 0 5 8 5 0 5 8 5 0 3 5 3 0 3 5 3 0
22
22
22
22
22
22
22
22
22
22
22
22
55
00
5 8 5 0 5 8 5 0 8 10 8 0 8 10 8 0 3 5 3 0 3 5 3 0 3 5 3 0 3 5 3 0
22
22
22
22
22
22
22
00
5 4 0
3
A5
RoyLet
althe
- flameswat
willer
C5
-carveflow
awith
pathshades
A5
inof
chared,
os,now.
C5
-
G5
Gtr. 1
Riff C End Riff C
Gtrs. 2 & 3
Rhy. Fig. 4 End Rhy. Fig. 4
Gtr. 1: w/ Riff CGtrs. 2 & 3: w/ Rhy. Fig. 4
A5
bringAr
ingrows
--
dayblack
light
C5
-out
toall
thethe
night.light.
*w/ echo set for dotted quarter-note regeneration w/ 2 repeats.
*
A5 C5 G5
B5
Death is rid in’
D5
- in to- town
B5
with ar mor.
D5
-
A5
Gtr. 1
Riff D End Riff D
Gtrs. 2 & 3
Rhy. Fig. 5 End Rhy. Fig. 5
10 13 10 0 10 13 10 0 10 13 10 0 8 10 8 0 10 13 10 0 10 13 10 0 10 13 10 0 8 10 8 0
02
02
0 35
02
02
0 35
55
12 15 12 0 12 15 12 0 12 15 12 0 10 12 10 0 12 15 12 0 12 15 12 0 12 15 12 0 10 12 10 0
24
24
24
57
57
24
24
24
57
77
4
Gtr. 1: w/ Riff DGtrs. 2 & 3: w/ Rhy. Fig. 5
B5
They’ve come totakegrant all
you
D5
your rights.
B5
Hail
D5 A5
to the
3
king,
ChorusE5 D5 E5 D5
hail to the
Gtr. 4(dist.)
Riff F
f
Gtr. 5(dist.)
Riff F1
f
Gtr. 1 Riff E End Riff E
Gtrs.2 & 3 Rhy. Fig. 6
1212
10 12 10 10 10
89
7 8 7 7 7
5 8 5 0 5 8 5 0 5 8 5 0 5 8 5 0 7 10 7 0 7 10 7 0 7 10 7 0 7 10 7 0
22
22
22
00
22
00
5 4 0
5
one.
Gtr. 1: w/ Riff E (3 times)
C5 D5
Kneel to the
Gtr. 4End Riff C
Gtr. 5End Riff C1
Gtrs. 2 & 3End Rhy. Fig. 6
crown,
Gtrs. 2 & 3: w/ Rhy. Fig. 6Gtrs. 4 & 5: w/ Riffs F & F1
E5 D5 E5 D5
stand in the sun.
C5 D5
Hail to the
3
king.
InterludeGtrs. 2 & 3: w/ Rhy. Fig. 2
E5 F#5 G5
(Hail!
μ
Hail!
Hail!)
Gtr. 1
1212
10 12 10 10 7
89
7 8 7 7 3
35
35
35
0 35
57
5 4 0
5 0 0 7 0 0 8 0 0 7 0 0 7 0
4 05 0 0 7 0 0 8 0 0 7 0 0 7 0
4 0
6
E5 F#5 G5
TheWhispered: king.
D5
Gtr. 6 (dist.)
Guitar SoloGtr. 1 tacet
E5
f
D5 B5
Gtrs. 2 & 3
E5 D5 B5
5 0 0 7 0 0 8 0 0 7 0 0 7 0 0 0 3 02
3 02
3 02
3 02
3 02
0
5 8 5 0 5 8 5 0 5 8 5 0 5 8 5 0 7 10 7 0 7 10 7 0 4 7 4 0 4 7 4 0
22
22
22
22
00
00 2
424
24
24
5 8 5 0 5 8 5 0 5 8 5 0 5 8 5 0 7 10 7 0 7 10 7 0 4 7 4 0 4 7 4 0
22
22
22
22
00
00
00 2
424
24
7
E5 A5 D/F#
G5 F#5 B5 E5
3
Rhy. Fig. 7
P.M.
B5
A5 E5
33 3
hold bend 1/2
P.M.
5 8 5 0 5 8 5 0 5 8 5 0 5 8 5 0 10 13 10 0 10 13 10 0 7 10 7 0 7 10 7 0
22
22
22
22
22
77
77
45
45
8 12 8 0 8 12 8 0 7 11 7 0 7 11 7 07 7 7
45
3 47 5
55
55
44
44 2
4
22
22
22
22
22
22
22
4 75 7 13 12 10 12 13 10 12 1311 11 11 11 11 11
24
24
24
24
24
24
24
24
02
02
02
02
02
02
02
02
22
22
22
22
22
22
22
22
8
B5
*
E5
B5
3
3
8va loco
3 33
*Press edge of pick into string and pull upwards (upstroke), then immediately preceding next note, repeat process, producing harmonic effect between notes.
End Rhy. Fig. 7
P.M.
Gtr. 6
Gtrs. 2 & 3: w/ Rhy. Fig. 7
E5
B5
3
6
A5 E5
6 6 6 6 5
6
B5 E5
11 12 14 11 1412 14 19 17 1517
8 19 20 17 19 20 17 19 19
2
24
24
24
24
24
24
24
24
22
22
22
22
22
22
22
22 2
424
24
24
24
24
24
24
24
5 4 0
7 9 109
129 11 1312
12 14 15 14 12 11 14 12 1112
X 11 14 12 1114 13 13
8
1413
12
1413
12
1413
12 16 16 12
1413
12 15 15 12
1413
12 14 1212
14 15 14 1212 7 8 7
99
10 7 75
9 10 8 96 9
7 8 98
7 8 107 8 11 12 7
8 79
910 9 7 7
9
Gtr. 6
B/D#
F#5 B5
w/ bar
*T.H.
w/ bar
+1 hold bend
*Touch Harmonic: lightly touch ringing string.
-2 1/2
Gtrs. 2 & 3
Interlude
Gtr. 1: w/ Riff A
E5
There’s a
w/ bar
slack
0 3 2 04 1 0
2 1 02 1
2 1 0 0 5
12
444
244
0 0
22
10
taste
Gtr. 1: w/ Riff A (1 1/2 times)Gtrs. 2 & 3: w/ Rhy. Fig. 1 (1 1/2 times)Gtr. 6 tacet
E5
Bridge
of
F#5
fear
G5
(Hail!
μ
Hail!
Hail!when
the hench
E5
men
F#5
- call.
G5
Hail!
μ
Hail!
Hail!I
ron- fist
E5
to
F#5
tame
G5
Hail!the
μ
land.Hail!
Hail!)I
ron-
fist
E5
to
F#5
claim
G5
it all.
D5
Hail to the
3
Gtr. 1
Gtrs. 2 & 3
P.M.
12 1212
14 012
15 012
14 012
14 012 12
17 015
17 015
17 015
17 015
17 015
17 015
17 015
15 015
15 015
14 015 0
22
44
55
55
00
00
00
00
00
00
00
00
00
11
1.
2.
king,
ChorusGtr. 1: w/ Riff E (8 times)Gtrs. 2 & 3: w/ Rhy. Fig. 6 (4 times)Gtrs. 4 & 5: w/ Riffs F & F1 (4 times)
E5 D5 E5 D5
hail to the one.
C5 D5
Kneel to the crown,
E5 D5 E5 D5
stand in the sun.
C5 D5
Hail to the sun.
C5 D5
Hail to the
3 3
king.
OutroE5 F#5 G5
(Hail!
μ
Hail!
Hail!)
Gtr. 1
Gtrs. 2 & 3
E5 F#5 G5 D5
5 0 0 7 0 0 8 0 0 7 0 0 7 0
4 05 0 0 7 0 0 8 0 0 7 0 0 7 0
4 0
22
44
55
XX
XX
XX
XX
XX
XX
5 0 0 7 0 0 8 0 0 7 0 0 7 0 3 3
22
44
55
55
00
12
Intro Moderately fast q = 137
Words and Music by Matthew Sanders, Jonathan Seward, Brian Haner, Jr. and Zachary Baker
Heretic
© 2013 EMI BLACKWOOD MUSIC INC., SLAYER ST PUBLISHING,LEWIS CHRIST PUBLISHING, S GATESMUSIC and SKELETONS AND BOWTIES PUBLISHING
All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Hail to the King
Drop D tuning:(low to high) D-A-D-G-B-E
*Gtr. 1 (elec.)
***
**
w/ dist.
D5
pp
D5/C
*Doubled throughout
***Fade in (next 6 meas.)
**Chord symbols reflect implied harmony.
G/B Gm/Bb
f
A
P.H.
Pitch: G#
blood.
VerseD5
Bb/D Dsus4
D5 E5 F5 D5
Im2.As1.
pose-theyyour
searchwill
foron
blood,me
Gtr. 1
P.M.
Rhy. Fig. 1
P.M.
P.M.
End Rhy. Fig. 1
75 5
75 5
85 5
75 5
5 73
7 03
7 03
5 03
5 03
3 2
25 0
25 0
25 0
23 0
23 0
2 15 0
13 0
03 0
02
02 3
4
57
58
55
57
00
22
33
00
00
1
Gtr. 1: w/ Rhy. Fig. 1 (2 times)
Bb/D Dsus4
D5 E5 F5 D5
all’til
eyesfi
dere-
scendsets
- onme
one.free.
Bb/D Dsus4
D5 E5 F5 D5
HonThe flames
est-of
manhell
inburn
chains,bright.
Bb/D Dsus4
D5 E5 F5 D5
butMy
thatfate
don’tde
matcid-
tered
--
anby
ytheir
- way.lies,
-
Gtr. 1
P.M. P.M.
P.M.
D5 Bb5
G/B C5
Myfi
judgnal-
A/C#
mentde
- day.mise.-
Gtr. 2 (elec.)
w/ dist.
f
Gtr. 1
57
58
55
57
00
22
33
00
00
15
10 11 1010
1210
10 11 13 1110
1213
1210
11 1212
1212
12 13 15 12 1312
1412
1414
17 14
57
57
57
57
13
13
13
13
25
25
25
25
35
35
35
47
47
47
2
D5 Bb5 G/B C5 μ
Gtr. 3 (elec.)
w/ dist.
f
Gtr. 2
Gtr. 1
3rd time, Gtrs. 2 & 3 tacet
Chorus
D5
My flesh will feed
Gtrs. 2 & 3 tacet
the de mon.-
D5/C
No tri al,- no case for rea son.- I’ve
Riff A
15 1214 11 14 11
14 12
10
1010
1010 12 13 10 12 10
1110
1210
1110 15 10
1212
1212
1210 12 9
1112
1112 10 9
57
57
57
57
13
13
13
13
25
25
25
25
25
25
35
10 10
12 12
57
5 57
5 58
5 57
5 55 7
37 0
37 0
35 0
35 0
33 2
3
CTo oda
G/B
been cho sen- to pay
Gm/Bb
with my
A
life.
Gtr. 1
End Riff A
Gtr. 1: w/ Riff A
D5
Mad men de fine- what mad is.
D5/C
Turn ing- witch es- and saints to ash es.-
Ris
G/B
ing- mass es- march
Gm/Bb
ing- to
3
find
A
her e- tic-
C#º7
her
e- tic-
Gtr. 3
P.M. P.M. P.M. 1
Gtr. 2
P.M. P.M. P.M. 1/2
25 0
25 0
25 0
23 0
23 0
2 15 0
13 0
03 0
02
02 3
4
7 108 11 8 11
911
12 12 12
4 75 8 5 8
68
9 9 9
4
blood.
Interlude Half-time feel
Dm F
Gtrs. 2 & 3 tacet
Bb
A
Gtr. 3
Gtr. 2
*Gtr. 4 (acous.)
let ring throughout
Riff B
mf
End Riff B
*Doubled throughout
Gtr. 1
Riff C
Gtr. 1
Gtr. 4: w/ Riff B (3 times)
Dm F Bb AEnd Riff C
10 10
12 12
77
76
56
77
57
56
56
57 8
76
7
66
78 7
65
6
55
67
0 2 3 3 5 7 8 8 7 7 5 3 2
0 2 3 3 5 7 8 8 7 74
5
Gtr. 3
Gtr. 1: w/ Riff C
Dm F Bb A
Gtr. 2
Dm F Bb A
Please
BridgeGtr. 4: w/ Riff B (4 times)
DmGtrs. 2 & 3 tacet
F
don’t leave
Bb
me.
A
7 108
1010
1210 810 10
1210 810 10 11
128
1210
12 10
5 7 97 10 9 10 910 10 9 10 910 10 12 9 99 10 9 7
108
1010 8 10 810 10
1210 810 10 11
12 7 10 9 6 7
7 97 10 9 10 910 10 9 10 910 10 12 98 10 8
9 10
7 7
10 10
6
Please
Dm F
don’t leave
Bb
me like this.
A
I’ve
walked
Dm
a frag ile- line
F
and I’ve fall
Bb
en- down.
A
Gtr. 3
Gtr. 2
Please
Dm F
don’t leave
Bb
me.
End half-time feel
A
A7/C#
Gtr. 3
Gtr. 2
Gtr. 1
P.M.
10 910 108 10 10 11 13
10 910 10 9 911 10 8
7 57 7 9 10 108 10 11 1011 11 10 10
12 10 9
10 910 108 10 10 11 13
10 10 10 10 9 9 9 12 12 12
7 57 7 9 10 108 10 11 11 11 11 10 10 10
9 9 9
00
00
00
00
00
00
00
00
33
33
33
33
33
33
33
33
88
88
88
88
88
88
88
88
77
77
77
77
1110
1110
1110
1110
7
Gtr. 5(dist.)
Guitar Solo
w/ dist.
D5
f
E5 F5
8va
3 33
1 11 1/2
Gtr. 3
1/2
Gtr. 2
1/2
Gtr. 1
Rhy. Fig. 2
P.M.
Gtr. 5
Gtrs. 2 & 3 tacet
Bb5 A5
8va loco
A/C#
*
33 3
*Played behind the beat.
1/2
Gtr. 1
End Rhy. Fig. 2
13 13 13 13 1012
10 13 15 15 15 15 15 13 13 15 17
12
9
00
00
0 0 0 0 22
33
33
33
33
33
33
13 15 17 17 17 17 17 15 13 12 15 1214
15 1214 11 14
1211 14 12 11
12
13
13
13
13
02
02
02
42
42
42
42
8
Gtr. 5
Gtr. 1: w/ Rhy. Fig. 2 (3 times)
D5 E5 F5 Bb5 A5
33
1 1 1 1
1 1/2
A/C#
D5
E5 F5
3
6 33
Bb5
A5
8va
6 6 3 3 3 3
8va loco
A/C#
D5
E5
hold bend
F5
3
33 3 3
T T T T T T T T1/2
12 12 12 1213 10
1212 1210 13 10
12 12 12 12 10
9 9 10 912
10 911 12
1010
10 12 13 1010
1012
12 13
1010
10 12 13 12 1010
12
13 12
1010
10
17 1313
1415
15 1614
1413
13 15 16 1313
1414 12
1413
13 18 18 17 18 17 15 15 17 18 18 9 10 12
18 12 10 9 17 12 5 13 8 6 5 12 8 6 5 8 3 1
6
5 3 1 0
13 6 13 613 6
9
hold bend
Bb5
A5 A/C#
33 3 3
T T 21 1
Gtr. 2
Gtr. 5 tacet
D5
f
Bb5
8va
Gtr. 3
f
Gtr. 1
6 16 6 1611
16 011 10 11 11 15 14 1515 14
1715
1415
13 16 17 13 17 1315
1415
1715
14
1715
1515
13 17 18 13 18 1315
1515
1715
15
1212
1010
10 12 13 10 13 1010
1012
1212
10
1312
1011
10 12 13 10 13 1011
1012
1312
10
57
57
57
57
57
57
57
13
13
13
13
13
13
13
10
1.
2.
D.S. al Coda(no repeat)
Coda
G/B
C5
A/C#
8va
C#º7
blood.
D5 μ
loco
Gtr. 3
Gtr. 2
Gtr. 1
1717
1615
15 17 19 17 19 1515
1617
1717
16
1514
1213
12 15 13 12 17 1214
1414
1614
14
1412
12 1415
14 15 14 1515 12
1212
1412
12
1715
1412
1312
15 1312
1414
14 1112
11 14
25
25
25
25
25
25
25
35
35
35
47
47
47
15 12
1415 12
1415 12
1416
1214
16 15 14 13 16
10 10
12 9
1112 9
1112 9
1113
911
13 12 11 10 1212 12
45
00
11
Intro Moderately fast q = 144
Words and Music by Matthew Sanders, Jonathan Seward, Brian Haner, Jr. and Zachary Baker
Planets
© 2013 EMI BLACKWOOD MUSIC INC., SLAYER ST PUBLISHING,LEWIS CHRIST PUBLISHING, S GATESMUSIC and SKELETONS AND BOWTIES PUBLISHING
All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Hail to the King
Drop D tuning:(low to high) D-A-D-G-B-E
Gtr. 1 (dist.)
*
D5
p
Eb5
mf
*Vol. swell
F#5 Eb5 D5
Gtr. 2(dist.)
P.M.
Riff A
D5
fP.M. P.M. P.M. P.M.
P.M.
Eb5
P.M. P.M. P.M. P.M.
Gtr. 1 Rhy. Fig. 1
00
11
44
11
00
03 5 6
03 5 6
03 5 6
03 5 6
03 5 6
03 5 6
03 5 6
03 5 6
03 5 6
03 5 6
00
11
1
P.M.
F#5
P.M. P.M. P.M. P.M.
Eb5 P.M.
D5
P.M. P.M. P.M. P.M.
End Riff A
End Rhy. Fig. 1
Gtr. 3 (dist.)
Gtr. 1: w/ Rhy. Fig. 1Gtr. 2: w/ Riff A (2 times)
D5
mfP.M. P.M. P.M. P.M. P.M.
Eb5
P.M. P.M. P.M. P.M. P.M.
F#5
P.M. P.M. P.M. P.M. P.M.
Eb5Gtrs. 1 & 3
D5 μ
D5
f
Eb5
F#5 Eb5 D5 Eb5
03 5 6
03 5 6
03 5 6
03 5 6
03 5 6
03 5 6
03 5 6
03 5 6
03 5 6
03 5 6
44
11
00
0 0 00
0 0 00
0 0 00
0 0 00
0 0 00
1 1 11
1 1 11
1 1 11
1 1 11
1 1 11
4 4 44
4 4 44
4 4 44
4 4 44
4 11
00
00
11
44
11
00
11
11
2
GodDam
Verse
1.2.
D5
less,age,
--
megal
F#5
teax
--
ory
--
icde
- war.struct.
Eb5
-
Rhy. Fig. 2
P.M. P.M. P.M. P.M. P.M. P.M. P.M. End Rhy. Fig. 2
AnEnd
Gtrs. 1 & 3: w/ Rhy. Fig. 2
D5
ger,less,
-- ce
ourles
F#5
-exti-
isal
--
tenceor
- nevbit
Eb5
-er
cor- more.
rupt.--
Pre-ChorusE5
YouYou
awill
wokebe
- thefor
gigot-
antsten
--
wholike
Eb5
werethe
G5
doroth
E5
manters
--
inlost
thein
sky.time.
Eb5 G5
Gtrs. 1 & 3
Rhy. Fig. 3
P.M. P.M. P.M. P.M. P.M. P.M.
F#5
ComDead
ets- rainciv
ingi
-- li-
deathza-
fromtion-
a fileft
F5
er- ybe
A5
- eye.hind.-
F#5 F5 A5 F#5
P.M. P.M. P.M. P.M. P.M. End Rhy. Fig. 3
00
0 0 0 00
0 00
0 0 0 00
0 00
44
4 4 4 44
4 11
1 1 13 5 6
22
2 2 2 22
2 22
2 2 11
55
22
2 2 2 22
2 22
2 2 11
55
44
4 4 4 44
4 44
4 4 33
77
44
4 4 4 44
4 4 33
77
44
3
3rd time, Gtr. 8 tacet
Chorus
D5
Moth er- of all,
F5 F#5
your time is com
A5
ing.-
*Gtr. 4 (dist.)
mf
*Doubled throughout
Gtrs. 1 & 3
D5
One with e ter
F5
- ni
- ty.
F#5
-
F5 E5
When
Eb5
5X7
X8
10X8
10
12
14X9
11X9
11X12
14X12
14
00
33
44
77
77
5X7
5X7
X8
10X8
10
12
14X9
11
00
33
44
44
33
22
11
4
CTo oda 1.
plan
Gtr. 4 tacet
D5
ets-
F5 A5 F5 D5
col
A5
lide!
F#5
-
F5 E5 Eb5 F#5
Gtr. 5 (dist.)
p1
Gtrs. 1 & 3
P.M.
Plan
D5
ets-
F5 A5 F5 D5
col
A5
lide!
F#5
-
F5 E5 Eb5 F#5
1
P.M.
10 10 10 10 10 10 12 12 10
00
33
77
33
00
77
44
0 44
44
33
22
11
44
10 10 10 10 10 10 12 1211
00
33
77
33
00
77
44
0 44
44
33
22
11
44
5
2.
Gtr. 7 (dist.)
InterludeGtr. 5 tacet
D5
f
F#5
A5 C5
8va
Gtr. 6 (dist.)
f
Gtrs. 1 & 3
Gtrs. 6 & 7 tacet
D5
μ
F5 E5 Eb5 F#5
Gtr. 2
P.M. P.M. P.M. P.M. P.M.
Gtr. 5
Gtrs. 1 & 3
10 12 14 10 12 14 10 12 14 10 12 14 13 15 17 13 15 17 17 21 16 18 20 16
1817
16 18 2016 20 20
7 9 10 7 9 10 7 9 10 7 9 10 10 12 13 10 12 13 13 15 16 13
1613
13 15 1613 15 15
00
44
77
77
1010
03 5 6
03 5 6
03 5 6
03 5 6
03 5 6
11
00
44
33
22
11
44
6
Gtr. 7
InterludeGtr. 5 tacet
D5 F5 F#5
Gtr. 6
Gtrs.1 & 3 Riff B End Riff B
P.M.
Gtr. 7
Gtrs. 1 & 3: w/ Riff B
D5
F5 F#5
Gtr. 6
79
7 10 7 10 11 7 1111
11
9
11
45
4 7 3 6 7 4 76
7
5
7
0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
1110
10 1314 14
13 14 14 7 1414
1416
14
77
7 1010
9 10 10 7 109
1012
10
7
BridgeGtrs. 1 & 3: w/ Riff B (3 times)
D5
Take heed, the vi
F5
’lent- march is clos
Gtrs. 6 & 7 tacet
F#5
ing- in.
grad. bend
8va
1/2
grad. bend
1
D5
You can’t de feat-
F5
them on your own.
F#5
D5
Weap ons- are load
F5
ed- for the fi
F#5
nal- stand
D5
and they’re all aimed
F5
at you from heav
F#5
en.-
Gtrs. 1 & 3
P.M.
16
12
0 0 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3 3 3 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4
8
Plan
Interlude Half-time feel
D5
ets-
F5 A5
col lide!
F#5
-
Rhy. Fig. 4 End Rhy. Fig. 4
Plan
Gtrs. 1 & 3: w/ Rhy. Fig. 4 (2 times)
D5
ets-
F5 A5
col lide!
F#5
- Plan
D5
ets-
F5 A5
col lide!
F#5
- Ah.
End half-time feel
Plan
D5
ets-
F5 μ
col -
Gtrs. 1 & 3
lide!
Guitar Solo
F#5
Gtr. 8 (dist.)
mf
Gtrs. 1 & 3
00
33
77
44
00
00
00
33
33
33
97
67
5 8 9 5 9 57
6
8 57
6
97
67
5 8 9 5 9 57
6
8 57
6
44
44
44
44
44
44
9
D5
F5 A5 F5
D5 A5
F#5
8va
36
6 66
3
1
Rhy. Fig. 5
P.M.
D5 F5 A5 F5 D5 A5
8va loco
3 3 3
31 1 1 1 1
End Rhy. Fig. 5
1210
910
8 11 12 8 12 810
9
11 810
9
1210
910
8 11 12 8 12 810
9
14 910
9
00
33
77
33
00
77
17 1213
1416
1413
12 17 12 1213
1416
1413
12 17 12 1213
1416
1413
12 17 12 12 1713
14X
44
44
44
44
44
44
44
44
44
44
44
44
44
44
44
17 1717 1717 17 1717 17 1717 17 17 174 0
4
00
33
77
33
00
77
10
Gtr. 8
*w/ octaver
Gtrs. 1 & 3: w/ Rhy. Fig. 5 (2 times)
F#5 D5
grad. ascent
F5
w/ bar
A5
steady gliss.
F5 D5 A5
*Set for one octave below.
-4
-3
F#5 D5 F5 A5 F5
D5 A5
Gtr. 8
F#5
steady gliss.
octaver off
3
6
Gtrs. 1 & 3
Pre-ChorusGtrs. 1 & 3: w/ Rhy. Fig. 3
E5
You will be for got- ten- like
Eb5
the
G5
oth
E5
ers- lost in time.
Eb5 G5
Gtr. 8
grad. bend grad. dive
w/ bar
3
-6
1
4 4
4 40 4 3
5 5 5 5 13 14 16
17 14
1416 14
1417
1416 14
1417 14
1416
1417 17 17 5 5 5 6
6 2 2 11
12 12 13 1412 13 14
12 14 1512 14
44
15 15 1214
1212 17 15 12
15 1214 12 14
12 15 12 15
11
D.S. al Coda
Coda
F#5
Dead civ i- li- za- tion- left
F5
be
A5
hind.-
F#5 F5 A5 F#5
grad. bend
8va 5
5
11
lide!
F#5
1
P.M.
3
P.M. 3
Gtr. 8
Outro-Guitar Solo Half-time feel
Gtr. 5 tacet
D5 F5 A5 F5 D5 A5 F#5P.M.
1 1
Gtrs. 1 & 3 Rhy. Fig. 6 End Rhy. Fig. 6
17 17
12 1412 14
1219
14 15 1917 19 19 17 17
12 12 12 10
44
0 44
44
44
44
44
44
44
4 4 4 4 4 24 2 4 4 2 4
2 4
00
33
77
33
00
77
44
12
Gtrs. 1 & 3: w/ Rhy. Fig. 6 (2 times)
D5 F5 A5 F5 D5 A5 F#5 1 1 1
D5 F5 A5 F5 D5 A5
F#5 3
3
1/4
Gtr. 8
D5 F5 A5
P.H.
F5 D5 A515ma
loco
11 1 1
Gtrs. 1 & 3
Free time
F#5
grad. bend fdbk.
1
4 4 4 4 45
45 2 5 5 5 5 2
3 314
152 2 4 11 2 2
4 24
4 4 24 2
42 4
4 4 2 44 2
4 44 24
2 4 2 44
4 4 24 2
00
33
77
33
00
77
4 4 4 4 4
44
13
Intro Moderately fast q = 142
Words and Music by Matthew Sanders, Jonathan Seward, Brian Haner, Jr. and Zachary Baker
Requiem
© 2013 EMI BLACKWOOD MUSIC INC., SLAYER ST PUBLISHING,LEWIS CHRIST PUBLISHING, S GATESMUSIC and SKELETONS AND BOWTIES PUBLISHING
All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Hail to the King
Drop D tuning, down 1/2 step:(low to high) Db-Ab-Db-Gb-Bb-Eb
μ
Prod
[Dm]
i- gi
[A]
- a- com
[C#º7]
plo- ra
[Dm]
- tus-
si lens
[Gm]
- o
[C#º7]
ro- reg
[Dm]
net
[A]
- ex
[Dm]
i
[A7]
- ti
[Dm]
- um.
[Abm]
-
Gtr. 1(dist.)
*
Riff A
D5
f
Gm D5 BbmEnd Riff A
3 3
3 3
3 3
3 3
Gtr. 2(dist.)
Riff A1
f
End Riff A1
3 33 3
3 3
3 3
*Chord symbols reflect combined harmony.
00
X7
9
0X7
9X8
10
00
X7
9
0X7
9X8
10X10
12X10
12X10
12X10
12X10
12X10
12
00
X7
9
0X7
9X8
10
00
X7
9
0X7
9X8
10X13
15X13
15X13
15X13
15X13
15X13
15
00
X7
9
0X7
9X8
10
00
X7
9
0X7
9X8
10
108
108
108
108
108
108
00
X7
9
0X7
9X8
10
00
X7
9
0X7
9X8
10
1311
1311
1311
1311
1311
1311
1
VerseHalf-time feelD5
DaysNa
Rise
1.2.3.
ofturefrom
-warnquakash
ing,ing,es,
---
nightproph
vi o-
bringsetslent
--
mournach
clash
Bb5
ing.ing.es.
---
Gtr. 3(dist.)
mf
Gtrs.1 & 2 Rhy. Fig. 1
P.M. P.M. P.M. P.M.
D5
MyI
My
prayers,kneel,soul,
wordfaithva
less,ful,
cant.
--
-
heavdam
Cleanse
enname
--
istionof
-burn
cracksall
ingthethis
- down.sky.sin.
Ab5 Dm/F
P.M. P.M. P.M. End Rhy. Fig. 1
1010 12 10
12
10 12 1010
10 12 10
00
00
00
00
00
00
00
00
00
00
00
00
00
88
88
88
1110 12 10
1010 12 10
12
10 12 109
10
10
10
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
00
666
666
35
35
35
35
2
Gtrs. 1 & 2: w/ Rhy. Fig. 1
D5
IMy
I
walkheart,stand
strickficguil
en,tion,ty,
---
pitchsuI
blackper
bleed-
visti
filth-
Bb5
sion.tion.
y.
---
Gtr. 3
D5
OYourBorn
one,grace,
of
savedeath
fire,
me.less.-
CaGive
sa
resslifevor
-
-
myto
this
weamyfi
rylastnal
-
-
eyes.breath.hour.
Ab5 Dm/F
Dark
Chorus
Gtr. 3 tacet
A5
est
Ab5
- lord,
G5
your
Ab5
mer
A5
cy
Ab5
- shall
Bb5
I
A5
gain.
D5 A/E D5
Gtrs.1 & 2 Rhy. Fig. 2 End Rhy. Fig. 2
1010 12 10
12
10 12 1011
10 12 10
1010 12 10
12
10 12 1010
10 12 109
10
10
10
77
66
55
66
77
66
88
77
77
00
00
24
24
00
00
3
CTo oda
1.
2.
Strike
A5
the
Ab5
match,
G5
en
Ab5
gulf
A5
- the
Ab5
earth
Bb5
in
A5
Gtrs. 1 & 2: w/ Riffs A & A1 (1 1/2 times)
D5
flames, in
Gm
flames,
D5
in
Bbm
flames,
D5
in
Gm
flames.
D μ
flames.
D μ
Gtr. 4 (dist.) w/ wah-wahw/ bar
f
-1
Gtr. 1 Gtr. 1
Gtr. 2
Gtr. 2
77
66
55
66
77
66
88
77
0 0
X9
11X9
11
00
00
4
Gtr. 4
Guitar SoloGtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)
D5 Bb5 D5
1 1 11/2
Ab5
Dm/F
8va
3
1/2 1/2 1/2 1 1/2 1 1/2
D5
8va
loco
Bb5 D5
1 1/2 1 1/2 1 1/2 1 1/21/2
1 1/2 1 1/2
*w/ heavy delay
8va
3 3 3 3 6 6
*Delay set for quarter-note regeneration w/ 5 repeats.
1310
13 1011
911
13
15 15 13 1516 15 15 13 16 16 13 16 16 16 13 16 1515
15 1315 13 15
15 1513 1515 15 1515 13 15120 12 13 13 13 13 13
10 13 12 1012
10 13 12 1012
10 12 1012
10 13 10 1310 13 10 10 10 13 10 13
10 10 13 10 13 10 10 10 13 10 13 10 10 10
5
loco
Ab5 Dm/F
w/ heavy delay
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
A5 Ab5 G5 Ab5 A5 Ab5 Bb5 A5
6 63 3
1/2
D5 A/E D5 A5 Ab5 G5Ab5
1/2
A5 Ab5 Bb5
A5
D5
A/E
*
D5
8va
*Played behind the beat.
1/2 1/2 1/2
Gtr. 4
Bridge
Bb
fdbk.
Am
w/ bar**
Abº715ma
w/ delay
Gtr. 4 tacet
**Set for quarter-note regeneration w/ 7 repeats.
-1
Gtrs. 1 & 2
10 10 1310
13 10 10 13 10 10 13 1010 10
15 10 15 15 10 15 1013 10 10 11 11 14
12
12 12 1010 10 11 10 8 10
310
5 9 9 10
12 13 16 1616 16 1616 15 17
18 18 18
8 8 7 6
6
GrantSpoken:
Gtrs. 1 & 2
Athem eternal rest and reward.
DmEmbrace them into
Dm/Eyour army
Dm/Fof the
undead.
BbStrike with
Amvengeance
Abº7those who oppose your will and
A
lay waste to all opposition set before
Dmyou. Walk
Dm/Ewith them
Dm/Fand
Gm
shield them from the blinding light
Fof servitude
Eband devastate your enemies
A
as they die by your hand. Amen.
A7
7 7 5 3 2 0 2 3
8 8 7 6
7 7 5 3 2 0 2 3
5 55
33
11
11
77
77
77
77
7
D.S. al Coda
Coda
D5
Prod
[Dm]
i-
D5
gi
[A]
- a-
D5
com
[C#º7]
plo-
D5
ra
[Dm]
- tus-
3
3
3 3
D5
si
[Dm]
lens
[Gm]
-
D5
o
[C#º7]
ro-
D5
reg
[Dm]
net
[A]
- ex
[Dm]
i
[A7]
- ti
[Dm]
- -
3
3
3
um.
Ab5
flames.
D μ
Gtr. 1
Gtr. 1
Gtr. 2
Gtr. 2
00
X8
10X8
10X8
10X8
10
00
X7
9X7
9X7
9X7
9
00
X10
12X10
12X10
12X10
12
00
X8
10X8
10X8
10X8
10
00
X12
14X12
14X12
14X13
15
00
X7
9X7
9X7
9X10
12
00
X8
10X8
10X8
10X7
9
5X7
X7
9
5X7
66
X9
11
66
00
8
Intro Free time
Words and Music by Matthew Sanders, Jonathan Seward, Brian Haner, Jr. and Zachary Baker
Shepherd of Fire
© 2013 EMI BLACKWOOD MUSIC INC., SLAYER ST PUBLISHING,LEWIS CHRIST PUBLISHING, S GATESMUSIC and SKELETONS AND BOWTIES PUBLISHING
All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Hail to the King
Moderately fast q = 128
1.
2.
Drop D tuning:(low to high) D-A-D-G-B-E
(Rain, church bell & bass)
D518 sec.
I
7fr
111
A5
8fr
222
Bb5
5fr
111
G5
134
Bb5
Gtr. 1 (dist.)
P.M.
fP.M.
P.M. P.M.
1/2
P.M.
Riff A
P.M.
P.M. P.M.
Bb5 G5End Riff A
1/2
Gtr. 3(dist.)
Gtr. 1: w/ Riff A
D5
Bb5
G5 Bb5 G5
f
Gtr. 2(dist.) Rhy. Fig. 1
f
End Rhy. Fig. 1
05 8
04 7 7 7
05 8
04 7 7 7
05 8
04 7 7 7
05 8
04 7 7 7
XXX
XXX
000
888
888
555
555
888
888
555
555
1
Gtr. 3
Gtr. 2: w/ Rhy. Fig. 1
D5
P.H.
Bb5 G5
Pitch: B
1/2
Gtr. 1
P.M. P.M. P.M.
P.M. P.M.
P.M.
1/2
Gtrs. 2 & 3
D5
P.M.
Bb5Gtr. 1 tacet
G5 D5
Gtr. 1
P.M. P.M. P.M.
P.M. P.M.
P.M.
Gtrs. 2 & 3
P.M.
P.M.
P.M. P.M.
Bb5 G5 D5
577
5 5
05 8
04 7
05 8
04 7
05 8
04 7 7 7
000
00
888
888
555
555
000
05 8
04 7
05 8
04 7
05 8
04 7
000
5 80
4 7000
5 80
4 7000
5 80
4 700
888
888
555
555
000
2
VerseD5
Let’sWell,
1.2.
takeI
acan
moprom
mentise
--
andyou
breakpar
thea-
icedise,-
P.M. P.M.
sono
myneed
into
tenserve
- tionson
- areyour
known.knees.
Bb5 G5 D5
P.M.
See,And
Iwhen you’re
have pitlost
yin
- inthe
watchdark
ingest
--
youof
sufhours,
fer.-
P.M. P.M.
I know
takethea
feelmo
ingment
--
ofand
betell
Bb5
ingme
- damnedwho
G5
youa
see.lone.
A5
-
P.M.
000
0 0 0 0 0 0 0 000
0 0 0 0 0 0 0 000
000
0 0 0 0 0 0 0 888
888
555
555
000
000
0 0 0 0 0 0 0 000
0 0 0 0 0 0 0 000
000
0 0 0 0 0 0 0 888
888
555
555
777
3
I
Won’tgot a
tell
Bb5
sto ryyou- book
who-
G5
ofnot
myto
own.be.
A5
Don’tNow
D5
youyou
E5
see,know
F5
II
C5
amam
youryour
pride?pride.
Bb5
Gtr. 1
P.M.
P.M.
Gtrs. 2 & 3
P.M. P.M. P.M. P.M. P.M. P.M.
3rd time, Gtr. 1 tacet
Chorus
Bb5
A gent- of wealth,
C5
bear er- of needs.
D5
Gtr. 1 tacet
(AndSpoken: you know it’s right.)I am your war,
Bb5
Rhy. Fig. 2
P.M. P.M.
P.M.
End Rhy. Fig. 2
5 80
4 7 7 5 80
4 7 5 7 8
5 78 8
777
7 7 7 7 7 7 777
00
888
888
00
555
555
00
777
7 7 7 7 7 7 777
000
22
33 3
55
355
133
8 10
133
133
133
133
133
355
355
355
355
0 0 000
5 80
4 7000
5 80
4 7 133
4
CTo oda
1.
2.
Gtrs. 2 & 3: w/ Rhy. Fig. 2
arm ing- the strong,
C5
aid ing- the weak.
D5
Know me by name,
Bb5
Shep herd- of Fire.
G5 D5
Gtrs. 2 & 3
G5 D5
Gtr. 4 (dist.)
f
rake
8va 3
1 1
Gtrs. 2 & 3
133
133
133
555
000
XX
X15 1515 15 15 13
15 13 15
555
000
5
Guitar SoloD5 Bb5
G5 D5
8va 6 6 6 6 6
1/2 1
Rhy. Fig. 3
P.M. P.M. P.M.
End Rhy. Fig. 3
Gtr. 4
Gtrs. 2 & 3: w/ Rhy. Fig. 3 (2 times)
Bb5 G5
8va D5
3 3
3
1 1
1 1
Bb5 G58va D5
1514
1513 16 17 13 17 13
1514
16 13 16 1315
13
15 13 15 1315
12
13 10 13 1010
10 13
12 10 12 1010
1013
000
0 0 0 0 0 0 0 0 0 0 888
888
00
555
555
00
000
1312
13 1012 10 12
1510
12 10
1515 15 13
14
15 15 15
13 10 10 12 12 13 13 13 13 13 13 10 12 13
6
Gtr. 4
loco
Bb5
6
66
6
Gtrs. 2 & 3
P.M.
G5 A5
8va 9 7
P.M. P.M.
8va
loco
Bb5 G5 A5
8va
3 3
1 1
P.M. P.M. P.M.
128 10
10 1210
10 14 13 1010
10 1210
10 1210
10 15 13 1011 13
000
0 0 0 0 0 0 0 0 0 0 888
10 13 13 10 1013 13
10 15 10 1014
10 10 13 15 15 13 10 13 16 13 13 1013
10 13 1014
888
888
00
555
555
00
777
14 146 9 10 12
9 1012
129 10 1312 10 13 12 17
777
7 7 7 7 7 7 7 7 7 7 888
888
00
555
555
00
777
7
8va
loco
D5 C5 Bb5
P.M. P.M. P.M.
Gtr. 4
C5
D5
Gtr. 5 (dist.)
f
3
33
3
Gtr. 6 (dist.)
f
3
3 3 3
Gtrs. 2 & 3
Rhy. Fig. 4
17 12 12 9 10 1312 13 15 13 12 10
777
7 7 7 7 7 7 7 7 7 7 000
000
00 3
55
355
00 1
33
10 10
7 9 118 10 11
8 10 12
9 10 1310 11 13
10 12 13
3 53 5 6
4 5 6 8
5 75 6 8
5 6 8 10
133
133
133
133
133
133
355
355
355
355
355
355
000
8
Bb5
P.M.
End Rhy. Fig. 4
Gtr. 4
Gtrs. 2 & 3: w/ Rhy. Fig. 4
C5 D5
Gtr. 5
Gtr. 6
1013
1013
10 15 10 13 10 10 13 1013
10 1013 10
12 1012 10 12
12 1010 8
13 13 10
10 10 6
000
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0133
8
14
10 12
1011
10 13 12 1011
10 1213
12 13 15 13 1213
1215
6
76
6 10 8 66
6 88
98
8 12 10 88 8
10
9
Gtrs. 5 & 6 tacet
Bb5
1/2
Gtr. 4
G5
8va
3
1 1
Gtrs. 2 & 3
P.M.
14 15 15 10 10 14 14 8 8 8 10 10 10 2 53 5
15 15
10 10
5 5 3
2 7
6 8 10136 8 10 12 13 10 15
1310 13
133
133
133
133
133
555
55
55
55
55
55
10
"
D58va
w/ bar
Gtr. 4 tacet
3/4
1
-1 1/2-3 1/2 -5
P.M.
BridgeGtr. 1: w/ Riff A (1st 2 meas., 4 times)Gtrs. 2 & 3 tacet
D5
DiscipleSpoken: of the cross and champion in suffering, immerse yourself into
Bb5
the kingdom of
G5
redemption.
D5
Pardon your mind through the chains of the divine. Make way the Shepherd of Fire.
Bb5 G5
Gtr. 2
(cont. in notation)
*A5
Through the ag es- of time,
Bb5 G5 A5
I’ve been known for my hate.
Bb5 G5
Gtr. 1
P.M. P.M.
P.M. P.M.
*See top of first page of song for chord diagrams pertaining to rhythm slashes.
15 1515 15
15
55
55
55
55
55
55
555
000
0
7 8
0
5 7 7
0
7 8
0
5 7 7
11
D.S. al Coda
Coda
Gtr. 3
(cont. in notation)
A5
But I’m a deal er- of sim
Bb5
ple- choic
G5
es.-
A5
For me it’s nev er- too late. I am your pride,
IBb5
Gtr. 1
P.M. P.M.
P.M. P.M.
Gtr. 2
P.M.
I am your wrath,
Bb5 Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1st 2 meas.)
I am your guilt,
C5
I am your lust.
D5
(AndSpoken: you know it’s right.)
I am your law,
Bb5 I am your scar,
C5
I am your
Gtr. 4
let ring
1 1 1
Gtrs. 2 & 3
P.M.
P.M.
0
7 8
0
5 7 7
0
7 8
0
5 7
777
888
888
555
555
777
77
77
77
77
77
777
133
1312
1312 12
1312 10 10
000
5 80
4 7000
5 80
4 7 133
133
133
133
133
355
355
355
355
355
355
12
Play 4 times & fade
D5
trust. Know me by name,
Bb5
Shep herd- of Fire.
G5
P.H.
8va loco 1
P.M. P.M.
P.M. P.M. P.M.
Gtr. 4 tacet
Gtr. 1
* mf
*Vol. swell
Gtrs. 2 & 3
OutroGtrs. 1, 2 & 3 tacet
D5
Bb5
G5 D5
Bb5
G5
12 12 12 12 12 10 12 10 10
05 8
04 7
000
5 80
4 70
133
133
133
133
00
555
5 5
555
13
Intro Moderately slow q = 88
Words and Music by Matthew Sanders, Jonathan Seward, Brian Haner, Jr. and Zachary BakerThis Means War
© 2013 EMI BLACKWOOD MUSIC INC., SLAYER ST PUBLISHING, LEWIS CHRIST PUBLISHING,S GATESMUSIC and SKELETONS AND BOWTIES PUBLISHING
All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission
from Avenged Sevenfold - Hail to the King
Gtr. 2 (dist.)
Drop D tuning:(low to high) D-A-D-G-B-E
Riff A
G5
f
5fr
111
G5
μ
111
Eb5
End Riff A
134
C5
Riff B
Eb5
134
Bb5
11
A5
C5End Riff B
Gtr. 3 (dist.)
Riff A1
f
End Riff A1 Riff B1 End Riff B1
*Gtr. 1 (dist.)
Rhy. Fig. 1
f P.M. P.M. *Doubled throughout
G5 μ
Riff C
Eb5 F5End Riff C
Riff C1 End Riff C1
P.M.
End Rhy. Fig. 1
1110
11 11 13 11 1110
1111 11 10
13 1110
11 11 13 11 1110
1111 11 10
13
86
8 8 10 8 86
88 8 6
10 86
8 8 10 8 86
88 8 6
10
555
55
55
55
55
55
111
111
355
8 7
13 1110
11 11 13 11 1110
1111 11 10
13 1110
11 11 13 11 1110
1111 11 10
13
10 86
8 8 10 8 86
88 8 6
10 86
8 8 10 8 86
88 8 6
10
555
55
55
55
55
55
111
111
333
1
rit.
A tempo
μ
Gtrs. 2 & 3 tacet
rit.
rit.
P.M.
Gtr. 1
*
Rhy. Fig. 2D5
P.M.
3 3
*Chord symbols reflect basic harmony.
P.M.
C5
P.M.
D5
P.M.
Eb5
P.M. End Rhy. Fig. 2
F5
3
Eb5
3.
1.2.
HideLashWalk
D5Verse
myyourthe
facetongue
ra
aof
zor’s-
gain,bane,edge,
-
harcarcut
borryin
--
inmeto-
thetothe
shadno
mad
ows.where.ness.
---
P.M.
Rhy. Fig. 3
P.M. P.M. P.M. 3
11 13 13 13
8 10 10 10
33
33
33
33
33
33
33
33
33
000
8 8 6 8 6 5 500
000
8 8 6 8 6 55
5
000
8 8 6 8 6 5 500 3
55
00 5
77
00 6
88
11
11
11
333
111
11
11
000
00
00
00
00
00
00
000
00
00 8 8 6 8 6 5 5
2
QuesMen
Feel thistal
tion--
weighthoall
oflo
you-
sincaust,trust,
-
hambatbuy
mertlein
--
ingnevto
-
-
aerthe
-way.ends.fear.
-
P.M. P.M. P.M.
End Rhy. Fig. 33
ILie,Die
Gtr. 1: w/ Rhy. Fig. 33rd time, Gtr. 1: w/ Rhy. Fill 1
withmasksee
thethethe
guiltpainman
ofof
aa
thouchildrip
3rd time, Gtr. 1: w/ Rhy. Fig. 3 (last 3 meas.)
sand
ping
-
-
Awho’s
at
WOLformy
- solsaksoul
- en.-now.
diers.-
I,Lie,Die
I
watchto
knowmy
the
the
scytheself,man,
-
I
ushpraiseknow
erthehim
- menewall
aretoo
stray.gime.well.
--
Pre-Chorus
Eb5
There’sII can’t
leftnoth
gomeing-
onlonghere
thisa
for
way,go,free,
-
G5
notrealost
assonswho
-I
you’llI
amnevwan
toerna
--
day.know.be.
-
Gtr. 3
Riff D
let ring let ring let ring
Gtr. 1 Rhy. Fig. 4
P.M. P.M. P.M. P.M.
Gtr. 1Rhy. Fill 1
P.M. P.M. P.M.
000
00
00
00
00
00
00
000
00
00 8 8 6 8 6 5
55
1111
1111
1111
1311
10
12
10
12
10
12
11
12
111
11
11
11
111
11
11
555
55
55
55
555
55
55
000
00
00
00
00
00
00
3
D5
MyNoThe ug
oneser
lyto
pent
-
-
sidemissblood
ofme
can
mewhenstrike
isI’mso
strong.gone.cold.
G5 D5/A Bb
Gtr. 3
let ring let ring let ring
Gtr. 5 (dist.)divisi
Gtr. 4 (dist.)
mf
mf
Gtr. 1
P.M. P.M. P.M.
Eb5
OnWithTake aim
noany
amore
y-
loadwords
giv
edtoen
-
-
gun,say,day
G5
pullnoI’ll
backar
take
onguit
-allmentall
-whotoa
run.stay.way.-
let ring let ring let ring
1
1
11
P.M. P.M. P.M. P.M.
1010
1010
1010
1110 11
1211
12
1011
1311
6 6 10 107 7 10 10
000
00
00
00
000
00
00
555
55
55
75
85
85
1111
1111
1111
1311
10
12
10
12
10
12
11
12
88 8
8 8 78 8 8
8
8
8
111
11
11
11
111
11
11
555
55
55
55
555
55
55
4
2CTo oda 1CTo oda
D5
AnAnA cow
othoth-
-ard’s
erer
---
truthpostthought
inII
sidedon’tcan’t
- thebecon
wrong.long.trol.
Eb5
-- This
F5
means
Eb5
let ring
End Riff D
let ring
1/2
1/2
P.M. P.M. (cont. on slashes)
End Rhy. Fig. 4
Gtr. 1
Chorus
Rhy. Fig. 5
Gtrs. 4 & 5 tacet
G5 Eb5 C5 Bb5End Rhy. Fig. 5
A5
war. This means war. This means
Gtr. 2
Riff E End Riff E
Gtr. 3
Riff E1 End Riff E1
1010
1010
1010
1010
1111
1111
1311
1111
7
7 10
7 7 5
10 8
7
10 8 8
5 5
000
00
00
00
000
00
00
111
333
111
111
13 1110
11 11 13 11 1110
1111 11 10
13 1110
11 11 13 11 1110
1111 11 10
13
10 86
8 8 10 8 86
88 8 6
10 86
8 8 10 8 86
88 8 6
10
5
D.S. al Coda 1(skip repeat)
1 Coda
war.
InterludeGtr. 1: w/ Rhy. Fig. 2Gtrs. 2 & 3 tacet
D5 C5 D5 Eb5 F5
war.
ChorusGtr. 1: w/ Rhy. Fig. 5 (2 times)Gtrs. 2 & 3: w/ Riffs A & A1Gtrs. 4 & 5 tacet
G5
This means
Gtrs. 2 & 3: w/ Riffs B & B1 (2 times)
Eb5
war.
C5
This
Bb5
means
A5
G5
war. This means
Gtrs. 2 & 3: w/ Riffs E & E1
Eb5
war.
C5
This
Bb5
means
A5
war.
Guitar SoloD5 F5 D5
Eb5
Gtr. 6(dist.)
(
P.H.
)
f
w/ bar
8va
P.H.
w/ bar
w/ bar
15ma
8va
Pitches:-2 AE
slack
1
+1
Gtr. 1
Rhy. Fig. 6
P.M. P.M.
77 7 7
13
7
13 13 13 13 13 13 10
000
00
00
00
00
333
000
00
00
00
00
111
6
D5
w/ bar 8va loco
w/ bar
w/ bar
w/ bar
F5
33
-1
1 1 1
P.M. P.M.
w/ bar
C5
w/ bar
D5
w/ bar
Eb5
w/ bar
w/ bar
F5
-6
1
P.M. P.M. P.M. End Rhy. Fig. 6
Gtr. 6
(
w/ ambient delay
)
Gtr. 1: w/ Rhy. Fig. 6
D5 F5 D5
w/ bar
Eb5
w/ bar
-2
+1 1/2
-2
+1/2
1310
1013 10
1313 13 1013 10
1313 13 1013 10
13 13 1013
000
00
00
00
00
333
00
13 13 10
13 13 13 1012 10 12 10
12 10 12 12 1015 12 15 12 12
355
00 5
77
00 6
88
11
11
11
333
77
77 10
10
77
77 10
101010
1010
7
delay off
D5
8va loco
F5
3
C5
D5 Eb58va
loco
F5
3 3
3
Gtr. 1: w/ Rhy. Fig. 4Gtr. 3: w/ Riff D
Eb5 G5 D5
11/2
Gtr. 6
G5
D5/A Bb Eb5
G5
8va
1/2 1
Gtr. 7 (dist.)
mf
1 1/2
1212
1010
10 13 12 1013 12 10
13 12 1012
1515
1415
13 17 16 1315 14 12
14 13 1215 12
2019
1918
17 22 20 1721 20 18
19 18 1717
1010
10 8 710 10
1010 8
10 10 7 9 11 1210 11
11 11 11 1010 10 10 11 13 11 10
11 1012 12
10 11 1012
1113 11 10 11
1111 13 15 17 17 15
1515 17 18 18 18
4 88
8 10 11 13 13 1112
11 13 15 15 15
8
D5
Gtr. 7 tacet
Eb5 F5 Eb58va
1
BridgeGtr. 1: w/ Rhy. Fig. 1Gtrs. 2 & 3: w/ Riffs A & A1
G5
No home to call my own, no
μ
find ing- some one- new,
Gtr. 6
*
*Roll back vol. knob.
Gtrs. 2 & 3: w/ Riffs B & B1 (2 times)
Eb5
no one to break the fall,
C5
no one to see me through.
G5
No name to car ry- on, no
μ
prom ise- for to day,-
Gtrs. 2 & 3: w/ Riffs C & C1
Eb5
no one to hear the call,
F5
no tat tered- flag to raise.
17 17 14 17 15 1415
15 1514 15 14 15 1515
15 17 18 17 1518 15 18 15 16
13 13
15
9
D.S.S. al Coda 2
2 Coda
war.
ChorusGtr. 1: w/ Rhy. Fig. 5 (2 times)Gtrs. 2 & 3: w/ Riffs A & A1Gtrs. 4 & 5 tacet
G5
Gtr. 2
Gtr. 3
Gtr. 1
P.M.
This means
Gtrs. 2 & 3: w/ Riffs B & B1 (2 times)
Eb5
war.
C5
This
Bb5
means
A5
G5
war. This means
Gtrs. 2 & 3: w/ Riffs E & E1
Eb5
war.
C5
This
Bb5
means
A5
war.
OutroGtr. 1: w/ Rhy. Fig. 2 (2 times)
D5 C5
D5 Eb5 F5 D5
C5
D5 Eb5 F5
Gtr. 1
Eb5 F5 Eb5 D5 μ
11 13 13 13 11 13 13 13
8 10 10 10 8 10 10 10
33
33
33
33
33
33
33
33
33
33
33
33
33
33
333
333
111
333
111
000
10
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