audiometric configurations in children andrea pittman, ph.d. arizona state university

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Audiometric Configurations in Children

Andrea Pittman, Ph.D.Arizona State University

Method

• Groups– 6-year-old children – 60-year-old adults

• Audiogram Selection Criteria– Right ear thresholds only– Thresholds for each octave test frequency

(250-8000 Hz)– At least one threshold > 30 dB HL– Confirmed sensorinueral hearing loss by bone

conduction audiometry– Air-bone gaps < 10 dB

Method

• Core Set of Audiograms– 227 children– 248 adults

• Analyses– Configuration– Asymmetry – Progression

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Heari

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*Transducer Effects

NBS 9A Coupler

TDH Series Earphone

Mic

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*Transducer Effects

ER3A

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Hea

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dB H

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Frequency (Hz)

All Audiograms

Adults (n=248) Children (n=227)

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All Audiograms

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Audiometric Classification

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Heari

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Heari

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Results (Mean) Adults

Children

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Heari

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Frequency (Hz)

Results (Mean) Adults

Children

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Results (Mean) Adults

Children

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Heari

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Results (Mean) Adults

Children

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Children Results (SD)

+1SD

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Distribution of Configurations

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Flat Other Rising

Adults

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Perc

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Au

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Category

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Heari

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Frequency (Hz)

*Sloping Losses Adults

Children

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Sloping U-Shaped Tent-Shaped

Flat Other Rising

% O

F A

UD

IOG

RA

MS

Adults

Children

*Sloping Losses

73%

SlopingAll Other

Adults

33%

Children0

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Sloping U-Shaped Tent-Shaped

Flat Other Rising

% O

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Adults

Children

Asymmetry

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Asymmetry

Adults Children4000 Hz

Right-ear Threshold

Left

-ear

Thre

shold

*Binaural Fitting StrategiesFrequency (Hz)

Heari

ng L

evel (d

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Right

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Progression

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Right

Frequency (Hz)

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Baseline Audiogram (6-yr-old) Subsequent Audiogram+15+20+10+10+5+5

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Progression

Age at Subsequent Audiogram (years)

Change in T

hre

shold

(dB

)

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Progression

Change in T

hre

shold

(dB

)

Num

ber

of

Thre

shold

s

Summary

• Configuration– Children had a wider variety of

audiometric configurations

• Asymmetry – More children had asymmetric losses and

those asymmetries were more severe

• Progression/Fluctuation– Thresholds increased and decreased on

subsequent audiograms

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The End

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