all sondheim vol. ii

XEPHEN SONDHEIM

STEPHEN SONDHEIM (Composer) wrote the music and lyrics for SUNDAY IN THE PARK WlTH GEORGE (1984), MERRILY WE ROLL ALONG (1981). SWEENEY TODD (1 979), PACIFIC OVERTURES (1 976), A LITTLE NIGHT MUSIC (1 973), THE FROGS (1 974), FOLLIES (1 971), COMPANY (1 970), ANYONE CAN WHISTLE (1964) and A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (1 962), as well as the lyrics for DO I HEAR A WALTZ? (1 965), GYPSY (1 959) and WEST SlDE STORY (1 957), and additional lyrics for CANDIDE (1973). SlDE BY SlDE BY SONDHEIM (1976), MARRY ME A LITTLE (1981) and YOU'RE GONNA LOVE TOMORROW (originally pre- sented asA STEPHEN SONDHEIM EVE- NING on March 3,1983) are anthologies of his work as composer and lyricist. He composed the film scores for STAVISKY (1974) and REDS (1981), songs for a television production, EVENING PRIM- ROSE (1966), and co-authored the film THE LAST OF SHEILA He provided incidental music for Broadway's TWIGS (1971), GIRLS OF SUMMER(1956) and INVITATION TO A MARCH (1961). He won Tony Awards as Best Composer and Lyricist for SWEENEY TODD. A LITTLE NIGHT MUSIC. FOLLIES and COM- PANY. All of these musicalswon the New York Drama Critics' Circle Award, as did PACIFIC OVERTURES and SUNDAY IN THE PARK WlTH GEORGE, the latter also receiving the Pulitzer Prize in 1985. Mr. Sondheim was born and raised in New York City and graduated from Williams College, winning the Hutchin- son Prize for Music Composition. After graduation he studied theory and corn- position with Milton Babbitt. He ison the council of the Dramatists Guild. the na- tional association of playwrights. com- posers and lyricists, having served as its president from 1973 to 1981, and was elected to the American Academy and Institute of Arts and Letters in 1983.

Photo: FlNN CHWFlTSKY

MUSIC AND LYRICS BY STEPHEN SONDHEIM

Contents

All Things Bright And Beautiful . . . . . . . . . . Marry Me A Little

Fear No Mom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The Frogs

Finishing The Hat . . . . . . . . . . Sunday In The Park With George

. . . . . . . . . . . . . . . . . . Girls Of Summer. The Marry Me A Little

Glamorous Life. The . . . . . . . . . . . . . . . . . . A Little Night Music

Good Thing Going . . . . . . . . . . . . . . . . . . Merrily We Roll Along

I Do Like kbu . . . . . . . . . . . . . . . . A Funny Thing Happened On The Way To The Forum

Invocation And Instructions To The Audience . . . . The Frogs

Isn't It? . . . . . . . . . . . . . . . . . . . . . You're Gonna Lwe Tomorrow Little White HouseIWho Could Be Blue? . Marry Me A Little

Marry Me A Little . . . . . . . . . . . . . . . . . . . . . . Marry Me A Little

Not A Day Goes By . . . . . . . . . . . . . . . . . Merrily We Roll Along

Old Friends . . . . . . . . . . . . . . . . . . . . . . . . Merrily We Roll Along

Silly People . . . . . . . . . . . . . . . . . . . . . . . . . . . Marry Me A Little

So Many People . . . . . . . . . . . . . . . . . . . . . . . Marry Me A Little Sunday . . . . . . . . . . . . . . . . . . Sunday In The Park With George

Take Me To The World . . . . . . . . . . . . . . . . . . Evening Primrose

. . . . . . . . . . . . . . . . . . . . . Uptown. Downtown Marry Me A Little

. . . . . . . . . . . . . . . . . . What Mom Do I Need? Marry Me A Little

Vocal Selections Prepared By: PAUL McKl 661 NS

Any duplication. adaptation or arrangement of the compositions contained in this collection requires the written consent of the Publisher .

No part of this book may be photocopied or reproduced in any way without permission . Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law .

g k o m the dusicaP CPkodu~tion " 3 h e %ogs"

d a i c md gYhics by Step hen Sondheim

Molto rubato f ad lib. I

-..ALL-- (To the heavens)

Gods of the thea - ter, smile on us.

You who sit up there stem in judg - ment, Smile on us.

' (spoken) You who look down on act - ors (And who doesn't?), Bless this year - ly fest - i - val and

smile on us. We of - fer you song a i d dance, We . o f - fer you

rites and rev - els. We of - fer you grace and beau - ty. Smile on us

a A (To the audience) I I I , -

I i I I I I I I I -I I I - c' 1 1 1 9

I for this while. Gods of the thea - ter, smile on us.

I You who sit out there stem in judg - ment, Smile on us.

Invocation And Instructions To The Audience: 2-1 5

I]=' We of - fer you rites and rev - els.

gods and her - oes. We of-fer you paeans and pa - geants, bacch-an - ales and

1\- We of-fer you jokes and in - sults. We of-fer you bacch-an - ales and

l I so - cia1 com - ment. Bless our play and smile. Yes, but

1 so - cia1 com - ment. Bless our play and smile. I

Invocation And Instructions To The Audience: 3-15

puy sa - ue - qdo~ - s! - 1y JOJ pads - a1 auros aAeH

'qsno:, 1,uop ase a16 :sl'uop

'sl,uop pue s'op auros I

thea- ter is a tkm -pie, not a gym. have- n.'t oiled the seats all week.

A - part from be - ing per - i - lous to You would-n't want to miss a sing- le

life and limb, We may be in the mid -dle of a sac - red hymn, So word of Greek - It's hard en -ough for us to hear each 0th - er speak - So

If YOU see flaws, please, No loud guf - faws, please,

I O n - ly be - cause, please, There are po - li - ter ways.

for ap - plause, please, When there's a pause, please.

A1 - though we we1 - come praise, The ech - o some -times lasts for days ...

f -94' A I

Days ... days ... days ... days ... days ... days ... days ... days ... days.. I I I I , I I I I I , I I I I - D I # # # I v v # I I I

Don't take notes

I dim.

I " 4 show us all you kndw the fa - mous quotes,

And when you dis - ap - prove, don't

clear your throats throw your crump-led pro - grams, coins and coats,

sub. P - w 4 - I I r

d I d I I - n - A - 7 I I i -

1: t 1: C t 1: r ?

Invocation And Instructions To The Audience:

u an - y -thing that splat - ters, stains or floats, And please -

tell your neighbor scin - til- lat - ing an - ec - dotes,

grass. This is a class - ic, not a

- class.

If we should get rhet - or - i - cal, Please don't curse.

If we should get sa - tir - i - cal, Don't take it wrong. And

1 if, by a sud - den mir - a - cle, A tune should ap-pear that's lyr - i - cal, Don't I

hum A - long.

I - When we are wax - ing hum - or - ous, Please don't wane., The

jokes are ob-scure but num - er - ous... We'll ex - plain.

1 Invocation And Instructions To The Audience: 10-15

sig - nal you when we're ser - i - ous (It's in the s e c - ond half ...) >

I But first:

Please Please

don't strip. don 't leave.

~ t ' s ho t bu t it's a plea - sure It o n - Zy makes the act - ors

I + tnp: grieve.

I The auth - or could have been Eur - We may have some-thing bet - ter

i - pi - des. So up our sleeve, So

please, please,

Don't strip. Don't leave.

~ b n ' t say "What?".

missed the plot (Of which I must ad - mit there's not an aw - ful lot), Still

A , (mouthed) (spoken)

I don't Say, "What?" What?

Do not in - trude, please, When some - one's nude, please.

She's there . for mood, please, And must - n't be em - braced.

we are crude, please, Don't sit and brood, please.

Let's not be too strait - laced - The auth - or's rep - u - ta - tion is - n't

I I I I mJ

based On taste. So

don't fart -

I should we get of - fen - sive, don't lose heart, Pre - tend it's just the play - wiight

be - ing smart. Ev - en- tual - ly we'll get to the cath - ar - sis, and de -

I - part. So now ... But

(Thunder and Iigh tning) n I I m "P

I I I , - I r - I I - T I

r I I I r I

first ... We

I start.

- I t I I 4

Andante ( J = 144)

d h i c and &k'y~i~s by Stepken Sondkein

1 - - Or - din-ar - y moth - ers lead

I d (Continue in octaves)

Keep the house and

Mend the clothes and tend the child - ren. Or - din-ar - y moth - ers, like

I or - din-ar - y I

wives, Make :the beds and

bake the pies and with - er on the vine. Not - . , " - - - - . - . - - - - - - - - - - - - - - - - - - - -

1 rit. 2 r - I I. h. I P

A. I 1

The Glamorous Life: 2-1 7

Allegro ( J = 176)

I mine.

p legato I

I glam - or - ous life !

re - cite, What a

73'- The Glamorous Life: 3-1 7

- I glam - or - ous life! I

I 1 Or - din- ar - y moth-ers nev - er I get the flow - ers and

( Or - din - ar - y moth-ers nev - er get the joys.

I Or - din - ar - y moth-ers could - n't cough for ho - urs, main -

The Clamorous Life : 4-1 7 I

I tain - ing their poise.

1 - wants when she wants.

A I I I I I I I I I I I I I I I rl - rl I I rl 1 4 1 rl w I - rl - --- a Some - times it's lAne - IY, but she meets man - y

- - The Glamorous Life: 5-1 7

L I I I I I . 11 : 1 I I - I I I

c, hand - some gal - lants.

1 dm- - --4.- - - .LO - -4. - -

I Or - din - ar - y moth-ers don't live

I out of cas - es But

\ Y I I

c, I I or - din - ar - y moth-ers don't go diff - 'rent pla - ces, Which

I u 1 n u I

U U I I n n r I I I I I I

I 1 I I I I I I

d 4' u 4

The Glamorous Life: 6-17

I . , I

Mine's a - way, in a

And she's real - er than

I they.

I The Glamorous Life: 7-1 7

L'istesso temvo

What if her broach is On - ly glass And her

I cos - tumes un - rav - el?

What if her coach is sec - ond class? She at

least gets to trav - el.

D cresc. poco a poco

I And some - t ime this sum - mer, . Mean - ing

I I / I I -- w I I

I I I I 1 I I I I I I I I 1 I rl i

I w I -4 rl m I - rl dl - - r w-

- - Some - time this sum - mer, May - be June, I'm the

I new place she'll see.

I r I r I I I r I I r

d rl I rl I 2 -- --

The Glamorous Life: 9-17

Or - din - ar - y daught-ers, may think life is bet - ter with

\ V - - I I - I ,J I

Or - din - ar - y moth - ers near them when they choose. But

I or - din - ar - y daught-ers sel - dom get a let - ter en -

( clos - ing re - views.

1 Gay and re - sil - ient, with ap - plause, .What a

I gla - mor - ous life !

Speech - es are brill - iant If they're Shaw's, What a

1 gla - mor - ous life!

The Clamorous Life: 1 1-1 7

Or -din - ar - y moth-ers need - n't meet com - mit - tees, But

or -din - ar - y moth-ers don't get keys to cit - ies. No,

1 or - din - ar - y mothers mere - ly

I see their child - ren all

dim. poco a poco 1

I U. I \ 1 I m C I r I

I I I r I I

Which is love - ly, I

9 90 gibe ' y o u

Moderato, with a swing ( d = 88)

When you need a friend.

Good friend- and true, I wor - ship

I ' Oh, to -day it's "friend ..." Yes, it's a1 -ways "friend ..."

I I you. I want- to do, Want - to be Like- my

O 1962 (Renewed 1990) by. Stephen Sondheim BURTHEN MUSIC COMPANY, INC., owner of publication and allied rights for the world CHAPPELL & CO.. Sole Selline Agent All Rights ~eserved. used 6 y Permission

friend. Do what- you must. I'm ' hap - PY

I "Friend, friend, friend, friend, friend.. ." That's what I in - tend ...

I I just Be - ing- a co - py of the one I

1 ' Well, good-bye, old friend ...

I Do Like You: 2-1 0

PSEUDOLUS:

You climb a tree, I climb with you. You- give a smile, I smile.

You take a jour - ney, I'm with you. What-ev - er you do, I'll ... -

I Do Like You: 3-10

I No one is per - fect, You - have your f l aws l~u t I don't- care. .

I You're all the things I most ad - mi - re, All I as - pi - re to. -

1 I do like you Be - cause I do like you.

PSEUDOLUS: I

And the best you

HY STERIUM :

e Friend,

II have ... Yes, I thought I would ...

1 You've touched- me SO. I did - n't

No, you nev - er do ...

know Such deep- de - vo - tion- ex - is - ted- and

I D o Like You: 5-10

Deep - er than you think ... You don't have to die ... .

rath - er an say- good-

I know how you feel ...

1 bye. Friend, just - as soon as I get back, 1'11

I I I " cry.

I Do Like You: 6-10

PSEUDOLUS:

1 I I I I h I h 1 I I I I I h l h I h I I I

m rl ' rl I A. rl' I I ' I ' rl I - - u- -

We each have had a fling or two No - bo - dy knows but we.

I Do Like You: 7-10

- You tell a se - cret, I tell a se -'cret Twice as - good.

V I I I Since you're the mod - el I take af - ter That's what I'd have to do -

I have to do like you like - On-ly be -cause I do like -

I Do Like You: 8-10 2

I you. --

rit. I I - - I 1

Rubato

, Re- ci - pro-ca - tion in the end is why a friend is true.

A tempo

1 How could I ev - er doubt you,- Know-ing so much a - bout

( I Do Like You: 9-1 0

A , I (BOTH): molto rit. a tempo

1 I do like you And still . I do like you.

mll. a1 fine ten. I I I - - - I I I

I Do Like You: 10-10

J o t d (Day goes CBy Asic and Lfgnics by

Stepken Sondkeim

P I 1 a tempo I

a tempo, molto rubato

Not A Day Goes By, not a sin ,- gle day Not A Day Goes By, not a sin - gle day

you're not some -where a part of my life and I need you to stay but you're some -where a part of my life and it looks like you'll stay

As thedays go by, I keep think - ing when does it end,- As t hedays go by, I keep think - ing when does it end, -

- u\ 8

Bbmaj 7 c 7 / ~ b

I - that it can't get much bet - ter much long - er, but it on - ly gets - where's the day I'll have start - ed for - get - t i n g ? . But I just go on

a tempo poco accel. ri t. a tempo poco cresc. A - ? - - 9 - 3 3 7- - 3 7

I - bet - ter and strong - er and deep - er and near - er and s k p - ler and fre - er and think - ing and sweat -ing and curs - ing and cry - ing and turn - ing and reach - ing and

BY, not a bless - ed day but you some -where come BY, not a bless - ed day but you're still some - how

crfsc. Fmaj 7 D 7sus

And I have to So there's hell to

Gmaj 7 D # ~ G G6 ..:. a ternno

if you do , I'll die. and an - ti1 I die,

D 7sus Bm 7 a tempo cresc. poco a poco

P rit. 7 3 - 7 3 --1 7 3 - 7 3 -

I want day af - ter day af - ter day af - ter day af - ter I'll die day af - ter day af - ter day af - ter day af - ter

'dim. ' , /it. 1 P la temno 1 I / cresc. 1 i

L 3 d -3- Not A Day Goes By - 4

I 1 I I 1 I I I I I

day af - ter day af - ter day till the days go by! day af - ter day . af - ter day till the days go by!

I - Till the days i o - Till the days go

by! I Till the days 60

by! Till the days

Till the days go

%.om the d u s i c a t CPhoduction " d a h n y d e cff gittPe''

With a swing ( J.= 124)

NOW' this is the

I tale of a dame known as Har - ri - et, - Who climbed to the top of the heap from the

1 bot - tom. A beau- t i - ful life was her aim and, to var - y it, She wanted the

O 1979 RILTING MUSIC, INC., BURTHEN MUSIC COMPANY, INC. RANGE ROAD MUSIC..INC. and OUARTET MUSIC. INC. All Rights ~drninistered'b~ H E R A L ~ SQUARE MUSIC, INC. AU Rights Reserved Used by Permission

sun and the moon,- And she got 'em. She is-'A't the least ex - haus - ted

from her- climb,- she does look back from time to- time.-

I sub - ject of this ev - 'ning's- quiz- Is who she was and

who she - is.-

i Uptown, Downtown: 2-7

I UP - town,

I - she's step - pin' out with a swell. -

I Down - town, she's hold - ing hands on the El. -

I Hy -phen- at - ed Har - ri - et, The nou - veau from New- Ro -

Uptown, Downtown: 3-7

I I I I

I I I r I n - I

UP town,

j - she's got the Van - der - bilt clans. -

i Uptown, Downtown: 4-7

1 - She sits at the Ritz With her

nd starts to pine for a stein with her

1 thinks of the Ritz. Oh, it's so schiz - o.

(*--~x Uptown, Downtown: 5-7

\ Y I I I rJ v- \ / I

- Down - town

1 - It's strict - ly Zir - cons and beads.

I I ' I I - 1 I - 1 1 u I 4 4 - - -

Uptown, Downtown: 6-7

She's two of the most mis' - ra - ble girls in

I - town.

m I 14-

Y- I U

- - - --- Uptown, Downtown: 7-7

%on tke dusical 'Phoduttion " d a h h y d e d %de"

Andante moderato ( J = 138)

I Once I hat - ed this cit - y. I

I Now it can't - get me down. Slush - y, hu - mid, and

A I p sub. Y , W I I I I I I I

L. I I I l l v n I -I I I I I

v - = V I w I - w e, - 1

8 C 4 4 -24 4 grit - tY, What a pret - ty town! What, thought I, - could be

O 1983 Steohen Sondheim BURTHEN MUSIC COMPANY, INC., owner of publication and allied rights for the world CHAPPELL & CO., Sole Selling Agent AU Rights Reserved Used by Permission

I - dul - ler, ore de-press - ing, less gay?

I Now my fav - or- ite col - or is gray! A wall of

Piu mosso

rain as it turns to sleet, The lack of sun on a one - way street; I love the

grime all the time, And what more do I need?- My win - dow

I I I I I

I r> I I I r - A I i 0 J r V I w - -

What More Do I Need?: 2-8

I pane has a love - ly view: An inch of sky and a fly or iwo . Why, I can

1 see half a tree, And what more d o I need? The

It sim - ply can

win - ter ev - en the fall - ing snow looks used. My win - dow

pane maynotgive much light, But I see you, So the view is bright. If I can

I - love you, - I'll pay the dirt no heed! With

your love,- What more do - I need?

1 Some-one's shout - ing for qui - et, Some-one's start - ing a brawl.

A , cresc. m f

Down the block - there's a ri - ot, And I'll buy it ,

I I - I I I I I I I I I

I I 8 4 WL dud d V 0 0

all ! Lis - ten now, - I'm ec - sta - tic.

A , cresc.

I Hold me close - and be still. Hear the love - ly pneu - mat - ic

1 drill ! A sub - way train thun-ders through the

d. Bronx, A tax - i horn on the corn - er honks, But I a -

1 crane mak-ing street re - pairs, A two - ton child run-ning wild up -

I stairs. Steam - pipes bang, Si - rens clang, And what

I more do I need? The neigh - bors yell - in the

sum - mer, The land - lord yells- in the fall,

I loud I can't - hear the plumber pound the wall! An aer - o -

1 plane roars a - cross the bay, But I can hear YOU as clear as

What More Do I Need?: 74

I cresc.

With your love, - what more do- I

Ausic and &fyhics bg Stephen Sondheim

who, who- could be

I blue, Know - ing there's you some - where near -

I by? When an - y - one

O 1981 RILTING MUSIC, INC. All Rights Administered by WB MUSlC CORP. AU Rights Reserved

I feels your their low has- to get high. -

So how could- I a1 - low An - y -thing

now to dim my eye? With you,

. - . I - I long - as there's you with me, The on- ly thing b l u e is the

Little White House/Who Could Be Blue?: 2-5

I I We'll have a lit - tle white house with a lit - tle white 'fence made of

pick - ets. A house on a hill Where, if na - ture con - sents, We'll have

r - blue, Know - ing there's you some - where near -

simile - r I rJ

crick - ets.

Little White House/Who Could Be Blue?: 3-5

I I eas - y chair. Your fav - or - ite pipe and your fav - or - ite type of a

feels your Their low has - to get

girl are there. We'll have a lit - tle pink boy, Then a lit - tle pink girl, Then an -

high. So how could- I a1 -

0th - er: A lit - tle snub nose and a lit - tle spit curl like her

low an - y -thing now to dim my

Little White HouselWho Could Be Blue?: 4-5

I I moth - er. We'll stay home nights with the nip - pers,

I ' eye? With you, long- as there's

YOU with me, -

The on - ly thing blue- is the

a P I I

- \ I I

I I C I I -,- house.

I Little White HouselWho Could Be Blue?: 5-5

J u s l c and &l?yws by Stephen Sondheirn

Largo rnisterioso, poco rubato ( d = 120)

Lie here with me on the grass. Let the

I I I I I I hrl w I I I w rJ

I h r l I I 1 w rJ w v -

0. XT*

poco cresc.

wind be our words As the night smiles down. Don't they

know, don't they? No, they don't,

A . W dim.

1 Sil - ly peeple, - sil - ly peo - pie,-

sil - ly peo- pie.- Voi-ces glide by, let them

pass. Let them float in their words Till they slow - ly

Silly People: 2-6

drown. Don't they know, don't they, What they

Pa - tient and pol-ite,

I cantabile

When now it smiles, it smiles for

i Silly People: 3-6

lov- ers. When next I it smiles, it smiles for

fools. The last it smiles, it sIfiiles for

I I I I I r 1 Y

them, the 0th - ers, the re - men1 - ber - ers, The tru - ly

Sily People: 4-6

1 Them and US and

I all ...

a tempo

- 4 4 4 w -

Lie then with me, clo - ser still. I

You can

I,- - cresc. I

I I I ? I i I

A1 I k - I I n r

v - I I I. I w rl - d, - - - - I 1

I float in my arms Till we gent - :y drown. Don't they

S i y People: 5 4

1 know, don't they, What it means, , dy - ing?

A l , ---- ?f I 1 - I

I I I I 0 1 - I I\

I I I r I r - \ lY ' !f 1 1 1 0) - I - -

Sil - ly peo - ple, - sil - ly people ...-

I - - I I L u I u ' I

Float and flow And

morendo b:$l>b - Y - m. I. L ? - A. L - r I - I\

I I 11 w w

u* L-• L

I down we go To drown.-

Silly People: 6-6

g h o m tke d u s i c a t CPhodu~t i~n " y o u ' h e g m n a d o l i e omo oh how"

Moderately fast, brightly ( d.= 64)

Ausie and gyhics by Stephen Sondheim

This is nice, Is - n't it? I mean, the

&- ic.

This is nice, Is - n't it? I mean, the

I ply and de - mand.

Isn't It?: 2-4

I We're SO right, Are - n't we? I mean, for

Hold me

! i tight, Cling to me - I mean, my hand.

cresc.

I feel fine. I'm a -

I Isn't It?: 3 4

I - glow with a sun - day shine. Could I be fall - ing in - I

I ..A-d- colla voce I

I mean to say, Well, an - Y - way, Is - n't it

I grand?

P' Isn't It?: 4 4

g h 0 m the d u s i c a j 'Phoduction " d a h h y d e cff gi t toe ' '

8tephen 8or;dheinrd Allegro appassionata ( d = 80)

I Mar-ry me- a little, Love me just e - iough.

Keep a ten - der dis - tance, So we'll both - , be free.

I I'm read - y! Mar-ry me a lit-tle,

Do it with a will. Make a few-

simile -- - I I 1 , I 17 -

rl L I - I r - 4 ' L - I - I r I 1 I I I 1 I

W' -w - 0 - m - u\ u u- /

Marry Me A Little: 2-12

- de-maids I'm ab - le t o f i l - fill.

- sive -1y. That's the way it ought to

I Marry Me A Little: 3-12

I I I'm read - y! I'm .

read - y now!

You can be - my best friend.

I . I I I I

I can be your right arm.

Marry Me A Little : 4-1 2

I poco cresc. I -

I I f I I rJ r - I o r -- I if A'

Y - " v I w 43.- /43 43. -43

No harm. We'll

look not too We'll

not too far. We

*,* Marry Me A Little: 5-12

won't have - t o give up a thing, , We'll

I stay who we are. Right?

I 0 - kay, then,

I'm read - y!

- . A molto rall.

I'm read - y now! Some - one,

a temwo

I Mar~ry me - a lit -tle, Love me just - e - nough.

I Keep a ten der dis - tance So we'll both- be free.

i Marry Me A Little: 7-12

I I'm read - y! Mar-ry me - . a lit - tle,

Bod-y, heart - and soul. Pas-sion - ate as hell, But

sim. I I I . I

Al-ways in con-trol. Want me first - and fore - most,

I - i t ought t% be.

A44 i f . I f I I I I I # n A -

I - P 0 \ I -I I I w V

I - read - y! I'm read - y now !

7 - 1- I I-, I I

I I I I I Oh, how gent - ly we'll talk,

7 : . J~-;2 P

, -__ d - r 4 ' 4 r V - .,\ /- - 7

Marry Me A Little: 9-1 2

Oh, how soft - ly we'll tread.

keep un - said. We'll

build a- co - coon

re - You

I prom ise what - ev - er you like, I'll

nev - er col - lect. Right?

I 0 - kay, then,

I'm read - y!

i Many Me A Little: 11-12

molto rall.

I'm read - y now! Some - one,-

1 - - I'm- read - Y!

g h o m the d u s i c a ! %oductiok "Sunday Sn %e Tahb CWith geohge"

Maestoso e non rubato ( J = 66)

Aur and Qyhyhics by Stephen Sondkeim

I Sun- day, ' by the blue - pur- ple yel- low red wa - ter

I - - - - / sempre sim.

- on the green pur - ple yel- low red grass, Let us pass

0 1984 W T I N G MUSIC, INC. All Rights Administered by WB MUSIC CORP. AU Rights Reserved

I ' . I

through our per - fect park, Paus - ing on a

Sun - day by the cool blue tri - an- gu - lar wa- ter

on the soft green el - lip - ti - cal grass As we pass

I , I I

L I h I 1 I

I 1 I I I I PI- 4' 4 -- #- w -- --

through ar - range - ments of sha-dows - towards the ver - ti -cals of

Sunday - 5

poco rit. a tempo 7L

ev - er... -

- on the green - or - ange vi - o - let mass Of the grass

dim. RP)

I - In our per - fect park, - Made of flecks of light -

Sunday - 5

and dark, -

I I I I poco cresc. I

cresc. -- On an is - land

I Sunday - 5

94 rall. e cresc,. a tempo ,a - -

I U - On an o rd - i n - a r - y Sun-day ... -

I - - Sun- day ...

I Sun - day ...

Sunday - 5

dkic and &fYhics by Stephen Sondheim

Languid, but rhythmic ( J.= 100)

The girls of sum - mer-

Get burned.- They start the sum - mer - Un - con-cerned.- hey

un - done By- a touch of sun in June,

I Plus - a touch of the moon. - The

I girls of summer - Get fooled ,- 'Cause soon the sum - mer-

Heat has cooled,- And come Sep - t e m - b e r They can't re - .mem - ber why

I - Things- were hot in Ju - ly.

GI -- I . . ' I r r -

Not me! I t ' s too eas - y - to

The moon - lit sand, A fa r -

A & - A 1 ,- , I I I

I R R n r m m I r . I r I I I r I I J II rl A.

I - a - way band And- that's all. Not

I - don't eas - i

rall. e dim. a tempo

U U 11 I 1 h I I I J I r l ' I L I 1 0 ., - I -- I a. I c 3

3' #' --- - / b \ I

I Nev - er did, nev-er will.

The end of sum-mer's-

I here am with - the same un - dam - aged heart -

I poco cresc. I

L - I I \ I u u - I

I - 1 I I h 1

I I I w 4' I -* -

- That - I had at the start.-

I The girls of sum - mer- For - got to run. The

girls of sum - mer- Were bound to. lose. The girls of sum - m e r Have

rall. a tempo

- . all the fun. - I - have noth- ing but blues.

I colla voce 1 a tempo

Larghetto ( = 72)

F Fmaj 9 (no 3 rd) A

Aaic and &fYhics by Stephen Sondkeim

It start - ed out like a song. - We start - ed qui - et and

1 slow, with no sur - prise, and then one morn-ing I woke t o re - a1 - ize:

we had a good thing go - ing. It's not that noth-ing went wrong.-

(Polychord) B b / F Fmaj

I - Some an- gry mo-ments of course, but just a few, and on - ly mo-ments, no

G m l l Cl3sus

more, be - cause we knew we had this Good Thing Go - ing.

Suict tempo, non piti mosso F7sus

I And if I want - ed too much,- was that such - a mis - take at the time?-

G7 C ~ S U S c7 (b9 , b13) F poco rit. a tempo

- I---__ --

I I I I r - - .- A

I -~ that a crime.-

And while it's go - ing a - long,-

I - you take for grant -ed some love will wear a - way.

Good Thing Going - 4

We took for grant-ed a lot and still I say it could have kept on grow -

l in - stead of just kept on.

go - ing.. . -

L l V l L

n ?-' Fmaj9 poco rit. rn I I I

k - - Y I I 1

U I I gone.

Good Thing Going - 4

dUSit and $!yhits by Stephen Sondkeim

Adagio ( J = 96)

I I said the man for

p sostenuto I sim. es~ress. I I

M U S ~ have a cast - le. - A man of means he'd

01973,1986 Stephen Sondheim CHAPPELL & CO., INC., owner of publication and allied rights for the world A11 Rights Reserved Used by Permission

man ' Who had-n't an - y, With-out a pen - ny

I - - -

To his name. I had to go and

----- a I I I I I t i - I -4

I rl I r i ! I / L h l 1 I e d 1 0 . I u -

@J 1 vd - - - - - planned from all the mag- a - zines. I should be

So Many People: 2-5

good and sore: What am I hap - py for?- I guess the

Non rubato ( 6 = 48)

what can they do? They'll nev - er know love Like

I I I .. I I I I 1 I 1 I I

u I I rJ r I I

2 u J So Many People: 3-5

that's their con - cem. If just a few, say half a mil -lion or so, Could

rit. a tempo

world ~ o n ' t know what they've missed. They'd

So Many People: 4-5

n I ~ 3 7 --/- - I I / - 4 1

1 a 1 h 1 a I a rn ?> r m I A. I r I I I I I I I -

I +----A I

nev - er be - lieve Such joy could ex - ist.

.razz. a tempo

So Many People: 5-5 I

g h 0 m the d u s i c a t CPhoduction "ghe %kegs"

J u t i t by Stephen Sondheim

Adagio ( J = 104) WiPPiarn s haiespeake

I Fear no more the heat o'the

1 Poco ru bat0

poco rit.

sun, Nor the fur - ious Win - ter's ra ges ;

L~ I L I I I I , k I I poco rit. I

a tempo

hast done, Home art

poco cresc. dim I ,

A - r 1 1 I

-- I I

I gone and ta'en thy wa - ges: Gold - en lads and

dim. np, ---- P I I 1 I I 1

I 1 I I --t- m I I I I I I I J I t- I

D - V - I girls all must, As chim - ney - sweep - ers, come to

I I I I I I f I ----

d d 0 I

dust. Fear no more the

poco cresc. I

I w light - ning flash, Nor the all - dread - ed thun - der - u

( Fear No More: 2-3

1 stone; not slan - der, cen - sure rash; I

- ish'd joy

ri t. a tempo rall. I

! - I I 1 I I -- I I

! w 1 m u

4% thee and come to dust.

I - Fear N o More: 3-3

- I I u

Moderato ma poco rubato ( ] = 80)

d u s i c and g Y h i C s by Stephen Sondkeim

Let me see the world __ --

with clouds, Take me to the w o r l d . . .___

I ! I I h 1 - I I

I A 1 ' * --

1 - t -

d' I 1 -

world ~ h a t smiles, With streets in -stead of aides, Where

poco accel. ralI.

t ---- ! t 1 I I I

I I ! I 1 r--I I

I 1 - CJ 1 1 - A I A -

4 - 4 4 J O - - w L - .

Teach me how to laugh, to feel. Move me to the sun. --__- Just

Take Me To The World: 2-5

n I dim.

-- - 4' u Take me to the world Where I can be a - live!

I Let me see the world that smiles,

------ I n I- 1: I 1 1 !

I , i t I 1 1 I rJ ! I I I I I 1 I

3 4 - o-, N - 3 u\-/-- 4 Take me to the world. --____ Some-where I can w a l k - for miles,

I - Take me to the world. With all a - round Things

1 - grow - ing in the ground, Where birds that make a sound are

I I 0, I rl

/ 4 " birds. - We shall see the world ____ come true.

V 8 il I h' V

We shall have the world. I won't be a - fraid - with you.

1 Take Me To The World: 4-5

- We shall have the world. -- I'll hold your hand , And .

cre sc.

I - know I'm not a - lone. We shall have the world - _ . to keep.

r cre FC.

I ! --

- rubato

m a a - I I

- We for our

T dim. poco a poco -- - rn - 1 -- I -?-A- \ a r

r 4 I own. -

118 %on the Jllsicao 'Phoduction "Sunday 8n 3 h e ' Pa& Wtk geo,tge''

JUS~C ond LfYkics by

Moderato, rubato Stepher Sordheivn

Yes, she looks for me- - good. Let her look for me to

Con moto, poco rubato ( = 132) ~ 3 - 3 ~ 3 1 ~ 3 - 7 9

tell me why she left me ... as 1 a1 - ways knew she would. ---___ I had

O 1984 RLLTING MUSIC, INC. All Rights Administered by WB MUSIC CORP. All Rights Resewed

poco rall. a tempo, non rubato

an- y- bod - y could ... --

1 : & 'dim. f i P '

Fin - ish- ing the hat, how you have t o

fin - ish the hat. - How you watch the rest of the world from a

Finishing 7'he H a t - 8

I what you feel like, plan- ning a sky. -

- a . a tempo

I What you feel when voi - ces that come: through the win - dow go un - ti1 they

dis- tance and die, un- ti1 there's noth - ing but sky.

I Finishing The Hat - 8

i - And how you're a1 - ways turn - ing back too late- from the

will - ing t o wait's- not the kind that yod want find wait - ing to re- turn you to the

I night, diz - zy from the height,

. Finishing The H a t - 8

cam- ing from the hat, i

stud - y - ing the

I hat ,

w - I en - ter - ing the world of the hat , _

ten. I 1 4 7 - -

t , A . i I I i I i I I I I Z r i 1 -

I I - -+ I I I I v -- rn

reach - ing through the world of the h a t like a win - dew,__ back to

I this one from that.-

- - I Stud - y - ing a face,

Finishing Tile Hat - 8

/ ---* . -

step - ping back to look at a face.- leaves a lit - tle

rall. a tempo

rall. a tempo u cresc.

--- r1 : --

ra 11. a tempo a tempo ten.

I 1 w -

It's the on - ly way to see.

worn - an that you want - ed g o e s , you can

Finishing The H a t - 8

I - _ _ w h a t ' I give." But the worn - an who .won ' t w i t for you knows- that , how -

I J map- ping o u t the sky,

I fin - ish - ing a hat ...

~ Y : ~ ~ $ L ! J J J ~ : y L m p J A J J - - J J

Finishing The H a t - 8

u* - - 8 8

dim. n

- - - - J - A n n J

Start - ing on a hat ... Fin - ish - ing a

hat ... Look, I made a hat..

I - Where there nev - er was a

I hat ... . -

- - u --$

> Finishing T i e H a t - 8

g h o m the ,AusicaI qhoduction ''&ahkg ,AE cff $fittee'

d u s i c and 5fgiics by Stephen Sondkeim

Allegretto ( J = 108)

I - Here, - kid. - Look,- I bought you flow - ers. -

cresc. poco

I I I U h I I a I

1 I r I i' A I -ww - I I

All - things - per - ma -nent and per - fect For

u poco poco rit. - r,- -,-I, I K I

W r --

I I I i I v

You, - kid, - you.-- __- I mean

u tempo

all things Bright and beau - ti - ful,

L l I L %(T

P I - I

Ev - 'ry - th ing for - ev - er, yours, kid,

All Things Bright And Beautiful: 2-12

1 Ev - 'ry - thing for - ev - er all come

dim. ======- 1 I

I I ----

1 1 I I I I I 1 r r

r;r r --- I T J - -- r . . L 1 / /

true. --

SALLY:

I '4 11 things bright and beau - ti - ful,

Ev-'ry -thing for - ev - er all corn e

All Thing Bright And Beautiful: 3-12

I true ...

- Wait,- kid, - Ev - 'ry rnin- ute flow - ers,

T I I <

I I c 1 1 1 . I I I I I r I n 1 - w 1 --O- I_o

Night, - noon, - day. - __-A

I Trust - me,- an - y - thing you want You just

cresc. poco a Poco rall. I

I ma* I 1

-- I i I I -

kid, say. ___- You'll have

a tempo, poco ruhato

n I f,. poco rit.

all things Bright and beau - ti - ful,

A I a t e m p o

L L & m , r l l lit 1 r I I I

I - --

I - , Ev - 'ry - thing for - ev - er, ask

All Things Brigllt And Beautiful: 5-12

SALLY: g .------------ I

I D- I I -

I All things bright and beau - ti - ful ...

I I Ben, can we go to Par - is? Ben, can we go to Lon - don?

I ' Of course we can go to Par - is Or

I - All Things Bright And Beautiful: 6-12

I \ a 1 m I I SALLY I r f I I f I I

things Bright and beau - ti - ful ...

P I BEN I I ----I

Lon - don or Ri - o, You name it ...

(SALLY):

I Ben, I get so ex - ci - ted I hard - ly can breathe ...

rall. molto a t e m ~ o

I Let them laugh, -- Just don't leave me.-

li - -

right, __ Just don't leave me - gain.

Let them

I Ben, we'll be to - geth - er to mor row. --

I won't leave you. -__ I won't

Ben, we'll be to - geth - er on Mon - day. -

- Nev - i r ev - er 'a - gain. You'll be

And we'll be to - geth - er to - mor - row and hlon - day and

mine. Mine to - mor - row and Mon - day and

I! Ap - ril and Christ - mas and Look, love,

Ap - ril and Christ - mas and Look, - love, -

- Ev- 'ry - thing is flow - ers! Red ! Pink!

II Blue! Soon, love, Ev - 'ry -where I

II look will be you, love, you! And that's

ff molt0 rit.

Y - All Things Bright And Beautiful: 10-12

f- Sos. ped. /

a temuo

-, Ev - 'ry -thing for - ev - er, ours, kid,

Ev - 'ry - thing we nev - er did, we'll

I And we'll be to - geth - er

And we'll be to - geth - er on Ap - ril and Christ - mas And

molto rall.

next year and a1 ways ...

Shorn the d u s i c a P CPhoduclion " A e h h d y Wc Qoee &eong'

Moderato ( e l = 168)

d u s i c ad &fyhics -b9 Stephen Sondhei~

Hey, Old

Friend, are - you o - kay, Old Friend? What- do you

I I I sempre sracc. I I

O 1981 RILTING MUSIC, INC. All Rights Administered by WB MUSIC CORP. All Rights Resewed

1 nique? Time goes by, ev - 'ry- thing else keeps

I chang - ing. You and we- get con - tin - ued next week.

Most friends fade o r they don't make the

1 g a d e . New- ones are quick - ly made and,- in a pinch, sure they'll

L rir. e dim.

I .* I I m I T I

I I I r r* - -I I I - . / -- I

But US, Old Friend, ' what's- to dis - cuss, Old

Friend? Here's to us, Who's like us? Damn few.

I Hey, Old Friends, how- do we stay Old

Friends? No - one can say, Old Friends, how- an old

Old Friends - 7

friend - ship sur - vives. One day chums hav - ing . a

I i laugh a min - ute, one comes, and - they're a

New friends pour through- the re -

1 volv ing door. May - be there's one that's

Old Friends - 7

more. If' you find one, that '11 do. But two Old

I Friends, 'spe - cia1 - ly you, Old Friends, here's t o us! Who's like us?

1 Two Old Friends, few - er won't do, Old

Got - ta have elp - lng you

I a I -

I I I I 1 I rl

bal - ance a - long. One UP -

braids you- f o r y o u r faults and fan cies,

A I mf I 1

m r I t a- I

- " - I Vl I -11 I- r L I I

- I I I I I

one per - suades you- that the 0th - er one's wrong. -

A I I I I I I

I I I - - r m i I ?J n

- Most friends fade o r they don't make the

I grade. N e w 1 ones are quick - ly made, per - fect as long as they're

1 Friends? Here's to us! Who's like us?

I I I Damn few! -

I I 1 - u + >

Old Friends - 7

Index by Productions

EVENING PRIMROSE

Take Me To The World . . . . . . .

THE FROGS

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fear No More 110

Invocation And Instructions To The Audience . . . . . . . . . . . . . . . . . 2

A FUNNY THING HAPPENED ON THE WAY TO THE FORUM

I D o Like You . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

A LITTLE NIGHT MUSIC

Glamorous Life. The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

MARRY ME A LITTLE

All Things Bright And Beautiful . . . . . . . . . . . . . . . . . . . . . . . . . . . 126

Girls of Summer. The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95

Little White HouseIWho Could Be Blue? . . . . . . . . . . . . . . . . . . . . 63

Marry Me A Little . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Silly People . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

So Many People . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105

Uptown. Downtown . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

What More Do I Need? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

MERRILY WE ROLL ALONG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Good Thing Going 101

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Not A Day Goes By 44

Old Friends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138

SUNDAY IN THE PARK WITH GEORGE

Finishing The Hat . . . . . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . . . . . . . . . Sunday

YOU'RE GONNA LOVE TOMORROW

Isn't l t? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74

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