a2 art exam- flaws, perfections ideals or comprimises
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Intro
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS
IDEALS OR COMPRIMISES
FLAWS PERFECTIONS IDEALS OR COMPRIMISES
Your journey might begin with these ideas.
Stepping stones. Places to start from, but not the final destinations, that’s somewhere else.
Geological faults, gemstone inclusions...
Forest fires, landslips, quarries, gorges, ruins, urban decay...
Stains, cracks, blots, accidents, spills, rips, patches...
Make-up, disguises, masks, clothing, artificial fur, plastic surgery...
Politics, deceit, trickery, concealment...
Selective breeding, genetic modification, cloning...
Shows, competition, pageants...
Mutation, bacteria, viruses, scars...
Families, relationships, communities...
The Artists ask all manner of questions. Some questions match your exam titles.
Sometimes through the materials they use, sometimes by the questions they ask of themselves or political systems, Artists make their own idiosyncratic investigations
The surface of a painting is often a place of decision making. A pursuit and exploration of perfection. A palimpsest process of making and remaking. Intuitive decision making, flawed, compromised, perfect and idealised.
Mind Map ideas after the PP FPIC presentation.i) Include words, pictures, observational drawings X5.
ii) Use a double page spread.
5hr hwk- Produce a mood sheet, collecting images linked to ideas within the theme (take photos) + produce 6-8 sketches with notes explaining ideas and areas of focus
This is the bit you have to do.
Jean-Michel Basquiat
In his drawings and paintings Basquiat often paints over and erases parts of his work.
1984
Interview Basquiat painting DOwntown 1981 Gagosian showWarhol/Basquiat Busted at Gagosian
Susan Collis
Susan Collis takes materials thought to be perfect and precious and places then contexts thought worthless
Enter, us (2009). 18-carat white gold (hallmarked), white sapphire, turquoise
What’s yours is mine, 2012. Section of 12mm plasterboard from gallery wall (London, W1) inserted into gallery wall (London, E2)
Jimmy, 2010Coloured biro inks and
graphite on paper construction
Susan Collis explaining her work.
Kour Pour
Old worn carpets, the Silk Road, merchants, trade, the history of an object, the object as the record of itself and its treatment.
Kour Pour at Untitled
Heavenly Horses, 2013Acrylic on canvas over panel
Richard Tuttle
Old worn carpets, the Silk Road, merchants, trade, the history of an object, the object as the record of itself and its treatment.
Artists are like clouds Tuttle in conversation at the Basel Art Fair
Richard Tuttle at work
Cy Twombly
Cy Twombly grafitti gesture describes both satisfaction and unrest. A continous reflection of process and final image.
Night Watch, 1996
John Squire discusses Cy Twombly Works on Paper
Georg Baelitz
Cy Twombly grafitti gesture describes both satisfaction and unrest. A continous reflection of process and final image.
Only in Art the World is Whole
Ingrid Calame
Ingrid Calame traces the evidence of marks left in public places, such as race tracks and car parks and then layers her paintings with the shapes she has collected on location.
At the Fruitmakers Gallery In Process Explain process Ingrid Calame discussing process
Nina Cannel
Nina Cannel takes processes, often scientific and creates her own actions and sculptural experiments. Between language and visual representation.
Mist Mouth
A Model Where Things Merge, 2011
Strays, 2012
Soft Corner, 2013
MId Sentence - Moderna Museet Near Here
Elizabeth McLellan
Elizabeth McLellan buries her drawings for a period of time and then digs them back up.
Colin Chillag
Colin Chillag’s paintings show the process of painting and how the build up and process of making unfold in a work.
J M Culver
Colin Chillag’s paintings show the process of painting and how the build up and process of making unfold in a work.
JM Culver discussing her work
Brian Cyther
Brian Cyther like many artists makes value judgments and changes to his paintings as they develop. Striving for a balance of compromise and ideals.
Enda O Donaghue
Enda O Donaghue compromises the descriptive nature of his paintings by adding abstract devices.Enda O Donaghue discussing his work
Fuzzy Memory, 2012. Oil on Canvas
Tauba Auerbach
Tauba Auerbach ingeniously analytical work has a manic precision that is the perfect foil for languid beauty.
Fuzzy Memory, 2002 C-printUntitled (Fold) 2011 Acrylic on canvas
Untitled (Fold) 2011 Acrylic on canvas
A description of Tauba Auerbach's Fold paintings
Laura Splan
One aspect of Laura Splan’s work are thesethese traditional looking doilies. However they take their design from infectious viruses and are made from facial chemical peals.
Laura Splan talks about her work
Laura Splan Watching Hands
Jens Hesse
Jens Hesse uses digital distortion such as satellite signals, datamoshed videos and other mechanical malfunctions as sources for her paintings.
man in the box 2010 oil on corduroy
Wade Guyton
Wade Guyton takes digital files and pushes then to the very limits of printing technologies.
Untitled (Fold) 2011 Acrylic on canvas
Wade Guyton at Portikus
Untitled, 2006, inkjet on canvas
Jenny Holzer
Jenny Holzer’s return to painting. Government edited documents, CIA, FBI.
TOP SECRET 32 2010 oil on linen
Ai Weiwei
Ai Weiwei Artist, Activist often questions the involvement of authority on the everyday. The hold the past has on the present. He questions the actions of the Chinese government at great personal risk.
Sun Flower Seeds Tate Modern
Without Fear of Favour Conversation at Tate Modern Artists, Advocate and Dissident Never Say SorryArt, China and Censirship According to Ai Weiwei
Tea House
Gerhard Richter
Gerhard Richter moves effortlessly between photorealist representation and abstraction. One genre fixed in the perfect mechanical reproduction the other full of ideals and the other endless change and compromise.
Betty 1988. Oil on Canvas. 102 cm x 72 cm Show Bank Show - Gerhard Richter (2006) Gerhard Richter Painting (Extract)
Abstract Painting (726) 1990 Oil on canvas
Jaybo Monk
Transformations and changes each of presented with equal importance
Jaybo Monk discusses his work.
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