Amoroso15th Cent ItalianGiovanni Ambrosio

PCB ArrangementNote: check with Dance Master about 3x opening.

a 44 J A

Dm

k k k k k k kGo

k k k kC

kDm

kDm

k k k k k k kDm

k kC

kDm

j(3)J J B

Dm

k kC

k k

a 44 J ii jj kk kk ii kk kk jj J J kk kk jjaM44 J k k k k k k k f k k k k k k k k k k k k k k k k j J J k k k k

aDm

k kG

k k kC

k k kF

k kG

kDm

j(2)J J C

Dm

k k k k kAm

k k kC

kz k kG

k k k

a kk kk jj jjkk kk jj J J jj jj jj jj

aM k k k k k k k k k k k j J J k k k k k k k k k k k k

aC

k k kF

k kG

kDm

j(2)J J D

Dm

k kC

k kDm

k kC

k kDm

k kC

k kF

kC

k k kF

k

a jjkk kk jj J J kk kk jj kk kk kk kk kk kk kk

kk kk kk kkkk

aMk k k k k k k j J J k k k k k k k k k k k k k k k k k

aDm

k k k k k k kC

kC

k k k k k kDm

kz kDm

k k k k kDm

kz k‚ kC

kDm

j(2)J

a jj kk kk jj kk kk kk kk kk kk jj kk kk jj J

aMk k k k k k k k k k k k k k k k k k kz k‚ j J

AnelloDomenico da Piacenzo, c.1460Italian 15th Century

Arrangement PCB

a f 44I k k k k k k k k k k k k k k k k k k k k k k k k k k k

a f 44I F

j k k k Ck k k F

j k k Ck k k k F

j k k

b f 44I j j j j j j j j j j

a f k k k k k k k k k k k k k k k k k k k k k k k k k

a fCk k k k F

j k k F

k k k kF

k k k k k k

b f j j j j j j k k k k

a f k k k k k k k k k k k k k k k k k k k k k k k k k k k k

a fF

k kG

k k Fj k k k F

k k k k k kF

jG

k k

b f k k k kk k k k k k k k

k k k k

a f k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k

a f F j k k k Fk k k k k k k k k kF

k k k k k k k Fk k k k

b f j j j j j j j j j jAnello 1

a f II k k k k k k k k k k k k k k k k k k k k

a f IIF

k k k kC

k k k k G

k kF

k k kFk k

Ck kG

kCk F

k k

b fII k k k k k k k k k k k k k k k k

a f III

k k k k k k k k k k k k k k k k k k k k k k i

a f IIIF

k k k k k kF

jG

k kF

k k k k kFi

b fIII j j j j j j i

Anello 2

Bella GioiosaCaroso's Il Ballarino16th Century Italian

Arrangement derived from lute tablature, transposed up a fifth from original.

ad 68 J k‡

G

k k k k k kC

k k k k k kG

k k k k k k

ad 68 J k

‡kz kz kz kz kz kz

aMd 68 J k‚ kz kz kz kz kz kz

b 68 J k‚ kz k k‚ kz kz kz kz

ad

D

k k‚ k k‚G

k k k k k kC

k k k k k kG

k k kD

k k k

ad kz k k

‡ kz kz kz kz kz kz

aMd kz k k‚ kz kz kz kz kz kz

b k k‡

k k‡

kz kz k k‚ kz kz kz

ad

G

k k‚ k(2)J J k k

G

k k kD

k k kG

k k‚ k(2)J

ad kz k J J k k kz k k

‡k k‡k J

aMd kz k J J o kz k k‚ k k

‡k J

bk k‡k J J o kz k k

‡ kz k J

The Black AlmainInns of Court (ca.1570)English 16th Century

PCB ArrangementRepeat as necessary (x2 or x3 normal)

a 68dk‚

AJEm

kz k k‚Am

kz k k‚Em

kz k k‚Am

k k‡

kz k k‚C

kz k k‡ 1.

G

j k‡ k‚

(2)J

a 68dk‚

AJ k k k k k‚ k k k‡ kz k k‡k k k k k k k kz k k‡

k k k k k k‚ J

a 68dk‚

AJ kz k k‡kz k k‡ kz k k‡

k k‡

k k‡k k

‡k k k k k‚ J

b 68 d k‡

AJ k k‡k k

‡ k k‡ k k‚ k k

‡ k k‚ kz kz J

ad

2.

G

j k‡k‡ J B

G

kz k k‡

Am

kz k k‡G

k‡k‡k‡

Bm

k k‡

G

kz k k‡

Am

kz k k‡B

j k‡k‡

(2)J

ad k k k k k k‚ J Bkz k k

‡kz k k‡ k k k k k k‚ k‡ kz k k‚ kz k k‡

d k k k k d k J

ad k k k k k‚ J Bkz k k

‡kz k k‡ k k k k k k kz k k

‡kz k k‡

d j k‡ k‡

J

b d kz kz J Bk k‡k k

‡ k k‡k k

‡ k k‡k k

‡ jz J

ad J C

Em

k k‡

kz k k‡

Bm

kz k k‡

Em

k k‡

Em

k k k kz k k‡

B

d kz d k k‡

Em

k k‡

(2)J

ad J Ck k‚ kz k k

‡ kz k k‡ k k k k k k kz k k‚ kz k k‚ k‚ k J

ad J C

k k‚ kz k k‡

kz k k‡ k k‚ k k k kz k k‚ k k

‡k k

‡J

b d J Ck k‡

k k‡ k k‚ k k

‡k k

‡ k k‡

k k‡ k k

‡ J

Black Almain 1

ad J D

Em

k k‡kz k k

‡Bm

k‡k‡

C

k‡

Em

k k‚Am

k k kF

k k kG

k‡ k

Am

k k‡

(2)J J E

Am

k k kF

k k k

ad J D

k k k k k k k k k k k‡ k k k e k k k k k k k k k J J Ek k k e k k k

ad J D

k k‚ k‡z kƒ k‚ k k k k k‚ k k k k e k k k

‡ k k k‚ J JEk k k k e k k

b d J Dk k‡k k

‡ k k‚ k k‡

k k‡ e k k

‡k k

‡ kz J J Ek k‡ e k k

‡

ad

1.

G

k‡ k

Am

k k‡

(2)J 2.

G

k‡ k

Am

k

ad k‚ k k k

‡J k‚ k k

ad k‡ k k k‚ J k

‡ k k

b d k k‡ kz J k

‡k k

Black Almain 2

Black (Galloping) NagPlayford's English Dancing Master 1651English 17th Century

PCB Arrangement(may be x3 or x9)

a 68 JA

k‚Am

kz k kEm

kz k kC

kz k kG

kz k k

Am

kz k kEm

kz k kAm

kz k(2)J J

B

k‚

a 68 J k‚ kz k k kz k k‚ kz k k kz kz k k kz k J J k‚

b 68 J k‡kz kz kz kz kz kz kz k J J k‡

aEm

k k k k k k k k k k k kAm

k k k k k k k k k k k kEm

k k k k k k

a kz kz kz kz kz kz kz kz kz kz

b kz kz kz kz kz kz kz kz kz kz

aEm

k k kG

k k k

Am

k k kEm

k k kWhole x3

Am

kz k(2)J

a kz k k k k k k k k k kz k J

b kz kz kz kz kz k J

Carmen OrientalisIn Taberna (Carmina Burana)Sabine de Kerbrient

‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐

a EF =100INTRO

k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k

a E k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k k

aME l l l l l l l l

a E jj jj jj jj jj jj jj jj jj jj jj jj jj jj jj jj

‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐ ‐

a k k k k k k k k k k k k k k j k k k k k k k k k k k k k k j k k k k

ak k k k k k k k k k k k k k j k k k k k k k k k k k k k k j k k k k

aM l l l l l l l l l

a jj jj jj jj jj jj jj jj jj jj jj jj jj jj jj jj jj jj

‐ ‐ ‐ ‐ ‐ ‐ Now the days are grow ing‐ long er‐ Soon the war will be at hand

a k k k k i iVERSE

k k k k k k k k k k k k k k j

ak k k k i i

(verse 2 only)

i i i k k k k

aM l l l

(verse 3, 4)

l l l n k k k

a jj jj ii ii(bridge countermelody)

kz k‡

k k k k k k kz k‡k k k k j

Carmen Orientalis 1

From all cor ners‐ of our king dom‐ Rise the stal warts‐ of our land. Come you shi ires‐

a k k k k k k k k k k k k k k j k k k k

a i i i k k k k i

aM i l l n k k k i

a kz k‡k k k k k k kz k

‡k k k k j kz k

‡k k

come you can tons‐ Here the North ern‐ war riors‐ cry! Come you bar on‐ ies‐ and ri dings‐

a k k k k k k k k k k j k k k k k k k k

a i i k k k k i i

aM l l n k k k i i

ak k k k kz k

‡k k k k j kz k

‡k k k k k k

See the South ern‐ ban ners‐ fly! Gath er‐ ing‐ for love and hon or‐ Stand ing‐ for our king and land!

a k k k k k k jCHORUSk k k k k k k k k k k k k k j

a i k k k k k k k k k k k k k k k k k k j

aM

i k jz l l l l

ak k k k k k j l l l l

Off to bat tle,‐ off to splen dor‐ Glo ry‐ to our East ern‐ band! Glo ry‐ to our East ern‐ band!

a k k k k k k k k k k k k k k j k k k k k k j

a k k k k k k k k k k k k k k j l l

aM l l l l l l

a l l l l l l

Carmen Orientalis 2

CARMEN ORIENTALIS (lyrics by Sabine de Kerbriant, to the melody of In Taberna)  

VERSE 1 Now the days are growing longer, Soon the war will be at hand. From all corners of our kingdom Rise the stalwarts of our land! Come you shires, come you cantons, Hear the Northern warriors cry! Come you baronies and ridings, See the Southern banners fly!  

CHORUS Gathering for love and honor Standing for our King and Land! Off to battle, off to splendor, Glory to our Eastern Band! (Glory to our Eastern Band!)  

VERSE 2 Knights in armor, keen‐eyed archers, Lancers fierce on horses tall. Nimble fencers, mighty axemen, None afraid, courageous all! Heralds cry with ringing voices, Marshals stand to hold the line, Steadfast helpers bear the water, Surgeons wait to mend and bind.  

CHORUS  

VERSE 3 Needleworkers, clever craftfolk Laboring throughout the night, Scribes and chroniclers with quills Make ready for the coming fight! Ministers and loyal councilors Seneschals and castellans, Wide‐famed peers and worthy nobles All to battle set their hands!  

 

VERSE 4 ‘Neath the Tyger passant azure Gathers now the thronging crowd All distinct and yet united Singing Eastern praises loud. Pipes and drums now call us onward, Trumpets sound a thunderous roar! Music sets our feet to marching As we make our way to War!  

CHORUS (no echo)  CHORUS 

Carmen Orientalis 3

Female Saylor (Em from orig Gm)Melody Marin Marais 1706 (French)English 18th Cent. (1710)

Originally in For the Further Improvement of Dancing (English 1710)Appears in later editions of Playford.

ad 68 J

A

k‚Em

k k‡k k‚

Em

kzAm

kzEm

k k‚ k k‚G

k k‚Em

k k‚Em

k k‡k k‚

Em

kzAm

kz

ad 68 J k‚ k k‚ k k‚ kz kz k k‚ k k‚ k k

‡ k k‚ k k‡k k

‡ k k k k k k

aMd 68 J k‡ kz kz kz kz kz kz kz kz kz kz kz kz

ad

Em

k k‚G

k k‚Em

kz k(2)J J

Bk‡

Em

k k‡ k k

‡Em

kzBm

kzEm

k k‡ k k

‡Em

kzBm

k k‡

ad k k

‡ k k‡ kz k J J k

‡k k

‡k k‚ kz kz k k

‡k k‚ kz k k k

aMd kz kz kz k J J k

‡kz kz kz kz kz kz kz kz

ad

Am

k k‚Bm

k k‚Em

k k‚ k k‚ 1.

Bm

k k‡

A

d k d k‡

Em

kzBm

k (2)J 2.

Bm

k k‡

G

k k‚Em

jz

ad k k k kz k k k kz k k

‡k k

‡kz k J k k

‡ k k‡ jz

aMd kz kz kz kz kz kz kz k J kz kz jz

Gathering Peascods (G)Playford 1651 English 17th Cent.

PCB Arrangement

ad 44 J A

G

j k k kz k‡

k kC

k k k kD

jz kC

k kD

k k

ad 44 J j k k kz k‚ k k k k k k j j k k k k

kb d 44 J j j j j j j i j j

ad

G

jz k(2)J J B

D

k k k k j k kG

k k k k kD

jz kAk

Gk

Gk

Ad k

ad jzjz

kk

J J k k k k j k k kk kk kk

kk

kk jz k k

kkk k

kkk

b d jj J J jz k jz k k k k k jz k k k k k

ad 1.

Djz k

(2)J 2.

jz JCk

G

k k k k kC

jz kG

k k k k k

adjz k

kJ jz J k k k kk k k k j k k k kk k

b d jz k J jz J k j k k j k k j k k

ad

C

jz kG

k k k k kC

kz k‡k k k

G

k k kD

kz k‚G

jz(2)J k

adk k j k k k kk k kz k‚ k k k j k k jzjz

J k

b d j k k j k k j j j j jz J k

Goddesses (Scots Lad's Lament)Melody from Playford ‐ Words by Martin ParkerEnglish 17th Cent.

Tune is from Playford's 1651 edition, as "Goddesses or Quodling's Delight"Words are from a mid 17th century broadside printed by Martin Parker

add 44 J A

Em

k k k k kD

k k k k k kEm

k k k k k kBm

k k e k j

add 44 J jjj jjj jjj jjj jjj jjj jjj jjj

add 44 J k k k k k k k k k k k k k k k k k k k k k k k

aMdd 44 J j k k j k k k k k k k k k k

b dd 44 J k k j k k k k k k j j j

add

Em

k k k k k kD

k k k k k k kEm

k k k k k kBm

k k e k kz k‡

add jjj jjj jjj jjj jjj jjj jjj jjj

add k k k k k k k k k k k k k k k k k k k k k

aMdd k k k k k k k k k k k k k k k k k k k

b dd j j j j j j j j

Goddesses 1

add B

G

k k kz k‡

D

k k k k k k kEm

k k kD

k k kEm

k k j

add jjj jjj jjj jjj jjj jjj jjj jjj

add k k k k k k k k k k k k k k k k j

aMdd k k j k k j j j k k k k k k k

b dd k k j k k j j j j j

add

G

k k kz k‡

D

k k kz k‚Em

k kDk k

Em

k k j(2)J

add jjj jjj jjj jjj jjj jjj jjj jjj J

add k k k k k k k k k k k

k k k k k k k k k k k k j J

aMdd k k k k k k k k j j k k k j J

b dd k k j k k j j j jj J

Goddesses 2

I Would I Were in My Own Country (else known as the Scottish Lad's Lament)

A North country lad up to London did pass Although with his nature it did not agree Which made him repent and so often lament Still wishing again in the North for to be O the Oak, the Ash and the bonny Ivy Tree Doth flourish at home in my own country Fain would I be in the North Country Where the lads & the lasses are making of hay There should I see what is pleasant to me A mischief light on them doth intic'd me away O the Oak, the Ash and the bonny Ivy Tree Doth flourish at home in my own country Since that I came forth of the pleasant North There's nothing delightful I see doth abound They never can be half so merry as we, When we are a dancing the Sellenger's Round O the Oak, the Ash and the bonny Ivy Tree Doth flourish at home in my own country I like not the Court nor the City resort Since there is no fancy for lads such as me Their pomp and their pride I can never abide Because with my humour it doth not agree O the Oak, the Ash and the bonny Ivy Tree Doth flourish at home in my own country

When I had the heart from my friends to depart I thought that I should be a noble at last But now I do find that it troubles my mind Because that my joy and my pleasure is past O the Oak, the Ash and the bonny Ivy Tree Doth flourish at home in my own country The ewes & the lambs with the kids & their dams To see in the country how finely they play The bells they do ring & the birds they do sing And the fields & the gardens so pleasant & gay O the Oak, the Ash and the bonny Ivy Tree Doth flourish at home in my own country At Wakes and at Fairs, being void of all cares We there with our lovers did use for to dance Then hard hap had I my ill fortune to try. And so up to London my steps to advance O the Oak, the Ash and the bonny Ivy Tree Doth flourish at home in my own country Then Farwel my Dad, and farewell my Mam Until I do see you I nothing but mourn Remembering by brothers, my sisters & others In less than a year I hope to return. O the Oak, the Ash and the bonny Ivy Tree Doth flourish at home in my own country

Goddesses 3

Gracca AmorosaCaroso (Il Ballarino)Italian 16th Cent.

Quartet in G from historical lute tabulature in F

ad 68

G

kz k(Am)

k‡

G

kz k k‡

G

kAm

k‡

G

k k‡

D

kz k oD

kz k(Em)

k‚D

kz k(Em)

k‚D

k k‡

Am

k k‚

ad 68 kz k k‚ kz k k‚ k k‚ k k‚ kz k k‚ kz k k‚ kz k k‚ k k‚ k k‚

aMd 68 kz k k

‡kz k k

‡k k

‡k k

‡kz k k

‡kz k k

‡kz k k

‡k k

‡k k

‡b d 68

kz k k‡ kz k k

‡ k k‡ k k

‡ kz k k‡

kz k k‡ kz k k

‡k k

‡ k k‡

ad

G

kz k oG

kz k(Am)

k‡

G

kz k k‡

G

kAm

k‡

G

k k‡

D

kz k k‚C

k k‚D

k k‚G

k k‡

F

k k‡

ad kz k k‚ kz k k‚ kz k k‚ k k‚ k k‚ kz k k‚ k k‚ k k‚ k k‚ e k k‚

aMd kz k k

‡kz k k

‡kz k k

‡k k

‡k k

‡kz k k

‡k k

‡k k

‡k k

‡ k k‡

b d kz k k‡

kz k k‡ kz k k

‡k k

‡ k k‡ kz k k‚ kz kz kz e k k

‡

ad

G

kz k kD

kz k kG

kz k k‚C

k k‚D

k k‚G

k k‡

F

k k‡

G

kz k kD

kz k kG

kz kz

ad k k‚ k k‚ kz k k‚ k k‚ k k‚ k k‚ e k k‚ k k‚ k k‚ kz kz

aMd k k

‡k k

‡kz k k

‡k k‡k k‡

k k‡ k k

‡k k

‡k k

‡ kz kz

b d kz kz kz k k‚ kz kz kz e k k‡ kz kz kz kz

Green GyngerRichard Schweitzer (Martin Bildner)based on Gresley MS Dance

Original Piece - usable only in SCA ContextsPCB Arrangement

ad 68 J Gk k

‡ k k‚Dk k

‡ k k‚Gk k

‡ k k‚Djz

(2)J Gkz Ckz

ad 68 J k k‚ k k‚ k k‚ k k‚ k k‚ k k‚ k k‚ k‚ k J kz kz

aMd 68 J kz k k

‡ kz kz k k‚ k k‚ kz kz J kz kz

ad Dkz G

kzDk k‚ k‚ k jz

Gk k‚ k k‚ Emjz G

k k‚ k k‚

adkz kz k k‚ kz kz kz jz k k‚ k k‚ jz

aMdkz kz kz kz kz kz jz k k‚ k k‚ jz

ad Emjz J Gk k

‡ k k‚Dk k‚ k k‚

Ck k‚ Gk

‡k Djz (2)J Gkz Ckz

ad k k‚ k k‚ J k k‚ k k‚ k k‚ k k‚ k k‚ kz kz kz J kz kz

aMdk k‚ k k

‡J kz kz kz kz kz kz kz kz J kz kz

ad Dkz G

kzDk k‡ k‡ k

Gjz

adkz kz k k‚ kz jz

aMdkz kz kz kz jz

Horses Bransle (orig.G/Gm)from Arbeau (1589)French 16th Cent.

Arrangement by Paul Butler from Thoinot Arbeau's L'Orchesographiepublished 1589. Mimed bransle with dancers prancing like horses.

ad 44

G

A

k k k kD7

k k k kG

k k k kC

jGj

G

k k k kD7

k k k k

ad 44 k k k k k k k k k k k k j j k k k k k k k k

aMd 44 k k k k k k k k k k k k j j k k k k k k k k

b d 44k k k k k k k k k k k k j j k k k k k k k k

ad

G

k kD

k kG

j j k k kD

k k kC

k k kG

k kD

k k k k j j

ad k k k k j j k k k k k k k k k k k k j j

aMd k k k k j j k k k k k k k k k k k k j j

b d k k k k j j k k k k k k k k k k k k j j

ad

G

k k kD

k k kC

k k kG

k kD

k k k kG

j j e fB

Gm

k k k k k kDm

k k j

ad k k k k k k k k k k k k j j e f kz k‚ kz k‚ k k k k

aMd k k k k k k k k k k k k j j e f kz k

‡kz k

‡ k k j

b d k k k k k k k k k k k k j j e f j j k k j

a fGmk k k k

Dm

k k k kGm

k k k k k kDm

k k jGmk k k k k

D

d kG

j

a f k k k k k k k k kz k‚ kz k‚ k k k k k k k k k k e j

aMf k k k k k k k k kz k

‡kz k

‡ k k j k k k k k k j

b f j j j j j j k k j j j k k j

Hyde ParkPlayford 1651English 17th Cent.

PCB Arrangement

add 68 J

A

D

k k k k k kD

k k kA

k k‡

D

k k kEm

k k k kA

k‡ kz k

D

kz (2)J

add 68 J k k

‡k k k k k k k k‚ k k

‡k k

‡k‡ k kz J

aMdd 68 J k k‚ k k

‡ k k‚ k k‡ k k‚ k k

‡ k‡ k kz J

b dd 68 J k k‡

k k‡

k k k k k k k k‡

k k‡ k k k kz J

add J

B

A

kz k k k k kA

k k k k k kD

k k k k k kD

k k k kz k k

add J k k

‡k k k k k‚ k k

‡ k k‡k k

‡ k k‡ k k‚

aMdd J k k‚ k k k k k k k k k k k k k k k k k‚ k k

‡b dd J k k‚ k k k k k k k k k k k

‡k k

‡k k k k k k

add

Em

k k k kz k kA

k k k kz k kD

k k k k k kA

k kz kD

kz (2)J

add k k

‡k k

‡k k

‡ k k‚ k k k k k k kz kz J

aMdd k k‚ k k‚ k k‚ kz k k k k k k k k kz kz J

b dd k k‡k k

‡k k k k k k k k

‡k k

‡ kz kz J

Karobushka (Orig. Korobeiniki ‐ "The Peddler")Russian Folk MelodyRussian 1861

NOTE: A‐/D‐ is preferably the open chord, though the minor may be substituted.

a D JE

kz k‡

k k kA-

kz k‡

k k kE

kz k‡

k kA-

k k j

a D J k k k k k d k kz k k d k j k k k k k k k k k j

a D J d k k k k k k k kz k‚ k k k d kk kz k‚ k k k k j

aMD J kz k‚ k k kz k‚ k k kz k‚ k k k k j

aD

kz k‡k k k

A-

k k k k k kE

kz k‡

k kA-

kE

kE-

j

a k k k k k k k k k k k k k k kz k k k k d k d k k k k j

a kz k‡ k k k kz k

‡ k k k kz k‚ d k k k k jaM

kz k‡ k k kz k‚ k k k k kz k‚ d k k k k d k j

aD

j k k kA-

k k k k k k k kE

kz k‡

k k kA-

k k k n (2)J

a k k k k k k k k k k k k k k d k k k k k k k k k k n J

a kz k‡k k k k k k k k k k kz k‚ k k k k k k

n J

aMk k k k k k k k k k k k k k k k k k k n J

aE

d k‡ k k

‡k‡ k k

‡A-

k‡ k k

‡k‡ k k

‡E

d k‡ k k

‡k‡ k k

‡A-

k‡ k k

‡k k k k

a k k k k k k k k k k k k k k k k k k k k k k k k k k k k k n

a k k k k k k k k k k k k k k k k k k k k k k k k k k k kk n

aMo k‚ o k‚ o k‚ o k‚ o k‚ o k‚ o k‚ o k‚ o k‚ o k‚ o k‚ o k‚ o k‚ o k‚ o k‚ k k

aD

k k k k k k k kA-

k k k k k k k kE

k k k k k k k kA-

k k k k k k k k

a k k k k k k k k k k k k k k k k k k d k k k k k k k k k n

a k k k k k k k k k k k k k k k k d k k k k k k k k k k kn

aMo k‡ o

k‡ o

k‡ o

k‡ o k‚ o k‚ o k‚ o k‚ o d k‚ o k‚ o k‚ o k‚ k k k n

aD-

j k k kA-

k k k k k k k kE

kz k‡k k k

A-

k k k n

a k k k k k k k k k k k k k k d k k k k k k k k k k n

a kz k‡k k k k k k k k k k kz k‚ k k k k k k

n

aMk k k k k k k k k k k k k k k k k k k n

Lord of Carnarvan's JeggPlayford 1651English 17th Century

PCB arrangementNOT Jack A Lent

ad 44 J k k

Gk k k k k

Amk kD

k k k kGk k

Dk k k Gj k (2)J

ad 44 J k k k k k k k k k k k k k k k k k J

aMd 44 J k k k k k k k k k k k k k k k k J

ad J k k

Gk k k k kz k‡

D

k kCk k k G

k kk k Gj k (2)J

ad J k k k k k k kz k‚ k k k k k k k k k k k J

aMd J k k k k k k k k k k k k k k k k J

Newcastle (G)English 17th CenturyPlayford 1651

Arranged by P Butler

ad 44 J

A

kG

k k k kG

kz k‚ k kG

k k k kC

k j k kG

k k k k

ad 44 J k k k k k kz k‚ k k k k k k k j k k k k k

aMd 44 J k k k k k kz k

‡k k k k k k k j k k k k k

b d 44 J k j k k k k k kk k k k j j k k k k

ad

C

kj k k

G

k kD

kz k‚G

jz(2)J J

Bk kG

k k k k kz k‡

G

k j k

ad k j k k k kz k‚ jz J J k k k k k k j k

aMd k jz k k kz k

‡ jz J J k k k k k k j k

b d k k k k k k k k jz J J k k k k k k j k

ad

G

kz k‚ k kC

kj k

G

k k k k kz k‡

Am

k k kz k‡

C

k kD

kz k‚G

jz(2)J

ad kz k

‡k k k j k k k k k k k kz k

‡ k k kz k‚ jz J

aMd kz k

‡ k k k j kk k k k k k kz k‚ k k k k jz J

b d k k k k k j k k k k k j j k k k k jz J

Petit RoseMelody by Chris Elmes Based on Gugliolmo Ebreo Italian 15th Cent.

PCB Arrange ‐ usable only in the SCAAll rights to melody reserved by Chris Elmes

ad 68 J

D

k k‚ k k‡ C

kz k k‡

C

k k k k‚ kD

kz kz(2)J

D

k k‚ k k‡ C

k k‡ k k‚

ad 68 J k k‚ k k‚ kz k k‚ k k k k‚ k kz kz J k k‚ k k‚ kz kz

aMd 68 J kz kz kz kz kz kz kz kz J kz kz kz kz

ad

Dk k k k‚ k

Dkz k J k‚

D

k o n k‚ k o n k‡ C

k k‚ k k‚D

kz k(2)J k‚

adk k k k‚ k kz k J k‚ k k‚ k k‚ k k‚ k k‚ k k‚ k‚ k kz k J k‚

aMdkz kz kz k J k‚ kz kz kz kz kz kz kz k J k‚

ad J

D

k k‚ k k‚C

k k‚ k k‚G

k k‡ k k‚

D

kz kz(2)J

D

k k‚ k k‚C

k k‚ k k‚

ad J k k‚ k‚ k k k‚ k‚ k k k‚ k k‚ kz kz J k k‚ k‚ k k k‚ k‚ k

aMd J kz kz kz kz kz kz kz kz J kz kz kz kz

ad

G

k k‚ k k‚D

kz k k‚D

kz k k‚C

kz k k‚Dk k k k‚ k

Dkz kz

adk k‡ k k‚ kz k k‚ kz k k k k k k k k‚ k k‚ k‚ k kz kz

aMd kz kz kz kz kz kz kz kz kz kz kz kz

Petit Vriens (D into G)Gugliolmo EbreoItalian 15th Cent.

PCB Arrangement.

add 68 J

A

Dk k k k k k

G

k k‚ k k‚D

k k‚ k k‚G

k k kD

kzDk k k k k k

G

k k‚ k k‚

add 68 J k k k k k k k k‚ kz k k‚ k k‚ k k‚ kz k k k k k k k k‚ kz

aMdd 68 J k k k k k k k k‚ k k

‡ k k‚ k k‚ k k‚ kz k k k k k k k k‚ k k‡

add

D

k k‚ k k‚D

k‚ k kz(2)J J

B

G

k k‚ k k‚G

k k‚D

kzD

k k‚ k k‚G

k k‡

D

kz(3)J

add k k‚ k k‚ k‚ k kz J J k k

‡k k

‡k k

‡ kz k k‡

k k‡

k k‡

kz J

aMdd k k‚ k k‚ k‚ k kz J J k k‚ k k‚ k k‚ kz k k‚ k k‚ k k‚ kz J

add J

C

D

k k‡

A

k k‡

D

k k kA

kz(3)J J

D

A

k k‚ k k‚ k‚ kDkz

(3)JE

G

k k‚ k k‚G

kzD

kz

add J k k‚ k k‚ k k‚ kz J J k k‚ k k‚ k‚ k kz J k k

‡k k

‡kz kz

aMdd J k k‚ k k‚ k k‚ kz J J k k‚ k k‚ k‚ k kz J k k‚ k k‚ k k‚ kz

add

D

k k‚ k k‚G

k k‡

D

kzD

k k‡

A

k k‡

D

k k kA

kzA

k k‚ k k‚ k‚ kDkz e d 68

add k k

‡k k

‡k k

‡kz k k‚ k k‚ k k‚ kz k k

‡k k

‡ k‚ k kz e d 68

aMdd k k‚ k k‚ k k‚ kz k k‚ k k‚ k k‚ kz k k‚ k k‚ k‚ k kz e d 68

Petit Vriens 1

ad J

A

G

k k k k k kC

k k‡ k k‚

G

k k‡

k k‡

C

k k kG

kzG

k k k k k k

ad J k k k k k k k k

‡ kz k k‚ k k‡

k k‚ kz k k k k k k

aMd J k k k k k k k k‚ k k

‡ k k‡ k k‚ k k

‡kz k k k k k k

ad

C

k k‡ k k‚

G

k k‡k k

‡G

k‡ k kz

(2)J JB

C

k k‡

k k‡

C

k k‡

G

kzG

k k‡k k

‡ad k k

‡ kz k k‡ k k‚ k

‡ k kz J J k k‡

k k‡

k k‡ kz k k

‡k k

‡

aMd k k‚ k k

‡ k k‡ k k‚ k‚ k kz J J k k‚ k k‚ k k‚ kz k k

‡k k

‡

ad

C

k k‡

G

kz (3)J JC

G

k k‡

D

k k‡

G

k k kD

kz (3)J JD

D

k k‡k k‡ k

‡ kG

kz(3)J

E

C

k k‡k k‡

ad k k

‡kz J J k k

‡k k‡ k k

‡ kz J J k k‚ k k‚ k‚ k kz J k k‡k k‡

aMd k k

‡ kz J J k k‡ k k‚ k k‚ kz J J k k‚ k k‚ k

‡k kz J k k‚ k k‚

ad

C

kzG

kzG

k k‡k k

‡C

k k‡

G

kzG

k k‡

D

k k‡

G

k k kD

kzD

k k‡

k k‡

ad kz kz k k

‡k k

‡k k

‡kz k k

‡ k k‡

k k‡

kz k k‡

k k‡

aMd k k‚ kz k k

‡k k

‡k k

‡ kz k k‡ k k‚ k k‚ kz k k‚ k k‚

ad k‡ k

G

kz

ad k‡k kz

aMd k‡ k

kz

Petit Vriens 2

Pinaguy Bransle (G)French 16th CenturyArbeau (1589)

Arrangement by Paul Butler from Thoinot Arbeau's L'Orchesographie published 1589A Champagne style mixed bransle.

ad 24

A

G

k k k kD

k kG

k‡k k

G

k k k k kD

k kG

k‡k k k

‡k k k

‡k k k

ad 24 k k k k k k k‚ k k k k k k k k k k‚ k k k‚ k k k‚ k k k

aMd 24 k k k k k k k

‡k k k k k k k k k k

‡k k k‡

k k k‡k k k

b d 24k k k k k k k k k k k k

ad J

G

B

k k k kD

k k k kG

k k k kC

k‚D

k‚G

k(2)J

ad J k k k k k k k k k k k k k k k J

aMd J k k k k k k k k k k k k k k k J

b d J j j j k k k J

The Queen's Alman (in Am from orig. Gm)English 16th. CenturyWilliam Byrd

transcribed from setting in FitzWilliam by Robert Smith, slight adaptation by PCB.Permission to distribute within the SCA

ad 44

Intro

k k k k k k k k k k k k k k k k k j d k j j J A

Am

k k k k

ad 44 l l l l J j j

aMd 44 l l l l J k j k

b d 44 l l l l J k d k j

ad

E

k k d k k jDm

jBm

jAm

j j J J B

C

kz k‡ k k k k k k k

Am

k k k k

ad j k k e k k j kz k

‡ k k k J J kz e k‡ k k j k k k k e k k k

aMd j k k k k j d k j j J J k k k k k k j k k k k k k

b d j k k k k j j k k J J j j j j k k k k

ad

B

k k k kE

d k k kA

k k k kD

d k k kF

k k k kC

k k k kD

k kAm

jE

d kA

j j J

ad k d k j k k j k k j k k j j j J

aMd j j j j j k k k k k k k d j j J

b d j j j j j j k k j j j J

Quen Quer Que (Cantiga 167)Alfonso IXSpanish 13th Cent.

PCB ArrangementABx8, A A

a 44A

D

jBm

jBm

jD

k kC

jD

k kD

j jEm

jC

jD

j k(F)

kG

j k k

a 44 jj d jj jj kk d kk jj kk d kk jj jj jj jj jj kk kkjj kk kk

aD

kC

kBm

kC

kAm

iAm

jBm

kC

kD

j jC

kBm

kD

kBm

kG

jF

jAm

jBm

kD

k

a kk kk d kk kk ii jj d kk kk jj jj kk d kk kk d kk j j jj d kk kk

aG

jAm

kBm

kD

kC

kBm

kAm

kG

kF

kG

kAm

kG

iB

Go

j j j k k k k k k

a j kk d kk kk kk d kk kk k kk kk kk iii ii ii

a j j j k k j k k k k k k k k k k i j j

a ii ii ii ii ii ii ii

a j k k k k k k j j j k k j k k k k k k k k k k

a ii ii ii ii ii ii ii

a iGo

j j j k kAo

j k kGo

j jC

j jGo

j k k

a ii ii ii ii ii ii ii

aC

j k kGo

k k k kDo

iDo

j k kGo

j jDo

k k k kGo

j j

a ii ii ii ii ii ii ii

aDo

j k kGo

j k k k k k kG

k k k kG

i

a ii ii ii ii ii

Rostiboli GioiosoGugliolmo EbreoItalian 15th Cent.

PCB Arrangement Variant of the standard melody.

a 64 JA

Dm

j k k k k k k kF

k k k k k k k k k kC

k k k k k jk

G

k k k kAm

k k k k k k

a 64 J j k k k k k k k k k k k k k k j k k k k k k k k k k k k k k k k

b 64 J jz jz jz jz jz jz jz jz

aAm

k k k k k k k k k kDm

kz k‚ k k k k k k kAm

k k kz d k k k k kDm

j k k k k f k k k

a k k k k k k k k k k k k k k k k k k k k k k kz k‚ k j k k k k k k k j k

b jz jz jz jz jz jz jz jz

aDm

k k k k k kAm

k k k d k k k

1.

Dmj k k e k k k k k

(2)J 2.

Dmj k j k

B

C

j k j k

a k k k j j j k k j k J j k j k j k j k

b jz jz jz jz J jz jz jz jz

aDm

j kC

j kDm

j kC

j kC

k k k k k j kDm

j kF

j kG

j kC

j k

a j k j k j k j k j k j k j k j k j k j k

b jz jz jz jz jz jz jz jz jz jz

Rostiboli Gioioso 1

aAm

k jDmj

Ad k

Dmj k jz

C

j k k k k k kDm

k k k k k kC

j k

a k j j k j k jz j k j k j k j k

b jz jz jz jz jz jz jz jz

aDm

k k k k kC

j kC

k k k k kC

j kDm

k k k k k kF

j kG

k k k k k kC

j k

a j k j k j k j k j k j k j k j k

b jz jz jz jz jz jz jz jz

aAm

k kz k‚Dmkz k‚

Ad k

Dmj k jz J 68

C

Dm

k k‚ k k‚C

k k‚ k k‚Dm

k k‚C

k‚ kAm

k k‚ k k‚

a k j j k j k jz J 68 k k‚ k k‚ k k‚ k k‚ k k‚ k‚ k k k‚ k k‚

b jz jz jz jz J 68 k k‡

k k‡ k k‚ k k‚ kz kz k k‚ k k‚

aDm

k k‚F

k k‚G

k k‚C

k k‚Am

k‚ kDmk

Ad k‚

Dm

1.

k k‚ kz(2)J

2.

Dmk k‚ k k‚ J 68

D

C

k k‚ k k‚C

k k‚ k k‚

a k k‚ k k‚ k k‚ k k‚ k‚ k k k‚ k k‚ kz J k k‚ k k‚ J 68 jz jz

b k k‡

k k‡ k k‚ k k‚ kz kz kz kz J kz kz J 68 jz jz

aF

k k‚ k‚ kC

kz k k‚C

k k‚ k k‚C

k k‚ k k‚F

k k‚ k‚ k 1.

Dmkz k k‚

(2)JDm

2.

kz kz

a k k‚ k‡k kz k k‚ jz jz k k‚ k‡

k k k‚ k k‚ J kz kz

b jz jz jz jz jz jz J jz

Rostiboli Gioioso 2

Sellenger's RoundPlayford 1651English 17th Cent.

PCB Arrangement

ad 68 J

A

G

kz kz k kC

kz kz k kD

k k‡

G

kz k k 1.

C

kz k k k(2)J

2.

C

kz k k‡

ad 68 J kz kz k k kz kz k k k k k kz k k k e k‚ k k‚ J k e k‚ k k‚

aMd 68 J kz k k‚ kz k k‚ k k

‡ k k‡

kz k k‡ J kz k k

‡

ad J

B

C

kz kz kk kkG

kz k k‡

G

kz k k kz k kD

kz k k‡

C

kz k kG

k k‚

ad J kz kz k k k k‚ k k

‡ kz k k kz k k k k‚ k k‚ kz k k k k‡

aMd J kz k k

‡ kz k k‚ kz kz kz kz k k‡ k k

‡

ad

D

kz k kG

k k‚D

k k‚ kz k k 1.

G

kz k k‡

(2)J 2.

G

jz

adkz k k kz k k‚ kz k k kz k k‚ J jz

aMd k k‚ k k

‡k k‚ k k‚ kz k k

‡J jz

War Bransle (in G)Arbeau (1589)French 16th Cent.

Arrangement by Paul Butler from Thoinot Arbeau's L'Orchesographie published 1589.  A mixed bransle, part of a larger ballet.

ad 44 J

D

Ak k k k k kG

j k kC

k k k kD

j j jG

kC

k

ad 44 J k k k k j k k k k k k j j j k k

aMd 44 J k k k k j k k k k k k j j j k k

b d 44 J j j j k k k k k k j j j k k

ad

G

j k kC

kG

k kA

d kD

j j (2)J JG

Bk k k kG

k k k kAm

k kG

kAm

k kG

k

ad j k k k k k k j j J J k k k k k k k k k k k k

aMd j k k k k k k j j J J k k k k k k k k k k k k

b d j k k k k k k j j J J k k k k k k k k k k k k

ad

D

kG

k kD

kG

k kD

kG

k kD

kG

k kD

kG

k k kD

kC

kD

kG

j j(2)J

adk k k k k k k k k k k k k k k k j j J

aMd k k k k k k k k k k k k k k k k j j J

b d k k k k k k k k k k k k k k k k j j J