American Furniture & Decorative Arts | Skinner Auction 2640B

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Auction March 3, 2013 in Boston. The March auction features high quality New England folk art along with 18th and 19th century American furniture and a wide range of maritime art and artifacts. A fine group of American silver spans 300 years, highlighted by an important Tiffany & Co. bowl made to commemorate the completion of the Woolworth Building in Manhattan in 1913, and presented to its architect. For more information on an antiques appraisal or consigning to auction with Skinner, contact the Americana department at 508-970-3200 or americana@skinnerinc.com.

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American Furniture & Decorative Arts Sale 2640B March 3, 2013 Boston American Furniture & Decorative Arts Auction InformationAuction 2640B Sunday, March 310AM63 Park PlazaBoston, MA Absentee Bidding T: 617.874.4318F: 617.350.5429General Inquiries: 617.350.5400SkinnerLive!: skinnerinc.comSpecialistsPreview Thursday, February 2812 to 5PM Friday, March 1 12 to 8PM Saturday, March 2 12 to 5PMStephen FletcherDepartment Director508.970.3228Chris BarberDeputy Director508.970.3227Karen Langberg508.970.3281Kelli Lucas Stewart508.970.3137View all lots online at www.skinnerinc.comcover: 68; frontispiece: 164; back cover: 227Department Inquiries: 508.970.3200Join us for an Americana gallery walkFriday, March 1st, 20135:30PM Reception, 6PM Gallery Walk63 Park Plaza, Boston, MARSVP 508.970.3240 or events@skinnerinc.com Reservations are limitedHeld in conjunction with a preview of Skinners March 3rd auction of American Furniture & Decorative ArtsTable of Contents 1 Auction & Specialist Information 2 Event Information 4 Lots 23602144 Web Site & Online Bidding148 Conditions of Sale149 Absentee Bid Form150 Company Directors & Specialty Departments151 Administrative Staff & Client Services153 Map & Driving Directions155 Parking & Accommodations157 Dining159 Catalog Subscription FormPlease Note: All lots sold subject to our Conditions of Sale. Please refer to page 148 of this catalog for the full terms and conditions governing your purchase.Copyright Skinner, Inc. 2013All rights reservedMA/Lic. #230423Turned Burl Bowl, America, early 19th century, with turnings around the collar and base, (base crack), ht. 4, dia. 11 3/4 in.$800-1,20024Carved Burl Scoop, America, early 19th century, with ridged scroll handle terminal, with metal stand, overall ht. 8 1/4, wd. 5 5/8 in.$800-1,20025Burl Bowl and a Turned Hardwood Pestle, early 19th century, (imperfections), bowl ht. 3 5/8, dia. 8, pestle lg. 10 3/4 in.$400-60026Figural Carved Burl Pipe, Carved Wooden Spoon, and a Painted Wooden Dish, the pipe bowl carved with a face and an American shield with the letters IOM, with stand; the small carved maple spoon with pierced handle; the small oblong dish with red and black painted decoration, dia. 4 7/8 to 7 3/4 in.$600-80027Small Burl Bowl, America, late 19th century, ht. 1 3/8, dia. 4 5/8 in.$600-80028Two Round Turned Burl Bowls, America, 19th century, (shrinkage cracks), ht. 2 3/8, 2 3/4, dia. 5 1/8, 9 3/4 in.$400-60029Hand-hewn Maple Scoop and a Native American-made Broom, 19th century, scoop ht. 3 7/8, dia. 13, broom ht. 48 1/2 in.$400-60030Paint-decorated Woven-splint Basket, probably an eastern Woodland Indian tribe, late 19th century, rectangular basket with two carved hardwood handles, the upright splints with natural and blue-painted surfaces, the horizontal weavers painted red, blue, and yellow, (split on one handle), overall ht. 6 1/2, wd. 10 3/8, lg. 11 5/8 in.$400-60031Indian-made Painted Woven-splint Basket, northeastern American Indian tribe, late 19th/early 20th century, oblong basket, the exterior splints painted red, blue, and black, (minor losses and breaks), ht. 5 1/8, wd. 12, lg. 15 in.$300-50032Large Gray-painted Turned Ash Bowl, probably New England, 19th century, with delineated collar, (scattered paint loss), ht. 6 1/2, dia. 19 in.$400-60033Red-painted Pine and Cherry Kitchen Table, probably Pennsylvania, late 18th century, the removable top above two thumb-molded drawers on block-turned legs joined by side and medial stretchers, old wooden pulls, original surface, (minor imperfections), ht. 28 1/2, top wd. 59 1/2, top dp. 31 1/4 in.$2,500-3,50034Turned Ash Slat-back Armchair, New England, early 18th century, old black paint, ht. 43, seat ht. 15 1/2 in.$400-60035Floral Paint-decorated Wooden Box, probably northern Europe, early 17th century, rectangular beechwood box with pintle hinge on lid, wrought iron latch, decorated on the top and sides with polychrome stylized fowers and leaves, with the date 1613 inscribed on the lower front panel, ht. 6 3/8, wd. 13 3/4, dp. 9 5/8 in.$800-1,2004 Additional information and photos at www.skinnerinc.com2523, 2426272836Spanish-brown-painted Maple Tea Table, probably New England, early 18th century, the oval top on bulbous vase- and ring-turned splayed legs continuing to turned feet, joined by a straight apron and square stretchers, old surface, (restored), ht. 22 1/2, top wd. 28, top dp. 21 in.$800-1,20037Red-painted Dome-top Box with Reeded Surface, America, early 19th century, dovetail joinery on rectangular box with hinged lid, the top and front with carved surface, (imperfections), ht. 9 7/8, wd. 23 3/4, dp. 11 1/2 in.$400-60038Maple and Ash Turned Slat-back Armchair, possibly New York State, frst half 18th century, the four arched slats joining turned stiles, with mushroom handholds and similarly turned supports and front legs, old refnish, ht. 47, seat ht. 17 in.$400-6005 Online bidding at www.skinnerinc.com30, 3135333237363439Cherry and Hickory High Chair, Pennsylvania, last half 18th century, old refnish, (minor imperfections), ht. 38 1/2, seat ht. 20 1/2 in.$1,500-2,50040Painted Prince of Wales-crested Bannister-back Side Chair, probably Portsmouth, New Hampshire, c. 1730-60, early surface of black paint over red, ht. 46, seat ht. 17 in.$6,000-8,0006 Additional information and photos at www.skinnerinc.com39 4041William & Mary Figural-decorated Dutch Delft Charger, 18th century, the rim decorated with fowers and birds, the table foot pierced for hanging, (imperfections), dia. 13 1/2 in.Provenance: Regency Antiques, Boston, Massachusetts.$800-1,20042Two Polychrome Floral-decorated Delft Plates and a Charger, 18th century, the plates with similar foral central and rim decoration, (imperfections), dia. 7 7/8, 8 7/8, 13 3/4 in.$1,500-2,50043Large Chinoiserie-decorated Delft Bowl, England or Continental, 18th century, with piecrust rim, decorated with a waterway scene with fshermen, (rim chips, hairline), ht. 4, dia. 12 1/4 in. Provenance: Previously sold at Skinner, The Contents of the Shop of Kenneth Hammit Antiques, June 13, 1992, Lot 3, with auction label on bottom.$300-50044Polychrome Floral-decorated Delftware Bowl, England, 18th century, round footed bowl, the center with blue inscription Success to Trade, the exterior decorated with a spray of blossoms and leaves, (repaired, glaze wear), ht. 4 3/8, dia. 10 3/4 in.Provenance: Anthony S. Werneke, Pond Eddy, New York.$600-80045Dutch Delft Charger with Lion and Gate Decoration, 18th century, circular form with dark cobalt designs depicting a standing lion before a curved gate with two columns, fanked by trees and foliage, the rim decorated with three repeating panels of fowers, and a chinoiserie fgure in a landscape, (rim chips), dia. 13 7/8 in.$400-60046Dutch Delft Floral-decorated Barber Bowl, 18th century, oval, the center decorated with cobalt animal and bird fgures and fowers, with wide futed foral-decorated rim, the table foot pierced for hanging, (hairline, minor rim chips), ht. 3, dia. 10 7/8 in.Provenance: Earle D. Vandelcar, New York, New York.$800-1,20047Delft Plate Decorated with a Woman Holding a Cornucopia and a Flower Stem, late 18th century, (rim repair, glaze wear on rim), dia. 8 7/8 in.$300-50048Delft Charger with Cobalt Flower Basket Decoration, 18th century, (minor rim chips), dia. 13 3/4 in.$300-50049Large Delftware Bowl, Britain, late 18th century, the bowl ornamented with a polychrome bird in a garden in the center, with foral rim, (rim chips, crazing), ht. 2 1/2, dia. 13 1/2 in.$300-5007 Online bidding at www.skinnerinc.com41-4950Dutch Delft Tobacco Jar, 18th century, ovoid form with blue decoration, labeled MARTENIEK within an elaborate rococo cartouche surrounded by scrolling foliage topped by a fower-flled vase, with domed brass cover, (minor glaze loss), ht. 15 1/4 in.Provenance: Mathieu Hart Antiques, Amsterdam.$800-1,20051Dutch Delft Tobacco Jar, 19th century, ovoid form with blue decoration depicting an Indian smoking a pipe, seated on a plinth set with a large jar labeled STRASSBUR[G] and other tobacco-related material with distant ships, with domed brass cover, (minor chips), ht. 14 in.$800-1,20052Dutch Delft Tobacco Jar, 18th century, ovoid form with blue decoration, labeled ST. OMER within an elaborate rococo cartouche surrounded by scrolling foliage topped by a fower-flled vase, with domed brass cover, (minor glaze loss), ht. 15 1/2 in.Provenance: Mathieu Hart Antiques, Amsterdam.$800-1,20053Two Dutch Delft Tobacco Jars, Holland, 18th century, both ovoid form and decorated in blue, one ornamented with Indians smoking and tobacco plants fanking a ship at sea with an anchor and barrel in the foreground over a banner labeled RAPPE; the other depicting a smoking African and a gentleman in Western dress, tobacco plants, and a house over a banner labeled VARINAS; both with domed brass covers, (minor chips), ht. 12 1/2 in.$1,000-1,5008 Additional information and photos at www.skinnerinc.com50-55, 53 detail54Dutch Delft Tobacco Jar, 19th century, ovoid form with blue decoration depicting an Indian smoking a pipe, seated on a plinth set with a large jar labeled ST. DOMINGO, with a tobacco plant, barrels, and distant ships, with domed brass cover, (minor glaze loss and chips), ht. 12 in.$800-1,20055Large Dutch Delft Tobacco Jar, 18th century, ovoid form with blue decoration, labeled STRAATS/BURGER within an elaborate rococo cartouche surrounded by scrolling foliage topped by a fower-flled vase, with brass cover, (minor glaze loss), ht. 16 in.Provenance: Mathieu Hart Antiques, Amsterdam.$800-1,20056James Sharples (British/American, 1751/2-1811)Pair of Portraits of Two Young Ladies. Unsigned, the subjects identifcation reported in inscriptions on labels affxed to the backboard of one: series of four pastel portraits by James Sharples-from the Sharples family of Bristol, England. Pastel on paper, oval portraits, sight size 10 x 7 3/4 in., in oval gilt-gesso frames. Condition: Good, minor smudges to one c.r. $2,000-3,0009 Online bidding at www.skinnerinc.com5657Crewel Embroidered Bed Curtain, early 18th century, composed of three lengths of off-white twilled cotton paneling stitched with wool crewel threads, depicting exotic birds, trees, and fowers, butterfies, and chinoiserie fgures, a hunt scene, and a shepherdess with a fock of sheep, (areas of loss, toning, stains), 74 x 53 in.$1,000-1,500105758Wool Needlework Wallet, America, c. 1763, envelope-shaped pocketbook with fap closure and two dividers, worked in the Irish stitch in a lapped diamond pattern in shades of green, red, blue, brown, yellow, and violet, stitched lettering and date GILES RUSSELL 1763 AE, with faded olive green and indigo glazed wool lining, and faded olive wool twill tape edging, (losses), folded dimensions 4 1/4 x 8 in.Note: Colonel Giles Russell was born in Wethersfeld, Connecticut, graduated with a law degree from Yale College and was admitted to the bar in Hartford. At some point, he moved to Stonington and from there was appointed Captain of ffty-fve Connecticut and Rhode Island men in the expedition against Havana, c. 1762. Upon his return he married, and purchased the Edward Denison house where he practiced law and operated a tavern until being called to serve in the Revolutionary War, and later the French and Indian War; he died from the affects of his service. He is buried in Road Cemetery in Stonington.$400-60059Small Framed Crewelwork Panel, dated 1787, stitched with silk threads on a twilled wool ground depicting a stylized basket issuing several fowers on curving stems, over stitched monogram PC over a 2 and the year 1787, (toning to background fabric), sight size 6 1/2 x 6 1/2 in., in a period molded wood frame.$800-1,20060Pair of Silvered Bronze Pricket Candlesticks, Italy or Belgium, 17th century, cast iron prickets on silvered bronze drip pans, baluster shafts and stepped circular bases, (one with solder reinforcement at center of base), ht. 6 3/4 in.$300-50061Cased Pair of Nuremberg Spectacles and a Traveling Writing Case, Nuremberg, Germany, late 17th to early 18th century, fat-edged copper frame with raised scrolled leaf designs and inscriptions IOR: CONRAD SCHMIDT/NURNBERG/GUTE FEINE BRILLEN (good fne glasses), round-glass lenses in a wire-hinged carved wooden case with foral stamped designs, the interior inscribed A Wilcoxson in ink, (make-do repairs), case dimensions 2 1/4 x 3 3/4 in.; and a two-piece fattened tubular paperboard writing case ftted with a small glass ink bottle, a wooden shaft with a steel tip and a quill tip, 1 1/2 x 4 1/2 in.$500-70011 Online bidding at www.skinnerinc.com62Windsor Ash, Pine, and Maple Sack-back Chair, New England, late 18th century, old refnish, ht. 40, seat ht. 17 1/2 in.$800-1,20063Green-painted Windsor Braced Bow-back Chair, probably New York City, c. 1780-1800, with scratch-beaded bow, carved saddle seat, and bulbous turnings, old green paint, (minor repair), ht. 36 3/4, seat ht. 17 in.$400-60064Maple and Ash Fan-back Windsor Side Chair, probably James Mansfeld, Gloucester, Massachusetts, c. 1790, marked on the underside of seat J. MANSFIELD, refnished, (minor imperfections), ht. 36 1/2, seat ht. 17 1/2 in.$800-1,20065Windsor Armchair, New England, late 18th century, the serpentine cresting with shaped saddle seat and vase- and ring-turnings, old refnish, (imperfections), ht. 40, seat ht. 16 1/2 in.$600-80066Windsor Comb-back Armchair, in the Philadelphia style, with serpentine cresting and scroll-carved terminals, above the shaped arms with knuckle handholds, with vase- and ring-turned supports, on carved saddle seat and conformingly turned splayed legs ending in swelled feet, painted white, ht. 46 1/2, seat ht. 18 1/2 in.$800-1,20067Large Mochaware Bowl, Britain, early 19th century, London-shaped pearlware bowl with rouletted green leaf rim band, over black, white, and blue stripes above a wide rust band with blue, brown, and white looping earthworm decoration, (minor imperfections), ht. 4 1/2, dia. 10 3/4 in.$1,500-2,50012 Additional information and photos at www.skinnerinc.com6364 626713 Online bidding at www.skinnerinc.com14 Additional information and photos at www.skinnerinc.com6868American School, 19th CenturyThe Junction formed in Medford by the Meeting of the [Mystic] River, Canal, and Railroad. Unsigned, titled in inscriptions below. Oil on fberboard, 19 1/4 x 22 1/2 in., in a black-painted wood frame with gilt-brass foriform bosses in the corners. Condition: Minor retouch. Provenance: Descended from the original owner in the Brooks-Wheeler family of Watertown, Concord, Medford, and Winchester, Massachusetts. Literature: A similar painting by the same unknown artist is pictured in Sumpter Priddy, American Fancy: Exuberance in the Arts 1790-1840 (Chipstone Foundation, Milwaukee Art Museum, 2004), p. 124, and is pictured in an advertisement for Marguerite Riordan, Stonington, Connecticut, in The Magazine Antiques, September 1987, p. 373. Note: In the 1830s, the public imagination in the United States was captivated by motion. Canals were connecting eastern cities with Western resources, like the Erie Canal in New York and the Middlesex Canal in Massachusetts. Radiating outward from trade centers like Baltimore and Boston, the earliest railroads began to snake through rural areas, offering faster and more reliable transport for goods and passengers throughout the year. Daredevils and showmen took to the air in balloons, making headlines with their well-attended launches from public spaces like the Boston Common. Americans observed these developments from their homes and farms, reading newspaper accounts of railroad construction and saving prints of new public fgures like balloonist Charles Ferson Durant. Especially in New England, their lives were lived in the shadow of a long history. In Medford, Massachusetts, where English settlement had begun in 1630, the confuence of so many transportation innovations was especially notable. In this painting by an unknown, likely untrained artist, a handful of residents observe Medfords unique intersection of the Mystic River, the Middlesex Canal, and the Boston & Lowell Railroad, newly completed in 1835. In the distance, an aeronaut in his balloon foats above the countryside, almost certainly a reference to a well-publicized ascent by Durant from Boston Common in 1834. A note on the back of the painting in period handwriting indicates that the houses are not strictly accurate representations but stand in for effect. Apparently quoting from prominent Medford, Massachusetts, citizen Shepherd Brooks (1835-1922), an inscription on the back of the painting reads, West Medford view 1835 taken from Mystic River below R.R. bridge. R.R. built 1835. The canal made 1803, given up 1851. Fine houses in picture are imaginary. Indeed, the intersection between the three (river, canal, and railroad) is also slightly skewed: the intersection existed but was not quite so angular as the painting suggests. In the lower left, a canal boat proceeds northward along the Middlesex Canal toward a lock, likely carrying raw material like cotton which was shipped into Boston for the burgeoning textile mills of Lowell. Though that route revolutionized transport between the two cities, it was limited by the seasons: frozen water in winter and muddy towpaths in spring made travel diffcult. Constructed to provide year-round, reliable shipping, the Boston & Lowell Railroad inadvertently sparked the publics interest in passenger travel. The stagecoach-style cars pulled by the early locomotive in this painting appear chock-full of eager travellers, who put up with the bumpy ride of a granite-bed railway to make the journey at 60 miles per hour. In this painting, the artist draws together a remarkable confuence of the industrial and the domestic and imbues them with great charm and enthusiasm. In overlapping the Medford transportation intersection with an anonymous set of observers and their homes, he successfully manages a delicate balance between the growing excitement of Americas Industrial Revolution and the enduring beauty of New Englands domestic landscape. $20,000-30,00015 Online bidding at www.skinnerinc.com69American School, 19th CenturyPair of Portraits of Daniel Aikens and His Wife Rhoda (Richmond) Aikens of Barnard, Vermont. Unsigned, the reverse inscribed with the names and ages of the sitters, Daniel, age 27, Rhoda, age 16, and also their dates of birth, marriage (1832), and death, inscribed in a different hand. Oil on panel, 25 x 20 in., unframed. Condition: Panels bowed, age crack at center on Rhodas portrait, scattered abrasions, and retouch. Note: These portraits are probably related to a portrait sold at Skinner on August 12, 2001, sale 2092, Lot 173, depicting Rollin Richmond (the brother of Rhoda, the woman portrayed here) of Barnard, Vermont, and which was dated February 1831 on the reverse. At the time it was sold, the portrait was attributed to Asahel Lynde Powers, an itinerant Vermont folk portrait painter, however, it was thought by the purchaser of the portrait to be the work of folk painter Amanda Powers, a relative of Asahel, possibly his sister.These portraits were painted in 1830, a couple of years before the sitters were married. According to William M. Newton, History of Barnard, Vermont, with family genealogies, Vol. II (Burlington: Burlington Vermont Historical Society, 1928), Captain Daniel Aikens was born on September 24, 1802, in Barnard, Vermont, the fourth child of Elijah and Rebecca (Tupper) Aikens, Elijah was a farmer who kept a country inn. Daniel married Mary Vanlora (1804-1832), and after her death, he married Rhoda Briggs Richmond in 1832, the daughter of Maj. Lemuel and Joanna (Briggs) Richmond, who was born November 8, 1814, in Barnard and died December 19, 1876. Daniel owned the saw and grist mill in Barnard village. He was a captain in the militia, was town clerk from 1845 to 1848, and attended the Vermont constitutional convention in 1850. In the 1850 census Daniel was listed as a farmer living in Barnard with his wife Rhoda and four children, and as a carpenter in the 1860 census. He died on August 25, 1882, in Boston.$15,000-25,00016 Additional information and photos at www.skinnerinc.com6970Ammi Phillips (American, 1788-1865)Portrait of Mary Ingraham Holding Her Spectacles and a Bible, c. 1830. Unsigned, the back of the canvas inscribed M. Ingraham 1829. Oil on canvas, 30 x 24 in., in a period, probably original, painted and gilt-stenciled wood frame. Condition: Puncture u.l., scattered paint loss, stable craquelure.Provenance: Family descent through marriage, purchased from them for a Tucson, Arizona, woman, by Philadelphia antiques dealers, then to the consignor in 1982. Correspondence indicates there was an associated portrait painted by Phillips of Marys daughter, Lucy Hamilton, the child of Mary (Hillyard) and John Hamilton. It also states that Marys frst husband, John Hamilton, died in the 1820s, and that Mary remarried a gentleman by the name of Asa. B. Ingraham around 1828. A painting by Phillips of Lucy Hamilton was sold at Northeast Auctions, The Bisnoff Collection, October 27, 2007, Lot 662.$8,000-12,00017 Online bidding at www.skinnerinc.com7071Grain-painted Spice Box, America, 19th century, crenelated crest and sides on box with two deep short drawers and two long drawers with applied molding, with white porcelain drawer knobs and ornament, ht. 18 1/8, wd. 17 3/4, dp. 7 1/2 in.$400-60072Ives Sparring Black Pugilists Clockwork Toy, Plymouth, Connecticut, c. 1880s, two jointed cast iron, carved wood, and composition fgures, with fragments of original clothing, mounted on a walnut box, interior clockwork mechanism, (imperfections), ht. 10 1/2, wd. 4 7/8, lg. 8 3/8 in.$1,000-1,50073Red-painted Wooden Watch Hutch with a Pocket Watch, early 19th century, shallow case with hinged door with glazed window, iron hanging loop, the interior mounted with a later gold-flled Locust pocket watch with gold-flled chain, (repair, imperfections), case ht. 7 1/4, wd. 5 1/2, dp. 1 1/4 in.$400-60074Wrought Iron and Turned Wood Rush Light, England or America, early 18th century, with two candle sockets and two rush holders, on a baluster-turned wood shaft and base, (shrinkage cracks), ht. 16 1/2 in.$300-50075Green-painted Wooden Hanging Pipe Box, America, late 18th/early 19th century, with shaped crest and sides, pierced back, with a single drawer, (shrinkage crack), ht. 15 1/2, wd. 5 1/4, dp. 4 3/4 in.$1,000-1,50076Five Fruit-form Pottery Banks, late 19th century, polychrome painted, three apples and two pears, ht. 2 1/4 to 4 1/8 in.$400-60077Red-painted Wooden Case of Four Drawers, America, early 19th century, rectangular case with four dovetail-constructed, mahogany-faced, short drawers with brass knobs, ht. 10 3/8, wd. 15 1/2, dp. 8 3/4 in.$300-50078Paint-decorated Trinket Box with Two Drawers, America, early 19th century, rectangular dovetail-constructed box, painted white with pink and green budding fowers and leafy vine decoration, with brass knobs on the drawers, ht. 6, wd. 10 7/8, dp. 8 1/4 in.$400-60018 Additional information and photos at www.skinnerinc.com71-78The Linsly Homestead in North Branford, Connecticut, known as Rolling Acres Farm, has descended in the family since the initial structure was built, in 1689. Antique furniture and decorative objects acquired by the family over the years are offered here as lots 79-85 and 88-90.79John Linsly Queen Anne Cherry and Beech Slant-lid Desk, North Branford, Connecticut, area, c. 1730-50, the interior with valanced compartments with drawers and a covered well, engraved brasses appear to be original, old surface, (repairs), ht. 42 1/4, wd. 36, dp. 18 1/2 in. Note: Accompanied by the Last Will and Testament of John Linsly, dated 1775. The will refers to a writing desk, which may well be this one.$4,000-6,00080Red-painted Poplar Chest over Two Drawers, possibly North Branford, Connecticut, area, frst half 18th century, the hinged top above the double arch-molded case and molded base with cutout skirt, early replaced brasses, old repaint, (minor imperfections), ht. 41 1/2, case wd. 40 3/4, case dp. 19 in. $1,500-2,50081Small Cherry Drop-leaf Table, probably Connecticut, late 18th century, the rectangular drop-leaf top over straight apron joining square legs with inside chamfering, and square cross-stretchers, original surface, ht. 28, top wd. 31, top dp. 35 1/4 in.$600-80082Black-painted Bannister-back Armchair, Milford, Connecticut, area, last half 18th century, with concave crest rail above four molded balusters, vase- and ring-turned stiles and arm supports, and double stretcher base, on casters, old surface, (imperfections), ht. 43 1/4, seat ht. 16 1/2 in.Note: Accompanied by a framed 19th century photograph of the Linsly Homestead, showing the chair in the side yard.$400-60083American School, 19th CenturyStill Life with Peaches and Grapes on a Marble-top Table. Unsigned. Pastel on paperboard, 14 x 18 in., in a period molded giltwood frame. Condition: Very good.$300-50019 Online bidding at www.skinnerinc.com7984Classical Gilt-gesso Split-baluster Mirror, New England, c. 1825, with applied acanthus leaf and wreath devices, original surface, (imperfections), ht. 32 1/2, wd. 17 in.$400-60085Four Redware Pottery Items, America, early 19th century, a small mustard yellow-glazed mug with brown-glazed rim, a small handled pot with cover with brown manganese splotch decoration, a small, handled jug with streaked brown glaze on the shoulder, and a covered cylindrical jar with streaked brown splotch decoration, (imperfections), ht. 2 1/4 to 8 3/4 in.$400-60086Large Redware Bowl, America, early 19th century, deep round bowl with molded foot, the sides glazed with streaked bands of olive, brown manganese, and orange, (rim chips, glaze wear), ht. 6 1/2, dia. 13 3/8 in.$600-80020 Additional information and photos at www.skinnerinc.com8788868587Slip-decorated Redware Plate and Mug, probably New England, early 19th century, the round plate with coggled rim, ornamented with wavy lines of yellow and green slip, the mug with applied strap handle, (minor glaze wear to mug rim), plate dia. 7 3/4, mug ht. 4 1/2 in.$600-80088Redware Covered Jar, probably New England, early 19th century, cylindrical-form jar with incised number 13 and two lines about the shoulder, with mottled green and orange glaze, ht. 9 1/4 in.$600-80089Two Colonial Connecticut Land Purchase Deeds with Indian Signatures, the frst dated 1686/7, an agreement stating that Wampom, the present sachem, Nawattokis (alias Richard), Sibbonjonson, Geoffrey, and Mannaposset (alias Young Richard) Indians, and native presenters of Totokett (an Algonquian speaking native tribe) in the township of Branford, in the county of New Haven, in the colony of Connecticut, received ten pounds for purchase of land by William Rosewell, Edward Barker, Thomas Harrison, William Hoadly, Eleazar Ster--, and John Frissbe, signed by the fve Indians with their pictograph marks and small wax seals, also signed by John Rosewell and John Crane, and James Bishop (1625-1691), Deputy Governor of the Connecticut colony from 1683 to 1687, (old folds, toning, stains, not examined out of frame), 12 x 7 1/2 in., framed; the second dated 1716/17, an agreement stating that Richard Indians, Sr., and Richard Indians, Jr., received eight pounds for the purchase of land in the township of Branford, by John Howd, Samuel Stone, Isaac Harrison, Samuel Harrington, and John Russell, signed by the two Indians with their pictograph marks and small wax seals, in the presence of Joseph Taintor, Timothy Russell and Edward Barker, Justice of the Peace, (old folds, toning, stains, inscriptions to the verso bleeding through, not examined out of frame), 11 7/8 x 7 3/8 in., framed.$300-50090Endicott & Co., lithographers (New York, 1848-1891)The First Naval Confict Between Iron Clad Vessels. In Hampdon Roads, March 9th 1862. Identifed in inscriptions. Lithograph with hand-coloring on paper, sheet size 16 x 23 1/4 in., in a period molded, grain-painted frame. Condition: Margins 1 1/4 in. or more, toning, foxing, stains.$400-60021 Online bidding at www.skinnerinc.com8991John Bellamy American Centennial Carved Walnut and Pine Box, signed and dated J.H. BELLAMY MAKER 1876 on the bottom, for John Haley Bellamy (American, 1836-1914), rectangular box with hinged lid supported on applied carved paw feet, the top and sides ornamented with a central relief-carved symbol of American iconography surrounded by arabesque scrolled foliage and fowers, the top centered with the Great Seal of the United States, the front carved with a spreadwing eagle grasping a banner inscribed E PLURIBUS UNUM over an American shield, the shields heightened with red coloration, the right and left sides with allegorical angelic fgures, and the back with a simplifed stylized American shield, ht. 8 1/2, wd. 19, dp. 12 in.$30,000-50,00022 Additional information and photos at www.skinnerinc.com91Known by Americana enthusiasts everywhere as the carver of eagles, John Haley Bellamy made his living in the second half of the 19th century selling carvings of the American symbol to adorn ships and walls across New England. His body of work is composed almost completely of the iconic eagle with banner that appears with some frequency in well-known institutional and private collections. While this box is certainly a departure from his most well-known productions, it is nonetheless an example of Bellamy at his best.In the fve visible panels of this box, Bellamy shows off his extensive skill as a carver and designer. Probably intended for personal use or that of a client, it bears extensive stylistic and technical similarities to another box known to have been carved by Bellamy for his own purposes, a box heavily carved in a similar manner but with his familys coat-of-arms rather than with American patriotic motifs. In addition, this box bears Bellamys signature on its bottom panel, lettered before the word MAKER. Carefully examined by James A. Craig, curator and author specializing in 19th century American marine art, the box has been found to be so certainly by Bellamys hand that it is slated for inclusion in Craigs upcoming book on Bellamys work. Craig connects several elements on the box to other known examples of Bellamys carving. For example, the stylized forid shield on the back panel of the box relates quite directly to the same shape on the gangway board Bellamy carved for the screw-sloop-of-war U.S.S. Enterprise. On the top of the box, the Great Seal of the United States appears, rigourously carved in careful detail. An eagle on the front panel of the box spreads its wings and ducks its head in a pose very similar to Bellamys most common output, clasping a banner in its talons that bears the motto E. Pluribus Unum.Surrounding each of these elements, though, are felds of carving having a greater sense of fourish than the artist indulged in his more market-oriented carvings for ships and public buildings. Working at a moment in time when designers enthusiastically revived motifs from the history of decorative arts, Bellamy here employs foliate C-scrolls from the mid-18th century, hairy paw feet from the early 19th century, and patriotic motifs that belonged very much to his own 1870s zeitgeist. In this combination, he demonstrates his awareness of contemporary trends, trends to which he most certainly would have been exposed in everyday domestic and public life, through visual and material culture. The resulting box is a pleasingly eclectic and highly successful object of late 19th century design. A copy of James A. Craigs full report is available upon request.23 Online bidding at www.skinnerinc.comMahogany carved trunk with the Bellamy family crest, John Haley Bellamy(American, 1836-1914), c. 1875. Private collection.92Transfer-decorated Liverpool Pottery Jug, England, early 19th century, ovoid creamware jug, one side depicting an oval wreath surrounding a fgure of a sailor looking through a sextant, over the verse We have had a good Observation today/And I hope we shall make the Land Tomorrow, over a reserve depicting navigational instruments; the reverse depicting an American ship in full sail with polychrome enamel details, under the spout is the monogram CL and a verse From Rocks & Sands, And every ill, May God preserve/the Sailor Still both in round reserves; and the seal of the United States under the bottom handle terminal, (minor toning, base hairlines), ht. 10 1/4 in.$800-1,20093Carved Bone Slide-lid Game Box with Painted Figures, possibly Napoleonic prisoner-of-war-made, early 19th century, the slide-lid top inset with two watercolor on paper depictions of a fashionably dressed young man and woman under glass, the top and sides ornamented with pierced and carved designs, some heightened with red and blue pigment, the interior containing twenty-four bone dominoes, (losses on corner posts of box), ht. 1 7/8, wd. 2, lg. 5 3/4 in.$400-60094Small Scrimshaw Ivory and Bone Yarn Swift, 19th century, with bird fnial on slender shaft with expanding bone slats with carved open mouth, dog-head clamp, with a closed fst on the threaded screw, and billing birds on one end of the head, (loose slat segments, repair on lower shaft), ht. 12 3/4 in.$600-80095Scrimshaw Whales Tooth, c. 1840s, the tooth decorated with a fashionably dressed lady, heightened with red pigment, (base chip), ht. 6 1/2 in.$500-70096Scrimshaw Whales Tooth with Engraved Ship, 19th century, depicting a ship of the line fying an American fag fanked by foral borders, heightened with red, green, and blue, with initials LS near the base, wd. 3 3/8, lg. 6 1/2 in.$800-1,20097Scrimshaw Engraved Whalebone Busk, 19th century, the busk engraved with a column of engraved designs including a fve-point star, an urn of fowers and vines, a heart, a plinth with central diamond fanked with leafy vines, and a fowering plant, with sawtooth border, 13 1/4 x 1 7/8 in.$400-60098Scrimshaw Whales Tooth, 19th century, the obverse decorated with a swan in a circular reserve over patriotic motifs of thirteen stars above a spreadwing eagle and an American shield in a cloud-like reserve fanked by furled fags and panoply, heightened with red and blue pigments, over a ship of the line at sea, fanked by two small round reserves depicting the Seal of Massachusetts, and an anchor foating above the sea with distant vessel, the reverse depicting an urn-topped monument beside a weeping willow tree, with sawtooth and swag and tassel borders at the top and a geometric border around the base, ht. 5 1/8 in.$1,000-1,50024 Additional information and photos at www.skinnerinc.comMarine Arts9299Small Scrimshaw Whales Tooth, depicting a mariner standing on the deck of a vessel looking through his spyglass, with the ships binnacle sail and rigging in the background, the reverse depicting a diving whale, (base chips), lg. 4 7/8 in.$300-500100Scrimshaw Whales Tooth with Three Vessels, 19th century, each vessel fying an American fag, (age cracks, base edge chips), ht. 5 1/2 in.$300-500101Scrimshaw Whale Tooth-handled Steel Dagger, 19th century, shaped whale tooth hilt, with carved birds head terminal, one side engraved with a surfacing and spouting sperm whale with distant whale ship, the other side with a leafy oval wreath, the top with a leafy vine with berries, with brass quillon and steel blade, lg. 10 in.$1,000-1,50025 Online bidding at www.skinnerinc.com94-102, 94 detail102Collection of Small Scrimshaw Items, mostly carved ivory, baleen, and bone, including a slide-lid box containing twenty-eight bone and ebonized wood dominoes, two ivory clamps, a bone-handled brass seal, a whistle, a game piece, an oval lapped-seam baleen box engraved with three houses, nine bodkins, one ornately carved with abalone inlay, a carved bone seam rubber topped with a clenched fst, a clothespin, ivory and baleen ladys leg handle, a small bone cup device with engraved sperm whale fgure, six ivory or bone folding tool devices, one with toothpick ear spoon and two-tine fork, a knife-form letter opener, a miniature dagger with sheath and metal blade, a miniature ball peen hammer, a snuff spoon, a tubular wood case containing a crochet hook and two picks, a fsh fgure, a turned bone handle with iron hook, and ten ebonized wood and bone dominoes, (losses), dia. 1 3/4 to 5 5/8 in.$800-1,200103Scrimshaw Clenched Fist Walking Stick, probably late 19th century, topped with a carved whales tooth in the form of a clenched fst, with a silver band connecting it to a faceted whalebone shaft with indistinct inscriptions Made and Presented TO H.D. FROST BY Capt. Wm. H. Thomas of Barque La--- New Bedford Mass. 15 May ----, the tip reinforced with wide bands of brass and copper, (fst cracked and with small loss), lg. 33 5/8 in.$700-900104Inlaid Mahogany Slide-lid Box, 19th century, probably sailor-made, rectangular dovetail-constructed box with shaped gallery, the lid with heart-shaped pull tab, two inlaid bone heart plaques, and incised geometric border, the sides of the box ornamented with incised compass-drawn medallions and lozenges, pintle-hinged compartment on the bottom, ht. 4 3/4, wd. 4 1/2, lg. 8 1/4 in.$300-500105Scrimshaw Whales Tooth, 19th century, the tooth decorated with two scenes, the top depicting a hilly landscape with a spire-top building fanked with palm trees, and a distant church, the bottom depicting two horses tied to a hitching post in a hilly landscape with trees, a house, and a church, (minor chips), ht. 6 1/2 in.$600-800106Scrimshaw-inlaid Mahogany Box, late 19th century, rectangular dovetail-constructed box with hinged lid and applied molding on the base, the cover and sides ornamented with inlaid blossom, heart, star, shield, and bowknot designs in contrasting light and dark wood segments, ht. 5 1/4, wd. 13 1/4, dp. 8 3/4 in.$400-600107Scrimshaw Ivory and Bone Yarn Swift, mid-19th century, with turned ivory yarn cup over expanding bone slats on a columnar bone shaft, with ivory ring height adjuster inlaid with red and black sealing wax, the screw inlaid with a piece of diamond-shaped abalone, ring-turned baluster-form table clamp, with a wooden stand, overall ht. 17 3/4, dia. approx. 12 in.$400-600108Inuit Carved Walrus Tusk Seal Figure, 19th century, the end of the fgure pierced, lg. 7 1/4 in.$800-1,200109Scrimshaw Paint-decorated Whale Earbone, late 19th/early 20th century, one side painted with the profle of a mustachioed gent, mounted on a diamond-shaped bronze base, ht. 4 3/4 in.$400-600110Four Sailors Knotwork Items, 19th century, a pair of beckets with fnely braided cordage and leather axle with pinked leather washers, a brush with plaited shaft painted red, white, blue, and black, and horsehair bristles, and an openwork lidded basket with two plaited strap handles, painted dark brown, becket wd. 7, lg. 11, brush lg. 16 1/2, basket ht. 7, wd. 6, lg. 10 1/4 in.$300-50026 Additional information and photos at www.skinnerinc.com114111Scrimshaw Polychrome Paint-decorated Swordfsh Sword, late 19th/early 20th century, one side of the blade depicting the Portland Head Light at Cape Elizabeth, Maine, an anchor, a spreadwing eagle and American shield, and a heart, the reverse with a heart and two diamonds, the mixed-wood hilt with relief-carved and painted hearts, an American shield, and an anchor, (minor loss to handle), lg. 41 in.$400-600112Two Small Souvenir Albums with Collections of Seaweed, possibly Jamaica, late 19th century, the albums each containing six pages with varieties of dried and pressed seaweed with ink-stamped identifcations, the album covers, according to the inscription on the last page, are made from the vertebrae of the whale killed in Montego Bay, and buried in the ground and used as side walk for over 25 years, approx. 5 x 6 in.$300-500113William John Huggins, publisher (British, 1781-1845)South Sea Whale Fishery. Painted and published by W.J. Huggins, London, engraved by T. Sutherland, Jan 1, 1825, identifed in inscriptions in the matrix, aquatint with hand-coloring on paper, 21 3/4 x 25 3/4 in., in a contemporary molded and silvered wood frame. Condition: Laid down onto cardboard, mat spot-glued to margins, cleaned.$400-600114Brass Breech-loading Whaling Shoulder Gun, Selmar Eggers, New Bedford, Massachusetts, patented February 12, 1878, the gun with patented feature of a pivoting lever on the stock to lock the breech block, with impressed makers mark and patent date on barrel, lg. 36 3/4 in.$1,500-2,500115Arctic Toggle Harpoon, probably late 19th/early 20th century, tapered wood shaft with pegged socket fastening the detachable walrus tusk harpoon point, with pegged bone toggle, overall lg. 43 3/4 in.$600-800116Carved and Painted Wooden Sperm Whale Plaque, Clark G. Voorhees, Jr. (1911-1980), Old Lyme, Connecticut, and Weston, Vermont, third quarter 20th century, signed with impressed artists conjoined initials CV and C. VOORHEES on the reverse, ht. 5, lg. 18 in.$1,500-2,500 117Large Carved and Painted Wooden Sperm Whale Plaque, Clark G. Voorhees, Jr. (1911-1980), Old Lyme, Connecticut, and Weston, Vermont, third quarter 20th century, signed with impressed artists conjoined initials CV and C. VOORHEES on the reverse, ht. 10, lg. 35 3/4 in.$4,000-6,000118Sailors Woolwork Wooly Ship Picture, England or America, 19th century, executed with wool yarns and silk and metallic threads depicting a ship of the line fying a British naval white ensign off the stern, with distant lighthouse, and a border with fowers and trees in the foreground, (toning, losses), 14 x 19 in., in a period mitered wood frame.$300-500119American School, 19th CenturySeaside Fishing Village. Unsigned. Oil on canvas, 25 1/4 x 25 1/2 in., in a later molded and painted wood frame. Condition: Five old patch repairs, three small tears, minor retouch.$600-80027 Online bidding at www.skinnerinc.com117116120Fine Cased Carved and Painted Model of the Naval Vessel LAFAYETTE, America, c. 1880, with a printed label in the lower corner of the case inscribed SHIP OF 1776, the model in the form of a naval ship, mounted with detailed carved and painted furnishings, and patriotic and whimsical fgures including a gilt eagle fgurehead mounted off the bow, the trailboards inscribed with the ships name, LAFAYETTE, in gold letters, the sternboard painted with a gilt spreadwing eagle, the hull painted red below the water line, and black above, with a medial white stripe mounted with cannons below a second row of cannons mounted along the deck; the deck is furnished with two large brass cannons facing forward, and a third somewhat smaller cannon just ahead of the rear mast, several sailors in blue uniforms, some seated, others reclining along the rail, with a four-piece band playing behind the cannons, a group of naval offcers standing near the windlass wearing dark blue uniforms and three-corner hats, three sentries posted around the deck, and a sailor looking through a telescope off the stern; the spars are well constructed in natural wood with accurate rigging; the bowsprit has a small American fag at the tip, a larger Union Jack above the dolphin striker, and a cat at the base of the bowsprit is staring at a bird sitting close to the tip of the bowsprit; at the top of the foremast is a Union Jack with four stars, an American banner fies from the main mast, an American fag fies from the top of the rear mast, another American fag fies off the gaff, and the gangway board is set on the port side; the painted plaster sea is scattered with two double-ended dories with black hulls pulled up to the gangplank and fve sailors with their oars held vertically as well as two seated offcers by the stern in a captains gig with a large American fag off the stern of the gig, and a smaller gig to the right with two sailors rowing an offcer sitting in the stern, to the left are three more rowing vessels, one with a formally dressed women at the stern, a dog at the bow and a sailor rowing them with a pair of red, white, and blue painted oars; the diorama is in a metal-mounted demilune case with original glass front and sides, a tin panel on the top leaving the glass sides to view the model, with a molded wood base; the back is ftted with a conforming wood panel hinged at the base for access, the interior of the backboard painted with a green sea with several painted ships along the horizon, and a small round island with a lighthouse and keepers house on the right, (minor imperfections), ht. 27 1/4, wd. 36 1/2, dp. 14 1/2 in.$8,000-12,00028 Additional information and photos at www.skinnerinc.com120121Black-painted and Laminated Wood Half-hull Ship Model, America, 19th century, mounted on a rectangular wood plaque, overall ht. 5 1/2, lg. 36 3/4 in.$600-800122Laminated Wood Half-hull Boat Model, America, late 19th/early 20th century, (losses to stern), ht. 4, lg. 27 1/2 in.$400-600123Hand-crafted Wooden Rowboat Model, late 19th/early 20th century, lapped-plank construction with brass-mounted keel, brass oarlocks and strapwork joining rudder and seats, with two oars, mounted on a wooden stand, (minor imperfections), overall ht. 6, wd. 6 1/4, lg. 26 3/4 in.$600-800124Cased Half-hull Model of the S.S. Burriana, early 20th century, the vessel identifed on a plaque and on the bow, composed of laminated and ebonized wood veneers, with carved wood and brass furnishings, and ink detail sketch of internal propeller and deck furnishing details, in a glazed molded mahogany case, overall ht. 16, wd. 76, dp. 9 in.Note: The S.S. Burriana was built in 1906 in Glasgow by Robert Duncan & Co., Ltd.$1,500-2,50029 Online bidding at www.skinnerinc.com124125Mounted Half-hull Model of J.P. Morgans Steam Powered Yacht CORSAIR, America, late 20th century, the hull painted in black and contrasting shades of brown, mounted on a mahogany plaque, 12 1/4 x 53 3/4 in. overall.$2,000-4,000126Cased Model of the Fishing Schooner Elizabeth Howard, made by Lewis H. Storey, 1919, the vessel identifed on the bow and on an engraved brass plaque with makers name and date, the wooden hull painted red and white with green and white-painted deck and furnishings, in a glass case with mahogany base, overall ht. 34 3/4, wd. 13, lg. 42 in.Note: The fshing schooner Elizabeth Ann Howard was built in 1916 in East Boothbay, Maine. She was designed by Thomas F. McManus and built by Frank C. Adams. She competed in but did not win the 1922 and 1923 Fishermens Race off Gloucester, Massachusetts.$600-800127Painted Wooden Model of a Schooner Yacht, Built aboard S.S. Exhibitor/Keel laid July 4, 1957/Construction completed January 6, 1960, typed information inscribed on label affxed to mounting panel, with scribed deck and detailed deck furniture, the hull painted white with red below the waterline, mounted on a wooden stand on a rectangular particleboard base with oak molding, overall ht. 53 1/2, wd. 13, lg. 57 in.$600-800128William P. Stubbs (American, 1842-1909)Portrait of the Topsail Schooner Island Home in Coastal Waters. Signed STUBBS l.l., dated 1877 l.r., vessel identifed on bow. Oil on academy board, 18 1/2 x 24 1/4 in., in a period molded giltwood frame. Condition: Minor puncture u.c., surface grime, artist board slightly bowed in frame, crease and minor paint loss u.l. corner.$1,500-2,500129American School, Late 19th/Early 20th CenturyPortrait of the Four-masted Steel Barque Dirigo in Coastal Waters. Unsigned, the vessel identifed on pennant and bow. Oil on canvas, 23 x 35 in., in a later molded giltwood frame. Condition: Good, canvas rippled at four corners, surface grime. Provenance: To Captain George W. Goodwin (frst captain of ship and at the helm for 13 years), then by descent to the present owners.Note: The Dirigo was built in 1894 by Arthur Sewall & Co., Bath, Maine, the frst steel ship built in the United States, to the design of J.F. Waddington, of Liverpool, at a total cost of $157,000. She was launched at the Bath, Maine, shipyard on February 3, 1894. Her frst captain was George W. Goodwin, of Calais, Maine, and his name is printed on paper label fragment affxed to the backing paper. She was a bulk cargo vessel plying the Atlantic and Pacifc for many years until WWI, on March 2, 1916, while carrying a load of barley to Sweden she was arrested by a British patrol ship and was brought to Lerwick, Shetland Islands, where the cargo was confscated as it was believed that the barley she was carrying would be trans-shipped from Sweden to Germany. She was released a year later, but on May 31, 1917, was sunk by explosives from a German submarine six miles southwest of the Eddystone Rock lighthouse off the coast of England. $4,000-6,00030 Additional information and photos at www.skinnerinc.com128130Paul Breem (American, 19th Century)Sloop Yacht Puritan. Signed and dated Paul Breem 98 l.l., titled in pencil on the reverse. Oil on academy board, 6 x 8 3/4 in., in a later molded wood frame. Condition: Very good.Note: The Puritan was a center-board sloop designed by the Burgess Brothers Company, built by George Lawley and Son, South Boston, and fnanced by members of Bostons Eastern Yacht Club. She was the winner of the 1885 Americas Cup yacht race.$300-500131American School, 19th CenturyPortrait of the Brig Rogelim of N. York Capt. A Crowel. Unsigned. Oil on canvas, the back of the canvas with a stamp from the New York frm of Edward Dechaux, 29 x 36 in., in a period molded giltwood frame. Condition: Scattered paint loss, craquelure, puncture to u.c. sky. Provenance: Purchased from the direct descendants of the captains family, June 1993.Note: The brig Rogelim was built in 1848 in Waldoboro, Maine, weighed 200 tons, and hailed from New York.$4,000-6,00031 Online bidding at www.skinnerinc.com131129132Edward J. Russell (Massachusetts/New Brunswick/Canada, 1832-1906)Portrait of the American Bark Warren Ordway. Signed and dated 1869 l.l., vessel identifed on stern and pennant. Watercolor on paper, 27 x 37 in., in a period molded giltwood frame. Condition: Laid down onto paperboard, repaired tear c.l., tear u.r. sky, retouch, toning.Provenance: A prominent Cincinnati, Ohio, collector.Note: The Warren Ordway was built in 1866 in Newburyport, Massachusetts, for a Mr. A. Currier of that city. Ephemera related to comparable Edward J. Russell paintings accompanies the lot.$1,000-1,500133American School, 19th CenturyNew York Harbor Scene at Sunrise. Unsigned. Oil on canvas, 32 x 55 in., in a later molded giltwood frame. Condition: Seven small patch repairs with retouch, minor craquelure.$1,500-2,000134James Gale Tyler (Connecticut, 1855-1931)Heading Out to Sea in Stormy Weather. Signed l.r. Oil on canvas, 17 x 14 in., in a gilt-gesso frame. Condition: Very good.$400-600135George W. Drew (Massachusetts, New York, 1875-1968)Rocky Harbor with Sailboats. Signed l.l. Oil on panel, 7 7/8 x 10 in., framed. Condition: Very good.$700-900136American School, Late 19th/Early 20th CenturySunset with a Ship of the Line at Full Sail with Distant Lighthouse. Signed Hacker l.r. Oil on canvas, the back of the canvas with stamp from the frm of F.W. Devoe & Co., 24 x 30 1/4 in., in a period molded giltwood frame. Condition: Three patch repairs with associated retouch and other minor retouch.$800-1,20032 Additional information and photos at www.skinnerinc.com137133132137Nathaniel Currier, publisher (American, 1838-1856)CLIPPER SHIP LIGHTNING, 1854 (Conningham, 1158). Identifed in inscriptions in the matrix. Large folio lithograph with hand-coloring on paper, sheet size 23 5/8 x 29 3/4 in., unframed. Condition: Margins 2 3/4 in. or more, minor toning and foxing, paper slightly rippled.$2,500-3,500138Thomas Birch (American, 1779-1851)The U.S. Frigate United States versus Macedonia in the War of 1812. Unsigned, inscribed #5 D7713... in crayon on the stretcher, identifed on a presentation plaque and on a typed label affxed to the backing, with a label from Closson Galleries, Cincinnati, Ohio, affxed to the backing. Oil on canvas, 24 1/2 x 32 in., framed. Condition: Lined, craquelure, varnish inconsistencies. Note: Ephemera related to comparable Thomas Birch paintings accompanies the lot.$60,000-80,00033 Online bidding at www.skinnerinc.com138139William Bradford (American, 1823-1892)Queen of the Seas. Unsigned, identifed on a presentation plaque. Oil on canvas, 33 x 52 in., framed. Condition: Lined, retouch, craquelure, surface grime.Note: The Queen of the Seas was built in East Boston by Paul Curtis and was owned by Glidden & Williams of Boston. Captained by Elias D. Knight, for her maiden voyage she joined the Deep Sea Derby in the fall of 1852, a race of the fnest clipper ships of the day from Boston and New York around Cape Horn to San Francisco. The Queen of the Seas set sail from Boston on November 3, 1852, and arrived in San Francisco March 11, 1853.Assorted ephemera concerning William Bradford paintings, the vessel Queen of the Seas, and an invoice (dated 1969) for conservation of the painting at hand, accompany the lot.$50,000-70,00034 Additional information and photos at www.skinnerinc.com139140Thomas Birch (American, 1779-1851)U.S.S. Pennsylvania, 1848. Titled, signed or inscribed, and dated ...by T. Birch 1848 on a handwritten label affxed to the stretcher. Oil and graphite on canvas, 22 x 33 1/4 in., framed. Condition: Lined, craquelure, scattered retouch.$10,000-15,000141William Bradford (American, 1823-1892)Hauling Boats Ashore. Unsigned, inscribed Sketch by Wm. Bradford in pencil on the reverse. Graphite on paper, sheet size 6 1/4 x 11 3/8 in., framed. Condition: Tape-hinged to backing mat, restored tears to right margin, toning, trimmed top edge.$800-1,200142Raffael Corsini (Turkish, active Smyrna, 1830-1880)Bark Martha Clark, Capt. Austin Miller, at Anchor in Constantinople April 2, 1852. Signed l.r., titled below. Gouache on paperboard, 16 3/4 x 23 1/4 in., in a period molded mahogany frame with gilt liner. Condition: Some pigment separation in water area.$5,000-7,000143Honore Pellegrin (France/United Kingdom/United States, 1793-1869)Barque Pamphylia of Boston, Captn E.A. Nickerson, Entering Marseille 1853. Unsigned, artists printed label affxed to the paperboard back, titled below, the vessel identifed on bow, stern, and pennant. Watercolor and gouache on paperboard, 19 1/4 x 25 1/4 in., in a later molded giltwood frame. Condition: Minor toning, a few scattered abrasions with paint loss in sky and water. $1,500-2,00035 Online bidding at www.skinnerinc.com140142143144Attributed to Raffael Corsini (Turkish, active Smyrna, 1830-1880)The Brigantine Otis of Philadelphia off Smyrna January 7, 1833. Unsigned, titled below, Otis of Philadelphia/T. Williams Commander, Smyrna Jany 7th 1833. Gouache on paper, 17 x 22 1/8 in., in a later molded and painted wood frame. Condition: Laid down onto thin card, minor foxing, scattered retouch to spots around the edges and abrasions in background sky.$1,500-2,000145Attributed to Honore Pellegrin (France/United Kingdom/United States, 1793-1869)Barque Vigo leaving Marseilles, September 4 1862. Unsigned, the vessel identifed on pennant. Watercolor and gouache on paperboard, sight size 17 x 23 3/4 in., in a later gilt and painted molded wood frame. Condition: Minor toning, foxing, light staining to sky. Note: Ephemera related to comparable Honore Pellegrin paintings accompanies the lot.$1,500-2,00036 Additional information and photos at www.skinnerinc.com144145146Reginald Arthur Borstel (Australian, 1875-1922)Portrait of the British Bark Earl Cadogan. Signed and dated 1910 l.r., and inscribed HOOD/STOCKTON/HSW l.r., the vessel identifed on the bow. Oil on canvas, 30 x 40 in., in a molded gilt-gesso frame. Condition: Relined, retouch, minor craquelure. Note: The Earl Cadogan was built in 1892 by Russell & Co. in Point Glasgow, Scotland. Her owner was F.M. Tucker and her captain was D. Williams. She was a British registered bark of 32 tons, and was 237 ft. long.$2,000-3,000147French School, 19th CenturyThe French Brig Eugene et Jenny Sailing in Stormy Weather. Indistinctly signed B. Roug-- l.r., dated 1881, title inscribed in French below. Watercolor on paper, 18 1/4 x 25 in., in a period molded mahogany frame. Condition: Toning, foxing, scattered abrasions.$1,500-2,00037 Online bidding at www.skinnerinc.com14714638 Additional information and photos at www.skinnerinc.com150148148William Howard Yorke (British, 1847-1921)Portrait of the Brig Emerald in a Gale, 1879. Signed and dated W. Yorke. Lpool 1879 l.l., inscribed Brig Emerald/Capt. Henry l.r. Oil on canvas, 20 x 30 1/4 in., in a later molded and gilded wood frame. Condition: Scattered retouch, cleaned, and varnished. Note: According to inscriptions on a brass plaque affxed to the frame, the Emerald was built in Guernsey in 1866, and foundered in the Bay of Biscay, December 1879.$3,000-5,000149Anglo/American School, 19th CenturyNew York Harbor Yacht Race. Bears signature and date W.H. Yorke 1893 l.r. Oil on panel, 23 7/8 x 28 7/8 in., in a period mitered oak frame. Condition: Very good.$800-1,200150Duncan McFarlane (British, 1818-1865)Portrait of the American Ship Ocean Eagle Entering Liverpool. Signed and dated D. McFarlane/1854 l.l. Oil on canvas, 24 x 36 in., in a later molded giltwood frame. Condition: Retouch u.c., minor craquelure. Note: The Ocean Eagle was built in Medford, Massachusetts, in 1851, and hailed from the port of Boston. Ephemera related to comparable Duncan McFarlane paintings accompanies the lot.$12,000-18,000151McFarlane or Liverpool School, 19th CenturyThe American Barkentine Golden Sheaf Sailing in Coastal Waters. Unsigned. Oil on canvas, 20 1/8 x 28 in., in a later molded wood frame. Condition: Relined, scattered paint loss and retouch around edges.$3,000-5,000152British School, 19th CenturyAnchorage with British Ship of the Line. Unsigned. Watercolor and gouache on paper applied to paperboard, 14 x 23 3/4 in., in a period molded giltwood frame. Condition: Toning, minor foxing. Note: The primary vessel is fying a blue ensign, the fag of ships in public service or commanded by an offcer in the Royal Naval Reserve.$800-1,20039 Online bidding at www.skinnerinc.com151153Anglo/American School, 19th CenturySide-wheeler Paddle Steamer in Coastal Waters. Unsigned, the vessel carrying a British red ensign off the stern. Oil on paperboard, 16 1/2 x 22 in., in a later molded mahogany frame with gilt liner. Condition: Craquelure, scattered stains, surface grime, abrasions.$800-1,200154American School, 19th CenturyBARQUE NAVESINK PASSING THE BURNING WRECK ARIANNI. Unsigned, titled below, vessel identifed on trailboard and in title. Oil, watercolor, gouache, and pencil on paper, 22 1/4 x 28 in., in a period molded mahogany frame with gilt liner. Condition: Toning, stains, puncture u.c. Note: The bark Navesink was built by Miller (or Melvill) & Barstow & Co. in Newcastle, Maine, in 1866.$800-1,200155American School, Late 19th/Early 20th CenturyPortrait of a Tugboat. Unsigned, the name of the vessel indistinctly inscribed C.G. FOBES on the bow. Oil on canvas, 14 x 20 in., in a period molded gilt-gesso frame. Condition: Very good.Note: The stretcher bears a label for F. Weber & Co., Baltimore, Maryland.$400-600156Robert Lee Perry (Massachusetts and Maine, 20th Century)American Ship in Coastal Waters. Signed l.r. Oil on canvasboard, probably after a Chinese school painting, 20 x 24 in., in a carved and painted wood frame.$800-1,200157Cast Iron Sailor Doorstop, manufactured by Littco Products, Littlestown, Pennsylvania, c. 1930, original paint, ht. 11 7/8 in.$600-800158Cast Iron Shell Out Shell-form Still Bank, manufactured by J. & E. Stevens, Cromwell, Connecticut, c. 1882, original paint, with impressed 1882 patent mark on bottom, (paint wear), ht. 2 1/2, wd. 5 1/4 in.$250-350159Cast Bronze Lighthouse-form Andirons, 20th century, with cast iron billet bars and log-stops, ht. 17, wd. 11, dp. 18 1/2 in.$600-800160Two Cast Iron Lighthouse Doorstops, early 20th century, each depicting a lighthouse and lighthouse keepers cottage, (scattered retouch and paint wear), ht. 6, 6 1/4, wd. 7 1/2, 7 7/8 in.$300-500161Sextant and Pulley Marine-theme Lamp Base, 19th and early 20th century, the brass sextant inscribed Cox, Devonport & Plymouth, mounted on a wood and brass pulley base, with later tubular brass shaft, and two-socket fxture with brass eagle fnial, overall ht. 28 1/2 in.$200-300162Sterling Silver Card Case with Enamel-decorated Sea Battle Scene, 19th century, rectangular hinged case, the top with enamel-painted depiction of a battle at sea with two galleons in the foreground with canons fring, surrounded by several small vessels, with seaside cliffs and buildings in the distance, the bottom and sides with greenish-gray engine-turned enamel ornament, gold-washed interior, BF in an oval and indistinct makers marks, 2 1/4 x 3 1/4 in.$600-800163Brass, Steel, and Walnut Pistol-form Flintlock Tinder Lighter, Rawle, London, late 18th century, with scrolled brass stand, candle holder, engraved scrolled foliage and makers marks on brass mounts, and hinged compartment, steel fint holder, striker, and trigger guard, with a carved walnut grip, ht. 5 3/8, lg. 8 in.$800-1,20040 Additional information and photos at www.skinnerinc.com163164Civil War Pennsylvania 53rd Regiment Pieced and Gilt-stenciled Silk American Flag, c. 1864, likely a camp fag, with a hand-stitched feld composed of seven red and six white stripes, the central red stripe with the gilt inscription 53D. PA., the blue canton ornamented with thirty-four gilt-stenciled stars, the inner sleeve reinforced with linen, (loss u.r. corner, tears, creases, soiling), 23 1/2 x 21 1/2 in. Provenance: From Captain Archibald F. Jones, (b. January 7, 1824, d. March 8, 1879), who served in the 53rd Pennsylvania Volunteer Regiment, Company G, recruited in Potter County, mustered in October 29, 1861, served for two and a half years, and was discharged July 24, 1864, by family descent to the consignor. Note: During the American Civil War the 53rd Pennsylvania Volunteer Infantry, comprising ten companies with 1,993 total enrolled, and assigned to the Second Corps, was one of the most hard-fought organizations of the Union army, taking part in all of the major battles from 1862 in Virginia, until the end at Appomattox Court House on April 9, 1865, including the Second Battle of Bull Run, Antietam, Fredericksburg, and Gettysburg, where it is reported that Captain Archibald Jones, the recipient of this fag, sustained a severe wound from which he never fully recovered.$8,000-12,00041 Online bidding at www.skinnerinc.com164Additional information and photos at www.skinnerinc.com165Engraved Powder Horn, c. 1808, the horn engraved with a stag and a tree, a standing Indian wearing a feathered headdress smoking a pipe, and a shaped reserve with the name G. COLLIS and the date 1808, the butt end inset with a mirror fragment, lg. approx. 8 3/4 in.$1,200-1,500166Paint-decorated Field Drum, Eli Brown, Windsor, Connecticut, c. 1833, the drum with lapped-seam maple shell applied with a distinctive brass tack geometric pattern of a circle and diamonds around the vent hole, and with polychrome-painted American eagle, shield, and stars, which was possibly painted after the drum was purchased; the interior bearing a paper makers label reading ELI BROWN, DRUM MANUFACTURER, HAS CONSTANTLY FOR SALE BASS AND SNARE DRUMS/MADE IN THE NEATEST AND BEST MANNER/Windsor (Wintonbury Soc.) Conn. 1833 No. 1712.; with red-painted hoops, later ropes and leather ears, accompanied by a later pair of drumsticks, (imperfections), wd. 13 1/2, dia. 17 1/2 in. Note: Eli Brown descended in a family which settled in the Windsor, Connecticut, area, and whose ancestors served in the Revolutionary War. The Browns of Wintonbury were mainly subsistence farmers and it is proposed by some that a few members used their additional skills of coopering to make drums, some possibly carried in the Revolutionary War. The drum business operated until the mid-19th century by Benjamin, Moses, William, and Eli (the most prolifc of the four) Brown. It is reported that over 100 Brown-made drums are held in museums, ffe and drum corps, and historical societies.$800-1,200167Relief-carved Wooden Eagle Plaque, America, 19th century, rectangular plaque with integral relief-carved spreadwing eagle with delineated feathers on body and wings, the background painted cream over earlier gray, ht. 4 3/4, wd. 17 3/4 in.$500-700168Cast Gilt-bronze Spreadwing Eagle Figure, America, 19th century, cast in the half-round, can be displayed freestanding, hung, or mounted, ht. 6 3/4, wd. 15 1/2, dp. 4 1/4 in.$500-700169Leather Fire Bucket Decorated with an Indian Maiden, probably eastern United States, early 19th century, decorated with a gilt leafy scroll cartouche centering a polychrome partially clad female Indian standing in a landscape on a dark blue ground, with leather handle and gilt and black-painted collar, (scattered paint loss), ht. to top of collar 12 3/4, ht. to top of upright handle 18 in.$600-800170Painted Leather WASHINGTON FIRE-CLUB Fire Bucket, Roxbury, Massachusetts, c. 1811, the bucket with partially wrapped leather and rope handle, painted gray-blue, decorated with a bowknot, a tasseled banner inscribed JOHNNY ABBOT over an oval reserve inscribed WASHINGTON FIRE-CLUB 1811, above crossed branches, (paint wear), ht. to top of collar 11 1/2 in. Note: The Washington Fire Club was instituted at Roxbury, Massachusetts, on January 21st, 1800. According to the rules and regulations of the club, it was to consist of no more than ffteen members, with each member pledging, under penalty of fnes, to uphold and follow a list of ten articles. Under the frst article it is required that each member shall provide himself with two leather Buckets, two Bags... and a bed Key,... the buckets to be painted strictly in uniform... When a fre alarm sounded the club members were to immediately repair to the buildings occupied by a member, which shall be most in danger, with our Buckets, Bags, and Key, and will use our best endeavours to extinguish the Fire and secure the property...$400-60042170169171Molded Gilt Copper Peacock Weathervane, A.L. Jewell and Company, Waltham, Massachusetts, 1850-77, fattened full-body fgure with embossed sheet copper tail and zinc feet, mounted on a copper sphere, no stand, (losses to crest and sphere), ht. 32 3/4, lg. 40 in. Literature: A similar example by A.L. Jewell and Company is illustrated in Steve Miller, The Art of the Weathervane (Pennsylvania: Schiffer Publishing Ltd., 1984), p. 136.$10,000-15,00043 Online bidding at www.skinnerinc.com171172Polychrome-painted Sheet Iron Early Touring Car Weathervane, America, early 20th century, cut-out and pierced silhouette weathervane depicting a lady at the wheel of an open-top, four-door sedan, no stand, (scattered paint loss), ht. 28, lg. 32 3/4 in.$10,000-15,00044 Additional information and photos at www.skinnerinc.com172173Molded Copper Setter Weathervane, attributed to J.W. Fiske, or E.G. Washburne, New York, late 19th century, molded, fattened full-body sheet copper fgure mounted on a copper rod, with remnants of earlier mustard paint, no stand, (dents), ht. 15 1/4, lg. 33 1/2 in. Literature: Similar setter weathervanes are illustrated in Steve Miller, The Art of Weathervane (Pennsylvania: Schiffer Publishing Ltd., 1984), pp. 9, 56, 154, and Illustrated Catalog and Price List of Copper Weather Vanes Manufactured by J.W. Fiske, 1893.$1,500-2,500174Molded Sheet Copper Brahman Cow Weathervane, America, early 20th century, fattened full-body standing fgure mounted on a copper rod, allover verdigris surface, with iron shaft with copper sphere, and directionals, no stand, (dents, minor seam separation), ht. 18 1/2, wd. 27 1/2 in.$1,500-2,50045 Online bidding at www.skinnerinc.com174173175Carved and Gilded Wood and Iron Rooster Weathervane, America, 19th century, fattened full-body form with carved features, pierced eye, on cut-out shaped sheet iron legs, weathered surface, with stand, (repairs), ht. 24 1/4, lg. 17 in.$700-900176Green-painted Sheet Iron Locomotive Weathervane, America, early 20th century, with riveted bands of copper reinforcing the back, ht. 19 3/4, lg. 43 in.$500-700177Molded Copper Running Horse Weathervane, America, early 20th century, fattened full-body fgure mounted on a copper rod, verdigris surface, no stand, (tail re-soldered, minor dents), ht. 16, lg. 26 in.$400-600178Queen Anne Cherry Roundabout Chair, New England, mid-18th century, old surface, (minor imperfections), ht. 30 1/2, seat ht. 17 1/2 in.$1,500-2,500179Two Pairs of Pewter Candlesticks and a Porringer, a pair of mid-18th century Continental rococo candlesticks with asymmetrical ribs, the base with oval makers mark of an angel holding a crown and a branch and the initials IM and S; a pair of baluster-stem candlesticks by Roswell Gleason, Dorchester, Massachusetts, (ac. 1822-1871), marked GLEASON on the base; and a crown-handled porringer, by Thomas D. and Sherman Boardman, Hartford, Connecticut, (ac. 1810-1820), marked T.D. & S.B. on the handle, (dents), ht. 9 5/8, 7, 1 7/8, respectively, bowl dia. 7 3/8 in., including handle.$400-600180Four Pewter Coffee/Teapots, America, early 19th century, pear-shaped vessels with black-painted hollow pewter handles, one by Daniel Curtiss, Albany, New York, one with the mark of Thomas Boardman & Co., New York City, and Hartford, Connecticut, and X quality mark, and two by Sellew & Co., Cincinnati, Ohio, (minor wear), ht. 10 3/4 to 11 1/8 in.$400-60046 Additional information and photos at www.skinnerinc.com176175181Queen Anne Cherry Oval-top Tea Table, New England, mid-18th century, on block-turned tapering legs ending in pad feet, old refnish, (minor imperfections), ht. 26 1/2, wd. 25, dp. 35 in.$700-900182Queen Anne Maple Drop-leaf Dining Table, probably Massachusetts, c. 1740-60, the circular drop-leaf top on rolled shaped apron joining cabriole legs ending in pad feet on platforms, refnished, (imperfections), ht. 27 1/4, wd. 43 1/4, dp. 41 1/2 in. $800-1,200183Queen Anne Maple Drop-leaf Table, probably Massachusetts, c. 1740-60, diminutive circular drop-top above a valanced apron joining cabriole legs ending in pad feet, ht. 27, dia. 36 in.$800-1,200184Queen Anne Figured Maple Drop-leaf Dining Table, probably Massachusetts, c. 1740-60, circular top with rolled shaped apron, refnished, (minor restoration), ht. 28, dia. 41 1/2 in.$1,000-1,500185Relief-carved Mahogany Document Box, Continental, late 18th/early 19th century, dovetail-constructed rectangular box with snipe-hinged lid, the top and sides with all-over relief-carved surface with roundels with fve-point stars, pinwheels, geometric and undulating foliate medallions with foliate and sawtooth borders, the top carved with the initials LKT and MLT, one side slides up to reveal a drawer with six compartments, (imperfections), ht. 4 3/4, wd. 10 1/2, dp. 6 in.$500-700186Relief-carved Two-tier Mahogany Spoon Rack, Continental, early 19th century, carved and pierced heart crest, over a relief-carved pinwheel and medallion with Dutch inscription Het Weynige/Dat De Recht/Veerdige Heeft, with two half-round slotted tiers, with conforming relief carving, ht. 15 1/4, wd. 5 3/4 in.$400-600187Pewter Charger, attributed to Nicholas Jackman, London, early 18th century, with partial makers mark and touchmarks on the reverse, dia. 16 1/4 in.$250-350188Four Pewter Teapots, America, early 19th century, three of fattened spherical form with hinged domed covers: one by Lorenzo L. Williams, Philadelphia, one by Samuel Simpson, Yalesville, Connecticut, and one by George Richardson, Boston, and Cranston, Rhode Island; and a tapered cylindrical pot by Morey & Ober, Boston; all with hollow pewter handles, three handles painted black, (minor wear and dents), ht. 7 to 8 1/2 in.$400-600189Two Pairs of Pewter Candlesticks, reportedly Cincinnati, Ohio, 19th century, baluster-form sticks ornamented with ribbed bands, with removable bobeches, (minor imperfections), ht. 9 1/2 in.$300-50047 Online bidding at www.skinnerinc.com179partial181180partial178190Seven Pewter Lighting Items, America, early to mid-19th century, four baluster-stem candlesticks: an unmarked pair, one with marks for Henry Hopper, New York, and a single unmarked candlestick; three chamber lamps, two with cylindrical fonts on saucer bases, one by Roswell Gleason, Dorchester, Massachusetts, and one by Thomas Wildes, Philadelphia, and New York City, with whale oil burners, and a lamp with camphene burners on an acorn-shaped font and dished base, by Yale & Curtiss, New York City, ht. 5 7/8 to 10 1/8 in.$400-600191Chippendale Cherry and Maple Carved Scroll-top Chest-on-chest, possibly Connecticut River Valley, late 18th century, the crest with pinwheel-carved terminals and fame fnials, the top section with central pinwheel-carved drawer and fanking futed pilasters, original brasses, old refnish, (minor imperfections), ht. 87, lower case wd. 38 3/4, lower case dp. 20 1/2 in.Provenance: Lloyd Cabot Briggs, then by family descent to the consignor.$3,000-5,00049 Online bidding at www.skinnerinc.com191192Chippendale Carved Cherry Chest of Drawers, Connecticut, late 18th century, rectangular top with molded edge above a cockbeaded case of four graduated drawers on gadrooned carved ogee bracket base, replaced brasses, refnished, (imperfections), ht. 37 1/2, wd. 36 1/2, dp. 17 in.$1,200-1,500193Chippendale Inlaid Cherry Chest of Four Drawers, Connecticut River Valley, the top with string-inlaid edge on four cockbeaded graduated drawers, fanked by quarter columns, all on ogee bracket feet, replaced brasses, refnished, (imperfections), ht. 35 1/2, case wd. 41 1/2, dp. 19 1/2 in.$1,000-1,500194Chippendale Cherry Chest of Drawers, probably Connecticut River Valley, late 18th century, the overhanging molded top with serpentine front and half serpentine ends, above a case of four thumb-molded graduated drawers, all on ogee bracket feet, brasses appear to be original, refnished, (minor restoration), ht. 34, wd. 40, dp. 20 in.$1,500-2,500195Chippendale Figured Maple Serpentine Chest of Drawers, Springfeld, Massachusetts, area, late 18th century, the molded top with serpentine front on conforming case of four graduated drawers on bracket feet, brasses appear to be original, refnished, (minor restoration), ht. 32 3/4, wd. 37 3/4, dp. 20 1/2 in.$1,000-1,500196Chippendale Tiger Maple Slant-lid Desk, possibly Maine, late 18th century, with stepped interior of valances and drawers, and case of four thumb-molded drawers on bracket feet, brass pulls appear to be original, refnished, (minor restoration), ht. 43 3/4, wd. 38 1/4, dp. 18 in.$1,000-1,500197Chippendale Tiger Maple Slant-lid Desk, New England, late 18th century, the interior of eight valanced compartments and nine drawers, above a case of four thumb-molded graduated drawers on bracket feet, replaced brasses, refnished, (repairs), ht. 42, wd. 36, dp. 18 in.$800-1,20050 Additional information and photos at www.skinnerinc.com192194198Chippendale Carved Figured Maple Tall Chest of Drawers, southeastern New England, late 18th century, the case with six thumb-molded graduated drawers, the topmost with three-drawer facade centering a carved fan, replaced brasses, refnished, ht. 51 1/2, wd. 36, dp. 18 in.$800-1,200199Chippendale Mahogany Veneer Scroll-frame Looking Glass, possibly Pennsylvania, c. 1800, refnished, (imperfections and repair), ht. 50, wd. 23 1/2 in.$300-500200Mahogany Veneer Inlaid Mirror, America or England, c. 1800-10, the scrolled frame centering an inlaid conch shell in the crest, above an inlaid mitered liner, refnished, (imperfections), ht. 36, wd. 19 1/4 in.$400-600201Chippendale Mahogany Carved Side Chair, Boston, late 18th century, the cresting with foliate carving above a pierced diamond splat, ht. 37, seat ht. 17 in.$1,500-2,500202Pair of Chippendale Mahogany Side Chairs, possibly southern United States, late 18th century, the serpentine crest rails with square terminals above pierced Gothic splats incorporating symmetrical scrolls centering a heart, on trapezoidal slip seats and square beaded legs, refnished, (imperfections), ht. 39 1/2, seat ht. 18 in.$300-500203Chippendale Mahogany Easy Chair, probably New England, late 18th century, the serpentine cresting continuing to sides, on outward-scrolling arms with concave fronts, the square molded front legs joined to the raking rear legs by square stretchers, (lacks upholstery), ht. 47, seat rail ht. 13 in.$2,500-3,50051 Online bidding at www.skinnerinc.com201204Chippendale Cherry Oxbow Slant-lid Desk, probably Massachusetts, late 18th century, the interior with central prospect drawer fanked by drawers and valanced compartments, on cockbeaded case of four graduated drawers on conformingly shaped ogee bracket feet, replaced brasses, refnished, (imperfections), ht. 43 1/4, wd. 43, dp. 22 in.$1,500-2,500205Chippendale Mahogany Slant-lid Desk, possibly Maine, late 18th century, the interior with central inlaid prospect drawer fanked by three drawers and four valanced compartments, over a case of four cockbeaded graduated drawers on bracket feet, brasses appear to be original, (repairs and imperfections), ht. 42 1/2, wd. 42, dp. 20 1/2 in.$1,000-1,500206Staffordshire Pottery Tortoiseshell-glazed Teapot and Platter, England, c. 1770, squat globular teapot with molded crabstock handle and spout, applied vines, leaves, and berries in relief, set on three lion mask and paw feet, bird fnial; the oblong tray with chamfered corners; (imperfections), ht. 4 3/8, tray 8 1/2 x 12 1/4 in.$800-1,200207Three Staffordshire Pottery Cottage Mantel Ornaments, England, early 19th century, (minor loss on one), ht. 4 1/4 to 6 1/2 in.$300-500208Pearlware Oval Footed Chestnut Basket and Stand, England, early 19th century, lobed reticulated rims with blue feather edges and scrolled foliate handles, overall ht. 4, wd. 8 1/4, lg. 11 1/2 in.$100-200209Ten Assorted English Pottery Items, early to mid-19th century, a blue feather-edge pearlware dinner plate with hand-painted foral decoration, a Wedgwood fow blue pitcher in the Chapoo pattern, a fow blue futed, footed bowl in the Japan pattern, a Clews blue transfer-decorated tea bowl depicting children and a dog, a small tea bowl and saucer with red and green foliate and bud border, a small spatterware plate decorated with a peafowl on a green sponged ground, four red transfer-decorated items: two small plates depicting Monte Video Connecticut U.S. and a tea bowl and saucer depicting a farm scene, ht. to 8 in.$300-500210Pair of Porcelain Poodles with Baskets of Flowers, probably England, 19th century, the fgures with turned heads, with encrusted bits of applied and glazed clay particles on head, frontal body, and tail tip, the front feet and rear body with mottled brown and blue glaze, each carrying a yellow basket of fowers in its mouth, ht. 3 5/8, lg. 4 3/8 in.$300-500211Eight Mostly English Ceramic Pitchers, early 19th century, fve lustreware pitchers, three decorated with hunt scenes, one with transfer allegorical fgure of CHARITY, and one ornamented with a medial band of fowers; a lead-glazed creamware Fair Hebe Jug, England, c. 1788, attributed to Voyez, modeled as a tree trunk decorated with a man, girl, boy, and a dog in relief, a blue and white transfer-decorated pitcher with a landscape with milkmaid, gentleman, cows, and a cottage, and a three-quart Rockingham-glazed hound-handled ale pitcher with cover decorated with hunt scenes, (imperfections), ht. 4 7/8 to 10 3/4 in.$200-30052 Additional information and photos at www.skinnerinc.com206212Mary B. Tucker (Massachusetts, 1784-1853)Profle Portrait of a Boy Holding an Orange. Signed and dated By Mary B. Tucker. 1842 l.r. Watercolor and pencil on paper, 22 x 18 1/4 in., in a mahogany veneer frame with gilt liner. Condition: Laid down onto card, toning, tear c.r., minor foxing. Note: A painting of two children attributed to artist Mary B. Tucker was exhibited in Women Only: Folk Art by Female Hands, April 6 to September 12, 2010, at The American Folk Art Museum, New York. The checklist of artists at the exhibition contains updated information regarding this little-known artist: To date, nine watercolor portraits can confdently be attributed to the elusive artist Mary B. Tucker, and eight more are signed with her name and dated between 1840 and 1844. The severe watercolors are primarily bust- or waist-length, with the sitters shown in profle or slightly turned; all are executed on large-format sheets of paper, and none has a room setting or landscape view. A heavy black shading around the heads and necks of the subjects is used in the artists earlier efforts. Later portraits show a more diffused shading over larger areas of the paper. The portraits continued a tradition of large-scale, half-length watercolor portraits that pictured a modest segment of society. Past conjecture about the identity of the artist placed her in Boston and the Concord-Sudbury area of Massachusetts. Recent research suggests she is Meribah Mowry of Douglas, Massachusetts, who married Chilon Tucker of Uxbridge in 1816. No evidence has yet been discovered to describe her relationship to the sitters, though it is possible that she taught painting, as Uxbridge was the site of a prestigious preparatory school. The inclusion of an illustrated primer in two double portraits of children tends to support this thesis.$8,000-12,00053 Online bidding at www.skinnerinc.com212213Polychrome and Gilt Paint- and Stencil-decorated Yellow Tin Tray, late 19th century, the oblong tray with central rectangular reserve stenciled with a fanciful bird amidst fowers on a contrasting black ground, the rest of the tray ornamented with undulating fowering vines against a yellow ground, (minor paint loss), 15 1/4 x 20 1/4 in.$400-600214Dome-top Box with Interior Decoration, America, early 19th century, the box covered with faint diamond pattern on black canvas, trimmed with brass-tack-studded black leather, with brass swing handle and latch, the interior ornamented with compass-drawn foral, circular, and heart designs, with faint ink inscriptions on either end: Foster Feb. ---- 14 Ae 1826/The nightingale doth sweetly sing/to welcome in the cheerful Spring and Though so lovely and so fair a winding sheet we soon must wear, ht. 5 3/4, wd. 10, dp. 6 in.$200-250215Silver Tankard, Jacobus Van der Spiegel, New York City, c. 1700, straight tapered sides on body with applied molded rim and base, with raised circular single-step lid with fat top, crenellated at the front, cast cocoon thumbpiece, fve-segment cast hinge fanked by bands of wigglework, and a band of leaves, hollow C-curved handle with cast mask of a bearded face, the handle with engraved monograms I*M over A*T, and with makers marks S/IV in a trefoil, struck three times on the top of the lid, (imperfections), ht. 6 1/4 in., approx. 27 troy oz.Note: Similar tankards by this maker are in the collections at Yale University Art Gallery, Winterthur, the Philadelphia Museum of Art, and the Metropolitan Museum of Art.$30,000-50,000215American & English Silver216Sterling Silver Kettle on Stand, London, 1737, spherical form kettle on a circular stand, joined by a tripod scrolled foliate burner support with removable circular burner, the kettle with scroll spout, scroll swing handle with mermaid mounts and wooden grip, the body ornamented with chased scroll and foliate rococo borders and two coats of arms in a scroll foliate cartouche, with hinged cover, GS makers mark, London, and date marks under base and burner, (imperfections), overall height with handle upright 14 in., approx. 74 troy oz. total, including handle.$1,000-1,500217Rococo Sterling Silver Salver, John Munns, London, 1754, fat circular tray with raised shaped rim ornamented with blossoms and foliage, raised on three paw feet, the bottom with engraved monogram M*S and impressed makers marks, ht. 1 1/8, dia. 6 7/8 in., approx. 10.5 troy oz.$500-700218Sterling Silver and Turned Wood-handled Sauce Pan, London, 1762, bulbous pot with a spout perpendicular to the turned wooden handle, with the initials SG engraved under the spout, F [pellet] G makers mark, London, and date marks struck on bottom, (dents to bowl, loss and crack to handle), overall ht. 6 in., approx. 12 troy oz. including handle.$400-600219Two Sterling Silver Tablespoons, Paul Revere, Jr., Boston, c. 1800, each with oval bowl and downturned fddle handle with engraved AH monogram and REVERE makers mark, lg. 9 in., approx. 4 troy oz. total. Literature: Colonial Massachusetts Silversmiths and Jewelers, by Patricia E. Kane et al. (New Haven, Connecticut: Yale University Art Gallery, 1998), p. 795, the spoons bear Paul Revere, Jr.s makers mark similar to examples C and D; see p. 833 which lists two tablespoons with the engraved monograms AH and referenced by the Museum of Fine Arts, Boston, in 1906, no. 266 and 267.$3,000-5,000220Nine Coin Silver Serving Spoons, America, late 18th/early 19th century, fddle-handle spoons with oval bowls, each with engraved monograms and impressed makers marks on the handles: four J.BAILEY in a rectangle, possibly John Bailey III (1787-1883), Maine and Massachusetts, three B. PITMAN, for Benjamin Pitman, Providence, Rhode Island, and two B.H. TISDALE, for Benjamin H. Tisdale, Newport, Rhode Island, lg. 8 1/4 to 9 1/4 in., approx. 14 troy oz.$200-300221Silver Sugar Bowl with Lid, Joseph Lownes, Philadelphia, c. 1775, circular urn-form body mounted on a pedestal faring to a circular plinth on a square base, domed circular cover with pineapple fnial, beaded bands on cover bowl rim, pedestal, and plinth, the bowl with engraved with a shield-shaped reserve outlined with a bowknot, bellfowers, and leafy branches, centered with the initials DES, and with two engraved inscriptions around the square base edge: Presented to L.L.L. by D.S. Jr. Jany 1st 1875., and D. & E.S. Married 1780, makers marks struck four times on bottom, (loss of two leaves on pineapple, minor wear), ht. 9 1/2 in., approx. 7 troy oz.$800-1,20055 Online bidding at www.skinnerinc.com219222Silver and Mother-of-pearl Baby Rattle, England, 19th century, with repouss and openwork silver bust of a jester or Punch character with silver bell tassels, mounted with a mother-of-pearl teething ring and pacifer, indistinct makers marks, lg. 6 3/4 in.$400-600223Silver Whistle and a Silver and Coral Baby Rattle, mid to late 19th century, the whistle possibly American, with embossed foliage and fower decoration, L&S makers marks, the rattle with London makers marks, and 1813 date mark, with coral pacifer, embossed foliage and fower decoration, and three pendant bells, (losses to both), lg. 1 3/4, 3 1/4 in.$300-500224Four-piece Silver Tea Set, Joseph Lownes, Philadelphia, c. 1800, coffeepot, teapot, open bowl, and creamer, each with paneled urn-shaped body on a rectangular base with chamfered corners, ornamented with a wide shoulder band with engraved panels of decoration: foral and foliate wreaths, urns, and two shields, the shield on one side centered with the initials LL, the other side with engraved date 1808, (open bowl not dated), the lower body tapered, and encircled with a band of lapped acanthus leaves, the coffeepot and teapot with conforming leaf ornament around the ball fnial and top of hinged domed lid, both with carved scroll wooden handles with leaf grip, the creamer with silver scrolled strap handle, impressed makers marks on bases, the coffeepot base with engraved inscription Lydia Leaming Smith 1808, Henry Hollinsworth Smith 1869, James Rundle Smith 1903, (minor imperfections), ht. 5 to 12 1/4 in., approx. 96.5 troy oz. including handles.$4,000-6,000225Two Coin Silver Mint Julep Cups, Henry Hudson, Louisville, Kentucky, c. 1841-55, tapered cylindrical form with molded rim and base with L.E. McCann engraved on the side, makers marks on base, ht. 3 3/4 in., approx. 11 troy oz. total.$400-60056 Additional information and photos at www.skinnerinc.com224226detail226Six-piece Gorham Coin Silver Civil War Presentation Tea Set, Providence, Rhode Island, c. 1863, presented to Colonel and Mrs. Edward F. Noyes from the offcers of the 39th Regiment of the Ohio Voluntary Infantry, February 15, 1863, comprising two teapots, coffeepot, covered sugar bowl, creamer, and a waste bowl, the vasiform vessels with cast butterfy fnials on the lids, applied hollow, circular handles with applied fat leaves, the bodies decorated with round and oval reserves surrounded by laurel wreaths, and undulating vines, engraved with presentation inscriptions and monograms, with borders of leaf tip, lapped coin, futes, and diamond diaper motifs, on molded, circular footed bases, makers marks and model no. 170 impressed on bottoms, ht. 2 5/8 to 9 7/8 in., approx. 115 troy oz. Note: The tea set was a wedding present from the 39th Ohio Infantry to Colonel Edward Follansbee Noyes (1832-1890), and his wife Margaret W. Proctor, who were married February 15, 1863, while the colonel was on leave from serving in the Union Army during the Civil War. Though orphaned at a young age, Noyes, who was born in Haverhill, Massachusetts, was raised by his grandfather in New Hampshire, where he apprenticed at the age of thirteen to a printer of a religious newspaper, was educated at a Kingston academy, and went on to graduate from Dartmouth College. He moved to Ohio to attend law school in Cincinnati. In the summer of 1861, Noyes helped organize the 39th Ohio Infantry, and was rewarded with a commission as its frst major, and a few months later became the regiments colonel. In July of 1864, during the Atlanta Campaign at a battle at Ruffs Mill, his ankle was severely wounded resulting with the amputation of his left leg. A few months later while still recuperating, he was breveted to the rank of brigadier general. After Noyes resigned the following April he went on to serve as probate judge of Hamilton County, Ohio, a two-year term as Governor from 187274, the Ohio Commissioner of the Centennial Exposition in Philadelphia in 1874, and served as Minister to France under president Rutherford B. Hayes, from 187781.$8,000-12,00058 Additional information and photos at www.skinnerinc.com226226detail227227Sterling Silver Presentation Punch Bowl Commemorating the Opening of the F.W. Woolworth Building in New York City in 1913, Tiffany & Co., makers, New York, large, round, footed bowl with notched rim over a band with raised inscription in gold: Presented to Cass Gilbert by Frank W. Woolworth as a Mark of Appreciation at the Formal Opening of the Woolworth Building on the 24th of April 1913, over a border of alternating large and small pendant trefoils intercepted with a shield-shaped reserve with the raised gold monogram CG and ornamented with scrolled anthemion leaves, the bowl interior is centered with a chased depiction of the F.W. Woolworth building in its setting with surrounding buildings and trees, all supported on a round molded base, impressed makers marks on base, ht. 9 5/8, dia. 17 in., approx. 222 troy oz.; accompanying the bowl is a book produced as a record and souvenir of the gala held to open the Woolworth Building on April 24, 1913; among the records included therein are transcripts of remarks made by Woolworth and Gilbert, complete guest lists, menus, and portraits of fgures involved with the buildings construction; it is enclosed in a custom-made clamshell box. Note: Few pieces of design excited the early modern American imagination like Cass Gilberts skyscraper for F.W. Woolworth. Built in Manhattan as the tallest building in the world (792 feet tall), it literally pushed to new heights the frontiers of modern engineering and design. Referring to Woolworths success as a fve-and-dime magnate, the New York Times would later call the building the skyscraper built by the nickels of millions. The 20th century archetype for the American Dream started his frst shop with a few borrowed and saved dollars; by the time he commissioned Gilbert to design his corporate headquarters, he was personally worth many millions. Fittingly, the Woolworth Building has often been called a Cathedral of Commerce, and its design represented a uniquely American combination: Old World Gothic fnery adorning a New World engineering marvel. When its doors offcially opened and the electric lights were turned on by President Wilson on April 25, 1913, the Woolworth Building hosted a legendary dinner, a grand affair which culminated in F.W. Woolworths presentation of this sterling silver punch bowl to his lauded architect, Cass Gilbert. If the Woolworth building was the brash celebration of the Woolworth fortune, the Cass Gilbert presentation bowl was its genteel prcis. It distilled the soaring exuberance of the worlds tallest skyscraper into an elegant statement of superlative design. In its arrangement and execution, the artists of Tiffany & Co. summarized Cass Gilberts architectural opus by isolating elements of neo-Gothic ornament for the bowls rim, combining delicate detail with the clean, modern lines of the bowls silhouette and surface. Inside, an engraved image of the Woolworth building appears on the bottom of the bowl, transforming the scale of the monumental structure into an image with the delicacy of a portrait miniature. $30,000-50,00061 Online bidding at www.skinnerinc.comThe Cass Gilbert Dinner, photo credit: James Cummins Bookseller and Darren Winston, Bookseller62 Additional information and photos at www.skinnerinc.comThe China Trade228China Trade School, 1830-1835The Waterfront Hongs at Canton, China. Unsigned. Oil on canvas, showing the fags of France, America, Britain, and the Netherlands fying, and a dense cluster of junks and small boats in the water, 22 1/2 x 29 1/4 in., in a period gilt-gesso frame. Condition: Relined, minor retouch, minor craquelure.Provenance: Probably descended through one of the shipbuilding or seafaring Briggs families of Massachusetts, to Dr. Lloyd Vernon Briggs (1863-1941), psychiatrist, historian, and author, who penned numerous papers and volumes in the feld of psychiatry, and also historical books including a genealogy of the Briggs families; then by family descent to the consignor. $15,000-25,00063 Online bidding at www.skinnerinc.com228229China Trade School, 19th CenturyThe Waterfront Hongs at Canton, China, 1847-1856. Unsigned. Oil on canvas, 23 1/2 x 33 1/2 in., in original Chinese carved and lacquered wood frame. Condition: Relined, scattered retouch, craquelure. Provenance: Probably descended through one of the shipbuilding or seafaring Briggs families of Massachusetts, to Dr. Lloyd Vernon Briggs (1863-1941), psychiatrist, historian, and author, who penned numerous papers and volumes in the feld of psychiatry, and also historical books including a genealogy of the Briggs families; then by family descent to the consignor. The back of the frame and stretcher retains three paper labels: two inscribed L.V. Briggs 64 Beacon St., City [Boston], and one indicating the painting was on loan to the Fogg Museum at Harvard.$15,000-25,00064 Additional information and photos at www.skinnerinc.com229230Chinese School, 19th CenturyPortrait Miniature of a Chinese Woman. Unsigned. Watercolor on ivory, 4 1/2 x 3 1/4 in., in a later brass frame. Condition: Very good.$300-500231American School, Late 18th CenturyPortrait of a Ship Captain, with Distant Ship Flying an American Flag. Unsigned; the subject is a ship captain reportedly with the last name Derby, and is therefore likely the Revolutionary War patriot Captain John Derby (1741-1812), of Salem, Massachusetts. Oil on canvas, 48 x 38 in., in a period molded wood frame with carved gilt liner. Condition: Relined, scattered retouch to fgure and background, craquelure, scattered paint loss.Note: Captain John Derby was born in 1741 to a wealthy merchant family in Salem, Massachusetts. He gained fame during the American Revolution for delivering news to England of the Battle of Lexington and the beginnings of war across the Atlantic. He was part owner of a privateer vessel, raiding the English shipping feets. On April 4, 1783, he brought news back to Salem announcing the signing of the Treaty of Paris, and the cessation of the hostilities between Britain and the United States.Provenance: By family descent from the original owner.$10,000-15,00065 Online bidding at www.skinnerinc.com23166232233234Additional information and photos at www.skinnerinc.com232Three Orange Fitzhugh Decorated Porcelain Vegetable Dishes with Covers, China, early 19th century, a single and a pair of cut-corner rectangular dishes with gilt cassia bud fnials on domed covers, (one with rim chip), ht. 5 1/2 to 7, dia. to 10 1/2 in.$500-1,000233Chinese Export Porcelain Creamer Decorated with the Great Seal of the United States, 18th century, helmet-form creamer with simulated cane handle, the rim with a cobalt border with gilt foliate chain motif, with a polychrome enamel-painted Great Seal of the United States depicted under the spout, and an undulating blue fower border around the base, (minor enamel loss), ht. 5 1/8 in.Note: This creamer relates to (and is possibly from) a late 18th century tea service ordered and owned by Henry Smith, who went to Canton aboard the ship George Washington in 1794. Other pieces known to be from the service descended in the Brown family, of Providence, Rhode Island. Pieces related to that service are now owned by the Peabody Essex Museum, Washington & Lee University, and Winterthur.$800-1,200234Nine New York State Coat of Arms-decorated Chinese Export Porcelain Teacups and Saucers, late 18th century, each piece depicting the fgures of Liberty and Justice and American shields fanking a round reserve centered with a gilt monogram, topped with a dove standing on a hemisphere, all above a pink banner, with gilt-starred cobalt blue and gilt lattice borders, comprising seven ruffe-rimmed tea bowls with nine matching saucers, and two handled teacups with similar decoration, (one tea bowl with repaired cracks, minor gilt wear), overall ht. 2 in.$800-1,200235Five Chinese Export Porcelain Table Items, late 18th/early 19th century, a large punch bowl with panels of gilt-decorated blue fowers and birds bordered with gilt and iron red geometric scroll borders, intercepted with fruiting vines, with fower bordered rim; a punch bowl decorated around the sides with baroque bordered images of court fgures and landscapes, the interior centered with a vase of fowers; a plate with pseudo-armorial shield, with foral garland rim decoration; and a matching tea bowl and saucer with borders of foral sprigs in ovals, (the smaller punch bowl with old repairs), ht. 1 1/8 to 5 1/2, dia. 3 1/4 to 13 3/8 in.$400-600236Partial Set of Chinese Export Porcelain Plates with a Matching Platter, late 18th/early 19th century, the centers decorated with vases of fowers and a censer, the rims with rococo/trellis borders, comprising a oblong platter with chamfered corners, sixteen octagonal dinner plates, six salad plates, and a soup plate, (imperfections), dia. 7 5/8 to 16 1/2 in.$800-1,200237Chinese Export Porcelain Armorial Plate, c. 1770, octagonal, the center with polychrome decoration depicting the arms of Renny, with spearhead and foral borders, (imperfections), dia. 8 5/8 in.$400-600238Pair of Octagonal Chinese Export Armorial Plates, c. 1780, centered with an armorial shield, with fower sprig rim borders, (rim repairs), dia. 8 1/2 in.$300-400239Four Chinese Export Porcelain Drinking Vessels, late 18th/early 19th century, with enamel and gilt decoration, including three mugs: one decorated with a polychrome vase of fowers and fower sprigs, with foral chain and beaded borders, one with blue and gilt pseudo-armorial mantling, and fower sprigs, (rim chip), and one with rococo armorial crest, and fower blossoms; and a small two-handled cup with blue and gilt fower sprigs, (minor enamel and gilt wear), ht. 3 to 6 in.$300-350240Figural-decorated Oval Footed Chinese Export Porcelain Bowl, early 19th century, the sides with enamel decoration depicting the Eight Immortal fgures, ht. 3, dia. 10 1/2 in.$400-600241Blue Fitzhugh Decorated Chinese Export Porcelain Oval Tureen and Platter, early 19th century, the tureen with large blossom fnial on the cover, and reeded entwined strap handles with foliate terminals, tureen ht. 11, dia. 15, 17 1/4 in.$600-800242Assembled Group of Blue Fitzhugh Decorated Chinese Export Porcelain Tableware, early 19th century, a large oval platter, nine shallow bowls or soup plates, four cups, and six saucers, twenty items total, (rim chips), dia. 6 1/8 to 14 1/2 in.$400-60067 Online bidding at www.skinnerinc.com243245244243Brass-mounted Rose Medallion Porcelain Covered Jar, China, 19th century, baluster-form jar with gilt foo dog fnial on domed cover with shaped brass straps with hinge and lock applied to the cover, neck, and shoulder, and four gilt mask devices applied to the shoulder, overall ht. 17 in.$1,000-1,500244Pair of Chinese Export Porcelain Oval Covered Platters, late 18th/early 19th century, probably made for the English or European market, the domed covers with gilded bud-form knops, the cover and plate rims with orange borders with scrolled leaves and oval reserves depicting crowns and implements of war, (one knop loose), ht. 5 1/4, overall dia. 13 1/2 in.$600-800245Nest of Three Leaf-form Floral-decorated Chinese Export Porcelain Dishes, late 19th century, decorated with polychrome fowers and leaves with gilt chain border, ht. 2 to 3 1/2, dia. 9 to 12 3/4 in.$400-600246Rose Medallion Porcelain Punch Bowl, China, late 19th century, (minor wear), ht. 6, dia. 14 3/4 in.$600-800247Ten Blue and White Chinese Export Porcelain Canton Pattern Table Items, late 19th century, four assembled graduating chamfered rectangular platters, a deep cut-corner bowl, a small oblong covered dish, three saucers, and a small round dish, ht. to 4 1/2, dia. 2 3/4 to 19 1/2 in.$1,500-2,500248Twenty Assorted Blue and White Chinese Export Porcelain Table Items, 19th century, an assembled group of eight soup plates with waterway and foral decorations, an assembled group of ten small plates decorated with a similar landscape design, an oblong platter decorated in the Nanking pattern with baroque and butterfy border rim design, and a shallow oval armorial vegetable dish, (minor imperfections), dia. 6 3/8 to 16 in.$300-500249Canton Porcelain Cut-corner Bowl and Twelve Small Plates, China, late 19th century, bowl ht. 4 3/4, dia. 10 1/4; twelve assembled Canton decorated plates, dia. 5 7/8 to 7 1/8 in.$300-500250Five Canton Porcelain Items, China, late 19th century, four table items: an oval covered serving dish, shallow square serving dish, leaf-form dish, and a cut-corner tile; and a covered soap dish with drainer insert, ht. 1 3/8 to 4 1/2, dia. 4 7/8 to 10 3/4 in.$300-500251Blue and White Chinese Export Porcelain Covered Tureen and Large Platter, 19th century, covered tureen in the Nanking pattern with foriform knop and entwined reeded strap handles, the oblong platter with baroque shaped and decorated rim centered with a landscape with deer, (imperfections), tureen ht. 8 1/4, dia. 11 1/2, platter 14 1/2 x 17 1/2 in. `$1,000-1,500252Chinese Export School, Late 19th CenturyPair of Paintings of Western-garbed Women Wearing Straw Hats. Unsigned. Gouache on glass, 18 1/2 x 12 1/2 in., in original Chinese molded wood frames. Condition: Minor paint losses and retouch.$800-1,20069 Online bidding at www.skinnerinc.com253Classical Carved and Caned Mahogany Sofa, probably West Indies, c. 1830, with veneered arms, refnished, (minor imperfections), ht. 36, lg. 90, dp. 22, seat ht. with cushion 19 in.$1,200-1,500254Attributed to Clarissa (Peters) Russell (Massachusetts, 1809-1854)Portrait Miniature of Little Girl with Her Cat and Dog. Unsigned. Watercolor on ivory, possibly posthumously painted, depicting the blond-hair, blue-eyed girl wearing a white dress with blue ribbons tied at her shoulders, with a shoe and stocking on one foot, the other shoe resting on the patterned foor, she is holding a white rose, from which she has plucked a petal, and from which three petals and a leaf have fallen onto her dress, and she is seated on a green cushion, with a gray tabby cat in the right foreground playfully holding one paw up, and a little brown dog in the left foreground holding a small basket in his mouth, the background with a red drape on the left, revealing a cloudy sky, and a white rosebush on the right, (small crack l.l.), sight size 3 1/2 x 2 1/2 in., in a period hinged brown thermoplastic case with red velvet pad.$8,000-12,000255Esteria Butler (American, 1814-1891)Pair of Portrait Miniatures of the Artists Sister and Brother-in-Law, Almira and James B. Fillebrown, at the Time of their Marriage. Both portraits signed, dated, and the subjects identifed on the reverse, the womans portrait is inscribed Almira Butler Fillebrown/Painted by Esteria Butler1832/Aged 18/Winthrop, Maine; the gentlemans portrait is similarly inscribed with the exception of his name, (both are aged 18). Watercolor on ivory, 3 x 2 1/2 in., mounted together in a hinged thermoplastic case. Condition: The ivory plaque the gentleman is painted on is bowed on right and left sides. Literature: According to a privately printed 1908 genealogy, The Family of Rev. John Butler, by Charles Bowdoin Fillebrown, the artist Esteria Butler, and the female subject portrayed, Almira Butler Fillebrown, were two of fourteen children of the Rev. John Butler (1789-1856) and his wife Nancy (nee Payne, 1788-1857). The Reverend was the frst ordained pastor at the Baptist church in Hanover, Massachusetts, in 1810, and served there until 1824, when the family moved to Waterville, Maine, where Reverend Butler was installed as the frst pastor at the Baptist church at East Winthrop, Maine, in 1825. It was there that he established a school for young ladies. The Butler daughters attended the school, and Esteria excelled in painting on ivory. She painted portrait miniatures of herself and most of the members of her family, many of them portrayed in the book Reminiscences of East Winthrop, by William Harrison Parlin, including the pair offered here.On August 15, 1837, Esteria married Professor Jonathan Everett Farnam, LL.D., in Waterville, Maine, where he was a tutor at Waterville (later Colby) College. In 1839 he became a member of the faculty of Georgetown College, Georgetown, Kentucky, where some years later he established a seminary for young ladies. Esteria shared with her husband the charge over the young ladies, teaching drawing and painting. The couple had three daughters. Esteria died December 23, 1891, at the age of 77 and was buried at Georgetown.$3,000-5,00070 Additional information and photos at www.skinnerinc.com253256American School, 19th CenturyPortrait Miniature of a Little Girl with Her Pet Bird. Unsigned. Watercolor and gouache on ivory, dia. 4 1/8 in., in a later round gilt-brass frame. Condition: Varnished, possible areas of retouch.$600-800257American School, 19th CenturyPortrait Miniature of a Gentleman Wearing a Blue Coat with Brass Buttons. Unsigned. Gouache and pencil on paperboard, oval bust-length portrait, the subject possibly a seaman, 3 5/8 x 3 in., in a period pressed gilt-brass frame. Condition: Smudge u.r. background, minor paint loss.$400-500258American School, 19th CenturyPair of Portrait Miniatures of a Young Man and Woman. Unsigned. Watercolor on ivory, c. 1830s, oval portraits, 2 1/2 x 2 in. in matching black-lacquered wood frames. Condition: The mans frame split at u.c., otherwise very good.$400-60071 Online bidding at www.skinnerinc.com255254259American School, Early 19th CenturyPortrait Miniature of a Young Gentleman. Unsigned. Watercolor on ivory, 2 1/4 x 1 3/4 in., in an oval gilt-brass pendant case. Condition: Ivory slightly bowed on left side, otherwise very good.$300-500260American School, 19th CenturyPair of Portraits of Sarah H. Stevenson and Mr. Stevenson. Unsigned, the sitters identifed in inscriptions on the reverse and on the back of the frame as being from Argle, N.Y. Watercolor and graphite on paper, 14 x 10 in., framed. Condition: Subtle mat stain on one, otherwise good.$2,000-3,000261Charles Henry Theodore Costantini (French/Australian, 1804-1860)Pair of Family Portrait Miniatures. Signed and dated C.H.T. Costantini 1856 l.r. Watercolor on paper, mother/daughter and father/son portraits, 6 3/4 x 5 3/4 in., in matching molded rosewood frames with gilt liners. Condition: Minor toning and foxing.$400-600262American School, 19th CenturyPortrait Miniature of a Man with Upswept Hair. Unsigned. Watercolor on paper, 5 1/2 x 3 5/8 in., in a later wood frame. Condition: Toning, minor foxing, two pinholes in u.c. background.$800-1,200263American School, 19th CenturyPair of Husband and Wife Portrait Miniatures. Unsigned. Watercolor, graphite, and gouache on paper, 5 5/8 x 4 1/2 in., in matching period molded mahogany frames. Condition: Toning, minor foxing.$800-1,200264American School, 19th CenturyPortrait of a Young Man with Books and Writing Materials. Unsigned. Watercolor on paper, sight size 7 x 6 in., in a molded giltwood frame. Condition: Toning, light foxing, not examined out of frame.$200-300265Silhouette Portrait of a Young Man, America, c. 1830s, hollow-cut head and jacket with penciled details to hair, stock, and jacket collar, the name Rufus Augustus Hitchcock inscribed in ink on the back panel of the frame, (minor toning and foxing), 3 5/8 x 2 7/8 in., in a period mahogany frame. Note: The subject is reportedly Rufus Augustus Hitchcock, born May 2, 1813, in Cheshire, Connecticut, who was a clockmaker by trade, and father of William Augustus Hitchcock (1844-1864), a Civil War soldier who fought in the Battle of Antietam, was captured by the Confederate army, and died at 20 years of age at the Andersonville prison, Sumter County, Georgia.$300-500266Federal Inlaid and Glazed Walnut Corner Cupboard, probably York County, Pennsylvania, c. 1790-1810, the cockbeaded case in two sections, the upper section with interior of two scalloped shelves, the lower section with pullout work surface and valanced skirt joining faring French feet, refnished, (imperfections), ht. 72 1/2, overall wd. 50, interior dp. 22 in.$4,000-6,00072 Additional information and photos at www.skinnerinc.com26073 Online bidding at www.skinnerinc.com266American Federal Furniture267Federal Inlaid Mahogany Sideboard, probably Baltimore, Maryland, c. 1795-1800, the central drawer above an arch and fanking square tapering legs inlaid with stringing and fowers, and hinged doors centering a circular patera bordered by stringing and geometric banding, replaced brass pulls, refnished, (restoration), ht. 37 3/4, wd. 62 1/2, dp. 23 in.$4,000-6,000268Federal Carved and Inlaid Mahogany Shield-back Side Chair, probably Baltimore, c. 1790-1800, the center splat inlaid with bellfowers, old surface, (imperfections), ht. 37 1/2, seat ht. 17 in.$1,000-1,500269Federal String-inlaid Mahogany Butlers Desk, Middle Atlantic States, c. 1810-15, the case of four drawers, the topmost with two-drawer facade and fold-down writing surface, opening to central prospect door fanked by drawers and valanced compartments, replaced brasses, refnished, (imperfections), ht. 41 1/4, wd. 40, dp. 19 1/4 in.$600-80074267Additional information and photos at www.skinnerinc.com270Federal Carved Mahogany and Mahogany Veneer Card Table, coastal Massachusetts, c. 1795, the skirt with a central inlaid oval in a mitered frame, on waterleaf-carved, ring-turned, reeded legs, old surface, (minor imperfections), ht. 29 3/4, wd. 36, dp. 17 3/4 in.$1,500-2,000271Federal Carved Mahogany and Mahogany Veneer Card Table, Massachusetts, c. 1810-15, the string-inlaid and banded frame with half-engaged leaf-carved, futed, reeded, tapering legs, old refnish, (minor imperfections), ht. 29 3/4, wd. 36 1/2, dp. 18 1/2 in.$800-1,20075 Online bidding at www.skinnerinc.com271270272Federal Carved and Inlaid Mahogany Serpentine Card Table, possibly Massachusetts, c. 1815, the vase- and ring-turned, reeded legs joined by a cockbeaded and crossbanded skirt, (minor imperfections and minor repairs), ht. 29 3/4, wd. 35 1/2, dp. 17 in. Note: Branded W SAWYER on swing leg and back.$800-1,200273Federal Inlaid Mahogany Bowfront Chest of Drawers, Boston, possibly the work of John and Thomas Seymour, c. 1804-10, refnished, replaced embossed oval brasses, (imperfections), ht. 36 1/2, case wd. 39 3/4, dp. 22 in.$1,500-2,50076 Additional information and photos at www.skinnerinc.com273274274Diminutive Federal Mahogany and Tiger Maple Inlaid Sideboard, probably Massachusetts, c. 1800-10, the central hinged door centering inlaid carnations fanked by two short drawers and one drawer with a two-drawer facade, all with border of stringing, crossbanding, and cockbeading, on conformingly inlaid square double-tapering legs, old brass pulls, refnished, (minor imperfections), ht. 39 1/2, wd. 47 3/4, dp. 22 in.Provenance: Lloyd Cabot Briggs, then by family descent to the consignor.$3,000-5,000275Federal Mahogany and Birds-eye Maple Inlaid Tambour Desk, New England, c. 1800, the tambour doors open to an interior of four drawers and fanking valanced compartments, old brass pulls, refnished, (minor imperfections), ht. 45 1/4, wd. 39, dp. 19 in.$1,000-1,20077 Online bidding at www.skinnerinc.com275276Federal Mahogany and Mahogany Veneer Inlaid Bowfront Bureau, New England or New York, c. 1810, the case of four cockbeaded graduated drawers with inlaid stringing on faring French feet, old brasses appear to be original, refnished, (minor imperfections), ht. 35 1/2, wd. 41 1/2, dp. 22 1/2 in.$800-1,200277Federal Inlaid Mahogany Sideboard, c. 1800, the serpentine top centering two fower-flled cornucopias, on conforming case of central long drawer above a foral-inlaid arch and concave medial shelf all fanked by drawers, the right most with two-drawer facade, the legs inlaid with stringing and bellfowers, (imperfections and restoration), ht. 37 1/4, wd. 64 1/2, dp. 29 in.$1,500-2,000278Federal Mahogany Pembroke Table, New England, c. 1805-10, the serpentine top with square corners, (minor repairs), ht. 28 1/2, wd. 35 3/4, dp. closed 18 1/2 in.$800-1,20078 Additional information and photos at www.skinnerinc.com277279Federal Inlaid Birch Bowfront Bureau, northern New England, c. 1810, the cockbeaded drawers centering wavy birch inlaid ovals bordered by diamond stringing and mitered panels, all within crossbanded borders, on an inlaid base with slightly faring French feet, old replaced brasses marked PATENT, refnished, (minor imperfections), ht. 39, case wd. 38 1/2, dp. 19 3/4 in.$25,000-35,00079 Online bidding at www.skinnerinc.com279280Federal Carved and Wavy Birch Inlaid Mahogany Chest of Drawers, Portsmouth, New Hampshire, c. 1810-20, the case of cockbeaded drawers and elliptic front with fanking quarter-engaged, ring-turned, reeded posts ending in vase- and ring-turned legs, replaced brass pulls, old refnish, (minor imperfections), ht. 37 1/2, wd. 43 3/4, dp. 21 1/2 in.Note: Branded L. BARNES in several places, for Lewis Barnes. According to Brock Jobe, Portsmouth Furniture: Masterworks from the New Hampshire Seacoast (SPNEA, 1993), p. 426, Lewis Barnes (1776-1856) was born Jacobi Ludwig Baarnhielm in Sweden, and migrated to Salem at the age of fourteen. He became a successful merchant and sea captain, owning stakes in the Recovery and the Lewis, and lived on Islington Street.$8,000-12,00080 Additional information and photos at www.skinnerinc.com280Online bidding at www.skinnerinc.com 81281Deacon Robert Peckham (Massachusetts, 1785-1877)Portrait of a Mother and Child, c. 1835. Unsigned. Oil on wood panel, 30 x 24 1/2 in., in a molded giltwood frame. Condition: Minor retouch, otherwise very good.Note: Born in Petersham, Massachusetts, the deacon was an artist and abolitionist active in Bolton and later Westminster, where his home, a stop on the underground railroad, still stands. Before 1828, when he was appointed Deacon of the Westminster First Congregation, he seems to have been active as a house and ornamental painter. After 1828, he concentrated on portraiture, which, in his use of outlining and decorative patterning, shows the strong infuence of his early training in trade. His work is also characterized by precise attention to details of dress, artifacts, and setting.$20,000-30,00082 Additional information and photos at www.skinnerinc.com281282Cherry Candlestand with Drawer, probably Connecticut, c. 1800, circular top on vase- and ring-turned support on tripod cabriole leg base, old refnish, (imperfections), ht. 25, dia. 15 in.$700-900283Federal Cherry Bowfront Chest of Drawers, probably Connecticut River Valley, the top with banded edge above four cockbeaded graduated drawers with mahogany banding, on cutout base joining French feet, (minor restoration), ht. 37 3/4, case wd. 40 1/2, dp. 21 1/2 in.$800-1,200284Federal Cherry Tilt-top Candlestand, Connecticut, early 19th century, the tripod base of cabriole legs with carved pinwheel knees and arris pad feet, refnished, ht. 26 3/4, wd. 19, dp. 18 in.$800-1,200285Federal Mahogany Candlestand, Connecticut, c. 1810, the circular top on vase- and ring-turned post on tripod base of cabriole legs on arris pad feet on platforms, (minor imperfections), ht. 24, dia. 17 1/4 in.$400-600286Set of Six Painted and Stencil-decorated Fancy Chairs, John T. Loring, Middle Street, Newburyport, Massachusetts, splats with cornucopia design, faux tiger maple painted seats, (minor paint wear), ht. 34 1/2, seat ht. 17 in.Note: The bottom of each chair is labeled WARRANTED/CHAIRS,/Made and Sold, wholesale and retail, by/John T. Loring/Middle Street, Newburyport, Mass.$1,500-2,50083 Online bidding at www.skinnerinc.com286287White-painted and Freehand Seashell and Leaf-decorated Dressing Table, New England, c. 1830, the scrolled backboard above two short drawers with projecting top and long drawer below, all on vase- and ring-turned legs, replaced brass pulls, old surface, (minor imperfections), ht. 38 1/2 (not including backboard), wd. 35, dp. 18 1/2 in.$600-800288Federal Red-painted Maple and Pine Canopy Bed, New England, c. 1810-15, the arched frame on vase- and ring-turned reeded headposts, old surface, (minor imperfections), ht. 82 1/2, wd. 53 3/4, lg. 72 in.$1,500-2,500289Federal Carved Cherry and Flame Birch and Mahogany Veneer Card Table, New England, c. 1810-15, the serpentine top with ovolo corners and half-serpentine ends, on turned and reeded legs joining a conformingly shaped skirt inlaid with fame birch panels, stringing, and mahogany banding, refnished, (minor imperfections), ht. 29 1/2, wd. 38, dp. 17 1/2 in.$1,000-1,500290Federal Tiger Maple Tall Post Bed, probably New England, c. 1820-25, with vase- and ring-turnings, and scrolled and paneled headboard, refnished, (lacks tester or canopy), ht. 65 3/4, wd. 41, lg. 72 1/2 in.$800-1,200291Federal Tiger Maple Pembroke Table, New England, c. 1810, old surface, the legs chamfered on the inside and joined by cross-stretchers, ht. 26 1/4, closed wd. 32, dp. 18 in.$1,000-1,500292Federal Mahogany and Birds-eye Maple Veneer Work Table, New England, early 19th century, the octagonal top on conforming base with diagonally placed, square, tapering legs with compartmented drawer and bag drawer below, refnished, ht. 28 1/4, wd. 20 1/2, dp. 15 1/4 in.$800-1,200293Federal Cherry Inlaid Bowfront Bureau, New England, c. 1810-15, the case of four cockbeaded graduated drawers on faring French feet, original oval brasses with dove with olive branch lettered PEACE (imperfections), ht. 36, wd. 37 1/2, dp. 21 1/2 in.$600-800287288Online bidding at www.skinnerinc.com 85290294Federal Cherry and Mahogany Veneer Inlaid Bowfront Chest of Drawers, southeastern New England, c. 1810, the four cockbeaded drawers on cutout base inlaid with tiger maple banding, brasses appear to be original, refnished, ht. 37, wd. 39 1/2, dp. 22 1/4 in.$600-800295Mahogany Veneer Inlaid and Gilt-gesso Mirror, America or England, c. 1800, the swans neck cresting centering a fower-flled urn, on inlaid mitered frame with fanking feathered drops and gilt liner, (imperfections), ht. overall 41, wd. 18 in.$600-800296Federal Carved Gilt-gesso Mirror, c. 1820-25, the molded cresting with spherule drops, above a frieze centering a shell and fanking lions heads, the eglomis tablet showing a sailing ship in a harbor, fanked by engaged ring-turned columns, (imperfections), ht. 40, wd. 23 3/4 in.$1,200-1,500297Federal Mahogany Veneer and Eglomis Mirror, New England, c. 1815-20, the molded cornice above a reeded frame enclosing a tablet showing the sea battle between the Frolic and the Wasp, old surface, (minor imperfections), ht. 26 3/4 in.$600-80086 Additional information and photos at www.skinnerinc.com297298American School, 19th CenturyPortrait of a Young Woman Wearing a Fancy Lace Bonnet and Collar, c. 1835. Unsigned. Oil on canvas, the woman attired in a ruffed white bonnet with blue ribbons, a fchu trimmed with lace over her dark brown velvet dress and several pieces of jewelry, she leans on a marble-top table that holds her basket of needlework, knitting needles, and a skein of yarn, 36 x 29 in., in a later molded giltwood frame. Condition: Relined, minor retouch, otherwise good.$3,000-5,000299American School, 19th CenturyDouble Portrait of Two Children. Unsigned, a label on the stretcher with indistinct inscriptions, appears to be dated 1830. Oil on canvas, 35 3/4 x 29 3/4 in., in a period molded giltwood frame. Condition: Relined, craquelure with retouch, scattered repaint.$1,800-2,20087 Online bidding at www.skinnerinc.com298299300Needlework Family Register, executed by Elizabeth Wilder (1811-1873), Lancaster, Massachusetts, c. 1822, stitched with silk threads on a linen ground depicting the vital statistics of Sawyer Wilder (1779-1837), Hannah Bailey (1777-1846), and their seven children, under an arch inscribed Family Register over a spreadwing eagle, American shield, and Elizabeth Wilder in large letters, fanked by columns on plinths encircled with fowering vines, one plinth set with a cornucopia, two birds, and a heart, under the plinths are little scenes with a bird in a landscape, the top, bottom, and sides further embellished with large blossoms, fowering vines, and sawtooth borders, (minor toning and fading), 21 x 17 in. (sight), in a period molded giltwood frame. Note: The Wilder name is among some of the earliest of those who settled in Worcester County in the town of Lancaster, Massachusetts. Four generations are listed in the early records beginning in 1673, until Sawyer Wilder married Hannah Bailey on January 1, 1804, and began the ffth generation of the family in Lancaster. Elizabeth, their fourth child, stitched this sampler. She married Luther Allen May who was born on January 8, 1808, in Sterling, Massachusetts, a town that split from Lancaster in 1781. It is not known if they had any children.$3,000-5,000301Needlework Sampler, Wrought by Elizabeth McKendry/Milton/July 20th 1821 AE 11 years, Massachusetts, stitched with silk threads on a linen ground, depicting a central reserve with rows of alphabets over a basket of fowers fanked by a pious verse, potted fowering plants forming the border on three sides, (fading, toning), 16 3/4 x 17 3/4 in., in a later molded wood frame.$400-60088 Additional information and photos at www.skinnerinc.com300302Needlework Sampler, REBECCA TARBOX BORN SEPTEMBER THE 30 1739, Wenham, Massachusetts, stitched with silk threads on a linen ground, with Rebeccas signature and birth date above alphabets and the verses REBECCA TARBOX IS MY NAME AND ENGLAND IS MY NATION/WENHAM IS MY DWELLING PLACE AND CHRIST IS MY SALVATION and WHEN I AM DEAD AND LADE IN GRAVE AND ALL MY BONES ARE ROTTEN/WHEN THIS YOU SEE REMEMBE[R] ME THAT I BE NOT FORGOTTEN, and a panel depicting a scene with sheep, and birds perched in trees, the top and bottom with undulating line borders, (fading, toning), 13 1/2 x 11 1/2 in., in a later molded giltwood frame. Note: Rebecca Tarbox was born September 30, 1739, the daughter of Samuel Tarbox, Jr., and his wife Mary (Cue). Rebecca married Josiah Moulton, a blacksmith, in 1767; they resided in Salem and had a daughter. During the Revolutionary War, it is reported that Josiah died in an engagement between a letter of Marque, on which he served, and a British frigate. He was shot just outside Salem Harbor when a ball struck a jackknife in his pea jacket pocket and drove it into his side. He died as he was landed on the wharf in Salem.$250-450303Needlework Sampler, executed by Sarah (Sally) Weston, Dilworthtown, Chester County, Pennsylvania, c. 1800, worked in silk threads on a linen ground, depicting rows of alphabets over the names of Sarahs parents and six siblings above a scene with a yellow house, pine tree, fowering tree, a bird, a rose bush, and strawberries, (scattered background losses, fading, toning, light staining), 16 1/4 x 14 in., in a molded tiger maple frame. Note: Sarah (Sally) Weston was born June 19, 1785, the frst child of seven born to William and Hannah (Hall) Weston. William (1760-1834) and Hannah (1763-1832), were born in England and at some point emigrated to America, married January 27, 1785, and resided in Chester County, Pennsylvania, where William ran the Dilworthtown Inn. It is reported that William served in the Revolutionary War and carried the frst fag in a Revolutionary War battle at the Battle of Brandywine, according to their granddaughter, Mrs. Mary Fritz (daughter of Sarahs sister Elizabeth), in the Lineage Book: National Society of the Daughters of the American Revolution, Vol. 37, p. 173, and in a c. 1900 interview also with Mrs. Fritz in the Daily Local News, dated September 11, 1900, in an article titled Stars and Stripes at Brandywine.$300-500304Mahogany Timepiece, probably Massachusetts, c. 1800-10, the slightly convex engraved brass dial centering an alarm wheel, with a brass weight-driven movement, refnished, (alterations), overall ht. 38 in.Provenance: According to the consignor, this timepiece descended in the family of Reverend George Murillo Bartol (1820-1906) and Elizabeth H. Washburn, by 1856, Lancaster, Massachusetts; then to Mary Bartol (d. 1942); then to Marys niece in the Cabot family; then by descent in the Cabot family to the present owner. Note: George Murillo Bartol was the minister, for 59 years in the late 19th century, of the First Church of Christ Unitarian, Lancaster, Massachusetts, a building designed by Charles Bulfnch of Boston.There are a number of scratched inscriptions on the movement plate, including W.C Jive Nov 1, 1811, W.C. Cummins, Jan 12, 1840, 1841, and Sept 18 80... owned by Dr. Bartol.$1,500-2,50089 Online bidding at www.skinnerinc.com304305Federal Cherry Inlaid Shelf Clock, Joseph Loring, Sterling, Massachusetts, 1805-10, white-painted and gilt iron kidney dial lettered JOSEPH LORING, with a brass, eight-day, weight-driven movement, refnished, (restoration), ht. 37, wd. 12 3/4, dp. 5 1/2 in.$3,000-5,000306Federal Birch Tall Case Clock, Joseph Chadwick, Boscawen, New Hampshire, c. 1820, the painted iron dial with a bird in the arch and gilt spandrels, with calendar aperture and seconds hand, inscribed Joseph Chadwick Boscawen, and eight-day, brass, weight-driven movement, old refnish, (restoration), ht. 87 in.$3,000-5,000307Mahogany Gothic Steeple on Steeple Clock, Birge and Fuller, Bristol, Connecticut, 1844-1848, the door with reverse-painted tablet opening to white-painted zinc dial and brass double fusee-driven movement stamped Birge and Fuller Bristol Conn. USA, refnished, the tablets appear to be original, ht. 25 1/4 in.Note: Interior overpainted label of J.J. Beals & Co.s Clock Establishment Boston.$1,500-2,50090 Additional information and photos at www.skinnerinc.com305308Mahogany Veneer Banjo Timepiece, New England, c. 1820, the pendulum box with tablet showing the Capture of the Frolic, ht. 31 1/2 in.$800-1,200309Mahogany and Mahogany Veneer Banjo Timepiece, New England, early 19th century, with white-painted dial housing an eight-day, weight-powered movement, the throat and pendulum box with mahogany panels, replaced fnial, (imperfections), ht. 33 1/2 in.$600-700310Reverse-painted Glass Banjo Timepiece Tablet Depicting a Historic Sea Battle, America, early 19th century, polychrome-painted scene on oblong glass panel with gilt borders and lettering, depicting the action at sea between the USS Constitution and HMS Guerriere, titled below in gilt letters, 6 7/8 x 9 7/8 in.$200-25091 Online bidding at www.skinnerinc.com306307311Classical Mahogany and Mahogany Veneer Secretaire Abattant, probably Boston, c. 1820-25, the rectangular top with hidden drawer above a spring-loaded drop-front revealing compartments and fve drawers, with cupboard section below opening to a shelf, all fanked by freestanding columns continuing to turned feet, (minor imperfections), ht. 58 1/4, top wd. 39 1/2, dp. 20 1/2 in.Literature: For a stylistically similar piece, see Classical Taste in America, Wendy A. Cooper, p. 163, pl. 120.$1,000-1,500312Federal Mahogany tagre with Drawer, possibly Massachusetts, c. 1825, on casters, secondary woods pine and ash, (minor imperfections), ht. to top 50, wd. 18, dp. 13 1/2 in.$800-1,200313Staffordshire Pottery Blue Transferware Bowl and an Ironstone Compote, England, 19th century, a large bowl with everted rim centered with a large bee skep in a fower garden and a young man waving his hat aloft, with fower borders on the rim and exterior medial band, (minor glaze loss on rim), ht. 5, dia. 13; and a round, lobed, footed compote with handles, with chinoiserie waterway scenes and foral decoration, and MASONS Ironstone China backstamp, ht. 6 1/2, dia. 10 7/8 in.$250-350314Blue and White Transferware Staffordshire Pottery Jug, England, early 19th century, pearlware jug decorated with a herd of deer in a landscape, with foral borders, (minor spout chip), ht. 8 1/8 in.$400-600315Floral-decorated Bristol Pottery Pearlware Pitcher, Carter & Pountney Bristol Pottery, England, early 19th century, the sides ornamented with an assortment of hand-painted enamel fowers and the inscription God speed the over a depiction of a plow, which is inscribed Carter & Pountney Bristol Pottery, (repairs, scattered enamel wear), ht. 9 3/4 in.$600-80092 Additional information and photos at www.skinnerinc.com311312316315314313316Staffordshire Pottery Pitcher with Grapevine Enamel Decoration, England, early 19th century, bulbous creamware pitcher with hand-painted grapevines on rim and shoulder, (minor glaze wear), ht. 9 7/8 in.$300-500317Classical Carved Gilt-gesso Overmantel Mirror, New England, c. 1820-25, the deep cove-molded frame with applied leaf spandrels enclosing the three-part glass, original gilding, (minor imperfections), ht. 30 1/2, wd. 59 in.$1,000-1,500318Classical Carved Gilt-gesso Mirror, probably New England, c. 1820, the molded cornice with acorn drop pendants above the tablet with applied grape and vine panel, fanked by spiral-carved engaged posts with reeded ebonized liner, original surface, ht. 38 3/4 in.$400-60093 Online bidding at www.skinnerinc.com317318319Classical Gilt-gesso Split-baluster Mirror, New England, c. 1825-30, the frame with applied eagle and shield panels, with tablet showing an elegantly dressed lady against a draped backdrop, ht. 37, wd. 18 1/2 in.$600-800320Diminutive Empire Mahogany and Birds-eye Maple Veneer Chest, America or England, early 19th century, birds-eye maple crossbanding on the hinged lid on rectangular well, overhanging four drawers with birds-eye maple veneer fronts, with gilt-brass lion mask and ring drawer pulls, fanked by turned columns, with recessed panels on the sides, raised on ball feet, ht. 19 3/4, wd. 15, dp. 8 1/2 in.$800-1,200321Pair of Gilt-bronze Argand Lamps, manufactured by JOHN B. JONES BOSTON, second quarter 19th century, each with urn-form fonts on a baluster shaft supporting a single arm with burner, on a round beaded and weighted base, accompanied by frosted colorless wheel-cut glass shades in a looping and punty-cut pattern, with brass manufacturers tag, ht. 14, dia. to 10 1/4 in.$800-1,200322Colorless Blown and Tooled Engraved Glass Celery Vase, possibly Pittsburgh, early 19th century, the vase with superimposed gather around the base tooled into futes, joined by a stem with medial knop with disk base, the sides engraved with swags, tassels, and blossoms, ht. 8 3/8 in.$200-400323Pair of Sandwich Blue and Clambroth Pressed Acanthus Leaf Pattern Glass Candlesticks, Boston & Sandwich Glass Company, Sandwich, Massachusetts, 1840-65, ht. 9 3/8 in.$300-500324Cobalt Blue Blown Three-mold Creamer and Pressed Pattern Sidewheeler Salt, America, mid-19th century, the creamer with threaded neck and raised heart designs and applied handle, the sidewheeler salt by Stourbridge Flint Glass Works, Pittsburgh, Pennsylvania, (Neal BT 2), (chips on salt), ht. 3 7/8, 1 1/2 in.$400-600325Pair of Rockingham-glazed Pottery Lions, America or England, mid to late 19th century, standing fgures facing right and left, modeled with one paw raised on a ball, and set on a rectangular plinth, ht. 8 1/2, wd. 5, lg. 11 1/4 in.$400-600326Pair of Grain-painted and Gilt-stenciled Fancy Chairs, probably New England, c. 1825, the turned crest rails above double-cornucopia splats, and ring-turned legs joined by stretchers, ht. 34, seat ht. 18 in.$300-50094 Additional information and photos at www.skinnerinc.com319320322323partial324325partial321partial327Currier & Ives, publishers (American, 1857-1907)TROLLING FOR BLUE FISH., 1866 (Conningham, 6158). Identifed in inscriptions in the matrix. Lithograph with hand-coloring on paper, sheet size 21 7/8 x 31 3/8 in., in a period molded mahogany frame with gilt liner. Condition: Margins 1 5/8 in. or more, toning, acid stains, moisture stains to margins, minor foxing.Note: This lithograph ranks no. 10 in the original Best 50, and no. 17 in the New Best 50 large folio.$1,000-1,500328Nathaniel Currier, publisher (American, 1813-1888)American Winter Scenes. Morning., 1854 (Conningham, 208). Identifed in inscriptions in the matrix. Large folio lithograph with hand-coloring on paper, sheet size 22 1/2 x 29 3/8 in., in a later molded wood frame. Condition: Margins 2 1/2 in. or more, toning, acid burn from previous backing, minor foxing, and light abrasions.Provenance: Retains a Kennedy & Co., New York, label from a previous framing, mounted on the backing paper. Note: This lithograph ranks no. 30 in the original Best 50, and no. 25 in the New Best 50, large folio.$1,000-1,50096 Additional information and photos at www.skinnerinc.comCurrier & Ives and Other Lithographs97 Online bidding at www.skinnerinc.com328327329Nathaniel Currier, publisher (American, 1813-1888)AMERICAN FARM SCENES No. 4., 1853 (Conningham, 136). Identifed in inscriptions in the matrix. Large folio lithograph with hand-coloring on paper, sheet size 20 7/8 x 26 7/8 in., in a later molded wood frame. Condition: Margins 1 1/2 in. or more, repaired margin tears, loss u.l. corner, minor toning.Provenance: Retains a Kennedy & Co., New York, label from a previous framing of the lithograph, mounted on the backing paper. Note: This lithograph ranks no. 13 in the original Best 50, and no. 8 in the New Best 50, large folio.$1,000-1,500330Currier & Ives, publishers (American, 1857-1907)HUSKING., 1861 (Conningham, 3008). Identifed in inscriptions in the matrix. Large folio lithograph with hand-coloring on paper, sheet size 26 x 31 3/4 in., in a later black-painted molded oak frame. Condition: Margins 2 1/4 in. or more, paper laid down onto rice paper, repaired tears, one into image u.c., scattered stains and repaired losses to margins, minor toning. Note: This lithograph ranks no. 1 in the original Best 50 and no. 3 in the New Best 50, large folio.$1,000-1,500331Currier & Ives, publishers (American, 1857-1907)CAMPING IN THE WOODS. A Good Time Coming., 1863 (Conningham, 773). Identifed in inscriptions in the matrix. Large folio lithograph with hand-coloring on paper, sheet size 22 1/4 x 29 7/8 in., in a period birds-eye maple frame. Condition: The color bright and strong, margins 1 1/8 in. or more, repaired tear c.l., 1 3/8 in. into image, three repaired margin tears, hidden by mat, toning, moisture stains to margins, bleached streak u.l.$1,500-2,50098 Additional information and photos at www.skinnerinc.com32999 Online bidding at www.skinnerinc.com331330100 Additional information and photos at www.skinnerinc.com335334332Currier & Ives, publishers (American, 1857-1907)A Home in the Wilderness., 1870 (Conningham 2861). Identifed in inscriptions in the matrix. Small folio lithograph with hand-coloring on paper, sheet size 9 7/8 x 13 7/8 in., in a period molded birds-eye maple frame with gilt liner. Condition: Margins 5/8 in. or more, minor tear, small tear on u.r. edge, minor creases to u.l. and l.l. margins. Note: This print ranks no. 17 in the New Best 50, small folio.$400-600333Currier & Ives, publishers (American, 1857-1907)FROZEN UP., 1872 (Conningham, 2155). Identifed in inscriptions in the matrix. Small folio lithograph with hand-coloring on paper, sheet size 10 5/8 x 13 3/4 in., in a period molded birds-eye maple frame. Condition: Margins 5/8 in. or more, light toning, repaired tear l.l. margin, loss to margin corner l.r.Note: This lithograph ranks no. 18 in the New Best 50, small folio.$400-600334Currier & Ives, publishers (American, 1857-1907)THE CELEBRATED TROTTING MARE LADY THORN... with four lines of pedigrees, 1866 (Conningham, 919). Identifed in inscription in the matrix. Large folio lithograph with hand-coloring on paper, sheet size 24 1/8 x 32 7/8 in., in a later birds-eye maple veneer and ripple-carved wood frame. Condition: Good, margins 3 1/4 in. or more, minor toning, small surface abrasion u.r. margin.$1,000-1,500335Currier & Ives, publishers (American, 1857-1907)ETHAN ALLEN AND MATE AND DEXTER. 1867 (Conningham, 1757). Identifed in inscriptions in the matrix. Large folio lithograph with hand-coloring on paper, sheet size 20 1/2 x 29 1/4 in., in a later molded wood frame. Condition: Margins 1 in. or more, toning, repaired tears into image cl. and u.r., three margin tears, toning, light foxing, acid stains.$1,000-1,500336Currier & Ives, publishers (American, 1857-1907), Heppenheimer & Maurer, lithographersRYSDYKS HAMBLETONIAN, 1876 (Conningham, 5273). Identifed in inscriptions in the matrix. Large folio lithograph with hand-coloring on paper, sheet size 24 3/4 x 33 1/8 in., in a later black-painted molded wood frame. Condition: Margins 2 1/8 in. or more, laid down onto foamboard, two unobtrusive repaired small tears in image on horses tail, and u.l. corner with retouch, repaired margin tears u.r., l.r., toning and stains to margins, minor foxing to margins.$1,000-1,500101 Online bidding at www.skinnerinc.com336102 Additional information and photos at www.skinnerinc.com341337337Currier & Ives, publishers (American, 1857-1907)A GOOD SEND OFF,- GO!, 1872 (Conningham, 2488). Identifed in inscriptions in the matrix. Large folio lithograph with hand-coloring on paper, sheet size 24 7/8 x 33 1/8 in., in a later molded wood frame. Condition: Margins 2 1/2 in. or more, margin tear l.l., minor toning.$1,000-1,500338Nathaniel Currier, publisher (American, 1813-1888)The Celebrated Trotting Horse TRUSTEE as He Appeared in His 20th Mile..., 1848 (Conningham, 911). Identifed in inscriptions in the matrix. Large folio lithograph with hand-coloring on paper, sheet size 25 x 31 3/4 in., in a later molded wood frame. Condition: Margins 2 1/2 in. or more, cleaned, light mat stain, minor losses along lower edge.$1,000-1,500339Nathaniel Currier, publisher (American, 1813-1888)LADY SUFFOLK., 1852 (Conningham, 3388). Identifed in inscriptions in the matrix. Large folio lithograph with hand-coloring on paper, sheet size 21 3/4 x 30 7/8 in., in a later carved, molded, and gilded frame. Condition: Margins 1 3/4 in. or more, margin tear l.r., minor toning, light mat stain, foxing.$1,000-1,500340Currier & Ives, publishers (American, 1857-1907)THE QUEEN OF THE TURF MAUD S., DRIVEN BY W.W. BLAIR., 1880 (Conningham, 5016). Identifed in inscriptions in the matrix. Large folio chromolithograph on paper, sheet size 23 5/8 x 21 3/4 in., in a later molded and painted oak frame. Condition: Margins 1 3/4 in. or more, toning, mat stains, small margin loss u.r. and u.l. corners, some old glue residue on upper edge.$1,000-1,500341Currier & Ives, publishers (American, 1857-1907)The Celebrated Horse GEORGE M. PATCHEN, The Champion of the Turf. 1860, (Conningham, 885). Identifed in inscriptions in the matrix. Large folio lithograph with hand-coloring on paper, sheet size 23 x 31 3/4 in., in a later molded wood frame. Condition: Margins 2 1/2 in. or more, toning, minor foxing, light acid stains, staining to margins.$1,000-1,500342Smith Brothers & Co. and Sowle & Wards, publishers (New York and Boston, 19th Century), C. Mottram, engraver (American, 19th Century)BOSTON., 1857. Identifed in inscriptions. Engraving on paper with hand-coloring depicting Boston harbor with ships, steamer, and various other watercraft in the foreground and the city of Boston, including the statehouse, in the distance, sheet size 30 3/8 x 43 3/8, image size 24 1/2 x 38 1/2 in., in a later molded wood frame. Condition: Laid down onto card, cleaned, light foxing prevalent in margins.$1,500-2,500343American School, Early 20th CenturyOld New York: Broadway and Park Place, 1825, Present Site of Woolworth Building. Signed and indistinctly dated Di Mariano 19-- l.l., locations identifed in inscriptions. Ink and watercolor on paper, sight size 15 3/4 x 27 1/2 in., in a later molded wood frame. Condition: Toning, repaired tears u.c., u.l., and l.l., old mat stains, not examined out of frame.$300-500344Currier & Ives, publishers (American, 1857-1907)THE CHANCES OF BILLIARDS. A scratch all around., 1869 (Conningham, 995). Identifed in inscriptions in the matrix. Large folio hand-colored lithograph on paper, sheet size 20 1/2 x 28 3/4 in., in a period birds-eye maple frame. Condition: Margins 2 in. or more, toning, moisture stain l.l. corner margin.$800-1,200345Currier & Ives, publishers (American, 1857-1907)Progressive Democracy-Prospect of a Smash Up./Political Cartoon., 1860 (Conningham, 4960). Identifed in inscriptions in the matrix. Small folio vignette lithograph on paper, 13 1/4 x 17 7/8 in., in a black-painted, molded wood frame. Condition: Toning, foxing, moisture stain l.l., small edge tear u.l.$300-500103 Online bidding at www.skinnerinc.com346Currier & Ives, publishers (American, 1857-1907)Portrait Tricenium Depicting George Washington, and Union Army Generals George B. McClellan, and Winfeld Scott, undated. Identifed in inscriptions. Three lithograph portraits with hand-coloring on paper, the two portraits of the generals cut into vertical strips, applied to card, and arranged to view from two angles, sight size 17 x 15 in., in a period molded gold-painted wood frame. Condition: Minor toning and foxing, not examined out of frame.$1,000-1,200347Framed George Washington Memorial Engraving, Thomas Clarke, engraver, Boston, 1801, stipple engraving depicting fgures of a woman and a man grieving before a monument with obelisk featuring Washingtons portrait over the inscription There Is Rest in Heaven., and Columbia with one arm upraised pointing to the heavens and an anchor (symbol of hope) beside her, above the inscriptions Sacred to the Memory of the Illustrious G. Washington/T. Clarke, Sculpt. 1801, Boston, (toning), 8 5/8 x 8 3/8 in., in probably original molded giltwood frame with printed framers label F. Lloyd...milk-Street, Boston.$500-700104 Additional information and photos at www.skinnerinc.com346346 side views348After Rembrandt Peale (American, 1778-1860)PATRIAE PATER. (Father of His Country), 1827. Titled in simulated cut stone below the portrait, inscribed below image: Drawn in Stone by Rembrandt Peale. l.l., Copy-right secured 1827. l.c., and Pendletons Lithography, Boston. l.r. Lithograph on paper, sheet size 18 7/8 x 15 7/8 in., unframed. Condition: Laid down onto paper, margins 1/4 in. or more, scattered repaired losses on margins, minor toning. $800-1,200349Hairwork Memorial Ring Reportedly with a Plaited Lock of George Washingtons Hair, the gold band is mounted with a fnely braided lock of ginger-colored hair and a small foliate-engraved plaque. Provenance: It is reported by the consignor that the ring descended in her family from the early part of the 20th century. Originally, a lock of hair was given by George Washington as a token of esteem to his aide-de-camp Alexander Hamilton. It descended to Hamiltons son James A. Hamilton. In 1872, James gave the lock of hair to Mrs. Margaret (Cash) Pechin (1812-1911) of Philadelphia, where it was lent or gifted by her to the Washington Memorial Chapel at Valley Forge, Pennsylvania. Upon Mrs. Pechins death, the ring was returned to her family, and descended through Dupont and Moreland families, and lastly to the consignor, Mrs. Margaret Pechins great-great niece. At some point the lock of hair was incorporated into a memorial ring. The ring is accompanied by a small undated c. 1900 newspaper clipping announcing the gift of the lock of Washingtons hair by Mrs. Pechin. An internet search for Mrs. Margaret Pechin of Philadelphia brings up several similar articles about her donation of the lock of hair to the Washington Memorial Chapel.$800-1,200105 Online bidding at www.skinnerinc.com349348350Six Pieces of Mourning Jewelry, late 18th/early 19th century, decorated with neoclassical fgures and symbolism, two brooches with ellipse-shaped, sepia-decorated ivory plaques, with bright-cut gilt-brass surrounds, one depicting a woman grieving beside a lamb and an urn-topped monument inscribed GRATITUDE, the other depicting a young woman at her spinning wheel seated beside a young man; a ring with an ellipse-shaped ivory plaque with grisaille depiction of a woman grieving beside an urn-topped monument with indistinct inscription SALLY SWE-T OCTOBER 13, in a hinged leather case; an oval ivory plaque depicting fve young ladies wearing white gowns under the inscription AFFECTION UNITE US, in a faceted, bright-cut, gilt-brass bracelet mount with black velvet ribbon; an ellipse-shaped ivory plaque with grisaille decoration depicting a woman holding a cornucopia, with paste surround and gilt-brass bracelet mount converted to a pendant; and an oval gilt-brass hinged pendant containing an ivory plaque with watercolor painted scene of a woman seated on a hill offering her hand to a descending dove with a crane (the symbol of long life and immortality) standing beside her, (imperfections), dia. 1 to 2 5/8 in.$1,500-2,500351Mayfower Descendant Commemorative 14kt Gold Medal in Original Case, retailed by J.E. Caldwell & Co. Philadelphia, c. 1897, the medal depicting an image of the ship, surrounded by a garland of fowers, with a banner on the bottom inscribed 1620 Plymouth 1897, the reverse engraved Arthur Robert Turner 3194, surrounded by the inscription General Society of Mayfower Descendants within a horseshoe-shaped garland with a bowknot at the bottom, with original pink and white striped ribbon, medal dia. 1 1/8 in., in original embossed leather button case with an image of the Mayfower at sea centered on the lid below the date 1620, Mayfower embossed along the bottom.$500-700352Framed Engraved Firemens Ball Ticket, c. 1838, the ticket depicting a scene with fremen rescuing citizens from a burning building and fghting the fre, inscribed ANNUAL BALL/WE EXTINGUISH ONE FLAME AND CHERISH ANOTHER/LADIES TICKET/Live Oak Fire Engine Compy 44, the backboard of the frame indistinctly inscribed First Ball Given by Live Oak Fire Engine/December 1839/Lafette Hall Broadway N.Y., 3 7/8 x 5 1/2 in., in a period painted wood frame. Note: The Live Oak Fire Engine Company 44 of New York City was a volunteer fre department organized August 2, 1824, by several ship-builders located around Manhattan Island after a large fre destroyed a steam sawmill which spread and destroyed a shipyard, several vessels, timber, and a fre engine.$300-500353Cast Iron Key to the City of PROVIDENCE, R.I., late 19th century, with remnants of silver paint, lg. 10 1/8 in.$300-500354Thirteen-star Wool and Cotton American Flag, America, 19th century, with hand-sewn stitches joining the woven red and white striped wool bunting and blue canton, with appliqued cotton stars, the applied woven cotton twill heading or sleeve has been machine sewn, (scattered small holes, minor toning), approx. 40 x 68 in.$800-1,000355Walter Gilman Page (Massachusetts, 1862-1934)Portrait of John Hancock, After John Singleton Copley. Inscribed Walter Gilman Page Fecit 1906 and Portrait of John Hancock on the stretcher. Oil on canvas, 43 x 36 in., in original molded gilt-gesso frame. Condition: Tears, loss l.r., abrasions, surface grime.$600-800106 Additional information and photos at www.skinnerinc.com350356Lantern with Four Colorless Pressed Lacy Glass Panes with Steamboat and Thistle, the glass panels manufactured by J. & C. Ritchie, Wheeling, West Virginia, c. 1833, square, green-painted wooden lantern with shaped edges, each side mounted with a pane of glass centered with a steamboat with a plaque reading J&C RITCHIE, over a large thistle fanked by vases of fowers resting on cornucopia-shaped devices, with stippled background, (one pane with small chip to lower right corner), ht. 10, wd. 6 1/4 in.$8,000-12,000107 Online bidding at www.skinnerinc.com356357Early American Glass Rum Decanter, Dolphin Candlestick, and Lacy Glass Open Salt, early 19th century, a colorless blown three-mold rum decanter with swirl and sunburst-type molded decoration and RUM (McKearin GIII-2 Type II), with sunburst stopper, a blue and clambroth Sandwich glass dolphin candlestick on a square base, and a colorless lacy glass open salt with fve-point star and pineapple design, (minor chips), ht. 10 1/2, 10 1/4, 1 7/8 in.$400-600358Two Glass Paperweights, Boston & Sandwich Glass Company or New England Glass Company, third quarter 19th century, one with a blue poinsettia with a millefore center with fve lampwork leaves set on a white latticinio cushion; and a fruit group with four red and yellow pears and leaves and three cherries on a white latticinio ground, (light scratches, base edge chips), ht. 1 5/8, 2 3/8, dia. 2 1/2, 2 5/8 in.$400-600359Large Floral-etched Colorless Glass Hurricane Shade, America or England, 19th century, baluster-form shade with folded foot, encircled by etched and cut bands of fowers, berries, and leaves, ht. 23 in.$400-600360Pair of Sandwich Colorless Octagonal Pressed Glass Dishes with Eagle and Shield, Boston & Sandwich Glass Co., Sandwich, Massachusetts, c. 1840, the plates centered with a spreadwing eagle with arrows and olive branch surrounded by thirteen stars, the curved panel sides with shield and foral motifs, with scalloped rims, (mold underfll on rims of both dishes [in the making], minor rim chips), ht. 1 3/8, dia. 6 1/2 in.$200-250361Pair of Cut Overlay Decanters, Europe, second half 19th century, tall tapered forms with applied ring on the neck, of ruby cut to clear glass in an optical punty design, blossom-cut base, with matching stoppers, ht. 15 1/2 in.$250-350362Anglo/Irish Cut Crystal Center Bowl, late 19th/early 20th century, rolled futed rim on urn-form bowl with stepped horizontal facets, futes, and diamond cuts, supported on a square star-cut base with cut corners, ht. 9 1/8 in.$500-700363White Marble Bust of Antinous, 19th century, on an octagonal pale green painted wooden plinth, bust ht. 19, plinth ht. 48 3/4 in.$1,500-2,500108 Additional information and photos at www.skinnerinc.com363364Carved Limestone Bust of a Child, c. 1845, fully carved bust of a child wearing an off-the-shoulder garment with ruffed lace collar, (minor imperfections), ht. 14 in.$800-1,200365Carved White Marble Plaque of a Young Man, 19th century, rectangular marble plaque with relief-carved profle of a young mans head in an oval-carved molding, 16 3/4 x 13 in.$800-1,200366Four Molded Gilt-brass Feminine Hand and Foliage-form Drapery Tiebacks, late 19th century, each approx. 5 x 9 1/2 in.$300-500367Two Pairs of Floral Pressed Brass Drapery Tiebacks, America, mid-19th century, round forms with large blossom at center and a border of small fowers, (minor dents), dia. 3 in.$300-500368Two Pairs of Gilt-bronze Scrolled-band Drapery Tiebacks, England or France, c. 1820, each pair similar in form, with brass mounting hardware, 2 x 7 1/2 in.$500-700369William Mason Brown (American, 1828-1898)Fruit Still Life en Plein Air. Signed and dated WMBrown./1875. l.r. Oil on canvas, 18 x 24 in., framed. Condition: Lined, retouch, craquelure, surface grime.Provenance: Acquired by a Brooklyn collector in the 1870s, then by descent to the current owner.$20,000-30,000370Classical Giltwood and Gesso Three-part Overmantel Mirror, America, early 19th century, the split balusters with applied foral devices, beveled glass, ht. 26 1/2, wd. 68 1/2, dp. 5 1/4 in.$800-1,200109 Online bidding at www.skinnerinc.com369371Federal Mahogany Veneer Inlaid Dressing Mirror, America, early 19th century, the crossbanded, oval-framed, tilting mirror on a rectangular case with single drawer with brass pulls, on ogee bracket feet, (minor cracks to veneer), ht. 17, wd. 12 1/2, dp. 7 1/4 in.$300-500372Tortoiseshell Veneer Tea Caddy and Inkstand, and a Burl Veneer Box, 19th century, bombe-form tea caddy with hinged lid with small brass plate and escutcheon, the interior ftted with two square compartments with tortoiseshell veneer covers, and ivory ball feet, (minor imperfections), ht. 6, wd. 4 1/2, lg. 7 1/2 in.; a brass-mounted tortoiseshell veneer inkstand, ht. 3 1/8, wd. 3 1/4, lg. 6 3/4 in.; and a brass-mounted burl veneer trinket box, ht. 1 3/4, wd. 5 1/8, lg. 7 1/8 in.$800-1,200373Inlaid Mahogany Veneer Glove Box, America or England, early 19th century, rectangular box with hinged lid centered with an inlaid cornucopia and stringing, the interior lined with black velvet, (minor veneer loss), ht. 2 7/8, wd. 11, dp. 5 in.$100-150374Classical Mahogany Carved Tilt-top Candlestand, New York, c. 1820, the shaped top with elliptical sides, on a vase- and ring-turned post and four acanthus-carved and reeded tapering legs ending in brass cap casters, refnished, ht. 26 3/4, wd. 17 1/2, dp. 24 in.$1,200-1,800375Classical Mahogany and Mahogany Veneer Desk Bookcase, probably Massachusetts, c. 1830, the top section with a deep cove-molded cornice above an arched frieze, and two hinged doors with futed paneling and fanking applied scrolls, and three exterior drawers below, on projecting base of fold-out writing surface, and drawer with ogee facade above two drawers, with fanking scrolled brackets continuing to legs, old wooden pulls, refnished, (imperfections), ht. 75, wd. 41 1/2, dp. 20 in.$800-1,200376Ruth W. Shute (American, 1803-1882) and Samuel A. Shute (American, 1803-1836)Portrait of an Elegantly Attired Woman with Tortoiseshell Comb, Black Dress, and Black Lace Shawl. Unsigned. Oil on canvas, 27 3/8 x 24 in., in a carved split-baluster wood frame. Condition: Four small patch repairs, minor retouch, scattered paint loss u.c. Provenance: Purchased at Robert Eldreds auction, c. 1979, and reported by him to have come from a Mr. Richard Mills, Exeter, New Hampshire; from the purchaser at that auction, by descent to the consignor. Correspondence between a former owner of the portrait and Shute scholar Helen Kellogg indicates her positive identity of the artists.$800-1,200377Classical Mahogany Ebonized and Stencil-decorated Split Baluster Mirror, New England, c. 1825-30, the tablet showing a church, old surface, ht. 27, wd. 14 1/4 in.$800-1,200378Pair of Classical Carved Tiger Maple Childrens Chairs, probably New York, c. 1820, with acanthus leaf- and scroll-carved horizontal splats, cane seats, and faring vase- and ring-turned legs joined by stretchers, refnished, (repairs), ht. 29 1/2, seat ht. 15 in.$600-800379Classical Tiger Maple Lift-top Chamberstand, possibly Pennsylvania or Ohio, the rectangular splashboard above a hinged top and interior well, with paneled door below opening to a shelf and drawer, fanking stiles continuing to legs, rear legs turned, refnished, (imperfections), ht. to lift top 31, wd. 19 1/2, dp. 16 1/2 in.$300-500110 Additional information and photos at www.skinnerinc.com376380Mahogany Stick Barometer, Frederick Pool, Boston, early to mid-19th century, with molded cornice over wheel-operated vernier, with silvered engraved scales, the top scale engraved Fredk Pool/BOSTON/Lowell Institute, over the lower thermometer, both scales with bowed glass, the base with round cistern cover, ht. 38 3/4 in.Provenance: Roland B. Hammond, North Andover, Massachusetts.$1,000-1,500.381Storm King Walnut Stick Barometer, manufactured by E.C. Spooner, Boston, c. 1850, telescope-form barometer of walnut and ebonized walnut, with curved molded crest, above a split register centered with the barometer, with printed paper scale on the left inscribed The Standard at the top and The Storm King Barometer/Warranted Correct/Manufactured/and Sold by/[E].C. Spooner Boston on the bottom, with an engraved silvered metal thermometer on the right, ht. 41 1/2, wd. 4 in.$300-500382Timbys Patent Rosewood Stick Barometer, Alexr Marsh Sole Proprietor and Manufacturer, Worcester, Mass., late 19th century, the upper barometric pressure scale printed on paper with makers name and patent date of Nov. 3rd, 1857, the lower thermometer of engraved silvered metal, in a rosewood case with applied ripple molding on the bottom, the back of the barometer with a remnant of the original printed instructions, ht. 38 3/4, wd. 3 in.$600-800111 Online bidding at www.skinnerinc.com377383Timbys Patent Rippled Molded Rosewood Stick Barometer, John M. Merrick & Co., Worcester, Massachusetts, late 19th century, the upper barometric pressure scale printed on paper with makers name and patent date of Nov. 3rd, 1857, the lower thermometer of engraved silvered metal, in a rosewood case with applied ripple molding, the back of the barometer with a label of printed instructions for the No. 5 model, old surface, ht. 37 1/2, wd. 3 1/2 in.$600-800384Prior-Hamblen School, 19th CenturyPortraits of a Young Lady and Gentleman of the Cyrus Young Family of Provincetown, Massachusetts. Unsigned. Oil on artist board, 17 1/4 x 13 3/4 in., in later burl veneer frames. Condition: Minor retouch to background on both portraits.Provenance: The portraits were offered in the Edith Gregor Halpert Folk Art Collection, November 14 and 15, 1973, Sotheby Parke Bernet, Inc., Lot 298. The catalog description identifes the portraits as two from a series of eight portraits painted of the Cyrus Young family of Provincetown and then refers to Lot 74 in the same auction, where perhaps other portraits of the family were offered.$4,000-8,000112 Additional information and photos at www.skinnerinc.com384385Two Historical Blue Transfer-decorated Staffordshire Pottery Plates, England, early 19th to early 20th century, a dinner plate depicting The Pine Orchard House/Catskill Mountains by Enoch Wood & Sons, Burslem, (minor rim chip), and a soup plate in the Landing of Hendrick Hudson pattern by Rowland & Marsellus Co., dia. 10 1/8, 10 in.$200-250386Five Historical Blue Transfer-decorated Staffordshire Pottery Plates, England, early 19th century, four plates by James and Ralph Clews, Cobridge, 1819-36, including two plates depicting the Landing of Gen. Lafayette at Castle Garden in New York, 16 August, 1824, with title below scene, one depicting Dr. Syntax Painting a Portrait titled on reverse, and a bowl depicting The Valentine from Wilkies Designs, title on reverse; and a plate by Enoch Wood & Sons, Burslem, 1819-46, depicting Moulin sur la Marne a Charenton, titled on the reverse, showing men on the bank of a river before a bridge and mill; the view, while not American, is notable in that for many years collectors of transferware erroneously associated it with the estate of the Marquise De Lafayette, all with impressed makers mark on base, dia. 7 5/8 to 10 1/8 in.$400-600387Six Historical Blue and White Transfer-decorated Staffordshire Table Items, England, early 19th century, an oblong American Eagle on Urn cream pitcher by James and Ralph Clews, a pair of tea bowls with saucers, depicting Boston Harbor [so called] with an eagle and American shield, unknown maker; and a soup plate depicting a view of Albany by Clews, (glaze imperfections, minor rim repairs on pitcher), ht. 2 1/2 to 5, dia. 3 1/2 to 9 3/4 in.$300-500388Five Historical Blue Staffordshire Pottery Plates with Boston Views, England, early 19th century, a dinner plate depicting Harvard College by Robert Stevenson & Williams, a soup plate depicting The Octagon Church Boston by J. & W. Ridgeway, and three small plates: The Landing of the Fathers at Plymouth, Dec. 22 1620 by Enoch Wood & Sons, the Atheneum [sic] Boston from the Beauties of America series by J. & W. Ridgeway, and The Landing of the Fathers at Plymouth, Dec. 22 1620 by Enoch Wood & Sons, Burslem, (rim chip on soup plate), dia. 6 1/8 to 10 in.$300-500389Three Historical Blue and White Transfer-decorated Staffordshire Pottery Plates, England, early 19th century, a Boston Hospital dinner plate with white-edged rim by Ralph Stevenson, Cobridge, 1815-40, with impressed makers mark; a City Hotel New York dinner plate by Ralph Stevenson, Cobridge, 1815-40; and a New York, Battery luncheon plate with white-edged rim, impressed makers mark for Ralph Stevenson, Cobridge, (minor imperfections), dia. 9, 8 1/2, 8 in., respectively.$200-300390Pair of Blue Transferware Sauce Tureens with Undertrays in the Grecian Pattern, William Ridgeway, Shelton, England, 1830-34, depicting Greek architecture, garden, and a waterway, with foral and scroll designs on the rims, molded rose and thistle knops and handles with pastel blue glaze, printed makers marks on base, overall ht. 6, dia. 8 1/4 in.$500-700391Two Blue Transfer-decorated Staffordshire Pottery Quadrupeds Pattern Dinner Plates, John Hall, Tunstall, England, early 19th century, centered with a fgure of a fsher, the borders decorated with four cartouches of various animals separated by an urn on a pedestal, printed makers mark and title on the reverse, (minor wear), dia. 8 3/4 in.$300-500392Tucker American Gilt-decorated Porcelain Pitcher and an Attributed Tucker Pitcher, one marked Tucker & Hulme, Philadelphia, 1828, brilliant white baluster-form pitchers with high ear-shaped handles and a ribbed border around base, one ornamented with gilt-outlined molded leaves under the spout and on neck below the top handle attachment, the base inscribed Tucker & Hulme/China/Manufacturers/Philadelphia/1828; the other pitcher attributed to Tucker & Hulme, with similar molded leaves, the sides inscribed with the initials L.R.B. and with the date 1828 under the spout, ht. 9 1/2, 9 1/4 in., respectively. Provenance: De-accessioned from the Chrysler Museum, purchased at Skinner, March 5, 1993, by the consignor. Note: The Tucker porcelain manufactories are one of the oldest successful porcelain makers in America, operating from 1826-1838. William E. Tucker opened a porcelain factory in Philadelphia in 1826, hoping to decrease the amount Americans paid for costly foreign imports.In 1828 Tucker formed a partnership with Thomas Hulme under the name Tucker & Hulme, but Hulme retired from the frm after about one year. Tucker died suddenly in 1832 in his mid-thirties, and the business was carried on by another partner, Joseph Hemphill for several years. In 1837, Thomas Tucker, a brother of the founder, became the sole proprietor until the factory closed in 1838.$800-1,200393Three Old Paris Porcelain Gilt and Enamel-decorated Serving Dishes, France, early 19th century, an oval covered tureen with underplate and scroll handles, a small covered sauce tureen with dragon head handle (chip), and a gravy boat and undertray with female mask handles, green enamel chain and gilt pendant berry and quatrefoil borders, some items with faint Deroche Paris inscribed on the bottom, (minor gilt wear), ht. 6 1/2 to 12 1/2, dia. 6 to 15 1/2 in.$800-1,200113 Online bidding at www.skinnerinc.com394Twenty-three Old Paris Porcelain Gilt and Enamel Plates, France, early 19th century, each decorated around the rim with blue and green foral sprig and gilt bands, and centered with a single gilt blossom; fourteen dinner plates and nine saucers, dia. 8 1/2, 6 1/4 in.$500-700395Pair of Brass and Iron Belted Double Lemon-top Andirons and Two Matching Hearth Tools, New York, c. 1800, the double lemon tops above a hexagonal column on round plinths with spurred cabriole legs on ball feet, with a shovel and pair of tongs with conforming double-lemon fnials, ht. 25 wd. 10 1/4, dp. 21, tool lg. 31 1/2, 34 in.$1,500-2,500396Pair of Brass Double Lemon-top Andirons, Griffths and Green, New York, frst quarter 19th century, belted double lemon-top fnials on swelled faceted columnar shafts, spurred cabriole legs with ball feet, one with faintly impressed GRIFFITHS & GREEN N.YORK on the billet bar, (some wear and pitting to upper shafts), ht. 19, wd. 9 1/4, dp. 15 1/4 in.$800-1,200397Pair of Iron and Brass Double Lemon-top Andirons, New York, frst quarter 19th century, belted double-lemon tops on faceted columnar shafts supported on spurred cabriole legs with ball feet, with a shovel and pair of tongs with conforming double-lemon fnials, ht. 21 1/4, wd. 10 1/2, dp. 19 1/4 in.$300-400398Classical Philadelphia Brass and Marble Fire Tool Stand, early 19th century, brass baluster stand with acorn fnials, on a square white marble base, ht. 32 in.$800-1,200399Brass and Wirework Fire Screen, America or England, early 19th century, with three brass belted ball fnials mounted on a brass rail over lattice wirework, ht. 17, wd. 59 1/4, dp. 20 1/2 in.$1,000-1,500400Tall Brass and Wirework Fire Screen, America or England, brass rail above vertical wirework ornamented with a border of swags and scrolls, ht. 20 1/4, wd. 47 1/4, dp. 14 1/2 in.$800-1,200401Brass and Wire Folding Fire Screen, America, early 19th century, brass rail above wire mesh ornamented with a scalloped wire border at the top and two C-scroll designs in the central section, ht. 23 3/4, wd. central section 36 1/2, wd. of each side section 17 1/4 in.$800-1,200402Brass and Wirework Fire Screen, America, early 19th century, brass rail above vertical wires accented with a border of wire scallops at the top and a medial band of scrolls, ht. 24, wd. 36 1/4, dp. 13 1/2 in.$800-1,200403Brass and Wirework Fire Fender, America or England, early 19th century, curved D-shape brass rail above vertical wires ornamented with a border of swags at the top, ht. 21 1/4, wd. 37 3/4, dp. 12 in.$400-600114 Additional information and photos at www.skinnerinc.com395Decoys & Decorative Bird Carvings404Five Pierced Brass and Iron Hearth Trivets and a Steel Sugar Nipper, England or America, late 18th to early 19th century, the trivets with turned wooden handles, pierced shaped brass tops, one lyre-form raised on tripod iron feet; the sugar nipper with engraved foral and foliate designs on the handles, trivet ht. 6 1/4 to 3 5/8 in.$300-500405Two Pairs of Brass Jamb Hooks, early 19th century, the two pairs similar in form, with lobed scrolls and baluster fnials, with brass wall-mount hardware, ht. 3, wd. 4 3/4, 5, dp. 4 3/4, 5 in.$800-1,200406Two Pairs of Brass Jamb Hooks, America, late 18th/early 19th century, one pair with belted lemon-shaped fnials, the other pair with a C-scroll design, ht. 5, 2 3/4, wd. 3 1/2, 2 3/4, dp. 2 5/8, 3 3/4 in., respectively.$400-600116 Additional information and photos at www.skinnerinc.com412413415414407Pair of Brass C-scroll Fireplace Jamb Hooks, America, early 19th century, ht. 3 5/8, wd. 2 3/8, dp. 4 1/2 in.$150-200408Pair of Classical Brass Belted Ball-top Andirons, William Hunneman, Boston, early 19th century, the ball-tops on columnar shafts with conforming belted ball curved log-stops, impressed makers marks HUNNEMAN BOSTON on bar behind log-stops, (minor dents), ht. 12, wd. 7 3/4, dp. 22 1/2 in.$500-700409Pair of Classical Brass and Iron Ball-top Andirons, JOHN MOLINEAUX BOSTON, early 19th century, belted ball-tops supported on baluster shafts on square plinths curved log supports with conforming log-stops, impressed makers marks on support bar behind log-stop fnial, (minor wear, loss to one makers mark on log-stop, minor dents), ht. 16 1/2, wd. 9 1/2, dp. 25 in.$800-1,200410Pair of Engraved Brass and Iron Lemon-top Andirons, America, c. 1800, belted lemon tops with belted lemon fnial on a square monument plinth with engraved stylized fower stem on the front, supported on arched legs with penny feet, ht. 13 1/2, wd. 11, dp. 16 1/4 in.$600-800411Brass and Turned Wood Bedwarmer, reportedly Dutch, late 18th century, the brass pan with hinged lid pierced and engraved with an urn of fowers design, with baluster-turned handle, (dents), lg. 45 1/2, pan dia. 12 1/4 in.$400-600412Pair of Hollow Mallard Decoys, Charles Perdew (1874-1963), Henry, Illinois, early 20th century, the hen with turned head, both with inset glass eyes, delineated bills, and distinctive shaped tail, the drake with applied weight, varnished, ht. 6 3/4, 7 1/2, lg. 14, 17 in., respectively.$800-1,200413Pintail Drake Working Duck Decoy, A. Elmer Crowell (1862-1952), East Harwich, Massachusetts, with slightly turned head, impressed owners name on base E.FLAGG, (imperfections), ht. 7, wd. 6 1/2, lg. 16 in.$1,000-1,500414Illinois River Mallard Drake Decoy, reportedly by Edward Shirtz, Henry, Illinois, c. 1936, hollow decoy with painted relief-carved eyes, the base inscribed ES and with applied weight with raised manufacturer inscription Raymond Lead Co. Chicago, ILL., paint appears original, (paint loss), ht. 7, lg. 16 3/4 in.$400-600415Folk Carved and Painted Hooded Merganser Decoy, possibly Virginia, early to mid-20th century, with applied glass eyes, (imperfections), ht. 5 7/8, lg. 12 1/2 in.$300-500416Three Small Carved and Painted Duck Decoys, America, early 20th century, a hollow blue wing teal hen, possibly by Charles Perdew (1874-1963), Henry, Illinois, the name S. WILCOX impressed on the bottom; a bluebill hen reportedly by Clarence Krieser, Manitowac [sic], Wisconsin, c. 1936, according to a label on the bottom; and a possible Oldsquaw with JS and indistinct inscription on the base, (imperfections), ht. 4 to 5, lg. 11 to 13 in.$400-600417Six Carved and Painted Fish Decoys, America, early to mid-20th century, fve with applied sheet metal fns, with painted or tack eyes, one painted red, yellow, and white attributed to John Tax, Osakis, Minnesota, one painted red and white with applied gold glitter attributed to Henry Max (1903-1978), Fergus Falls, Minnesota, (wear), lg. 4 1/2 to 6 1/4 in.$400-600418Jess Blackstone Miniature Carved and Painted Hermit Thrush Figure, New Hampshire, 1943, the carved wooden fgure mounted on a rock-form base, signed JB, dated 1943, species identifed, and no. 8 inscribed on base, (small bill-tip chip), ht. 2 3/8 in.$600-800419Miniature Carved and Painted Myrtle Warbler Figure, attributed to Jess Blackstone, New Hampshire, mid-20th century, carved wooden bird with scratch-feather surface, mounted on a branch segment, species identifed on the base, (repair to one leg), ht. 3 1/4 in.$600-800420Jess Blackstone Miniature Carved and Painted Hermit Thrush Figure, New Hampshire, mid-20th century, carved wooden bird with scratch-feather surface, mounted on a rock-form base, identifed, signed JB, and numbered 12 on the base, ht. 3 1/4 in. Provenance: Purchased at a Decoys Unlimited, Inc. auction, with auction label on the bottom.$600-800421Jess Blackstone Miniature Carved and Painted Field Sparrow Figure, New Hampshire, mid-20th century, carved wooden bird with scratch-feather surface, mounted on a rock-form base, identifed, signed JB, and numbered 8 on the base, ht. 2 5/8 in.$600-800117 Online bidding at www.skinnerinc.com422Jess Blackstone Miniature Carved and Painted Blackpoll Warbler Figure, New Hampshire, third quarter 20th century, carved wooden bird with scratch-feather surface, mounted on a rock-form base, identifed, signed JB, and numbered 9 on the base, ht. 1 3/4 in.$600-800423Jess Blackstone Miniature Carved and Painted Ovenbird Figure, Concord, New Hampshire, mid-20th century, carved wooden bird with scratch-feather surface, mounted on a rock-form base, identifed, signed JB, numbered 1, and inscribed Concord, N.H. on the base, ht. 1 5/8 in.$300-500424Jess Blackstone Miniature Carved and Painted Bay-breasted Warbler Figure, New Hampshire, mid-20th century, carved wooden bird with scratch-feather surface, mounted on a rock-form base, identifed, signed JB, and numbered 1 on the base, ht. 1 5/8 in.$300-500118 Additional information and photos at www.skinnerinc.com418424423422421419420425Jess Blackstone Miniature Carved and Painted Bobwhite Figure, New Hampshire, mid-20th century, the carved wooden fgure with scratch-feather surface, mounted on a rock-form base, species identifed and with a printed makers label on the base, (tail-tip chip, small paint loss on bill and head), ht. 3 5/8 in.$600-800426Jess Blackstone Miniature Carved and Painted Cardinal Figure, New Hampshire, August, 1942, carved wooden bird with scratch-feather surface, mounted on a rock-form base, identifed, signed JB, dated 8/42, and numbered 6 on the base, ht. 2 3/4 in.$600-800427Jess Blackstone Miniature Carved and Painted Robin Figure, New Hampshire, mid-20th century, carved wooden bird with scratch-feather surface, mounted on a branch segment, identifed, signed JB, and numbered 6017-153 on the base, (chip to bill tip), ht. 3 3/4 in.$400-600119 Online bidding at www.skinnerinc.com430426428429432433431427425428Jess Blackstone Miniature Carved and Painted Nuthatch Figure, New Hampshire, mid-20th century, carved wooden bird with scratch-feather surface, mounted on a rock-form base, identifed, signed JB, and numbered 335 on the base, ht. 1 7/8 in.$300-500429Jess Blackstone Miniature Carved and Painted White-throated Sparrow Figure, New Hampshire, mid-20th century, carved wooden bird with scratch-feather surface, mounted on a rock-form base, identifed, signed JB, and numbered 130 on the base, ht. 2 1/8 in.$400-600430Jess Blackstone Miniature Carved and Painted Chickadee Figure, Concord, New Hampshire, mid-20th century, carved wooden bird with scratch-feather surface, mounted on a rock-form base, identifed, signed JB, numbered 488, and inscribed Concord, N.H. on the base, ht. 1 7/8 in.$300-500431Jess Blackstone Miniature Carved and Painted Oriole, New Hampshire, mid-20th century, carved wooden bird with scratch-feather surface, mounted on a rock-form base, identifed, signed JB, and numbered 42 on the base, ht. 2 3/4 in.$600-800432Jess Blackstone Carved and Painted Miniature Wren Figure, New Hampshire, mid-20th century, carved wooden bird with scratch-feather surface, mounted on a branch segment, inscribed Thumpy at Christmas/Love Janie/Edie/Jess, ht. 3 1/4 in.$300-500433Jess Blackstone Miniature Carved and Painted Goldfnch Figure, New Hampshire, mid-20th century, carved wooden bird with scratch-feather surface, mounted on a rock-form base, identifed, signed JB, and numbered 5 on the base, ht. 1 3/8 in.$300-500434Jess Blackstone Miniature Carved and Painted Green Winged Teal Drake Figure, New Hampshire, mid-20th century, carved wooden duck with scratch-feather surface, mounted on a piece of driftwood, identifed, signed JB, and numbered 36 and DW6048 on the base, (repair to neck), ht. 4 1/2 in.$800-1,200435Jess Blackstone Miniature Carved and Painted Mallard Drake Figure, New Hampshire, mid-20th century, carved wooden bird mounted on a rock-form base, identifed and signed JB on the base, (repair to neck, minor paint loss on bill tip), ht. 4 1/2 in.$600-800436Miniature Carved and Painted Goldeneye Figure, A. Elmer Crowell (1862-1951), East Harwich, Massachusetts, the wood fgure mounted on a carved wood rock-form base with species name inscribed in pencil and with impressed rectangular makers mark on the bottom, ht. 3 in.Provenance: Northeast Auctions, Portsmouth, New Hampshire.$800-1,200437Carved and Painted Red-backed Sandpiper Figure, attributed to Jess Blackstone, New Hampshire, mid-20th century, carved wooden bird with scratch-feather surface, mounted on a piece of driftwood, species identifed on a paper label affxed to the base, ht. 2 5/8 in.$800-1,200438Jess Blackstone Miniature Carved and Painted Scaup Figure, New Hampshire, mid-20th century, carved wooden bird with scratch-feather surface, mounted on a piece of driftwood, identifed, signed JB, and numbered 6401 and DW6407 on the base, ht. 3 1/8 in.$400-600439Jess Blackstone Miniature Carved and Painted Buffehead Figure, New Hampshire, mid-20th century, the wooden bird identifed and signed JB on the base, ht. 1 3/4 in.$400-600440Jess Blackstone Miniature Carved and Painted Wood Duck Figure, New Hampshire, mid-20th century, carved wooden bird with scratch-feather surface, mounted on a rock-form base, identifed and signed JB on the base, (minute tail chip), ht. 2 5/8 in.$600-800441Eleven Rough-cut Jess Blackstone Bird Carvings and a Decoy Magazine, nearly fnished rough-cut bird fgures and three rough-cut bases, together with a July/August 2001 issue of Decoy Magazine containing the article Jess Blackstone: A New Hampshire Miniaturist in the New England Tradition, pp. 36-9.$200-300120 Additional information and photos at www.skinnerinc.com442Jess Blackstone Miniature Carved and Painted Chickadee Figure, New Hampshire, last half 20th century, carved wooden bird with scratch-feather surface, mounted on a rock-form base, identifed, signed JB, and numbered 2453 on the base, ht. 1 7/8 in.$400-600443Jess Blackstone Miniature Carved and Painted Chickadee Figure, New Hampshire, mid-20th century, carved wooden bird with scratch-feather surface, mounted on a rock-form base, unsigned, identifed and numbered 1177 on base, ht. 2 in.$400-600444Jess Blackstone Miniature Carved Bluebird Figure, New Hampshire, mid-20th century, the fgure with scratch-feather carving, mounted on a rock-form base, signed JB, species identifed, and numbered 167 on bottom, (minor retouch to tail tip), ht. 2 1/8 in.$400-600121 Online bidding at www.skinnerinc.com439437440436438435434445Jess Blackstone Miniature Carved and Painted Goldfnch Figure, New Hampshire, early to mid-20th century, carved wooden bird with scratch-feather surface, mounted on a rock-form base, identifed, signed JB, and numbered 159 on the base, (retouch), ht. 3 1/8 in.$400-600446Jess Blackstone Miniature Carved Goldcrest Bird Figure, New Hampshire, mid-20th century, the fgure with scratch-feather carving, mounted on a rock-form base, signed JB, species identifed, and numbered 204 on bottom, (retouch to body and tail tip), ht. 2 1/2 in.$400-600447Jess Blackstone Miniature Carved Ruby Crowned Kinglet Bird Figure, New Hampshire, mid-20th century, the fgure with scratch-feather carving, mounted on a rock-form base, signed JB, species identifed, and numbered 29 on bottom, (minor retouch to tail and bill), ht. 1 3/4 in.$400-600448Three Carved and Painted Ornamental Bird Figures, each with glass eyes and fnely delineated wing and tail feathers, including two bobwhite quail fgures carved by Stan Sparre (1923-2011) of Cape Cod, mounted on pieces of driftwood; and a chickadee fgure mounted on a branch segment and mahogany base, with pyrographic makers marks and date on base: CHICKADEE #005/T.N. DEAN/6-81, ht. 3 1/2 to 4 5/8 in.$100-200449Pair of Miniature Mallard Duck Decoys, reportedly made by Charles Perdew (1874-1963), Henry, Illinois, early 20th century, turned-head drake and hen with painted eyes and delineated bills, ht. 3 1/2, 3 5/8, lg. 7, 7 1/2 in., respectively.$600-800450Miniature Carved and Painted Crow Figure, America, 19th century, with inset glass eyes, wire legs and feet, mounted on a wooden dowel, ht. 3 1/4, lg. 3 1/4 in.$300-500451Tern Mantel Carving, A. Elmer Crowell (1862-1951), East Harwich, Massachusetts, full size tern mantel carving with split tail, signed A.E. Crowell Cape Cod Mass. in ink on base, the fgure mounted on a piece of driftwood, (loss), ht. 4 1/8, lg. 6 1/2 in.$800-1,200452Miniature Running Red-breasted Merganser (Sheldrake) Drake, A. Elmer Crowell (1862-1951), East Harwich, Massachusetts, with impressed rectangular makers mark and inscribed Sheldrake in pencil on the base, (minute paint loss), ht. 2 1/2, lg. 5 3/4 in.$400-600453Four Miniature Carved and Painted Bird Figures, America, 20th century, three puffns, one with a paper label LABRADOR on the base; and one possibly a green heron, (minor imperfections), ht. 2 1/4 to 2 3/4 in.$250-350454American School, Late 19th/Early 20th CenturyTwo Similar Views of Brook Trout. The frst unsigned, oil on academy board, 24 1/4 x 18 1/4 in., in a period gilt-gesso frame; the second a chromolithograph, possibly after the frst work, with an advertisement for Arm & Hammer Church & Co.s Soda, 21 3/8 x 16 3/4 in., in a period molded wood frame. Condition: The frst with minor specks of paint loss, and surface grime, the second very good.$800-1,200455Large Woven Rattan Nantucket Basket, late 19th/early 20th century, deep, round basket with carved ash handles, ht. 14, dia. 17 1/4 in.$2,000-3,000456Woven Rattan Nantucket Basket, late 19th/early 20th century, deep, round basket with carved ash handles, ht. 12, dia. 14 1/2 in.$1,000-2,000457Nantucket Basket, R. Folger, Nantucket, late 19th century, round basket with carved hardwood swing handle and faceted ear, the interior turned wooden base stenciled R. FOLGER/MAKER/NANTUCKET/MASS., (losses), ht. to rim 3 3/4, to top of upright handle 7 1/4, dia. 6 in. Provenance: The basket is accompanied by correspondence with Martha R. Lawrence, author of the book Lightship Baskets of Nantucket (self-published, 1990). The basket is pictured pp. 42, 78-79, and commented about on p. 73, paragraph three. The correspondence identifes the basketmaker, comparing it with one at the Heritage Plantation in Sandwich, Massachusetts, having the same stenciled signature, but theirs with Dawes/1868 inscribed on the bottom, which helped to date this lot.$300-500458Nantucket Basket, made by Ferdinand Sylvaro (1869-1952), Nantucket, Massachusetts, early to mid-20th century, round form with swing handle, decorated with three bands of darker caning, inscribed paper makers label on base, ht. to top of upright handle 12 1/4, dia. 13 in.$1,000-1,500459Small Nantucket Basket, late 19th/early 20th century, deep, round basket with carved ash swing handle fastened with brass ears, ht. to top of upright handle 5, ht. to rim 3 1/8, rim dia. 3 3/8 in.$300-500460Woven Cane Basket, reportedly Cape Cod, late 19th/early 20th century, round-over-square basket with fxed upright handle, with square wood panel on base, (losses), ht. 11, dia. 9 1/4 in.$300-500122 Additional information and photos at www.skinnerinc.com461Stamp-decorated Woven-splint Basketry Doll Cradle, probably made by a member of an eastern Woodland Indian tribe, late 19th/early 20th century, ht. 8 1/2, wd. 10 3/4, lg. 12 in.$300-500462Woven-splint Lidded Hamper Basket, rectangular basket with carved hardwood upright handle, and two hinged lids, ht. 11 1/4, wd. 12 1/4, lg. 23 1/2 in.$400-600463Indian-made Woven-splint Sewing Basket, northeastern Woodland Indian tribe, late 19th/early 20th century, round basket tapering to a square bottom, with two carved bentwood handles, the exterior with woven curlicues, the interior sides mounted with four small oval open hexagonal-weave baskets, ht. 5, dia. 11 in.$300-500123 Online bidding at www.skinnerinc.com455-460464Painted Chalkware Squirrel Mantel Figure and a Small Bandbox, America, 19th century, the molded squirrel fgure highlighted with red, brown and yellow paint, and a small round bandbox with green, pink, and black varnished foliate designs on a white ground, ht. 6 1/2, 3 1/4, box dia. 4 1/2 in.$400-600465Cobalt-decorated Batter Jug, Theodore Gustav Daub, Easton, Pennsylvania, c. 1870s, 1 1/2-gallon jug with applied wire and hardwood handle, original tin cover and spout cover, with cobalt-highlighted area around spout and handle loops, impressed makers mark T.G. DAUB EASTON PA. on shoulder, overall ht. 11 1/4 in.$1,000-1,500466Cobalt-decorated Stoneware Chicken Waterer, Thomas Haig, Philadelphia, late 19th century, beehive-shaped form with tooled fnial, molded lug handles, and hooded watering trough, decorated with brushed cobalt leaf decoration, impressed makers marks on reverse THOS. HAIG 975 2ND ST. PHILA., (chips), ht. 7 1/2 in.$200-400467Stoneware Jug with Incised Cobalt Leaf Decoration, S.*T. BREWER, NEW LONDON, Connecticut, gallon-size ovoid jug with impressed makers mark on shoulder above an incised cobalt-flled leaf, (old mouth chip), ht. 11 1/4 in. Note: According to information from the Connecticut Historical Society, the S.T. Brewer pottery was in operation for only two years. On 28 June 1828, Daniel Goodale, Jr., of Hartford, Connecticut, sold two thirds interest of land, house, and pottery on Main Street in New London, Connecticut, to Stephen T. Brewer for two thousand dollars. Brewer was unable to make his mortgage payments, and on 3 September 1830, Goodale released the New London property to a third party. A jug by Brewer with a similar leaf decoration is held in the Connecticut Historical Society collection.$300-500468Small Cobalt-decorated Stoneware Pitcher, probably Pennsylvania, late 19th century, with incised lines around the wide-neck vessel, the exterior ornamented with two bands of pendant cobalt leaves and cobalt-daubed handle terminals, with cobalt-glazed interior, (minor rim chip), ht. 7 1/4 in.$800-1,200469Cobalt-decorated Stoneware Pitcher, probably Pennsylvania, late 19th century, large baluster-form pitcher with wide neck, the front ornamented with cobalt leaves fanking the spout above a fowering plant, with cobalt-daubed handle terminals, ht. 10 7/8 in.$600-800470Cobalt-decorated Stoneware Crock, Richard Clinton Remmey, Philadelphia, late 19th century, the jar decorated with pendant leaves around the neck and shoulder, the lower side with impressed makers mark R.C.R. PHILA. in a rectangle with cut corners, (imperfections), ht. 8 1/2 in.$200-400471Cobalt-decorated Stoneware Pitcher, probably Pennsylvania, late 19th century, large baluster-form pitcher with wide neck decorated with pendant leaves, the front with two long-stemmed blossoms forming a heart, with cobalt-daubed handle terminals, (repair to rim area, base line), ht. 10 5/8 in.$600-800472Three Slip-decorated Redware Loaf Dishes, America, early 19th century, sloped-sided oblong forms with coggled rims, ornamented with bands of wavy line and foliate yellow slip, (rim chips, wear), ht. 2 1/2 to 3 3/8, wd. 9 3/4 to 12, lg. 13 3/8 to 17 in.$600-800124 Additional information and photos at www.skinnerinc.com465468470471469467466473Three Slip-decorated Redware Plates, America, early 19th century, round plates with wavy line, dot, and foliate yellow slip decoration, (rim chips, glaze wear, hairline), dia. 7 7/8 to 10 3/4 in.$400-600474Three Slip-decorated Redware Plates, America, early 19th century, round plates with tulip, wavy line, and foliate yellow slip decoration, (rim chips), dia. 7 to 10 in.$400-600475Two Sponge-decorated Redware Plates, America, early 19th century, round plates with coggled rims decorated at the center and rims with brown manganese sponge designs, (chips, cracks, wear), dia. 9 in.$200-400476Mochaware Pottery Pitcher and Mug, late 19th/early 20th century, a tapered-sided pitcher and a pint mug with an applied sprig-type device with impressed crown and capacity, with black and blue bands bracketing a wide olive-colored band ornamented with mocha trees, (minor rim chips on mug), ht. 7, 5 in.$200-300477Red-painted Single-tier Cupboard, possibly New England, early 19th century, the two hinged doors opening to a shelved interior, with a valanced cutout base, old red paint, (imperfections), ht. 43 1/4, case wd. 54, dp. 18 1/2 in.$1,200-1,500478Hide-covered Horse and Wagon Childs Pull-toy, probably Germany, late 19th century, carved wooden horse fgure covered with brown-spotted white hide, with glass eyes, leather bridle and harness, mounted on a wooden panel with cast iron wheels, pulling a wooden wagon with iron strap mounted wooden wheels, painted red with yellow striping, (losses, cracks on wheels), ht. 14, wd. 10, lg. 34 in.$300-500479Paint-decorated Childs Sled, America, late 19th century, with oblong center wood panel painted with a landscape and foliate-scrolled fourishes on a green ground and the name MAY in gilt letters, and two bentwood side panels and iron-clad wooden runners painted red with yellow striping, (minor paint wear), ht. 13 3/4, wd. 16 1/4, lg. 37 1/4 in.$800-1,200125 Online bidding at www.skinnerinc.com479480478477480Paint-decorated Maple and Oak Childs Sled, America, early 20th century, the sled with iron-clad bent oak runners, the maple seat panel painted red, centered with a hand-painted bird perched on a branch, fanked by stenciled borders, stenciled manufacturers model number on the bottom, No. 85/506, (minor paint wear), overall ht. 11 1/4, wd. 14 1/2, lg. 36 1/2 in.$300-500481Salmon-painted Federal Cherry Chest of Four Drawers, New England, early 19th century, replaced wooden pulls, old paint, (imperfections), ht. 38, case wd. 39 1/2, dp. 17 1/2 in.$1,000-1,500482Painted Cherry and Tin Pie Safe, possibly Pennsylvania or Ohio, mid-19th century, old surface of worn green paint over red stain, the interior opens to four shelves with drawer below, ht. 55, wd. 39, dp. 17 in.$800-1,200483Small Paint-decorated Mirror, early 19th century, the frame decorated with red and blue pinwheel, stars, and two fgures wearing conical hats all on an off-white ground, 6 1/2 x 4 1/2 in.$300-500484Turned Lignum Vitae Mortar, 19th century, (age cracks, losses), ht. 9 3/4, dia. 8 in.$600-800485Painted Mirror Frame with Applied Geometric Molding, America, late 19th century, the mitered frame painted brown, with applied mirrored diamond- and square-shaped segments, 21 x 19 in. overall.$300-500486Cast Iron and Wood Toy Cannon, America, 19th century, with cast iron wheels, ht. 5 1/2, wd. 6, lg. 17 in.$300-500487Painted Wooden Clock Face, Riley Whiting (1785-1835), Winchester, Connecticut, 19th century, with gilt and painted foral decoration on the crest and spandrels, the center inscribed R. WHITING WINCHESTER, 16 x 12 in.$400-600126 Additional information and photos at www.skinnerinc.com482488American School, 19th CenturyTheorem with Fruit. Signed and dated Willie B. Adams. Best Scribe under C.W. Ditchen. June 1st 1876. Watercolor on paper, 7 x 8 5/8 in., in a rosewood veneer frame with gilt liner. Condition: Small tear l.l., toning, light staining.$600-800489James Lewy (American, 19th Century)Still Life with Tipped Basket of Raspberries. Signed and dated James Lewy 1899 l.r. Oil on canvas, 10 x 14 in., in a mitered giltwood frame. Condition: Paint loss u.r.$800-1,200490Benjamin Champney (American, 1817-1907)New Hampshire Mountain Lake Scene. Signed B. Champney l.r. Oil on artist board, 10 x 16 in., in a period molded wood frame with gilt liner. Condition: Very good.$800-1,200491American/Continental School, 19th CenturyLandscape with Castle and Figures Fishing. Unsigned. Oil on panel, 25 1/2 x 29 3/4 in., unframed. Condition: Scattered retouch, panel bowed.$300-500492American School, Early 20th CenturyFishing Shack by the River. Signed and dated J.S. Powell 97 l.l. and inscribed John S. Powell Jan. 20. 97. on the reverse. Oil on canvas, 5 x 7 in., in a period molded giltwood frame. Condition: Minor paint loss l.l., craquelure on right edge.$300-500493American School, 19th CenturyFolk Portrait of a Prized White Cow Standing in a Pasture. Unsigned. Oil on canvas, back of canvas with the New York frm of Edward Dechaux stamp, 20 x 24 in., in a period painted wood frame. Condition: Patch repair u.c. with associated retouch, stable craquelure.$1,200-1,800127 Online bidding at www.skinnerinc.com493499-502503-506494American School, 19th CenturyThree Puppies. Unsigned. Pastel on paperboard, sight size 15 x 19 in., in a painted molded wood frame. Condition: Very good, not examined out of frame.$400-600495Appliqued Cotton Broderie Perse Quilted Coverlet, England, c. 1835, composed of cut-out printed foral designs in shades of red and blue appliqued to a white background with a central medallion surrounded with baskets of fowers, bouquets, medallions, and sprigs of fowers and castle ruins, within square borders, accented with diamond quilting, (imperfections), 108 x 108 in.$1,000-1,500496Indigo Resist Printed Cotton Quilt, France, 1800-70, the quilt with a repeating printed pattern of stylized fowers and leaves in indigo blue on a white ground, backed with homespun white cotton fabric, and loosely quilted in a diamond pattern, (minor light stains), 67 1/2 x 84 1/2 in.$800-1,200497Floral Block-printed Cotton Quilt, 18th century, composed of woven homespun cotton fabric printed with columns of fower blossoms an undulating segmented ribbons and blossoms in shades of red and green (now faded to brown), backed with un-dyed woven homespun cotton, with quilt stitches in a diamond pattern, (imperfections), 94 1/2 x 85 in.$200-400498Blue Resist Printed Cotton Coverlet, 18th century, indigo blue on white in primarily in a grapevine design patched with several segments of blue resist foral-printed fabrics, backed with white homespun cotton fabric, quilted in a diamond pattern, (imperfections), 96 x 79 in.$200-400499Paint-decorated Dovetail-constructed Pine Six-board Chest, possibly New England, early 19th century, dark green paint with yellow and red scroll devices, original surface, (minor imperfections), ht. 17 1/2, wd. 42 1/2, dp. 15 1/2 in.$400-600500Putty-painted Pine Blanket Chest, possibly Canada, early 19th century, the mortise and tenon-constructed box continuing to stile feet, with applied molding at base, original surface, ht. 23 1/2, case 39 1/4, case dp. 19 3/4 in.$700-900501Paint-decorated Pine and Poplar Chest over Two Drawers, New England, early 19th century, old surface, (minor imperfections), ht. 39 3/4, wd. 42, dp. 20 in.$1,500-2,500502Paint-decorated Pine Six-board Chest, probably New England, early 19th century, freehand-painted with a central tree design, ht. 23 3/4, wd. 55 3/4, dp. 24 3/4 in.$800-1,200503Paint-decorated Chest over Drawer, New England, late 18th century, the hinged molded top over a thumb-molded drawer on cutout ends, original brasses, original surface, (minor paint wear), ht. 32, wd. 36 1/4, dp. 17 3/4 in.$600-800504Red-painted Pine Six-board Chest, New England, early 19th century, on a valanced bracket base, old surface, ht. 20 3/4, wd. 44, dp. 17 1/2 in.$600-800505Putty-painted Pine Six-board Chest, New England, early 19th century, original surface, (minor imperfections), ht. 23 1/2, wd. 43 1/4, dp. 17 1/2 in.$1,200-1,500506Paint-decorated Pine Blanket Chest, Pennsylvania, c. 1800, original surface, (imperfections), ht. 24, case wd. 49 1/2, dp. 22 in.$600-800507Olive Green-painted Pine Chest over Drawer, New England, late 18th century, the molded hinged top above a thumb-molded drawer, on cutout ends, old surface of green paint over earlier blue, lacks hardware, (imperfections), ht. 37, wd. 42, dp. 18 in.$800-1,200508Green-painted Pine Chest over Drawer, New England, c. 1800, with thumb-molded drawer and arched bracket base, old green paint, replaced brasses, (minor paint wear), ht. 33 1/2, wd. 42, dp. 20 in.$600-800509Paint-decorated Pine Chest of Drawers, New England, early 19th century, the scrolled backboard above a case of four drawers on cutout feet, old surface of salmon and cream paint, replaced wooden pulls, (imperfections), ht. 38 1/4, wd. 40 1/2, dp. 19 in.$600-800129 Online bidding at www.skinnerinc.com510American School, 19th CenturyPortrait of a Young Boy Wearing a Blue Bow Tie. Unsigned. Oil on canvas, 24 x 20 in., in a period molded giltwood frame. Condition: Stable craquelure, otherwise good. Provenance: This portrait came from the attic of the Peabody family in Lewiston, Maine, and was purchased in the 1940s from a woman who was a direct descendant of the Peabodys living in Methuen, Massachusetts.$1,500-2,500511Attributed to Horace Bundy (American, 1814-1883)Portrait of a Baby Girl Wearing a White Gown and Holding a Pink Rose. Unsigned. Oil on canvas, 22 x 18 in., in a period molded giltwood frame. Condition: Scattered retouch and paint loss.$800-1,200512Horace Bundy (American, 1814-1883)Portrait of a Gentleman. Signed and dated H. Bundy Painter N. Springfeld Dec 1846 on the back of the canvas. Oil on canvas, 28 x 24 in., in a later molded giltwood frame. Condition: Minor paint loss c.l., l.r.$600-800513American School, 19th CenturyPortrait of a Young Woman Seated Next to a Piano Forte. Unsigned, the name Elizabeth A. Bartlett faintly inscribed on the bottom of the frame on the reverse. Oil on canvas, 30 x 25 in., in a period gilt-gesso wood frame. Condition: Minor scattered paint loss.$2,000-4,000514American School, 19th CenturyPortrait of a Young Man Holding a Book. Unsigned. Oil on wood panel, 20 x 14 in., unframed. Condition: Panel bowed, hole u.c., scattered abrasions, paint loss, and spotty discoloration.$1,500-2,500130 Additional information and photos at www.skinnerinc.com510515Prior/Hamblin School, 19th CenturyPortrait of a Woman Wearing Spectacles and a Sheer White Bonnet. Unsigned. Oil on paperboard, 14 1/4 x 10 1/2 in., in a period mahogany veneer frame. Condition: Scattered retouch.$600-800516American School, 19th CenturyPair of Portraits of a Young Husband and Wife, c. 1835. Unsigned. Oil on canvas, 28 x 22 3/4 in., unframed. Condition: Patch repair on woman, retouch primarily to background and minor areas on clothing.$800-1,200517Colby Kimble (New York, f. 1835-70s)Portrait of a Blue-eyed Auburn-haired Girl. Signed and dated 1842 on verso. Oil on canvas, 19 3/4 x 18 1/4 in., in a period molded giltwood frame. Condition: Small tear l.c., craquelure, surface grime.$1,000-1,500518Cherry Tilt-top Tea Table, Connecticut, late 18th century, the circular top on a birdcage mechanism on a tapering post with suppressed ball and ring turnings continuing to a tripod cabriole leg base ending in pad feet, refnished, (imperfections), ht. 28 3/4, dia. 36 1/2 in.$800-1,200519Maple Tea Table, New England, late 18th century, the rectangular overhanging top on splayed block-turned legs ending in swelled feet joined by a straight skirt, (minor imperfection), ht. 28 3/4, wd. 30 1/4, dp. 21 in.$700-900520Red-painted Pine Doctors Wall Cabinet, probably New England, early 19th century, the hinged top opens to an interior ftted for medicine bottles, continuing to a projecting hinged lid above four compartments, and curved brackets below, original surface ht. 32, wd. 24 1/2, dp. 10 in.$800-1,200521Red-painted Pine Hanging Candle Box, America, 19th century, with pierced, shaped backboard, ht. 17 7/8, wd. 13, dp. 5 1/2 in.$1,000-1,500131 Online bidding at www.skinnerinc.com514513522Green-painted Wooden Hanging Plate Rack, America, 19th century, with three shelves, ht. 29 1/4, wd. 39 3/4, dp. 6 in.$500-700523Oval Covered Wooden Firkin, America, 19th century, stave and lapped-hoop construction, with natural unfnished surface, (stains), ht. 12 in.$100-150524Two Small Oval Lapped-seam Covered Boxes, 19th century, one possibly Shaker with natural fnish and joined with three lapped fngers, the other painted light blue with opposing fnger on the cover and side of the box, (imperfections), ht. 2 1/2, 2 5/8, dia. 6, 6 5/8 in., respectively.$250-350525Three Painted Wooden Boxes, America, early 19th century, rectangular boxes, one blue with brass hinges, the others red and green with snipe hinges, ht. 4 1/2 to 6 1/4, wd. 10 1/2 to 13, dp. 5 1/2 to 7 1/2 in.$400-600526Red-painted Slide-lid Box, America, late 18th/early 19th century, dovetailed rectangular box supported on half-column turned feet, (wear), ht. 8 1/2, wd. 10 1/4, lg. 18 3/4 in.$300-500527Paint-decorated Dome-top Box, America, early 19th century, the blue-painted box with hinged lid, wire handle, and iron latch, with polychrome painted decoration: the top with a basket of fowers fanked by birds, the front with drapery festoons, bowknots, a bird, and fruit, and the two sides with budding branches, (imperfections), ht. 11 1/2, wd. 19, dp. 13 1/4 in.$300-500528Black and Red Paint-decorated Pine Storage Box, America, early 19th century, rectangular dovetail-constructed box with hinged lid and iron latch and handles, with grain-painted front and stripes and sponge-painted accents on the top and sides, (minor paint wear and edge losses), ht. 12 1/4, wd. 30, dp. 15 1/4 in.$400-600529Prior-Hamblen School, 19th CenturyPortrait of a Boy with Brown Hair and Blue Eyes. Unsigned. Oil on canvas, 27 1/4 x 22 in., in a later painted wood frame. Condition: Relined, replaced stretcher, scratches, craquelure, minor retouch primarily to background, scattered spots on jacket.$2,000-3,000530Prior-Hamblen School, 19th CenturyPortrait of a Young Woman Wearing a Red Dress. Unsigned. Oil on canvas, 28 1/4 x 25 1/4 in., in a period painted wood frame. Condition: Relined, scratches, craquelure, retouch.$2,000-3,000531Assembled Set of Ten Painted and Turned Yoke-crested Vase-back Chairs, New England or New York State, 18th century, including one armchair, all with pad feet except the armchair and one side chair which have turned feet, approx. ht. 40, seat ht. 17 in.$1,500-2,500532Painted Yoke-back Turned Side Chair, probably Long Island, New York, mid-18th century, with shaped cresting, vasiform splat, vase- and ring-turnings, and frontal pad feet, old black paint with gilt striping, ht. 40, seat ht. 17 in.$300-500533Apple Green-painted Freehand and Stencil-decorated Arrow-back Side Chair, probably Pennsylvania, early 19th century, the crest painted with fowers and leaves, original surface, (paint wear), ht. 33, seat ht. 18 in.$200-250534American School, 19th CenturyPortrait of a Young Woman Wearing a Gray Dress. Unsigned. Oil on canvas, 28 1/4 x 24 1/2 in., in a period painted wood frame. Condition: Relined, scattered retouch.$1,000-1,500535American School, 19th CenturyPortrait of a Woman Wearing a Flower-adorned Bonnet. Signed and dated T Nairne Pinxt 1853 on verso. Oil on canvas, 35 3/4 x 28 in., in a later molded giltwood frame. Condition: Relined, retouch along lower edge, minor paint loss l.l.$800-1,200536Robert Deacon Peckham (American, 1785-1877)Portrait of Phineas Reed. Unsigned, the subjects name inscribed on a note attached to the reverse. Oil on panel, 28 3/8 x 22 in., in a period molded giltwood frame. Condition: Minor paint loss, a few superfuous specks of paint.Note: This portrait may depict Phineas W. Reed, a storekeeper residing in the town of Westminster, Massachusetts, where Robert Deacon Peckham lived and painted for many years. Town history states that Phineas was born in 1807, and upon reaching a mature age, he became a partner at the Whitman & Reed store. After some time he withdrew from the partnership, and took up farming in the later years of his life. He married the widow Sally Samuelson and settled in the Captain Whitney house at the corner of Main and Bacon Streets. He died in 1861 at the age of 54.$800-1,200537Framed Theorem on Velvet Depicting the Biblical Characters Ruth and Naomi, America, early 19th century, paint on velvet, (toning, minor stains), 19 3/4 x 25 1/2 in., in a later gilt and painted wood frame.$400-600132 Additional information and photos at www.skinnerinc.com133 Online bidding at www.skinnerinc.com534530529134 Additional information and photos at www.skinnerinc.com538538Metamorphosis: Four Watercolor and Pen and Ink Drawings, England or America, 18th century, ink and watercolor on paper depicting a story of morals in four sections with rhyming inscriptions, with upper and lower lift-up leaves depicting Adam and Eve, lion, a griffn grasping a child with a rescuing eagle, a man and the temptations of riches, and the wealthy man and his ultimate end (death), 6 3/8 x 15 1/2 in., in a protective clamshell case, (professionally conserved, minor toning, creases, foxing, and staining).$3,000-5,000539Martha Anne Hunnewell Cutwork Heart, America, 1809, white paper cutout heart with detailed images of foliage, birds, an urn, and the initials JP, mounted on conforming dark blue paper above a note inscribed The inclosed [sic] specimen of taste & art was designed and executed by Martha A. Hunnewell, a young lady without hands, in the presence of, and for Joseph Pope at Portland, May 24 1809, the heart measures 2 1/2 x 2 3/8 in., mounted with the note in a later frame.Note: Martha Anne Honeywell was born around 1787 in Lempster, New Hampshire. She was born with only the frst joints of both arms, and one foot with three toes. She was able to earn a living by traveling along the Eastern seaboard of the United States and to Europe exhibiting her talent of cutting silhouette portraits and cutwork pictures by holding the paper with her toes and the scissors with her mouth, she also offered fnely stitched needlepoint watch papers, and wrote tiny verses with her mouth.$300-500540Framed Allegorical Map of Matrimony, reportedly painted in 1824, watercolor and ink on paper, (minor toning and foxing), sight size 8 3/8 x 6 3/8 in., in a later molded giltwood frame.$400-600541Two Frames with Twelve Hand-painted Playing Cards for H.M.S. Pinafore Card Game, America, c. 1880s, the playing cards illustrated in ink and watercolor, one with a lithograph image of a ship, each depicting fgures and items from the comic opera by Gilbert & Sullivan, H.M.S. Pinafore, each card measures 4 x 2 3/4 in., six mounted in each black-painted beaded wood frame. Note: The playing cards are copied after a card game based on the comic opera by Gilbert & Sullivan, and manufactured by McLoughlin Bros., New York, c. 1879, called The New and Amusing Game of H.M.S. Pinafore. $500-700542Framed Folded-paper Baptismal Sentiment Fraktur, dated 1773, watercolor and ink on paper, the paper, with geometric fold lines, would have been folded to form an envelope around a coin and presented to a child by his or her godparents at baptism, (imperfections), sight size 7 3/4 x 7 3/4 in., in a later grain-painted frame.$600-800543Two Framed Pennsylvania Dutch Baptismal Frakturs, c. 1820 and 1856, watercolor and ink on paper, one depicting a young lady holding a bouquet and a small basket, walking amidst fowers and birds, for the birth of Amelia Montelius, b. October 1, 1820, in Miffinburg, Union County, 12 x 7 3/4 in., in a later red-painted frame; the other depicting a wreath of fowers and inscriptions for the birth of Sarah Jane Mowry, b. January 19th, 1856, in West Beaver Township, Snyder County, 11 x 7 1/4 in., in a period mahogany veneer frame, (imperfections).$600-800544Framed Scherenschnitte Cut Paper Picture, DONE ON BOARD THE MONARCH ON HER VOYAGE FROM JAMAICA JULY 14, 1809, the fnely detailed cut paper picture depicting an oval reserve with Adam and Eve fanking a fruiting tree with encircling serpent above the indistinct inscription PARADISE, two angels blowing trumpets, and a man and woman linked with hearts and a foral garland, fanked by allegorical fgures of Hope and Charity, surrounded by fowering vines and geometric borders, (minor losses, toning, stains), 9 3/4 x 7 3/4 in.$300-500545Figural Wool Hooked Rug with Recumbent Spaniel, America, late 19th/early 20th century, the rectangular rug centered with a spotted spaniel resting on a plinth with scroll border, mounted on a wooden stretcher, (minor fading and toning), 28 3/4 x 42 1/2 in. overall.$600-800546Figural Wool Hooked Rug with Scottish Terrier, America, mid-20th century, rectangular rug centered with a standing gray and black Scottish terrier fgure, with variegated red, light blue, and green background, red and black borders with yellow-outlined red trefoils in the corners, 19 x 32 1/4 in.$300-500547Wool Floral Hooked Rug, America, early 20th century, rectangular, the central oval reserve hooked with an assortment of blossoms and leaves in a gray-blue rectangle with more blossoms on either end, on a feld of multicolored rectangular tile-shaped segments, (repairs), 39 x 60 in.$400-600548Hand-painted Wooden Couch SIGNS Trade Sign, America, late 19th century, rectangular panel with red-, white-, and yellow-painted lettering on a black ground with a hand pointing in the direction of the establishment, bordered with green, yellow, and red striping, 8 x 36 in.$800-1,200135 Online bidding at www.skinnerinc.com549Cast Iron and Colored Glass Optometrist Trade Sign, America, late 19th century, the frame with traces of earlier gilding ftted with red and blue colored glass, with wall mount, ht. 11, overall lg. 26 in.$800-1,200550Pair of Painted Molded Pottery Hunting Dog Heads, late 19th century, in simulated oval frames, overall ht. 7, dp. 8 1/2 in.$800-1,200551Carved Mirror Frame, 19th century, the cresting centering a basket of roses, with similarly carved sides and base, and dogs carved at the corners, allover punchwork ground and scrolled borders, refnished, ht. 26 1/2, wd. 18 3/4 in.$400-600136 Additional information and photos at www.skinnerinc.com552549552John Bozarth (American, 20th Century)Crazy Cat Sculpture. Unsigned, inscribed John Bozarth, R. Island School of Design Early 1950s. on a label applied to bottom. Carved and painted wood, ht. 13 3/4, dia. approx. 20 in.$1,500-2,500553Relief-carved and Painted Folk Art Walking Stick, America, late 19th century, the elaborate polychrome-painted, high relief-carved shaft depicting a birds talons, acorns, roses, grapes, a ladys arm with bracelet, a turtle, and a serpent, lg. 33 1/4 in.$600-800554Five Folk Art Walking Sticks, 19th century, two with a horn handles on a wood shaft; one topped with faceted whalebone segment with baleen bands on a spiral shaft possibly made from the skin of a bull whale, or a bulls penis; one probably Japanese, made of bamboo with a relief-carved fgure battling a serpent; and one topped with a small whale tooth on a rosewood shaft, (one horn-handled stick with shrinkage crack), lg. 33 to 36 in.$400-600555Five Folk Art Walking Sticks, 19th/20th century, two sticks encircled with integrally carved snakes, one enhanced with polychrome paint; one made of baleen, the top wrapped with thin strips of baleen and a braided band, the lower shaft ornamented with inlaid hearts and rectangular shaped bone segments, and intervals of braided bands, a Thomas Jefferson memorial stick fully decorated with incised fsh and leaf motifs, crosshatching, and panels of inscriptions: THOS. JEFFERSON OF VA BORN APRIL 13 1743..., WROTE DECLARATION OF INDEPENDENCE, FOUNDER OF UNIVERSITY VA 1819/DIED JULY 4 1826, and THIS CANE WAS CUT NEAR JEFFERSONS TOMB; and a walking stick with applied circular lithographed Yellowstone Park Hotels stickers, (imperfections), lg. 31 to 36 in.$600-800556Schoenhut ALPHIES A-B-C Blocks and Ten Humpty Dumpty Circus Figures, Philadelphia, late 19th/early 20th century, the wooden blocks with applied lithographed fgures in original lithographed box; the articulated circus fgures and accoutrements comprising a ringmaster, two clowns, a black gentleman, three elephants, three donkeys, a poodle, a chair, and a stand.$400-600557Cast Iron CINCINNATI STOVE WORKS Horse and Rider Advertising Sign, c. 1903, cast in the half-round, depicting a woman riding sidesaddle on a galloping horse, with TRADEMARK cast on the horses neck and CINCINNATI STOVE WORKS on the saddle blanket, the reverse with raised marks R CIN. IRON FDY/CIN., O.-1903, (lacking a portion of one foreleg), ht. 27 3/4, wd. 41 1/2 in.$2,500-3,500558Cast Iron ANNE RADCLIFFE Doorstop, America, early 20th century, New England, c. 1900, cast iron female fgure standing on a plinth which is inscribed in raised lettering: ANNE RADCLIFFE/FIRST WOMAN DONOR TO HARVARD 1643/Copyright W---- 1921, ht. 14, wd. 7 1/2, dp. 2 in.Note: In 1643 Ann Radcliffe established the frst scholarship fund for Harvard College, and was the individual for whom Radcliffe College was named.$200-300559Three Cast Iron Animal-form Doorstops, America, early to mid-20th century, including a white rabbit, a black angora cat with a white ribbon, and a Boston terrier, (repaint), ht. 11 3/4, 7 3/4, 10 in., respectively.$400-600137 Online bidding at www.skinnerinc.com557138 Additional information and photos at www.skinnerinc.com562560Cast Iron Rabbit-in-Garden Doorstop, America, probably second quarter 20th century, depicting a rabbit in a garden beside a picket fence, (minor paint losses), ht. 6 3/4, lg. 8 1/4 in.$200-300561Sleeping Cat Cast Iron Doorstop, possibly Albany Foundry, Van Rensselaer Island, near Albany, New York, c. 1935, painted black, (repaint), ht. 5, dia. 13 1/2 in.$300-500562Tanglewood Wrought Iron Gate, America, late 19th/20th century, with scrolled cresting above four panels composed of scrolled leafy vines, with fanking vertical rails terminating in arrow points, ht. 91 1/2, wd. 52 1/2 in.Note: Long associated with excellence in the musical arts, Tanglewood has been steeped in the pursuit of beauty since its very beginnings. Artists, musicians, composers, and even authors, including Nathaniel Hawthorne, were welcome guests at the estate from the moment that William Aspinwall Tappan and his wife Caroline Sturgis Tappan made it their summer home in the 1840s. Enjoyed by the family for many decades, Tanglewood was generously donated to the Boston Symphony Orchestra in 1936 by Carolines daughter, Mary Aspinwall Tappan, and granddaughter, Rosamond Sturgis Dixey. This gate came from the estate when the family left it to the BSO and is an excellent example of the artistic wrought iron that ornamented American domestic architecture. Bearing a strong resemblance to the intricate wrought iron found throughout Bostons Back Bay neighborhood, the gate displays a density of gracefully formed curves and curls that show a master craftsmans many hours of careful work.$1,000-1,500563Neoclassical Green-painted Cast Iron Armchair, Robert Wood, Philadelphia, mid-19th century, signed on the front seat rail ROBERT WOOD/MAKER RIDGE RD PHIL, later green paint, ht. 34 3/4, seat ht. 16 1/2 in.Literature: An identical chair is pictured in William Horner, Jr., Blue Book of Philadelphia Furniture, 1935, pl. 431.$300-500564Rococo Revival Paint-decorated Cast Iron Table, probably America, c. 1860, the serpentine top on cabriole legs with grape and foliate devices, and a pierced skirt, on shaped cross-stretchers, old surface, (imperfections), ht. 29 3/4, wd. 35 1/2, dp. 29 1/2 in.$400-600139 Online bidding at www.skinnerinc.com563564565Walnut Rococo Revival Table, possibly John Henry Belter, New York, c. 1860, old surface, (imperfections), ht. 30, wd. 42, dp. 29 1/2 in.$800-1,200566Blue-painted Table on Cast Iron Base, America, 19th century, the circular top on the vase- and ring-form post and triangular footed base, the top with old painted surface, ht. 29 3/4, dia. 38 1/2 in.$400-600567Gothic Revival Walnut Carved Upholstered Armchair and Two Other Chairs, c. 1850, the molded pierced cresting topped by fve fnials, on turned stiles, on upholstered arms and knob handholds, on serpentine overupholstered seats, ht. 56, seat ht. 16 1/2; sold together with a similar side chair, ht. 43 1/2, seat ht. 17 1/2; and a carved mahogany Gothic side chair with slip seat and sabre legs, ht. 37, seat ht. 16 in.$300-500568Walter Seis (American, 19th Century)Portrait of a Brick Mansard-roofed House. Signed and dated July 1871 l.r. Oil on canvas, 22 x 36 in., in a period molded, gold-painted wood frame. Condition: Retouch.$3,000-5,000569American School, Late 19th/Early 20th CenturyOsamequin Farm, Established 1643. Unsigned, identifed in inscriptions on the barn. Oil on canvas, 25 x 38 in., framed. Condition: Scattered retouch, primarily to sky.$2,500-3,500140 Additional information and photos at www.skinnerinc.com565141 Online bidding at www.skinnerinc.com569568570Large Hand-stitched Needlepoint Tapestry or Carpet, composed of seventy repeating eight-sided tile designs in an assortment of foral designs, geometric patterns, crowns, harps, and Prince of Wales feathers, each group of four tiles centered with a small red diamond tile, with a red crenellated and tan border, approx. 8 x 10 ft.$1,500-2,500571Heriz Carpet, Northwest Persia, second quarter 20th century, (small area of wear, fringes added), 10 ft. 10 in. x 8 ft. 10 in.$1,200-1,500571AHeriz Carpet, Northwest Persia, second quarter 20th century, (small areas of wear, minor end fraying), 10 ft. 6 in. x 7 ft. 10 in.$800-1,200572Karabagh Long Rug, South Caucasus, last quarter 19th century, (even wear, re-piled areas), 9 ft. x 3 ft. 4 in.$1,200-1,500573Shirvan Carpet, East Caucasus, second quarter 20th century, 10 ft. 8 in. x 7 ft. 6 in.$1,500-2,000142 Additional information and photos at www.skinnerinc.com570574Kazak Long Rug, Southwest Caucasus, late 19th century, (repaired moth damage, mostly in outer guard stripe, small spot of unrepaired moth damage, some black oxidation), 10 ft. x 3 ft. 8 in.$800-1,000575Southwest Persian Long Rug, early 20th century, (area of wear and small gouges at one end, small rewoven area on edge), 8 ft. 4 in. x 4 ft. 8 in.$800-1,000576Mahal Long Rug, West Persia, second quarter 20th century, (small areas of wear), 10 ft. 2 in. x 4 ft. 5 in.$1,200-1,500577Gendje Long Rug, South Central Caucasus, last quarter 19th century, (small spots of wear, small crease repairs, some dye runs, minor end fraying, re-piled oxidized brown areas), 9 ft. x 4 ft. 4 in.$1,000-1,200578Degenerate Dragon Rug, Anatolia, late 20th century, 6 ft. 4 in. x 4 ft. 6 in.$3,000-4,000579Karachoph Kazak Rug, Southwest Caucasus, dated 1911, (several small creases, some end wear, reovercast), 7 ft. x 6 ft.$1,200-1,500580Shirvan Rug, East Caucasus, early 20th century, (slight moth damage), 4 ft. 10 in. x 3 ft. 9 in.$700-900581Kuba Rug, Northwest Caucasus, last quarter 19th century, (areas of wear, end fraying, selvage damage), 4 ft. 4 in. x 3 ft. 6 in.$800-1,000582West Anatolian Rug, late 20th century, 5 ft. 8 in. x 4 ft. 6 in.$2,000-3,000583Avar Rug, Northeast Caucasus, late 19th century, (rewoven end and a square area in feld, even wear), 5 ft. 8 in. x 3 ft. 4 in.$1,000-1,200584Khamseh Rug, Southwest Persia, early 20th century, (some wear in top medallion, hole in border), 9 ft. x 5 ft.$750-1,000585Marasali Prayer Rug, East Caucasus, second half 19th century, (wear to center, reovercast, small crease repair on one end), 4 ft. 6 in. x 3 ft. 6 in.$750-1,000586Shirvan Rug, East Caucasus, last quarter 19th century, (tear in border, small corner gouge), 5 ft. 8 in. x 4 ft.$800-1,000587Karadja Rug, Northwest Persia, early 20th century, (corner gouge and end fraying), 6 ft. 8 in. x 4 ft. 9 in.$1,000-1,200588Khamseh Rug, Southwest Persia, late 19th century, (small areas of wear at top of end feld), 9 ft. 8 in. x 6 ft.$1,200-1,500589Tekke Rug, West Turkestan, early 20th century, 6 ft. 8 in. x 4 ft. 10 in.$750-1,000590Luri Rug, Southwest Persia, second quarter 20th century, (minor moth damage), 6 ft. 4 in. x 3 ft. 4 in.$600-800591Northwest Persian Long Rug, second quarter 20th century, 10 ft. 2 in. x 2 ft. 10 in.$800-1,000592Khamseh Rug, Southwest Persia, early 20th century, (small crease repair), 5 ft. 10 in. x 4 ft. 10 in.$700-900593Karadja Rug, Northwest Persia, second quarter 20th century, (small spot of wear in border, minor end fraying), 4 ft. 4 in. x 3 ft. 9 in.$500-700594Caucasian Rug, second quarter 20th century, (small end and corner gouges), 5 ft. 10 in. x 4 ft. 2 in.$600-800595West Anatolian Double-sided Prayer Rug, early to mid-20th century, (small spots of wear), 5 ft. x 4 ft. 2 in.$800-1,200596Afshar Bagface, South Persia, early 20th century, (spots of slight wear), 2 ft. 7 in. x 1 ft. 11 in.$400-600597Afshar Rug, South Persia, early 20th century, (spots of wear and small crease, small rewoven area, brown oxidation), 5 ft. 8 in. x 4 ft.$500-600598Yomud Torba, West Turkestan, last quarter 19th century, (shallow end and edge gouges, small spots of wear), 2 ft. 8 in. x 1 ft. 4 in.$400-600599Shahsavan Soumak Bagface, Northwest Persia, early 20th century, (minor end fraying), 2 ft. 2 in. x 2 ft. 2 in.$400-500600Kazak Prayer Rug, Southwest Caucasus, late 19th century, (even wear to center, small area of moth damage in border, end fraying), 2 ft. 11 in. x 2 ft. 10 in.$400-600601Kurd Bagface, Northwest Persia, early 20th century, (minor end fraying), 2 ft. 3 in. x 1 ft. 8 in.$250-350602Konya Rug, Central Anatolia, late 20th century, (spots of minor wear and re-piling in border, brown oxidation), 4 ft. 6 in. x 3 ft. 4 in.$3,000-4,000End of Sale143 Online bidding at www.skinnerinc.com144Skinner is pleased to announce the new skinnerinc.comSkinner is proud to announce the roll-out of our new website www.skinnerinc.com. The newly redesigned Skinner website provides the robust set of interactive features youre accustomed toonline auction previews, lot alert, live online bidding with SkinnerLive!, and more. Youll experience Richer imagery, from the homepage to lot details A dedicated auction page for every sale Broader coverage of our specialty areas, from clocks and marine art to diamond jewelry and violins Faster and more accurate search for both upcoming and sold lots A new and improved SkinnerLive! online bidding platformwith the option to watch auctions live in real-time without registration or log-in A more powerful suite of online services to ensure your experience with Skinner, whether with a mouse, a phone, or a paddle, surpasses your expectations every time.The new skinnerinc.com is a key component in a thoroughly modern communications platform that will enhance your experience as a buyer, and will work to maximize the value of your fine objects in the auction marketplace.What isnt changing? The personalized service, expertise, and integrity youve come to expect from Skinner. Were excited about the new skinnerinc.comand confident that it will add even more value to your experience with Skinner, now and into the future.www.skinnerinc.comFebruary 27 - July 14The Skyscraper Museum presents a centennial exhibition on New Yorks great Gothic tower. For information and programs: www.skyscraper.org.THE SKYSCRAPER MUSEUM | 39 Battery Place, NYC | Wed - Sun 12 - 6pmiiisixrio n\iiiviiw iair\ sioxsoiPreview Party and ReceptionFriday, May 10, 6:30pm to 9:00pm $125 by advance reservation, $150 the day of the eventGeneral admission $10 Saturday, May 11, 10am to 5pm Sunday, May 12, 10am to 5pmMothers admitted FREE on Sunday when accompanied by a paid admission.The 4th AnnualWayside InnAntiques ShowMothers Day WeekendMay 10-12, 2013A benefit show and sale for The Wayside Inn Historic Site, a 501(c)3 non-profit Massachusetts Historic Landmark on the National Register of Historic Places.Visit WaysideAntiquesShow.org for more information in the coming weeks, including dealer Booth Chat schedules, appraisal events and other educational programs.Partnership opportunities available. Contact Kathy Quinton, Director of Development, kathy@wayside.org, (774) 249-4976.For questions please phone Guy LeBlanc at (978) 440-9630.Show Manager Diana Bittel Faclities Manager Ralph DiSaiaLongfellows Wayside Inn 72 Wayside Inn Road, Sudbury, MA 01776P: 978 443 1776 F: 978 443 6449 www.wayside.org Jaguar SudburyA Herb Chambers Company148Conditions of Sale1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.2. All property is sold as is, and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot for sale. The auctioneer shall have sole discretion to refuse any bid, or refuse to acknowledge any bidder. Any bidder that plans on spending in excess of $100,000 should make arrangements with the accounting department at least five (5) days in advance of the sale, as a deposit may be required to participate.4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of the date of sale.Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchasers breach, and/or (b) offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such purchaser for such item.8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute cancellation or delay in payment for the total purchase price of these lots. 9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation at 100 Cambridge Street in Boston.10. Except for property purchased via On-line Auctions, a premium equal to 20% of the final bid price up to and including $500,000, plus 12% of the final bid over $500,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on property purchased via On-line Auctions will be in an amount up to 23% of the final bid price.11. Bidding on any item indicates your acceptance of these terms and all other terms printed within, posted, and announced at the time of sale whether bidding in person, through a representative, by phone, by Internet, or other absentee bid.12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalog. The copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this catalog, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our prior written consent.13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or hereafter have to the venue of any such suit.Revised December 17, 2012Name (Please Print) Business NameAddress check if change in addressCity State Zip CodePhone # Alternate # emailSale Title Sale DateI wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that my bids are executed and accepted as per Conditions of Sale as printed in the catalog of this sale.Absentee Bid Form Marlborough Boston Phone Fax Mail Person Employee: FOR OFFICE USE Lot # Description Bid PriceSignature (Required) Date 63 Park PlazaBoston, MA 02116617.350.5400Fax 617.350.5429274 Cedar Hill StreetMarlborough, MA 01752508.970.3000Fax 508.970.3100 www.skinnerinc.comFirst Time Bidder? YES NO Customer # Bid confirmation via email? YES NO15063 Park PlazaBoston, MA 02116617.350.5400Fax 617.350.5429274 Cedar Hill StreetMarlborough, MA 01752508.970.3000Fax 508.970.3100www.skinnerinc.comBoard of DirectorsAdministrationExpert DepartmentsChairman of the Board - Nancy R. SkinnerRichard AlbrightJohn DeightonBarnet FainStephen L. FletcherKaren M. KeaneAndrew PaynePresident/Chief Executive Officer - Karen M. KeaneChief Financial Officer - Don KellyExecutive Vice President - Stephen L. FletcherVice Presidents - Eric Jones, Marie Keep, Gloria Lieberman, Carol McCaffrey, Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr20th Century Design - Jane D. PrentissAssistant: Shannon M. AmesAmerican & European Paintings & Prints - Robin S.R. StarrAssistants: Kathy Wong, Elizabeth C. Haff, Annie ClaflinAmerican Furniture & Decorative Arts - Stephen L. FletcherDeputy Director: Chris Barber; Assistants: Karen Langberg, Kelli Lucas StewartAmerican Indian & Ethnographic Art - Douglas DeihlAsian Works of Art - Judith DowlingAssistants: Karen Mak, Suhyung KimBooks & Manuscripts - Devon GrayBottles, Flasks & Early Glass - Stephen L. FletcherCeramics - Stuart G. SlavidClassic Automobiles & Motorcycles - Jane D. PrentissCouture - Cara ElmslieDiscovery Auctions - Cara ElmslieAssistants: Garrett J. Sheahan, Melissa RiebeEuropean Furniture & Decorative Arts - Stuart G. SlavidAssistants: Leah Kingman, Stephanie OpolskiFine Wines - Marie KeepAssistant: Michael J. MoserHistorical Militaria - Joel BohyJewelry - Victoria BratbergAssistants: John Colasacco, Julie KhouriJudaica - Kerry ShrivesMusical Instruments - David BonseyDeputy Director: Jill ArbetterOriental Rugs & Carpets - Gary RichardsScience, Technology & Clocks - Robert C. CheneyAssistant: Jonathan DowlingSilver - Stuart G. SlavidToys & Dolls - Kerry ShrivesAuctioneers - LaGina Austin, Chris Barber, Robert C. Cheney,John Colasacco, Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman, Jessica R. Lincoln, Kerry Shrives, Stuart G. Slavid,Robin S.R. Starr, Laura V. Sweeney151Marlborough: Warehouse Manager - Fred Trottier, 508.970.3261Boston: Property Distribution Manager - Jessica R. Lincoln, 617.874.4308 Auction Coordinator - Benjamin Evans, 617.874.4329Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269 Accounts Payable, Consignment - Kathleen Hayes, 508.970.3268 Accounts Payable, Trade - Kevin Rota, 508.970.3283Marlborough: Heather Retzke, 508.970.3240Appraisal & Auction Services - LaGina Austin, Christine E. Finn, Hadley Bridgman, Rachel KingsleyAdvertising Production - Pamela Van de HoutenBoston Gallery Director - Laura V. SweeneyAssistant Gallery Director: Paige LewellynGallery Assistant: Jessica TurnerCatalog Production - Pamela Van de Houten, Kristina HarrisonConsignment Services - Patricia Walker King, Megan J. Blomgren, Carol ZeiglerCustomer Relations - Carol McCaffreyInstitutional Relations - L. Emerson TuttleHuman Resources - Carol McCaffreyInformation Technology & Internet Auctions - Kerry ShrivesAssistants: Timothy Shaughnessey, Melissa RiebeManaging Director - Marie C. KeepMarketing & Public Relations - Kate de Bethune, Kathryn Gargolinski, Heather RetzkePhotographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak, John CorneliusReceptionists - Marlborough: Kealyn GarnerBoston: Sarah L. Collins Staff Portraits - Cheryl Richards Photography Transportation - Eric JonesAssistant: Mark McCaffreyService DepartmentsExhibitions & Property DistributionFinance DepartmentSubscriptions152153Directions to Skinners Boston Gallery/63 Park Plaza, Boston, MA 02116617.350.5400 From the West:Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel. Once on the exit ramp, stay in the right hand lane and follow the signs for Copley. The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto Charles Street South. Take your first left off of Charles St. South onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.From the South:Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station. Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right.From Logan Airport:Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza. Skinner is at 63 Park Plaza, one block up on the right. From the North:Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.154155Indoor Parking GaragesCity Place Parking GarageTransportation Building12 Charles StreetLocated at the end of Park PlazaUnderground multi-level garage All daycloses at 2:30 a.m.First hr/$5, after 2 hrs/$14AllRight ParkingBoston Common GarageLocated on Charles Street, on the Common, two blocks from Skinner1 hr/$6, up to 24 hrs/$25, Evenings (4pm-10am)/$10 The Four Seaons Hotel Parking Garage200 Boylston StreetAdjacent to Skinner, valet drop-off and pick-up, up to 24 hrs/$30The Taj Hotel Parking Garage2 Newbury Street Located three blocks from Skinner, valet drop-off and pick-upUp to 24 hrs/$42Back Bay Garage222 Berkeley Street (entrance off St. James)One block from SkinnerAll day/$35, evening (5pm-7am)/$10Motor Mart Garage26 Park Plaza(Same building as Legal Sea Food)Up to 1 hr/$8, 1 to 2 hrs/$12,2-3 hrs/$16, 3-12 hrs/$20, 12-24 hrs/$31, weekends up to 3 hrs/$8Outdoor Parking Garages(recommended for trucks)Pin Stripe ParkingArlington Street617-338-7984All day/$14, after 6 p.m. and weekends/$10, overnight/$15Billys Parking222 Stuart Street617-423-77818am-5pm/$18, after 5pm/$20Boston Hotels with SkinnerCorporate RatesParkingBoston HotelsThe Back Bay Hotel350 Stuart StreetBoston, MA 021161.877.587.9774Beacon Hill Hotel & Bistro25 Charles StreetBoston, MA 02114617.723.7575 The Colonnade120 Huntington AvenueBoston, MA 02116617.424.7000Eliot Hotel370 Commonwealth Ave. Boston, MA 02215617.267.1607 The Park Plaza64 Arlington StreetBoston, MA 02116617. 426.2000Boston Harbor Hotel70 Rowes WharfBoston, MA 02110Tel: 800.654.2000Fax: 617.345.6799Fairmont Copley Plaza138 St. James AvenueBoston, MA 02116Tel: 617.267.5300Fax: 617.375.9648Four Seasons200 Boylston StreetBoston, MA 02116617.351.2036 The Liberty Hotel215 Charles St.Boston, MA 02114617.224.4000Marriott Copley Place110 Huntington AvenueBoston, MA 02116Tel: 800.228-9290Fax: 617.236.5885Nine Zero Hotel90 Tremont St.Boston, MA 02108617.772.5800The Revere Hotel200 Stuart StreetBoston, MA 01740Tel: 617-482-1800 Fax: 617-451-2750 The Ritz-Carlton Boston Common10 Avery Street Boston, MA 02111Tel: 617.912.3315 Fax: 617.912.3375Taj Boston15 Arlington St.Boston, MA 02116617.536.5700Westin-Copley Plaza10 Huntington AvenueBoston, MA 02116Tel: 800.228.3000Fax: 617.424.7483156RestaurantsFine DiningDanteRoyal Sonesta Hotel5 Cambridge Parkway617-806-4200Mediterranean restaurant with great views of the Charles River and Boston skyline.Davios75 Arlington St.617-357-4810Northern Italian steak house.Grill 23 & Bar161 Berkley Street (Stuart Street)617-542-2255Great steak, seafood, wine list, and service.LEspalier774 Boylston St.617-262-3023Fine French dining and wines with a wonderful pre-fixe menu.No. 9 Park9 Park St.617-742-9991Barbara Lynchs bistro showcases inspired French and Italian influenced food and wine on Beacon Hill.Radius85 High St.617-426-1234Features a modern French menu focusing on seasonal ingredients accompanied by a thoughtful wine list.ScampoThe Liberty Hotel215 Charles St.617-536-2100Lydia Shires latest restaurant, featuring Italian fare produced in an open kitchen upstairs at the Liberty Hotel.Troquet 140 Boylston St.617-695-9463French restaurant and wine bar perched at the edge of the Boston Common and the theatre district.Via Matta79 Park Plaza617-422-0008Elegant Italian fare and beautiful wines in a vibrant dining room - the best of Italy in Bostons Back Bay creates an unforgettable experience.ModerateAquitaine569 Tremont Street617-424-8577Parisian bistro style fare.The Bristol Lounge at Four Seasons Hotel200 Boylston St.617-338-4400Breakfast, lunch, and dinner served in an elegant yet comfortable lounge setting with views of the Boston Public Garden.East Ocean City25-29 Beach St.617-542-2504Outstanding Chinese food restaurant highlighting seafood dishes with a full-service bar.Lala Rokh on Beacon Hill97 Mt. Vernon Street617-720-5511Authentic regional Persian cuisine, hand-selected wine list, knowledgeable waitstaff.McCormick and Schmicks Seafood Restaurant36 Columbus Ave617-482-3999Fresh seafood offerings that change daily.Summer Shack50 Dalton St.617-867-9955Jasper White serves well-executed seaside favorites in a casual Back Bay setting.InexpensiveAu Bon Pain26 Park Plaza (across the street from Skinner) or 431 Boylston Street (at Berkeley Street)617-338-8948Casual caf offers quick service.Davios To Go10 St. James Galleria Atrium617-357-4810Casual Italian take-out lunch spot with daily special pastas, soups, and salads.Flashs310 Stuart St.617-574-8888American comfort food served with classic cocktails in a casual setting.Parish Caf361 Boylston St.617-247-4777American restaurant with seasonal outdoor seating features sandwiches created by renowned local chefs.Piattini226 Newbury Street617-536-2020Italian wine bar with an eclectic menu; specializes in Italian-style tapas.The Upper Crust20 Charles Street617-723-9600Gourmet thin crust pizza.157158Name Business Name Mailing AddressCity State Zipemail address Tel: ( ) Quarterly Brochure No charge No charge(Included with catalog subscription)American Furniture & Decorative Arts $120 $143European Furniture & Decorative Arts $120 $143American & European Works of Art $120 $143Fine Jewelry $120 $14320th Century Design $60 $73Asian Works of Art $60 $73Fine Oriental Rugs & Carpets $18 $25American Indian & Ethnographic Art $60 $73Fine Books & Manuscripts $30 $36Fine Ceramics $60 $73Fine Musical Instruments $60 $73Science, Technology & Clocks $60 $73Fine Wines $60 $73All Above Departments $750 $915 Subtotal MA residents 6.25% sales tax TotalPlease enclose payment with subscription form and mail or fax to:Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100Please check the appropriate boxes: U.S./Canada Foreign (payable in U.S. dollars only) Catalog Subscription FormPrices effective July 1, 2010. Catalog subscription price includes quarterly brochure. Subscription effective one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration. Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com MasterCard/VISA # Exp. Date Signature Check enclosed160Chippendale Mahogany Scallop Shell-carved and Fluted Tilt-top Tea Table, North Shore of Massachusetts, c. 1760-80.August 2013, Marlborough, MANow Accepting ConsignmentsFor more information, please contact the Americana departmentat 508.970.3200, or email americana@skinnerinc.comAmerican Furniture & Decorative ArtsUpcoming Auction