alter bridge- ab iii

7/30/2019 Alter Bridge- AB III

1/154

Intro

Moderately slow q = 75

Slip to the VoidWords and Music by Mark Tremonti and Myles Kennedy

2010 EMI BLACKWOOD MUSIC INC., MARK TREMONTI MUSIC, INC., EMI APRIL MUSIC INC. and HAPPY PAPPER MUSICAll Rights for MARK TREMONTI MUSIC, INC. Controlled and Administered by EMI BLACKWOOD MUSIC INC.

All Rights for HAPPY PAPPER MUSIC Controlled and Administered by EMI APRIL MUSIC INC.All Rights Reserved International Copyright Secured Used by Permission

from Alter Bridge - AB III

Play 4 times

Drop D tuning, down 1/2 step:

(low to high) Db-Ab-Db-Gb-Bb-Eb

**D5

Slip

Verse

1.

D5

to the void, to the dark, to the fall.

*Gtr. 1

let ring throughout

Riff A

mf

End Riff A

*Kybd. arr. for gtr.

**Chord symbols reflect overall harmony.

Crawl

Gtr. 1: w/ Riff A (6 times)

to the life you should nt- know. You should nev

C6sus2

er- come this way to test

Bbmaj7

the hands of fate. You dont be long-

D5

here.

00

0

00

0

00

0

00

0

00

0

00

0

00

0

00

0

00

0

00

0

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Digital Conversion 2011 Sorgdal -Foreducational useonly -not for saleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

1


2/154

Peel

Verse

Gtr. 1: w/ Riff A (16 times)

2.

D5

back the skin, close your eyes. Hell is born to the a byss,- but be

warned. You fear

Gtr. 2 (acous.)

let ring thoughout

mp

Bbmaj7

what youve be come.- My God,

C%

what have you done? You dont be long-

D5

here. Mm, but its all

Gtr. 2

Riff B End Riff B

Gtr. 3 (elec.)

w/ slight dist.

mp

Gtr. 2: w/ Riff B

Bbmaj7

in the way you touch

C%

and you o bey- de ni-

D5

- al. Mm, but its all

Gtr. 3

910

910

910

911

910

910

910

910

109

69

69

89

89

109

109

109

10

8 78

07 8

07 7 8 3 3 5 0

8 78

07 8

07 87 8 10 10 3 5 0

Digital Conversion 2011 Sorgdal -Foreducational useonly -n ot forsaleortrade. No warranty ofaccuracy oruseability is implied orclaimed.

2


3/154

Bbmaj7

in the way you touch

C%

and you o bey- de ni-

D5

al

Gtr. 2 tacet

-

C5

Gtr. 2 Gtr. 4 (elec.)

w/ dist.

mf

Gtr. 3

w/ dist.

mf

*Gtrs.

3 & 4

Interlude

C5 D5 C5 D5 C5 D5 C5 D5 C5 D5 C5

*Composite arrangement

Gtr. 5(elec.)

Fill 1

**w/ dist.

mf

C5

End Fill 1

**Gradually bend 3rd string while tremolo picking.

1/4 1/2 3/4 1

Gtr. 6(elec.)

Fill 1A

w/ dist.

mf

End Fill 1A

1/4 1/2 3/4 1

Gtrs. 3 & 4

109

69

69

89

89

10

101010

8 78

07 8

07 77 8 3 33 7 5

0 101010

101010

121212

101010

121212

101010

121212

101010

121212

101010

121212

101010

577

5

57

57 7

5

7 75 5

775

75

7 7 75 5 5 5

7 7 7 75 5 5 5

7 7 7 75 5 5 5

101010


3


4/154

Gtrs.3 & 4

Gtrs. 5 & 6 tacet

D5 C5 D5 C5 D5 C5 D5 C5 D5 C5

Gtr. 5

1/4 1/2 3/4 1

Gtr. 6

*

Gtr. 7(elec.)divisi

*w/ dist.

pp

mf

*Vol. swell, Gtr. 7 only.

1/4 1/2 3/4 1

Gtrs. 3 & 4

**pp mf

**Vol. swell

Sev

Verse

3.

Gtrs. 5, 6 & 7 tacet

D5

er- the ties, trip the wire,

G5 Eb5

dig

D5

your

F5

Eb5 D5

hole.

Gtrs. 3 & 4

Riff C End Riff C

101010

121212

101010

121212

101010

121212

101010

121212

101010

121212

101010

775

75

75

75

75

7 7 7 75 5 5 5 5

7 7 7 75 5 5 5

7 75 5

12

7 775

75

75 5

7 7 7 75 5 5 5

? 7 7 75 5 5 5

75 5

XXX

000

8 78

010 12

0 0 050 3 3 5 10 6

80 0 3 13 12 0 0 0


4


5/154

Doubt

Gtrs. 3 & 4: w/ Riff C

is a live- and you

G5 Eb5

know.

D5 F5 Eb5 D5

You were once

C5

led to be lieve- you were young

Bb5

and so na ive.- But now no long -

Gtrs. 3 & 4


D5

- er.

G5 Eb5 D5 F5 Eb5 D5

Uh, but its all

Bb5

in the way

F/A Bb5

you turned

Csus2

your back to day.- Left to face

Gtrs. 3 & 4

ChorusD5

this a lone.-

Bb

Left to die

Rhy. Fig. 1

let ring

End Rhy. Fig. 1

355

355

355

355

355

355

355

XXX

XXX

133

133

133

133

133

133

133

133

133

133

XXX

XXX

133

133

133

133

033

133

133

133

00 3

55

3553

0 1414

0007

0007

0007

0007

0007

0007

0007

0007

0007

0007

X8

07

X8

07

X8

07

X8

07

X8

07

X8

07

X8

07

X8

07

X8

07

X8

07

X8

07

X8

07

X8

07 9

X8

09

X8

09


5


6/154

CTo oda

G/B

with noth ing-

Eb5

you can hold.

D5

Left

to break

let ring

1

Gtrs. 3 & 4: w/ Rhy. Fig. 1

in the cold,

Bb

in the void

G/B

that you made

Eb5

the

D5

mo

Bb5

ment- you let

F5

love

D5 Eb5

go.

Gtr. 3

P.H.

P.M.

Gtr. 4

P.H.

P.M.

9109

9109

9109

9109

XXX

XXX

111

111

111

111

111

0 0

8 78

010 12

0 0 0 0

1013

2X4

3X5

5X7

0 0 111

111

111

111

111

000

000

888

888

XXX

7333

333

00

111

111

2X4

3X5

5X7

0 0 111

111

111

111

111

000

000

888

888

XXX

7 333

333

00

111

111


6


7/154

InterludeGtr. 3 tacet

D5

(Go.)

*Eb5 D5 Eb5 D5 Eb5 D5 Eb5 D5 Eb5 D5 Eb5

Gtr. 5

Riff D

Gtr. 4

P.M. P.M. P.M. P.M. P.M. P.M.

*w/ echo set for quarter-note regeneration w/ 4 repeats.

D5

Eb5 D5 Eb5 D5 Eb5 D5

Ah,Whispered:

Eb5 D5

come

Eb5

on.

F5 Eb5 D5

**Gtrs. 5 & 6 End Riff D

**Gtr. 6 w/ wah-wah (used as filter).Composite arrangement

Gtrs. 3 & 4

P.M. P.M. P.M. P.M. P.M.

0 10 12 012 13 12 12 12

0 10 12 013 13 13

0 10 12 012 12 12 12

0

1012

1013 13 13 13

0 0 0 0 0 111

000

0 0 0 0 0 0 0 000

111

000

000

111

0 0 0 0 111

000

0 0 0 0 0 0 0 111

000

000

111

0 10 12 012 12 12 12

0 10 12 013 13 13 13

0 10 12 012 12 12 12

0 10 12 013 15 13 12

000

0 0 0 0 111

000

0 0 0 0 0 0 0 000

111

000

000

111

0 0 0 0 111

000

0 0 0 0 0 0 0 111

333

111

000


7


8/154

Gtrs. 3 & 4

Double-time feel*Gtrs. 5 & 6: w/ Riff D

P.M.

Eb5 D5

P.M. P.M.

Eb5

P.M.

D5 Eb5 D5

P.M.

Eb5 D5

P.M.

Eb5 D5

P.M.

Eb5

*Gtr. 6: wah-wah off.

Gtr. 7

D5 Eb5 D5 Eb5

**w/ wah-wah

**Used as filter.

Gtrs. 3 & 4

Rhy. Fig. 2

P.M. P.M. P.M.

D5 Eb5 D5 Eb5 F5 Eb5

Try

End double-time feel

D5

P.M. P.M.

End Rhy. Fig. 2

0 0 0 0 0 1

11

0

00

0 0 0 0 0

5

0 0

00

1

11

0

00

0

00

1

11

0 0 0 0 1

11

0

00

0 0 0 0 7 0 1

11

0

00

0

00

1

11

10 13

000

0 0 0 0 111

000

0 0 0 0 0 0 0 000

111

111

111

10 12 1013

1013 10

1310 13 10

1310

13 12 10 10 12 1012

1012 10

12

12 1012 10

1012 10

12

000

0 0 0 0 111

000

0 0 0 0 7 0 111

333

111

000


8


9/154

Bridge

F5

to win back your days.

C5

You let

G5

them

all es cape-

F5

your heart.

Harm.

w/ bar

8va

loco

-1

Pitch: BG

Rhy. Fig. 3 End Rhy. Fig. 3

Double-time feel

Gtrs. 3 & 4: w/ Rhy. Fig. 2Gtrs. 5 & 6: w/ Riff D (last 2 meas.)

D5 Eb5 D5 Eb5

Gtr. 7

P.H.

13

113

3

D5 Eb5 D5 Eb5 F5 Eb5

And


D5

3 3 5 11

8 8

55

55 13

333

333

333

355

355

355

355

XXX

XXX

555

555

555

333

333

333

333

333

333

10 13 1013 14

10 13 15 13 1014 13

10 13 1014

10 13 15 13 1013 10 13

1013 10 14

10 12 14 12 1012

1010

1212

1010

13

12 15 15 1716

16

10 1211

10 13

X 12

10 11 13 11 1012 10 9 10 12 10 9

12 10 8 10 12 10 8


9


10/154

now


F5

that youve come so far,

C5

uh, why

G5

did

you have to fall

F5

so hard?

Gtr. 8 (elec.)

*w/ dist. & wah-wah

mf

*Wah-wah used as filter.

Gtr. 7

w/ bar

Harm.

8va

w/ bar

slack

+1/2

slack

Double-time feel

Gtrs. 3 & 4: w/ Rhy. Fig. 2Gtrs. 5 & 6: w/ Riff D (last 2 meas.)Gtr. 7 tacet

D5 Eb5 D5

Eb5

Gtr. 8

3

D5

P.H.

Eb515ma

D5loco

Eb5 F5 Eb5 D5


3 6

6

15 15

7 7 70 0

5 5

1715

13 17 1315

1715

13 17 1315

1515

13 15 1315

1715

13 15 1315

12 13 1215 13 10 11 13

11 1012 10 9 10 12 10 9 10

5 105

6 57 5

77 5

7 57


10


11/154

D.S. al Coda

Look


F5

at what youve done.

C5

What

G5

have you be come?-

F5

fdbk.w/ bar

w/ bargrad. dive

-1 1/2slack

Interlude

Gtr. 8 tacet

C5 D5 C5 D5 C5 D5 C5 D5

C5 D5 C5

Gtrs. 5 & 6: w/ Fills 1 & 1A

C5

Gtrs.3 & 4

C5

D5 C5 D5 C5 D5 C5 D5 C5 D5 C5

Gtrs. 5 & 6: w/ Fills 1 & 1A

Left to face

3 3 3

101010

121212

101010

121212

101010

121212

101010

121212

101010

121212

101010

101010

101010

121212

101010

121212

101010

121212

101010

121212

101010

121212

101010

XXX

X 19


11


12/154

Coda

mo

Bb5

ment-

A5

you let

F5

love go,

Eb5

OutroGtrs. 3 & 4: w/ Riff C (3 times)

D5

*Gtrs. 3 & 4

Gtr. 6

let ring


hold bend1 1 1 1 1

G5 Eb5 D5

you

F5

let

Eb5D5

love go,

Riff E End Riff E

let ring hold bend1 1 1 1 1 1 1 1

Gtr. 6: w/ Riff E (1 1/2 times)

G5 Eb5 D5

you

F5

let

Eb5 D5

love go,

G5 Eb5 D5

you

F5

let

Eb5 D5

love

888

888

XXX

9

333

333

13

XXX

XXX

111

1310 10

13 1310 10

13 1310 10

1310

13

15 1512 12

1512

130XX

XX 13

10 1013 1310 10

13 1310 10

1310

13


12


13/154

Begin fadeFade out

go.

G5

Eb5 D5 F5 Eb5 D5

Gtr. 6

let ring let ring

hold bend 1 1 1 1 1 1 1 1 1/2

Gtrs. 3 & 4

Gtr. 1: w/ Riff A (till fade)

*w/ bar

grad. release**w/ bar

grad. release

1/2

*Vibrato w/ bar.**Vibrato & dive w/ bar simultaneously.

-1/2

-2 1/2-1

13 1310 10

13 1310 10

13 1310 10

13 1510

1315 15

12 12 1215

15 15

8 7

80

10 120 0 0

50 3 3 5 10 680 0 3 13 12 0

15 15 15

0

15 15 15

0


13


14/154

Intro

Moderately q = 97

Words and Music by Mark Tremonti and Myles Kennedy

Isolation




Gtrs. 1 & 2 (dist.)

Drop D tuning, down 1 step:(low to high) C-G-C-F-A-D

Rhy. Fig. 1

D5

mf

F5 Bb5 A5 D5

P.M.

Bb5 A5 G5 D5

13 4

Bb5

11 1

F5

13 4

C5

P.M.

Bb D5

P.M.

F D5

P.M.

D D5 E5

P.M.

D5 E5 D5

*Gtr. 3 (dist.)

F5 Bb5 A5 D5 Bb5 A5 G5 D5 Bb D5 F D5

**w/ octaverw/ bar

D

grad. ascent

D5

mf

Eb[b5]

*Two gtrs. arr. for one.-2 1/2-2 1/2

-1

Gtrs. 1 & 2

P.M. P.M. P.M. P.M.

**Set for one octave above.

P.M.

D5 F5 Bb5 A5 D5 Bb5 A5 G5 D5

1

P.M. P.M.

333

000

333

888

777

00

00

000

888

777

555

00

00

00

00

00

00

00

88

12

00

00

337

00

00

004

0 0 1 1 0 2 0 2 0

1310

1310

333

000

333

888

777

00

00

000

888

777

555

00

00

00

00

00

00

00

8812

00

00

337

00

00

004

0 0 1 1 06 5 3 0

13 13 13 1310 10 10 10

13 13 13 1310 10 10 10

1310

13 13 13 13 13 13 13

333

000

333

888

777

00

00

000

888

777

555

00

00

00

00

00

00

00


1


15/154

Bb D5 F D5 D D5

let ring

E5 D5 E5 D5

1

P.M. P.M. P.M.

F5 Bb5 A5 D5 Bb5 A5 G5 D5

1

P.M. P.M.

Bb D5 F D5 D D5 C5 A5 Eb5 D5

1 1

P.M. P.M. P.M.

End Rhy. Fig. 1

15 15 1512 12

15 15 15 1512 12 12 12

1512

15 15 15 15 15 15 15

88

12

00

00

337

00

00

004

0 0 1 1 0 2 0 2 0

13 13 1310 10 10

13 13 13 1310 10 10 10

1310

13 13 13 13 13 13 13

33

3

000

333

888

777

00

00

000

888

777

555

00

00

00

00

00

00

00

15 15 15

12 1215 15 15 15 16

12 12 12 1216 16

13 1316 16 16 16

13 13 13 13

88

12

00

00

337

00

00

004

0 0 1 1 03 0

1 0


2


16/154

Gtrs. 1 & 2: w/ Rhy. Fig. 1Gtr. 3 tacet

Verse

D5 F5 Bb5

When1.

A5

all

D5

is lost

Bb5 A5

to

G5 D5

you in side,-

Bb D5 F D5 D D5 E5 D5 E5 D5

F5 Bb5

when

A5

all

D5

the dark

Bb5 A5

ness

G5

-

D5

takes the light,

Bb D5 F D5 D D5 Eb[b5]

D5 F5

the

Bb5 A5

rit

D5

u- al,

Bb5

-

A5

it

G5 D5

has be gun.-


F5

And

Bb5 A5

now

D5

you tear

Bb5 A5

a

G5 D5

way- from ev

Bb D5

ry- one.

F

-

D5 D D5 C5 A5 Eb5 D5

Gtr. 2

Rhy. Fig. 2

Pre-Chorus

Bb5 F5 C5End Rhy. Fig. 2

Dis con- nect- ed,- so a lone,-

Gtr. 4 (dist.)

*fdbk.

mf

8va

loco

Pitch: A*Microphonic fdbk., not caused by string vibration.

Gtr. 1

Riff A

let ring let ring let ring

End Riff A

let ring

X

9 1210

11

80

60

70

60

100

80

90

80


3


17/154

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 2 meas.)

D5 F5 Bb5 A5 D5 Bb5 A5 G5 D5

yeah.

Gtr. 4

P.H.

15maloco

P.H.

15ma loco

3

Bb D5 F D5 D E5 D5 E5 D5

3 6

Gtr. 1: w/ Riff AGtr. 4 tacet

Bb5

Sev ered- ties

F5

from all

C5

you know.

Chorus

D5

I so- la- -

Gtr. 2

P.S.

Gtrs. 1 & 2

Rhy. Fig. 3

C5

tion,- uh, brings

Bb5

you to the end

F5

un -

1210 13 10

13 1110

1212 13

10

1210 12 13

10 11

12

10

10

14 10 14 1013

1013 10 13 10

1210 13 10

1310

13 1012 12

133

133

133

133

133

133

133

333

333

333

333

XXX

XXX

355

XXX

00023

00023

00023

00023

00023

00023

000

000

355

355

355

355

355

355

355

355

355

XXX

XXX

133

133

XXX

XXX

3335

3335

3335

3335

3335

XXX

XXX


4


18/154

CTo oda

til

2nd time, Gtrs. 1 & 2: w/ Rhy. Fills 1 & 1A2nd time, Gtr. 4: w/ Fill 1

C5

you love a gain,

G/B

- oh.

Eb5 D5

I so- la-

C5

tion.- If

you

Bb5

could on ly- see

F5

what

C5

will come to be,

G/B

yeah.

End Rhy. Fig. 3

steady gliss.

Rhy. Fill 1

Gtr. 1

P.H.

Pitch: Bb

Rhy. Fill 1A

Gtr. 2

P.H.

Gtr. 4

Fill 1

P.H.

355

355

XXX

XXX

254

254

254

254

XXX

111

00023

00023

00023

00023

00023

00023

000

000

355

355

355

355

355

355

355

355

XXX

XXX

133

133

XXX

XXX

3335

3335

3335

3335

3335

XXX

XXX

355

355

XXX

XXX

254

254

254

254

21

355

355

XXX

XXX

254

254

254

254

XXX

3

355

355

XXX

XXX

254

254

254

254

XXX

3

3


5


19/154


D5

Interlude

F5 Bb5 A5 D5 Bb5 A5 G5 D5 Bb

D5 F D5 D D5 E5 D5 E5 D5

F5 Bb5 A5 D5 Bb5 A5 G5 D5 Bb

D5 F D5 D D5 Eb[b5]

Verse


D5 F5

Uh,2.

Bb5 A5

jus

D5

ti- fied,

Bb5

-

A5

you

G5 D5

waste a way.-


Gtr. 3

octaver offgrad. bend 1/4 1/2

F5

You

Bb5 A5

dare

D5

to dream

Bb5 A5 G5

but

D5

still youre too

Bb D5

a

fraid.

F

-

D5 D D5 Eb[b5]

Riff B

grad. bend

End Riff B

1/2 1/4 1/2

Gtr. 3: w/ Riff B

D5 F5 Bb5

And

A5

now

D5

youre bro

Bb5 A5 G5

ken

D5

- and de ceived,-


X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10

7X10

7X10

7X10

X7

10X7

10

7X10

7X10

7X10

7X10

7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10

7X10

7X10

7X10

X7

10X7

10

7X10

7X10

7X10


6


20/154

D.S. al Coda

F5 Bb5

uh,

A5

lost

D5

to live

Bb5 A5 G5

this

D5

cruel re al-

Bb D5

i- ty.

F

-

D5 D D5 C5 A5 Eb5 D5

Gtr. 3

1/2

Pre-Chorus

Gtr. 1: w/ Riff AGtr. 2: w/ Rhy. Fig. 2Gtr. 3 tacet

Bb5

Youre dis con- nect-

F5

ed,- so

C5

a lone.-

Gtr. 4


D5 F5 Bb5 A5 D5 Bb5 A5 G5 D5 Bb

D5 F D5 D D5 E5 D5 E5 D5

P.H.

8va

loco

P.H.

8va

loco

P.H.

8va

loco 3 3 3 3

1 1/2

Gtr. 1: w/ Riff AGtr. 2: w/ Rhy. Fig. 2Gtr. 4 tacet

Bb5

Sev ered- ties

F5

from all

C5

you know.

7

X10

7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10

4

13 1013 10

15 15 1013 10

13

12

1013 10

15 1013 10

12 77

15

1413

12 15 1515

1213 12 10

1213

10 10


7


21/154

Coda

what

C5

will come to be,

G/B

yeah.

Interlude

D5

F5 Eb5 D5 Eb5 D5 F5 Eb5 D5

Gtr. 4

Gtrs. 1 & 2

steadygliss.

Riff C

P.M. P.M.

End Riff C

Gtr. 4

Gtrs. 1 & 2: w/ Riff C (2 times)

F5 Eb5 D5 Eb5 D5 C5 D5 C5D5 F5 Eb5 D5

slight P.M. Eb5D5 F5 Eb5

slight P.M. D5

Gtr. 4

F5 Eb5 D5

slight P.M. P.H.

D5

Gtrs. 4 & 5 tacet

Gtr. 6 (dist.)

Guitar Solo

D5

f

F5 Eb5 D5 Eb5 D5 F5 Eb5 D5

let ring 1 1 1 1 1/2 1 1/2 1 1/2

Gtr. 5 (dist.)

mfslight P.M. P.H.

Pitch: C

1

Gtrs. 1 & 2

P.M. P.M. P.M. P.M.

8 8 8 8 6 6 6 6 5 5 5 5 6 8 8 8 8 6 6 6 6 5

355

355

XXX

XXX

254

254

254

254

21 0 0 0 0 0 0

8 8 8 8 6 6 6 6 5 5 5 5 6 3 3 3 3 5 5 5 5 3 8 8 8 8 6 6 6 6 5 5 5 5 6 8 8 8 8 6 6 6 6 5

8 8 8 8 6 6 6 6 5 5 5 5 6

12

6

1210 10

1210

12 1410 13

14 14 13

8 8 8 8 6 6 6 6 5 5 5 5 6 6

0 0 0 0 00

00

333

111

000

111

00

00

00

00

00

333

111

000


8


22/154

Gtr. 6

F5 Eb5 D5 Eb5 D5 Eb5 D5 F5 Eb5 D5 Eb5 D5 F5 Eb5 D5 1 1 1

Gtrs. 1 & 2

P.M. P.M. P.M. P.M.

F5 Eb5 D5 Eb5 D5 Eb5 D5

Bridge

Bb5

May be- youll stand,

3

1

P.M. P.M.

Gtr. 6 tacet

F/A

may be- youll give

F5

and break to find an oth- er- way

Gtrs. 1 & 2

12 1212 1012

101013

1010 13

1013

1213

10 101310

13

1013 10

13

1013 10

13

1013 10

13

1013 10

1310

13 121012

10

13121012

10

00

00

333

111

000

111

00

00

00

00

00

00

111

000

00

00

333

111

000

111

00

00

00

00

00

333

111

000

13 12 1012

1012 10

12 10 8 10 1210 12

10 1210 11 12 13 13 13

00

00

333

111

000

111

00

00

00

00

00

00

111

000

133

133

133

133

133

133

133

133

133

133

032

032

032

032

032

032

032

032

XXX

XXX

3335

3335

3335

3335

3335

3335

3335

3335

3335

XXX

XXX


9


23/154

C/E

and make things bet ter.-

Bb5

May be- youll find

F/A

a life you can live

F5

and learn to love a long- the way

C/E

and make things bet

ter,-

steady gliss.

D5 F5 Eb5 D5 Eb5 D5 F5 Eb5 D5 F5

and make

Eb5

things

D5

bet

Eb5

ter.-

P.M. P.M. P.M. steadygliss.


Chorus

D5

I so- la-

C5

tion,- uh,

Gtr. 3

*w/ wah-wah

Riff D

*Used as filter.

235

235

235

235

235

XX 0 1

33

133

133

133

133

133

133

133

133

133

032

032

032

032

032

032

032

032

XXX

XXX

3335

3335

3335

3335

3335

3335

3335

3335

3335

XXX

XXX

235

235

235

235

235

235

17

00

00

333

111

000

111

00

00

00

00

00

333

111

000

00

00

333

111

000

111

20

X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X11

14X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15X12

15

12

15X

10

13


10


24/154

brings

Bb5

you to the end

F5

un til

C5

- you love a gain,

G/B

- oh.

Eb5

End Riff D

Gtr. 3: w/ Riff D

D5

I

*

*Lead voc. w/ echo set for whole-note regeneration w/ 1 repeat.

so- la-

C5

tion.- If

you

Bb5

could on ly- see

F5

what

C5

will come to be,

G/B

yeah.

D5

I

**

so- la-

C5

tion,- uh, brings

Bb5

you to the end

F5

un -

Gtr. 3

Gtrs. 1 & 2

steady gliss.

**As before

X10

13X10

13X10

13X10

13

10

13

5

8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

5X8

XXX

X12

15X12

15X12

15X12

15X12

15

12

15X

7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10X7

10

X11

14

X11

14

X11

14

X11

14

X11

14

X11

14

X12

15

X12

15

X12

15

X12

15

X12

15

X12

15

X12

15

X12

15

X12

15

X12

15

X12

15

X12

15

X12

15

12

15

X 10

13

X10

13

X10

13

X10

13

X10

13

10

13

5

8

5X

8

5X

8

5X

8

5X

8

5X

8

5X

8

5X

8

5X

8

XX

X

X12

15

000

000

19355

355

355

355

355

355

355

355

355

XXX

XXX

133

133

XXX

XXX

3335

3335

3335

3335

3335

XXX

XXX


11


25/154

til

Gtrs. 1 & 2: w/ Rhy. Fig. 3 (last 5 meas.)Gtr. 3: w/ Riff D (last meas.)

C5

you love a gain,

G/B

- oh.

Eb5

Gtr. 3: w/ Riff D

D5

I

*

so- la-

C5

tion.- If

**As before

you

Bb5

could on ly- see

F5

what

C5

will come to be.

G/B

OutroGtrs. 1 & 2: w/ Rhy. Fig. 1 (1st 6 meas.)

D5 F5 Bb5 A5

Youre

D5

dis

Bb5 A5 G5

con

D5

- nect-

Bb D5

ed,-

F D5

so

D D5

a

E5 D5

lone.

E5

-

D5

Gtrs. 4 & 5

Riff E End Riff E

let ring

Gtr. 4: w/ Riff EGtr. 5: w/ Riff E (2 times)

F5 Bb5 A5 D5 Bb5 A5 G5 D5 Bb D5 F D5 D

What

D5

will come

Eb[b5]

to be?

1511

1511

1511

1511

1511

1511

1511

1511

1511

1511

1511

1511

1511

1511

1511

1511


12


26/154

D5 F5 Bb5 A5

Youre

D5

dis

Bb5 A5 G5

con

D5

- nect-

Bb D5

ed,-

F D5

so

D D5

a

E5 D5

lone.

E5

-

D5

Gtr. 4

let ring

F5 Bb5 A5 D5 Bb5 A5 G5 D5 Bb5

D5 F5 D5 D

Gtr. 6

*w/ amp tremolo

let ring amp tremolo offw/ bargrad. dive

8va

*Studio effect slack

Gtr. 4

**w/ amp tremolo


**Studio effect slack

Gtr. 5

***w/ amp tremolo


****Studio effect slack

Gtrs. 1 & 2

P.M. P.M. P.M. P.M.

1713

1713

1713

1713

1713

1713

1713

1713

1713

1713

1713

1713

1713

1713

1713

1713

2218

2218

2218

2218

2218

2218

2218

2218

22

1713

1713

1713

1713

1713

1713

1713

1713

17

1511

1511

1511

1511

1511

1511

1511

1511

15

333

000

333

888

777

00

00

000

888

777

555

00

00

00

00

00

00

00

88

00

00

33

00

00

004


13


27/154

Intro

Moderately q = 137


Ghost of Days Gone By




Tuning:

(low to high) Db-Ab-Db-Gb-Ab-Db

*Gtrs. 1 & 2 (clean)

Rhy. Fig. 1

D5

mf

Dmaj7[no3rd]1

D5

D5End Rhy. Fig. 1

*Gtr. 2: w/ chorus

Gtr. 3 (clean)

let ring throughout

w/ fingers

mf

Gtr. 3

**

Riff A

Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times)

D Bm A Asus A

**Chord symbols reflect overall harmony.

Gsus2

D5

Dsus4 D

The1.

Gtrs. 1 & 2


Gtr. 3

End Riff A

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

0

1416

0

1416

0

1416

0

1416

0

1416

0

1416

0

1416

0

1416

0

1416

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

0

1412

0

1412

0

1412

0

1412

0

1412

0

1412

0

1412

0

1412

0

1412

0

0 2

0

4 2 0

2

5 4

4

0

2 24

2 2 24

5

0 02

4

0 0 0 0

5

2

2

0

4

02

2 42 0

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

0

1419

0

1419

0

1419

0

1419

0

1419

0

1419

0

1419

0

1419

0

1419

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

0

1417

5

0

5 5

0

5 5 5

0

5 5 5 5 5

0 4 2 0

0 0 0 09

0 010

0

097

0 0 0 0 0

0 2


1


28/154

Half-time feel

mis

mem

VerseGtrs. 1 & 2: w/ Rhy. Fig. 1Gtr. 3: w/ Riff A (1 1/2 times)2nd time, Gtrs. 7 & 8 tacet

D

er

ber

-

-

y

sum

Bm

- I

mer-

know,

days,

like

we

a

were

friend

young

A

that

and

wont

un

let

a-

Asus

go,

fraid.-

A

is

With

creep

in


Gsus2

ing

no

-

-

up

cence-

on

wed

me

glide

now

be

once

neath-

a

the

gain.

stars.

-

D5 Dsus4 D

So I

It

sing

seems


this

so

song

long

Bm

to

a

night,

go,

-

- be

to

yond-

the

the

ghost

life

A

that

that

will

I

not

now

Asus

die

know,

A

be fore-

that

the

someyears


Gsus2

how-would

seemshave

totheir

hauntway

meand

tillbreak

themy

end.heart.

D5 Dsus4 D

Do you feel

Gtr. 3

*Gtrs. 4 & 5 (dist.)

mf P.S.


Gtr. 3 tacet

Chorus

Gsus2

the same for what once

Em11

re mained?- Yes ter- day-

Gtrs. 4 & 5

Rhy. Fig. 3

let ring

5

0

5 5

0

5 5 5

0

5 5 5 5 5

0 4 2 0

0 0 0 09

0 010

0

097

0 0 0 0 0 0

XXX

XXX

XXX

000

55

0

7X

0

55

0

7X

0

55

0

7X

0

55

0

7X

0 0

55

0

7X

55

0

7X

55

0

7X

0

55

0

7X

0

55

0

7X

0

000

000

225

0X

0

225

0X

0

225

0X

0

225

0X

0

225

0X

0

225

0X

0

225

0X

0

225

0X

0

225

0X

0

225

0X

0

XXX

XXX


2


29/154

End half-time feel

CTo oda

B5

is gone, we cant go back a gain.-

A Asus2

Uh,

A

do

Asus2

you

A5

ev -

Gtr. 6 (dist.)

Riff B

mp

End Riff B

Gtrs. 4 & 5 End Rhy. Fig. 3

Gsus2

- er cry for the ghost

Em11

of days

2nd time, Gtr. 3 tacet

gone

Gtrs. 4 & 5

Gtr. 3divisi

by?

Gtr. 3: w/ Riff AGtrs. 4, 5 & 6 tacet

Interlude

D Bm

A

Asus

A

Gtr. 7 (clean)

mf

8va

loco

Harm.

Pitch: D A A

X14

16X14

16X14

16X14

16X14

16X14

16X16

18X16

18X16

18X16

18X14

16X14

16X12

14X16

18X16

18X16

18X16

18X14

16X14

16

X14

14X14

14X14

14X14

14X14

14X14

14X14

14

4244

4244

4244

4244

4244

4244

4244

4244

4244

4244

4244

044

044

0224

0224

0224

0224

0224

0224

0224

0222

0222

0224

0222

0222

022

022

X17

19X17

19X17

19X17

19X17

19X17

19X17

19X17

19X17

19X17

19X17

19X17

19X17

19

55

0

7X

0

55

0

7X

0

55

0

7X

0

55

0

7X

0

55

0

7X

0

55

0

7X

0

55

0

7X

0

55

0

7X

0

55

0

7X

0

55

0

7X

0

55

0

7X

0

55

0

7X

0

225

0X

0

0

0

5 55

5


3


30/154

D.S. al Coda

Coda

Gsus2

D5

Dsus4 D

I2. re -

Gtr. 7

w/ bar

Harm. +1

Pitch: D

Gtr. 8 (clean)

mf

by.

Interlude

Gtr. 6 tacet

D5

Ghost of days gone

*Gtrs. 1 & 2

w/ slight dist.

Riff C End Riff C

*Gtr. 2 chorus off; w/ flanger.Composite arrangement

Gtrs. 4 & 5

(cont. in slashes)

7 7

5

9 10 12

010

010

010

010

010

010

010

08

08

08

08

08

08

08

07

07

016

016

016

016

014

014

019

019

016

016

016

016

019

019

016

016

000200


4


31/154

Gtrs.4 & 5

D5

(cont. in notation)

by. Ghost of days gone

Gtr. 2

Gtr. 1

by.


Bridge

A#5 F#5

And I know

D5 Dm/F

its

D7/F#

draw ing-

Eb5

clos

D5 Eb5

er.-

D5

Gtr. 4

Rhy. Fig. 4

P.M. P.M. P.M. w/ bar

End Rhy. Fig. 4

-1/4

Gtr. 5

Rhy. Fig. 4A

P.M. P.M. P.M.

End Rhy. Fig. 4A

Gtrs. 1 & 2: w/ Riff CGtrs. 4 & 5: w/ Rhy. Figs. 4 & 4A

A#5 F#5

Uh, with each day

D5 Dm/F

I

D7/F#

fear the

Eb5

end

D5 Eb5 D5

and

010

010

010

010

010

010

010

08

08

08

08

08

016

012

08

07

016

016

016

016

019

019

016

016

016

016

016

016

016

016

016

016

010

010

010

010

010

010

010

08

08

08

08

08

08

08

07

07

016

016

016

016

019

019

016

016

016

016

019

016

019

016

016

00

888

4 4 4 4 4 4 4 0 3

0

43

0

111

000

111

111

000

000

000

8

88

4 4 4 4 4 4 4 0 3

0

4

30

1

11

0

00

1

11

1

11

0

00


5


32/154

I

*

A#5 F#5 Dm Dm/F

dont

D7/F#

want to

Eb5

die,

**

D5 A#5 F#5 Dm Dm/F

dont

D7/F#

want to

Eb5

die,

***

D5

Gtrs. 4 & 5

P.M. P.M. P.M. P.M.

*w/ echo set for half-note regeneration w/ 2 repeats. **As before ***As before

***A#5 F#5 Dm Dm/F

dont

D7/F#

want to

Eb5

die.

D5

A#5 F#5 Dm

I

Dm/F

dont

D7/F#

want

to die.

Gtrs. 4 & 5

P.M. P.M. P.M. P.M. Harm.

Gtr. 7

fdbk.

w/ dist.

pp mf

As before.

Pitch: C

Microphonic fdbk., not caused by string vibration.

Vol. swell

Gtr. 7 tacet

Interlude

A#5 F#5 F#m[b6] D5 F6 D5 F#m[b6] Eb5 D5 A#5 F#5 F#m[b6] D5 F6 D5 F#m[b6] Eb5 D5

Gtrs. 4 & 5

Rhy. Fig. 5

P.M. P.M. P.M. P.M. P.M. P.M.

End Rhy. Fig. 5

8X8

4X4

4X4

4X4

4X4

4X4

4X4

4X4

0X3

3

0

43

0

111

000

8X8

4X4

4X4

4X4

4X4

4X4

4X4

4X4

0X3

3

0

43

0

111

000

8X8

4X4

4X4

4X4

4X4

4X4

4X4

4X4

0X3

3

0

43

0

111

000

8X8

4X4

4X4

4X4

4X4

4X4

4X4

4X4

0X3

3X3 0

4

7

X

888

444

444

444

444

0X

0

444

0X

0

000

333

333

0X

0

000

444

444

0X

0

111

000

888

444

444

444

444

0X

0

444

0X

0

000

333

333

0X

0

000

444

444

0X

0

111

000


6


33/154

Half-time feel


A#5 F#5 F#m[b6] D5 F6 D5 F#m[b6] Eb5 D5 A#5 F#5 F#m[b6] D5 F6 D5 F#m[b6] Eb5 D5

Gtr. 8

w/ dist.

P.S.

f

Guitar Solo


Gsus2

let ring

Em11

let ring 1/2

B5 A Asus2 A5

Do you feel

Gtr. 8

let ring let ring 3 3

*Gtrs. 4 & 5

steady gliss.


XXX

12

014

014

014

014

014

012

011

012

012 14

012

0 0

0 017

017

017 17

017

016

017 22

022

022

021 21

017

00

14

16

14

1216

14

1216

14

12 16 14 1216 14

1414

1414

1714

14

16 16

1414

19

244

244

244

244

244

244

244

244

244

244

044

044

0224

0224

0224

0224

0222

0222

022

022

022

022

16


7


34/154

Chorus

Gtrs. 4 & 5: w/ Rhy. Fig. 3 (2 times)

Gsus2

the same for what once

Em11

re mained?- Yes ter- day-

Gtr. 8

w/ bar fdbk.

8va

Gtr. 6: w/ Riff B

B5

is gone, we cant go back a gain.-

A Asus2

Uh,

A

do

Asus2

you

A5

ev -

8valoco

Gsus2

- er cry, uh, for the days

Em11

gone by. Uh, do they haunt

Gtr. 8

Gtr. 6

19 21 21 21

21 21 21 21 21 21 21 21 21 21 21 21 21 21 21 21

21

X17

19X17

19X17

19X17

19X17

19X17

19X17

19X17

19X17

19X17

19X17

19X19

21X19

21X19

21X17

19X17

19X12

14X12

14X12

14X12

14X12

14X12

14X12

14


8


35/154


36/154


37/154

Intro

Moderately slow q. = 55

All Hope Is GoneWords and Music by Mark Tremonti and Myles Kennedy




Gtr. 1 (clean)

Drop B tuning, down 1/2 step:

(low to high) Bb-Ab-Db-Gb-Bb-Eb

*

Riff A

B

mflet ring

G6 G5

let ring let ring

D

let ring

A

let ring

*Chord symbols reflect basic harmony.

1/2

Gtr. 2 (dist.)

Bsus2

**mp mf

B G6 G5

w/ bar

**Vol. swell

1

Gtr. 1

let ring let ring let ring let ring let ring 1/2

9

06

07

09

09 7

06

87

89 10

00

00

011 12

011

014 11

12011

012 11

12

10 10 10 10 7

01411

01411

1411

01411

01411

01411

1411

00 9

06

07

09

09 7

06

87

89 10

00

00

011 12


1


38/154

D

A Bsus2

A1.

w/ bar

-1/2-1


End Riff A

tire

Verse

Gtr. 1: w/ Riff A (1 7/8 times)Gtr. 2 tacet

B

less- stream of in dif

G6

- fer- ence-

G5

flows through veins

D

till the riv

A

er- runs

dry.

Bsus2

I no

B

long er- care. I have all

G6

but

G5

dis posed- of

dreams

D

that I once

A

held in side.

Bsus2

- De sire

B

- is gone af ter-

all

G6

of

G5

these years. The fight

D

has been lost

A

I con cede.

Bsus2

- The

ap

B

a- thy- born a long

G6

time

G5

a go- has grown

D

to what I

A

cant de -

7 7

011

012 11

12011

012 11

1201411

014

11

01411

01411

014

11

014 0

0


2


39/154

Bsus2

feat,- no.

Bm

Gtr. 1

let ring

let ring

Gtr. 3 (dist.)

mf

2nd time, Gtrs. 4 & 5 tacet

Chorus

G

Ive been

Gsus2

here too long.

D/F#

Im

Gtr. 2Riff B

Gtr. 1

w/ dist.

Rhy. Fig. 1

Gtr. 3

Rhy. Fig. 1A

01411

014

11

01411

01411

014

11

014 0

0

01412

014

12

014

014

01412

01412

1412

01412

1412

XX

1214

1214

X10

12X10

12X10

12X10

12X10

12X10

12

12

14X12

14X12

14

XXX

XXX

X9

11X9

11X9

11X9

11X9

11 X12

15X12

15X12

15

XXX

XXX

10121212

10121212

10121212

10121212

10121212

10121212

101214

101214

101214

101214

101214

91211

91211

91211

91211

91211

91211

91211

91211

91211

91211

810

810

810

810

810

810

810

810

810

810

79

79

79

79

79

79

79

79

79

79


3


40/154

CTo oda

tired

Dsus2

and long ing- for

A/C#

more.

End Riff B

End Rhy. Fig. 1

End Rhy. Fig. 1A

Gtr. 1 & 3: w/ Rhy. Figs. 1 & 1AGtr. 2: w/ Riff B

G

How long

Gsus2

must I run,

D/F#

uh, to

find

Dsus2

what Im look ing-

A/C#

for?

50

50

50

50

50

55

50

50

50

50

50

50

50

50

50

55

50

50

XX

XX

579

579

579

579

579

579

579

579

579

579

476

476

476

476

476

476

476

476

XX

XX

35

35

35

35

35

35

35

35

35

35

24

24

24

24

24

24

24

24

24

24


4


41/154

G5

All hope

D/F#

is

C#5

Gtr. 1

1

Gtr. 3

1

Interlude

B

gone.

G6

G5

*Gtrs.1 & 3

Riff C



1/21/2

D

A Bsus2

The2.

let ring

End Riff C


101212

912

2 2

810

79

2 2

06X8

X7

9

0

X7

9

9

11X9

11

9

11

0

X7

9

06X8

87

89 10

00

00

011 12

011

014 11

12011

011 12 11

1201411

014

11

014

11

01411

014

11

014

11


5


42/154

sad

Verse

B

ness- I car ry- so deep

G6

in my

G5

heart for what

D

could have been

A

and might

Gtr. 2

let ring

1/2

Gtr. 4(dist.)

mf

1/2

Gtr. 5 (dist.)

mflet ring

1/2

Gtrs. 1 & 3

let ring let ring let ring let ring let ring 1/21/2

16 1612

1612

1616 1612

1612

16 16 16 16 1614 15 14

1714

17

16 1612

1612

1616 1612

1612

16 16 16 16 16 15 17 15 14 15 14

8 85

85

8 885

85

8 8 8 8 8 7 9 7 6 7 6

06X8

X7

9

0

X7

9

9

11X9

11

9

11

0

X7

9

06X8

87

89 10

00

00

011 12

011

012 11

12011

012 11

12


6


43/154

Bsus2

be, is nev

B

er- for got- ten.- Its nev

G6

er- too

G5

far. Im

8va loco

let ring

1 1/2

let ring let ring

1/2

P.M. let ring let ring

1/2

let ring let ring let ring let ring let ring 1/21/2

2216 22 22 16 1612

1612

1616 1612

1612

16 16 16 16 16

16 16

14

16

14

16 1614

1614

16 1612

1612

1616 1612

1612

16 16 16 16 16

4 4 42

42

4 45

4 8 85

85

8 885

85

8 8 8 8 8

01411

014

11

014

11

01411

014

11

014

11

06X8

X7

9

0

X7

9

9

11X9

11

9

11

0

X7

9

06X8

87

89 10

00

00

011 12


7


44/154

D.S. al Coda

wast

D

ed,- so worn

A

and so

Bsus2

weak.

Bm

let ring grad. bend

1 1/2

1

1 1/2

let ring grad. bend

1/2 1/2

1

1 1/2

let ring P.M.

1/2

let ring let ring let ring let ring P.M.

14 15 141717 17 16 16

1216

1216 16

1217 17

15 17 15 1414 1414 16 16

14

16

14

16 1614

1614

16 16

7 9 7 66 6 42

42

42

42

42

42

43

43

43

43

43

43

430

430

430

430

0

011

011 14 11

120

110

12 1112

01411

014

11

014

11

01411

014

11

014

11

801412

01412

01412

01412

01412

0 12 12 12 12 12 12


8


45/154

Coda

G5

All hope

D/F#

is

B5

gone.

Gtr. 1

steady gliss.

Gtr. 3

Fill 1

1

Ah.

Interlude

Em(add4)/B

Ah.

B7

Gtr. 2

Riff D

let ring let ring

End Riff D

Gtrs. 1 & 3

End Fill 1

101212

101212

912

24 0

810

810

79

2 2 0

1210

12

12

1210

12

12

1110

11

11

1110

11

11

0


9


46/154

(Ha.

Ha.

Gtr. 2: w/ Riff D

Em(add4)/B B7

Gtrs. 1 & 3

Ha.)

Ha.

Em(add4)/B B7

Gtr. 2

let ring let ring

Gtrs. 1 & 3

P.M. P.M.

Ha.

Em(add4)/B

let ring let ring

P.M.

0 0

1210

12

12

1210

1210

12

12

1210

1210

12

12

1210

1210

12

12

1210

1110

11

11

1110

1110

11

11

1110

35

13

02

0 0 0 2 0 13

13

X 35

13

02

0 0 0 2 0 0 0

1110

11

11

1110

1110

11

11

1110

1210

12

12

1210

1210

12

12

1210

1210

12

12

1210

1210

12

12

1210

0 35

13

02

0 0 0 2 0 13

13

XX


10


47/154

B7

let ring

P.M.

Gtrs. 1 & 3

Gtr. 4divisi

P.S.

Gtrs. 1 & 3

Interlude

Riff E

Gtrs. 2 & 4 tacet

D5 C5 B5 C#5 B5

P.M.

C5 B5

P.M.

E5 C5End Riff E

Gtrs. 1 & 3: w/ Riff E (2 times)

D5 C5 B5

All

C#5 B5 C5

hope

B5 E5

is

C5

gone.

D5 C5 B5 C#5 B5 C5

B5 E5 C5

Guitar Solo


B

Gtr. 2

f

3

1 1 1/2

1110

11

11

1110

1110

11

11

1110

1110

11

11

1110

35

13

02

0 0 00 2 0 0 0 XXX

5 3 20 0 0 2 0

3X5

3X5

0 0 02X4

2X4

7

9X7

9

3X5

3X5

3X5

3X5

3X5

9

XX

0XX

77

77

77

910 10

79 79

9 9 9 9

08


11


48/154

G6 G5 D A

P.M. P.H.

15maloco

3 3

1

Pitch: F# E#

Gtr. 2

Bsus2

P.M.

B

let ring

33

3

1

Gtrs. 1 & 3

let ring let ring

G6

let ring

G5

let ring

D A

let ring let ring let ring let ring

14

13 15

1615 12

1012

00

00

97 9 9 79 7

97 9

7 67

9

78

0

9

7 10 78

9 79 7 6 2

2

2 2 2

0

400

01411

014

11

014

11

01411

014

11

014

11

06X8

06X8

06X8

06X8

06X8

5X8

X7

10

57 7

7

10X7

105

12

150

X11

14 127 107

10 79

1012 10

11

121215 12

14

1417 14

16

87

89 10

00

00

011 12

011

012 11

12011

012 11

12


12


49/154

Bsus2

D A

8va loco

Bsus2

P.H.

15maloco

*

*2nd string caught under bend finger.

1 1/21

1 1/21

1 1/2 1 1/2 1/21/2

let ring let ring **P.M.

**Gradually lift P.M.

ChorusGtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (3 times)

G

Ive been

Gsus2

here too long.

Gtr. 2 tacet

D/F#

Im tired

Dsus2

and long ing- for

Gtr. 2

Gtr. 5Riff F


17 19 19 19 17 1919

19

19

1919 19 19 19 22 19 19

0

0

1112 1112 10 7

89 89 7

9

01411

014

11

014

11

01411

014

11

014

11 011

011 12 11

12011

011 12 11

1201411

01411

01411

01411

01411

01411

01411

01411

01411

01411

17

5

50

5

00

5

34

5

03

40

40

4

30

4

03 3

030

30

30

30

3 30

3


13


50/154

A/C#

more.

G

How long

Gsus2

must I run,

D/F#

uh, to

Gtr. 5End Riff F

let ring let ring

find

Dsus2

what Im look ing- for.

A/C#Gtr. 5: w/ Riff F

G

Ive been

Gsus2

here too

let ring

Gtr. 2

mplet ring

D/F#

long. Im tired

Dsus2

and long ing- for

A/C#

more.

let ring let ring

20

20

20

2

23 2 0 0

25

05

00

5

34

5

03

40

40

4

30

4

03

30

30

30

30

30

30

30

30

30

30

20

20

20

20

20

20

2 2 00

02

17 17 1716

17 17

1516

17

17 15

160

160

16

150

16

17 15015

015

015

015

015

015

015

017

015

1414

1414

14 15 14

1416 14


14


51/154

G5

All hope

D/F#

is

C#5

Gtr. 2

let ring

let ring

1/2

Gtr. 5

let ring let ring

Gtr.1

1

Gtr. 3

1

gone.

InterludeGtrs. 1 & 3: w/ Riff E (4 times)Gtr. 5 tacet

D5 C5 B5 C#5 D5 C5*Voc. Fig. 1

B5

E5

(Ah.)

C5End Voc. Fig. 1

D5 C5 B5

All

C#5 B5 C5

hope

B5 E5

is

C5

Gtr. 2

*Refers to upstemmed voc. only.

17 17 1716

17 17

1516

17

17 15

160

160

1618

19 1518 14

15

50

5

00

5

34

5

03

40

40

4

101212

101212

101212

101212

101212

101212

91211

91211

91211

2 2

810

810

810

810

810

810

79

79

79

2 2

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0


15


52/154

gone.

D5 C5 B5 C#5 B5 C5Bkgd. Voc.: w/ Voc. Fig. 1

B5

E5 C5 D5 C5 B5

All

C#5 B5 C5

hope

B5 E5

is

C5

Gtr. 4

fdbk. 15ma

Pitch: A# C A C

Gtr. 2

string noise

1 1

gone.

Outro

Gtrs. 1 & 3: w/ Fill 1Gtr. 2: w/ Riff D (2 times)

Em(add4)/B

B7

Gtr. 4

fdbk.

8va

Pitch: F A G B F# A A

1/21/2

Gtr. 5

fdbk. fdbk.

1/2 1/2

Gtr. 6 (dist.)

mf fdbk.

30 0 0

97

1210

XXX

2 2 2 22 2 22 20

4 2 2 2

20

20


16


53/154

rit.

rit.

rit.

Gtr. 4

Em(add4)/BGtrs. 1, 3 & 6 tacet

B7

fdbk. *8va

Pitch: F# F# B G# *Bend neck

Gtr. 5

w/ barfdbk.

grad. bend1

-3/4

1/4

Gtr. 6

Gtrs. 1 & 3

Gtr. 4

Em(add4)/B

B7

fdbk. 8va

Gtr. 5

w/ bar w/ bar

1/4

Gtr. 2

let ring

0 0

0 00 0 0

4 42

2 2 4

2

0

0 0

4 4 4 4

1210

12

12

1210

12

12

1110

11

11

1110

11

11


17


54/154

Intro

Moderately slow q = 94


Still Remains




1.

2.

Drop B tuning, down 1/2 step:

(low to high) Bb-Ab-Db-Gb-Bb-Eb

*Gtrs. 1 & 2 (slight dist.)

mf

Riff A

**B5 A5/B

let ring

B5End Riff A

let ring


**Chord symbols reflect basic harmony.

Gtr. 3 (slight dist.)

Gtrs. 1 & 2: w/ Riff A (1 3/4 times)

mf

B A5/B

let ring

C B

let ring

Gtr. 3

B

let ring

Gtr. 3 tacet

B5

C5 A5

Gtrs. 1 & 2

w/ dist.

f

Riff B

P.H.

0 3 1 03

0 0 3 1 00

0 0 0 0 3 1 03

0 0 3 1 02

0 0 0 0

98

70

78

98

79

109

80

89

109

8

98

8

98

02

0 0 192

0 0 0 1 03 2 0

3 1 05 2

0 0 0 13 0


1


55/154

B5 Am/C

End Riff B

Gtrs. 1 & 2: w/ Riff B

B5

C5 A5 B5

Am/C

I1.

cast

Verse

B5

a line

when I saw you

C5

were

A5

drown

B5

ing.-

Gtrs. 1 & 2

Riff C

P.M. P.M. P.M.

P.M. P.M.

Uh, still

Am/C

you

turned

Gadd9

your back on me.

Ebadd9

Gtr. 2

P.M.

Rhy. Fig. 1A End Rhy. Fig. 1A

Gtr. 1

P.M.

End Riff C Rhy. Fig. 1 End Rhy. Fig. 1

P.M.

20 0 0 1 0

3 2 03 1 0

5 20 0 0 1 1

0XX

20 0 0 1 0

3 2 03 1 0

5 20 0 0 1

3 0 20 0 0 1 0

3 2 03 1 0

5

20 0 0 1 1

0XX

XX

XX 10

1214101214

101214

101214

101214

101214

101214

101214

0 0 6810

6810

6810

6810

6810

6810

6810

6810

6810

6810

20 0 0 1 1

0XX

XX

XX

8109

8109

8109

8109

8109

8109

8109

8109

0 0 465

465

465

465

465

465

465

465

0 0


2


56/154

Pulled

Gtrs. 1 & 2: w/ Riff C (1st 3 meas.)

B5

you from the fire when you

C5

were

A5

burn

B5

ing.-

Uh,

still

Am/C

you

nev

Gadd9

er- could be lieve.

-

Ebadd9

So

Gtr. 2

P.M.

Rhy. Fig. 2A End Rhy. Fig. 2A

Gtr. 1

P.M.


car

ChorusG5

ry- on if you

Eb5

must go your way.

Gtr. 4 (dist.)

Riff D

mf

Gtrs. 1 & 2

Rhy. Fig. 3

20 0 0 1 1

0XX

XX

XX 10

1214

101214

101214

101214

101214

101214

101214

101214

0 0 6810

7

000

15

20 0 0 1 1

0XX

XX

XX

8109

8109

8109

8109

8109

8109

8109

8109

0 0 465

7

000

000

15

00

00

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

46

46

46

46

46

46

46

46

46

46

46

1 1


3


57/154

CTo oda

C5

Though it breaks

G5

my heart, your free

End Riff D

End Rhy. Fig. 3

Eb5

will still re mains.-

C5

Oh.

Gtrs. 1 & 2: w/ Riff BGtr. 4 tacet

Interlude

B5

C5 A5 B5

Am/C

I2.

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

5X7

13

13

13

13

13

13

13

13

13

13

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

810

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

XXX

XXX

46

46

46

46

46

46

46

46

46

46

46

1 1 13

13

13

13

13

13

13

13

13

13

20 XX

XX


4


58/154

D.S. al Coda

saved


Verse

B5

you from

the fall when you

C5

were

A5

slip

Gtr. 4: w/ Riff E

B5

ping.-

Gtr. 4

Riff E End Riff E

Uh, still

Am/C

you

broke

Gtrs. 1 & 2: w/ Rhy. Figs. 1 & 1A

Gadd9

from me to run.

Ebadd9

So

how

Gtrs. 1 & 2: w/ Riff C (1st 2 meas.)

B5

can

you

jus ti- fy- the life

C5

youre

A5

liv -

Gtr. 4

Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A

Gadd9

- ing?

Ebadd9

You must

w/ bar

-3 1/2

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

40

7 7


5


59/154

Coda

B5

*

Gtr. 4 tacet

Interlude

C5

B5 C5 B5 C5 B5 Em

Gtr. 5 (dist.)

Riff F

fP.M.

*Chord symbols reflect implied harmony.

Gtr. 5

Gtrs. 1 & 2 tacet

C5 B5 C5 B5 C5 B5 EmEnd Riff F

P.M.

Gtr. 5: w/ Riff F

C5

B5 C5 B5 C5 B5 Em

C5

B5 C5 B5 C5 B5 Em ***

Bridge

Gtrs. 5 & 6: w/ Riff F (3 times)

B

Youll de ny- it all,

Bsus4

youll de ny- me once a gain.-

Gtr. 6 (dist.)

fP.M.

**Gtr. 7 (dist.)

w/ wah-wah

f

**Two gtrs. arr. for one.

***Chord symbols reflect overall harmony.

2X4

2X4

1 0 0 0 0 0 1 1 0 1 1 0 0 0 8 7 5 5 8 7 5 5

0 0 0

13 12 0 0 0 0 1 1 0 1 1 0 0 0 8 7 5 5 8 7 5 5

8 7 5 5 8 7 5 56X8

7X9


6


60/154

B

Uh, but Ive seen it all.

Bsus4

I know youll come to crawl,

P.S.

B5

uh, back to me be fore- the end.

Gtr. 7

Gtrs. 5 & 6

P.M. P.M.

C5

Gtr. 7 tacet

B/D#

E5 G5 F#5

Riff G End Riff G

6X8

X X X X X6X8

7X9

X9

11

9X11

12

14

7X9

9

11

1 0 0 0 0 0 1 1 0 1 1 0 0 0 8 7 5 5 8 7 5 5 13 12 0 0 0 0 1 1 0 11 1 0 0 0 15

X14

16

20 0 0 1 1 0 1 2 3

24 4 4 5 5 8 8 8 7


7


61/154

B5

Gtrs. 5 & 6: w/ Riff G (3 times)

C5 B/D# E5

Ah,

G5 F#5 B5 C5 B/D# E5 G5 F#5

B5 C5 B/D# E5

G5 F#5

Gtrs. 1 & 2

P.S.

car

Chorus

Gtrs. 1 & 2: w/ Rhy. Fig. 3Gtr. 4: w/ Riff D2nd time, Bkgd. Voc.: w/ Voc. Fill 1

G5

ry- on if you

Eb5

must go your way.

Gtr. 8 (dist.)

mf

C5

Though it breaks

G5

my heart, your free

Voc. Fill. 1

X

5X8

5X8

5X8

5X8

5X8

5X8

5X8

7X10

7X10

7X10

7X10

7X10

7X10

7X10

X8

11X8

11X8

11X8

11X8

11X8

11X8

11X10

13X10

13X10

13X12

15X12

15X12

15X8

11X8

11X8

11X8

11X8

11X8

11X10

13X10

13X10

13X12

15X12

15X12

15

X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13

5X8

5X8

5X8

5X8

5X8

5X8

5X8

7X10

7X10

7X10

7X10

7X10

7X10

7X10

X8

11X8

11X8

11X8

11X8

11X8

11X8

11X10

13X10

13X10

13X12

15X12

15X12

15


8


62/154

1.

2.

Eb5

will still re mains.-

C5

(Still

Uh, so

re mains.)-

C5

(It still re -

Gtr. 8

Gtr. 4

Gtrs. 1 & 2

mains.

Gtrs. 1 & 2: w/ Riff G (3 times)Gtrs. 4 & 8 tacet

Outro

B5 C5 B/D# E5 G5 F#5

Ah.)

B5 C5 B/D# E5 G5 F#5 B5 C5 B/D#

E5 G5 F#5

Gtrs. 1 & 2

B5 C5

B/D#

E5 G5 F#5

*Gtr. 9

Gtrs. 1 & 2 tacet

B5

f

*Bass arr. for gtr.

X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X8

11X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13

00 X

10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13X10

13

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

1X3

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

00

00

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

3X5

46

46

46

46

46

46

46

46

46

46

46

1 1 13

13

13

13

13

13

113

13

13

15 13

13

13

13

13

13

13

13

13

13

13

20 0 0 1 1 0 1 2 3

24 4 4 5 5 8 8 8 7 0


9


63/154

Intro

Moderately q. = 63


Make It Right




Tune down 1/2 step:(low to high) Eb-Ab-Db-Gb-Bb-Eb

Gtr. 3 (elec.)

**C6[no3rd]

G

Asus4

***

w/ slight dist.

pp

Aadd4

mf

***Vol. swell

*Gtrs. 1 & 2

let ring throughout

Riff A

mf

*Gtr. 1 (acous.); Gtr. 2 (elec.) w/ slight dist. Both gtrs. doubled throughout.

**Chord symbols reflect implied harmony.

C6[no3rd]

G Asus4 Aadd4

1 1/2

End Riff A

How

Verse

1.

Gtrs. 1 & 2: w/ Riff AGtr. 3 tacet

C6[no3rd]

man y- times have you cut

G

on ly

- to feel

Asus4

the pain?

Aadd4

How

C6[no3rd]

man y- days have you run

G

on ly

- to

Asus4

crawl?

Aadd4

10

8

07

07

0

8

07

00

0

3

50

00

5

3

50

40

5

5

70

70

7

5

70

70

7

5

70

60

7

5

7

5

6

5

9

10 17 17

80

70

70

80

70

70

35

00

05

35

04

05

57

07

07

57

07

07

57

06

07

57

06

00


1


64/154

How

C6[no3rd]

man y- nights did you scream,

G

on ly

- to scream

Asus4

in

Gtrs. 1 & 2

vain?

Aadd4

How

C6[no3rd]

man y- years til you face

G

the shame of

it

Riff B

Asus4

all?(Shame of it

Aadd

94

all.)

Gtr. 3

w/ dist.


Gtrs. 1 & 2

*w/ dist.

End Riff B

*Gtr. 2 only

80

8

7

8

0

80

8

7

8

0

35

3

0

3

4

35

3

0

3

4

57

07

07

57

07

07

57

06

07

5

7

5

6

5

9

80

8

7

8

0

80

8

7

8

0

35

3

0

3

4

35

3

0

3

4

07

007

006

006

006

006

006

006

006

006

006

006

0

57

07

07

57

07

07

57

06

07

5

07

06

0

5

07

06

0

5

07

06

0

5

07

06

0

5

07

06

0


2


65/154

In

Gtr. 1 tacet

Chorus

Esus4

to- the fire

E

you

fall.

*

Dsus4 D

If

Gtr. 3

Riff C

f

Gtr. 2

Rhy. Fig. 2

f

*w/ echo set for dotted quarter-note regeneration w/ 3 repeats.

on

Asus4

ly- you could make

**

A

it right.

E5

Uh, stand

Esus4

up and fight

E

for re

***

-

**As before ***As before

X12

14X12

14X12

14X12

14X12

14X11

13X9

11

7X9

X10

12X9

11X9

11X9

11X9

11

7X9

7X9

077

077

077

077

alter bridge- ab iii

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