alex dallas - texas architecture dallas_portfolio.pdf · the school’s curriculum will teach a...
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Academic
Professional
Independent
Vertical Monastery
Ohio Veterans Memorial & Museum
Collaboratory Surface
Bodhidharma School
1320 SW Broadway
Spoke
The Refuge
Caret 6
Case Work
Graphic Speculations
Resume
SELECTED WORKS
Alex Dallas is an architectural
designer from Austin, Texas.
He recently received his Bachelor
of Architecture from The University
of Texas at Austin. While attending,
Alex served as an undergraduate
research assistant, designing and
fabricat ing instal lat ions for The
University of Texas Energy Institute
and the Fusebox Festival in Austin,
TX. He has also attended the Ecole
Nationale Superieure d’Architecture
in Paris, and traveled throughout
Europe, New Zealand, and the state
of Tamil Nadu in India.
Alex has most recently completed a
residency program working at Allied
Works Architecture in Port land,
Oregon. He has also worked for Kelly
Grossman Architects and Murray
Legge Architecture in Austin, TX.
In his work, Alex is profoundly
interested in the power of architecture
in its ability to reveal relationships
that are present but might otherwise
remain unseen. The following works
embody his architectural interests
and speculations.
4 5
VERTICAL MONASTERYSPRING 2016 | VISITING CRITIC MARLON BLACKWELL
Mound View
Bridge View
The Vertical Monastery serves as a new urban monastic prototype,
transforming the traditional rustic and horizontal type of monastery
into a new form characterized by an urban location and formal and
organizational verticality. Sited on a unique stretch of the Mississippi
River bluffs, the monastery design was profoundly motivated by the
search for an architecture of use and beauty—deeply rooted to its place,
constructed within a material culture, with an emotive atmosphere,
and with poetic qualities that affect us deeply. The design of the new
monastic monastery is based on community engagement and outreach in
place of traditional monasticism’s desire for seclusion. This informed the
spatial experiences throughout the monastery in relation to spatial edge,
structural order, sequence, enclosure, lighting, and tactile engagements,
with the religious space’s sculptural stereotomic forms and the community
and cell space’s rationalized tectonic expression.
8 9
Lower Floor
Ground Floor
Second Floor
Third Floor
Fourth Floor
Fifth Floor
Sixth Floor
De Soto Park Site Plan
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CELL | FOCUS
LIBRARY | EXPAND
CHURCH | ASCEND
CELL | FOCUS
LIBRARY | EXPAND
CHURCH | ASCEND
CELL | FOCUS
LIBRARY | EXPAND
CHURCH | ASCEND
CELL | FOCUS
LIBRARY | EXPAND
CHURCH | ASCEND
CELL | FOCUS
LIBRARY | EXPAND
CHURCH | ASCEND
CELL | FOCUS
LIBRARY | EXPAND
CHURCH | ASCEND
Cell | Focus
Library | Expand
Church | Ascend
Hybrid Section
16 17
Today, one in six people call India home. Of those, one in six are Dalits—
about 220 million people (two-thirds of USA’s population). Centuries old
barriers separate Dalits (formerly “Untouchables”) from their neighbors.
And while the caste system was officially outlawed in 1995, most Dalits are
still discriminated against, particularly in rural areas where half of India’s
population lives.
This studio was asked to design a K-12 school for a Dalit community. The
project aimed to study and question the extent to which buildings can
impact people’s lives. The school was designed with local culture and
environment in mind. The school’s curriculum will teach a place-based
approach meant to raise bioregional awareness and entrepreneurship.
Largely off the grid, the school will need to use solar energy, water
catchment, and gray water reuse. An edible permaculture landscape,
composting, and passive bio-climactic design strategies further help
promote independence and resilience. As the design’s poetic foundation,
a regenerative design philosophy is embedded throughout, not just in
the campus design, but in the school’s learning programs where Dalit
students grow their own food and are also taught sustainable practices
for their daily lives.
Waterflow Windflow Solarprivate vs public
living/learning/gathering pathways
waterflowwindflow sun
private vs publicliving/learning/gathering pathways
waterflowwindflow sun
private vs publicliving/learning/gathering pathways
waterflowwindflow sun
private vs publicliving/learning/gathering pathways
waterflowwindflow sun
private vs publicliving/learning/gathering pathways
waterflowwindflow sun
Private Public
Teaching Field
Site Diagram
Live Learn Gather Pathways
BODHIDHARMA SCHOOL
COLLABORATORS: VENERABLE DR. PANNAVATI BHIKKHUNI, AUROVILLE EARTH INSTITUTE
TEAM: COLEMAN COKER’S ADVANCED DESIGN STUDIO
ROLE: DESIGNER & PROJECT LEADER
SPRING 2015 | CRITIC COLEMAN COKER
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1-5 Years: Mediate the soil, add ground cover, and grade the site
5-10 Years: Build the framework of the site
10-15 Years: Grown
15-25 Years: Establishment
Water Catchment and Distribution System
Classroom Garden
Landscape Phasing Plan
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Precast FerrocementRoofing Panels
Cast-in-Place Beam
Horizontal TrackSystem
Bamboo WindowScreen
Precast FerrocementWindow Sill
CSEB
Precast FerrocementRoofing Panels
Cast-in-Place BondBeam
Compressed Stabilized Earth Block (CSEB):Hollow Interlocking 245(recommended)
Compressed Earth Block Ferrocement Roof & Exterior Bamboo Screens
Interior Bamboo Screens Classroom Unit
Stone Foundation
Turndown ConcreteSlab with Reinforcing
Turndown ConcreteSlab with Reinforcing
Stone Foundation
Classroom Material Study
Exploded Construction Axonometric
Detail Wall Sections
26 27
North-South Section
East Elevation
Full Scale Mock-Up
In the final month of the semester, our studio designed and constructed a full scale mock-up of the outdoor classroom space of the Bodhidharma School in India. The mock-up doubles as a shade pavilion for the St. David’s Community Garden in East Austin. Our goals were to test the scale of the space, the effectiveness of the bamboo as a durable shade material, and its poetic potential.
We also wanted to explore alternative construction methods and materials that were more sustainable and accessible in the Austin area. We used steel, in lieu of concrete, and glass bottles, in place of recycled plastic bottles, and compressed earth block.
TEAM: COLEMAN COKER’S ADVANCED DESIGN STUDIO
BODHIDHARMA SCHOOL MOCK-UP
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© Casey Dunn
Vault Interior
Caret 6 is an architectural installation designed to exhibit the finalists and winners of the TEX-FAB SKIN competition. The exhibition supports graphic displays and prototype models, while standing on its own as an architecturally significant project. The structure consists of an inhabitable catenary vaulted space and an articulated ground surface that emerges from the vault to support the competition finalists. Using digital tools (Rhinoceros, Grasshopper, and Kangaroo), Caret 6 is designed parametrically to generate unique formal qualities and fit the programmatic requirements for the exhibit, while allowing for the mass customization of hundreds of unique pieces and connections, which are cut on a CNC router.
The form is a result of the study of the modularity of diamonds and their ability to aggregate within complex geometries. The diamond modules are deconstructed into two primary elements: ribs and infill surfaces. The ribs serve as the structure that support the infill surfaces, which are hinged to emphasize the pattern. The ribs are discontinuous as a result of the irregular grid that the modules aggregate within. These discontinuities necessitated collaboration with students and professors from the UT Cockrell School of Engineering to ensure the structural integrity of the installation.
COLLABORATORS: TEX-FAB, MITSUBISHI PLASTICS & UT ENGINEERING
TEAM: KORY BEIG’S DESIGN V STUDIO
ROLE: LEAD DESIGNER & PROJECT LEADER
CARET 6FALL 2013 | CRITIC KORY BIEG
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Infill Surfaces
Tertiary Ribs
Secondary Ribs
Primary Ribs
Vault & Ground Surface LightingConstruction Phasing Axonometric
32 33
Infill Surfaces
Connection Details
Tertiary Ribs
Secondary Ribs
Primary Ribs
© Casey Dunn
Vault to Ground Surface TransitionConstruction Phasing Plan
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Red River Street View
The Refuge serves as a filter between Waller Creek and Red River, offering visitors alternative perspectives and experiences related to the activities of roller-skating and bowling. The organization of the programs comes from the concept of the glimpse, which draws the visitor through the site by providing intentional and intriguing views of the bowler and skater. The visual and auditory presence of the pinsetters activate the bar as one directly enters from Red River, and then the glimpses of bowlers pulls them through until they reach the tranquility of the skating rink by Waller Creek. The Refuge also serves as a critical connector to the Waller Creek Master Plan redevelopment by Van Valkenburgh Associates, providing access to and across the creek.
This transition marks the important role that the architecture plays in creating harmony between the busy urban life of Red River and the serenity of Waller Creek. The relationship between the areas of movement and the areas of pause/glimpse create a complex visual dialogue between the perception of who is the viewer and who is the subject.
THE REFUGESPRING 2014 | CRITIC JUDY BIRDSONG
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Aluminum Louver Screen
Steel Beams
Steel Girders
Triple Panel Fritted Glass
Canvas Sail Cloth
Steel Columns
Concrete Decking
Steel Beams
Concrete Shear Wall
Concrete Foundation
Exploded AxonometricStreet Level Plan
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© MIR
Entry Procession View
The Ohio Veterans Memorial and Museum houses exhibitions and artifacts that serve as a testimonial to the state’s 250-year history of military service. Located along the Scioto River in downtown Columbus, the building and grounds will also serve as the focal point for diverse commemorative and civic events.
The Memorial Museum is conceived as an architecture of two acts. The first is an act of landscape, in which the surrounding parkland is cut, carved, and lifted into the sky. This creates a path to the Sanctuary—a civic room that will be a place of ceremony, celebration, and reflection. The second is an act of structure, in which a series of concentric arches rise from the earth to hold the Sanctuary above. These bands of interwoven concrete hold and protect the museum, creating space for exhibitions that illuminate ideas of service and remembrance.
My primary contribution to this project was my assistance in the Rhino computer model of the building and the surrounding landscape. Although I came into the project toward the end of construction documentation, my reconstruction of the computer model provided the necessary information for CD updates and the creation of new documents for coordination with engineers, the landscape architects, and the exhibit designers. I assisted in 2D documentation as well, through renderings and extracting information from the model. These drawings were used in an extensive 3 month value engineering and partial redesign process.
COLLABORATORS: Olin, Ralph Appelbaum
TEAM: Brad Cloepfil, Kyle Lommen, Chelsea Grassinger, Chris Brown, Kyle Caldwell, Rachel Schopmeyer, Alexis Kurland, Luciana Varkulja, Aaron Belzer
ROLE: Computer Modeling, Coordination, Rendering, Construction Documents
OHIO VETERANS MEMORIAL & MUSEUM JUNE-DECEMBER 2015 | ALLIED WORKS ARCHITECTURE
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FOR REFERENCE ONLY.
NOT FORCONSTRUCTION
OVMMclient
project
architect
phase/date
sheet number
scale
sheet title
consultant
north
300 W Broad St
Columbus, OH 43215
Ohio Veteran's Memorial Museum
Project Site Address:
SCALE:
A
GMP-2
15 JULY 2015
3.02
As Noted
UNROLLED ELEVATIONS
7654321 8 9121110
MEZZANINE / SANCTUARY
+16'-0" (+747')
2
A3.03
3
A3.03
UNROLLED EXTERIOR ELEVATION - SANCTUARYScale: 1/4" = 1'-0"
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EXTERIOR RING
INTERIOR VIEW
NEW
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MP S
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321121110987654321121110
8
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Lower Level
-18'-0" (713')
Level 1
+0'-0" (731')
Mezzanine / Sanctuary
+16-0" (747')
Roof
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"1
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UNROLLED INTERIOR ELEVATION Scale: 1:300
3
TOPOGRAPHY
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Level 1
+0'-0" (731')
Mezzanine / Sanctuary
+16-0" (747')
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48x48 CAF 1&2 INTAKE, REF. MECH
200 SF AHU INTAKE, REF. MECH
TOPOGRAPHY
PAINTED METAL
PAINTED METAL
PAINTED METAL
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STORM OVERFLOW DRAIN, REF. MECH
CEILING LINE
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-18'-0" (713')
Level 1
+0'-0" (731')
Mezzanine / Sanctuary
+16-0" (747')
Roof
Varies
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"1
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TOP OF PARAPET
BOTTOM OF DECK
TOPOGRAPHY
UNROLLED EXTERIOR ELEVATIONScale: 1:300
1
UNROLLED EXTERIOR ELEVATION WITH CONCRETE REMOVEDScale: 1:300
2
EXT-1: GLAZED ALUMINUM CURTAIN WALL W/ GLASS TYPE 1 (CLEAR GLASS)
LEGEND
ARCHITECTURAL CONCRETE W/ BOARDFORM FINISH
ARCHITECTURAL CONCRETE W/ SMOOTH "RUBBED" FINISH
EXT-5: GROUND FACE CONCRETE MASONRY UNIT
EXT-2: GLAZED ALUMINUM CURTAIN WALL W/ GLASS TYPE 2 (SPANDREL GLASS)
EXT-4: LOUVERED METAL PANEL RAINSCREEN
EXT-3: ALUMINUM CURTAIN WALL W/ INSULATED METAL PANEL
STRUCTURAL CAST-IN-PLACE CONCRETE
CJ: CONSTRUCTION JOINT
EJ: EXPANSION JOINT
INSULATED METAL PANEL
PERFORATED METAL PANEL
OUTER RING
INTERIOR VIEW
EXTERIOR VIEW
MIDDLE RING INNER RINGInner Ring Middle Ring Outer Ring
Unrolled Exterior Elevation
Unrolled Exterior Elevation with Concrete Removed
Unrolled Exterior Elevation - Sanctuary
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Room
Wall / Access
Occupy
The design for the 1320 SW Broadway building is transforming the former headquarters of the Oregonian Newspaper into a mixed-use commercial space in the heart of downtown Portland. Initially built in 1948 by renowned modernist architect Pietro Belluschi, the building provides a rich historic formwork for the extensive renovations needed to preserve the building. While exterior alterations will restore the building’s street life, it is in the interior that modernist spaces of Belluschi will be uncovered and complemented with contemporary design.
First opened at a time when people often dropped by their local newspaper’s offices to place a classified ad or pay for their subscription, the building greeted visitors with a grand 28-foot high lobby. Over time, the lobby and other areas were reduced in size and converted for traditional office use. The design by Allied Works clears out the previous renovations, filling it with light and space, highlighting the old and combining it with the new.
With my primary focus on finalizing the design of the lobby, I was put in charge of the digital modeling and rendering. This involvement in the design development and construction documentation of the lobby allowed me freedom to make design decisions that would be carried into the final design. With the lobby also becoming a home to Ristretto Roasters, a cafe design also had to be incorporated. The lobby’s final design uses simple formal moves reminiscent of the building’s modernist history in combination with a contemporary material selection.
COLLABORATORS: Ristretto Roasters
TEAM: Brad Cloepfil, Kyle Lommen, Rashmi Vasavada, Philip Balsiger, Luciana Varkulja, Dillon Phillips, Aaron Belzer
ROLE: Lobby Designer, Lead Computer Modeler, Rendering, Construction Documents
1320 SW BROADWAYJUNE-DECEMBER 2015 | ALLIED WORKS ARCHITECTURE
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Case Work In The Denver Art Museum
Case Work offers an inside view into Allied Works Architecture’s unique approach to design, a process driven by a rich material and physical investigation. For Brad Cloepfil and Allied Works, each project begins with the creation of hand drawings and concept models.
The exhibition presents a series of custom-built cases, which open up to reveal a collection of artifacts inside, including models, drawings, material samples, and other studies that have provided conceptual inspiration. Curated by Dean Sobel, Director of the Clyfford Still Museum, the exhibition places the firm’s work in context, and explores how this singular collection of artifacts reveals the process of creation in architecture—the act of translating ideas into built form.
My primary contribution to this project was my assistance in the construction of the full scale mock-up of the entire exhibition and the design of the exhibition’s finishes. I first came onto the project helping in the shop with the construction of the cases, but transitioned into working on the frames and the transport/construction of the exhibition. The final construction also consisted of designing the model security system to prevent model theft. Once built at a nearby warehouse, the entire exhibit was conditioned by the museum curator and packed up/shipped for its first opening at the Denver Art Museum in Mid January.
CURATORS: Dean Sobel & Brian Ferriso
TEAM: Brad Cloepfil, Kyle Lommen, Emily Kappes, Kelly Britton, Adam Monkaba, Dillon Phillips, Aaron Belzer, Chris Brown, Brian Walbergh
ROLE: Assistant in Case Construction, Designer for Model Security, Co-Lead in Exhibit Mock-Up
CASE WORKJUNE-DECEMBER 2015 | ALLIED WORKS ARCHITECTURE
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East Elevation
Classroom ViewWall Detail
This acoustical wall system was designed and fabricated for a collaborative space in The Energy Institute at The University of Texas at Austin. The project integrates traditional concerns such as acoustics, indoor air quality, and program with other more ephemeral considerations such as atmosphere, ornamentation, and aesthetics. Wood veneer and wool felt were selected to maximize visual effect and acoustical performance while minimizing material impact.
Working with our team of acoustical engineering researchers and students from the Cockrell School of Engineering, it was determined that, to maximize the diffusion of sound, it is important to have a variety of convex and concave surfaces. The two main elements of the system are the concave tracks and the convex modules inserted into the tracks. Though both are fabricated from wood veneer, they leverage the material qualities of the veneer in very different ways.
Layers of textural richness are present in the natural variation of the wood grain and wool fibers, as well as a patterned perforation layer subtracted from the wood veneer modules. The perforations create a secondary level of acoustical performance, covering the surfaces in an abstracted wood grain pattern.
COCKRELL SCHOOL OF ENGINEERING COLLABORATORS: MICHAEL HABERMAN, YING XU, GREG ENENSTEIN, DAN HEMME, & CHENYANG BI
DESIGN TEAM: CLAY ODOM, TAMIE GLASS, JEN WONG, & ZACH WALTERS
ROLE: RESEARCH ASSISTANT FOR PRELIMINARY DESIGN THROUGH BUILD
COLLABORATORY SURFACE2014-2015 | THE UNIVERSITY OF TEXAS AT AUSTIN
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Prototype TestingTechnical Drawings
When unlocking a bike from a public rack after dark, a person needs at
least two things in terms of lighting; general illumination and sufficient task
lighting. Spoke aims to achieve both of these lighting qualities in order to
provide the perfect illumination for the task at hand by its unique shape as
well as its receptiveness to its surroundings. By using daylight sensors and
motion sensors, Spoke is able to be an efficient and responsive luminaire.
TEAM: ZACH WALTERS, ALEX WARR, & BECCA BROWN
SPOKEFALL 2014 | LUMINAIRE
76 77
Reconstructing La TouretteDeconstructing La Tourette
GRAPHIC SPECULATIONSVISUAL COMMUNICATIONS & STUDY ABROAD
82 83
ALEX DALLAS [email protected] alex-dallas.com 512.638.7772
EDUCATION University of Texas at Austin Bachelor of Architecture ........................................................ May 2016 Honors: Cum Laude (GPA: 3.85) Ecole Nationale Superieure d’Architecture de Paris-Belleville Architecture Study Abroad ..................................................... Fall 2014
EXPERIENCE Allied Works Architecture Architectural Intern | Portland, OR.................... June-December 2015
Murray Legge Architecture Architectural Intern | Austin, TX ............................... May-August 2014
Kelly Grossman Architects Architectural Intern | Austin, TX ................... May-August 2012 & 2013
Teach Design Student Designer | Austin, TX ........... September 2009-February 2012
RESEARCH University of Texas at Austin Research Assistant | Igor Siddiqui ........................ January -April 2016
University of Texas at Austin Research Assistant | Odom & Glass ........... February 2014-June 2015
Explored the phenomena inherent to red green blue (RGB) color and cyan magenta yellow (CMY) shadows. Assisted in the research, design, and final construction of an immersive ceiling installation that transformed the 2016 Fusebox Festival Hub.
Developed an acoustic panel system for UT Austin’s Energy Institute. Contributed to the project from beginning schematic design through installation, including 3D modeling, prototyping, fabrication and coordination with acoustical engineers. Laminated and vacuum-molded laser cut wood components on CNC routed formwork.
Produced digital/physical models, and construction documents for a shade pavilion in downtown Dallas. Worked on fabrication files and helped coordinate with a sheet steel fabricator.
Contributed to the design and construction documentation of several apartment projects in the San Marcos and Austin area.
Led the student team in collaboration with Frog Design, SHW Group, and Flintco in the design and construction of two interactive outdoor seating structures for McCallum High School in Austin.
As part of a six month residency, worked on the design development and construction documentation of a museum, and a home, the schematic design of a creative office, and the final design and construction of an exhibition. Production included physical and digital models, renderings, construction documentation, and full scale mock-up construction.
RECOGNITION College Scholar ........................................... 2012, 2013, 2014, 2015 & 2016 Design Excellence Nomination ............................... May 2013 & May 2015 School of Architecture Mebane Scholarship ............................... July 2014
Lance Tatum Endowed Scholarship ............................................ July 2014 Design 6 Sound Building Distinction ........................................... May 2014
Collaboratory Surface
Caret 6 Publications
Bubbles Publication Austin Business Journal (May 2011), Good Magazine (March 2010)
COMPETITIONS University of Texas at Austin | 1st place ................................ January 2015 Coupling Design Competition University of Texas at Austin | 1st place .................................... March 2013 ACME Brick Wall Competition Cohen New Works Festival | Commissioned ...................... February 2013 Perceiving Campus & Light Instruments
INVOLVEMENT Texas Society of Architects ................................................... 2011-Present American Institute of Architecture Students ............................. 2011-2016 Public Outreach Chair & Beaux Arts Ball Committee Chair Alpha Lambda Delta & Phi Eta Sigma Honor Societies ............ 2012-2016 Tau Sigma Delta Honor Society in Architecture ........................ 2013-2016
SKILLS Proficient
Familiar
References Available Upon Request
ArchDaily (March 2014), Architectural Record Blog (March 2014), Architect’s Newspaper Blog (March 2014), Texas Architect Magazine (March/April 2014 & May/June 2014), ISSUE:010 (May 2014), Architecture and Culture Magazine (September 2015)
Presented at the 2015 Annual Interior Design Educators Council Conference (2015), American Society of Interior Designers Texas Chapter 2016 Legacy of Design Award, International Journal of Interior Architecture + Spatial Design (Forthcoming)
Rhino | AutoCAD | Illustrator | Photoshop | InDesign | SketchUp| Maxwell | Laser Cutting| Model Making | CNC Routing | CNC| Knife | 3D Printing | Drafting | Sketching
Revit | Grasshopper | Kangaroo | 3DS Max | GIS | VRay | Vectorworks| Photography | Wood Working