alejandro gómez guillén, artistic director mozart’s great ... wolfgang amadeus mozart 1756-1791...

www.cantabilesingers.org

Linh Kauffman, soprano

Maria Lindsey, soprano

Zachary Averyt, tenor

David L’Hommedieu, bass

Cantabile Festival Chorus

Alejandro Gómez Guillén , Conductor

Sunday, May 11th, 2014 | 2:00 pmFirst United Methodist Church 1421 Spruce Street, Boulder

Friday, May 9th, 2014 | 7:30 pmMountain View Methodist Church 355 Ponca Place, Boulder

Mozart’s Great Mass in C Minor:Robert Levin Anniversary Edition

CantabileAlejandro Gómez Guillén, Artistic Director


Wolfgang amadeus mozart

1756-1791mass in C KV 427 (KV 417a)

Completed and edited By roBert d. leVin

KyrieKyrie Soprano 1, Chorus

GloriaGloria ChorusLaudamus te Soprano 2Gratias ChorusDomine Deus Soprano 1, Soprano 2Qui tollis Double ChorusQuoniam Soprano 1, Soprano 2, Tenor Jesu Christe Chorus

Cum Sancto Spiritu Soprano 1, Soprano 2, Tenor, Chorus

Intermission

CredoCredo in unum deum ChrousEt incarnatus est Soprano 1Crucifixus ChorusEtresurrexit ChorusEt in Spiritum Sanctum TenorEt unam sanctam ChorusEt vitam venturi Chorus

SanctusSanctus Double Chrous

BenedictusBenedictus Soprano 1, Soprano 2, Tenor, Bass, Chrous

Agnus DeiAgnus Dei Soprano 2, ChrousDona nobis Pacem Soprano 1, Soprano 2, Tenor, Bass, Chrous


Wolfgang amadeus mozart

1756-1791mass in C KV 427 (KV 417a)

Completed and edited By roBert d. leVin

KyrieKyrie eleison.Christe eleison.Kyrie eleison.

GloriaGloriainexcelsisdeo,etinterrapaxhominibusbonaevoluntatis.

Laudamus teLaudamus te. Benedicimus te. Adoramus te. Glorificamuste.

GratiasGratias agimus tibi propter magnam gloriam tuam.

Domine DeusDomineDeus,Rexcaelestis,DeusPateromnipotens.Dominefiliunigenite,JesuChriste.Domine Deus, Agnus Dei, Filius patris.

Qui tollisQui tollis peccata mundi, miserere nobis.Qui tollis peccata mundisuscipe deprecationem nostram. Quisedesaddexterampatrismiserere nobis.

QuoniamQuoniam tu solus sanctus. Tu solus Dominus.Tu solus Altissimus.

Jesu ChristeJesu Christe.Cum Sancto Spiritu in gloria Dei Patris. Amen.

CredoCredo in unum Deum, Patrem omnipotentem, factorem coeli et terrae,visibilium omnium et invisibilium.

Et in unum Dominum Jesum Christum, Filium Dei unigenitum.EtexPatrenatumanteomniasaecula.

KyrieLord have mercy.Christ have mercy.Lord have mercy.

GloriaGlory to God in the highest,and on earth peace to people of good will.

Laudamus teWe praise you. We bless you. We adore you. We glorify you.

GratiasWe give thanks to you for your great glory.

Domine DeusLord God, Heavenly King, God Almighty Father. Lord Only-begotten Son, Jesus Christ.Lord God, Lamb of God, Son of the Father.

Qui tollisYou who take away the sins of the world have mercy on us.You who take away the sins of the world hear our prayer.You who sit at the Father’s right hand, have mercy on us.

QuoniamFor you alone are holy. You alone, Lord.You alone the Most High.

Jesu ChristeJesus Christ.With the Holy Spirit in the glory of God the Father. Amen.

CredoI believe in one God, The Father Almighty, Maker of heaven and earth,and of all things visible and invisible.

And in one Lord, Jesus Christ the Only-begotten Son of God.Born of the Father before all ages.


Deum de Deo, lumen de lumine, Deum verum de Deo vero. Genitum, non factum, consubstantialem Patri:per quem omnia facta sunt.

Qui propter nos homines, et propter nostram salutem descendit de coelis.

Et incarnatus estEt incarnatus est deSpirituSanctoexMariaVirgine:Et homo factus est.

CrucifixusCrucifixusetiampronobis;sub Pontio Pilato passus, et sepultus est.

Et resurrexitEtresurrexittertiadie,secundum Scripturas.Et ascendit in coelum:sedetaddexteramPatris.Et iterum venturus est cum gloria judicare vivos et mortuoscujusregninoneritfinis.

Et in Spiritum SanctumEt in Spiritum Sanctum,Dominumetvivificantem:quiexPatreFilioqueprocedit.Qui cum Patre,etFiliosimuladoraturetconglorificatur:qui locutus est per Prophetas.

Et unam sanctamEt unam, sanctam, catholicam et apostolicam Ecclesiam. Confiteorunumbaptismain remissionem peccatorum.Etexpectoresurrectionemmortuorum.

Et vitam venturiEt vitam venturi saeculi. Amen.

SanctusSanctus, Sanctus, Sanctus, Dominus Deus Sabaoth. Pleni sunt caeli et terra gloria tua.Hosannainexcelsis.

BenedictusBenedictus qui venit in nomine Domini. Hosannainexcelsis.

God of God, Light of Light,true God of True God.Begotten, not made,of one substance with the Father. By whom all things were made.

Who for us menand for our salvation came down from heaven.

Et incarnatus estAnd became incarnate by the HolySpiritoftheVirginMary:and was made man.

CrucifixusHewasalsocrucifiedforus,sufferedunderPontiusPilate,and was buried.

Et resurrexitAnd on the third day He rose again according to the Scriptures.He ascended into heaven andsits at the right hand of the Father. He will come again in gloryto judge the living and the dead and His kingdom will have no end.

Et in Spiritum SanctamAnd in the Holy Spirit,the Lord and Giver of life,Who proceeds from the Father and the Son. Who together with the FatherandtheSonisadoredandglorified,and who spoke through the prophets.

Et unam sanctamAnd one holy, Catholic andApostolic Church.I confess one baptismfor the forgiveness of sinsand I await the resurrection of the dead.

Et vitam venturiAnd the life of the world to come. Amen.

SanctusHoly, holy, holy, Lord God of hosts. Heaven and earth are full of Thy glory. Hosanna in the highest.

BenedictusBlessed is He who comes in the name of the Lord. Hosanna in the highest.


Agnus DeiAgnus dei qui tollis peccata mundi, miserere nobis.Agnus dei qui tollis peccata mundi:

Dona nobis pacemDona nobis pacem.

Agnus DeiLamb of God, who takes away the sins of the world, have mercy on us.Lamb of God, who takes away the sins of the world:

Dona nobis pacemGive us peace.

artistiC direCtor’s note

I had the great privilege to be part of the European pre-miereof thiswork in 2006. Towitness Levin’s explana-tions behind why he made certain choices was nothing short of outstanding, and to be led by Maestro Helmuth Rillinginthecohesivereconstructionwasalsoanexperi-ence of a lifetime. No choice that Levin made was with-out respecting sketches and material that Mozart had alreadywritten, albeit in adifferent language and for adifferentpurpose.ToillustratethepainstakingworkthatLevin carried out, he even considered certain choices of instrumentation based on the number of staves that were availabletoMozartinthestaffpaperofthetime!

Mozart completed the Kyrie and Gloria, the Credo in unum deum (lacking trumpets or timpani), the Et incar-natusest(lackingviolinsandviolasexceptfortheintro-duction and postlude), the Sanctus and Benedictus (al-though complete scores have been lost). What Robert Levin “completed” and edited was:

Cum Sancto Spiritu: The vocal cadenza from Mozart’s cantataDavidePenitente,KV469isintroducedasanop-tion–wewilldothisexciting interludeintoday’sperfor-mance.

Credo in unum deum: Gaps in the winds and strings have beenfilledin,andtrumpets,timpani,andtrombonesdou-bling the choir have been added.

Et incarnatus est:ThemissingportionsofViolinsIandIIand viola have been supplied.

Crucifixus: An eight-part double fugue for four-part cho-rus and orchestra has been developed from a 1783 sketch.

Etresurrexit: A four-parts chorus has been derived from a 1783 sketch and a motive from the Credo in unum Deum.

Et in Spiritum Sanctum: Aria for tenor, transcribed from the main section of the aria “Tra l’oscure ombre funeste” fromDavidepenitente,K.469.

Et unam sanctam: A four-part chorus derived from a 1783 sketch.

Et vitam venturi: A four part-fugue based on the counter-subject of the Kyrie.

Sanctus-Hosanna: The double choir scoring has been re-stored, using strict philological criteria, producing a con-sistentchoraltexture intheHosannafugueforthefirsttime.

Agnus Dei: Adaptation of the introduction to “Tra l’oscure ombre funeste” from Davide Penitente, in the original key and scoring.

Dona nobis pacem: A four-part chorus derived from a 1783 sketch.

I think Mozart would be pleased, more than pleased, in fact. Robert Levin made a superb reconstruction that stays true to his original intentions.

Today’sperformanceistheresultofaneffortcoordinatedby Cantabile to involve Boulder’s thriving choral commu-nity. Most productions of this piece since it was complet-ed in 2005 have involved professional groups. It is there-fore important to highlight that, in addition to Cantabile, we have represented many community choirs from the area: singers who share in a love of choral music and who have committed to bringing this piece to life. I hope you enjoythisjourneyasmuchasweallhave!

This program also marks the last time I will have the great privilege of leading Cantabile. The late Maestro Claudio Abbado once said that the more one gives, the more one receives. This is indeed true in music. I am honored to have received the trust of an incredible group of people and for that I am immensely humbled and grateful. Thank you all so much for being here today and for your contin-ued support of Cantabile and the Boulder choral com-munity.

-- Alejandro Gómez Guillén(With fragments from Robert Levin’s preface to the Ca-rus-Verlagfullscoreedition)


SopranoRoxanneBailin*Risa BoozeEvanne BrowneBea FrenchMiriam Hacker Michelle HofmeisterKyongJohnson*LindaJohnson**MarilynKruegel*AnnieLarner*Kamilla Macar KathleenMcCormick**ElizabethMcMillon*Meg MillerKathy Minter MaryO’Brien*Chris Pappas Kim Passmore Sylvie Pennaforte Lisa SmithCarolStanwood*

HayleyStephens*Nancy Trew Sugden Ursula Wade Leanne Walther Léah Weitzner AudreyWindolph*

AltoClaire AmberCathyFrye*Sarah GibsonMaria Teresa Guillén Becerra Cecilia DuarteLindaHaertling*Ruth Harvey Mari JonesLucyKelly*Janet Klemperer DebbieKullby*PamMalzbender*KayNorris*CindyPierce*

Lessa Redding KatjaStokley**Karen Sumey CarolineVanPelt**

TenorMarkBottemiller*AlokeGuha*Jacqueline Hooper BillHorst*JoanneKarpinski*John LambMiki MaygarRob Mitchell DaveNorris*FredPeterbark*JulienSalmon*Tony Stalion Francis Tower Michael Weitzner Dick Williams

BassDougBurger*Don French OrinHargraves*NateHarnack*Doug Hofmeister Joshua HorschJonathanHough**JohnKitching*Jim Lovett Albert Lundell TimO’Brien*PhilRice*Brian Underhill DickVanPelt**TomVoll*Chris Walther GregWerner*

Alejandro Gómez Guillén, Artistic Director Stella Pradeau, Collaborative Pianist

CantaBile festiVal Chorus

orChestraViolinsSarahCranor*Jenny DiazNina FrounjianLeslie HeinzenLuke HillNola MelcherJenny SheaDavid Waldman +

ViolasConrad SclarJulie Threatte Amy TompkinsAlexanderVittal+

CellosMatthieu D’OrdineRobert Erhard +Joey Howe

BassesPaul Erhard+Tyler Honsel

FluteColleen White

OboesCiara GlasheenJordan Pyle

BassoonsDavid Threatte Kristen Goguen

HornsJ.J GroszewChristian Buller

TrumpetsAlexCaselmanMatthew Smith

TrombonesRyanVanGilderWill ShawKiel Lauer

TimpaniJesús Pacheco Manuel

OrganRyan Connell

Rehearsal PianistStella Pradeau

*Concertmaster+ Principal

*Cantabilemember**Cantabilemembernotsinging

A special thanks to Evanne Browne for her wonderful assistance and support with rehearsal preparation and to our own bass Tim O’Brien for creating practice resources for the choir.


Linh Kauffman, Soprano

SopranoLinhKauffmanhasappearedacrosstheUnitedStatesinoratorio,opera,newmusic and musical theater. She recently made her Latin American debut at the Teatro Nacional de Panama. She has been a featured soloist with the Oregon Bach Festival, the University of Minnesota Bach Festival, the Bach Chamber Players of St. Paul, the Weill Music Institute at Carnegie Hall, the California Chamber Symphony and the San FranciscoCityChorus.Ms.KauffmanholdsdegreesfromCarnegieMellonUniversityand the University of Maryland and recently completed her doctorate as a Berneking Scholar at the University of Minnesota.

maria LindSey, Soprano

MariaLindseyisexcitedtobebackinColoradoperformingwithCantabile.Shemostrecently performed the role of Monica in The Medium with Opera Memphis. This past year Maria was seen performing as Frasquita in Carmen with Opera Omaha, and Zerlina in Don Giovanni with Opera Colorado. Past roles include soprano soloist in Poulenc’s Gloria with the Omaha Symphony, 30 Days of Opera with Opera Memphis, Gretel in Hansel and Gretel with Opera Omaha and Barbarina in Le nozze di Figaro with Opera Omaha. She has been a participant in prestigious young artist programs with Opera Theatre of St. Louis in 2012, covering the role of Micaëla in Carmen and singing the role of the Rat Juror in Alice in Wonderland, and The Santa Fe Opera Apprentice program in2011and2009,coveringtheroleofSardulainTheLastSavage,CoryphéeinGluck’s

Alceste and singing opera scenes from Gounod’s Romèo et Juliette and Handel’s Semele. This summer Maria will be a participant in Ravinia’s Steans Music Institute in Chicago, Illinois.

Zachary averyt, tenor

Texas-borntenorZacharyAverytmadehisoperaticdebutin2001asKasparinAmahlandtheNightVisitors.AverytappearsfrequentlyinleadingroleswithHouston’sOperain the Heights where he returned to sing Don Ottavio in Don Giovanni in January of2014.Hehas sung the title roles inHaydn’sTheCreation,Handel’sMessiah,J.S.Bach’sMagnificat,Saint-Saëns’ChristmasOratorio,Mozart’sRequiem,Rachmaninoff’sVespers, andCarlOrff’sepicCarminaBurana.Mr.Averytholdsdegrees fromboththe Shepherd School of Music at Rice University and the Moores School of Music at the University of Houston, and was a 2013 Emerging Artist with Opera New Jersey. He currently lives and teaches privately in Houston and has served on the faculty of the American Festival of the Arts.

david L’hommedieu, BaSS

Frequent appearances across the Front Range as a concert soloist have enabled baritone David L’Hommedieu to cultivate a diverse repertoire. A few recent solo performances includebaritonerolesinOrff’sCarminaBurana,VaughanWilliams’FiveMysticalSongsand Serenade to Music, Dvorak’s Te Deum, Amy Beach’s Canticle of The Sun, Barber’s Dover Beach, Stravinsky’s Les Noces, Messiah, Faure’s Requiem, and Bach’s St. Matthew Passion. Just as at home on the opera stage, David has performed principal roles with Opera du Perigord, Loveland Opera Theater, Colorado Light Opera, The Hillman Opera, and numerous roles with CU Opera where he earned his master’s degree while studying with Patrick Mason. Mr. L’Hommedieu also regularly performs in recital, both locallywithhisrecitalcompanyPhoenixSong,aswellasnationally.


SteLLa pradeau, coLLaBorative pianiSt

StellaPradeauhasbeenCantabile’scollaborativepianistsince1999.ShegraduatedfromtheUniversityofColoradowithaMaster’sdegreeinpianoperformancein1998.During her studies at CU, Stella was a teaching assistant and a winner of the Norris PianoAward.StudyingunderAngelaCheng,Stellawasselectedasasemi-finalistintheHiltonHeadInternationalPianoCompetition in 1997.Asanundergraduate,Stella was a scholarship recipient of Rotary International and studied music in Paris. Presently Stella is a full time mother of three daughters, Chloe, Clara and Lily, and enjoys time at home with her husband, Francois.

aLejandro GómeZ GuiLLén, muSic director

The2013-2014seasonmarksAlejandroGómezGuillén’sthirdandfinalseasonwithCantabileinBoulder.HeisalsoaVisitingProfessoratColoradoMesaUniversityinGrand Junction, and has recently accepted a permanent appointment at the same institutionasAssistantProfessor,DirectorofOrchestrasandProfessorofViolinandViola,startinginFall2014.AlejandrowastheAssociateConductoroftheUniversityof Colorado at Boulder Campus Orchestra, mentor and coach with the Greater Boulder Youth Orchestras. He has also been Associate Conductor of the Boulder Symphony, Music Director of the Colorado Youth Philharmonia and the Mountain ViewChancelChoir,aswellashavingconductedtheJaverianaSymphonyOrchestra,the Spokane Youth Symphony, Fort Worth Symphony Orchestra, the CU Symphony and Chamber Orchestras. Solo appearances include Tolima Conservatory Symphony Orchestra and the Eastern Washington University Symphony among others.

RecentengagementsincludetheEighthSantanderChoralFestival,aresidencywiththeflagshipBatutaprograminhisnativeColombia.HealsorecentlyledproductionsofAmahlandtheNightVisitorswiththeOffBroadwaySchool of Fine Arts in Boulder and Tchaikovsky’s Nutcracker with the Midland-Odessa Symphony Chorale and Ballet. He appeared as concertmaster of the opera orchestra at Amherst Early Music Festival under Gary Thor Wedow, and played in master classes for renowned baroque violinist Stanley Ritchie. He has also traveled to Germany and Italy as concertmaster of the Junges Stuttgarter Bach Ensemble with performances at the Rheingau Music Festival and the Berlin Philharmonie and has appeared as a member of the Festivalensemble Stuttgart with which he premiered the Robert Levin completion and edition of Mozart’s C Minor Mass in Austria and Germany. He has also appeared as leader and concertmaster of the CU Chamber and Symphony Orchestras, as well as the Early Music Ensemble.Alejandro was selected to conduct public concerts of the St. Matthew Passion, the B Minor Mass, and the Christmas Oratorio at the Oregon Bach Festival where he studied with Helmuth Rilling over the course of threedifferentsummers.HereturnstoOBFinJune2014wherehewillworkwithnewArtisticDirectorMatthewHalls and Director Emeritus Helmuth Rilling as one of a handful of conductors selected to lead performances of Bach’s Easter and Ascension Oratorios.

Alejandroreceivedabachelor’sdegreeinViolinPerformancefromTexasChristianUniversitywherehestudiedwithCurtThompsonandMichaelShih,andadualmaster’sdegreeinViolinPerformanceandOrchestralConductingfrom the University of Colorado at Boulder with Judith Ingolfsson, Lina Bahn, and Gary Lewis. His main conducting teachers include Helmuth Rilling and Nicholas Carthy and he is a doctoral candidate in Orchestral Conducting at the University of Colorado at Boulder under the tutelage of his mentor and teacher Maestro Gary Lewis.


Gold ($1,000+)Anonymous

Betty & Robert ShawBall AerospaceKing Soopers

Safeway

Bronze ($100 - $499)June Bailin

Jonathan HoughTim & Mary O’Brien

Phil RiceShmuel Shottan

Kay & Dave Norris

Patron ($25 to $99)Nola Melcher

thanK you!

Thanks to the generous support of our donors,Cantabileisabletoofferoursingers, our audience members, and our communityexcellentperformancesofthefull range of choral music. We invite you to help us continue this great tradition by making a charitable contribution at cantabilesingers.org/support.

Cantabile also receives funding from the ScientificandCulturalFacilitiesDistrict.

The Cantabile Festival Chorus represents singers from the following choral organizations:Ars Nova

Boulder Bach FestivalBoulder Chorale

Colorado Music Festival Chorus

Renaissance ProjectRocky Mountain Chorale

VariousChurchChoirsinBoulder,CO

Thank you to our donors for their generous support of Cantabile.


Hannah was the Assistant Conductor of the University of Colorado University Singers and University Choir, starting in 2012, and has been Director of the Mount Calvary Festi-valChoirsince2010.Infall2014,shewillactasConductoroftheUniversityofColoradoWomen’s Choir, as well as directing the inaugural season of the University of Colorado Renaissance and Madrigal group. Hannah’s previous appointments include Director of University of Colorado Collegiate Chorale, Boulder Aria Singers, and the St. Martin’s Chamber Choir Mark Sheldon Conducting Intern. This year, Hannah co-founded the Summer Lab Choir, a new ensemble at the University of Colorado devoted to the devel-opment of undergraduate conductors.

RecentengagementshaveincludedclinicswiththeLasVegasAcademyoftheArtsAcad-emySingersandBellaVoz,andworkshopswithensemblesaroundtheareaandthrough-

out the country.

HannahreceivedherBachelor’sdegreefromGustavusAdolphusCollegeinSt.Peter,MNinVocalPerformance.In2012shereceivedherMasterofMusicDegreeinChoralConductingwithaVocalPerformanceEmphasisfromthe University of Colorado in Boulder, where she studied with Dr. Larry Kaptein and Dr. Patti Peterson, and is currently pursuing her Doctorate of Musical Arts Degree in Choral Conducting at the University of Colorado with Dr. Greg Gentry.

HannahisexcitedtobeCantabile’sArtisticDirectorbeginningthisfall.

Cantabile WelComes HannaH WunsCH!


Tonight’s performance is bitter sweet for Cantabile. We say

goodbye to an awe inspiring musician, our leader and most of all, our friend. Tonight marks the end of Alejandro Gómez Guillén’s tenure as Music Director of Cantabile. We knew when we invited him to lead us four

years ago, that Alejandro we was destined to move on as a violinist and conductor. But the years have gone by so quickly and they were filledwithamazingmusicandwonderfulfriendships.WearesorrythatashisbatongoesdownwithourfinalperformanceofMozart’samazing mass it will also go down on his time with Cantabile.

Alejandro Gómez Guillén became Cantabile’s Music Director in2010and fromourfirst rehearsalwith thisyoungand inspiringconductor,weknewthatwewereinforanexcitingride.Alejandrohasintroducedustonewmusic,newvocalexperiencesandmostofall, new awareness about ourselves as musicians. He helped us to improve “the Cantabile Sound” and made us believe that we could findourmusicdeepwithinus.

In addition to being an inspiring conductor, Alejandro’s knowledge of choralmusictookinusnewdirections,exploringalltypesofmusic.Alejandro challenged us with Brahms’ Zigeunerlieder, Andrew Lloyd Webber’s Requiem and even the Beatles. We performed American spirituals supported by the heart and soul of Fred Peterbark and were awed as we accompanied the tender bow of Geraldine Walther’sviola inVaughanWilliamsFlosCampi.AlejandrosharedhisemotionandprideforhishomeinourperformanceofDeVallesy Montañas, which was a collection of challenging pieces from Venezuela,BrazilandAlejandro’snativecountryofColombia.

Alejandro was always happy to share our music with the community.

He led us at many “open rehearsals” at the Academy and Frasier Manor retirement communities and supported us in our fundraiser screening of The Estonian Revolution. He lead us at The Estes Park Music Festival and at a Boulder Art Commission kickoffconcertinthelobbyof Boulder’sWhole Foods!Perhaps the most inspiring of Alejandro’s community projects with Cantabile was his work with the preschool-aged children and Longmont’s Wild Plum Center. This Headstart program provides early childhood education and developmental services to low-income families in the Longmont community. For sixweeks,Alejandromadeweeklytripstothecenteronweekday

mornings, taking time offfrom his busy CU schedule. With the help of Cantabile volunteers he worked with some 50 four-year-olds to teach them rhythms, basic pitch memory and finally,three short pieces that they sang at our Longmont

performanceofDeVallesyMontañas. Itwasinspirationaltoseethe little boys watch Alejandro’s every move and try to emulate him onstage.Hisworkmadesuchadifferencetoeachofthem.

So tonight we wish a friend “farewell.” We know that you will be traveling the world sharing your talents with musicians and audiences. Wearegratefulthatyousharedfourspecialyearswithus!

A special tribute to Alejandro Gómez Gullién

Farewell, Alejandro.

2010-2011December In The Spirit of JoyFebruary Old World, New WorldMay Feminae

2011-2012November Flos Campi with the Geraldine Walther The Soul of Cantabile at Estes Park Music Festival February Andrew Lloyd Webber’s Requiem

May De Valles y Montañas Wild Plum Center benefit performance of De Valles y Montañas featuring the Wild Plum Center Kids2012-2013November Highlights of Gypsy Living at Estes Park Music Festival Gypsy LivingFebruary Bach in BriefMay Arvo Pärt Berlin Mass

2013-2014November New Millennium: Spanning Generations Hempel Hall Estes Park New Millennium: Spanning GenerationsFebruary Beatles & SpiritualsMay Mozart C minor Mass: Robert Levin Anniversary Edition

AlejAndro’s legAcy


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alejandro gómez guillén, artistic director mozart’s great ... wolfgang amadeus mozart 1756-1791...

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