albenaa 267

lI «Ë rO «d K W UJ Ë WO � …—uD …b b U M ÕdD s usðuł U½U¼œ

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202 Albenaa ¡UM³�« ≤∞≤

W?�UŠ w?� V?NK�« —U?A²½« l?M1 V?Š p�–Ë ¨o?¹dŠ ÀËb?Š

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200 Albenaa ¡UM³�« ≤∞∞


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199 Albenaa ¡UM³�« ±ππ

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Geosynnthetics Rowadgeo builds on strength in region ROWAD International Geosynthetics Company (Rowadgeo) of Saudi Arabia has in four years produced and distributed more than 30 million sq m of geomembranes and continues to gain strength in the global market. Following its success in the region, the Dammam-based company now itends to expand with plans for a second production line.Rowadgeo was set up with the primary objective of preserving water resources and ensuring that these resources are kept free from contamination by producing geomembranes that prevent the leakage of fluids.According to Rowadgeo’s chairman Mohammed Zamil Al Laabon, the firm was born out of a concern for the environment. “When we studied the environment of the Gulf region, we realised how important it is to preserve water and other natural resources in order to protect our environment, and that is why we decided to employ our strength and philosophy to produce polyethylene (PE) geomembranes under the Rowad brand.” These geomembranes play a primary role in preventing water contamination and thus waterborne diseases that have claimed the lives of about 1.7 million people across the world, according to Laabon. “Waterborne diseases can effectively be avoided by simply taking precautionary steps to stop contaminated water mixing wiith ground water; this can be done using low permeability HDPE (high-density polyethylene) geomembranes, which provide that most cost- effective and viable solution,” he says.Geomembranes – one of the range of geosynthetics used to solve civil engineering problems – are waterproofing materials widely used to contain solid waste leachate (such as landfill liners), mining, and water applications. Typical applications include landfill, landfill caps/closures, lagoon and pond liners, floating covers, solutions ponds for mining,

Rowadgeo products ... used in diverse applicationsRowad International Geosynthetics Company

retention ponds, waste water treatment facilities, potable water reservoirs, tank and canal linings, mining heap leach pads, and secondary containment for above-ground storage tanks. Rowadgeo was launched in 2006 by the Saudi conglomerate Tasnee, the second largest petrochemical manufacturer in Saudi Arabia. Its state-of-the-art plant in Dammam Second Industrial City houses a three-layer film blown extruder, producing all common types of PE geomembrane in a width of 8 m and thicknesses ranging between 0.5 mm and 3 mm with a smooth surface or with texture on one or both sides in order to improve the coefficient of friction. General manager Turki Al Nashwn, who frequently travels to meet customers and finalise major global projects, says: “We use 100 per cent prime grade resin from the world’s most reliable resin producers. Premier quality, competitive price, and prompt deliveries are our promise to all our customers.” In order to meet the growing demand, we have decided to set up the second production line as soon as possible,” he adds.Major applications for geomembranes in the GCC countries are municipal solid waste (MSW) landfill projects, water and waste treatment plants, evaporation ponds, lagoons, and the fish and shrimp farming and mining industries. Rowadgeo has successfully supplied and installed its products in several prestigious projects in Saudi Arabia including the Old Jeddah landfill, the Najran landfill for mining and a Ministry of Water and Electricity project at Al Qassim. “Some countries treat waste landfills

as dumpsites causing unforeseen and irreparable damage to people’s lives and the environment. But now, with more awareness, government authorities worldwide are allocating increasing funds for environment protection on a long-term basis,” Nashwn says. To ensure that Rowadgeo’s products match international standards, the company adopts strict quality checks and has its own accredited laboratory. “There is no compromise in terms of Rowadgeo’s quality,” says Asad ullah Khan, plant manager. “We adopt consistent quality control checks throughout the production process and strictly adhere to GRI standards to ensure the satisfaction of our customers, who are becoming more quality-conscious. Our products are approved by Saudi Aramco, Saudi Basic Industries Corporation (Sabic), Ma’aden and Ministry of Water and Electricity and all municipalities.” Rowad’s laboratory has received accreditation from Geosynthetics Research Institute (GRI) in the US, which assures the company’s clients that all its products meet or exceed the global standards of GRI GM 13 for HDPE and GM 17 for LLDPE (linear low-density polyethylene) and all the data derived from appropriate tests are conducted on properly calibrated equipment in a controlled environment.“That is why Rowad Geomembranes, the pioneer in the manufacture of geomembrane in the GCC, is the first choice of all government-approved projects in not just Saudi Arabia, but also in many of the regional countries,” he adds.


OASE Multimedia & Musical Fountain DesignOase is the leading conceptual design and planning company in multimedia and musical water fountain shows. For decades, OASE has stood for creative design using water. Based in Germany, OASE has developed into a global player with subsidiaries in United Kingdom, USA, Singapore, Poland, Belgium, France, Hungary, Spain, Turkey and China. The regional headquarters in Asia pacific, located in Singapore, is also the Global Design Center consists of a multidisciplinary team of talents to deliver impressive water effects that seeks to entertain and value add to our customer’s projects.OASE provides a wide range of water fountain and water feature design, construction and conceptualization.OASE projects and services include multimedia fountain design, musical fountain planning, dancing fountain designs, water fountain show and water entertainment conceptualization.From design consultancy to full spectrum of component manufacture and supply and project management, OASE is your expert partner.Meat our team. Our expertise, teamwork, passion and commitmentto quality design bring water to life.

Design Consultancy We provide design concepts in the forms of life-like visuals- Computer animations or imagery perspectives to facilitate our client’s understanding of the design proposal. OASE will create perspectives, in accordance to the available site information and will closely examine the details, lighting, acoustics and unique water effects that could be created to fit the space and activities designated for the site. We could also provide a budgetary cost for an estimate for the supply and installation work of the water features.

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The history of compact excavator is synonymous with YANMAR’s excavator history. Since YANMAR introduced the first compact excavator to the market in 1971, YANMAR has always taken the lead in the industry. With Zero Tail Swing, progressive pump system, ViO Crawler Technology and simple positioning and repositioning operation, Yanmar compact excavators are able to do the job much faster and in a simple way. While Backhoe loaders consumes more time in positioning and repositioning resulting in slower job. Therefore, the productivity of Yanmar Compact Excavators is high and ensured. Saving Time, Labor and Money is one of the benefits of YANMAR Compact Excavators:Save TimeWhen contractors complete the project before the deadline utilizing new technologies and machines such as Yanmar Compact Excavators.Save LaborContractors can replace or reduce manpower by using modern machines.Save MoneyUsage of compact machines can reduce operational cost such as fuel consumption. Further saving of time and labor, saves money!Suiting the GCC Environment: All Yanmar Com for GCC are specially designed and manufactured at Yanmar Japan factories to match with the environmental conditions. All Yanmar are manufactured with in Yanmar’s plant to ensure high quality control.

YANMAR’s excavator .. high quality control

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مفاهيم وأساليبجديدة لمواد البناء

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تفاصيل معمارية

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Architects of Invention ∫ rLB*«UOł—uł ? UJ¹“ô ∫ l�u*«lÐd� d²� ±μ∞∞ ∫ WŠU�*«

fOKšUÝ ULO½U�U½ d¹uBð qLF� ∫ —uB*«

أشكال عائمة وإحساس مستقبلي

مبنى بلدية الزيكا

135 Albenaa ¡UM³�« ±≥μ

The ISUZU SAUDI ARABIA KD project has been constructed on a land lot of 44,336 square meters in 2nd Industrial Area, Dammam. The project construction period was 10 months and the Construction started from February 04, 2012 and it was completed on December 03, 2012. The Project total cost is approximately SR40Million. The first vehicle was manufactured and inaugurated on 12th December 2012 by His Excellency Dr. Tawfiq Foozan Al-Rabiah, the Minister of Commerce and Industry.Gulf Consult (Architects and Engineers) are the designer and Project Management Consultant of this prestigious project which was completed in record time under the guidance and support of ISUZU MOTORS Japan and MODON (Saudi Industrial Development Authority).Gulf Consult (Architects and Engineers) earlier in year 2011 completed the Detailed Design of this project with the team of highly qualified and dedicated team of engineers and managers. Subsequently, Gulf Consult (A & E) were also given the responsibility of Project Management and Supervision to ensure the timely completion of High standard of Quality construction that was set forth for this Landmark project of Automobile Industry in Kingdom of Saudi Arabia.Gulf Consult (A&E) deployed a team of Eight Construction Management and Supervising Engineers to complete this task in record time of 10months which includes the Production trial period of Two (2) months for ensuring the first Vehicle “Made in Saudi Arabia” could be able to meet high international standards of Vehicle Manufacturing.Eastern Trading and Contracting Division (ETE) were the main contractor of this project and their scope include Civil/Architectural Works, Electrical Works, Mechanical Works, and Utility Services & Landscaping.The factory consists of Factory Building, Office Building, De-vanning Shelter, Guard Room, Pump and SCECO Room, car Pool Area, Road & Pavement Works and General Landscaping.The erection of Pre Engineered structures was done by Project Build Company (PBC), who erected the Pre-Engineered building supplied by Zamil Steel.

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Straight lines & Modern Design

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Reception ‰U³I²Ý≈

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خطوط مستقيمة وتصميم معاصر

مصنع ايسوزو السعودية

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مكتب ظليلية ل�ستشارات المعمارية

تصاميم داخلية وحياة أسرية

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مقترحات لتطوير الطرق والجسور

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l³M¹Ë qO³'UÐ WOJK*« W¾ON�« ∫ p�U*«tJ¹dýË p−¹≈ W�dý ∫ rLB*«

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ÆwMJÝ —uD²� …œuLKł w UNÐ W?KŠd*« ? q?O³'UÐ W?¹d×³�« …b?ŽUI�« ŸËd?A� ? μ w½U³*«Ë WO²×²�« WOM³�« ŸËd?A*« sLC²¹ ∫v�Ë_«

Æl�uLK� œËb(« d¹u�ðË WOKš«b�« ‚dD�«Ë

خدمات هندسية متكاملة

مشاريع للهيئة الملكية في الجبيل

WOŽUMB�« qO³'« WOK�

W¹œuF��« qO³'UÐ ”—«b� WŽuL−� ¡UA½≈

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vÝu*« e¹eF�« b³Ž aOA�« ∫ p�U*«Êu¹—UA²Ý« ÊuÝbMN� ? r×K*« d�U½ V²J� ∫ rLB*«

œUý— bOÝ ÆÂ ¨ÍdOIA�« bLŠ√ ÆÂ ¨wA³Š Â“UŠ ÆÂ ∫ rOLB²�« o¹d�d³)« ∫ l�u*«

≤Â μ∞∞∞ ∫ WŠU�*«

المقترح الثاني “ËU−²�Ë U¹«Ëe�« ŸuM²�Ë 5�—Ë ΔœU¼ w²×½ qOJAð l� W¹—«œô« w½U³*« W?ODLM� …œU²F*« V�«uIK� Î UO?ÝbM¼ d³√ ⁄U³Ýù W¦¹b(« WOzU?A½ô« œ«u*« s� …œUH²?Ýô« vM³LK� wł—U)« s¹uJ²�« vKŽ WŁ«b(« s� sJ2 —b?� w�dše�« qOJ?A²�« «– WO½bF*« dzU²?��« ‰ö?š s� w?ÝUÝ_« włUłe�« qOJ?A²�« l� WLz«u²*«Ë Y¹b(« s� dzU²?��« ÁcN� ÂU¼ wHOþË —Ëœ d?�uð l� v?M³LK�ÆÍ—«d(« qL(« iOH�ðË fLA�« Z¼Ë …b( d�

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المقترح ا�ول WŁ«b(UÐ r?�²¹ ÍbOKIð d?Ož qJ?ý sŽ Y×³�« WOzUA½ô« WLE½ô« w� qzUN�« —uD²�« s� Î «bOH²�� U¹u²?�*« „d% ‰öš s?� W?O³²J*« w?½U³LK� vM³*« e�d� ‰uŠ w�U²²� qJ?AÐ vM³LK� WOI�ô« WO³²J*« w½U³LK� Íb?OKI²�« qJ?A�« s� ÃËd�K� W¹uO(« s� —b d³�√ ¡UH{ùË ÎUOł—UšË ÎUOKš«œ vM³LK� wł—U)« qOJA²�« w� ÍdB³�« ŸuM²�«Ë

ÆqŁUL²� dOž wJO�UM¹œ s¹uJð w�

بين الحداثة و التشكيل الرصين

مقترحان لمبنى مكتبي

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The health care remains at the forefront of requirements needed by the human. Health is a crown on the heads of healthy people, as a wise man said: “A sound mind in a healthy body”, and it is a motivation for progress and prosperity of the human and gives him comfort and tranquility to exercise his career freely.The health architecture or hospitals architecture is characterized by pure functionality that is a mere from architectural or aesthetic form because the designer deals with the building as a tool that human error or other errors are not allowed in it.The hospital designs have been developed, and hospitals have become for convalescence, psychological comfort and relaxation, not only for healing and operations, so that the human can regain his mental and body strength and exercise his life through a type of activity.This building comes out of the usual framework of hospitals and achieves simplicity, convenience and purity, as it appears pure architectural composition away from fabrication. It accommodates 100 beds, and the royal wings have been allocated at an advanced level, taking into account ease of design and the movement for the convenience of patients and visitors. It reaches the level of services offered by prestigious hotels for human.

—eM�« wKŽ 5�Š Æœ ∫ p�U*«tOÝbMN�« «—UA²Ýö� ÁuHB�« —U¹œ V²J� ∫ rLB*«

t¹—uÐ√ bL×� ÆÂ ¨s¹b�« Õö� ÂdJ� ÆÂ ¨w½«d¼e�« wKŽ Ê«dCš ÂÆœ ÂU�b�« gO½—u ? ÂU�b�« ∫ l�u*«

≤Â ≤≤μ∞ ∫ ÷—ô« tŠU��≤Â ±¥∞∞ ∫ ŸËdA*« tŠU��

Dar Al-Afiyah Hospital

Psychological Comfort & Elegance in Design

w²�« U³KD²*« W�bI� w� WO×B�« W¹UŽd�« vI³ð ”Ëƒ— vKŽ ÃUð W×B�U� ¨ÊU�½ù« UNO�≈ ÃU²×¹ ¨rOK��« r?�'« w� rOK?��« qIF�«Ë ¨¡U×�_« ÊU?�½û� w?�d�«Ë Âb?I²�« v?KŽ Y?ŽU³�« w?N� tðUOŠ W?Ý—UL* W?MO½QLD�«Ë W?Š«d�« t³?�JðË …—ULF�« r?�²ðË ÆW?¹dŠË W�öÞ qJ?Ð W?OKLF�« W?OHOþu�UÐ UOH?A²�*« …—U?LŽ Ë√ W?O×B�« Ë√ Í—U?LF� qOJ?Að Í√ s� …œd?−*« W?�dB�« vM³*« l� q?�UF²¹ rLB*« Ê_ Æq?F²H� w?�ULł Í√ Ë√ ÍdA³�« QD)UÐ UNO� `L�¹ô …«œ¬ Ë√ W�P Êü« —uDð bI� ÆÁ—bB� ÊU ULN� dc¹ Q?Dš —Ëœ UN½u s� XłdšË UOH?A²�*« rO�UBð

WŠ«d�«Ë W¼UIMK� —Ëœ v?�≈ UOKLF�«Ë ¡UH?ýû� ÊU�½ù« lOD²?�¹ v²Š ÂUL−²Ýô«Ë WO?�HM�« ”—U1Ë W¹b�'«Ë WO?�HM�« Á«u� bOF²?�¹ Ê√ s� Ãd�¹ vM³*« «cN� Æ◊U?AM�« s� ŸuMÐ tðUOŠ WÞU?�³�« oI×¹Ë UOH?A²�LK� œU²F*« —U?Þù« Í—ULF*« t?M¹uJð dNE¹ U?L ¨¡UIM�«Ë W?Š«d�«Ë ±∞∞ l?�¹ u¼Ë Æ‰UF²�ô« sŽ bF³¹ Íc�« wIM�« W?×Młú� —«Ëœ√ t?Ð X?BBš b?�Ë ¨ d¹d?Ý W�uNÝ UNO� wŽË— —uD²� Èu²?�� vKŽ WOJK*« ¡ôeMK� WŠ«d�« dO�u²� Wd(« …UŽ«d�Ë rOLB²�« Èu²?�� v�≈ UNðU�bš w� qBð wN� ¨—«Ëe?�«Ë

ÆWO�«d�« ‚œUMH�« UN�bIð w²�« U�b)«

Ground floor planReception w{—_« —ËbK� wI�_« jI�*«‰U³I²Ý≈

Second floor plan w½U¦�« —ËbK� wI�_« jI�*«Seventh floor plan lÐU��« —ËbK� wI�_« jI�*«

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راحة نفسية وأناقة في التصميم

مستشفى دار العافية

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The building appears as being divided into two parts when we head to the top, as the upper extended block seems to be apart from the rest of the building in which the larger block, that forms the base with office building, looks as one block.The idea here suggests visual flexibility and provides a simple neighborhood but different from the trends that we see in the region, which tend to create visually not understandable, large and huge blocks.The project is located in the north of the city of Khobar at Prince Sultan bin Abdulaziz Street, which is one of the most vital roads in the region, while the site is characterized by being close to the main roads linking Khobar with Dammam and Dhahran, as well as its closeness to the service areas.The total area of As-Saeed Plaza project land is about 3000 square meters. The project consists of 14 floors, in addition to the basement, which contains a parking with other services. Also, the project consists of trade fairs, while other floors will contain 76 housing units with different designs and spaces, and the project has a green area and upper gardens in the middle in order to create a healthy atmosphere suitable for the accommodation overlooked by most of the project elements and is considered a link to all of these elements. The recreation center with its all elements is located at the same floor of the green area, in addition to children’s play area and the coffee shop. In general, the idea expresses the fine flexibility that can be employed by designers in office and residential towers in order to be different and achieve a type of configuration, which seemed to be missed in our contemporary cities.

Al-Saeed Plaza

Flexible Blocks & Sculptural Formation

Í—UIF�« —UL¦²?Ýû� ¡«dŁ W�d?ý ÂuIð ·u?Ý lÐU²�« «“öÐ bOF?��« ŸËd?A� cOHMð w� ¡b³�UÐ p�–Ë ©uJýU�® WCÐUI�« bOF��« Ê“U� WŽuL−* ¡UN²½ù« r²¹ Ê√ v?KŽ Â≤∞±≥ ÂUŽ nB²M� w?�

ÆÂ≤∞±¥ ÂUŽ W¹UN½ w� ÁcOHMð s� ULK� 5L?�� v�≈ r?�IM¹ t½Q�Ë v?M³*« d?NE¹ UOKF�« W?K²J�« dNEð Y?O×Ð v?KŽ_« v�≈ U?MN&« w� Vždð UN½Q�Ë vKŽ_« v�≈ …b²L*«Ë WIO?ýd�« WK²J�« tO� dNEð w²�« vM³*« w�UÐ sŽ ‰U?BH½ô« UN½Q�Ë vM³*« l?� …bŽUI�« qJ?Að w²�« …d?O³J�« w?ŠuðË W?¹dBÐ U?M¼ …d?JH�« Æ…b?Š«Ë W?K²� sŽ UHK² � t?MJ� Î UDO?�Ð ÎöŠ Âb?IðË W?½Ëd*UÐ u×Mð w²�«Ë W?IDM*« w� U¼«d½ w?²�« UNłu²�« U�uNH� d?OžË WL {Ë …d?O³� q²� oKš u?×½ d³)« WM¹b� ‰UL?ý w� ŸËd?A*« lI¹ ÆU¹dBÐ Íc�« e¹eF�« b³Ž sÐ ÊUDK?Ý dO�_« Ÿ—Uý vKŽ UL� ¨WIDM*« w?� W¹uO(« ‚d?D�« r?¼√ s� b?F¹ w²�« W?�Ozd�« ‚dD�« s?� tÐdIÐ l?�u*« “U?²1 W�U{ùUÐ Ê«dNE�«Ë ÂU�b�UÐ d³)« WM¹b� jÐdð

÷—√ WŠU?�� ÆWO�b)« oÞUM*« s?� tÐd� v?�≈ Î U?³¹dIð ≤Â ≥∞∞∞ «“ö?Ð bOF?��« ŸËd?A� Íc�« u³I�« v�≈ W?�U{ùUÐ —Ëœ ±¥ s� Êu?J²¹Ë W?�U{ùUÐ «—UO?��« n?�«u� v?KŽ Íu?²×¹ vKŽ ŸËd?A*« Íu²×¹ UL� ¨Èdš_« U?�b K� —«Ëœ_« U�√ ¨w{—_« —Ëb�« w� W¹—U& ÷—UF� WHK² � WOMJ?Ý …bŠË ∑∂ vKŽ Íu²% Èdš_« WIDM� ŸËdA*« jÝu²¹Ë UŠU�*«Ë rO�UB²�« lM� w� W³ž— p?�–Ë W¹uKŽ o?z«bŠË ¡«dCš VKž√ UNOKŽ q?Dð sJ?�K� WLzö� WO×� ¡«uł√ lOL' j?Ð— q�UŽ d?³²F¹Ë ŸËd?A*« d?�UMŽ lOL−Ð w?NO�d²�« e�d*« l?I¹Ë Æd?�UMF�« pKð ¡«dC)« WIDM*« Èu²?�� fH½ vKŽ Ád?�UMŽ Æv?NI*« Ë√ ‰U?HÞ_« »U?F�√ W?IDM* W?�U{ùUÐ WOKOJA²�« W½Ëd*« sŽ …dJH�« d³Fð ÂUŽ qJ?AÐË Ã«dÐô« w?� ÊuLLB*« UNHþu¹ Ê√ s?J1 w?²�« —«dJ²�« sŽ ÃËd)« qł√ s� WOMJ?��«Ë WO³²J*« sŽ VOG¹ √bÐ Íc?�« qOJ?A²�« s� Ÿu½ oOI×²�Ë

Æ…d�UF*« UM½b�

Êu¹—UA²Ý≈ Êu¹—ULF� ÊU�—√ ∫rLB*«WCÐUI�« bOF��« Ê“U� W�dý ∫p�U*«

d³)« ∫ l�u*«lÐd� d²� ≥∞∞∞ ∫ WŠU�*« w�ULł≈

Ground floor plan w{—_« —Ëb�« jI��Fifth floor plan f�U)« —Ëb�« jI��

Second floor planThirteenth floor plan

Fourteenth floor plan

w½U¦�« —ËbK� wI�_« jI�*«dAŽ Y�U¦�« —Ëb�« jI��

dAŽ lÐ«d�« —Ëb�« jI��

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كتل مرنة وتشكيل نحتي

السعيد بالزا


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Êu¹—UA²Ý« ÊuÝbMN� Êu¹œuF��« ÊuLLB*« ∫ Í—UA²Ýô« V²J*«WO�dA�« WIDM*« ∫ l�u*«

كيمانول

W¹œuF?��« b¹U¼b�U�—uH�« U?OzULO� W�d?ý® UI²?A� l?OMB²Ð Âu?Ið ©ÎUIÐU?Ý …œËb?;« «bON¹b�U�—uH�« q?¦� ¨…œu'« WO�UŽ ‰u?½U¦O*« b?O¼b�U�—uH�« UI²?A�Ë¨ W?OzU*« U?¹—uO�«Ë WHK²*« WOMO�_« U−Mð«d�«Ë ¨…“U²L*« s?z«bK�«Ë …bŽ v? W�U¼ U�«b²?Ý« U?N� Êu?J¹ v?²�«Ë «dC×²�*«Ë WOŽ«—e�« …bLÝ_« q¦� ôU−� WDO?Ýu�« U?³�d*«Ë U?³¹c*«Ë W?O½ôbOB�« ‚—u�«Ë pO²Ýö³�«Ë VA)« WŽUM�Ë UMO�ú�«Ë

ÆW³KB�« Włe�_« s� WHK²� Ÿ«u½√ ÃU²½≈ËWO½U¦�« WOŽUMB�« qO³'« WM¹b� ∫l�u*«

موديكور

WO�UŽ WO³?A)« —uJ¹b�« Õ«u?�« lOMB²Ð Âu?Ið W¹—«b'« UNł«uK� WO*UŽ UH�«u0Ë …œu'«

Æ©tO�—U³�«® UO{—ô«ËÆWO½U¦�« WOŽUMB�« qO³'« WM¹b� ∫l�u*«

قرية القصيبي السكنية

wMJÝ lL−� w¼ w³OBI�« nÝu¹ aOA�« W¹d� w½U³� WGO� ÁƒUDŽ« - YOŠ ¨eO2 rOLBð Ë– μ∞ v?KŽ l?L−*« Íu?²×¹ ÆÍd?−(« d?BF�« W�Uš W?OzU� …UM� b?łu¹ U?L� ÆWOMJ?Ý …bŠË o«d*« iFÐ Íu% WOŽUM� …d¹ełË l?L−*UÐ o¹dÞ sŽ lL−*« w²HCÐ qB²ð U¼—ËbÐ w²�«Ë vKŽ U?C¹« lL−*« Íu?²×¹ ÆW?OŽUM� —u?�ł

ÆÈdš« U�eK²��Ë VŽö� ÆÂU�b�« WM¹b� ∫l�u*«

‰u½ULO� W�dý dI�

WOMJ��« w³OBI�« W¹d�

—uJ¹œu� lMB�

118 Albenaa ¡UM³�« ±±∏

Êu?LLB*« V?²J� n?ÒK� ≤∞±± ÂU?Ž w?� ‰ULŽôUÐ WOÝbMN�« «—U?A²Ýö� Êu¹œuF�« w½U³� – ÂuOM�u�ö� ÊœU?F* WK�UJ�« WO?ÝbMN�« ≠©lOMB²�« ◊uDš ·öš® UNðUI×K�Ë …—«œô« ¨W¹—ULF*« r?O�UB²�«Ë ‰ULŽô« s?LC²ð w²�«Ë

ÆU¼dOžË WOJO½UJO*«Ë WOzUÐdNJ�« ¨WOzUA½ô« w?ÝbMN�« rOLB²�« ‰ULŽ« Ê« Ê« d�c�UÐ d¹b'« ¡UM³�«Ë ¡U?A½ô« ‰ULŽ« l� Í“«u²�UÐ r?²ð X½U�

WOKLŽ √b?³²� p?�–Ë ©l¹d?Ý —U?� ŸËd?A�®UN� œb;« X u�« w� wŽUMB�« ÃU²½ô«

W�dý W¹œuF�« WOÐdF�« WJKL*« W�uJŠ XÝ√ ÷dGÐ ©ÊœU?F�® W¹œuF?�« WOÐdF�« s?¹bF²�« w� wM¹bF²�« ◊U?AM�« t?łË√ nK²�� W?Ý—U2 W�d?A�« X?½U�Ë ÆW¹œuF?�« W?OÐdF�« W?JKL*« s� ©• μ∞® Õd?Þ q³ W�ËbK� q�UJ�UÐ W?�uK2 w� ÂUF�« »U?²²�ö� Â≤∞∞∏ ÂU?Ž w� UNLN?Ý√

مشاريع صناعية و سكنية

عمارة صناعية بحس معماري

Æ©‰Ë«bð® ÍœuF�« rNÝ_« ‚uÝ∫Âu??O½u*« ÊœU??F�

ŸËdA� ‰öš s� «uJ�√ Ë ÊœUF� W�d?ý ·bNð ©±∞[∏® t?²LO mK³ð Íc?�« „d²?A*« Âu?OM*ô« WOÐdF�« WJKL*« œ—«u� ‰öG²Ý« v�≈ —ôËœ —UOK� w� ̈ÂuOM*_« ÃU²½ù X¹U�u³�« s� W¹œuF?�« ÂuOM*_« ÃU²½ù r?�UF�« w� q�UJ²� lL−� d?³�√ÆWO*UF�«Ë WOK;« ‚«uÝ_« v�≈ Ád¹bBð rŁ s�Ë

ÂuOM*ö� ÊœUF� …—«œ≈ wM³�

117 Albenaa ¡UM³�« ±±∑

The housing ideas between residential villas inside the compound or apartments in the buildings are varying now, but the idea of providing services in one place may suit the residents as it facilitates their affairs. This residential-commercial complex consists of shops, trade fairs, cafeterias, restaurants, and play areas for children through the building base surmounted by two parallel rectangular towers containing apartments.The project consists of eight floors; a basement, second ground floor as parking lots, and first ground floor divided into trade fairs, while the mezzanine consists of cafeteria, restaurant and play area for children. From the first up to the fourth floors, they are divided into two parts; each one has six apartments with different spaces and each apartment has three bedrooms, a kitchen, a bathroom, a living room, and a dining room, and hall reception for guests.The complex building appears directly as the business offices and trade fairs in the first floors and reflects housing on the upper floors, while maintaining privacy through the creation of private entrances to the residents.The diversity of facades comes through the use of repetition of unity, rhythm and harmony with the glassy flat which contains the living and reception halls to freely enjoy the view on the outside.Entertaining, sport and relaxation are demanded in modern housing, and this is reflected by the residential-commercial complex, which achieves visual symmetry through its facades when you look at them and confirm their presence remotely through repeated architect rhythm, simple language of architectural vocabulary and elements, and diversity in the area of the shape and openings.

WOÝbMN�« «—UA²Ýö� ÍdDI�« ∫ rLB*«≤Â ¥¥∞∞ ∫ WŠU�*«

WO�dA�« WIDM*« ∫ l�u*«Residential & Commercial Complex

Visual Symmetry & Architectural Rhythm

Section thru the entrance

Typical 1- 2 - 3 - 4 floor plan

Ground floor plan

qšb*UÐ —U� ŸUD�

lÐ«d�« v�≈ ‰Ë_« —Ëb�« s� wI_« jI�*«

w{—_« —ËbK� wI_« jI�*«

116 Albenaa ¡UM³�« ±±∂

WOMJ?��« öOH�« 5Ð sJ?��« —UJ�√ Êü« ŸuM²ð sJ�Ë ¨ d?zULF�« w?� oI?A�« Ë√ l?L−� q?š«œ U0— b?Š«Ë ÊUJ?� w?� U?�b)« d?�uð …d?J� s� rNðUłUŠ ¡U?C� W?I¹dÞË ÊUJ?��« r?zöð lL−*« «cN� ¨ r¼—u�√ qN?�ð wN� ¨ bŠ«Ë ÊUJ� ÷—UF*«Ë ö;« 5Ð lL−¹ Í—U−²�« wMJ��« tO�dð sU�√Ë rŽUD*«Ë U¹dO²�UJ�«Ë W¹—U−²�« U¼uKF¹ w?²�« vM³*« …b?ŽU� ‰ö?š s� ‰U?HÞ_« ÊU¹u²×¹ qJ?A�« 5KOD²?�� 5¹“«u²� 5łdÐ s� ŸËd?A*« Êu?J²¹ ÆWOMJ?��« oI?A�« v?KŽ i?HM� w?{—√ —ËœË u?³� —Ëœ —«Ëœ√ ÊU?LŁ

r?�I� ÍuKŽ w{—√ —ËœË «—UO?��« ·u�u� rCO� 5½«eO*« —Ëœ U?�√ ¨W¹—U& ÷—U?F� v�≈ W³?�M�UÐË »U?F�√ W?IDM�Ë r?FD�Ë U?¹dO²�U r?�IMð wN� lÐ«d�« v?²ŠË ‰Ë_« s� —«Ëœú?� WHK²� WOMJÝ oI?ý ∂ tÐ ULNM� q 5zeł v�≈ a?³D�Ë Âu?½ ·d?ž Àö?Ł l?�«uÐ UŠU?�*« ‰U³I²Ý≈ W�U Ë ÂUFÞË WAOF� W�U Ë ÂULŠË …dýU³� …—uBÐ lL−*« …—ULŽ dNEð Æ·uOCK� v�Ë_« —«Ëœ_« w� ÷—UF*«Ë W¹—U−²�« nzUþu�« lþUH;« l� ¨UOKF�« oÐ«uD�« w� sJ��« fJFðË qš«b� œU?−¹≈ ‰ö?š s� W?O uB)« v?KFš

تماثل بصري وإيقاع معماري

مجمع تجاري سكني

Pespective view along the main street fOzd�« o¹dD�« vKŽ WKD*« WNł«uK� —uEM�

wðQ¹ UNł«u�« w?� ŸuM²�« Ê≈ ÆÊUJ?�K� W Uš ŸUI¹ù«Ë …b?Šu�« —«dJðË Â«b²?Ý≈ ‰öš s?� Íu²×¹ Íc?�« włUłe�« `D?�*« l� r?žUM²�«Ë dEM�UÐ l²L²K� ‰U³I²Ýù«Ë WAOF*« ôU vKŽ W{U¹d�«Ë t?O�d²�U� ÆW?¹dŠ qJÐ Ã—U?)« vKŽ U� «c?¼Ë ¨Íd?BF�« sJ?�K� V?�UD� W?Š«d�«Ë oI×¹ Íc�« ¨Í—U−²�« wMJ?��« lL−*« t?�JF¹ U¼b¼U?Að U�bMŽ tðUNł«Ë w� ÍdB³�« qŁUL²�« ŸUI¹≈ ‰ö?š s?� bFÐ s?Ž U?¼—uCŠ b?RðË d UMŽË «œdH* WDO?�Ð WG�Ë —dJ²� Í—ULF�

Æ U×²H�«Ë qJA�« WŠU�� w� ŸuMðË W¹—ULF�

115 Albenaa ¡UM³�« ±±μ

Some buildings are dominated by the functional sense and their details are dominated by realizing the utilitarian goal which the building was established for. The usage of this building is already determined as it is acommercial and office building. The building details from the inside developed in order to achieve the company’s functional program. Perhaps the clear advantage in this building is the cylindrical block in the corner of the building, which enhances its visual continuance in the surrounding area. As is known, dealing with the building corner and its formation in order to be an attractive visual component has been one of the basic architectural tools that designers have dealt with throughout history. In this project, that cylindrical configuration, which forms the top of the building, seems as the beginning of the main block stretching endlessly and we feel that through the horizontal configuration with the horizontal and broken lines that dominate the external visual space of the project block. The overall composition of the building, whether from inside or outside, is balanced and dominated by the functional aspect more than the desire to visual configuration and eye contact and tends toward utilitarian aspect that is reflected on the level of external detail that forms the building and makes its cultural and aesthetic value.

„—U³*« —UL¦²Ýù« W�dý ∫ p�U*«WOÝbMN�« «—UA²Ýö� w�«uF�« ∫ rLB*«

«¡UA½ù« ôUð W�dý ∫ ‰ËUI*«UOKF�« wŠ ? d³)« ∫ l�u*«

lÐd� d²� ≤∞[∞∞∞ ∫ WŠU�*«

Salam Tower

Functionality Forms Details

wHOþu�« f?(« w½U³*« i?FÐ v?KŽ V?KG¹ ·b?N�« o?OI% U?NKOUHð v?KŽ s?LON¹Ë «cN t?Kł« s� v?M³*« T?A½« Íc?�« w?FHM�« UI³?�� Â«b�²?Ýô« œb?×� w?³²J*« v?M³*« ¨w³²J*«Ë Í—U?−²�« Â«b�²?Ýö� b?F� u?N qł« s� —uÞ qš«b�« s� vM³*« q?OUHðË qF� ÆW�d?AK� w?HOþu�« Z?�U½d³�« o?OI% WK²J�« w?¼ vM³*« «c?¼ w W?×{«u�« …e?O*« “eFð w²�«Ë v?M³*« W?¹Ë«“ w WO½«uD?Ýô« tÐ WDO;« W?IDM*« w? Íd?B³�« t?K«uð vM³*« W¹Ë«“ l� q�UF²�« Ê« ·ËdF� u¼ ULJ »«cł ÍdBÐ d?BMŽ ÊuJð w� UNKOJ?AðË w²�« WOÝUÝô« W¹—ULF*« «Ëœô« bŠ« X½U�

«c¼ w Æa¹—U²�« d³Ž ÊuLLB*« UNF� q�UFð Íc�« w½«uD?Ýô« s¹uJ²�« Ëb?³¹ ŸËd?A*« WK²J�« W? öD½« W¹«bÐ u¼ v?M³*« ”√— qJ?ý dF?A½ wzUN½ ô qJ?AÐ b²9 w²�« W?�Ozd�« WOIô« ◊uD)« l�Ë wIô« s¹uJ²�« l� t?Ð ÍdB³�« ¡UCH�« vKŽ sLONð w²�« …d�J²*«Ë ÂUF�« s?¹uJ²�« ÆŸËd?A*« W?K²J� w?ł—U)« Ê“«u²� Ã—U)« Ë√ qš«b�« s� ¡«u?Ý vM³LK� d¦�« WOHOþu�« t?OKŽ VKGð UO½b�« ÁœËbŠ w? ÍdB³�« q«u²�«Ë qOJA²�« w W³žd�« s� v?KŽ f?JFMð w?²�« W?OFHM�« u?×½ u?×M¹Ë qJ?Að w²�« WOł—U)« q?OUH²�« Èu²?��

ÆWO�UL'«Ë WOUI¦�« UN²LO lMBðË …—ULF�«

Ground floor plan w{—_« —ËbK� wI_« jI�*«

Section ŸUD

o¹dD�« W¹«Ë“ s� ŸËdA*«Corner street elevation

114 Albenaa ¡UM³�« ±±¥

وظيفية تشكل التفاصيل

برج السالم

General perspective from the main street fOzd�« o¹dD�« WNł s� ÂUŽ —uEM�

111 Albenaa ¡UM³�« ±±±

MAB consult and VERITAS Design Group are proud of designing this upcoming esteemed landmark in Al-Khobar, Saudi Arabia. After months of studying the needs of Al-Khobar city and the ambitions of the city’s people, the joint efforts of MAB, VERITAS and their client, have came up with this promising project, the AL-KHOBAR LIFESTYLE.Standing on 45865 sqm of land, it is an integrated mixed development blending three unique elements – retail, residence, and shoplex. The aim, not surprisingly, is to promote a “comfortable, sustainable and luxurious lifestyle” in the heart of Al-Khobar.The Lifestyle Apartments will be the tallest building in this development. This Mid-rise building will feature more than 300 sellable high-end residential units. Three unit types are available: the smallest with a built up area of 131 sqm, the biggest with 271 sqm and the one in between with 196 sqm respectively. Other facilities for their enjoyments are the private pools, saunas and gyms which are separated for male & female. The facilities will also include a big multipurpose hall to host events and functions, various sports facilities, gated security and private parking.Shopping is, of course, an important recreational pursuit for the discerning urbanite. Meeting such needs are the Lifestyle Mall and the hypermarket. The mall will have three floors that will cater different range of stores from famous restaurants, international cafes, to various fashionable brand names and to even health care centers. The mall will enchant shoppers with its large atrium that goes from the ground floor all the way to the skylight ceiling. This space will be used to host seasonal events, exhibitions and shows. The façade’s glass curtain wall stretches almost 200 meters going from the mall end to the hypermarket end.

ÂU�³�« sLŠd�« b³Ž bL×� V²J� ∫ rLB*« XK�½u� »U� ? WOÝbMN�« «—UA²Ýö�

d³)« ∫ l�u*«lÐd� d²� ¥μ∏∂μ ∫ WŠU�*«

Al-Khobar Lifestyle

Synergized Living

Mall large atrium from ground to skylight ceiling włUłe�« nI��« v²Š w{—_« s� Í—U−²�« lL−*« WOKš«b�« WŠU��«

Aerial location site luLK� Íuł —uEM�

Facade’s glass WOłUłe�« UNł«u�«

110 Albenaa ¡UM³�« ±±∞

نمط للحياة العصرية

الخبر اليف ستايل

Apartments entrance facade WOMJ��« oIA�« qšb� WNł«Ë

»öš …U?OŠ j/ q¹U²?Ý n¹ô d?³)« ŸËd?A� XK?�½u� »U� d�Hð ¨ WŠ«d�« qzU?ÝË qJÐ l²L²¹ rKF*««c¼ rOLB²Ð WO?ÝbMN�« ”U²¹d� WŽuL−�Ë U�b)« lOLł d�u¹ Íc?�« ¨ Æd³)« WM¹b* ÂœUI�« WŠU�� vKŽ vM³¹ ·uÝË ¨WIÝUM²� …bŠË Á—U³²ŽSÐ …b¹d� dUMŽ WŁöŁ Ãe� -Ë ¨U?FÐd� «d²� ¥μ∏∂μ lL−*«Ë W¹—U−²�« ö;«Ë WOMJ��« oIA�« ∫w¼Ë ô√ j/ dO�uð ·bN�« ¨V¹dG�UÐ fO� ·bN�«ËÆÍ—U−²�«

Æd³)« WM¹b� VK� w� Â«b²��Ë `¹d� …UOŠ

q¹U²?Ý n¹ô d³)« w?� WOMJ?��« oI?A�« vM³� jÝu²� vM³*« «c¼ ÆŸËd?A*« w� vKŽ_« ÊuJOÝ WOMJ?Ý ÁbŠË ≥∞∞ s?� d¦�√ ÂbIO?Ý ŸU?Hð—ô« UŠU?�� vKŽ vM³*« «c¼ Íu?²×¹ ÆlO³K� …d?šU� d²� ≤∑± v?²Š lÐd� d²� ±≥± s?�√b³ð W?ŽuM²� UNÐ l?²L²O� …d?�u²*« Èd?š_« U?�b)« Æl?Ðd� `ÐU�*« UNM� …œbF²� q¹U²?Ý n¹ô d³)« ÊUJ?Ý ôUB�« ¨ ©U½u?Ý® —U?�³�« U?�ULŠ ¨W?U)« …dO³� W�U ¨¡U?�MK� Èdš√Ë ‰U?łdK� WO{U¹d�«

n�«u�Ë s?�ú� UÐ«uÐ ¨ÊU�«b�²?Ýù« …œb?F²� ¨‚u?�²�« ¨p�– v�« W�U{ùUÐ Æ «—UO?�K� WUš n¹ô d³)« w³K¹ ¨ÊUJ?�K� WF²� d¦�_« WKO?Ýu�« Í—U& lL−� dO�u²Ð ÊUJ?��« UłUO²Š« q¹U²Ý …dšUH�« W?¹—U−²�« ö;UÐ ¡w?K� —«Ëœ√ W?Łö¦Ð W?¹UŽd�« e?�«d�Ë w?¼UI*«Ë W?O*UF�« r?ŽUD*«Ë lL−*« j?ÝË w� WŠU?�� błuð U?L� ÆW?O×B�« włUłe�« nI?��« v²Š w{—_« —Ëb�« s?� b²9

Æ UO�UFH�« Ÿ«u½√ lOLł W�UC²Ýô

109 Albenaa ¡UM³�« ±∞π

Although the building deals with the clear and codified functions, but it tries to offer more architecture that is free of functional utilitarian domination that usually applied on this type of buildings.The idea is simply based on the square as a geometric base which the designer tried to use it and form its building by adding art appendages spontaneously on the square sides to make them appear as visual configurations from the outside that deepen the spontaneous aspect and break engineering strict imposed by the shape of the square and its three-dimension cube formation.These appendages were employed in the building as movement, stairs, and service areas so that the real square remains completely from the inside for the functional field that the building was established for.On the level of horizontal plan, we find that the building is simple and direct and not involved in the spatial complexities or shades only what the program of the main building imposes, and the spatial distribution of the building adapts with the formation of the external transparent glass which allows the largest possible amount of natural light to access to the depth of the building. In general, the architectural and spatial configurations are simple and direct and far away from the difficult solutions, and provide the possibility of dealing with the specialized small health centers in an elegant and distinctive architectural style.

WOÝbMN�« «—UA²Ýö� w�«uF�« ∫ rLB*« lÐd� d²� ∂∑∞∞ ∫ ÷—_« WŠU�*«

ÂU�b�« ? v�Ë_« WOŽUMB�« WIDM*« ∫ l�u*«Early Cancer Detection Center

Transparent Formation & Functional Architecture

Ground floor planFirst floor plan w{—_« —ËbK� wI_« jI*«‰Ë_« —ËbK� wI_« jI*«

Section ŸUD�

The main entrance fOzd�« qšb*«

108 Albenaa ¡UM³�« ±∞∏

5�U¼ s¹dBMŽ WŠ«dB�«Ë WO�UHA�« √b³� Ê≈ hO�Að bMŽ i¹d*«Ë VO³D�« 5Ð 5�œU³²� √b³*« «c?¼ sŽ r?LB*« d?³Ž b?I� Æ÷d?� Í√ WO�UHý ‰öš s� vM³*« rOLBð w� t?�JŽË ·UH?A�« ÃUłe�UÐ tðUNł«Ë X½U Íc�« vM³*« fJF�«Ë tKš«bÐU� q Èdð Ê√ lOD²?�ð v²Š ÊUM¾LÞù«Ë W?Š«d�« d?�u¹U� «c?¼Ë `?O× lÐd*« vKŽ eJðdð WÞU?�³Ð …dJH�« Æi?¹dLK� rLB*« U?N�öš s� ‰ËUŠ WO?ÝbM¼ …b?ŽUI b?z«Ë“ W?�U{« ‰ö?š s?� ÁU?M³� qJ?A¹ Ê«

lÐd*« Ÿö?{« vKŽ ÍuHŽ qJ?AÐ WOKOJ?Að W¹dBÐ U?M¹uJ² Ã—U?)« s� Ëb?³ð Y?OŠ WOÝbMN�« W�«dB�« d�JðË W¹uHF�« s� oLFð w³OFJ²�« tM¹uJðË lÐd*« qJ?ý UN{dH¹ w²�« vM³*« w� XHþË bz«Ëe�« Ác¼ ÆœUFÐô« wŁö¦�« U�bš o?ÞUM�Ë r�ö?ÝË W?dŠ o?ÞUML UOK qš«b�« s?� `¹dB�« l?Ðd*« qE¹ Y?O×Ð ÆtKł« s� vM³*« T?A½« Íc�« wHOþu�« ‰U−LK� vM³*« Ê« b?$ wI�ô« jI?�*« Èu²?�� vKŽ Ë« «b?OIFð w� q?šb¹ ôË d?ýU³�Ë jO?�Ð

vM³*« Z�U½dÐ t{dH¹ U?� ô« WOž«d� ULO²Ið vM³LK� wž«dH�« l?¹“u²�« Ê« UL ¨w?ÝUÝô« włUłe�« w?ł—U)« qOJ?A²�« l?� v?¼UL²¹ WOL d?³« ‰uuÐ `L?�¹ Íc?�« ·UH?A�« ÂUŽ qJAÐ ÆvM³*« oLF� WMJ2 WOFO³Þ …¡U{« dýU³�Ë jO?�Ð wž«dH�«Ë Í—ULF*« s¹uJ²�« WO½UJ�« Âb?I¹Ë W³FB�« ‰u?K(« sŽ b?F²³¹Ë …dOGB�« WO×B�« e?«d*« l� q�UF²�« ‰u?Š

ÆeOL²�Ë oO½« Í—ULF� »uKÝUÐ WBB�²*«


كتل شفافة وعمارة وظيفية

مركز الفحص المبكر�مراض السرطان

107 Albenaa ¡UM³�« ±∞∑

«e¹“d�« tK�« b³Ž ¡UMÐ√ ÊULOKÝ aOA�«Ë sLŠd�« b³Ž aOA�« ∫p�U*« l� ÊËUF²�UÐ wÐœ ? …—ULF�« Ê«u¹œ V²J� ∫ rLB*« WOÝbMN�« «—UA²Ýû� …—UC(« V²J�

d³)« ∫ l�u*«lÐd� d²� ≤≤∞∞ ∫ WŠU�*«

Al Reziza Tower

Intersecting Engineering & Visual Tranquility

åWOB?A�«ò WO�UJ?ý« W?O³²J*« Ã«d?Ðô« t?ł«uð ÷dH¹ U� …œU?Ž Ã«dÐô« Ác?N� w?Ý√d�« s?¹uJ²�U s� ÍdC(« s?¹uJ²�« Ê« UL� UNÐU?A²� öOJ?Að …dO³� WŽuL−� s?L{ UNKF−¹ Ã«d?Ðô« Ác¼ l?�«Ë U³¹dIð WNÐU?A²� UFHð—«Ë ÂU−Š« «– w½U³*« s� ÍdB³�« e?OL²�« W�U? � s?� q?F−¹ Íc?�« d?�ô« «c¼ w Æw?½U³*« Ác¼ rOLBð s?Ž WO?ÝUÝ« WOC� o?ÐUÞ ≥∞ ŸU?Hð—SÐ w?³²J*« Ãd?³�« d?NE¹ v?M³*« 5FÐd� s� Êu?J²¹ Íc�« wIô« tDI? 0 ÎUD³ðd� s¹uJ²�« v?KŽ `{«Ë qJ?AÐ ÊU? JFM¹ 5FÞUI²� W?ðËUH²*« t?²K²� ÊöJ?A¹Ë ŸËd?ALK� w?Ý√d�« W¹dB³�« W�«b�« Ãd?³�« ”√— q¦1 Y?O×Ð ŸUHð—ô«

w½U³*« s?Ž ÁeO9Ë t²¹u¼ v?M³*« «c¼ wDFð w?²�« tI¹dHð VFB¹ b� vM³LK� ÂUF�« s¹uJ²�« ÆtÐ WDO;« tMJ� tŽUHð—«Ë t?L−Š w w²�« WO³²J*« w½U³*« s?Ž r? łË ”√— 5Ð jÐ«d²�« WO�uBÐ e?OL²¹ UM¼ UOHOþË ULžUM²�Ë UIO½« d?NE¹ YO×Ð vM³*« …bŽU�Ë lOL' W³¹d� W�öÞ« Ë–Ë UUH?ý X�u�« fH½ wË …¡UC� UM¼ dNEð w?²�« WOKš«b�« WO³²J*« U?ž«dH�« vM³*« Âb?I¹ ÂU?Ž qJ?AÐË Æb?Oł qJ?AÐ ÎU?OFO³Þ iFÐ UNK¼U−²¹ w?²�« WO³²J*« W?K²J�« pOJHð …d?J …¡UHJ�« s� “e?F¹ pOJH²�« «c¼ Ê≈ Y?OŠ 5LLB*« UÞU³ð—« d¦�« tKF−¹Ë v?M³LK� WOHOþu�«Ë W?¹dB³�«

ÆtO lI¹ Íc�« ÍdC(« jO;UÐ

Ground floor planSite plan

Typical floor plan 8 - 22

w{—_« —ËbK� wI_« jI *«ÂUF�« l�u*«

≤≤fl ∏ —dJ²*« —ËbK� wI_« jI *«First floor plan ‰Ë_« —ËbK� wI_« jI *«

Office towers are facing the «personality» dilemma as the vertical configuration of these towers usually imposes similar formation, also the urban configuration created by these towers makes them within a large group of buildings with almost similar sizes and heights, and that makes the visual distinguish a key issue for designing these buildings.In this building, the office tower appears associated with its horizontal plan, which consists of two intersecting squares that reflect clearly on the vertical configuration of the project and constitute its block with different heights, so that tower top represents the visual function which gives this building its identity and distinguishes it from the surrounding buildings.The general composition of the building is maybe difficult to be recognized from office buildings with the same size and height, but it is here characterized by the feature of coherence between the top, the body and the base of the building so that it appears elegant and functionally harmonious, also it looks transparent and has a landscape close to all internal office spaces that appear here naturally bright. In general, the building offers the idea of dismantling the office block ignored by some designers, as this dismantle promotes the building’s functional and visual efficiency and makes it more close to the urban surrounding where it is located.

106 Albenaa ¡UM³�« ±∞∂

هندسة متقاطعة وهدوء بصري

برج الرزيزا

General aerial perspective ÂUŽ —uEM�

103 Albenaa ¡UM³�« ±∞≥

Perhaps the search for a local sense is one of key issues faced by Saudi cities, as the localism, its requirements of the in-depth reading of the place, the overall vision for the city’s residents, and harmony with the urban surrounding require a clear shift in dealing with architecture and urban planning in the region in general. This project is a huge residential block connected together to form a general configuration that leaves internal spaces open at the general urban space. The goal here is to create a sense of residential place and neighborhood, and to create elements that make residents feel that there is a residential sense that most of the apartment buildings lack.The configuration from outside is a repeated rhythm with a style that gives an impression of movement and combines between closed and open areas, also it gives the impression of naval architecture that is open to the outside. The local sense here exists although the trend was generally known in the past and has been already viewed.The horizontal projections of the building are based on the presence of four apartments clustered around the movement center that consists of the stairs and an elevator with a corridor that allows movement between the four apartments.In general, the idea is accepted and expresses the trends prevailed in the city of Khobar, which has become an important and large tourist place and its architecture has become a reflection of the role that it plays.

W¹e¹eF�« .œ W�dý ∫p�U*«W¹—ULF*« WÝbMNK� WFOÐd�« dÝU¹ V²J� ∫ rLB*«

d³)« ∫ l�u*«Deem Compound

Residential Block & Local Details

U¹UCI�« bŠ√ wK;« f(« sŽ Y×³�« ÊuJ¹ U0— ¨W¹œuF?��« W?M¹b*« UN?AOFð w?²�« WO?ÝUÝô« ÊUJLK� WILF²� …¡«d?� s� tOC²Ið U�Ë W?OK;U l� ržUM²�«Ë W?M¹b*« ÊUJ?�� W�UF�« W¹ƒd�« s�Ë w U?×{«Ë ôu?% V?KD²¹ Íd?C(« j?O;« qJ?AÐ ÍdC(« jOD²�«Ë …—ULF�« l� q�UF²�« WOMJÝ WK²� qJA¹ ŸËdA*« «c¼ ÆWIDM*« w ÂUŽ UM¹uJð qJ?A²� iF³�« UNCF³Ð WKB²� W?L{ WŠu²H� WOKš«œ W?¹—UCŠ Už«d n?K¹ U�UŽ u¼ UM¼ ·b?N�« ÆÂU?F�« ÍdC(« ¡U?CH�« v?KŽ …—U?(UÐË wMJ?��« ÊUJ?*UÐ ”U?�Šô« œU?−¹≈ 5M�U?��« q?F& d? UMŽ œU?−¹≈Ë WOMJ?��« Íc�« wMJ?��« lÐUD�« f?Š œu?łuÐ ÊËdF?A¹

s� s¹uJ²�« ÆWOMJ?��« «—ULF�« VKž√ tO�≈ dI²Hð wŠu¹ »uK?ÝUÐ —dJ²� ŸUI¹≈ sŽ …—U³Ž Ã—U)« wDF¹Ë ¨Õu?²H*«Ë o?KG*« 5?Ð lL−¹ W?�d(UÐ ÆÃ—U)« vKŽ WŠu²H*« W¹d×³�« …—ULF�UÐ UŽU³D½« ÂUŽ qJAÐ tłu²�« Ê√ rž— œułu� wK;« f(« j�U�*« Ætðb¼UA� o³ÝË oÐU?��« w ·ËdF� WOMJ?Ý oI?ý lÐ—« œułË ‰uŠ —u×L²ð WOI_« W¹—UDÐ s?� ÊuJ� w?�dŠ e�d� ‰u?Š l?L−²ð 5Ð W�d(UÐ `L�¹ d2 œułË l� bFB�Ë rKÝ UNAOFð w²�« UNłu²�« sŽ …dJH�« d³Fð ÆoIA�« wŠUO?Ý qIŁ «– X×³ « w?²�«Ë d³)« W?M¹b� —Ëb�« «c¼ sŽ d³Fð UNð—ULŽ —U Ë dO³�Ë ÂU¼

Æt³FKð Íc�«

Residencial typical floor plan

Section

wMJ��« —dJ²*« —ËbK� wI_« jI�*«

ŸUD�

102 Albenaa ¡UM³�« ±∞≤

كتلة سكنية وتفاصيل محلية

مجمع ديم التجاري السكني

General view fOzd�« o¹dD�« s� —uEM�

101 Albenaa ¡UM³�« ±∞±

One of the most important advantages, that hotel architecture needs, might be creating recreational internal spaces associated with the building, and without this feeling of the outside hotel building loses its recreational role and turns into just a place to sleep and rest.This is no longer acceptable nowadays, as the third space has become one of the basic means in the urban and recreational configuration and when you consider the hotel architecture belongs to the so-called third space, which requires urban and visual deep allows to interact with people and users of this space, so the inside bilateral forms a cornerstone of any hotel building.In this hotel, the central yard, that characterizes historic architecture in the region, is used and confirms the internal views, which make visual areas that might not be provided by the urban surrounding and focus on the gradual sense that must be provided by the hotel building, so we find that the designer tried to put this central space open between the multi-floors spatial hotel block, which embraces this space from three incomplete sides, while the rest services are placed in the low floors to surround the middle space and to complete the emptiness and turn it into external recreational space.From the visual aspect, the variation of the building blocks’ height seems as a kind of borrowing the local historical architecture, which the blocks appear chipped and gradually height. This gives the building a local sense, especially since the used details and architectural elements don’t differ from the architectural language in Al-Ahsa.

Í—UA²Ýù« —uOD�UÐ tK�« b³Ž V²J� ∫ rLB*« ôËUI� ”Uł W�dý ∫ ‰ËUI*«

“d³*« ? ¡U�Šù« ∫ l�u*«lÐd� d²� ±∞∞∞∞ ∫ WŠU�*«

Al-Ahsa Hotel

Central Space & Scalable Blocks

Ground floor plan w{—_« —ËbK� wI_« jI�*«

Building sections 5łd³�UÐ —U� ŸUD

General perspective from the main street fOzd�« o¹dD�« WNł s� ÂUŽ —uEM�

100 Albenaa ¡UM³�« ±∞∞

…—ULF�« UN� ÃU²% w²�« U¹«e*« r¼√ s?� ÊuJ¹ U0— WONO�d²�« WOKš«b�« «¡U?CH�« œU−¹≈ w¼ WO�bMH�« —uF?A�UÐ ÕU²H½ù« «c?¼ ÊËœË ¨vM³*UÐ W?D³ðd*« w?NO�d²�« Á—Ëœ ‚b?MH�« v?M³� b?IH¹ Ã—U?)UÐ

ÆWŠ«d�«Ë ÂuMK� ÊUJ� œd−� v�≈ ‰u×²¹Ë U� `³√ bI� ¨ÂuO�« UM*UŽ w� Îôu³I� bF¹ r� «c?¼Ë WOÝUÝ_« qzU?Ýu�« bŠ√ Y�U¦�« ¡UCH�UÐ vL?¹ U½d³²Ž√ U� «–≈Ë w?NO�d²�« w½«dLF�« s?¹uJ²�« w?� vL?¹U� v�≈ w?L²Mð U?N²�dÐ W?O�bMH�« …—U?LF�« Î U?¹dCŠ ÎU?ILŽ V?KD²¹ Íc?�« Y?�U¦�« ¡U?CH�UÐ

w�b�²�Ë ”UM�« l� qŽUH²�UÐ `L?¹ ÎU¹dBÐË d−Š qJ?Að qš«b�« WOzUMŁ ÊS� p�c� ¨¡UCH�« «c¼ ‚bMH�« «c?¼ w� ÆW?O�bM� …—U?LŽ Í√ w?� W?¹Ë«e�« …—ULF�« e?O1 Íc�« wD?Ýu�« ¡U?MH�« dC×²?¹ WOKš«b�« W�öÞù« vKŽ b?�R¹Ë WIDM*UÐ WO�¹—U²�« jO;« U¼d�u¹ô b� W¹dBÐ ôU?−� lMBð w²�« Íc�« w?−¹—b²�« f?(« vKŽ e?�dðË Íd?C(« rLB*« Ê√ b$ p�c� ¨‚bMH�« vM³� t�bI¹ Ê√ V−¹ 5Ð Õu²H*« Íe�d*« ¡U?CH�« «c¼ lC¹ Ê√ ‰ËU?Š w²�«Ë o?Ð«uD�« …œb?F²*« W?O�bMH�« ⁄«d?H�« W?K²�

فناء وسطي وكتل متدرجة

فندق ا�حساء

General aerial perspective ÂUŽ —uEM�

¨WKL²J� dOž UNł ÀöŁ s� ⁄«dH�« «c?¼ sC²% ŸUHð—ù« WCH�M*« U?�b)« w�UÐ XF{Ë ULMOÐ ⁄«dH�« W?ÞUŠ≈ qLJðË wD?Ýu�« ⁄«dH�UÐ j?O×²�

Æwł—Uš wNO�dð ⁄«d� v�≈ t�u%Ë wDÝu�« q²� ŸUHð—≈ w� s¹U³²�« Ëb³¹ W¹dB³�« WOŠUM�« s?� WO�¹—U²�« WOK;« …—ULF�« …—UF²Ý≈ s� ŸuM� vM³*« ÆŸUHð—ô« Wł—b²�Ë …dJ²� q²J�« UNO� dNEð w²�« Ê√Ë ÎUuBš wK×� fŠ vM³*« vKŽ wHC¹ «c¼Ë bF²³ðô W�b�²*« W¹—ULF*« dUMF�«Ë qOUH²�«

Æ¡UŠ_« w� W¹—ULF*« WGK�« sŽ Î «dO¦�

99 Albenaa ¡UM³�« ππ

The building is a tower office with a multi and varied block, and the effort made by the designer here in collecting various forms in a single block reflects a different visual attempt that is worth thinking. The building looks like a sculptural piece that aims to send an aesthetic message with multi content and that is shown through the overall configuration, which the building holds from outside and all building facades. The floor plan of the office building is a simple rectangle carved into three-dimensional composition in a style that reflects the visual approach that office towers have started adopting. We must emphasize that the overcrowding of tall buildings in the city has stimulated the desire of the striking visual configuration, so we find out here that the upper treatment of the building received special importance as it is the visible part by people, so we find out that diversity is concentrated in this part unlike the building body and its base.In general, we can consider the idea, that the designer sought to achieve, is included within the trends that became well known in the design of office towers in Saudi cities at the present time. These trends are seeking to dazzling and presence within the urban environment that converges and competes feverishly.

Í—uBM*« W�dý ∫ p�U*«Í—UA²Ýù« —uOD�UÐ tK�« b³Ž V²J� ∫ rLB*«

tK�« b³F�« ÍR� ”bMN*« ÊU¹b¹d*« —«u−Ð ? d³)« gO½—u� ∫ l�u*«Hotel & Office

Tower

Block Multiplicity & Function Efficiency

WK²� Ë– w�bM� w?³²J� ÃdÐ sŽ …—U³Ž v?M³*« rLB*« t�cÐ Íc?�« bN'«Ë WŽuM²�Ë …œb?F²� …bŠ«Ë WK²� w� W?HK²�� ‰UJ?ý√ lLł w� UM¼ o×²?ð WHK²�� W¹dBÐ W?�ËU×� s?Ž d?³F¹ v�≈ ·bNð WO²×½ WFD� t?½Q� vM³*U� ¨dOJH²�« ¨œbF²� ÊuLC� «– WO�ULł W�U?Ý— ‰U?Ý—≈ tKL×¹ Íc?�« s¹uJ²�« qL−� w?� dNE¹ «c?¼Ë ÆvM³*« UNł«Ë lOLł w�Ë Ã—U)« s� vM³*« qOD²?� sŽ …—U³Ž v?M³LK� wI�_« jI?*« œUFÐ_« w?Łö¦�« tM¹uJð w?� u×M� jO?Ð Íc�« Íd?B³�« tłu²�« s?Ž d³F¹ »uK?ÝQÐË

ÆÃ«dÐ_« tIOI×²� vFð —U w½U³*UÐ WM¹b*« ÿUE²�≈ Ê√ vKŽ b�R½ Ê√ V?−¹

ÍdB³�« qOJ?A²�« w?� W³žd�« e?HŠ W?O�UF�« W?'UF*« Ê√ U?M¼ b?$ p?�c� ¨ d?EMK� X?HK*« W Uš W?OL¼QÐ XOEŠ U?M¼ v?M³LK� W?¹uKF�« b−M� ¨”UM�« q³� s� wzd*« ¡e'« w¼ U?N½u� r?ł fJFÐ ¡e'« «c?¼ w� e?�d²¹ Ÿu?M²�«

ÆtðbŽU�Ë vM³*« …d?JH�« Ê√ d?³²F½ Ê√ s?J1 ÂU?Ž qJ?AÐË sL{ Ã—b?Mð UNIOI×²� r?LB*« vF?Ý w²�« rOLBð w?� W�ËdF� X?ðUÐ w?²�« U?Nłu²�« X�u�« w� W¹œuF�« Êb*« w� WO³²J*« Ã«dÐô« —UNÐô« v?�≈ vF?ð UNłuð wN� ¨d?{U(« WO½«dLŽ W?¾OÐ s?L{ b?ł«u²�«Ë —u?C(«Ë

ÆÂuL×� qJAÐ f�UM²ðË »—UI²ð

Ground floor plan

Typical floor plan 2nd-4th

w{—_« —ËbK� wI�_« jI*«

¥≠≤ —dJ²*« —ËbK� wI�_« jI*«

Night view main perspective wKO� —uEM�

98 Albenaa ¡UM³�« π∏

تعدد الكتلة وكفاءة الوظيفة

برج مكتبي فندقي

General perspective from the main entrance fOzd�« qšb*« WNł s� ÂUŽ —uEM�

97 Albenaa ¡UM³�« π∑

qL%Ë W�U¦JK� v²Š Ë√ W¹dBÐ Ë√ WO�dŠ WÝ«—œ ÊËœË `{«Ë qšbð qL×²¹Ë t²¹«bÐ w� ‰«“U� d�_« Æ…—ËU−*« WO²×²�« WOM³�« WO³ð«d²K� —U³²Žô« …œUŽ≈ sJ1 WIDM*« w� WODOD²�« WDK��« Æl¹dÝ qJAÐË WIDM*« UN� ÃU²% w²�« W¹dC(« WODOD²�« ΔœU¼ qJ?AÐ WIDM*« w� …—ULF�« dNEð W¹—ULF*« W?OŠUM�« s� WO�uJ(« l¹—UA*« VDI²?�ð ô wN� U¼dOž s� d¦�√ ¨Z{U½Ë l¹—U?A*« VKžQ� ¨WK¹uÞ …d²� cM� `?{«Ë d�√ «c¼Ë ¨…d?O³J�« ¨…bł w� U?0—Ë ÷U¹d�« WM¹b� w?� e�d²ð …dO³J�« W?O�u(« uLMð w¼Ë ’U)« ŸUDI�« l¹—U?A� VDI²?�ð WIDM*« Ê√ vKŽ WOŠUM�« s�Ë W?¹dB³�« WOŠUM�« s� ΔœU¼ tMJ� l¹d?Ý qJ?AÐ w� e�d²¹ WIDM*« e?O1 Íc�« w½«dLF�« qOJ?A²�« ÆW?¹dC(« vM³ð w²�« …b¹b'« w½U³*« Ëb³ð WOŠU½ sL� ¨ŸuM²�«Ë WÞU�³�« w� …œułu*« W¹dC(« U?ž«dHK� ¡ö�≈Ë ‰ULJ²?Ý≈ ÂU¹ô« Ác¼ wI�«uð qJ?AÐ qLŽ ¡ö�ù« «c¼ ¨WE²J*« W¹dC(« oÞUM*« w� W¹dC(« …eO*« Ác?¼ Æ…bŠ vKŽ l?�u� q� WłUŠË W?�UŠ l� ÊËdJH¹ 5LLB*« s?� dO¦� XKFł …—ULF�« vKŽ X?{d� w²�« ÍdC(« qOJ?A²�« l� V?ÝUM²ð W¹—ULF� ‰u?KŠ d¹uDð w?� ULz«œ qJAÐ eOL²ð X½U� WIDM*« …—ULŽ ÊS� p�– l�Ë Æ»uKD*« v�≈ qš«b�« s� ÕU²H½ô« vKŽ WOM³*« WIOLF�« W¹d×³�« U?N²�UI¦Ð …dO³J�« U?NðU×²HÐ eOL²ð W?IDM*« …—ULŽ qFł «c?¼Ë ¨Ã—U?)« UG�U³*« sŽ U¼œUF²Ð«Ë U?NzËbNÐ r¼_«Ë ¨…œbF²*« U?N½«u�QÐË

ÆUN½UJ� dOž w� w²�« Íc�« åw³F?A�«ò ÊuJ*« s� ¡e?ł w¼ WIDM*« w?� …—U?LF�« Ê≈ w� …—ULF�« fJŽ vKŽ ¨rNMŽ ‰e?FM� dOžË ”UM�« l� q?ŽUH²¹ sŽ UN�H½ ‰eFðË dO³� qJAÐ WOLÝ— …—ULŽ w¼ w²�« ¨÷U¹d�« w½U�½ô« U¼—uCŠ ULz«œ U¼bIH¹ U2 WM¹b*« ÊUJ?�Ð ◊ö²šô« W�Q?�� vKŽ e�dð …dJH�« ÆWOH×²� —u?� v�≈ ULz«œ U?N�u×¹Ë qF−¹Ë ÊUJ?�K� UNK� WM¹b*« `?O²¹ Íc�« Íd?C(« q?š«b²�« tð«– bŠ w� «c?¼ qF�Ë ¨w�dF*« ‰œU³²�«Ë q?ŽUH²K� ÊUJ� U?NM� WIDM*« s?� qF& w²�« W?O½«dLF�«Ë W¹—ULF*« «e?OL*« b?Š√

Ærz«œ eO9 W�UŠ w� WO�dA�«

We need to rethink about all Saudi architecture, and to understand its contemporary component and the social, cultural, and economic reasons which caused by it. We must search in its legal and regulatory frameworks that protect it and make its fields, and we would like to meet who makes it and affects in its production.The problem of contemporary Saudi architecture is that it is living a bottleneck phase, however, this phase became longer and seems that the bottleneck has become too long. Our architecture is still looking for its existence, identity, and cultural feature, which makes it different from any other architecture. We believe that the schematic component of this architecture needs to be reviewed as the sources of this architecture and its intellectual and aesthetic references need to be rethinking completely.The Eastern Region architecture looks going quietly and toward simple transformations usually happened in mature cities, perhaps the first shift is the increase of traffic and urban congestions, which began to emerge in the cities that were quieter and more serenity from the urban aspect, and this is normal as the region has become an important tourist station in the entire region and this makes us expect more large urban transformations in the coming years.The Eastern Region is characterized by its extension bar on the sea, and this extension infrastructure might need to be improved, especially roads that allow access to the depth of the city and exit from it without causing any congestion. The problem is that these roads are not available and their presence requires a lot of work and breach of the current city system for a long period of time and this increases the difficulties experienced by everybody in general.If we tried to exert some schematic criticism, we see that all Saudi coastal cities planned like a bar shape so that the heart of the city is always placed overlooking at the sea, and as long as these cities are expanded, the heart will be further away from the ring highways, and it has become difficult to link the heart with these roads and this leads to traffic congestion and disruption of the interior road network clearly.

Highlights of Eastern Region Architecture

Mature Transformations andContinuous Development

rOFM�« tK�«b³Ž sÐ Í—UA� —u²�b�« –U²Ý_«ÕU²H�«b³Ž bL×� ‚—UÞ ”bMN*«

96 Albenaa ¡UM³�« π∂

¨qJ� W¹œuF?��« …—ULF�« w� dOJH²�« …œU?Ž≈ v�≈ WłU×Ð s?×½ W?¹œUB²ô« »U³?Ýô«Ë d?UF*« U?N½uJ� r?N� v?�≈ ÃU?²×½ U¼dÞ≈ w� Y×³½ Ê√ V−¹ ÜN−²Mð w²�« WO�UI¦�«Ë WOŽUL²łô«Ë Ê√ œu½ ÜNðôU−� lMBðË UNOL% w²�« WO½u½UI�«Ë W?OLOEM²�« …—ULF�« WKJA� ÆUNłU²½« w� dŁR¹ s�Ë UN−²M¹ s� vKŽ ·dF²½ Ê√ ô≈ ¨WłUłe�« o?MŽ WKŠd0 d9 U?N½√ …dUF*« W¹œuF?��« ö¹uÞ `³√ «c¼ WłUłe�« o?MŽ Ê√ Ëb³¹Ë X�UÞ WKŠd*« Ác?¼ sŽË UN²¹u¼ sŽË U¼œułË s?Ž Y×³ð UMð—ULŽ X�«“UL� ¨«b?ł ÆÈdš√ …—U?LŽ Í√ sŽ WHK² � U?NKF−¹ Íc�« w�UI¦�« U?N×LK� ÃU²×¹ wDOD ²�« …—U?LF�« Ác¼ ÊuJ� Ê√ bI²F½ UM� W³?�M�UÐ W¹dJH�« UNðUOFłd�Ë …—ULF�« Ác¼ —œUB� Ê√ UL� WFł«d� v?�≈

Æq�U� qJAÐ dOJHð …œUŽ≈ v�≈ ÃU²% WO�UL'«Ë u×½ oKDMðË ¡Ëb?NÐ dO?�ð WOd?A�« WIDM*« …—ULŽ Ê√ dNE¹ ¨W−{UM�« Êb*« UNO� dO?�ð U� …œUŽ w²�« WDO?�³�« ôu×²�« Í—Ëd?*« ÂU?Šœ“ô« …œU?¹“ w?� ‰Ë_« ‰u?×²�« d?NE¹ U?0— «¡Ëb¼ d¦�√ X½U� Êb� w� dNE¹ √bÐ Íc�« ÍdC(« ÿUE²�ô«Ë bI� wFO³Þ d?�√ «c¼Ë ¨W?¹dC(« WOŠUM�« s?� «¡U?H d?¦�√Ë WIDM*« Èu²?�� vKŽ WLN� WOŠUO?Ý WD×� WIDM*« X?×³√ W¹dC(« ôu×²�« s?� b¹e*« lu²½ U?MKF−¹ «c¼Ë Ü?NKL�QÐ

ÆW�œUI�« «uM��« w� …dO³J�« vKŽ ¨d×³�« vKŽ wD¹dA�« œ«b²�ô« u¼ WOdA�« WIDM*« eO1 U� UuBš WO²×²�« W?OM³�« e¹eFð v?�≈ WłU×Ð œ«b²�ô« «c?¼ Ê√ UNM� ÃËd)«Ë WM¹b*« o?LŽ v�≈ ‰ušb�UÐ `L?�ð w²�« ‚dD�« dOž ‚dD�« Ác¼ Ê√ w� sLJð WKJ?A*« ÆÿUE²�√ Í√ À«bŠ≈ ÊËœ WM¹b*« ÂU?EMÐ ‰öš≈Ë dO¦� q?LŽ U¼œułË V?KD²¹Ë …d?�u²� w²�« UÐuFB�« s?� b¹e¹ «c¼Ë W?K¹uÞ WOM�“ …d?²H� w�U(« ”—U/ Ê√ U?M�ËUŠ u�Ë ÆÂU?Ž qJ?AÐ …d{U(« U?NM� w?½UFð WOKŠU��« W¹œuF?��« Êb*« q� Ê√ Èd½ wDOD ²�« bIM�« iFÐ ULz«œ WM¹b*« V?K ÊuJ¹ Y?O×Ð wD¹d?ý qJ?AÐ UNDOD ð - sŽ VKI�« b?F²Ð« ULK� Êb?*« Ác¼ XF?Ýuð ULK�Ë d?×³�« v?KŽ VKI�« jÐ— W?ÐuFB�« s� `³√Ë WF¹d?��« W¹dz«b�« ‚d?D�«

WJ³?ý qDFðË Í—Ëd*« ÂUŠœ“ô« v�≈ ÍœR¹ «c¼Ë ¨‚dD�« ÁcNÐ Æ`{«Ë qJAÐ WOKš«b�« ‚dD�«

w²�« Êb?*« v²ŠË Æ‰U?¦*« qO³?Ý vKŽ …bł w� Àb×¹ U?� «c?¼ ÂUŠœ“ô« s?� w½UFð ÷U?¹d�« WM¹b� q?¦� d×³�« vKŽ X?�O� w²�« WO³ð«d²�U� ¨W?M¹b*« qš«œ W�d×K� qz«b³�« q?DF²� W−O²½ V−¹ w²�« W?¹—U−²�« WD?A½_«Ë ‚dD�« UNOKŽ ÊuJð Ê√ V?−¹ WM¹b*« Ê√ v²Š ¨ÿu×K� qJ?AÐ …œuIH� UNOKŽ WŽ“u� ÊuJð Ê√ ö;« U×²� ÆWKŁUL²� W?¹—U& WK²� UN½Q�Ë X×³√ U?NK� W−O²½ W¹œuF��« Êb*« q� Ÿ—«uý eO9 —U w²�« WOD¹dA�« W¹—«œô« W?OM³�« nF{Ë j?OD ²�« w?� —UIF�« —U?& q?šb²� W¹œuF��« WM¹b*UÐ Èœ√ …dOš_« œuIŽ Àö¦�« ‰öš WODOD ²�« U�«b ²Ýô« w� dO³� qKš l� åÍ—U& ‚uÝò `³Bð Ê√ v�≈

ÆU¼dOžË WOLOKF²�«Ë W¹—«œô«Ë WONO�d²�«Ë WOMJ��« œuIF�« d� vKF� ¨qC�√ l{u�« ÊuJ¹ U0— WOdA�« WIDM*« w� «¡Ëb¼ d¦�√ ÂU�b�« …d{UŠ ÊuJð Ê√ w� W³ž— „UM¼ ÊU� WO{U*« üLM�«Ë d¹uD²�« WOKLŽ w� WJKL*« w� W?�Ozd�« Êb*« wUÐ s� v�≈ WKIF²� X½U� UN½√ ô≈ WKŁU2 WŽd?�Ð uLMð X½U� UN½√ ržd� dNEð r� WO�d(« W?¹dC(« q�U?A*« Ê« WIOI(«Ë ¨dO³� b?Š d¦�√ WIDM*« —U U�bMŽ …dOš_« fL)« «uM?��« ‰öš ô≈ v�≈ WłU(« s� œ«“ d?�_« «cN� ¨WŠUO?��« WOŠUM�« s� W?OÐ–Uł jÐ«d²�« e¹eFðË ‚dD�« WJ³ý d¹uDðË WO²×²�« WOM³�« d¹uDð w� 5DD *« UÐU?�Š w� l{u¹ r� t½√ Ëb³¹ Íc�« ÍdC(« ÁcN� 5�% s� WIDM*« w� Êü« Àb×¹ U� ÂUŽ qJAÐË ÆWIDM*« b¹«e²ðË ôUJýô« rUH²ð Ê√ q³ l{u�« s� s?�×¹ b WOM³�« Ê« U½œUI²Ž« w� Æ…błË ÷U¹d�« w� Êü« p?�– Èd½ UL� …U½UF*« w� U¼dBŠË W¹—U−²�« WIDM*« rOEMð …œUŽ≈ v�≈ ÃU²% WIDM*« o¹dÞ 5ÐË l¹d?��« ÂU�b�«Ød³)« o¹dÞ 5Ð WF«u�« WIDM*« W¹dC(« W?IDM*« Ác¼ `?³Bð YOŠ ¨wKŠU?��« qBO� p?K*« s� ÎôbÐ …d?{U×K� WOK³I²?�*« ‰ULŽô« W?IDM� w?¼ W?öLF�« Ã«dÐ_« Èd?½ s×M� W¹—U−²�« o?ÞUMLK� V¹dG�« X²?A²�« «c¼ VOðdð ÊËœ W?IDM*« q� w� …d?ŁUM²� Êü« WOMJ?��«Ë W?O³²J*«

تحوالت ناضجة وتطوير مستمرلمحات من العمارة

في المنطقة الشرقية

93 Albenaa ¡UM³�« π≥

This project aims to renovate an existing GSA building in Los Angeles to reach net zero energy. The architects identified the existing problems of the site and function and sought practical and expressive solutions to last for the next fifty years. Like reconstructive surgery, this application addresses the core issues of an unhealthy building and seeks to revitalise the site into a vibrant part of society.Design Proposal First, the design removes the existing centre core and lifts the skin. With telecommuting woven into new business models, the designers are able to reduce the area within the core to provide energy savings at a 1:1 ratio. Obsolete offices are replaced by cloud computing servers, allowing employees to work from home, the park, the beach or anywhere. This area reduction substantially mitigates the environmental impact of commuter automobile traffic. It also allows for a slimmer office footprint to reduce cooling load and bring more daylight into the building.Next, the skin is opened to allow prevailing breezes into the core and provide a welcomed pedestrian entry. The roof rises to become an occupied solar lens, harnessing solar energy for the building’s use and creating an active green roof, physically bending upward and toward the incoming sunlight at the location of highest solar exposure. Finally, the sustainable systems are made visible to all.The core of the atrium hosts the mechanical systems, exposed and celebrated as a functional sculpture within the building. This gesture displays the ‘motherboard’ of the building to educate occupants citizens and visitors as to how their sustainable systems are working for them. Among these systems are living machines incorporated into the landscape and an operable ETFE panelised cover embedded with Building Integrated Photovoltaics.

”√ w� gð√ ∫ rLB*« ”uK$√ ”u� ∫ l�u*«

Renovation to GSA Building

Architecture Conserve Energy

Environmental conditions diagram

The roof produced natural sunlights

W¾O³�« UÞ«d²ýù w×O{uð rÝ—

WOFO³Þ …¡U{≈ Z²M¹ nIÝ

92 Albenaa ¡UM³�« π≤

عمارة تحافظ على الطاقة

إعادة تطوير مبنىجي أس أيه

WE�U×LK� W¹—ULF� ‰uKŠ œU−¹≈ u×½ r�UF�« t−²¹ …—ULF�« UNÐ d� w²�« ôu?×²�U� ¨W�UD�« vKŽ ‰uK×Ð ô≈ wðQð r� WO{U*« WMÝ 5�L)« ‰öš v�≈ X�u�« l� œ√Ë w¾O³�« Èu²�*« vKŽ WO³KÝ X½U w²�« W?Ðd−*« WO�¹—U²�« ‰u?K(« l?ł«dð ÆUN�uŠ w?²�« W?¾O³�« l?� WL−?�M�Ë W?Lzö²� vM³� d?¹uDð …œU?Ž≈ v�≈ ·b?N¹ ŸËd?A*« «c¼ v�≈ q�u�« qł√ s� ”uK$√ ”u� w?� GSA ‰ËU% …dJH�« ÆW�UD�« ·d� s� dH� Èu²�� qł√ s� Ã—U?)«Ë qš«b�« s� v?M³*« Z?�UFð Ê√ vM³*« ¡UOŠ≈ …œUŽù WIOLŽ WOŠ«dł WOKLŽ ¡«dł≈ edð ÆwŽUL²łô«Ë Íd?C(« jO;UÐ tDÐ—Ë …bŽ vKŽ bL²F¹ rOLBð d¹uDð vKŽ WOKLF�« Ác¼

¡UDG�« Ÿe½ l� vM³*« VK� dOOGð s� √b³ð qŠ«d� hOKIð s� vM³*« sJ1 ·u?Ý «c¼Ë wł—U)« k�U% d�UMŽ W�U{≈Ë wKš«b�« ⁄«dH�« WŠU�� dOG�« VðUJ*« ‰«b³²?Ý≈ l� W?�UD�« ·d� vKŽ 5Hþu*« sJ9 WOÐu?ÝUŠ WÐU×?�Ð W�b�²��

Ædš¬ ÊUJ� Í√ w� Ë√ XO³�« w� qLF�« s� w¼ …dJH�« X½U wł—U)« ¡UDG�« Èu²�� vKŽ VK� v�≈ ‰u�u�«Ë WOFO³D�« W¹uN²�UÐ ÕUL?��« W¹dC(« q?�«u²K� ‰U?−*« ÕU?��≈ l� vM³*« —u³F�«Ë …UA*« Wd( W�dH�« WŠUð≈ ‰öš s� ÊUJ� ÊuJ¹ w? `D?��« l�— l� ¨vM³*« ‰öš q¹u%Ë W�UD�« d�u²� WO?�LA�« W�UD�« U¹ö)

ÆÂ«b²��Ë dCš√ s¹uJð v�≈ vM³*«

d?�UMŽ l?OLł Ê√ r?OLB²�« «c?¼ w?� r?N*« ¨lOL'« q?³� s� WOzd� v?M³*« w?� W�«b²?Ýô« WO¾O³�« t?�«b¼√Ë t?zœU³� sŽ `?BH¹ r?OLB²�« q�UF²�« - w?JO½UJO*« ÂUEM�« v?²ŠË ¨Õu{uÐ …—uB�« qJ?Að vM³*« w� WO�ULł d�UMF tF�

Æqš«bK� W¹dB³�« WOHOþu�« U?'UF*«Ë v?M³*« s?¹uJðË …d?JH�« ŸËd?A*« «c¼ w?� X�b�²?Ý« w?²�« W?OMI²�«Ë …—ULF�« UN?AOFð w²�« …dO³J�« ôu?×²�« bRð …uIÐ t−²ð √b?Ð w²�«Ë ÂU?¹_« Ác?¼ …d?�UF*« W¹ƒdÐ q³I²?�*« l� q�UF²�«Ë W�«b²?Ýô« u?×½

ÆWO½öIŽË W×{«Ë

Approaching view from the main road fOzd�« qšb*« WNł s� dEM�

91 Albenaa ¡UM³�« π±

Cannon Place is a dramatic new state of the art office building for developer Hines. The air-rights development sits above one of London’s busiest commuter stations which in turn sits above a London Underground station, tunnels and extensive protected archaeological remains. The 50,000sqft. floorplates are each divided into five east-west ‘strips of accommodation: three of 21m deep space, separated by two of 12m. At each end of each 12m strip sits a 12 sq m square fire escape and service core. In the centre of each 12 m zone there is an atrium which allows daylight to penetrate into the heart of the plan. Directly allied to this simple plan form, an innovative structural design solution has been development which utilises façade depth transfer structures to perfectly balance the northern and southern 21m bays and obviates the need for columns on top of the London Underground tunnels or through the running tacks of the mainline station.The striking yet functional nature of the structure has been expressed architecturally by placing the fully glazed curtain wall inside the structural frame. All of the vertices of the glazed office ‘box’ have been rounded to further accentuate the audacious nature of the exo-skeletal structural frame. Only the cores and free-standing plant tower to the east are expressed as louvered elements to reflect their service functions. The new glazed double-height entrance for the underground station will occupy the prominent north-west corner of the site with step-free access from Dowgate Hill. On Cannon Street, a brand new public space has been created beneath the entire northern cantilever. The dramatic glazed office foyer containing the escalators to the main building is placed in the centre of this new piazza, which also provides access to the reconfigured mainline station.

ułu� œU%≈ ∫ rLB*«ÊbM� jÝË ∫ l�u*«

lÐd� d²� n�√ μ∞ ∫ bŠ«u�« —Ëb�« WŠU��New Office Building in Central London

Urban Harmony & Technical Attendance

Axonometric diagram ŸËdA*« qJON� Íd²�uM«

s¹uJ²�« l� rz«u²²� WOKš«b�« Už«dH�« j?OLMð vM³*« V?K� w�Ë ¨v?M³LK� r?J;« w?ÝbMN�«

ÆoLF�« v�≈ ¡uC�« ‰ušbÐ `L¹ uNÐ „UM¼ rz«u²O� vM³*« «c?¼ w� wzU?A½ô« ÂUEM�« wðQ¹ W¹«b³�« cM� wž«dH�« l¹“u²�« l� oOLŽ qJ?AÐ œUFÐô« w?Łö¦�« w½bF*« ¡U?DG�« d?NE¹ YOŠ `L?¹Ë d²� ≤± UN{dŽ w²�« q?²J�« œb?×O� «—UDI�« W?D×� ÂU?�√ …b?LŽ√ œu?łË Âb?FÐ WOłUłe�« W?ODG²�« W�U{≈ Ê√ U?L ÆWO{—_« `D?�« w¼ ÊuJ²� wzU?A½ô« ÂU?EM�« qš«œ

ÂUEM�« «c¼ d?OŁQð s� b¹e¹ V?ðUJLK� wKš«b�« ÆWO�UL'«Ë W?OHOþu�« W?OŠUM�« s� wzU?A½ù« WIKš - «b?¹bł U¹dCŠ ôU?−� Ê√ W?IOI(«Ë s� ¨vM³*« t?O� lI¹ Íc�« ¨Êu?½U Ÿ—U?ý w� vM³*« W?K² X?% lI¹ Íc?�« ¡U?CH�« ‰ö?š q�«u²�« s� UŽu½ Àb% WK²J�« ÁcN� …d?zUD�« tOKŽ Íc�« wž«dH�« —«dJ²�« d?JðË ÍdC(« dOŁQð s� d�_« l�«Ë w� “eF¹ «c¼Ë ¨Ÿ—U?A�« w� …œbF²� nzUþË lL−¹ Íc�« ŸËd?A*« «c¼

ÆbŠ«Ë ÊUJ�

tÐ ÕuL� ŸUHð—≈ h�√ ? ± —UDI�« ‚u� ŸUHð—≈ d³√ ? ≤

÷—_« X% ÊbM� ? ≥.b� w½U�Ë— dB� U¹UIÐ ? ¥

WOzd�« WD;« ? μ UÝUÝ_«Ë …bLŽ_« X% qšb� ? ∂

wzUA½ù« qJONK� …bLŽ√ ? ∑o¹d(« —uM�Ë U�b)« ? ∏

»uM'«Ë ‰ULA�« ÊUŠUMł ? ±∞Ë π

90 Albenaa ¡UM³�« π∞

التناغم الحضري والحضور التقني

مبنى مكتبي جديد

tł«uð Ê√ UN� b?Ðô ÊbM� j?ÝË w� …—ULŽ Í√ tłu²�« vKŽ U¼d³& w²�« U?�«e²�ù« s� œbŽ …œb×� W?¹d²�uOłË W?¹dBÐ qO�UHð u?×½ ÍdC(« s¹uJ²�«Ë UHKÝ …œb;« UŽUHð—ôU� s� qF& UNK� W?O¹—U²�« qO�UH²�«Ë k?²J*« w²�« U�«e²�ù« ÁcNÐ ·uH×� Í—ULF*« qLF�« w� U¼«d½ UL� WOÐU−¹≈ d?�UMŽ v�≈ ‰u×²ð b?� WD×� ‚u?� vM³*« lI¹ Ær?N*« ŸËd?A*« «c¼ W�U{ôUÐ ¨ÊbM� jÝË w� WO{—_« «—UDI�« k�U×� WO½U�Ë— W?O¹—Uð WIDM� œu?łË v�≈

Â«e²�ô« wMF¹ UM¼ qLF�« ÊS?� w�U²�UÐË ¨UNOKŽ Í—ULF� qLŽ Í√ s� b% w²�« d�UMF�« Ác?NÐ ŸËdA*« …dJ� ÂuIð ÆrJ;« hM�« «c¼ Ã—Uš tO� dJH�Ë ÎUO?ÝbM¼ ”Ë—b� vM³� ¡U?MÐ vKŽ w²�« WK²J�U� ¨`{«ËË oOLŽ qJ?AÐ UOzU?A½≈ n�√ μ∞ v�≈ wI�_« UNDI? � WŠU? � qBð WKOD² � ¡«eł√ ÀöŁ v�≈ WL? I� ¨lÐd� Âb� 5?²K²� U?NKK²¹ d?²� ≤± U?NM� q� ÷d?Ž `z«d?ý μ v�≈ vM³*« r? Ið d²� ±≤ ÷d?FÐ vKŽ bL²F¹ ŸU?I¹SÐË ÎUO?ÝbM¼ WLE²M� WO�uÞ


Station floor plan wI�_« jI *«

89 Albenaa ¡UM³�« ∏π

Ã—U)«Ë qš«b�« 5Ð W�öF�« 5³ð WHK²�� dOþUM� p�c�Ë WOFO³D�« …¡U{ù« `O²ð w²�« nIÝ_«Ë vM³*UÐ WDO;« «dOŁQ²�«Ë WOKš«b�« «dL*«

Detailed perspectives of interior areas: the ceiling which gives natural daylights, short-cut bridge passages from one side of the building to another, and well ventilated workplace thru rectangular openings all around the buildings

88 Albenaa ¡UM³�« ∏∏

Concept diagrams ŸËdALK� WOLOLB²�« …dJH�«e�d*« ‰uŠ W�UŽ UŠUÝW�Ozd�« W�d(«

U¼U&ù« œbFð

q²J�« »ËUMð

WOKš«b�« dþUM*« UNł«Ë

WLB³�« qOKIð

87 Albenaa ¡UM³�« ∏∑

The co-location project represents the beginning of a new era for Statoil’s international operations, joining disparate parts of the organisation, currently housed in several different locations with Oslo, in one office. In the design, a-lab prioritised the synergy of the volume and the context.One of the main preconditions for the scheme is that the footprint has to fit inside the footprint of the existing multi-storey car-park. This is achieved by breaking the homogenous office program into five equally sized lamellas, each are dimensioned in order to get the most flexible office plans. The stacking of these then creates sight-lines between and minimises the visual impact of the height required to fit the program within the tight site area. The primacy of the park is ensured by allowing the office lamellas to cantilever beyond the basic footprint.The in-between space created by the stacking of the lamellas, is transformed into a public covered ‘square’ where all the activities come across. It is a monumental atrium, accommodating the public programs and the main circulation.The office machine provides innumerable possibilities for configuring the workspace, both at the individual level and as a whole within the organisation. The arrangement of the social cores within the overall framework of the circulation promotes positive interaction between employees, teams and departments. Optimalisation of the facades ensures the visual connection with the surrounding landscape, fjord and city in the distance.

ÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆ ∫ rLB*« ÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆ ∫·dA*« Í—UA²Ýù«

ÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆ ∫ l�u*«New Office for Statoil

Visual Sculpture & Environmental Harmony

tð«œb×� l?� q?ŽUH²�«Ë l?�u*« l?� q?�UF²�« U¹dBÐ öOJ?Að l?MB¹ Ê√ s?J1 W?OFO³D�« s?L� ¨—d?J²� d?OžË ‚u³?�� d?Ož U?A¼b� w?�Ë ¨W?Žb³*« UÐU−²?Ýô« d?NEð Íb?×²�« U¹b×²�« Ác¼ q¦* …œbF²� WK¦�√ …—ULF�« a¹—Uð Í—ULF*« q(« UN?�HMÐ XFM w²�« W�—U)« l�œË …—ULF�« s� —uÞ Íc�« wMI²�«Ë w�UL'« X×³√ ‰u?% WDI½ qJ?ýË ÂU�ô« v�≈ U?NÐ

ÆWNÐUA*« ‰uK(« w� tÐ Èb²N¹ ULN� ULKF� w?²�« —UJ?�_« Èb?Š≈ ŸËd?A*« «c?¼ qJ?A¹ o?z«uF�« “ËU?−²¹ Ê√ r?LB*« U?NÐ ŸUD²?Ý« UN{dH¹Ë ÷—_« UNC�dð w²�« U?�«e²�ù«Ë s?� ÊU� b?I� ¨U?½UOŠ√ w?HOþu�« Z?�U½d³�« tKL�QÐ v?M³*« »UFO²?Ý« r?²¹ Ê√ Í—Ëd?C�« «—UO?��« n?�«u* w?I�_« jI?�*« q?š«œ vKŽ vM³*« d?ŁR¹ ô YO×Ð o?Ð«uD�« …œb?F²*« v²ŠË ¨WDO;« o?z«b(«Ë w?FO³D�« ¡UCH�« v�≈ V?ðUJ*« rO?�Ið - ·b?N�« «c?¼ o?I×²¹ ‚u�Ë V?½U−Ð XŽ“Ë WKOD²?�� q²� f?Lš

dO¦� w²×½Ë w?M� »uK?ÝQÐ iF³�« U?NCFÐ wHOþu�« Z�U½d³�« »UFO²Ý« UNO� - ¨W?A¼bK� wFO³D�« qJA�« vKŽ p�– dŁR¹ Ê√ ÊËœ q�UJ�UÐ ‰öš s� p�–Ë ¨ŸËdA*« UNOKŽ ÂUI*« ÷—ú� jI?�*« ‚u� “Ëd³�UÐ WO³²J*« q²JK� ÕUL?��« XKJý …dzUÞ q²� qJ?ý vKŽË œb;« wI�_« ŸËd?A*« XDŽ√Ë g¼b*« w?²×M�« s?¹uJ²�«

Æ…—dJ²� dOG�« W¹dB³�« t²¹u¼ XKJAð w²�« Už«dH�« Ê√ ŸËd?A*« w� dO¦*« ⁄«d� v�≈ UNK¹u% - f?L)« q²J�« Ác?¼ 5Ð WDA½ô« lOLł W?Ý—U2 UNO� r²¹ vDG� ÂUŽ W�d×K� ‚ö?LŽ u?NÐ X?×³√ b?I� W?MJL*« b� w²�« …œbF²*« WDA½_« WÝ—U2Ë qŽUH²K�Ë WIOI(«Ë ÆwHOþu�« v?M³*« Z�U½dÐ sŽ Z?²Mð ¨W¹uHF�« s� dO¦J�« TA�« tO� ŸËdA*« «c¼ Ê√ W¹«b³�« s?� t� j?D � d?Ož f?Ozd�« u?N³�U� ÍdB³�« V?O�d²�« t?MŽ Z?²½ U* W?−O²½ u?N� tODF¹ «c?¼ qF�Ë WO³²J*« q?²JK� wzU?A½ô«Ë

Æd³�√ WO½U�½≈Ë WOKOJAð WO½«dLŽ WLO�

©»ô ? t¹√® a fl Lab ∫ rLB*«uKÝË√ ∫ l�u*«

lÐd� d²� ±±μ∞∞∞ ∫ WŠU�*«

Aerial location site l�uLK� Íuł —uEM�

86 Albenaa ¡UM³�« ∏∂

نحت بصري وإنسجام بيئي

مكتب ستاتويل


85 Albenaa ¡UM³�« ∏μ

The empty spaces of the building are yards that are used as an extension of the educational public areas and at the same time as a space to be related with the landscape.

œ«b²�≈ q¦9 vM³*« qš«b�Ë Už«d� X�u�« fH½ w�Ë W�UŽ oÞUM�Ë wLOKFðl�u*« oO�Mð s� ¡eł

84 Albenaa ¡UM³�« ∏¥

The first & second floors are clear spaces that allow the continuity of the down yard of the building.

l� q�«u²�«Ë qš«b²K� w½U¦�«Ë ‰Ë_« s¹—Ëb�« ŸUHð—SÐ Õu²H*« ⁄«dH�« UNŽ—«uýË WM¹b*« Už«d�

83 Albenaa ¡UM³�« ∏≥

Side view of the building in which trees seen as wall on ground level vM³*« q²� qJA¹ Íc�« ⁄«dH�« l� qš«b²�«Ë WM¹b*« ⁄«d� l� q�«u²�«

82 Albenaa ¡UM³�« ∏≤

The empty spaces of the building is to allow the people to climb the urban weft and to have a perfect view of the city

Glass facade allows natural lights & to feel connected to

the city environments

‰ušb� WOłUł“ UNł«Ë l� q�«u²�«Ë WOFO³D�« …¡U{ù«

WM¹b*« W¾OÐ

qš«b²ð —uNL−K� W�UŽ Už«d� …bOł W�öÞ≈ błuðË WM¹b*« l�WÐö)« U¼dþUM� vKŽ

81 Albenaa ¡UM³�« ∏±

A fifteen floor tower that takes the ground level yard shape is designed and is taken to the upper floor. A band was thought for this purpose. This band is originated in a series of continuous bends, like an arabesque that conceptualizes and abstracts the idea of the branches and foliage of a tree. It goes all the way from the first floor to the last one defining the outer spaces and the double heights of the inners. The empty spaces of the building are yards that are used as an extension of the educational and public areas and at the same time as a space to be related with the landscape.This continued band is intercepted by a grid, an octagonal weft of pillars and girder which are the frame and building’s support which is exposed and are part of the expressive definition of the project.The purpose of the empty spaces of the building is to allow the people to climb the urban weft in order to reach places to have a perfect view of the city. At the same time, this allows the continued sight through the openings. The vertical core of the elevators, steps and humid zones are displaced from the axle to the south front of the building encompassing the circulations and services areas. The first and second floors are clear spaces that allow the continuity of the down yard of the building. The closing of the front is conformed by a glass coat. A first shutting, has windows in all the establishments to incorporate natural ventilation. And a second shutting, like a screen made of reflective and pigmented glass, to control the radiation and the thermic transmission. These shuttings are joined like a knitting so that its reflection gives a volumetric texture to the vertical plane of the building’s front. This texture allows the educational building to look alive and be connected to the city.

”dHO�Ë√ qOÝ—U�Ë ⁄U³� Ë—bÐ Êuł ∫ rLB*«wKOý ¨ ułUO²½UÝ ∫ l�u*«lÐd� d²� ππμ¥ ∫ WŠU�*«

uJ½ôuÐ uJ�O�½«d ∫ —uB*«Duoc Corporate Building

Space Connection & Urban Look A Live

wŽ«bÐ« »uK?ÝQÐ dC(« j?O;« l� q?�UF²�« d�UMF�«Ë vM³*« 5Ð wž«dH�« q�«u²�« À«bŠ≈Ë UNłu²�« b?Š√ `?³�√ tÐ W?DO;« W?¹dC(« ¨WM¹b*« w W�UF�« «¡UCH�« qOFH²� WO?ÝUÝô« s� »dI�UÐ w?½U³� ¡U?MÐ w dOJH²�« s?� Îôb?³ «¡U?CH�« l?M� s?J1 W?�UF�« «¡U?CH�« ¡eł ¡UDŽ≈ o¹dÞ sŽ vM³*« s� »d?I�UÐ W�UF�« w ÀbŠ U?L� ÂUF�« ¡U?CHK� t?�H½ vM³*« s?� s� dO³� ¡e?ł m¹dHð - YOŠ ¨Ãd?³�« «c¼ q?¦� WOLOKFð Už«d lMB� ‰Ë_«Ë w{—_« oÐUD�« WOFO³D�« «¡U?CHK� «œ«b?²�« ÊuJð W?¹dCŠË

ÆvM³*UÐ WDO;«Ë WŽË—e*« rOLB²�« vKŽ ”UÝ√Ë dO³� qJAÐ …dJH�« bL²Fð sL{ qJ?A²¹ vM³*« qF−¹ Íc?�« åÍu?CF�«ò WOLOLB²�« …dJH�« d�UMF ¨tO lI¹ Íc�« ÊUJ*« ¡U×O²Ý≈ r²¹ U� U³�UžË l u*« w błuð U� U³�Už

ÆUNM� rOLB²�«

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Aerial night view shot wKO� Íuł dEM�

التواصل الفراغي وإالطاللة الحضرية

برج ديوك

79 Albenaa ¡UM³�« ∑π

Photo shows the ongoing construction of the projects started at the end of 2009, with completion scheduled for 2013

78 Albenaa ¡UM³�« ∑∏

≤∞±≥ ÂUŽ w� wN²M¹ Ê√ —dI*« s�Ë Â≤∞∞π ÂUŽ cM� ¡UA½ù« X% u¼Ë vM³LK WFO³D« s� UDI

77 Albenaa ¡UM³�« ∑∑

Night view main perspective ¡UMO*« s� ŸËdALK� wKO� —uEM�

76 Albenaa ¡UM³�« ∑∂

Typical low-rise floor plan

Ground floor plan

Typical high-rise floor plan

w{—_« —ËbK� wI�_« jI�*«

…—dJ²*« WCH�M*« —«Ëœú� wI�_« jI�*«

—dJ²*« ÍuKF�« —ËbK� wI�_« jI�*«

Building section Ã«dÐ_UÐ —U� ŸUD�

75 Albenaa ¡UM³�« ∑μ

De Rotterdam is conceived as a vertical city: three interconnected mixed-use towers accommodating offices, apartments, a hotel, conference facilities, gym, shops, restaurants, and cafes. The project began in 1997. Construction started at the end of 2009, with completion scheduled for 2013. The towers are part of the ongoing redevelopment of the old harbour district of Wilhelminapier, next to the Erasmus Bridge, and aim to reinstate the vibrant urban activity – trade, transport, leisure – once familiar to the neighbourhood. De Rotterdam is named after one of the ships on the Holland America Line, which departed from the Wilhelminapier in decades past, carrying thousands of Europeans emigrating to the US. The three towers reach 150m high, with a gross floor area of approximately 160,000m2, making De Rotterdam the largest building in the Netherlands. OMA’s architectural concept produces more than sheer size: urban density and diversity – both in the program and the form – are the guiding principles of the project. De Rotterdam’s stacked towers are arranged in a subtly irregular cluster that refuses to resolve into a singular form and produces intriguing new views from different perspectives. Similarly, the definition of the building changes according to its multiple uses internally. The various programs of this urban complex are organized into distinct blocks, providing both clarity and synergy: residents and office workers alike can use the fitness facilities, restaurants, and conference rooms of the hotel. And these private users of the building have contact with the general public on the ground floor, with its waterfront cafes. The lobbies for the offices, hotel, and apartments are located in the plinth – a long elevated hall that serves as a general traffic hub for De Rotterdam’s wide variety of users.

©Êu� ÊU� 5�≈ ¨·«dł dO½— ¨”UN�u� .—® U�Ë√ ∫ rLB*««bM�u¼ ? Â«œdðË— ∫ l�u*«

lÐd� d²� ±∂∞∞∞∞ ∫ WŠU�*«De Rotterdam

A Vertical City & Visual Connection

u¼Ë ©”UN�u� .—® V²J� rOLBð s� ŸËdA*« r�UF�« Èu²�� vKŽ —uN?A� ÍbM�u¼ Í—ULF� s� »d²Ið w²�« ‰b?−K� …dO¦*« t²?Ý—b0 eOL²¹ ÆbŠ«Ë Ê¬ w� W¦¹b(« W?Ý—b*« q¦9Ë WOJOJH²�« ÊuJ¹ Ê√ qł√ s� rL� q�_« w� ŸËdA*« «c¼ w²�« WŁö¦�« Ã«d?Ð_« dNEð YOŠ WO?Ý√— WM¹b� ·bN�U� ¨bŠ«Ë v?M³� UN½Q�Ë vM³*« WK²� Êu?Jð w½U³*« jÐ— ‰öš s� r−(UÐ —UNÐù« À«bŠ≈ u¼

Æ…bŠ«Ë WK²� w� ŸËdALK� W½uJ*« WŁö¦�« …œbF²� U�«b�²?Ý« v?KŽ ŸËd?A*« Íu?²×¹ rŽUD�Ë ‚bM�Ë VðUJ*«Ë WOMJ?��« oIA�« UNM� v�≈ ÁU³²½ô« XHK½ Ê√ V−¹ UL� ¨W¹—U& ö×�Ë ÂUŽ Á“U$« - bI� ¨U� bŠ v�≈ .b� rOLB²�« Ê√ r²O?ÝË Â≤∞∞π ÂUŽ tO� ¡U?M³�« √b?ÐË Â±ππ∑ wL²M¹ u?N� p�c� ¨Â≤∞±≥ ÂU?Ž t?M� ¡U?N²½ô« rž— ¨”UN�u� .d� U¹«b³�UÐ W?�U)« —UJ�ú� …d�UF*« —UJ�ô« sŽ nK²�ð ô U¹«b³�« pKð Ê√ Y¹b×²�«Ë b¹b−²�«Ë …d�UG*« YOŠ s� rLBLK�

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Æ—Ëd*« W�dŠ

Aerial location site l�uLK� Íuł —uEM�

74 Albenaa ¡UM³�« ∑¥

المدينة الرأسية والتشابك البصري

دى روتردام

73 Albenaa ¡UM³�« ∑≥

W¹dCŠË WOLOKFð U?ž«d� oK) ‰Ë_«Ë w?{—_« oÐUD�« W?DO;« W?ŽË—e*« W?OFO³D�« «¡U?CHK� «œ«b?²�« Êu?Jð rOLB²�« vKŽ w?ÝUÝ«Ë dO³� qJ?AÐ …dJH�« bL²Fð ÆvM³*UÐ ÊUJ*« s?L{ qJ?A²¹ vM³*« s?� qF−¹ Íc?�« åÍu?CF�«ò błuð U� U³�Už W?OLOLB²�« …dJH�« d?UMF� ¨tO� lI¹ Íc?�« sJ1Ë ÆUNM� r?OLB²�« ¡U×O²?Ý≈ r²¹ U� U³�UžË l�u*« w?� …—ULŽ d¹uDð v?�≈ wCH¹ wMI²�« q?�UF²�« Ê√ nO� Èd?½ Ê√ ULK� t½√ Èd½ s×M� ¨iF³�« l�u²¹ b� U� fJŽ vKŽ WDO Ð œ«“ ULK� r?LB*« Èb� W?OMI²�« WŠU? *«Ë …—b?I*« œ«œ“≈ dNE¹ Æ…dŁR�Ë WLJ×�Ë WDO Ð ‰UJý√ d¹uDð vKŽ tð—bI� Íc�« ©UJ¹“ü® W¹bKÐ vM³* wž«dH�«Ë ÍdB³�« ÕdD�« w� «c¼ UÐuK?Ý√ ÂbI¹ Íc�« W¹—ULF*« t?KOUH²Ð Îö?L²J� t?{dŽ - d³F¹Ë Â«b�²?Ýô« …œbF²*« w½U³*« l?� q�UF²�« w� U?HK²�� W¹dBÐË …d?ýU³� WI¹dDÐ …œbF²*« U�«b�²?Ýô« Ác¼ sŽ …b¹błË …dJ²³� W?I¹dDÐ wHOþu�« œb?F²�« «c¼ v�≈ dO?A¹Ë XŠUð√ w²�« …dUF*« WOMI²�« …—bI*« vKŽ œUL²Žô« ‰öš s� w¼Ë ©UJ¹“ü® W?M¹b� w� l?I¹ ŸËd?A*« ÆdO³F²�« Ác¼ q?¦� r� WIDM� w� ¨œu?Ý_« d×³�« qŠU?Ý vKŽ lIð …b¹bł WM¹b� Ÿu½ tO�Ë qI²? � tð«– b×Ð s¹uJ²�« Æq³� s� W�u¼Q� s?Jð …bŽ s� ÊuJ� uN� qI²? *« Í—ULF*« qOJ?A²�«Ë Ÿ«bÐô« s� W�Uð WO�öI²?ÝSÐ q?LF¹ Ê√ sJ1 U?NM� q�Ë W?LzUŽ w?½U³� ·—UF²*« Íb×²�« iFÐ d?NEð …dJH�« ÆÈdš_« w½U³*« s?Ž WK²� dNEð YOŠ nB²M*« w� WždH� WK²J�U� l�u²*«Ë t?OKŽ q²J�« dNEð U?LMOÐ W�öLŽ W?KE� t½Q�Ë vKŽ_« w?� V?ðUJ*« lI¹ Íc�« d?O³J�« w²×M�« ¡U?CH�« s� ¡eł UN½Q�Ë Èd?š_«

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ÆW�œUI�« «uM �« w� W¹—ULF*« ‰uK(«

72 Albenaa ¡UM³�« ∑≤

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المعمارية المعاصرة

66 Albenaa ¡UM³�« ∂∂

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64 Albenaa ¡UM³�« ∂¥

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62 Albenaa ¡UM³�« ∂≤

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60 Albenaa ¡UM³�« ∂∞


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58 Albenaa ¡UM³�« μ∏

ÆÊ“«u²� qJAÐ r¼—«ËœQÐ ÂUOI�« lOL−K� WO½«dLF�« W?¾O³�« Ê√ w?F½ Ê√ V?−¹ W¹«b³�« w?� qš«b²�Ë b?IF� w½U?�½«Ë ÍœU� ‰U−� qJ?Að …dDO?��«Ë ÈuIK� WO³ð«dðË ÂUE½ œułË ÊËœË ÀöŁ sŽ UMŁb% UM� «–≈Ë ¨v{u� „UM¼ ÊuJOÝ W¹bOKI²�« WO½«dLF�« W¾O³�« rOEM²� WOÝUÝ« bŽ«u —uB�«Ë ‰UJ?ýú� …b?�u� W?¾OÐ Êu?Jð v?²Š Àb×²½ Ê√ Í—ËdC�« s� t½S� p�c� ¨À«bŠ_«Ë bŽ«uI�« Ác¼ UNÐ —«b?ð Ê√ V−¹ w²�« WOHOJ�« s?Ž w¼ WFÐ«d�« …b?ŽUI�« ÆUNMOÐ jÐd�« s?J1 nO�Ë d¹uDð Í—ËdC�« s� t½_ å…—«œù«Ë …dDO��«ò WO½«dLF�« W¾O³�« …—«œ≈Ë …dDO?�K� q�UJ²� ÂUE½ b?Ž«uI�UÐ œU?ýd²Ýô« ‰ö?š s?� W?OŁ«d²�« ÊU?L{ s?� b?�Q²�«Ë WO?ÝUÝ_« W?Oöš_« ’U)«Ë ÂUF�« o×K� W¹ËU�²�Ë W�œUŽ WÝ—U2 `O×B�« qJA�UÐ UNÐ ÂUOI�« r²¹ UO�u¾�*« Ê√Ë …dDO?��« ÂUE½ Æ’U)«Ë ÂUF�« o¹dH�« q³ s� WłU(« s� U?FÐU½ ÊuJ¹ Ê√ V?−¹ «c?¼ …—«œù«Ë …UOŠ j/ l� UO?ýUL²� ÊuJ¹ Ê√ V−¹Ë WOK;« s¹c�« p¾�Ë« Ë√ o?ÞUM*« Ác¼ sJ?�ð w²�« ”UM�« Ê√ V−¹ ö¦L� ÆqłUF�« V¹dI�« w� UN½uMJ�OÝ f�U−*« w� WOŁ«dð WIDM� qJ� q¦2 „UM¼ ÊuJ¹ s� q¦L*« «c?¼ —UO²š« r?²¹ Ê√ V?−¹Ë ¨W?¹bK³�« hM¹ Ê√ V−¹ W?¹«b³�« w� sJ� »U�²½ô« ‰ö?š oÞUMLK� q¦2 œułË vKŽ W¹bK³�« f�U−*« ÂUE½ q¦2 —Ëœ ÊuJ¹ Ê√ ÷d?²H¹Ë ÆUNO� W?O�¹—U²�« oOI% u¼ Íb?K³�« fK−*« w� WOŁ«d²�« W?IDM*« rNuIŠ s?Ž ŸU�b�«Ë W?IDM*« ÊUJ?Ý V?�UD� —«dI�« qJAð √b³� ¡UIÐ sLC¹ p�cÐ u¼Ë ¨W�UF�« W¾O³�« s� qF& w²�« ÂdN�« vKŽ√ v�≈ …bŽUI�« s� Æœb−²�«Ë qJA²�« vKŽ …—œUË …b�u� WO½«dLF�« f?Ý_« s� bF¹ UM¼ …—«œù«Ë …dDO?��« ÂuNH� U¼—«dL²Ý«Ë WO½«dLF�« W¾O³�« ÕU$ sLCð w²�« WOöš_« f?Ý_« U½œbŠ UM� «–S� ¨—uD²�« w?� W�U)«Ë W?�UF�« U?³ł«u�«Ë ‚u?I(« U?MOÐË W?ÞUM*« UO�R?�LK� `?{«Ë —U?Þ≈ U?MF{ËË oO³Dð WOHO� Ê–≈ vI³¹ ¨ UDK?��UÐË ÊUJ?��UÐ o?³Dð U?N½√ ÊU?L{Ë W?OLOEM²�« U?O�ü« Ác?¼ s?� WO³F?A�« …b?ŽUI�« s?J9 w?²�« W?I¹dD�UÐ l� W?O½«dLF�« r?N²¾OÐ …—«œù «—«d?I�« –U?�ð« ÂUOI�«Ë W?�UF�« ‚uI(« c?OHM²� UDK?��« ¡UIÐ s?�_« ÊU?L{ s?� U?NÐ W?ÞUM*« UNðUO�u¾?�0 dO�uðË ”UM�« 5Ð qBHK� ¡UCI�« ÂUE½ l{ËË

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ÆrNð«—UIŽË rNO½U³� b¹b&Ë d¹uDðË

هناك ضرورة ملحة في الوقت الراهن لوضع «تشريعات» بلدية

لكل من يرغب في بناء أو تعديل عقاره داخل المنطقة

التاريخية.

يجب أن يكون هناك ممثل لكل منطقة تراثية في المجالس

البلدية، ويجب أن يتم اختيار هذا الممثل من خالل االنتخاب.

bI½Ë Í√—

56 Albenaa ¡UM³�« μ∂

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أحد المسائل ا�ساسية في ا�دارة العمرانية هي «من يسيطر على ماذا» أي من

هو المسئول عن إدارة البيئة العمرانية: هل هم السكان أم

السلطات المحلية أم السلطات المركزية؟

يجب أن نعي أن البيئة العمرانية تشكل مجال مادي وانساني معقد ومتداخل ودون وجود نظام سيكون هناك فوضى.

ا�خالق الحضرية وتوليد الشكل

العمراني

bI½Ë Í√—

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ا�ستاذ الدكتور مشاري بن عبد ا� النعيم

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ا�خالق الحضرية هي مجموعة القواعد ا�خالقية والحقوق

والواجبات والمسؤوليات التي يتحملها ا�فراد والسلطات في

البيئة العمرانية.

…b¹bł V²�

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ثقافة الفراغ والحركة

n�R*«—UO� ÊUł

÷dŽqO)« UÐ√ tK�« b³Ž rO¼«dÐ« ”bMN*«

dýUM�«»u�

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ÆUMðUFL²−� w� UNM�

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s¹dAF�«Ë dAŽ lÝU²�« 5½dI�« ‰öš tLOLBð w� WOŽUMB�« …—ULF�« `�ö� b¹b'« b¹U?Ý pMÐ qL×¹ W×Mł√ WFÐ—√ w� WOMJÝ …bŠË ≤±∑ lL−*« «c¼ rC¹Ë dNM�« vKŽ qD¹Ë ¨ÊbM� jÝË ÂU¼ ÊUJ� q²×¹ Íc�« »UAš_« Â«b�²Ý«Ë ÊuK*« ÃUłe�UÐ Ã«dÐ_« eOL²ðË ÆoÐ«uÞ W²Ý VðUJ*« q²% ULO� ¨ qJA�« WOÝ«bÝ

ÆÁu—UA�Ë „d²Ý “dł—Ë w*UF�« Í—ULF*« V²J� u¼ ŸËdA*« rLB� Ê√ dc¹ Æ Ã—U)« s�

NEO Bankside

NEO Bankside comprises 217 residential units in four hexagonal pavilions ranging from 12 to 24 storeys and a six-storey office block, located next to the Tate Modern, one of the most visited museums in the world. All the buildings of the scheme take their cues from the immediate context and it is the quality of the entire ensemble – rather than the individual parts – which creates drama. The overall design hints at the former industrial heritage of the area during the 19th and 20th centuries, responding in a contemporary language which reinterprets the colouration and materials of the local architectural character. The steel and glass pavilions fit perfectly into the Bankside landscape; oxide reds of the Winter Gardens echo those of Tate Modern and nearby Blackfriars Bridge, while the exterior’s timber clad panels and window louvres give the building a warm, residential feeling.

ÊbM� w� b¹b'« b¹UÝ pMÐ

بنك سايد الجديد في لندن

W¹—ULF*« r?C¹ Íc?�«Ë W?O«dF�« l?L& “U?� ¨œdH�« ”b½uLO?Ý ¨b¹bŠ U¼“ WO*UF�« W?O«dF�« WO�Ëb�« WIÐU?�*« w?� ADPI Ë tO?ýuž d?HO� ¨œ«bGÐ w?� b¹b'« w?«dF�« ÊU?*d³�« r?OLB²� WDO;« WM¹b*« d¹uD²� W�Oz— WDš sL{ p�–Ë b¹bł ‚bM� W�U{≈Ë WO�uJ(« w½U³*« p�cË ¨tÐ d¹uDðË jOD�ð …œU?Ž≈ r²¹ UL ÆW�UŽ o?z«bŠË UŠU?��«Ë WDO;« ‚d?D�«Ë Ÿ—«u?A�« j?/ s?� W?ŽuM²� W?ŽuL−0 U?NDÐ—Ë ¡«d?C)« ZO?�M�« «c¼ w� WOł—U)«Ë WOKš«b�« nzUþu�« VOðd²�«Ë w?½U³*« vKŽ W?E�U;« l� w?½«dLF�«

ÆWIDMLK� ÍdC(«

Assemblage Wins Iraqi Parliament Competition

Assemblage has succeeded against a prestigious shortlist – which included Zaha Hadid Architects, Capita Symonds, Fevre Gaucher and ADPI – in an international competition for the new Iraqi parliament complex in Baghdad. The $1Bn USD project challenged contestants to design a new, large scale complex amidst the remnants of a partially built super mosque planned by Saddam Hussein. The London-based practice will be awarded $250,000 USD and asked to produce a master plan for the surrounding city, as well as additional government buildings, a new hotel and public parks. The anonymous jury plans to exhibit the submitted projects, along with the judging committee’s decision. However, a date has yet to be announced. Assemblage’s concept for the parliament complex is conceived as a work of urban design and not as one large architectural object. . The majority of the complex is formed as a pattern of streets, indoor and outdoor, & green courtyards, connecting an arrangement of buildings of a variety of functions.

تجمع زها حديد يفوز بمسابقة البرلمان العراقي

w«dF�« ÊU*d³�« vM³* —uEM�

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ÆbOOA²�«Ë ¡UM³�« W�UšË WJKL*« UŽUD� lOLł w WOLM²�« U³KD²�Ë WOK³I²�*«

المؤتمر السعودي الدولي لتقنية البناء

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Í—«œ≈ rOEMð s?� Â«d(« bK³�« UłUO²Š« W?O³Kð v�≈ UFKD²�«Ë W?1dJ�« WO�U?��« UNOłu²�« oKDM� s?� d¹uDðË Â«d(« b?K³�« Ídz«“Ë wM�U?�� U�b)« d¹uDðË WOK³I²?�*«Ë WO�U(« l¹—U?A*« vKŽ ·«d?ý≈Ë WL¼U�*UÐ ·d?A²�« ∫ …bŽ ·«b¼√ oOI% v�≈ UOF?Ý W�dJ*« WJ0 W?ÝbI*« WLUF�« W½U�√ vM³� rOLBðË f?Ý√ oO³Dð vŽ«d¹ ¨W?ÝbI*« WLUF�« ¡UOŠ√ v�≈ b¹bł Í—UCŠ rKF� W�U{≈ d³Ž W�dJ*« WJ� —ULŽ≈ w�

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ÆUNHOþuðË W¦¹b(« ¡UM³�« UOMIð s�

Architectural Competition for Designing Holy Makkah Municipality’s Building

Out of these precious directions, there are aspirations to meet the needs of the Holy Makkah, including an administrative organization, overseeing current and future projects, and developing services for residents and visitors of Makkah, and developing and designing Holy Makkah Municipality’s building in order to achieve several objectives; firstly to honorably contribute to the reconstruction of Makkah by adding new civilized feature to the Holy City’s neighborhoods, taking into account applying the principles and rules of the modern urban planning within data and capabilities of the era and ambitious future.The competition will be sponsored by the Holy Makkah Municipality, in collaboration with “Urban Development & Engineering Office” a consulting firm in King Abdulaziz University, and under the supervision of the head of the office Prof. Yasser Abdul Razzaq Balila (faculty member in the Department of Architecture - King Abdul Aziz University, and former chairman of the executive committee of the Saudi Urban Science Assembly in Jeddah).

Implementation of Metro Rail Network in Makkah to Cost SR60 Cillion

The Cabinet approved a SR 60 billion plan for the implementation of a metro rail network in Makkah, which would link the Makkah Metro and the Two Holy Mosques Express Train to facilitate access to the Grand Mosque.The first of four stations will be located in the Ajyad area in front of Al-Shohada Hotel, the second in Mount Madafea, the third in Shoab Amer at Gaazh region, and the forth in the Misfalah area, said Abbas Qattan, assistant deputy director for Construction and Projects, and chairman of the Committee for the Development of Makkah Municipality. Qattan also pointed out that there would be 1,800 property expropriations for building these four stations.

مسابقة معمارية لتصميم مبنى أمانة العاصمة المقدسة الجديد

WÝbI*« WLUF�« W½U�_ w�U(« vM³*«

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ÆlÐ—_« UD;« Ác¼ `�UB� —UIŽ ±∏∞∞ WOJK� Ÿe½

٦٠ مليار ريال لتنفيذ شبكة قطار داخل العاصمة المقدسة

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Æ—U�� Ë√ o¹dÞ q� w� UN� hB�*« —U�*«

محطات ومواقف ونظم متقدمة لمشروع شبكة حافالت الرياض

ö�U(« UD; ÍœUý—√ Õd²I�

ö�U(« WD; WO³½Uł WNł«Ë

Stations, Parking, and Advanced Systems for Riyadh Bus Network Project

The Arriyadh Development Authority is now studying proposals for Riyadh bus network stations, where the project consists of several stations along the tracks that vary by area and offered functions, in the addition to the unified ticketing system with electric train network beside the public parking spreading in eight locations and distributed in the outskirts of the city within the bus routes of a allocated track.

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ÆrNM� dO³� ¡eł nOþu²Ð ÂuI²Ý WOMÞu�« ÁUO*« W�dý

إنشاء مركز بحثي إقليمي في جدة للتدريب على تقنيات المياه والصرف الصحي

الملتقى السعودي ا8ول لتخطيط وتصميم المستشفيات

The establishment of a regional research center in Jeddah for training on water and sewage techniques

The National Water Company CEO Loay bin Ahmed Al-Musallam revealed that a regional research center will be established in Jeddah for training on water and treated sewage effluent techniques, costing SR 200 million, in addition to other costs for operation process. Also, he indicated that the Kingdom lacks such a center in the field of water and sewage effluent. “The center will be international and its management will coordinate with global companies in order to become according the international standards.” He said during the sessions of 2012 Saudi Water & Power Forum (SWPF) in Jeddah.“The center basically aims at developing the Saudi youth after their graduation from universities and preparing them to the labor market as the National Water Company will hire many of them.” He added.

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j?OD�ð ‰U?−� w?� W?�dF*« d?A½ ?≤Æ UOHA²*« rOLBðË

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w?½U³*« Í—U?LF� W³F?AÐ n?¹dF²�« ?μ W¹œuF�« WOFL'« s� WI¦³M*«Ë WO×B�«

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Development of Aviationتطوير مرافق الطيران في مطار الملك عبد العزيز الدوليFacilities at King Abdulaziz International Airport

The General Authority for Civil Aviation has confirmed that the implementation of King Abdulaziz International Airport’s expansion project in Jeddah is going as scheduled and will be done by the contractors in 2014. The General Authority for Civil Aviation has stated that the project of aviation facilities development, including establishment of runways, passages and parking to accommodate the new generation of giant aircraft will be completed by the end of this year, while the lounges will be completed in the middle of next year.

Advanced Stage in the Establishment of Haramain High Speed Rail Project Station in Jeddah

The Haramain High Speed Rail Project in Jeddah has reached an advanced stage, and traffic detours for the King Abdullah Street in Sulaymaniyah and Prince Mohammed bin Abdulaziz have already begun in order to demolish two bridges after the Hajj season, while the road will be open for traffic flow from the bottom of the Braiman Bridge and from the western side, as the eastern side is witnessing a workshop for several contractors which is delaying the implementation.The project management announced that the beams, that hold the bridge from the west, had been molding and installing, and the main road linking to the Sheikh Ibn Baaz Street had been implemented from Haramain Road in two ways and within a width of more than a hundred meters. It was confirmed that the Palestine Bridge would not be removed, where there will be two suspension bridges; one for Haramain rail to enter to the main station in Sulaymaniyah and the other to exit at a length of 1200 meters, while work has been interrupted in station of King Abdullah Industrial City and Madinah.

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مرحلة متقدمة في إنشاء محطة قطار الحرمين في جدة

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PROJECTS مشاريع

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PROJECTS مشاريع

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توسعة المطاف تبدأ من الناحية الشرقية

ضاحية سكنية .. بخليج سلمان

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Al-Mataf Expansion Begins from the East Side

The company executing King Abdullah bin Abdulaziz’s Al-Mataf expansion project will start implementing the first phase of the project within the next two weeks from the east side, which represents the bottleneck and it is bordering Al-Masa’a.This phase will include the northeast half of the Holy Mosque, and will end from the south side against the Safa escalators, while the project will be completed in three phases divided over three years.The capacity of Al-Mataf will be doubled 3 times (i.e. 150,000 pilgrims per hour), while Al-Mataf will eventually be free of obstacles and dangers, and the services will be upgraded by using the latest systems and technologies to improve the service provided to the Holy Mosque visitors, including sound systems, lighting, HVAC system, and services completely different for people with special needs. The highest standards of quality and safety for pilgrims have been taken into account in all parts of Al-Mataf.

Residential Suburb in Salman Bay

His Royal Highness Prince Dr. Mansour bin Miteb bin Abdulaziz, Minister of Municipal and Rural Affairs, has patronized a ceremony organized by Jeddah Development and Urban Regeneration Company (JDURC) for the construction phase of the housing project in Salman Bay on Durrat Al-Arus road.The project is considered as one of the main residential suburbs with integrated facilities and services and one of the fruits of Jeddah Municipality through JDURC, at an estimated cost of 6 billion riyals and a total of 25,000 units developed over 3 million square meters.It will include several educational, health, sport, recreational, and public services, in addition to malls, roads, and open areas. The construction phase will see 5,000 houses built, which will be one of the solutions to the housing crisis in the Kingdom which King Abdullah bin Abdulaziz directed to solve.

38 Albenaa ¡UM³�« ≥∏

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