Studio AirQian Chen387183

Eiffel Tower

Gustave Eiffel

“As it become clear, architecturc is as much a philosophical, so-cial or professional realm as it is a material one, and it is through the consideration of architecture as discourse that one can engage with it as visual culture. I sug-gest how by exemplifying three related, but distinct, approaches to architecture: architecture as a form of art; architecturc as a symbolic realm; and architecture as spatial experience.” --Richard Williams, ‘Ar-

chitecture and Visual Culture’

Architecture is always considered a visual art as its scale, cost and require-ment of public patronage. According to William, architecture embraces both aesthic appreciation and functionality, and influenced by social and cultural movement, it is not only a form of art but a symbolic realm and spatial expe-rience. Eiffel Tower is an good example, it is the result of the new technology and modern movement in 1890s. The tower is a giant steel structure, located on the city of paris, and creates huge contrast between it and surroundings. When the Eiffel Tower was first been built, it receives huge attentions, and brings longstanding debate about re-lationships between architecture and engineering. Now this cold, solid, giant piece of steel became the symbol of Paris, as well as the representation of romantic. The gateway project need to be an identification and a symbol of Wynd-ham. It is also important to encourage a sense of pride within the local com-munity. By using the new technology and grand scale, we can achieve the similar effect.

Architecture As Discourse

Airspace Tokyo

Thom Faulders+Studio M

Architecture, because of its unique position in the public realm, is a uniquely compromised art. -Richard Williams Architecture and visual culture

Architecture as public art, it provides not only the visual effect, but also the connection between nature and people. Airspace has a complex skin, the skin makes it as a zone where the artificial blends with nature, the sunlight is refracted along its metallic surfaces; the rainwater is channeled away from exterior walkways via capillary action. With the skin, it creates privacy for users, as well as the interesting view from both inside and outside. In the context of Wyndham coucil̀ s Gateway Project, we can create another unique public art by using the complex skin, as well as providing some functionality.

Architecture As Discourse