adams at home auction - february 26 th 2017

AT HOME | AUCTION FEBRUARY 26TH, 2017

AUCTIONSunday 26th February 2017 at 11.00am

VENUEAdam’s Salerooms,26 St. Stephen’s Green, Dublin, D02 X665,Ireland

VIEWING February 22ND - February 25TH

Wednesday 22nd February 10.00am - 5.00pm

Thursday 23rd February 10.00am - 7.00pm

Friday 24th February 10.00am - 5.00pm

Saturday 25th February 11.00am - 5.00pm

ADAM’S

Est.1887

26 St. Stephen’s Green

Dublin D02 X665

Tel +353 1 6760261

[email protected]

www.adams.ie

mailto:[email protected]

http://www.adams.ie/

http://www.invaluable.co.uk/catalog/searchLots.cfm?scp=c&catalogRef=4ZUI9EYVME

https://www.the-saleroom.com/en-gb/auction-catalogues/adams/catalogue-id-srad10082

AUCTIONSunday 26th February 2017 at 11.00am

VENUEAdam’s Salerooms,26 St. Stephen’s Green, Dublin, D02 X665,Ireland

VIEWING February 22ND - February 25TH

Wednesday 22nd February 10.00am - 5.00pm

Thursday 23rd February 10.00am - 7.00pm

Friday 24th February 10.00am - 5.00pm

Saturday 25th February 11.00am - 5.00pm

ADAM’S

Est.1887

26 St. Stephen’s Green

Dublin D02 X665

Tel +353 1 6760261

[email protected]

www.adams.ie

26 St. Stephen’s Green, Dublin 2 +353 (0)1 6760261 www.adams.ie

IMPORTANT INFORMATION FOR PURCHASERS

1. ESTIMATES AND RESERVESThese are shown below each lot in this sale. All amounts shown are in Euro. The figures shown are provided merely as a guide to pro-spective purchasers. They are approximate prices which are expected, are not definitive and are subject to revision. Reserves, if any, will not be any higher than the lower estimate.

2. PADDLE BIDDINGAll intending purchasers must register for a paddle number before the auction. Please allow time for registration. Potential purchasers are recommended to register on viewing days.

3. PAYMENT, DELIVERY AND PURCHASERS PREMIUMMonday 27th February 2017. Under no circumstances will delivery of purchases be given whilst the auction is in progress. All purchases must be paid for and removed from the premises not later than Monday 27th February 2017 at the purchaser’s risk and expense. After this time all uncollected lots will be removed to commercial storage and additional charges will apply. Auctioneers commission on purchases is charged at the rate of 20% (exclusive of VAT). Terms: Strictly cash, bankers draft or cheque drawn on an Irish bank. Cheques will take a minimum of five workings days to clear the bank, unless they have been vouched to our satisfaction prior to the sale, or you have a previous cheque payment history with Adam’s. Purchasers wishing to pay by credit card (Visa & MasterCard) may do so, however, it should be noted that such payments will be subject to an administrative fee of 1.5% on the invoice total. American Express is subject to a charge of 3.65% on the invoice total. Debit cards including laser card payments are not subject to a surcharge, there are however daily limits on Laser card payments. Bank Transfer details on request. Please ensure all bank charges are paid in addition to the invoice total, in order to avoid delays in the release of items. Goods will only be released upon clearance through the bank of all monies due. Artists Resale Rights (Droit de Suite) is NOT payable by purchasers.

4. VAT REGULATIONSAll lots are sold within the auctioneers VAT margin scheme. Revenue Regulations require that the buyers premium must be invoiced at a rate which is inclusive of VAT. This is not recoverable by any VAT registered buyer.

5. It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. Whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Please ensure that condition report requests are submitted before 12 noon on Thursday 24th November as we cannot guarantee that they will be dealt with after this time.

6. ABSENTEE BIDSWe are happy to execute absentee or written bids for bidders who are unable to attend and can arrange for bidding to be conducted by telephone. However, these services are subject to special conditions (see conditions of sale in this catalogue). All arrangements for absentee and telephone bidding must be made before 5pm on the day prior to sale. Cancellation of bids must be confirmed before this time and cannot be guaranteed after the auction has commenced.Bidding by telephone may be booked on lots with a minimum estimate of €500. Early booking is advisable as availability of lines cannot be guaranteed.

7. ALL LOTS ARE BEING SOLD UNDER THE CONDITIONS OF SALE AS PRINTED IN THIS CATALOGUE AND ON DISPLAY IN THE SALEROOMS.

26 St. Stephen’s Green, Dublin 2 +353 (0)1 6760261 www.adams.ie

IMPORTANT INFORMATION FOR PURCHASERS

1. ESTIMATES AND RESERVESThese are shown below each lot in this sale. All amounts shown are in Euro. The figures shown are provided merely as a guide to pro-spective purchasers. They are approximate prices which are expected, are not definitive and are subject to revision. Reserves, if any, will not be any higher than the lower estimate.

2. PADDLE BIDDINGAll intending purchasers must register for a paddle number before the auction. Please allow time for registration. Potential purchasers are recommended to register on viewing days.

3. PAYMENT, DELIVERY AND PURCHASERS PREMIUMMonday 27th February 2017. Under no circumstances will delivery of purchases be given whilst the auction is in progress. All purchases must be paid for and removed from the premises not later than Monday 27th February 2017 at the purchaser’s risk and expense. After this time all uncollected lots will be removed to commercial storage and additional charges will apply. Auctioneers commission on purchases is charged at the rate of 20% (exclusive of VAT). Terms: Strictly cash, bankers draft or cheque drawn on an Irish bank. Cheques will take a minimum of five workings days to clear the bank, unless they have been vouched to our satisfaction prior to the sale, or you have a previous cheque payment history with Adam’s. Purchasers wishing to pay by credit card (Visa & MasterCard) may do so, however, it should be noted that such payments will be subject to an administrative fee of 1.5% on the invoice total. American Express is subject to a charge of 3.65% on the invoice total. Debit cards including laser card payments are not subject to a surcharge, there are however daily limits on Laser card payments. Bank Transfer details on request. Please ensure all bank charges are paid in addition to the invoice total, in order to avoid delays in the release of items. Goods will only be released upon clearance through the bank of all monies due. Artists Resale Rights (Droit de Suite) is NOT payable by purchasers.

4. VAT REGULATIONSAll lots are sold within the auctioneers VAT margin scheme. Revenue Regulations require that the buyers premium must be invoiced at a rate which is inclusive of VAT. This is not recoverable by any VAT registered buyer.

5. It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. Whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Please ensure that condition report requests are submitted before 12 noon on Thursday 24th November as we cannot guarantee that they will be dealt with after this time.

6. ABSENTEE BIDSWe are happy to execute absentee or written bids for bidders who are unable to attend and can arrange for bidding to be conducted by telephone. However, these services are subject to special conditions (see conditions of sale in this catalogue). All arrangements for absentee and telephone bidding must be made before 5pm on the day prior to sale. Cancellation of bids must be confirmed before this time and cannot be guaranteed after the auction has commenced.Bidding by telephone may be booked on lots with a minimum estimate of €500. Early booking is advisable as availability of lines cannot be guaranteed.

7. ALL LOTS ARE BEING SOLD UNDER THE CONDITIONS OF SALE AS PRINTED IN THIS CATALOGUE AND ON DISPLAY IN THE SALEROOMS.


+353 (0)1 6760261

CONTACTS

Brian Coyle FSCSI FRICS

CHAIRMAN

Nick Nicholson

[email protected]

James O’Halloran BA FSCSI FRICS

MANAGING [email protected]

Stuart Cole MSCSI MRICS

[email protected]

David Britton BBS ACA

[email protected]

Amy McNamara BA

FINE ART [email protected]

Eamon O’Connor BA

[email protected]

Adam Pearson BA


Ronan Flanagan


Claire-Laurence Mestrallet

HEAD OF [email protected]










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GENERAL TERMS & CONDITIONS OF BUSINESS

The Auctioneer carries on business on the following terms and conditions and on such other terms or conditions as may be expressly agreed with the Auctioneer or set out in any relevant Catalogue. Conditions 12-21 relate mainly to buyers and con-ditions 22-32 relate mainly to sellers. Words and phrases with special meanings are defined in condition 1. Buyers and sellers are requested to read carefully the Cataloguing Practice and Catalogue Explanation contained in condition 2.

DEFINITIONS 1. In these conditions the following words and expressions shall have the following meanings: Auctioneer - James Adam and Sons trading as Adam’s.Auctioneer’s Commission - The commission payable to the Auctioneer by the buyer and seller as specified in conditions 13 and 25.Catalogue - Any advertisement, brochure, estimate, price or other publication.Forgery - A Lot which was made with the intention of deceiving with regard to authorship, culture, source, origin, date, age or period and which is not shown to be such in the description therefore in the Catalogue and the market value for which at the date of the auction was substantially less than it would have been had the Lot been in accordance with the Catalogue description.Hammer Price - The price at which a Lot is knocked down by the Auctioneer to the buyer.Lot - Any item which is deposited with the Auctioneer with a view to its sale at auction and, in particular, the item or items described against any Lot number in any Catalogue.Proceeds of Sale - The net amount due to the seller being the Hammer Price of the Lot after deducting the Auction-eer’s Commission thereon under condition 25 the seller’s contribution towards insurance under condition 26, such VAT as is chargeable and any other amounts due by the seller to the Auctioneer in whatever capacity howsoever arising.Registration Form or Register - The registration form (or, in the case of persons who have previously attended at auctions held by the Auctioneer and completed registration forms, the register maintained by the Auctioneer which is compiled from such registration forms) to be complet-ed and signed by each prospective buyer or, where the Auctioneer has acknowledged pursuant to condition 12 that a bidder is acting as agent on behalf of a named principal, each such bidder prior to the commencement of an auction.Sale Order Form - The sale order form to be completed and signed by each seller prior to the commencement of an auction.Total Amount Due - The Hammer Price of the Lot sold, the Auctioneer’s Commission due thereon under condition 13, such VAT as is chargeable and any additional interest, expenses or charges due hereunder.V.A.T. - Value Added Tax. Cataloguing Practice & Catalogue Explanations 2. Terms used in Catalogues have the following meanings and the Cataloguing Practice is as follows: The first name or names and surname of the artist - In the opinion of the Auctioneer a work by the artist.The initials of the first name(s) and the surname of the artist - In the opinion of the Auctioneer a work of the period of the artist and which may be in whole or in part the work of the artist.The surname only of the artist - In the opinion of the Auc-tioneer a work of the school or by one of the followers of the artist or in his style.The surname of the artist preceded by ‘after’ - In the opinion of the Auctioneer a copy of the work of the artist.Signed/Dated/Inscribed - In the opinion of tile Auctioneer the work has been signed/dated/inscribed by the artist.With Signature/With date/With inscription’- In the opinion of the Auctioneer the work has been signed/dated/inscribed

by a person other than the artist.Attributed to - In the opinion of the Auctioneer, probably a work of the artist.Studio of/Workshop of - In the opinion of the Auctioneer a work executed in the studio of the artist and possibly under his supervision.Circle of - In the opinion of the Auctioneer a work of the period of the artist and showing his influence.Follower of - In the opinion of the Auctioneer a work execut-ed in the artist’s style yet not necessarily by a pupil.Manner of - in the opinion of the Auctioneer a work executed in artist’s style but of a later date. None of the terms above are appropriate but in the Auction-eer’s opinion the work is a work by the artist named.

GENERAL CONDITIONS Auctioneer Acting as Agent3. The Auctioneer is selling as agent for the seller unless it is specifically stated to the contrary. The Auctioneer as agent for the seller is not responsible for any default by the seller or the buyer. The auctioneer reserves the right to bid on behalf of the seller. Auctioneer Bidding on behalf of Buyer4. It is suggested that the interests of prospective buyers are best protected and served by the buyers attending at an auc-tion. However, the Auctioneer will, if instructed, execute bids on behalf of a prospective buyer. Neither the Auctioneer nor its employees, servants or agents shall be responsible for any neglect or default in executing bids or failing to execute bids. Admission to Auctions5. The Auctioneer shall have the right exercisable in its absolute discretion to refuse admission to its premises or attendance at its auctions by any person. Acceptance of Bids6. The Auctioneer shall have the right exercisable in its abso-lute discretion to refuse any bids, advance the bidding in any manner it may decide, withdraw or divide any Lot, combine any two or more Lots and, in the case of a dispute, to put any Lot up for auction again. Indemnities7. Any indemnity given under these conditions shall extend to all actions, proceedings, claims, demands, costs and expenses whatever and howsoever incurred or suffered by the person entitled to the benefit of the indemnity and the Auctioneer declares itself to be a trustee of the benefit of every such indemnity for its employees, servants or agents to the extent that such indemnity is expressed to be for their benefit. Representations in Catalogues8. Representations or statements made by the Auctioneer in any Catalogue as to contribution, authorship, genuineness, source, origin, date, age, provenance, condition or estimated selling price or value is a statement of opinion only. Neither the Auctioneer nor its employees, servants or agents shall be responsible for the accuracy of any such opinions. Every person interested in a Lot must exercise and rely on their own judgment and opinion as to such matters. 9. The headings of the conditions herein contained are insert-ed for convenience of reference only and are not intended to be part of, or to effect, the meaning or interpretation thereof.

Governing Law10. These conditions shall be governed by and construed in accordance with Irish Law. Notices11. Any notice or other communication required to be given by the Auctioneer hereunder to a buyer or a seller shall, where required, be in writing and shall be sufficiently given if delivered by hand or sent by post to, in the case of the buyer, the address of the buyer specified in the Registration Form or Register, and in the case of the seller, the address of the seller specified in the Sale Order Form or to such other address as the buyer or seller (as appropriate) may notify the Auctioneer in writing. Every notice or communication given in accordance with this condition shall be deemed to have been received if delivered by hand on the day and time of delivery and if delivered by post three (3) business days after posting. CONDITIONS WHICH MAINLY CONCERN THE BUYER The Buyer12. The buyer shall be the highest bidder acceptable to the Auctioneer who buys at the Hammer Price. Any dispute which may arise with regard to bidding or the acceptance of bids shall be settled by the Auctioneer. Every bidder shall be deemed to act as principal unless the Auctioneer has prior to the auction, acknowledged in writing that a bidder is acting as agent on behalf of a named principal. The Commission13. The buyer shall pay the Auctioneer a commission at the rate of 20% of the Hammer Price, exclusive of VAT at the applicable rate on all individual lots. Payment14. Unless credit terms have been agreed with the Auction-eer before the auction the buyer of a Lot shall pay to the Auctioneer within one (2) days from the date of the auction the Total Amount Due. Notwithstanding this, the Auctioneer may, in its sole discretion, require a buyer to pay a deposit of 25% of the Total Amount Due at the conclusion of the auction.The Auctioneer may apply any payments received by a buyer towards any sums owing from that buyer to the Auctioneer on any account whatever regardless of any directions of the buyer or his agent in that regard whether express or implied.The Auctioneer shall only accept payment from successful bidders in cash, draft in Euro or by the bidder’s own cheque drawn on an Irish bank account vouched to the satisfaction of the Auctioneer. Cheques drawn by third parties, whether in the Auctioneer’s favour or requiring endorsement, shall not be accepted. We also accept payment by credit card, Visa & Mastercard subject to a administration charge of 2% of the total amount due. American Expess 3.65% administration charge. We also accept debit card payments by way of Laser, with no surcharge, however the cardholder in person can only make the payment.

Reservation of Title15. Notwithstanding delivery or passing of risk to the buyer the ownership of a Lot shall not pass to the buyer until he has paid to the Auctioneer the Total Amount Due. Collection of Purchases16. The buyer shall at his own expense collect the Lot purchased not later than seven (2) days after the date of the auction but (unless credit terms have been agreed with the Auctioneer pursuant to condition 14) not before payment to the

Auctioneer of the Total Amount Due.The buyer shall be responsible for any removal, storage and insurance charges in respect of any Lot which is not taken away within seven (2) days after the date of the auction.The purchased Lot shall be at the buyer’s risk in all respects from the earlier of the time of collection or the expiry of (2)

days from the date of the auction. Neither the Auctioneer nor its employees, servants or agents shall thereafter be liable for any loss or damage of any kind howsoever caused while a purchased Lot remains in its custody or control after such time Packaging and Handling of Purchased Lots17. Purchased Lots may be packed and handled by the Auctioneer, its employees, servants or agents. Where this is done it is undertaken solely as a courtesy to buyers and at the discretion of the Auctioneer. Under no circumstances shall the Auctioneer, its employees, servants or agents be liable for damage of any kind and howsoever caused to glass or frames nor shall the Auctioneer be liable for the errors or omissions of, or for any damage caused by, any packers or shippers which the Auctioneer has recommended. Non-Payment or Failure to Collect Purchased Lots18. If a buyer fails to pay for and/or collect any purchased Lot by the dates herein specified for payment and collection the Auctioneer shall, in its absolute discretion and without preju-dice to any other rights or remedies it may have, be entitled to exercise one or more of the following rights or remedies without further notice to the buyer: (a) To issue court proceedings for damages for breach of contract; (b) To rescind the sale of that Lot or any other Lots sold to the buyer whether at that or at any other auction; (c) To resell the Lot or cause it to be resold whether by public auction or private sale. In the event that there is a deficiency between the Total Amount Due by the buyer and the amount received by the Auctioneer on such resale after deduction of any necessary expenses the difference shall be paid to the Auctioneer by the buyer. Any surplus arising shall belong to the seller; (d) To store (whether at the Auctioneer’s premises or else-where) and insure the purchased Lot at the expense of the buyer; (e) To charge interest on the Total Amount Due at the rate of 2% over and above the base rate from time to time of Bank of Ireland or if there be no such rate, the nearest equivalent thereto as determined by the Auctioneer in its absolute discretion from the date on which payment is due hereunder to the date of actual payment; (f) To retain that Lot or any other Lot purchased by the buyer whetherat the same or any other auction and release same to the buyer only after payment to the Auctioneer of the Total Amount Due; (g) To apply any sums which the Auctioneer received in respect of Lots being sold by the buyer towards settlement of the Total Amount Due. (h) To exercise a lien on any property of the buyer in the possession of the Auctioneer or whatever reason.

Liability of Auctioneer and Seller19. Prior to auction ample opportunity is given for the in-spection of the Lots on sale and each buyer by making a bid acknowledges that he has, by exercising and relying on his own judgment, satisfied himself as to the physical condition, age and Catalogue description of each Lot (including but not restricted to whether the Lot is damaged or has been repaired or restored). All Lots are sold with all faults and imperfections and errors of description. None of the seller, the Auctioneer nor any of their employees, servants or agents shall be responsi-ble for any error of description or for the condition or authen-ticity of any Lot. No warranty whatsoever is given by the seller or Auctioneer or by any of their employees, servants or agents in respect of any Lot and any condition or warranty express, or implied by statute or otherwise is hereby specifically excluded.

Forgeries20. Any amount paid by a buyer in respect of a Lot which, if it is proved within three (3) years of the date of the auction at which it was purchased, to have been a Forgery shall be refunded to the seller subject to the provisions hereof, provided that: (a) The Lot has been returned by the buyer to the Auctioneer within three (3) years of the date of the auction in the same condition in which it was at the time of the auction together with evidence proving that it is a Forgery, the number of the Lot and the date of the auction at which it was purchased; (b) The Auctioneer is satisfied that the Lot is a Forgery and that the buyer has and is able to transfer good and market-able title to the Lot free from any third party claims; FURTHER PROVIDED THAT the buyer shall have no rights hereunder if:(i) The description of the Lot in the Catalogue at the time of the auction was in accordance with the then generally ac-cepted opinion of scholars or experts or fairly indicated that there was a conflict of such opinion; (ii) The only method of establishing at the time of the auction in question that the Lot was a Forgery would have been by means of scientific processes which were not generally accepted for use until after the date of the auction or which were unreasonably expensive or impractical. The buyer’s sole entitlement under this condition is to a refund of the actual amount paid by him in respect of the Lot. Under no circumstances shall the Auctioneer be liable for any damage, loss (including consequential, indirect or economic loss) or expense suffered or incurred by the buyer by reason of the Lot being a Forgery. The benefit of this condition shall be solely and exclusively for the buyer and shall not be assignable. The buyer shall for the purpose of this condition be the person to whom the original invoice in respect of the sale of the Lot is made. Photographs21. The buyer authorises the Auctioneer at any time to make use of any photographs or illustrations of the Lot purchased by the buyer for such purposes as the Auctioneer may require.

22. New VAT Regulations

22a) All lots are sold within the Auctioneer’s VAT margin scheme. Revenue Regulations require that the buyers premi-um must be invoiced at a rate which is inclusive of VAT. This VAT is not recoverable by any VAT registered buyer. CONDITIONS WHICH MAINLY CONCERN THE SELLER Auctioneer’s Discretion23. With regard to the sale of any Lot the Auctioneer shall have the following powers exercisable solely in the discretion of the Auctioneer:(i) To decide whether to offer any Lot for sale or not;(ii) To decide whether a particular Lot is suitable for sale by the Auctioneer and, if so, to determine which auction, the place and date of sale, the conditions of sale and the manner in which such sale should be conducted;(iii) To determine the description of any Lot in a Catalogue.(iv) To decide whether the views of any expert shall be obtained and to submit Lots for examination by any such experts.(v) To determine what illustration of a Lot (if any) is to be included in the Catalogue. Seller’s Warranty and Indemnity24. The seller warrants to the Auctioneer and to the buyer that he is the true owner of the Lot or is legally authorised to sell the Lot on behalf of the true owner and can transfer good and marketable title to the Lot free from any third

party claims. As regards Lots not held by the Auctioneer on its premises or under its control the seller warrants and un-dertakes to the Auctioneer and the buyer that the Lot will be available and in a deliverable state on demand by the Auc-tioneer or buyer. The seller shall indemnify the Auctioneer and the buyer or any of their respective employees, servants or agents against any loss or damage suffered by any of them in consequence of any breach of the above warranties or undertakings by the seller. Reserves25. Subject to the Auctioneer’s discretion, the seller shall be entitled prior to the auction to place a reserve on any Lot. All reserves must be agreed in advance by the Auctioneer and entered on the Sale Order Form or subsequently be con-firmed in writing to the Auctioneer prior to auction. This also applies to changes in reserves. A reserve may not be placed upon any Lots under €150 in value. The reserve shall be the minimum Hammer Price at which the Lot may be sold by the Auctioneer. A reserve once in place may only be changed with the consent of the Auctioneer. A commission shall be charged on the ‘knock-down’ bid for Lots which fail to reach the reserve price. Such commission shall be 5% of the ‘knock-down’ bid. This commission and any VAT payable thereon must be paid before removal of the Lot after the auction. The minimum commission hereunder shall be €50. The Auction-eer may in its sole discretion sell a Lot at a Hammer Price below the reserve thereon but in such case the Proceeds of Sale to which the seller shall be entitled shall be the same as they would have been had the sale been at the reverse. Unless a reserve has been placed on a Lot in accordance with the provisions set out above such Lot shall be put up for sale without reserve. In the event that any reserve price is not reached at auction then for so long as the Lot remains with the Auctioneer and to the extent that the Lot has not been re-entered in another auction pursuant to condition 31 the seller authorises the Auctioneer to sell the Lot by private treaty at not less than the reserve price. The Auctioneer shall ensure that in such a case those conditions herein which concern mainly the buyer shall, with any necessary modifica-tion, apply to such sale.

Commission26. The Seller shall pay the Auctioneer commission at the rate of 10% on the Hammer Price of all Lots sold on behalf of the seller at Irish Art Sales and 17.5% on all other Sales together with VAT thereon at the applicable rate. Mini-mum charges are detailed below. The seller authorises the Auctioneer to deduct from the Hammer Price paid by the buyer the Auctioneer’s Commission under this condition; VAT payable at the applicable rates and any other amounts due by the seller to the Auctioneer in whatever capacity howsoev-er arising. The seller agrees that the Auctioneer may also receive commission from the buyer pursuant to condition 13. Minimum Charges: Each individual lot is subject to a min-imum fee of €3.00 plus VAT, with a minimum charge per account of €50.00 plus VAT.

Insurance27. Unless otherwise instructed by the seller, all Lots (with the exception of motor vehicles) deposited with the Auction-eer or put under its control for sale shall automatically be insured by the Auctioneer under the Auctioneer’s own fine arts policy for such sum as the Auctioneer shall from time to time in its absolute discretion determine. The seller shall pay the Auctioneer a contribution towards such insurance at the rate of 1.5% of the Hammer Price plus VAT. If the seller instructs the Auctioneer not to insure a Lot then the Lot shall at all times remain at the risk of the seller who undertakes to indemnify the Auctioneer and hold the Auctioneer harmless against any and all claims made or proceedings brought against the Auctioneer of whatever nature and howsoever and wheresoever occurring for loss or damage to the Lot. The sum for which a Lot is covered for insurance under this

condition shall not constitute and shall not be relied upon by the seller as a representation, warranty or guarantee as to the value of the Lot or that the Lot will, if sold by the Auctioneer, be sold for such amount. Such insurance shall subsist until such time as the Lot is paid for and collected by the buyer or, in the case of Lots sold which are not paid for or collected by the buyer by the due date hereunder for payment or collection such due date or, in the case of Lots which are not sold, on the expiry of seven (7) days from the date on which the Auctioneer has notified the seller to collect the Lots. Illustration Charges:27a. Catalogue illustrations are included at the discretion of the Auctioneer. Illustration charges will be calculated on the particular category of sale. These charges are subject to change. Irish art sale illustrations: €150.00 full page, €100.00 half page, €50 all other sizes. Fine art illustrations: Scaled fee €100.00 for lots sold for €3,000.00 hammer price & over, €50.00 for lots sold under €3000.00 hammer price. Contem-porary picture illustrations: €25.00 per illustration. All lots illustrated and not sold are charged at €25.00 per illustration. Recision of Sale28. If before the Auctioneer has paid the Proceeds of Sale to the seller the buyer proves to the satisfaction of the Auc-tioneer that the Lot sold is a Forgery and the requirements of condition 20 are satisfied the Auctioneer shall rescind the sale and refund to the buyer any amount paid to the Auctioneer by the buyer in respect of the Lot. Payment of Proceeds of Sale29. The Auctioneer shall remit the Proceeds of Sale to the seller not later than thirty (30) days after the date of the auc-tion, provided however that, if by that date, the Auctioneer has not received the Total Amount Due from the buyer then the Auctioneer shall remit the Proceeds of Sale within seven (7) working days after the date on which the Total Amount Due is received from the buyer. If credit terms have been agreed between the Auctioneer and the buyer the Auction-eer shall remit to the seller the Proceeds of Sale not later than thirty (30) days after the date of the auction unless oth-erwise agreed by the seller. If before the Total Amount Due is paid by the buyer the Auctioneer pays the seller an amount equal to the Proceeds of Sale then title to the Lot shall pass to the Auctioneer. If the buyer fails to pay the Auctioneer the Total Amount Due within fourteen (14) days after the date of the auction, the Auctioneer shall endeavour to notify the sell-er and take the seller’s instructions on the course of action to be taken and, to the extent that it is in the sole opinion of the Auctioneer feasible, shall endeavour to assist the seller to recover the Total Amount Due from the buyer provided that nothing herein shall oblige the Auctioneer to issue pro-ceedings against the buyer in the Auctioneer’s own name. If circumstances do not permit the Auctioneer to take instruc-tions from the seller or, if after notifying the seller, it does not receive instructions within seven (7) days, the Auctioneer reserves the right, and is hereby authorised by the seller at the seller’s expense, to agree special terms for payments of the Total Amount Due, to remove, store and insure the Lot sold, to settle claims made by or against the buyer on such terms as the Auctioneer shall in its absolute discretion think fit, to take such steps as are necessary to collect monies due by the buyer to the seller and, if necessary, to rescind the sale and refund money to the buyer. Payment of Proceeds to Overseas Sellers30. If the seller resides outside Ireland the Proceeds of Sale shall be paid to such seller in Euro unless it was agreed with the seller prior to the auction that the Proceeds of Sale would be paid in a currency (other than Euro) specified by the seller in which case the Proceeds of Sale shall be paid by the Auctioneer to the seller in such specified currency (pro-vided that that currency is legally available to the Auctioneer in the amount required) calculated at the rate of exchange quoted to the Auctioneer by its bankers on the date of pay-ment. All payment instructions must be in writing.

Charges for Withdrawn Lots31. Once catalogued. Lots withdrawn from sale before proof-ing/publication of Catalogue will be subject to commission of 5% of the Auctioneer’s latest estimate of the auction price of the Lot withdrawn together with VAT thereon and any expenses incurred by the Auctioneer in relation to the Lot. If Lots are withdrawn after proofing or publication of Catalogue they will be subject to a commission of 10% of the Auctioneer’s latest estimate of the auction price of the Lot withdrawn together with VAT thereon and any expenses incurred by the Auctioneer in relation to the Lot. All commis-sion hereunder must be paid for before Lots withdrawn may be removed. Unsold Lots32. Where any Lot fails to sell at auction the Auctioneer shall notify the seller accordingly and (in the absence of agree-ment between the seller and the Auctioneer to the contrary) such Lot may, in the absolute discretion of the Auctioneer, be re-entered in the next suitable auction unless instruc-tions are received from the seller to the contrary, otherwise such Lots must be collected at the seller’s expense within the period of thirty (30) days of such notification from the Auctioneer. Upon the expiry of such period the Auctioneer shall have the right to sell such Lots by public auction or private sale and on such terms as the Auctioneer in its sole discretion may think fit. The Auctioneer shall be entitled to deduct from the price received for such Lots any sums owing to the Auctioneer in respect of such Lots including without limitation removal, storage and insurance expenses, any commission and expenses due in respect of the prior auction and commission and expenses in respect of the subsequent auction together with all reasonable expenses before remit-ting the balance to the seller. If the seller cannot be traced the balance shall be placed in a bank account in the name of the Auctioneer for the seller. Any deficit arising shall be due from the seller to the Auctioneer. Any Lots returned at the seller’s request shall be returned at the seller’s risk and ex-pense and will not be insured in transit unless the Auctioneer is so instructed by the seller. Auctioneer’s Right to Photographs and Illustrations33. The seller authorises the Auctioneer to photograph and illustrate any Lot placed with if for sale and further authoris-es the Auctioneer to use such photographs and illustrations and any photographs and illustrations provided by the seller at any time in its absolute discretion (whether or not in con-nection with the auction). VAT34. It is presumed unless stated to the contrary, that the items listed herein are auction scheme goods as defined in the Finance Act 1995. Artist’s Resale Rights (Droit de Suite)35. Government Regulations (S.1. 312/2006), under this leg-islation a royalty (Droit de Suite) is payable to living artists of E.U. Nationality on all works resold for €3,000 or more, other than sold by the artist or the artist’s agent.The resale royalty payable is calculated as followsFrom €3,000 to €50,000 4%From €50,000.01 to €200,000 3%From €200,000.01 to €350,000 1%From €350,000.01 to €500,000 0.5%Exceeding €500,000 0.25% The total amount of royalty payable on any individual sale shall not exceed €12,500. The seller is liable for payment (paragraph 7.1 of Government Regulations (S.1. 312/2006) of this royalty on completion of the sale. The artist may request from the Auctioneer any information necessary to secure payment. Unless otherwise directed by the vendor, the Auc-tioneer will automatically deduct the amount due from the proceeds of sale and will hold in trust for the artist or their representative the said sum.

Sunday 26th February

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1 A GEORGE III SILVER ENTREE DISH, London 1814, maker’s mark of John Houle, of rectangular form, the domed cover surmounted with leaf cast handle, engraved with crest, fitted with inner liner, the base with band of scrolling foliage, on acanthus capped scroll feet. (c.4043.5g)

€ 1,500 - 2,500

https://adams.ie/74758/A-GEORGE-III-SILVER-ENTREE-DISH-London-1814-maker-s-mark-of-John-Houle-of-rectangular-form-the-domed-cover-surmounted-with-leaf-cast-handle-engraved-with-crest-fitted-with-inner-liner-the-base-w?Itemid=&high_estimate=12000&ipp=All&keyword=&low_estimate=40&sort_by=lot_no&view=lot_detail

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5 A SILVER PRESENTATION SALVER, Sheffield 1958, mark of Viner’s Ltd, of shaped circular form, with raised border, on three scroll feet, the reserve inscribed ‘Presented to Mr J.H. Richardson by the Directors and Staff of John Power & Son Ltd., in recognition of his outstanding service to the firm 1913 - 1959’, (c.497.7g). 26cm diameter € 200 - 300

4 A VICTORIAN SILVER STEM CUP, London 1889, maker’s mark of William Hutton & Sons, the cup with Wyvern fluting dividing panels of Rococo Revival embossed foliate decoration to an orange peel ground, the stem with beaded knop and corresponding beaded spreading circular foot inscribed “Presented by Matthew Flanagan For The Best Registered Roscommon Ram At Roscommon County Agricultural Shows 1901”, (c.311g). 24.5cm high, 10cm diameter € 150 - 250

3 A REGENCY SILVER HOT WATER POT, London 1816, maker’s mark of William Burwash, of ovoid form, with ebon handle, the body partially fluted, with gadroon border and stylised serpent mounts, on waisted circular foot (c.870g) € 300 - 500

2 A GEORGIAN REVIVAL SILVER SALVER, London 1892, maker’s mark of Thomas Bradbury & Sons, of shaped circular form, with gadroon rim and claw and ball feet (c.528.8g). 25.5cm diameter € 250 - 350

https://adams.ie/index.php?option=com_auction&keyword=&excl_keyword=&auction_no=8149&low_estimate=40&high_estimate=12000&sort_by=lot_no&gridtype=listview&ipp=All&page_no=1&view=lot_detail&lot_id=74771





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6 A LARGE VICTORIAN SILVER PRESENTATION MONTEITH, London 1899, maker’s mark of Charles Stuart Harris, the wavy raised cast figural rim sur mounted at intervals by heads of putti within chased and engraved scrolling decoration, over a beaded and ribbed bowl applied with central feathered cartouche and bold cast lion mask ring handles to either side, raised on spreading gadrooned circular base, the cartouche inscribed “Royal Dublin Society Sheep Show Challenge Cup For The Best Three Shearling Rams In The Roscommon Classes Bred and Owned By An Exhibitor President in Ireland”, the bowl also bearing inscriptions to the underside “Won By 1913 George R. Acheson”, “won By 1919 George R. Acheson”, “Won By 1920 George R. Acheson”, (c.2,301.6g). 24.5cm high, 28cm diameter

€ 1,500 - 2,500


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10 A COLLECTION OF SILVER ITEMS, comprising a pair of Georgian Revival sauce boats, Sheffield; a pair of trencher salts, Sheffield, with foliate cast borders; and a pair of George III silver salt cellars, of circular form, London, on shell capped scroll supports and pad feet (c.311g)

€ 300 - 500

9 A MODERN FOUR PIECE SILVER TEA SERVICE, Birmingham 1937, maker’s mark of Elkington & Co. Ltd, comprising tea pot, hot water pot, cream jug and sugar bowl, each of octagonal form, with in-turned canted corners, and engraved with corresponding initials, the tea and hot water pots each applied with domed hinged lid, ebon handle and finial, (c.1679.5g all in). The teapot 9.5cm high, 26cm wide over handle and spout; together with a silver plated serving tray in the Celtic Revival taste, also engraved with corresponding initials and dedication verso “From the Staff to Bob on the occasion of his wedding, September 1937”. (5)

€ 400 - 600

8 A LARGE IRISH SILVER PRESENTATION SALVER, Dublin 1926, mark of West & Son, of shaped circular form, with raised shell and scroll border, raised on four scroll feet, the reserve inscribed ‘To James Richardson From his Friends at John’s Lane Distillery on the Occasion of his Marriage 29th October 1927’ and further inscribed with signatures, (c.2,053g). 44.5cm diameter

€ 1,000 - 1,500

7 AN EDWARDIAN SILVER THREE HANDLE TROPHY CUP, London 1904, maker’s mark of Josiah Williams & Co., of plain design, inscribed “Royal Dublin Society Sheep Show, For The Best Three Shearing Rams In The Roscommon Classes bred and owned By an Irish Exhibitor”, on spreading circular base, (c.964g). 22cm high, 21cm wide over handle

€ 500 - 700







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11 A GEORGE III IRISH SILVER COFFEE POT, Dublin 1795, maker’s mark of John Lloyd, of circular baluster form, the hinged dome lid with spiral finial and gadroon rim, having timber handle and cast spout, engraved with a crest and motto ‘Fidus et Audax’, and raised on spreading foot. 30.6cm high (c.1,057g including handle)

€ 800 - 1,200


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12 A SET OF TEN GEORGE III STYLE IRISH BRIGHT CUT SILVER TAPERING HANDLE FRUIT SPOONS, Dublin 1907, retailed by Weir & Sons. (256g)

€ 100 - 200

13 A SET OF ELEVEN VICTORIAN SILVER FIDDLE PATTERN TABLE SPOONS, London 1817, maker’s mark of Josiah Williams & Co (George Maudsley Jackson & David Landsborough Fullerton) (c.750g)

€ 500 - 700

14 AN IRISH GEORGE III BRIGHT CUT SILVER TEASPOON BY WILLIAM TEULON c. 1795; together with a fiddle pattern teaspoon by Carden Terry and Jane Williams and a bright cut mustard spoon, possibly John Warner, Cork, stamped sterling.

€ 100 - 200

15 A PAIR OF IRISH GEORGE III POINTED HANDLE BRIGHT CUT SILVER DESSERT SPOONS Limerick, c.1780, mark of by Patrick Connell (c.50g)

€ 300 - 400










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16 A SET OF EIGHTEEN IRISH GEORGE III SILVER POINTED HANDLE TABLESPOONS, Dublin 1794, makers mark of John Dalrymple, with bright cut tapering handles; together with a similar example, Dublin 1790, maker’s mark of John Pittar (c. 1,259.7g) € 1,000 - 1,500



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17 A MATCHED SET OF TWELVE GEORGIAN IRISH SILVER POINTED HANDLE FORKS, of various dates and makers, with bright cut tapering handles (c.653.2g)

€ 400 - 600

18 A SET OF TWELVE AMERICAN STERLING SILVER TABLE FORKS, 1909, maker’s mark of Shreve & Co., in the Shreve & Co. ‘Adam Pattern’, the handles terminating with neoclassical decoration and cartouches, some vacant, others with crests; together with a dessert fork example (c. 777.6g) (13)

€ 300 - 500

19 A SET OF SIX AMERICAN STERLING SILVER HANDLE TABLE KNIVES, c.1909, the handles stamped ‘STERLING’ and terminating in neo-classical decoration in relief, the steel blades stamped ‘Streve & Co.’; together with two dessert knives of the same pattern (c. 560g including steel blades) (8)

€ 200 - 400

20 A MATCHED SET OF TWELVE IRISH GEORGIAN SILVER POINTED HANDLE DESSERT FORKS, the tapering handles decorated with bright cut engraving (c. 388.8g)

€ 250 - 350










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21 AN IRISH GEORGE III HOOK BACK SERVING SPOON, Dublin 1751, maker’s mark of John Pittar, the plain tapering handle terminating in a crest; together with a George III Old English silver serving spoon, London 1811, maker’s mark of Alice & George Burrows II (c.223.3g in all). 27.5 cm long & 30.5cm long

€ 400 - 600

22 A RARE WILLIAM III BRITANNIA STANDARD SILVER TREFID TABLE SPOON, London 1698, maker’s mark of Benjamin Watts, with rat tail bowl, the tapered handle terminating in a boar crest (c. 60g). 19cm long

€ 400 - 600

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23 A SET OF SIX AMERICAN STERLING SILVER TABLE SPOONS, 1909, maker’s mark of Shreve & Co. and stamped ‘Shreve & Co. Sterling’ in the ‘Adam pattern’, the handle terminating with Neo-classical decoration and cartouche containing crest; together with eight American sterling silver gumbo spoons of the same suite (c.544.3g) (14) € 300 - 400

24 A SET OF TWELVE IRISH GEORGE III SILVER DESSERT KNIVES, Dublin (lacking date mark), maker’s mark of Richard Sawyer, each handle engraved with crest (c.653g including blades)

€ 300 - 500

25 A MATCHED SET OF TWELVE GEORGE III IRISH SILVER POINTED HANDLE DESSERT SPOONS, of various dates and makers, the tapered handle decorated with bright cut engraving (c.342g).

€ 300 - 500

26 A PAIR OF IRISH GEORGE III SILVER OLD ENGLISH PATTERN TABLE SPOONS, Dublin 1780, maker’s mark of John Pittar, the tapering handle terminal crested (c.155.5g)

€ 200 - 300










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27 AN IRISH GEORGE III SILVER HOOK BACK SOUP LADLE, Dublin 1763, maker’s mark of Joseph Cullen, with scallop shell bowl, the tapering handle terminating with crest (c. 217.7g). 33.5cm long

€ 200 - 400

28 A PAIR OF IRISH GEORGE III BRIGHT CUT SILVER MUSTARD SPOONS, Limerick, mark of Thomas Burke (c.14g)

€ 150 - 250

29 AN IRISH PROVINCIAL SILVER POINT HANDLE DESSERT SPOON, Cork c.1770, makers mark of John Nicholson the plain tapered handle terminating with unicorn crest, struck ‘IN’ and ‘STERLING’ to the reverse (c. 18cm long; together with a pair of Queen’s pattern sauce ladles, Sheffield 1957, maker’s mark of Walker & Hall; another queen’s pattern sauce ladle, London 1834, maker’s mark of John James Whiting (c.249g). (4)

€ 200 - 400

30 A PAIR OF IRISH GEORGE IV SILVER FIDDLE PATTERN SERVING SPOONS, Dublin 1829, makers mark probably that of Richard Garde (marks rubbed), of simple form, each with crested handle (c. 155.5g). c.24cm long

€ 200 - 400

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31 A PAIR OF IRISH GEORGE III STYLE BRIGHT CUT SILVER SAUCE LADLES, Dublin 1904, of taper handle design; together with a collection of eight assorted silver spoons (c.217.7g). (10)

€ 120 - 180

32 A SET OF SIX IRISH GEORGE III SILVER TAPER HANDLE TABLE FORKS, Dublin 1820, maker’s mark of John Osborne, (c.342g). Each 20cm long. (6)

€ 200 - 300

33 A SET OF SIX IRISH SILVER FIDDLE PATTERN TEASPOONS, Dublin 1884, maker’s mark of John Smith, each engraved with initials; together with a set of six silver taper handle teaspoons, London 1896, mark of Josiah Williams & Co., also engraved with initials; and two silver fish knives, (c.280g all in). (14)

€ 120 - 180

34 A SET OF TWELVE SILVER PISTOL HANDLE DINNER KNIVES, Sheffield 1905, maker’s mark of Harrison Brothers & Hawson, with stainless steel blades

€ 300 - 500










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35 A VICTORIAN FOUR PIECE SILVER TEA AND COFFEE SERVICE, Sheffield 1864, maker’s mark of Martin Hall & Co., comprising coffee pot, tea pot, sugar bowl and creamer, each of conforming design, chased and embossed with scrolling foliate decoration surrounding cartouches, each piece with applied cast ‘c’ scroll handles, and raised on circular foot with beaded rim, the tea and coffee pots with finials i formed as flower heads, the cream jug and sugar bowl with gilded interior (c.2,239.5g). (4)

€ 1,500 - 2,000


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36 A SET OF THREE GERMAN SILVER SIDE PLATES, c.1880, 800 standard, maker’s mark of Jacob Leser Straubing, each with plain centre and floral embossed borders. 21cm diameter; together with a set of three circular bowls by the same maker (c.1,493g in all)

€ 300 - 400

37 A 19TH CENTURY RUSSIAN SILVER AND NIELLO WORK OBLONG SNUFF BOX, maker’s mark of Fyodor Ivanov of Moscow, 84 zolotnik (0.875 standard), in the form of a pouch, engraved with an architectural scene on one side, the other with vacant cartouche, 9.3cm long, 5cm wide, 2cm deep; together with a continental 19th century silver snuff box, of oblong shape with canted corners, decorated with engraved geometric, gilt interior. 9cm long, 4cm wide, 2.5cm high (2)

€ 300 - 500





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38 A SILVER THREE PIECE TEA AND COFFEE SERVICE, Sheffield 1911, mark of John Henry Potter, comprising tea pot, pear shaped coffee pot and cream jug, each of corresponding oblong form with demi-fluted bodies, the tea and coffee pots each applied with ebon finial and handle, (c.1,555g all in). The coffee pot 25cm high, the tea pot 27.5cm wide over handle and spout. (3)

€ 600 - 800

39 A FRENCH SILVER GILT AND NIELLO DECORATED OBLONG SNUFF BOX 19th Century, the cover worked with a depiction of castle ruins and townscape with gilt interior, Paris, 9cm wide; together with another French niello work box of similar shape, decorated all over with repeated geometric design, 9cm wide; and another floral decorated silver and niello decorated snuff box 7.5cm wide (c.295.5g) (3)

€ 300 - 500

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40 A CASED MODERN IRISH SILVER LETTER OPENER, Dublin 1979, mark of Irish Silver Ltd., applied with oval pierced cast Celtic Revival style decoration, (c.62g). 20cm long

€ 40 - 60

41 A COLLECTION OF FINE IRISH GEORGIAN SILVER TABLE SPOONS, comprising: - a pointed handle George III spoon, Dublin 1791, maker’s mark of John Shields - a George III bright-cut engraved spoon, Dublin (lacking date mark), maker’s mark of Arthur Murphy - and three fiddle pattern silver spoons of various dates and makers (c.295.5g in all) (5)

€ 150 - 250

42 A PROVINCIAL SCOTTISH TABLESPOON IN THE OLD ENGLISH PATTERN, Aberdeen c.1774, maker’s mark probably that of James Law (c.62g). 21cm long

€ 200 - 400

43 A COLLECTION OF 19TH CENTURY FIDDLE PATTERN SILVER TABLE FORKS, comprising an assortment of Irish and English examples, some crested, with various dates and maker’s marks (c.1,461.8g). (21)

€ 400 - 600









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44 A CASED SET OF TWELVE SILVER TEASPOONS, with taper handles and cast and engraved finial, inscribed 1935; together with a matching sugar nips, Sheffield 1925/27, mark of Walker & Hall; and a cased silver Christening set, comprising a gilded spoon and fork within cast and pierced handles, London 1894/95. (3)

€ 150 - 250

45 TWO SILVER JUBILEE CELEBRATION MEDALLIONS MADE BY WORBOYS OF DUBLIN AND DESIGNED BY PAUL VINCZE (1907-1944), bearing a profile head of Padraig H. Pearse 1879-1916, and each contained within fitted presentation case, (c.155.5g all in). Each 5cm diameter. (2)

€ 150 - 250

46 TWO HALF SOVEREIGN GOLD COINS, 1887, QUEEN VICTORIA, 1915, KING GEORGE V, Diameter 18mm.

€ 250 - 350

47 A CAMEO PENDANT/BROOCH The cameo depicting the face of a lady, yellow metal unmarked and untested, length 3.5cm

€ 100 - 150








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50 A STAINED OAK RECTANGULAR CANTEEN TABLE, in the form of a 17th Century lowboy, of rectangular form, fitted twin drawers, accommodating a suite of Walker & Hall silver plated cutlery, twelve place setting, taper handle pattern

€ 400 - 600

51 A FRENCH WHITE METAL TORTOISESHELL AND MOTHER OF PEARL INLAID SNUFF BOX, 19th century, unmarked, of rectangular form, the cover decorated with winged trophy and arabesques, within a feathered border. 8 x 5.5cm; together with an early 19th Century tortoiseshell and silver mounted snuff box, of circular form. 8.5cm diameter

€ 300 - 500

52 A NATURALISTIC SILVER PLATED CENTREPIECE DEPICTING A STAG BY TWO ENTWINED PALM TREES, PROBABLY BY ELKINGTON & CO., on associated mirrored stand raised on three shell feet and decorated with fruiting vines. 50cm high, 44cm diameter

€ 400 - 600

53 AN ELKINGTON STYLE CORINTHIAN COLUMN SILVER PLATED TABLE LAMP AND SHADE, raised on weighted stepped base. Column 50cm high

€ 200 - 400

54 A SMALL CORINTHIAN STYLE COLUMN SILVER PLATED TABLE LAMP AND SHADE, the square weighted base with gadroon border and leaf decoration. Column 32cm high

€ 100 - 200

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60 AN AUTOMATIC STEEL BRACELET-WATCH ‘CLUB’, BY JAEGER-LE-COULTRE The blue dial with baton hour and minute markers, steel hands, day-date at 3’clock, dial signed, bracelet later replacement in stainless steel

€ 300 - 500

61 A PAIR OF EAR STUDS Each colourless round shaped stones, mounted in silver

€ 50 - 100

62 A LADY’S WATCH, CASED BY HOPKINS & HOPKINS The 15-jewel manual wind, the dial with Arabic numerals, blued steel hands, movement signed “Swiss Made”, case stamped 9K gold, the reverse inscribed “To Cella from Dad, 19th May 1939, 21 years”, the elastic bracelet with links stamped 9K, cased by Hopkins & Hopkins, Dublin € 200 - 400

63 A PAIR OF DIAMOND EARRINGS Set with single-cut diamonds, each stamped 14K gold, approx. 7g total, cased Paul Sullivan

€ 80 - 120

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64 A PAIR OF GOLD PENDENT EARRINGS Designed as interlocking links, each stamped 9K gold, length 3cm, cased Weir & Sons Dublin

€ 50 - 100

65 A BANGLE BRACELET The bangle with engraved motifs, stamped 9K gold, (possibly gold plated)

€ 150 - 200

66 A BRACELET WITH CHARM A bi-coloured bracelet chain and a Victorian Gold Sovereign charm

€ 150 - 200

67 A GOLD BRACELET The gold gate-link bracelet with a heart-shaped padlock clasp and security chain, mounted in 9K gold, approximately 6g

€ 50 - 100






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68 A SAPPHIRE AND DIAMOND LADY’S QUARTZ WATCH, BY ANNE KLEIN Of quartz Swiss movement, the mother-of-pearl dial with Roman numerals at 12 & 6 o’clock, steel hands, the bracelet links interspersed with marquise-shaped sapphires, bracelet and case mounted in steel, dial signed, cased by Anne Klein, accompanied with a “lifetime” warranty

€ 150 - 200

69 A GOLD PLATED WATCH, BY OMEGA The golden dial with batton markers, blackened steel hands, the dial and buckle signed Omega

€ 150 - 200

70 A MALACHITE BEAD NECKLACE The graduated malachite beads, to a silver clasp, length approx. 57cm

€ 600 - 800

71 AN AMETHYST BEAD NECKLACE The spherical amethyst beads, to a silver clasp, length approx. 45cm

€ 300 - 600

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72 A CARNELIAN BEAD NECKLACE The spherical faceted carnelian beads, to a silver clasp, length approx. 53cm

€ 500 - 600

73 A GROUP OF NINE CHARMS Five charms depicting horses each stamped 9K gold, two green hard stone charms each in the shape of a horse head, one circular disc depicting a horse head (white metal, unmarked), and one charm in the shape of a Canadian leaf stamped 14K gold

€ 300 - 500




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74 A CERAMIC BEAD NECKLACE The graduated and colourful ceramic beads, interspersed with smaller plastic beads, length approx. 92cm

€ 50 - 100

75 TWO BANGLE BRACELETS One bangle mounted in yellow metal and malachite, the other bangle mounted as a colourless and green hardstone

€ 100 - 200



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76 TWO RINGS One ring set with three green stones at the centre, stamped 18K gold, ring size N; The other ring set with a brown semi precious stone, possibly garnet, yellow metal unmarked and untested, ring size J € 100 - 200

77 A GOLD, PERIDOT AND PEARL BANGLE The bangle set with a round-shaped peridot and two seed pearls at the centre, stamped 9K gold

€ 150 - 200

78 A GOLD AND DIAMOND NECKLACE The fancy-link necklace set with a round-shaped diamond at the centre, clasp stamped 14K gold

€ 100 - 200

79 A GROUP OF JEWELLERY Comprising of a ring set with 5 old cushion-shaped diamonds weighing approx. 0.15ct total, ring size N; a plain wedding band mounted in 18K gold, ring size R; another plain wedding band mounted in 18K gold, ring size M; a ring set with three old cushion-cut diamonds and two similarly-cut sapphires, mounted in 18K gold, ring size L 1/2; a ring set with three old single-cut diamonds, mounted in 18K gold, ring size M; a ring set with an oval-cut green stone, ring size N; a chain suspending a star pendant set with seed pearl and a cabochon turquoise at the centre both stamped 9K gold

€ 650 - 850

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80 A GOLD NECKLACE The articulated necklace composed of a series of yellow gold links, stamped 18K gold, length 41cm, approx. 35g

€ 600 - 800

81 A SUITE OF PEARL AND GARNET JEWELLERY Comprising of a pearl necklace suspending an oval-shaped pendant locket set with garnet and seed pearls, the clasp stamped 18K gold with single-cut diamonds; a pair of pearl and garnet earrings stamped 9K gold; and a brooch set with garnet, in yellow unmarked metal.

* PLEASE NOTE THE PEARLS HAVE NOT BEEN TESTED FOR NATURAL ORIGIN

€ 800 - 1,000

82 A LAPIS LAZULI AND GOLD BRACELET The fancy-link bi-coloured chain interspersed with round cabochon lapis lazuli, stamped 18K gold, length 18cm, with case from Weir & Sons

€ 350 - 450

83 A PEARL NECKLACE Composed of one strand of baroque-shaped pearls, clasp stamped 9K gold, length 33.5cm

* PLEASE NOTE THE PEARLS HAVE NOT BEEN TESTED FOR NATURAL ORIGIN

€ 200 - 400





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90 A PAIR OF UNUSUAL 19TH CENTURY CAST IRON GARDEN SEATS, formed from naturalistic cast leaves and branch on tripart leaf scroll legs.

€ 500 - 800

91 A VICTORIAN CAST IRON TWO SEAT FERN PATTERN GARDEN BENCH AFTER COALBROOKEDALE; 150cm wide; together with a matching tub back chair.

€ 800 - 1,200

92 A 19TH CENTURY CAST LEAD FIGURE OF A YOUNG BOY PLAYING A FLUTE 56CM HIGH

€ 400 - 600

93 A CAST LEAD FIGURE OF A CHERUB HOLDING A BOW 97CM HIGH

€ 400 - 600











39

94 SALLY ARNUP (1930-2015) A Running Springer Spaniel Bronze, on marble base, 81cm wide

€ 2,000 - 3,000


40

95 A PAIR OF CAST IRON GARDEN SEATS, the pierced back and sides formed as fern leaves and with slatted seats raised on side supports, 114cm wide

€ 1,000 - 1,500

96 A GREEN MARBLE CIRCULAR COLUMN, the flared top raised above fluted section and stepped octagonal base. 110cm high

€ 300 - 500

97 A NATURAL HISTORY CORAL SPECIMEN, contained within Victorian glass dome case. The case 49cm wide x 40cm high

€ 200 - 300





41

98 19TH CENTURY SCHOOL Half length portrait of a young boy with long hair, wearing a green jacket and red wrap Oil on board, 60 x 44cm

€ 300 - 500

99 19TH CENTURY BRITISH SCHOOL Setting Off, A family departing on horseback from a cottage Oil on canvas, 39 x 47cm

€ 400 - 600

100 H. MARTIN (A PSEUDONYM USED BY EUGENE JOSEPH MCSWINEY, 19TH CENTURY) ‘Mother and child by a lakeside at evening’ and ‘Woman walking on a country path’ A pair, oil on canvas, 61 x 30cm Signed

€ 1,000 - 1,500

98 99





42

102 A PAIR OF BRONZE URNS with flanking putto and basket weave banding on square marble bases. 32cm tall

€ 600 - 1,000

103 AN EDWARDIAN BRASS CASED CARRIAGE CLOCK, of compact proportions, with French movement, the face of delicately painted enamel inscribed ‘Sharman D. Neill Ltd., Belfast’. 12cm high

€ 150 - 200

104 A MARBLE AND LIMESTONE MODEL OF A LIGHTHOUSE, of circular tapering form, raised on a rocky outcrop base, electrified as a table lamp. 43.5cm high

€ 100 - 200






43

105 AFTER GIAMBOLOGNA (19TH CENTURY) A pair of bronze figures of Mercury and Fortuna, each delicately balanced on one foot, Mercury holding a caduceus, Fortuna with a trumpet, raised on a Sienna marble base. 82cm and 79cm high

€ 2,000 - 3,000


44

106 A PAIR OF EDWARDIAN BRASS CORINTHIAN COLUMN STANDING LAMPS, with adjustable central rod, raised on platform base and claw feet, with fringe shades. Approx. 190cm

€ 200 - 400

107 A 19TH CENTURY MAHOGANY LONGCASE CLOCK, signed ‘William Polson Hampstead’, the shaped domed hood surmounted with later gothic features, above brass dial with foliate case decoration, Roman numerals, the waisted body with flame mahogany decoration, raised on a plat form base. 226cm high

€ 400 - 600






45

108 A LATE 19TH CENTURY GILTWOOD AND GESSO RECTANGULAR OVERMANTLE MIRROR, with ropetwist edged corner, frieze with central rosette and bellflower swags, above tri-compartmented mirror plate, flanked by Corinthian pilasters. 68 x 166cm

€ 300 - 500

109 A GEORGE IV STYLE SEMI ELLIPTICAL GILTWOOD MARBLE TOP CONSOLE TABLE, the white marble top with painted floral decoration, above fluted frieze, mounted with rosettes above turned fluted legs. 100 x 38.5cm

€ 300 - 500





46

110 A YOMUT RED GROUND WOOL RUG, TURKOMEN C.1900, the rectangular field woven into four panels each filled with multiple octagon motifs and separated by geometric divisions, with broad fringe border to each end. 163 x 124cm

€ 300 - 500

111 A FLAT-WEAVE WOOL CARPET, 20TH CENTURY, of rectangular form, with beige centre field woven with three hooked lozenges surrounded by birds, animals and figures, contained within three narrow outer borders and barber pole side cords. 202 x 114cm

€ 300 - 500

110





47

112 STEPHEN CATTERSON SMITH RHA (1806-1872) West of Ireland Landscape Oil on canvas, 37 x 62.5cm Signed and dated 1885

€ 500 - 700

113 A 19TH CENTURY EBONISED CREDENZA, the plain top with thumb moulded and bead rim, above shaped frieze with geometric floral decoration and centre glazed door, with shelved interior, flanked by covered drawers, each centred with brass mounts framing porcelain plaques depicting figures in an exterior, the base with brass beading, raised on turned feet. 103 cm high x 82cm wide

€ 700 - 1,000



48

115 AN IRISH GEORGE IV MAHOGANY STRONG BOX, DATED 1828, with brass bracket side handles and hinged top inset with brass plaque ‘’Corporation of Curriers, 1828’’. 97cm wide *The interior set with three individual lock plates, each

requiring the respective key bearing members of the guild to

be present to enable the opening of the box*

€400 – 600

116 A PAIR OF ITALIAN GILT WOOD WALL MIRRORS of cartouche form with oval mirror plates, 53 x 41cm

€ 500 - 800

117 A CAST BRASS STANDARD LAMP, the column decorated with vertical bands of trailing foliate motifs, raised on a circular base with geometric pattern. 132cm high

€ 300 - 500






49

118 A LATE VICTORIAN ROYAL WORCESTER BLUSH PORCELAIN LYRE CASED MANTLE CLOCK, the gilded dial within a foliate wreath and raised on an octagonal platform base, No.1385 inscribed underneath. Listed in Henry Sandon (1973) as ‘Lyre clock case, hexagon stand’, dated 1889, ‘rare’’. 46cm high

€ 400 - 600

119 TWO LATE VICTORIAN OVOID CHINA DECORATIVE JUGS, the pale ground decorated with polychrome foliate sprays with gilt highlights. 23.6 x 19cm high; together with a Chinese Qing porcelain baluster vase, decorated with peonies and birds. 12.5cm high. (3)

€ 150 - 250

120 A PAIR OF LATE 19TH CENTURY MEISSEN PORCELAIN FIGURES, modelled as a shepherd and shepherdess, After models by M.V. Acier and J.C. Schönheit, the shepherd leans in against a tree stump while reaching for a sealed envelope around a pigeons neck, the shepherdess carries a bird cage containing a song bird over her shoulder, both figures with a lamb at their feet, raised on circular bases, moulded with stylised Greek Key, the entire hand painted, each incised with model number ‘F.73’ and crossed swords marks to underside. The Shepherd 19.1cm high; the Shepherdess c.18.4cm high

€ 500 - 700






50

121 FREDERICO MAZZOTTA (1839-1897) Children Feeding Fowl in a farm with their Mother Oil on Canvas, 61 x 49cm

€ 1000 - 1500

122 A GEORGE III INLAID MAHOGANY COMPACT SIDEBOARD of bowfront form, central frieze drawer flanked by cupboards, decorated satinwood banding, on square tapering legs with plinth feet. 110cm wide, 55cm deep

€ 700 - 1000





51

123 CECIL KENNEDY (1905-1997) Still Life with Wine Cooler and Flowers Oil on canvas, 75 x 62cm Signed

Exhibited at Royal Academy 1955, No 155

Provenance: McConnell Mason, London

€ 6,000 - 10,000


52

124 A GEORGE III MAHOGANY GAINSBOROUGH ARMCHAIR, the back and splat upholstered in red patterned damask, the armrests with acanthus carved supports, raised on cabriole legs with paw feet. 70cm wide

€ 2000 - 4,000




53

125 A GEORGE II INLAID WALNUT FOLDING TOP SECRETAIRE CHEST, the fitted interior raised on a chest of four long graduated drawers and bracket feet. 81cm high, 85cm wide, 41cm deep

€ 1,500 - 2,500



54

126 A GEORGE III MAHOGANY FRAME TUB BACK TWO SEATER SOFA, upholstered in pink damask, raised on square fluted tapering legs with castors. 146cm wide

€ 800 - 1200

127 A GEORGE III MAHOGANY TALL BOY CHEST ON CHEST, the dentil moulded cornice above blind tracery and a chest of two short and six long drawers, flanked by fluted pilasters and bracket feet. 110cm wide, 198cm high, 98cm deep

€ 3,000 - 5,000






55

56

128 A 19TH CENTURY ITALIAN CARVED GILT WOOD TABLE MIRROR of shell form decorated with acanthus leaves on carved paw feet. 36 x 38cm

€ 200 - 300

129 A REGENCY INLAID ROSEWOOD SIDE CABINET, with brass arabesque panels with frieze drawing and twin panel doors with fabric insets, raised on scroll feet. 113cm wide, 33cm deep

€ 1500 -2000





57

129 A GEORGE III CARVED GILTWOOD OVAL MIRROR, the beaded frame surmounted by a rosette within a border of continuous trailing bellflowers and fluted border. 97 x 73cm

€ 1,500 - 2,000


58

130 A GEORGE III BLACK AND GILT JAPANNED TIMBER LONGCASE CLOCK, c.1760, with arched top supported on twin pillars enclosing a brass and steel dial, inscribed ‘John Dene, London’, the entire profusely decorated in the chinoiserie taste with figures and animals in landscapes. 229cm high x 49cm wide

€ 2,000 - 3,000

131 A GEORGE II WALNUT AND PARCEL GILT WALL MIRROR, the stylised swan neck pediment centred by a carved gilt eagle above gilt cornicing, the shaped rectangular plate flanked by gilt trailing foliage with a shaped apron base. 148cm tall, 73cm wide € 3,000 - 5,000






59

60

132 A PAIR OF GEORGE III INLAID SATINWOOD SIDE CABINETS, the raised open shelves above single frieze drawer and two cup board decorated with rosewood banding, and raised on splayed feet. 78.8cm wide, 41cm deep, 112cm tall

€ 2,500 - 3,500



61

133 CECIL KENNEDY (1905-1997) Still Life with Vase of Flowers (Glass) Oil on canvas, 50 x 40cm

Provenance: McConnell Mason, London

€ 5000 - 7000


62

134 JAMES MALTON (1761-1803) A set of twenty-five views of Dublin in hand coloured aquatints ‘’A Picturesque and Descriptive view of the City of Dublin’’ Frames 30 x 42.5cm

€ 8,000 - 10,000

James Malton is thought to have lived in Dublin druing the 1780s with his father Thomas Malton, an architectural draughtsman and teacher. According to the Publius source he was apprenticed to James Gandon, the famous architect, at the age of 17 in 1781. Malton’s apprenticeship to Gandon was terminated after three years by mutual consent, after which he moved to London, working from there with frequent visits back to Dublin. Malton engaged on his grand project to produce his ‘’Picturesque Views of Dublin’’, on a scale hitherto unknown even in London. Dublin pre-Act of Union in 1800 was of course an incredibly rich and vibrant city at the zenith of its financial and cultural powers, and so to Malton it must have appeared ripe for acceptance of such a publication to celebrate its status as the city second only to London. The book was published in six parts by subscription, as was the custom starting in 1792. The painting itself was carried out in London The book proved in part to be too great an under-taking for Malton, and he could not have foreseen the exodus which took place in the city after the Act of Union in 1800. He died in 1803 in London at the age of 38 of a brain fever, and undoubtedly did not reap the rewards of his endeavour.



63 63

66

135 CONTINENTAL SCHOOL (20TH CENTURY) ‘View of Santa Maria della Salute, Venice, with Gondoliers’ Oil on canvas, 104 x 133cm In a giltwood and gesso frame with trailing roses

€ 500 - 700

136 A PAIR OF GEORGE III STYLE WALNUT ARMCHAIRS upholstered in patterned damask on cabriole legs with pad feet

€ 1000 - 1500





67

137 MELCHIOR D’HONDECOETER (1636-1695) A Graphic of Fowl and Goat with Sleeping Spaniel and Sheep Oil on canvas, 44 x 62cm

€ 1000 - 1500

138 A 19TH CENTURY MAHOGANY SERPENTINE SIDE TABLE, in the George III taste, the plain top raised above three cockbeaded frieze drawers, the sides with faux drawers, all with brass drop handles and raised on two shaped column front supports. 179cm wide x 85cm deep

€ 500 - 1,000




68

139 HENRY BROCAS (C.1790-1846) AFTER SAMUEL FREDERICK BROCAS Twelve Views of Dublin Colour etchings, each approx. 27 x 42cm

€ 3,000 - 5,000



69

70

140 BASIL BRADLEY R.W.S (1842-1904) White Goats on Cliff top Watercolour, 45 x 72cm Signed and dated 1870 in original frame

€ 400 - 600

141 STYLE OF HERMANUS KOEKKOEK JNR Shipping off the Dutch Coast Oil on canvas, 30 x 44cm Old label verso

€ 500 - 700




71

142 STUDIO OF GEORGE LANCE (1802-1864) Still life of fruit Oil on canvas, 76 x 65cm Signed and dated by pupil Stuart, 1853; also signed by George Lance

€ 400 - 600

143 CONTINENTAL SCHOOL ‘View of Florence’ and ‘View of Rome’ A pair, oil on canvas, 28 x 38cm

€ 800 - 1,200

142

143



72

144 IRISH SCHOOL EARLY 19TH CENTURY Portrait of a Gentleman in a Dark Blue Coat and another example Watercolour on Ivory, 8 x 7cm Both in carved giltwood frames with labels verso, R & W Clarke, Cork (2)

€ 150 - 250

145 IRISH SCHOOL EARLY 19TH CENTURY Portrait of a Lady and a Young Gentleman, Watercolour on ivory, a pair 4.5cm diameter With initials C. R Both in carved giltwood frames with labels verso R & W Clarke, Grand Parade Cork

€ 150 - 250

144

145




73

146 ARCHIBALD THORBURN (1860-1935) Grouse in a wood “Beaters Approaching” Gouache, 17 x 17cm Signed

€ 1000 - 1500

147 ARCHIBALD THORBURN (1860-1935) Ducks in Reeds “Little Grebe” Watercolour, 23 x 16cm Signed

Original Illustration for Lord Lifford’s ‘Colonel Figures of the Birds of the British Isles’.

Provenance: The Tryon Gallery, London.

€ 1000 - 1500



74

148 NILS HANS CHRISTIANSEN (1866-1945) A Wintry Tree Lined Road and Figures Waiting by a River Oil on canvas, 21 x 30cm A pair, signed

€ 1000 - 1500

149 A GEORGE III MAHOGANY FRAMED FOUR SEAT CAMEL BACK SOFA, upholstered in striped cream fabric, the outscrolling arms carved with trailing flowers and scrolls, raised on square chamfered legs with stretcher. 225cm wide, 100cm deep, 115cm high

€ 2,000 - 3,000

148





75

150 ENGLISH SCHOOL (18TH CENTURY) Thomas Smith, Deputy Bailiff of Hallamshire Oil on canvas, 66 x 56cm Inscribed verso

€ 500 - 700

151 A GEORGE IV MAHOGANY AND PARCEL GILT CHAISE LONGUE, c.1825, of classical design with raised scroll end supports and loose oblong cushion, covered in a cream striped upholstery, on fluted tapering legs, with leaf cast mounts and castors. 220cm long

€ 3,000 - 5,000

150




76

152 A GEORGE IV MAHOGANY AND PARCEL-GILT RECTANGULAR LIBRARY TABLE, the moulded rim above two frieze drawers, raised on leaf carved end supports with carved and turned cross stretcher on reeded scroll feet. 135 x 68cm

€ 1,000 - 1,500




77

153 ANTOINE MONNOYER (1670-1747) Still Life with Urn of Flowers Oil on canvas, 50 x 40cm

Provenance: Collection of Hon. Marquess of Carishbrooke; McConnell Mason, London

€ 6,000 - 8,000


78

154 A PAIR OF VICTORIAN MAHOGANY HALL CHAIRS, the circular open backs with vacant shield, the shoe carved with scrolls, above plain seat and apron, raised on turned tapering legs. 89cm high (2)

€ 300 - 500

155 A 19TH CENTURY MAHOGANY RECTANGULAR CHEST of four long drawers with brass handles on bracket feet. 83 x 47cm

€ 200 - 300

156 A VICTORIAN MAHOGANY RECTANGULAR BEDSIDE TABLE with single frieze drawer on square tapering legs with under tier. 66 x 40cm

€ 100 - 200

157 A VICTORIAN MAHOGANY CHEST OF FOUR LONG DRAWERS with brass inlay on bracket feet. 92 x 47cm

€ 500 - 800










79

158 A 19TH CENTURY CARVED WASH STAND with under-tier and fitted drawer. 60cm wide

€ 200 - 300

159 A GEORGE III MAHOGANY TAMBOUR TOP WRITING DESK, c.1800, the arched tambour side enclosing a fitted interior with ratchet action adjustable writing panel, candle slides and an arrangement of pigeon hole compartments, over two short frieze drawers flanked by pull-out slides to each side, on squared legs and castors. 94cm wide x 74cm deep

€ 400 - 600

160 A GEORGE IV MAHOGANY BOWFRONT COMMODE, the tray top above twin panel drawer in a two drawer pull out fascia pot drawer, on bracket feet. 60 x 50cm deep

€ 500 - 700

161 A GEORGE IV MAHOGANY RECTANGULAR CELLARETTE, with flat domed lid above a tapering fielded body, raised on carved paw feet. 77 x 56 x 53cm high

€ 300 - 500

79








162 A LATE 19TH CENTURY BI-CENTENARY ALE GLASS, of conical form, engraved with King William on horse back and commemorating the Battle of the Boyne - 1st July 1690. 15.6cm high

€ 100 - 200

163 A COLLECTION OF TWENTY-TWO 19TH CENTURY PLAIN AND ENGRAVED ALE AND LIQUEUR GLASSES, in the Georgian taste, some with air twist stems. Ranging from 11cm to 17cm high. (22) € 400 - 600

164 A PAIR OF 19TH CENTURY ENGRAVED GLASS VASES, c.1880, of trumpet form, decorated with fern trails to a flared rim, on domed circular foot. 37.5cm high

€ 200 - 300

165 A SET OF FOUR ENGLISH HAND PAINTED CIRCULAR CHINA PLATES, the off white ground decorated with hand painted fish on riverbanks, within gilt border, signed H. Mitchell

€400-600

162

163

164











81

166 AN EARLY VICTORIAN MASON’S IRONSTONE FOURTEEN PLACE SETTING DINNER SERVICE, comprising fourteen each of soup dishes, side plates and dessert plates; twenty-eight dinner plates; twin handled soup tureen and cover; sauce tureen, cover and stand; a pair of oval entree dishes, covers and stands; and four graduated serving dishes - from 33cm to 52cm long; decorated in the traditional Imari pattern in burnt orange, deep blue and gilt, retailed by Higginbotham, Thomas & Co., Dublin. (85 pieces)

€ 2,000 - 4,000

165



82

167 A JAPANESE BLUE AND WHITE CHARGER, 19th Century, painted with ducks and fish amongst reeds, between cobalt blue bands, highlighted in gilt, 4 character mark. 34cm diameter.

€ 100 - 150

168 A JAPANESE KO-IMARI DISH, 18TH CENTURY, of shallow circular form, with lobed rim and painted with flower heads and reeds within twin concentric bands, 26cm diameter; together with another smaller example; and a Japanese 19th Century bowl, 22cm diameter. (3)

€ 300 - 500

169 A LARGE CHINESE PORCELAIN BLUE AND WHITE STORAGE JAR AND COVER, in the Ming style, the baluster shaped body decorated with dragons in flight above a band of rolling waves. 49cm tall

Provenance: Purchased in London in the 1950s by the current vendor.

€ 500 - 700

170 A LARGE JAPANESE IMARI BOWL, 19TH CENTURY, decorated in blues and rusts, with birds and foliage on a white ground, signed beneath. 40cm diameter

€ 300 - 500








83

171 A MID-VICTORIAN GEORGE JONES ENGLISH MAJOLICA CHEESE DOME AND STAND, in the ‘Rustic’ pattern, of cylindrical form moulded as a staved barrel, decorated with meandering apple blossom, the lid with twisted branch handle, on a raised circular dish base. 21cm high overall, 30.5cm diameter (dish)

Reference: Audrey Dudson, ‘Cheese Dishes’, page 57, pl.28.

€ 250 - 400

172 A PAIR OF FRENCH CELADON, PORCELAIN AND BRASS MOUNTED CANDLESTICKS, 20TH CENTURY, of naturalistic design, each formed as a bird perched on a knarled branch rising to a flower head socket, supported on leaf cast circular base. 32.5cm high

€ 600 - 800






84

173 CARL REICHERT (1836-1918) Children playing with Dog and puppies Oil on panel, 32 x 41cm Signed

€ 800 - 1,200

174 SWISS SCHOOL (19TH CENTURY) A Mountain River Valley with Buildings and Figures, the Tower Clock cut out to receive a time piece Oil on canvas, 58 x 72cm Signed ‘G. Rosfelle 1840’

€ 500 - 1,000

175 ATTRIBUTED TO F.R. LEE (1798-1879) & T.S. COOPER (1803-1902) Cattle Watering under Trees Oil on canvas, 70 x 90cm

€ 800 - 1,200

176 LAJOS KUBANYI (HUNGARIAN SCHOOL, 1855- 1912) Winter Scene, Travelling by Sleigh Oil on canvas, 99 x 75cm Signed and dated 1884 (Unframed)

€ 1,000 - 1,500





https://adams.ie/74842/LAJOS-KUBANYI-HUNGARIAN-SCHOOL-1855-1912-Winter-Scene-Travelling-by-Sleigh-Oil-on-canvas-99-x-75cm-Signed-and-dated-1884-Unframed-74842?Itemid=&high_estimate=12000&ipp=All&keyword=&low_estimate=40&sort_by=lot_no&view=lot_detail

https://adams.ie/74842/LAJOS-KUBANYI-HUNGARIAN-SCHOOL-1855-1912-Winter-Scene-Travelling-by-Sleigh-Oil-on-canvas-99-x-75cm-Signed-and-dated-1884-Unframed-74842?Itemid=&high_estimate=12000&ipp=All&keyword=&low_estimate=40&sort_by=lot_no&view=lot_detail


85

177 C. BARMOLU AFTER TITIAN ‘Amor Sacro e Amor Profano’ Oil on canvas, 54 x 135cm Signed indiscreetly

€ 700 - 1,000

177 A FRUITWOOD FRAMED GENTLEMAN’S READING CHAIR, of tub back form, with reading stand, on cabriole legs

€800-1,200




86

179 A 19TH CENTURY CUT GLASS JUG, with fluted rim and C-scroll handles cut with bold pillar flutes. 21cm tall, 22cm wide over handle and spout

€ 200 - 500

180 A 19TH CENTURY CUT GLASS JUG, of baluster form with diamond fold banding, and c-scroll handle. 17cm tall x 21cm wide over handle and spout

€ 200 - 500

181 A 19TH CENTURY CUT GLASS URN SHAPED HONEY POT AND COVER, raised on circular lobed moulded foot, the entire with flat-cut decoration. 17cm tall

€ 200 - 500

182 A 19TH CENTURY CUT GLASS BISCUIT BARREL AND COVER, of circular form with domed lid and facetted finial, the fluted body decorated with a central band of wheel-cut trailing bellflowers, with corresponding decoration to the lid. 18.5cm

€ 200 - 400








87

183 ATTRIBUTED TO FRANCIS BARLOW (1626-1704) Peregrine and Other Birds Oil on canvas, 89.5 x 74.5cm

Provenance: With the Tyron Gallery, Dover Street, London.

€ 2,000 - 4,000

184 AN IRISH GEORGE III MAHOGANY SHAPED RECTANGULAR CARD TABLE, the folding top with rounded corners, the baise lined interior with candle stands and counter wells, above a plain frieze and raised on cabriole legs and pad feet. 84cm wide x 42cm deep

€ 1,000 - 1,500




88

185 A FRENCH ORMOLU AND COBALT BLUE TWO-HANDLE JARDINÈRE, in Louis XVI taste, with raised leaf cast rim and reeded masked side handles, encircled with ribbon tiedfloral swags raised on a domed circular foot. 39cm high, 46cm across handles

€ 250 - 350

186 A FRENCH BRASS AND ROUGE MARBLE TWO-TIERED JARDINÈRE STAND, of squared upright form, with bound tubular supports on out-turned scroll feet. 80cm high

€ 120 - 160

187 A FRENCH BOULLE THREE PIECE CLOCK GARNITURE

€ 300 - 500

188 A VICTORIAN EBONISED BURR WALNUT AND MARQUETRY SHAPED ÉTAGÈRE, with metal gallery and mounts. 78 x 49cm

€ 250 - 400










89

189 A LOUIS XV SCARLET BOULLE-WORK AND ORMOLU BRACKET CLOCK the gilt dial set with individual enamel numerals, the frame cast with leaf scrolls and beading. 75cm high

€ 600 - 1,000



90

190 A LATE GEORGE III MAHOGANY CANTERBURY, of plain rectangular form, with four slatted compartments above a single cockbeaded drawer with brass knop handles and raised on turned legs and brass castors. 49 x 35.5 x 52cm high

€ 300 - 500

191 A GEORGE IV INLAID MAHOGANY OCTAGONAL LIFT TOP WORK BOX, the crossbanded top above a dummy drawer and a well fitted drawer, with brass knop handles and raised on square tapering legs. 46 x 34 x 75.5cm

€ 300 - 500

192 A STAINED WOOD CHINOISERIE DISPLAY CABINET, Early 20th century, with an open pagoda top above a drawer with a bevelled glazed, velvet lined vitreen cabinet, on platform base, shaped and canted paw feet. 61cm wide x 44cm deep x 150cm high

€ 600 - 800

193 A GEORGE III MAHOGANY SERPENTINE FOLDING TOP TEA TABLE, with moulded rim and outpointing corners, the apron with inset cockbeaded drawer with brass drop handle and raised on channelled square tapering legs. 90 x 46 cm (closed) x 74cm high

€ 700 - 1,000









91

194 A VICTORIAN STYLE MAHOGANY FOUR POSTER BED, with fluted baluster columns above shaped moulded headboard, inset with four panels and painted shell decoration. 210cm wide, 250cm high, 230cm long.

€ 800 - 1,200



92

195 AN IRISH MAHOGANY AND MARBLE TOP SIDE TABLE, in the Georgian manner, fitted with pale cream marble above a blind-fret frieze carved with vitruvian scrolls and centred by opposing c-scrolls , acanthus leaves and rockwork, the legs boldly carved with lion mask legs and scrolled paw feet, 214 wide x 86 deep x 91 cm high

€ 8,000 - 12,000



93

94

196 ITALIAN SCHOOL, 19TH CENTURY An extensive sunset landscape with figure by a bridge Oil on canvas, 63.5 x 76cm

€1,000 – 1,500



95

197 ATTRIBUTED TO ROBERT HUNTER (18TH CENTURY) Portrait of a gentleman, Standing Three Quarter Length within a Caribbean landscape Oil on canvas, 127 x 102cms

€ 1,000 - 1,500



96

198 A LARGE LATE 19TH CENTURY MAHOGANY ELLIPTICAL DOUBLE DROP LEAF HUNTING TABLE, raised on square gate-leg supports. 336cm long

€ 5,000 - 8,000





97

199 A SET OF TWELVE GEORGE IV MAHOGANY FRAMED DINING CHAIRS, the curved rail back with foliate scroll carved crest and terminals, pierced lower rail, concave fronted drop-in seats and raised on beaded hexagonal tapering legs

€ 3,000 - 5,000



98

201 AN IRISH GEORGE III MAHOGANY SHAPED RECTANGULAR SILVER TABLE, the disked top above a serpentine frieze centred by a scallop shell, raised on cabriole legs. 72 x 54cm

€ 1,000 - 1,500

200 DUNCAN MACKELLAR RSW (1849-1908) Puzzled, Two men playing draft in an interior Oil on canvas, 51 x 76cm Signed and dated 1883 € 1,500 - 2,500





99

203 A REGENCY ROSEWOOD RECTANGULAR BREAKFRONT SIDE CABINET, with white marble top above four brass wire grille panel doors, flanked by parcel gilded pilasters with bas relief carved capitals and stepped bases, raised on platform base. 92cm high, 183cm wide, 49cm deep

€ 4,000 - 6,000

202 FREDERICK JAMES ALDRIDGE (1850-1933) Square rigged ships moored at a quayside Oil on canvas, 76 x 63.5 Signed and dated (18)’98

€ 1,500 - 2,000





100

204 H. MERIUS (19TH CENTURY SCHOOL) Evening, Waiting the Return Oil on canvas, 70 x 104cm Signed and dated (c.)1851 Inscribed label with title verso

€ 700 - 1,000

205 A GEORGE III MAHOGANY FRAMED HUMP BACK TWO SEAT SOFA, with scroll arm supports, upholstered in green pattern silk damask, raised on slender cabriole legs and scroll feet. 155cm wide

€ 2,000 - 4,000





101

206 ABRAHAM HULK (1813 - 1897) Fishermen and Ships at Sunset Oil on canvas, 56 x 83cm Signed

Provenance: W. H Patterson, London

€ 3,000 - 5,000

207 A REGENCY ROSEWOOD RECTANGULAR SIDE CABINET, the white crossbanded rosso antico marble top above a breakfront frieze and twin wire grille panel door cupboards, flanked by parcel gilt leaf carved pilasters with lion paw feet, on brass mounted platform case. 88cm high, 136cm wide, 74cm deep

€ 3,000 - 5,000



https://adams.ie/74858/ABRAHAM-HULK-1813-1897-Fishermen-and-Ships-at-Sunset-Oil-on-canvas-56-x-83cm-Signed-Provenance-W-H-Patterson-London-74858?Itemid=&high_estimate=12000&ipp=All&keyword=&low_estimate=40&sort_by=lot_no&view=lot_detail

102

208 AFTER JOHN SHIRLEY FOX Travelling Salesman Oil on canvas, 70 x 100cm Signed ‘J. S. Fox’

€ 600 - 800

209 A REGENCY INLAID AND ROSEWOOD DOUBLE DROP LEAF SOFA TABLE, decorated with brass stringing, twin frieze drawers raised on a turned centre pillar with large lotus carved collar raised on a platform with outswept quadruped scroll legs with cast brass toe caps and casters. 147cm wide 69cm high

€ 2,000 - 4,000





103

210 A FINE GEORGE I WALNUT CABINET SECRETAIRE CHEST, the plain moulded cornice above twin mirrored panel doors, enclosing an arrangement of sized drawers, above a pull out slide and a chest of four long graduated drawers with one fall front, secretaire drawer with drawers and pigeon holes, mounted with engraved brass handles and lock plates, on bracket feet, 110cm wide x 195cm highThis cabinet is almost identical to an example by William Old and John Ody , London c.1725, sold in Christie’s New York, 18th October 2001, lot 266. Bearing the printed maker’s paper label inscribed ‘WILLIAM OLD AND JOHN ODY At the Castle in St. Paul’s Church-Yard, (over-against the South-Gate of ye Church) London. Makes and Sells all sorts of Cane & Dutch Chairs, Chair Frames for Stuffing and Cane-Sashes. And also all sorts of the best Looking-Glass & Cabi net-Work in Japan Walnut-Tree & Wainscot, at Reasonable rates.’

€ 5,000 - 8,000




104

211 A WEST PERSIAN MAHAL CARPET C.1925/35, of Herati design, the large central field woven with interlinked vines and boteh ornaments, contained within two narrow guard stripes of interlinked rosettes. 361 x 323cm

Provenance: Formerly with Peter Linden € 1,000 - 1,500

212 AN OLD MAHAL WEST PERSIAN WOOL CARPET C.1925/35, the central field filled with flower heads palmettes and rosettes, within a main border of large arabesques, linked with vines and Boteh motifs within narrow guard stripe borders. 404 x 358cm

Provenance: Formerly with Peter Linden € 1,500 - 2,000

213 A SEMI-ANTIQUE TABRIZ WOOL CARPET NORTH WEST PERSIA C.1920, of all-over design, the central field filled with arabesque scrolls and palmettes around a small central medallion, contained within guard stripes and flower head border. Provenance: Formerly with Peter Linden € 2,000 - 3,000

214 A SEMI-ANTIQUE BIBIKABAD WOOL CARPET, WEST PERSIAN C.1930, centred with a small geometric medallion and all-over Herati design, inside a border of lotus vines and twin guard stripes, natural dies. 340 x 264cm Provenance: Formerly with Peter Linden

€ 1,000 - 1,500









105

215 A LARGE DUN EMER WOOL CARPET, in a stylised Celtic pattern, with central interlaced medallion on a mocha ground within an off-white border, the angles decorated within exotic polychrome birds in reds, blues, purples and orange, within a narrow band of guard stripes. c.400 x 345cm

€ 2,000 - 4,000


106

216 IN THE STYLE OF EDWARD SEAGO (1912-1974) English Coastal Scene Oil on board, 18 x 39cm Unsigned

€ 300 - 500

217 HENRY EARP SNR (1831-1914) Cattle in pasture with church beyond Watercolour, 25 x 34cm Signed € 250 - 350

218 20TH CENTURY SCHOOL An Alchemist in his Study A pair, oil on card, 20 x 24cm

€ 100 - 200

219 E.A. MCEWEN (20TH CENTURY) Still Life with Apples Watercolour, 23 x 34cm Signed

€ 60 - 80






107

220 HENRY JOHN YEEND KING (1855-1924) The River Side Watercolour and gouache, 45 x 32cm Signed; the mount inscribed with title

€ 1,000 - 1,500

221 A 19TH CENTURY INLAID MAHOGANY SHERATON STYLE SERVING TABLE, of shaped rectangular form, the upper tier with central inlaid conch shell, flanked by twin satinwood sliding panels inlaid with classical urn and bellflowers on geometric decoration, above a second frieze of conforming decoration, having concave fitted drawers to corners, raised on six square tapering legs. 217cm wide x 116cm high x 74cm deep

€ 800 - 1,200




108

222 A DUTCH 19TH CENTURY EBONISED, TORTOISESHELL AND BRASS MOUNTED WALL MIRROR surmounted with cast, pierced scroll and foliate top, the bevelled plate within a repousse foliate swept back border. 155 x 90cm

€ 750 - 1,000

223 A WHITE PAINTED TIMBER FRAMED OVERMANTLE MIRROR, of rectangular form, surmounted with a tongue and dart cornice, and scroll cartouche above an arch top plate within laurel and beaded borders. 182 x 165cm

€ 500 - 800

224 A WHITE PAINTED TIMBER FRAMED OVERMANTLE MIRROR, of rectangular form, surmounted with a tongue and dart cornice, and scroll cartouche above an arch top plate within laurel and beaded borders. 182 x 165cm

€ 500 - 800

225 A LARGE CAST BRASS BALUSTER TABLE LAMP; together with an oriental porcelain, brass mounted table lamp. (2)

€ 200 - 400

224 223

225










109

227 A VICTORIAN GILTWOOD MARBLE TOP CONSOLE TABLE, of serpentine form, the white marble top above carved and pierced scrolling frieze decorated with foliate sprays, the cabriole legs capped with c-scroll cartouches on acanthus capped feet. 123cm wide x 92cm high

€ 700 - 1,000

226 A LATE 19TH CENTURY GILTWOOD AND GESSO RECTANGULAR OVERMANTLE WALL MIRROR, the central cartouche decorated with foliate sprays, floral banding and all-over shaped scroll moulding, the conforming pilasters wrapped with trailing floral vines, the base fitted with stylised central shell. 210 x 130cm

€ 700 - 1,000





110

228 A GEORGE III SATINWOOD POLE SCREEN, with oval needlework panel decorated with birds in landscape and raised on a slender tapering pole on baluster turned tripod supports with fine scroll feet. 138cm high, the panel 41 x 31cm

€ 250 - 350

229 A 19TH CENTURY CARVED GILTWOOD COMPARTMENTED OVERMANTLE MIRROR, of shaped rectangular form, the arched crest rail with integrated shell and scrollwork, the frame in the form of rusticated columns with leaf scroll decoration. 93 x 132cm

€ 500 - 800

230 A REGENCY ROSEWOOD SQUARE WHAT-NOT, the three plain tiers supported on slender turned baluster columns on turned tapering supports with brass castors. 35 x 35.5 x 80cm high

€ 400 - 600

231 A VERY FINE SWISS TORTOISE SHELL AND SILKWORK MUSIC BOX, (19TH CENTURY) HENRI CAPT OF GENEVA of rectangular form, with glazed cover inset with an intricately worked silk panel depicting a harpist in a woodland with cherubs at play, contained within a foliate engraved yellow metal border, the interior with single cylinder movement stamped twice “H. CAPT”, with winder and contained within a fitted red hide case (9cm wide)

€ 2,000 - 3,000









111

232 A PAIR OF 19TH CENTURY STYLE VERNIS MARTIN INLAID AND PAINTED KINGWOOD VITRINE CABINETS of serpentine front form, with single glazed doors and glazed quadrant panels painted with landscapes, decorated with applied cast foliate scrolls and banding raised on slender cabriole legs. 100cm wide, 190cm high

€ 2,000 - 3,000




112

233 A SET OF TWELVE GEORGE III STYLE MAHOGANY FRAMED DINING CHAIRS, the moulded rims with undulating crest rail above a pierced vase splat, the padded seats covered in morocco faux hide and raised on plain cabriole legs and pad feet (10 single and 2 elbow chairs)

€ 1,000 - 1,500

234 A LARGE VICTORIAN MAHOGANY EXTENDING DINING TABLE, with thumb moulded rim, plain apron, raised on heavy turned and fluted baluster legs and castors (four additional leaves). 140cm wide, 376.5cm long (fully extended), 74cm high € 2,000 - 4,000






113

236 A REGENCY MAHOGANY CUMBERLAND-ACTION DINING TABLE, the centre double drop leaf section with moulded rim raised on a four pillar conjoined splayed support and with twin ‘D’ ends, raised on reeded downswept tripods with brass toecaps and castors. 136cm wide x 283.5cm long

Cumberland-action tables are traditionally named after Henry Frederick, Duke of Cumberland, 4th son of Frederick, Prince of Wales and brother of George IV, for whom a model of this table was thought to have been made.

€ 2,000 - 4,000



237 A LARGE IRISH GEORGE III MAHOGANY BRASS BOUND FUEL BUCKET, of coopered construction with twin brass side handles. 76cm high x 64.5cm diameter The mahogany peat or fuel bucket was a ubiquitous fireside companion in Irish country houses of the Georgian era. They tended to be made to a fairly standard design, sometimes reeded or spiral reeded, with brass braiding for stability and swing handles for carrying. The vast majority are no more than ‘’16’’ high and often are accompanied by a matching ‘plate bucket’, used for ferrying warmed dinner plates from the downstairs kitchen to the dining room.Cut turf and for that matter, logs are by their very nature large and big quantities were needed to maintain day and night-long fires. Standard buckets tended to accommodate relatively small amounts of fuel so in more commodious houses the turf buckets tended to be much larger, some as big as three feet high. As they were too large for the ‘help’ to carry using a swing handle, these buckets were carried using two applied brass handles on the sides. The present lot, that has come from a lovely Co. Wicklow country house, is one such original Georgian bucket that displays the robust craftsmanship these pieces required just to survive. Their elegance too is desired these days by not just the inhabitants of the great old Irish houses but also by owners of modern streamlined, light-filled apartments where the minimalism of their design is appreciated.

€ 8,000 - 12,000

239 A FINE IRISH GEORGE IV GILTWOOD CONSOLE TABLE, in the manner of Del Vecchio, Dublin, of rectangular form, the white marble top above foliate frieze, flanked by twin eagle-head monopodia on claw and ball feet, the mirror back panel enclosed in anthemion wrapped columns raised on a concave rosewood platform base, with pierced brass banding. 101cm high, 192cm wide, 56cm deep

€ 4,000 - 6,000

238 A LARGE VICTORIAN GILTWOOD OVERMANTLE MIRROR, in rococo taste, the carved foliate pediment surmounted by an eagle, the rectangular mirror plate enclosed by pierced scrolling and leaf wrapped pilasters with scrolling terminals. 235 x 160cm

€ 1,000 - 1,500

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240 AN IRISH REGENCY OCTAGONAL BRASS BANDED WINE COOLER, with original fitted metal interior, with cast brass drop handles, on its stand with baluster turned legs and brass castors, the stand with contemporary paper label inscribed ‘Lock Side’. 63cm wide x 76cm high

€ 1,000 - 1,500

241 A GEORGE IV ROSEWOOD AND BRASS INLAID FOLD-OVER CARD TABLE the rectangular top with rounded fore-corners, sup ported on an octagonal centre column and platform on outswept legs and brass castors. 91cm wide € 1,500 - 2,500






117

240 AN IRISH REGENCY OCTAGONAL BRASS BANDED WINE COOLER, with original fitted metal interior, with cast brass drop handles, on its stand with baluster turned legs and brass castors, the stand with contemporary paper label inscribed ‘Lock Side’. 63cm wide x 76cm high

€ 1,000 - 1,500

241 A GEORGE IV ROSEWOOD AND BRASS INLAID FOLD-OVER CARD TABLE the rectangular top with rounded fore-corners, sup ported on an octagonal centre column and platform on outswept legs and brass castors. 91cm wide € 1,500 - 2,500

242 A REGENCY MAHOGANY INVERTED BREAKFRONT BOOKCASE, with moulded cornice and raised anthemium finials, above three glazed panel doors flanked by pilasters above three fielded panel door cupboards on platform base. 227cm high x 162cm wide x 60.5cm deep

€ 2,000 - 3,000



118

243 A GEORGE IV MAHOGANY CELLARETTE, of sarcophagus form, the crossbanded and moulded top above plain tapering body, the sides with brass drop handles, on compressed fluted bun feet. 59cm high x 70cm wide x 56cm deep

€ 400 - 600

244 A GEORGE IV MAHOGANY DOUBLE DROP LEAF SOFA TABLE, the crossbanded rosewood top with reeded rim above two twin drawers and opposing false drawers and button handles, raised on turned legs and brass castors. 71cm high x 150cm wide

€ 400 - 600

245 A 19TH CENTURY OAK FRAMED AND UPHOLSTERED ARMCHAIR, STAMPED HOLLAND & SON, the rectangular back and arms upholstered in a duck-egg blue and cream damask, on short turned supports, brass socks and castors

€ 2,000 - 3,000







119

246 AFTER JOHN ROCQUE (1709-1762) A Map of the Kingdom of Ireland Hand coloured engraving, 124 x 98cm

€ 800 - 1,200

247 A GEORGE III INLAID MAHOGANY SERPENTINE SIDEBOARD, with crossbanded top above a centre drawer and quarter paterae, flanked by a drawer and cupboard and a conforming fascia deep drawer, fitted brass tire and raised on square tapering legs and spade feet. 151.5 x 73.5 x 93.5cm high

€ 600 - 1,000




120

248 AN ISLAMIC BLUE GLAZED BOWL, probably Persian, of deep circular form, the exterior inked with four floral and scroll work panels separated by geometric bands, the interior decorated with a rosette and a continuous foliate interlinked border, 21cm diameter

€ 300 - 500

249 A JAPANESE BLUE AND WHITE PORCELAIN VASE, converted to a table lamp, 19th century, of baluster form, with flared rim, painted with chinoiserie panels against a simulated lacquer lattice work ground. 45cm high

€ 250 - 350

250 A LARGE SOAPSTONE TABLE ORNAMENT IN THE FORM OF A TREE, the branches decorated with leaves and various fruit and raised on a rocky outcrop. 45cm high; together with a carved timber stand. 10cm high

€ 300 - 500

251 A LARGE JAPANESE BLUE AND WHITE PORCELAIN CHARGER, 20th Century, of shallow circular form, decorated with a finch perched amongst flowering prunus, highlighted with gilt and coloured enamels within lotus scroll border, stylised seal marked verso. 46cm diameter

€ 200 - 300








121

252 A CHINESE HARDWOOD OCCASIONAL TABLE, of rectangular form, the top inset with mottled marble within a mother of pearl banded border above similarly decorated aprons and raised on reeded square supports. 41 x 34 x 52cm high

€ 300 - 500

253 A JAPANESE LACQUER CABINET ON STAND, late 19th century, the upper section decorated with peacocks and stylized flowers, applied with strapwork mounts and enclosing an arrangement of short drawers, over a single long drawer, the stand with cabriole legs and scroll feet. 123cm high, 68cm wide, 45cm deep

€ 400 - 600

254 A CHINESE PADOUK RECTANGULAR LOW TABLE, of shaped rectangular form, the fielded top with carved aprons and raised on curved end supports, with pierced foliate panels. 96 x 41 x 41cm € 300 - 500

255 A PAIR OF CHINESE PADOUK OCCASIONAL TABLES, of rectangular form, with plain moulded tops and raised on square supports with high shaped stretchers. 31 x 41 x 51cm high

€ 400 - 600

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122

256 A VINTAGE LOUIS VUITTON STENCIL MONOGRAM DOUBLE WARDROBE STEAMER TRUNK, c.1930, the hinged interior opening to reveal six fitted drawers to the right, and extending hanging compartment to the left with original stamped hangers, w.a.f. 113 x 57 x 56cm

€ 3,000 - 5,000

257 A VINTAGE LOUIS VUITTON TAN LEATHER “MALLE” SUITCASE, c.1920, with stamped fitted lock and leather wrapped carrying handle, w.a.f. 51 x 33 x 15cm

€ 300 - 500

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123

258 A GEORGE III MAHOGANY BREAKFRONT BOOKCASE, the moulded cornice above four panel doors on a conforming panel door base, the interior with fitted compartments, pigeon holes, the entire decorated with reeded banding. 275cm wide x 245cm high

€ 3,000 - 5,000



124

260 A MID 19TH CENTURY INLAID MAHOGANY BOWFRONT GENTLEMAN’S WARDROBE, with moulded dentil cornice above twin fielded panel doors with inlaid ovals and decorated with satinwood crossbanding on a base fitted two short and two long drawers with brass oval drop handles and raised on bracket feet. 118cm wide x 203cm high x 53cm deep

€ 800 - 1,200

259 A LATE REGENCY MAHOGANY TWIN DOOR GENTLEMAN’S WARDROBE, with plain moulded cornice above twin inset oval panelled doors on a base fitted two deep drawers with circular brass handles, the entire flanked by reeded pilasters, punctuated with roundels and raised on a shaped apron and splayed bracket feet. 130cm wide x 199cm high x 59cm deep

€ 700 - 1,000






125

259 A LATE REGENCY MAHOGANY TWIN DOOR GENTLEMAN’S WARDROBE, with plain moulded cornice above twin inset oval panelled doors on a base fitted two deep drawers with circular brass handles, the entire flanked by reeded pilasters, punctuated with roundels and raised on a shaped apron and splayed bracket feet. 130cm wide x 199cm high x 59cm deep

€ 700 - 1,000

261 A 19TH CENTURY MAHOGANY BREAKFRONT BOOKCASE, in the Georgian taste, with moulded blind fret and Greek key cornice above four astragal glazed panel doors above four fielded panel doors, with blind fret frieze and raised on platform base. 189cm wide x 236cm high x 48cm deep € 2,000 - 3,000



126

262 A VICTORIAN MAHOGANY FRAMED THREE SEAT SETTEE, c.1860, in the French style, with shaped back and sides centred with an oval panel, upholstered in a mint green and floral damask, with reeded frame and raised on short scroll supports. 106 x 160 x 56cm

€ 600 - 1,000

263 A MAHOGANY FRAMED UPHOLSTERED STOOL, of rectangular form, with padded seat covered in floral damask fabric and raised on George II style cabriole legs and pad feet. 53 x 40 x 40cm high

€ 200 - 300

264 A WILLIAM IV ROSEWOOD FRAMED RECTANGULAR STOOL, the padded seat raised on turned baluster legs and ‘X’ stretcher. 54 x 37 x 52cm high

€ 400 - 600







127

265 ORTELIUS, ABRAHAM (1530-1585) A Map of Ireland Engraving, 365 x 490cm Latin text verso

€ 700 - 1,000

266 A GEORGE IV MAHOGANY FRAMED DOUBLE-SCROLL END CHAISE LONGUE, the shaped moulded and foliate carved top rail above heavily carved leaf wrapped scroll arms, upholstered in a cream and gold pinstripe fabric and raised on lion paw feet. 98 x 245cm

€ 800 - 1,200




128

267 A VICTORIAN BLACK PAPIER MACHE SHAPED TRAY, decorated with hand painted flowers. 64 x 47cm

€ 200 - 300

268 A VICTORIAN BLACK PAPIER MACHE TEA CADDY of oval sarcophagus form with twin fitted interior compartments. 25 x 18cm

€ 100 - 200

269 A GEORGE II WALNUT RECTANGULAR TEA CADDY with brass hinged handle and lift top and plain interior. 29cm wide

€ 50 - 100

270 A GEORGE IV BIRD’S EYE WALNUT TEA CADDY, of rectangular bombé form, with facetted lid opening to reveal a two compartment interior with lids having ivory handles, the body sides fitted twin timber ring handles and raised on compressed bun feet

€ 100 - 200










129

271 AN EARLY 19TH CENTURY BRASS BOUND WALNUT DECANTER CASE, fitted two decanters and stoppers, baise lined interior and with Bramah lock, the lid with inset carrying handle. 23 x 12.5 x 26cm high

€ 200 - 400

272 A VICTORIAN SILVER MOUNTED ANTLER HANDLED RIDING CROP, Birmingham 1896. 65.5cm long; together with another riding crop with silver plated hound’s head handle, stamped ‘Alpacca’. 63cm long; and an ivory handled walking stick. 87cm long. (3)

€ 150 - 250

273 A LARGE BERLIN PORCELAIN CIRCULAR BOWL AND COVER, 19th century, surmounted with a figure of a cherub raising a goblet and decorated with numerous ceremonies and scattered floral sprays, with basket weave borders, repeated again to the base, cancelled sceptre mark to base. 29cm diameter x 32cm high

€ 200 - 400

274 A MEISSEN MACOLINI PERIOD PUCE PAINTED DISH, decorated with chains of flowering foliage against a brilliant white ground, the shal low sides with wavy rim, the underside with crossed swords and star factory mark. 26cm diameter; together with a Meissen shaped oval dish, 18th century, the interior decorated with exotic birds and scattered insects, crossed swords mark verso. 27cm wide. (2)

€ 200 - 300









130

275 AN OLD MAHAL WOOL RUNNER, WEST PERSIA C.1920, the oblong field filled with stylised trees and flowering branches, contained within a geometric Herati border, and double meander guard stripes. 311 x 109

Provenance: Formerly with Peter Linden

€ 1,000 - 1,500

276 A LARGE PERSIAN CARPET, with elongated central medallions, and all-over foliate motifs in blues, reds and browns, within multiple borders and guard stripes. 394 x 305cm

€ 1,000 - 1,500

277 A FLAT WOVEN KILIM RUNNER, in cream, red and orange tones, the oblong centre field woven with individual geometric panels within a broad alternating border. 496 x 75cm € 1,000 - 1,500

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131

279 A CONTEMPORARY FLAT WOVEN KILIM CARPET, 20th Century, of rectangular form, decorated with coloured lozenges and geometric patterns, against a light blue ground, contained within multiple narrow band borders. 295 x 246cm

€ 1,800 - 2,200

280 AN ANTIQUE KARABAGH KELLEI, C.1890/1900, the field with all-over red and navy blue Herati style design, with two human figures, bird and animal motifs within a serrated leaf border and guard stripes. 373 x 187cm

Provenance: With Peter Linden, Blackrock.

€ 1,000 - 1,500



132

281 AFTER CAMPBELL (DELIN) AND H. HULSBERGH (SCULP) Architectural drawings and plans including Cholmondeley Hall, Cheshire; designs by Sir John Vanbrugh and Inigo Jones etc. A set of twelve monochrome engravings, 25.5 x 38cm. (12)

€ 300 - 500

281A AFTER FRANK DADD AND OTHERS (ILLUSTRATED LONDON NEWS) Studies from Life in Ireland etc. A set of six hand coloured prints, 25 x 32cm. (6)

€ 150 - 250

283 A COLLECTION OF TWENTY-NINE MAPS AND INDEX ORDNANCE SURVEY CHARTS, RELATING TO INDIVIDUAL IRISH COUNTIES, EACH UNFRAMED AND FOLDED. (29)

€ 600 - 1,000

284 AFTER CHARLES J. PAYNE (SNAFFLES) ‘The Stone Wall’, ‘The Stone Faced Narrer-back’, ‘An Irish Yawner’ Coloured prints, a set of three, 50 x 68cm including mounts

€ 250 - 350

282 AFTER R.C. WOODVILLE AND OTHERS (THE ILLUSTRATED LONDON NEWS) The State of Ireland and Studies from Life in Ireland A set of six hand coloured prints, 34 x 24cm. (6)

€ 150 - 250















133

285 ANDREW NICHOLL RHA (1804-1886) A Druidal Cave in a Rath Newgrange, Co. Louth Monochrome wash, A pair, 35 x 25cm

Exhibited: The Fine Art Society, 148 New Bond St

€ 400 - 600

286 A GEORGE III INLAID MAHOGANY BOWFRONT SIDE CABINET, the crossbanded top above twin frieze drawers with ring handles, above twin panel door cupboard, raised on bracket feet. 91cm high, 114cm wide, 45cm deep

€ 600 - 1,000



134

287 A GEORGE III MAHOGANY RECTANGULAR CHEST of four long drawers with pull out brushing slide, brass fittings raised on bracket feet. 89 x 48cm

€ 200 - 300

288 A 19TH CENTURY MAHOGANY RECTANGULAR COMPACT CHEST of four long drawers with ring handles, on bracket feet. 80 x 43cm

€ 100 - 200

289 A PAIR OF MAHOGANY STANDS, in Georgian style, on tripod bases. Each 90cm high x 26cm diameter

€ 100 - 150

290 AN EDWARDIAN SHAPED TWO TIER ETAGERE, in satinwood and tulipwood, with fine floral marquetry inlay, with gilt brass banding and mounts, on cabriole supports and legs, the lower tier flanked by carrying handles. 91cm wide x 83cm high

€ 600 - 1,000







135

291 A GEORGE III MAHOGANY RAISED WING BACK ARMCHAIR upholstered in green, on short cabriole legs with hoof feet.

€ 1,500 - 2,000

293 A SET OF EIGHT EDWARDIAN MAHOGANY STICK BACK DINING CHAIRS, the channelled frame with upholstered seats and raised on turned tapering banded legs. (6 single and 2 elbow chairs)

€ 600 - 1,000





136

298 A REGENCY ROSEWOOD DAVENPORT DESK, the sliding top with pierced brass gallery, tooled leather scriver, opening to reveal a well fitted interior with four walnut faced drawers, raised above two slides, pen and ink drawer, and four side drawers with a conforming dummy drawer fascia, raised on lobed bun feet. 54 x 50 x 85cm high

€ 600 - 1,000



137

299 A GEORGE III INLAID MAHOGANY SECRETAIRE BOOKCASE, with shallow moulded Greek key cornice above twin folded panel doors, enclosing a shelved interior in a drop front writing drawer with well fitted interior above a pair of conforming panel doors, decorated with roundels and raised on ogee bracket feet. 113cm wide x 220cm high x 57cm deep € 1,000 - 1,500

300 A PAIR OF GEORGE III MAHOGANY FRAMED ELBOW CHAIRS, the oval panel backs with carved rim, having wide out-turned armrests with claw and ball terminals, padded seats above shaped apron on carved chamfered square supports and stretchers

€ 400 - 600





138

301 AN EARLY 18TH CENTURY WALNUT TOILET MIRROR, the crutch frame supporting a shaped rectangular plate with moulded frame raised above a rectangular base fitted with a single drawer with drop handles and escutcheon on a shaped apron and bracket feet. 36cm wide x 20cm deep x 57cm high

€ 200 - 400

302 A MAHOGANY SQUARE WHAT-NOT, the plain top with fine reeded rim above a shaped apron and raised on bamboo effect columns, with lower tier fitted single drawer with brass knop handle on turned banded legs. 36.4 x 36 x 74cm

€ 250 - 350

303 TWO ‘JACOBEAN REVIVAL’ CAREVED OAK ARMCHAIRS, 19th Century, the shaped arched panel backs heavily carved with foliate scrolls, roundels and arches, with scroll armrests, solid panel seats and raised on turned baluster legs and stretchers. 122cm high x 64cm wide x 60cm deep & 112cm high x 63cm wide x 60cm deep

€ 300 - 400

304 A 19TH CENTURY MAHOGANY FOLD OVER CARD TABLE, of rectangular form, the plain moulded top enclosing a baise line interior, on turned baluster supports. 90cm wide

€ 400 - 600









139

305 A GEORGE III MAHOGANY SLOPE FRONT BUREAU, the fall front opening to reveal a fitted interior with tooled leather scriver, pigeon holes, drawers, centre cupboard and secret compartments, above four long graduated cockbeaded drawers with brass tire and raised on shaped bracket feet. 99cm wide x 108cm high x 52.5cm deep

€ 700 - 1,000

306 AN EARLY VICTORIAN MAHOGANY SARCOPHAGUS SHAPED WINE COOLER, c.1840, with flat dome cover enclosing a compartmented interior on turned bun feet. 71 x 51 x 55cm high

€ 500 - 800

307 A GEORGE III STYLE MAHOGANY DOUBLE DROP LEAF HUNTING TABLE, with plain top and raised on square tapering gate legs. 167cm long, 126cm wide when open

€ 700 - 1,000







140

308 A GEORGE IV MAHOGANY DOUBLE DROP LEAF SOFA TABLE, the plain rectangular top with moulded rim above twin frieze drawer and opposing false drawers, raised on turned and ribbed centre pillar, on splayed legs and brass castors. 72cm high, 140cm wide

€ 200 - 400

309 A 19TH CENTURY MAHOGANY OPEN BOOKCASE, the upper section surmounted by leaf moulded cornice, above three adjustable long shelves above a conforming two shelf base with channelled uprights and short bracket base. 213cm x 122cm

€ 700 - 1,000

310 A SET OF SIX 19TH CENTURY MAHOGANY FRAMED DINING CHAIRS

€ 300 - 500

311 A GEORGIAN STYLE MAHOGANY CASED ‘GRANDMOTHER CLOCK’, c.1900, of compact proportions, the detachable hood with swan neck pediment, finished with rosettes, enclosing a brass dial marked “Tempus Fugit”, over a narrow blind- carved collar and trunk door, flanked by fluted quadrants on plinth base, 143cm high.

€ 800 - 1,200









141

312 A PAIR OF 19TH CENTURY INLAID MAHOGANY FOLDING TOP TEA TABLES OF SEMI-ELLIPTICAL FORM, each crossbanded top with boxwood stringing, above a bowed frieze and supported on square tapering legs, inlaid lozenge with trailing bellflowers. Approx. 91cm diameter (open), 75.5cm high

€ 800 - 1,200

313 A GEORGIAN REVIVAL MAHOGANY AND MARQUETRY INLAID SEMI ELLIPTICAL COMMODE, late 19th century, the top decorated with radial paterae and interlinked bellflower chains within a rosewood crossbanded border, repeated on the twin cupboard doors, with shelved interior on short bracket feet. 92cm wide x 46cm deep x 89cm high € 600 - 1,000

314 A PAIR OF 19TH CENTURY MAHOGANY FRAMED ELBOW CHAIRS In the Georgian taste, the flat crest rail above a pierced vase splat, with padded seats covered in green hide and raised on chamfered square supports

€ 250 - 400









142

315 A 20TH CENTURY FRENCH STYLE GILT METAL MANTLE CLOCK, with porcelain mounts, the inset circular porcelain dial adjacent to seated classical figure, above ornate pedestal base, with glass dome cover. 43cm high € 100 - 200

316 A ROCKINGHAM PORCELAIN PART DINNER SERVICE, C.1840, comprising a two handled urn and cover, four oval serving dishes, and two others, each individually painted with rural English landscape scenes, surrounded by scattered four leaf clover within gilt edged borders. (7)

€ 200 - 300

317 A SEVRES PORCELAIN CHARLOTTE PATTERN FIVE PIECE COFFEE SERVICE, 19th century, comprising coffee pot, sugar bowl and cream jug, with two cups, each with spiral moulded body, alternating in pink and white ground bands, painted with streams of summer flowers separated by gilt foliate trails, interlaced factory mark enclosing ‘B/A’. The coffee pot and cover 25cm high. (5)

€ 400 - 600

318 A SET OF SEVEN MEISSEN FLORAL PAINTED DESSERT DISHES, decorated against a white ground with raised pierced trellis borders, crossed swords factory mark verso. 23cm diameter. (7)

€ 250 - 350










143

319 AN EARLY 19TH CENTURY BRASS BOUND MAHOGANY DECANTER CASE, fitted four decanters and stoppers together with three facet cut tots in a plush lined interior. 21.5 x 28 x 22cm high

€ 250 - 400

320 A COLLECTION OF MEISSEN INDIAN PATTERN PORCELAIN ITEMS, comprising an ovoid vase and cover; a small chamber candlestick with fan shaped thumb grip; a small posy holder; a circular box and cover; another chamber candlestick; and an ovoid jar and stopper, each painted with puce floral decoration with gilt highlights

€ 200 - 300

321 A PAIR OF 20TH CENTURY HANDPAINTED PORCELAIN FIGURES Modelled as a Musketeer holding a letter, and a Woman in fine costume, holding a fan, each supported on tree stump, with square plinth on scroll legs, each figure baring stamp ‘G.B. Brevete Paris’. c. 60cm high on plinths

€ 400 - 600







144

322 A COLLECTION OF GERMAN PORCELAIN FIGURES, comprising a pair of Berlin figures of young boys, KPM mark; a Sitzendorf group depicting musicians; a late 19th century figure of a classical lady, pseudo Berlin mark; and a small Meissen figure of a young girl holding a dove, cross swords mark

€ 150 - 250

323 A PAIR OF CHELSEA STYLE PORCELAIN FIGURES OF AN 18TH CENTURY COUPLE, each holding flower groups, dressed in period costume, on flower encrusted base, bearing gold anchor mark; together with a pair of German porcelain figures of young girls; a contemporary porcelain figure of a young gallant; a pair of Meissen figures of a young boy and girl seated; and a Meissen figure of a boy standing with draped robe. (8)

€ 200 - 300

324 A PAIR OF ‘LI & FUNG’ WHITE METAL TABLE LAMPS, of tapering cylindrical form. 56cm high

€ 150 - 250

325 A VIENNA PORCELAIN CABINET PLATE, DATED 1860, of circular form, decorated with a classical study of a female musician, within broad ruby ground border embellished with gilt highlights, Bidenschild mark verso. 24cm diameter

€ 100 - 200

322

323










145

326 A 19TH CENTURY VIZAGAPATAM IVORY VENEERED SANDALWOOD SEWING BOX, of sarcophagus form, the top with central engraved ivory lozenge initialled ‘BC’ surrounded by trailing foliage and flowers, enclosed with bands of ivory engraved with corresponding foliate and ropetwist decoration, the front, back and sides with conforming bands of carved ivory, the hinged lid opening to reveal a hidden compartment inlaid ivory carved with Lakshmi Hindu goddess of wealth, fortune and prosperity, the fitted two-level interior with individual ivory veneered compartments and a set of ivory sewing spools carved with flower blossom designs, raised on scalloped shaped circular feet. 18cm high, 36cm wide x 28cm deep

€ 3,000 - 5,000

326A ATTRIBUTED TO ABU’L HASAN, C.1589-1630 Portrait of Emperor Shah Jahangir, 1569-1627 Mughal miniature, opaque watercolour and burnished gold leaf, 20 x 14cm Inscribed ‘Jahangir etc.’, with further Hindi inscription and gold leaf verso

Shah Jahangir was the son of Akbar the Great and father of Shah Jahan, the creator of the Taj Mahal.

€ 200 - 300

327 A REGENCY ROSEWOOD RECTANGULAR CHIFFONIER, with brass gallery rail above three open graduated shelves on scroll supports on a twin door cupboard base with green pleated fabric backed brass grille panels, flanked by flat pilasters, on platform base. 107cm wide x 162cm high x 42.5cm deep

€ 800 - 1,200

326

327

326

326A






146

328 IRISH SCHOOL LATE 19TH CENTURY Portrait of a Gentleman, half-lenght in a brown coat against a buff background Watercolour on ivory, 7 x 5.5cm

€ 100 - 200

329 IRISH SCHOOL 19TH CENTURY Portrait of a Gentleman with Lady verso Mounted in a yellow metal border Watercolour on ivory, 4.5 x 3.5cm

€ 50 - 100

331 ENGLISH SCHOOL Portrait of a Gentleman in a Black Coat Oil on canvas, 73 x 58cm

€ 500 - 800

332 KURT LANDWEHR A Welcome Halt Oil on canvas, 80 x 70cm Signed

Provenance: With John Magee Ltd., Belfast.

€ 500 - 800






147

334 FRANK HENRY MASON (1876-1965) Coastal Landscape with Pier, Lighthouse and Schooners at Sea Watercolour, 22.5 x 35cm Signed

F.G. Davis & Sons Ltd., Belfast framing label verso

€ 200 - 300

335 AFTER PAUL HENRY A Thatched Cottage in an Extensive West of Ireland Landscape Oil on board, 38 x 63.5cm

€ 400 - 600

335A CHARLES LEWIS, AFTER THOMAS SLINGSBY (1796-1861) Memorial Picture of The York & Ainsty Hunt Coloured engraving, 75 x 100cm; Together with After Henry Calvert The Cheshire Hunt Coloured engraving, 75 x 100cm. (2)

€ 300 - 400

333 L. POTTER ‘An Old Mill House’ and a ‘Ruined Bridge’ A pair, oil on canvas, 27 x 37cm Signed and dated 1915

€200 – 400






148

336 A 19TH CENTURY CUT GLASS OVAL DISH, with lobed rim and star cut base, the raised sides decorated with a series of wheel cut ferns. 27.5 x 20cm

€ 300 - 500

337 A 19TH CENTURY CUT GLASS JUG, the wide spout and c-scroll handle set into a shallow heavy star-cut base. 10cm tall x 15cm wide over handle and spout; together with a diamond cut glass salt trencher and stand. (2)

€ 200 - 400

338 A GROUP OF THREE IRISH CUT GLASS CENTRE DISHES, 19th Century, of oblong form, each with canted corners and serrated rims. Two 30cm wide, the other\ 25cm wide

€ 150-250






149

340 A VICTORIAN COPPER HELMET SHAPED COAL SCUTTLE, with twin hinged lids and decorated with all over embossed decoration, on rim foot. 50cm high

€ 150 - 200

342 THE BOOK OF KELLS Reproductions from the manuscript in Trinity College Dublin; With a Study by Francoise Henry, London 1974, complete with cloth bound slip-case.

€ 100 - 200

343 A SET OF THREE FRENCH FIRE BRASSES, 19th century, comprising tongs, poker and fuel shovel, each with lion head terminals

€ 100 - 200





150

344 A GEORGE III INLAID MAHOGANY SHAPED RECTANGULAR DOUBLE DROP LEAF PEMBROKE TABLE, the octagonal top with boxwood stringing and fitted single frieze drawer with brass drop handle, raised on square tapering legs and brass castors. 90 x 94cm open

€ 400 - 600

345 A SET OF SIX MAHOGANY FRAMED WAVE STICK BACK DINING CHAIRS, the curved backs raised above wide bowfronted upholstered seats and raised on leaf-capped turned tapering legs. (4 single and 2 elbow chairs)

€ 500 - 800

346 AN EDWARDIAN INLAID MAHOGANY FOLDING TOP PATIENCE TABLE, the top with satinwood crossbanding enclosing a green plush lined interior, raised on slender square tapering legs and cross stretcher. 45 x 35 x 73cm high

€ 200 - 400

347 A GEORGE III MAHOGANY PIERCED SPLAT BACK ELBOW CHAIR, the arched crest rail with bas-relief carved decoration, with shaped armrests and leaf carved terminals above an upholstered seat covered in green hide with brass studs, raised on channelled square supports and stretcher

€ 300 - 400











151

348 A GEORGE III MAHOGANY PIERCED SPLAT BACK ELBOW CHAIR, with shaped crest rail, scroll terminals, outscrolled armrests and with padded drop in seat, raised on square supports

€ 150 - 250

349 A SHERATON MAHOGANY SIDE CHAIR, the flat arched crest rail above stick splat back with padded seat raised on square tapering legs

€ 150 - 200

350 A GEORGE III MAHOGANY CHEST ON CHEST, of rectangular form with moulded cornice and canted corners above two short and three long graduated cockbeaded drawers with brass circular ring handles, flanked by canted reeded pilasters, on a base fitted three long cockbeaded drawers on bracket feet. 106cm wide x 173cm high x 53cm deep

€ 600 - 1,000

351 A GEORGE III INLAID MAHOGANY SOFA TABLE, the shaped rectangular double drop leaf top crossbanded with satinwood and rosewood, fitted twin frieze drawers with brass knop handles and raised on square end supports, high stretcher and splayed legs with brass paw toe caps and casters. 123 x 61cm

€ 600 - 1,000

349

351






152

352 A CHINESE PADOUK SQUARE OCCASIONAL TABLE, the plain top with moulded rim, raised on square column legs. 76 x 75 x 45cm high

€ 300 - 500

353 A VICTORIAN MAHOGANY EXTENDING DINING TABLE, the plain moulded top with rounded corners and reeded edge, on turned and fluted tapering supports with brass sockets and porcelain castors, three additional leaves. Extending to 241cm, 122cm wide

€ 500 - 800

354 ***PLEASE NOTE THIS LOT IS BEING SOLD FOR CHARITY***

GERARD MARJAROM, (B.1936) West of Ireland Landscape Oil on canvas, 45 x 60cm Signed.

€ 300 - 500

355 ***PLEASE NOTE THIS LOT IS BEING SOLD FOR CHARITY***

GERARD MARJAROM, (B.1936) Glenmalure, Co. Wicklow Oil on canvas, 45 x 60cm Signed.

€ 300 - 500










153

356 HUGH MCKENZIE (1909-2005) Waterloo Bridge (1961) Watercolour, 33.5 x 51.5cm Signed and dated 1961 indistinctly; also stamped with studio monogram & No.0852

Provenance: The artist’s estate; with Messum’s, London 2007, Catalogue No.2.

€ 100 - 200

357 S.J. O’REILLY Abstract Composition Oil on canvas, 101 x 121cm Signed; also signed and dated 1983 verso

€ 500 - 800

358 JOHN KINGERLEE (B.1936) Abstract Figures Mixed Media, 15 x 21cm Signed and dated ‘97

€ 200 - 300

359 ALFRED VICKERS SNR (1786-1868) Figures Resting by a Canal Oil on canvas, 51 x 75cm Signed

€ 800 - 1,200





154 26 St. Stephen’s Green, Dublin 2 +353 (0)1 6760261 www.adams.ie


+353 (0)1 6760261

adams at home auction - february 26 th 2017

Art & Photos