acoustics 4 - microphones

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Acoustics: Capturing Sound

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Acoustics 4 - mics

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Page 1: Acoustics 4 - Microphones

Acoustics: Capturing Sound

Page 2: Acoustics 4 - Microphones

Reverberation is caused by the direct signal reflecting off surfaces.

Page 3: Acoustics 4 - Microphones

Dynamic Vs Condenser

The two main types of microphones are Dynamic and Condenser. They are both used for studio applications but have different characteristics studio engineers should be aware of before recording.

Page 4: Acoustics 4 - Microphones

AKG D112

Dynamic Microphones

- Robust

- Used for live applications

- Low Frequency response

- Usually Cardioid Polar Pattern

- Does not require external power source

- Less sensitive to low level sound

- Handles high sound pressure levels

Page 5: Acoustics 4 - Microphones

Condenser Microphones

- Used for studio applications

- Sensitive to high frequencies

- Requires external power source: Phantom Power

- Sensitive to low level frequencies

- Easily damaged if dropped

Page 6: Acoustics 4 - Microphones

Cross-Section of a Condenser Microphone

Condenser microphones use a pair of charged metal plates, one fixed and one movable (diaphragm), forming a capacitor.

When a sound wave hits the diaphragm, the distance between the two plates changes.

This produces a change in an electrical characteristic called ‘capacitance’.

It is the variation of the spacing, due to the motion of the diaphragm relative to the back plate, which produces the electrical signal corresponding to the sound picked up.

Page 7: Acoustics 4 - Microphones

In a dynamic microphone, sound waves hit a thin metallic diaphragm that is attached to a coil of wire.

The diaphragm vibrates the coil in response to the sound wave. A magnet that is positioned inside the coil produces a magnetic field.

It is the motion of the coil in the magnetic field which generates the electrical signal. The principles are the same as those used to generate electricity.

Page 8: Acoustics 4 - Microphones

Part of a microphone’s specification includes its Polar Pattern

Polar patterns indicate the area around the diaphragm where sound is most sensitive

Page 9: Acoustics 4 - Microphones
Page 10: Acoustics 4 - Microphones

Some frequencies within the diaphragm’s range are more sensitive than others.

Studio engineers should also be aware of the ‘Proximity Effect’ whereby there is an increase of low frequency the closer the sound source.

Page 11: Acoustics 4 - Microphones

Another technical specification of a microphone will be its frequency response. Some microphones will be more sensitive to certain

frequencies than others and it is this factor that determines which microphone to use for certain applications.

Page 12: Acoustics 4 - Microphones

The frequency response of the in-built microphone of different makes of iPhones. The iPhone 3G has the best low frequency response.

Page 13: Acoustics 4 - Microphones

Frequency response for the AKG D112. This microphone is commonly used for kick drums and low frequency instruments.

Page 14: Acoustics 4 - Microphones

Frequency response for the Neumann U47. This microphone is commonly used for recording vocals.