above light-a conversation with toru takemitsu
DESCRIPTION
Music ScoreTRANSCRIPT
Xi, Wang
Above Light
a conversation with Toru Takemitsu (2006)
for orchestra
XiWang Music Publisher Dallas, TX
For P
erus
al Only
Xi, Wang
Above Light
a conversation with Toru Takemitsu (2006)
for orchestra
The world premier was performed by the Minnesota Orchestra, under the direction of Osmo Vänskä,
at the Orchestra Hall, in Minneapolis, on 26 October 2007.
XiWang Music Publisher Dallas, TX
For P
erus
al Only
Program notes:
The elegance and colorfulness of Takemitsu’s imaginary soundscapes drew my deep love and admiration. The style of my compositions is quite different from Takemitsu’s. However, I believe the beauty of music is its diversity and the coexistence of difference. I see struggles in my life, so do my music. And I love both of them!
There are two fundamental components in Above Light. The first material—a delicate melodic phrase played by piano,
flute and harp, opens this piece. It reminisces and is a tribute to Takemitsu’s music. It is soon interrupted by the second material—heavy strokes from percussions and a dark, low, sustained note played by bass instruments. These two contrastive materials are juxtaposed several times, and are developed in length and density each time. Later there comes an attempt to combine all the materials vertically. The first material—a lyrical melodic contour is now played by piccolo and violins at the high register, producing a mist to shroud the rest of the orchestra. The other materials sweep in gradually, but violently conflict with the first. The orchestra reaches its saturation and is taken over by the massive sound from percussions. After reaching the forceful drum climax, the music collapses onto one long note played by violins at the extremely high register. It leads to a short recapitulation of the first material, with an aloof reminiscence of Takemitsu’s music. Xi Wang
Instrumentation 1 Piccolo 2 Flutes 2 Oboes 1 English horn 2 Clarinets in Bb/A 1 Bass clarinet 2 Bassoons 1 Contrabassoon 4 Horns in F 3 Trumpets in C 3 Trombones 1 Tuba 4 Timpani 3 Percussion players:
1st percussion: 3 congas, xylophone, vibraphone (share with the 2nd percussion), marimba (share with the 2nd percussion), chimes, suspended cymbal. 2nd percussion: bass drum, vibraphone, log drum, crotale, marimba (share with the 1st percussion), tam-tam (share with the 3rd percussion) 3rd percussion: 5 tom-toms, whip, 5 wood blocks, tam-tam (share with the 2nd percussion), suspended cymbal.
Harp Piano/Celesta Violin I Violin II Viola Cello Double bass Score is written in C as sounding except piccolo, contra bassoon, celesta, crotale and double bass. duration circa 9 minutes
For P
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q=ca.56Xi, Wang (2006)
© 2006 by Xi Wang
Above Lighta conversation with Toru Takemitsu
q=88 q=ca. 63Piccolo
Flute 1
Flute 2
Oboe 1
Oboe 2
English Horn
Clarinet 1 in Bb
Clarinet 2 in Bb
Bass Clarinetin Bb
Bassoon 1
Bassoon 2
Contrabassoon
Horn 1, 3 in F
Horn 2,4 in F
Trumpet 1 in C
Trumpet 2 in C
Trumpet 3 in C
Trombone 1
Trombone 2
Bass Trombone
Tuba
Timpani
Percussion 1
Percussion 2
Percussion 3
Harp
Piano/ Celesta
Violin I
Violin II
Viola
Violoncello
Contrabass
Score in C
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mp
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con sord.
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p
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con sord.
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p
pp
con sord.
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p
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p
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p
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ff
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f
Vibraphone
p
p
mp
pp
pp
mp
ppp
Bass drum
p
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Suspended cymbal(low pitch)
pp
ff
D C Bb, E F G A
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3
3
3
Piano
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l.v.
3
div.
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12 q=88
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
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senza sord.
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Vibraphone
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3 Congasticks
ff
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Bass drum
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5 Tom-tom
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Rit.
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Perc. 1
Perc. 2
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
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Legato
3
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Legato
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3f fsub.
3
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3
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Legato
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3
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3
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Legato
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3
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p
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Legato
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3
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Legato
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3
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3
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3
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5
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Legato
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3
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3f
5
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3
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5
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Legato
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3
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5
mp
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Legato
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3
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5
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ff
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a2
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f fp
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f fp
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f fp
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f fp
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mf p
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Tam-tam
to Crotale
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3
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3
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3
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3
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3
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5
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30 B q=46Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
B. Tbn.
Tba.
Perc. 1
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
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3
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5
Legato
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5
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mp
p
ppp
Vibraphone
p
3
Celesta
p
3
con sord.
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3
fp
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3
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3
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3
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3
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sub.
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3
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5
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Molto rit.
Molto rit.
40C q=56
DPiù mosso
q=58Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
Hn. 1, 3
Hn. 2. 4
Perc. 1
Perc. 2
Hp.
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
mf
3
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p
mf
3
p
pp
p
p
p
3 3 3 3
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p
3 3 3 3
mp
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p
pp p
3 3 3 3
p
pp p
3 3 3 3
p
3
pp
p
3
p
3
pp
p
3
Vibraphone
3
3
pp
p
pp
p
l.v.
3 3
Crotale
p
l.v.
p
3
3
D C Bb, Eb F Gb A
p
33
Celesta
3
3
Piano
p
mf
3 l.v.
p
3
3
p
senza sord.
p
p
p
pp
3
p
p
div.
3
3
3 3
p
p
div.
3
3
3
3
pizz.
p
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48
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Hp.
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
p
3 3 3 3 3 3
3 33 3 3 3
66
p
3 3 3 3 3 3
3 3
3
33 3 6
6
mp
mf p
3
mp
mf p
3
p
p
3 3 3 3 3 3
3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
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3
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3 3 3 3 3
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33
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3 3
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ppp
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p
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3
3
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mf
3
3
3
3
3
3
3
3 p
3 3 33 3 3
3
3
3
3
3
3
p
unis.
mfp
3
33
33
3
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52Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
Hp.
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
66 6
6
6 6
6
6 6 6
6 6
mf
3
pp
mf
3
pp
p
mf
p
mp
mf
mp
con sord.
mp
3
Db C Bb, Eb F Gb Ab
Db C B, Eb F Gb Ab
3
3 3 3 3 3
3
3 3 3 3 3
f
3 mp
mf
3
p
mp
mf
3
mp
p
f
3 mp
mf
3
p
mp
mf
3
mp
p
unis.
f
mp f
3
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f mp
div.
p
mf
5
arco
p
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55
Poco rit. E q=76Fl. 1
Fl. 2
Eng. Hn.
Cl. 1
Cl. 2
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
Perc. 2
Hp.
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
6
6 6 6 6
pp
6 6 6 6
pp
pp
mp
p mf
3
pp
pp
mp
mf
fp
mp
pp
mf
mp
mf
fp
p
mp
a2
mp
f
div.
I
p
pp
con sord.
mf
mp
p
con sord.
mp
mf
mp
p
con sord.
mp
mf
mp
p
con sord.
mp
p
p
con sord.
mp
p
pp
Bass drum
3 3 3 3
3 3 3 3
div.
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unis.
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f
3 p
pp
3
div.
mf
mp
p
div.
mf
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p
unis.
mp
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fp
div.
pp
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62Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 2
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
3
3
3
3 3 3 3 3 3 3 3 3
ff
3
3
3
3 3 3 3 3 3 3 3 3
ff
3
3
3
3 3 3 3 3 3 3 3 3
ff
3
3
3 3 3 3 3
3
3 33
3
3 33 3
ff
3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
ff
3
3
3 3 3 3 3 3 33 3
3 33 3 3
mp
mf
f
a2
3
3 3 3 3 3
f
a2
3
3 3 3 3 3
senza sord.
f
3 3
senza sord.
f
3 3
f
3 3
f
3 3
p
Bass drum
p
pp
l.v.
p
l.v.
marcato
ff
3
3
3
3 33 3 3 3 3 3
3
unis.
marcato
ff
3
3
3
3 3 3 3 33 3 3
3
unis.
marcato
ff
3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
marcatounis.
ff
3
3
3
3 3 3 3 3 33 3
3 33 3 3
p
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70Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
fff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
ff
fff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
fff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
To Cl. in A
fff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
To Cl. in A
fff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
fff
3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
fff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
fff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
f
ff
fff
f
f
fff
II
f
3
f
3
3
3
fff
33 3 3 3 3
senza sord.
f
fff
f
senza sord.
fff
senza sord.
f
fff
3
f
3
3
3
3
fff
3
3
3 3 3 3 3
3
f
3
3
3
3
fff
3
3
3 3 3 3 3
3
f
fff
3
3
f
fff
3
ff
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
ff
Chimes
Bass drum
f fp
f
f fp
ff fp
fff fp
ff
f
ff
fff
molto marcato
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
molto marcato
div.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
molto marcato
div.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
molto marcato
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
div.
f
ff
fff fp
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F q=10875Perc. 2
Perc. 3
Vln. I
Vln. II
Vla.
Cb.
Marimba
mp
3
3 3
ff
5 Wood blocks
ff
5 5
pizz.
mf
3
3 3
div.
pp
sul pont.
6
6
6
6
6
6
6
6
div.
pp
sul pont.
6
6
6
6
6
6
6
6
ff
col legno
77Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Cl. 1
Cl. 2
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
sfz
sfz
sfz
sfz
sfz
Clarinet in A
sfz
Clarinet in A
sfz
Xyl.
ff
Marimba
mf
mp
mf
33 3 3 3 3
Whip
ff
ff
(pizz.)
f
mf
f
33 3 3 3 3
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
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79Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Timp.
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
sfz
fsfz
sfz
sfz
sfz
sfz
sfz
sfz
6
sfz
mf
sfz
sfz
sfz
sfz
sfz
sfz
sfz
5 5
sfz
mf
sfz
sfz
sfz
sfz
sfz
sfz
sfz
6 6
sfz
mp
f
sfz
sfz
sfz
sfz
sfz
sfz
sfz
5
5
sfz
mp
f
sfz
sfz
sfz
sfz
sfz
sfz
sfz
6 3
mp
f
sfz
mp
f
sfz
sfz
sfz
sfz
sfz
sfz
sfz
6
6
sfz
mp
f
sfz
sfz
sfz
sfz
sfz
sfz
sfz
6
6
p
mf
3
3
p
mf
5
5
p
mf
f
3
f
3
f
3
f
3
f
3
ff
3
ff
Xyl.
ff
mp
f
3
ff
3 3 3
Whip
ff
ff
ff
ff
ff
mf
(pizz.)
ff
3 arco
sfp
ff
p
3 3 33 3 3 3 3 3 3 3
ord.
sfp
ff
p
6
6
6
6
3 3 3 3 3 3 3 3
ord.
sfp
ff
p
6
6
6
6
3 3 3 3 3 3 3 3
(half players use wood, another half use bowhair)
div. col legno battuto
ff
arco
ord.
3
3
3 33
(half players use wood,another half use bowhair)
div.
col legno battuto
ff
arco ord.
3
3
3
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83Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
fsfz
sfz
sfz
sfz sfz
f sfz
6 6
mf
sfz
sfz
sfz
sfz sfz
mf
sfz
5 5 5 5
mf
sfz
sfz
sfz
sfz sfz
mf
sfz
6 6 6 6
mp
sfz
sfz
sfz
sfz sfz
mf
sfz
5
5
5
5
mp
sfz
sfz
sfz
sfz sfz
mf
sfz
6
6
6
6
mp
f
mf f
mp
f
sfz
sfz
sfz
sfz sfz
mf f
sfz
6 3 3
mp
f
sfz
sfz
sfz
sfz sfz
mf f
sfz
6 3 3
ff
3
p
mf
3
fp
3 3
3
ff
3
p
mf
5
3 3 5
ff
3
p
mf
3 3
ff
3
ff fp
ff
ff fp
ff fp
3 3
ff
ff fp
ff
ff fp
ff fp
ff
fp
ff
ff fp
ff fp
3
Xyl.
ff
Log drum
ff
use Lightning Rods or hot Rods on the shell of log drum.
3
ff
Bass drum
Log drum
use Lightning Rods or hot Rods on the shell of log drum.
ff
Bass drum
ff
3 3
ff
5 Wood blocks
5 5 5
ff
ff
ff
ff
f
psub.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
f
psub.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
f
psub.
div.
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
div.
ff
3
col legno battuto(half players use wood, another half use bowhair)
sfz
div.
sfz
3 3 3
(half players use woodanother half use bowhair)
div. col legno battuto
3
ff
arco ord.div.
fp
ff
(half players use wood,another half use bowhair)
div.
col legno battuto
sfz
sfz
ff
arco ord.div.
fp
ff fp
3
3
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87Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
fsfz
fsfz
f sfz
fsfz
7 7 7
f sfz
f sfz
f sfz
f sfz
5 5 3 5
f sfz
f sfz
f sfz
f sfz
6 6 6
f sfz
f sfz
f sfz
f sfz
5 5 3 5
fsfz
fsfz
f sfz
fsfz
6 6 6
ff fp
ff fp
ff fp
f sfz
f sfz
f sfz
f sfz
6 6 6 6
f sfz
f sfz
f sfz
f sfz
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff
fp
fffp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
ff fp
Xyl.
Bass drum
fp
f fp
f fp
f fp
5 Wood blocks
3 3 3 3 3 3 3 3 3 3 3 3
div.
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
f
unis.arco ord.
3
(half players use wood, another half use bowhair)
div. col legno battuto
sfz
sfz
sfz
3
33
3 3
ff fp
ff fp
ff fp
ff fp
XiAbove Light
14
For P
erus
al Only
90G
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
3 3 3 3
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
f sfz
3 3 3 3
f sfz
f sfz
f sfz
f sfz
ff fp
sfz�
f sfz
f sfz
f sfz
f sfz
To Cl. in Bb
3 3 3 3
f sfz
f sfz
f sfz
f sfz
To Cl. in Bb
ff fp
sfz�
ff fp
sfz�
ff fp
sfz
ff fp
sfz
ff fp
sfz
ff
3
3
ff fp
sfz
ff
ff fp
ff
3
6 6 3
33
ff fp
sfz
ff
6
6
ff fp
ff
ff
3 3
3 66
ff fp
sfz
ff
ff fp
sfz
ff fp
sfz
ff
ff fp
sfz
ff fp
sfz
Xyl.
sfz
sfz
sfz
sfz
ff
3
3
3
3
3
Bass drum
f fp
ff
5 Wood blocks
sfz
div.
sfz
3 3 3 3
sfz
3 3 3 3
sfz
3 3 3 3
sfz
sfz
sfz
3
sfz
sfz sfz
3 3 3
ff fp
sfz
XiAbove Light
15
For P
erus
al Only
93 HPicc.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 2. 4
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 2
Vln. I
Cb.
p
mf
f
mp
pp
3
f
mp
pp
3
f
mp
pp
f
f
3
3
ff
6
6
f
mp
pp
3
5
f
f
mp
pp
3
mf
mp
p
3
Bass drum
p
f
p
f
p
pp
f
pp
unis.
p
mf
f
div.
mp
pp
XiAbove Light
16
For P
erus
al Only
106Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl. 1
Cl. 2
B. Cl.
Bsn. 1
Bsn. 2
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Timp.
Perc. 1
Perc. 2
Hp.
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
mf
mp
mf
pp
p
mf
3
p
mf
3
f
ff
3
3
f
ff
3
3
f fp
f
3
f
fp
3
f
3
f mp
sub. f
ff
3
f
Clarinet in Bb
fp
f
ff
3
f
Clarinet in Bb
mp
sub.
3
f
ff
3
fp
f
ff
f� mp
f
ff
3
f mp
sub.
3
f
ff
f
mp sub.
3
f
3
3
f
mp
sub.
3
f
3
f mp
3
f
3
f mp fp
f
3
f mp
f
3
fp
f
p
f
p
p
f
p
f
p
Marimba
f
3
3
Bass drum
f
p
f
p
f
p
f
33
Db C Bb, Eb F Gb Ab
f
33
3
mf
mp
mf
pp
p
mf
3
p
mf
3
p
f
unis.
ff
marcato
div.
p
f
unis.
ff
marcato
arco ord.
div.
p
f
div.
ff
marcato
XiAbove Light
17
For P
erus
al Only
117Picc.
Fl. 1
Eng. Hn.
Cl.
Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
C Tpt. 1
C Tpt. 2
C Tpt. 3
B. Tbn.
Tba.
Timp.
T.-t.
Perc. 2
Vln. I
Vln. II
Vla.
Vc.
Cb.
pp
mp
f
mp
f
ff fp
ff fp
ff fp
con sord.
f
35
con sord.
f
35
con sord.
f
3
ff fp
ff fp
ff sfp
ff
ff
ff
Tam-tam
Bass drum
ff
pp
sfz
pp
ff
sfz
pp
mf
ff
ff fp
XiAbove Light
18
For P
erus
al Only
125
Picc.
Fl. 1
Eng. Hn.
Cl.
Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
C Tpt. 1
C Tpt. 2
C Tpt. 3
B. Tbn.
Tba.
Timp.
Perc. 2
Vln. I
Vln. II
Vla.
Vc.
Cb.
3
mp
f
mf
3
f
f
mf
3
f
ff fp
ff fp
ff fp
sfz
sfz
sfz
ff fp
ff fp
ff fp
sfz
sfz
sfz
ff fp
ff fp
ff fp
sfz
sfz
sfz
con sord.
f
5
f
con sord.
35
f
con sord.
35
3 3
ff fp
ff fp
ff fp
sfz
sfz
sfz
ff fp
ff fp
ff fp
sfz
sfz
sfz
mf
pad on
f
Bass drum
ff
ff
sfz
sfz
Bass drum
sfz
3 mp
f
mf
3
f
ff fp
ff fp
ff fp
sfz
(half players use wood,another half use bowhair)col legno battuto
div.
sfz
sfz
XiAbove Light
19
For P
erus
al Only
132Picc.
Fl. 1
Eng. Hn.
Cl.
Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 3
B. Tbn.
Tba.
Timp.
Perc. 2
Hp.
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
3
ff
3
ff
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
III
ffp
ff
ffp
ffp
IV
ffp
ff ffp
ffp
senza sord.
fp
f
fp
senza sord.
fp
`
f
fp
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz sfz
sfz
sfz
sfz
f
l.v.
f
l.v.
3
ff
sfz
sfz
sfz
sfz
sfz
XiAbove Light
20
For P
erus
al Only
139 I
I
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl.
Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
T.-t.
Perc. 2
Hp.
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
ff
fp
ff
f
fp
ff
f
fp
ff
f
fp
Ob.2
ff
f
f
fp
ff
f
fp
ff
f
sfz
sfz sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
f fp
sfz
sfz sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
f fp
sfz
sfz sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
f fp
ff
ffp
ffp
ffff
ff ffp
ffp
ffff
f
fp
ff
fp
fp
fp
fp
senza sord.
fp
ff
f
fp
ff
sfz
sfz sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
f fp
sfz
sfz sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
f fp
Xyl.
f
ff
f
Bass drum
sfz
sfz sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz sfz
f
f
fff
ff
ff
sfz
sfz sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
f
arco ord.
fp
XiAbove Light
21
For P
erus
al Only
146Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl.
Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
f
ff
f fp
f fp
f
f fp
f fp
f
f fp
f fp
f
f fp
f fp
f
3
ffp
ff
ffp
ffp
ff
ff
ffp
ffp
ffp
ff
ff
ffp
ffp
ffp
ffp
ff
ff
2ffp
ff
ffp
ffp
ff
ff
ffp
ffp
ffp
ff
ffp
ffp
ffp
ffp
ff
fp
fp
fp
fp
fp
fp
fp
fp
fp
fp
fp
fp
f
fp
f
fp
fp
fp
fp
fp
fp
fp
fp
f
fp
f
fp
f
fp
fp
fp�
fp
f
fp
f fp
f fp
f
f fp
f fp
f
Xyl.
Bass drum
sfz sfz
sfz sfz
5 Tom-toms
mf
ff
f
f fp
f fp
f
XiAbove Light
22
For P
erus
al Only
151Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl.
Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
3
f
ff
3
fp
f fp
f fp
f fp
fp
f fp
f fp
f fp
fp
f fp
f fp
f fp
fp
f fp
f fp
f fp
ffp
ffp
ffp
ffp
ff
ff
ff p
ff
p
ff p
ff
p
ff
ff
ff p
ff
p
ff p
ff
p
ff
ff
ff p
ffp
ffp
ffp
ffp
ff
ff
p
ff p
ff
p
ff p
ff
ff
p
ff p
ff
p
ff p
ff
ff
p
fp
fp
fp
fp
p
f
p
f
p
35
3 5 3
fp
fp
fp
fp
fp
fp
fp
fp
fp
f
p
fp
fp
fp
fp
fp
fp
fp
fp
fp
fp
fp
fp
fp
fp
fp
fp
f
f
fp
fp
fp
fp
fp
f
fp
f fp
f fp
f fp
fp
f fp
f fp
f fp
mf
Xyl.
Bass drum
sfz
sfz sfz
sfz
sfz sfz
Tom-toms
3 f
ff
3
ff
ff
ff
fp
f fp
f fp
f fp
XiAbove Light
23
For P
erus
al Only
155
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl.
Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
f fp
ff sfp
ff sfp
f fp
ff sfp
ff sfp
f fp
ff sfp
ff sfp
f fp
ff sfp
ff sfp
ff
p
ff p
ff
p
ff
ff
ff p
ff
p
ff p
ff
p
ff
ff
ff p
ff
p
ff p
ff p
ff
p
ff p
ff
ff
p
ff p
ff
p
ff p
ff
ff
p
ff p
ff
p
f
p
f
p
f
p
53 5 3
53
f
p
f
p
f
p
35
35
35
fp
fp
fp
fp
fp
fp
fp
fp
f fp
ff sfp
ff sfp
f fp
ff sfp
ff sfp
Xyl
Bass drum
sfz sfp
f sfp�
f sfp�
Tom-toms
f fp
ff sfp
ff sfp
XiAbove Light
24
For P
erus
al Only
158Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl.
Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
fff
ff �sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff �sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff �sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff �sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff
p
ff
ff
ff p
ff
p
ff p
ff
p
ff
ff
ff p
ff
p
ff p
ff
p
ff
ff
ff p
ff
ff
p
ff p
ff
p
ff p
ff
ff
p
ff p
ff
p
ff p
ff
f
p
f
p
f
p
5 35
3 5 3
f
p
f
p
f
p
35
35
35
fp
fp
fp
fp
fp
fp
fp
fp
ff �sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff �sfp
ff sfp
ff sfp
ff sfp
ff sfp
Xyl.
Bass drum
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
Tom-toms
fff
div.
div.
ff �sfp
ff sfp
ff sfp
ff sfp
ff sfp
XiAbove Light
25
For P
erus
al Only
161Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl.
Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
3
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff p
ff
p
ff p
ff
p
ff
ff
ff p
ff
p
ff p
ff
p
ff
ff
ff p
ff
p
ff
p
ff p
ff
p
ff p
ff
ff
p
ff p
ff
p
ff p
ff
ff
p
ff p
f
p
f
p
f
p
53 5 3
53
f
p
f
p
f
35
35
35
fp
fp
fp
fp
fp
fp
fp
fp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
Xyl.
S. Cymble
p
f
Bass drum
ff sfp
ff sfp
sfz
sfz
sfz
pp
Tom-toms
f
3
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
ff sfp
XiAbove Light
26
For P
erus
al Only
J164
Picc.
Fl. 1
Fl. 2
Ob. 1
Ob. 2
Eng. Hn.
Cl.
Cl.
B. Cl.
Bsn. 1
Bsn. 2
Cbsn.
Hn. 1, 3
Hn. 2. 4
C Tpt. 1
C Tpt. 2
C Tpt. 3
Tbn. 1
Tbn. 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2
Perc. 3
Pno./Cel.
Vln. I
Vln. II
Vla.
Vc.
Cb.
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
ff
Conga
fp
stick
p
Bass drum
f
p
Tom-toms
ffp
ffff
free bowing
sempre
fff
fff
fff
fff
XiAbove Light
27
For P
erus
al Only
169K
Timp.
Perc. 1
Perc. 2
Perc. 3
Vln. I
ffff
ffff
ffff
ffff
176L q=ca.63 Molto rit.
Picc.
Pno./Cel.
Vln. I
ppp
mp
mf
pp
Piano
mf
mp
mp
pp
l.v.
ppp
XiAbove Light
28
For P
erus
al Only