a372: vertù contra furore_mala punica_eng
DESCRIPTION
A 372 Vertù contra furore Musical Languages in Late Medieval Italy, 1380–1420 Mala Punica Pedro Memelsdorff 3 CD’s – Digibox – Total time CD1: 63’40, CD2: 65'20, CD3: 53’05TRANSCRIPT
RELEASE FEBRUARY 2014
ARCANA · Outhere S.A. · Rue du Chêne 27 · B-1000 Brussels
tel. : +32 2 373 82 00 · fax : +32 2 373 82 09
Sales : [email protected] · Communication : [email protected]
A 372
Vertù contra furore
Musical Languages in Late Medieval Italy, 1380–1420
Mala Punica
Pedro Memelsdorff
3 CD’s – Digibox – Total time CD1: 63’40, CD2: 65'20, CD3: 53’05
The critically-acclaimed ensemble Mala Punica came into the limelight in the mid-
Nineties with a trilogy of illustrious, multi-award-winning discs on Arcana, which
revolutionized the world of medieval music and performance practice: Ars subtilis
Ytaliaca (A21), D’Amor ragionando (A22) and En attendant (A23). For the first time, all
these milestone recordings are united in one set.
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RELEASE FEBRUARY 2014
ARCANA · Outhere S.A. · Rue du Chêne 27 · B-1000 Brussels
tel. : +32 2 373 82 00 · fax : +32 2 373 82 09
Sales : [email protected] · Communication : [email protected]
Tracklist :
CD1 – ARS SUBTILIS YTALICA
Pseudo-French polyphony in Italy, 1380-1410
1 Bartolomeus de Bononia: Que pena major (virelai) 09’16
2 Anthonello de Caserta: Dame d’onour (ballade) 13’34
3 Anthonello de Caserta: Amour m’a le cuer mis (ballade) 07’20
4 Matteo de Perusio: Le greygnour bien (ballade) 06’02
5 Anthonello de Caserta: Beauté parfaite (ballade) 11’36
6 Anthonello de Caserta: Dame zentil (rondeau) 07’06
7 Magister Zacharias: Sumite karissimi (ballade) 07’58
TOTAL TIME 63’40
MALA PUNICA
Pedro Memelsdorff, direzione e flauto
Kees Boeke viella, flauto
Svetlana Fomina, viella
Christophe Deslignes, organetto
Karl-Ernst Schröder, liuto
Jill Feldman, canto,
Héctor Rodriguez, canto
CD2 – D’AMOR RAGIONANDO
Neo-Stilnovo Ballate in Italy, 1380-1415
1 Francesco Landini: Che Chosa è quest’Amor 04’45
2 Francesco Landini: Giovine vagha / Amor c’al tuo sugetto 09’10
3 Francesco Landini – Anonimo: Fortuna ria 05’01
4 Matteo de Perugia: Serà quel zorno may 18’03
5 Magister Zacharias: Ad ogne vento 06’41
6 Johannes Ciconia: Merçé o morte 03’59
7 Magister Zacharias: Movit’a pietade 06’19
8 Anthonello de Caserta: Più chiar che’l sol 07’14
9 Francesco Landini: Amor in huom gentil 03’17
TOTAL TIME 65'20
MALA PUNICA
Pedro Memelsdorff, direzione e flauto
Kees Boeke viella, flauto
Svetlana Fomina, viella
Christophe Deslignes, organetto
Karl-Ernst Schröder, liuto
Alberto Macchini, campane
Jill Feldman, canto
Giuseppe Maletto, canto
RELEASE FEBRUARY 2014
ARCANA · Outhere S.A. · Rue du Chêne 27 · B-1000 Brussels
tel. : +32 2 373 82 00 · fax : +32 2 373 82 09
Sales : [email protected] · Communication : [email protected]
CD3 – EN ATTENDANT
The Art of quotation in Italy at the time of the Visconti, 1380-1410
1 Magister Filipoctus de Caserta: En attendant (ballade) 11’28
2 Conradus de Pistoria: Se doulz espour (ballade) 04’36
3 Anthonello de Caserta: Dame d’onour (rondeau) 06’58
4 Bartholomeus de Bononia: Arte psalentes (ballade) 04’59
5 Anthonello de Caserta: Notes pour moi ceste ballade (ballade) 04’45
6 Johannes de Janua: Une dame requis [strumentale] (ballade) 05’30
7 Johannes Ciconia: Sus un’ fontayne (virelai) 08’17
8 Conradus de Pistoria: Veri almi pastoris (ballade) 05’37
TOTAL TIME 53’05
MALA PUNICA
Pedro Memelsdorff, direzione e flauto
Kees Boeke viella, flauto
Svetlana Fomina, viella
Christophe Deslignes, organetto
Karl-Ernst Schröder, liuto
Valentina Visconti, arpa
Jill Feldman, canto
Sabine Lutzenberger, canto
Claudine Ansermet, canto
Giuseppe Maletto, canto
CD1 Recorded at the Hermitage of Ronzano, Bologna (I), 16 - 20 June 1993. – Sound engineers: Michel
Bernstein, Charlotte Gilart de Kéranflèc’h and Joséphine Simonnot. – Digital editing: Charlotte Gilart
de Kéranflèc’h and Joséphine Simonnot.
CD2 Recorded at the Hermitage of Ronzano, Bologna (I), 20 - 24 June 1994. – Sound engineers:
Charlotte Gilart de Kéranflèc’h and Klaus L Neumann. – Digital editing: Charlotte Gilart de
Kéranflèc’h.
CD3 Recorded at the Abbey of Agnano, Bucine, Arezzo (I), 12 - 17 June 1995. – Sound engineers:
Charlotte Gilart de Kéranflèc’h and Klaus L Neumann. – Digital editing: Charlotte Gilart de
Kéranflèc’h.