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TRANSCRIPT
A N D R E W D A V I D P E R K I N S ( A S C A P )
F O R S Y M P H O N I C W I N D S ( 2 0 1 8 )
Dedicated to the students, parents and staff of Marjory Stoneman Douglas High School,
Parkland, Florida, to honor their bravery, humanity and love.
FULL SCORE / 2 (+Picc) 1 2 (+Contra) 3 (+Bass, Contra Bass) Alto (2), Tenor, Bari / 3 2 3 1 1 / Timp Perc (4)
DURATION: approximately 5:30
GRADE: 5
Copyright © 2018 APOLLO STUDIOS. All Rights Reserved. www.andrewdavidperkins.com
UNTIL THE NIGHT COLLAPSES
Commissioned in 2018 by a consortium of music educators
dedicated to promoting the composition of wind band literature.
Dedicated to the students, parents and staff of Marjory Stoneman Douglas
High School, Parkland, Florida, to honor their bravery, humanity and love.
Special thanks to Mr. Alexander Kaminsky, Director of Bands.
BOARD OF COMMISSIONERS
BGSU Bands, Bowling Green, Ohio Dr. Michael Thomas King, Assistant Director of Bands
(World Premiere)
The University of Wisconsin, Stevens Point Dr. Michael S. Butler, Director of Bands
The Flushing High School Wind Ensemble
Brad Davis, Director of Bands
Woodhaven High School Bands
Bradley Faryniarz, Director of Bands
L’Anse Creuse High School Bands
Russ Hilton, Director of Bands
The Freeport High School Symphonic Band William Petersen, Director
East Kentwood High School Bands James A. Ross & Marshall Werling, Directors
Okemos High School Bands Mark D. Stice, Director of Bands
Grand Ledge High School Bands
John Szczerowski, Director of Bands
Rochester High School Bands David A. Uhrig, Director of Bands
PROGRAM NOTE
"Love! Love until the night collapses…" from the second poem of Canto General (1950), Pablo Neruda's tenth book of poetry. Neftali Ricardo Reyes Basoalto or as he was better known, Pablo Neruda (1904-1973) was a Chilean poet-diplomat and politician, who was awarded with the Nobel Prize for Literature in 1971. He often wrote in green ink, which was his personal symbol for desire and hope. Hope speaks to me through this line of poetry. I'm watching our American society violently spasm as the rise of hate groups, fascists, neo-Nazis and white supremacists are met with massive counter-protests. Mass shootings with tragic civilian casualties are becoming a regularly occurring nightmare. Families seeking asylum are being torn apart, and I see so much anger, so much contempt, and horrifically, so much violence. I feel as though we are in the dark, in the deep of night, disoriented and desperately seeking the light. UNTIL THE NIGHT COLLAPSES is a meditation on the crisis our nation faces and ideals to which we aspire. It interpolates traditional American patriotic songs with fragments of "Sunday, Bloody Sunday" by U2, an anthem for peace and non-violence.
BIOGRAPHICAL NOTE
An ASCAP Plus Award recipient and GRAMMY nominated music educator, conductor, and composer, Andrew David Perkins (b.1978) holds a specialist certificate in Orchestration from the Berklee College of Music, a Master of Music degree from the University of Michigan, and a Bachelor of Fine Arts degree from Michigan State University. A regular guest clinician nationally and abroad, he especially enjoys writing music for younger musicians, on which he has focused for the past few years including commissions from the Flint Youth Symphony Orchestra, the Conservatoire de Limonest, and a variety of consortia. Mr. Perkins spent several seasons as a marching member and conductor of the Phantom Regiment Drum & Bugle Corps from Rockford, Illinois, and has served as an adjunct professor of Film Scoring at Madonna University in Livonia, Michigan. He is currently the Director of Instrumental Music and Music Technology at Fenton High School & Andrew G. Schmidt Middle School in Fenton, Michigan, and additionally serves as the Music Director and Conductor of the Fenton Community Orchestra. Mr. Perkins is a member of the American Society of Composers Authors and Publishers (ASCAP) and his music is exclusively published through APOLLO STUDIOS Music Publishing. Perkins' mentors include Larry Livingston, John T. Madden, John Whitwell, Jonathan Reed, Colleen Conway, & Eric Gould. He currently resides in Michigan with the love of his life whom he married in 2010, and their daughters.
PERFORMANCE NOTES As the piece relies heavily on them for melodic continuity, selection and placement of soloists is critical. Careful attention should be paid to dynamics throughout the piece, specifically the subtle micro-phrasing (often brief crescendo/decrescendo sets). Dynamically tapering the lyrical lines in and out of silence should be a priority. When soloists are performing, balancing the other players may require adjusting the number of performers to keep the melodies a priority. The opening percussion attacks should be startling, it is encouraged to create silent space before the piece begins to represent a “moment of silence” as well as enhance the contrast of the very loud beginning of the work. (The opening is meant as a nod to Aaron Copland’s “Fanfare for the Common Man,” and is the first of several strong references to important American composers including Charles Ives & John Philip Sousa.) The chaotic section at m. 66 incorporates some explosive exchanges in the battery percussion, including some “chance” techniques and opportunities for improvisation in the tom part. This moment is meant to evoke the first-person outrage of the composer, as well as the perspective of the lyrics from the U2 song. The use of multiple large concert toms is perfectly acceptable for this moment, and the performance should be as violent as possible within good technique and taste. As large a gong as possible is preferred, specifically a “wind gong” (a Tam Tam that does not have the curved lip at the edge). Suspended cymbals should be 16” to 18” and preferably have a long decay and dark tone. Experimentation with mallet choices should be encouraged. The size of the field snare and large tom should be very large, evoking sounds from civil war-era instruments. If large, rope-tensioned snares and toms are available, absolutely use them.
FORMAL STRUCTURE The structure of UNTIL THE NIGHT COLLAPSES makes use of several idiomatic devices, the first of which is the utilization of march form. Traditional military march form includes an introduction, first & second strains, a trio, break strain, final recapitulation and grandioso finale. The work strays from traditional march form and style in myriad ways. The march form is camouflaged by the slow tempo and legato phrasing while maintaining the “sectional” structure. The traditional introduction or “roll off” is represented by the percussion section, but instead performed as a literal “SOS” rhythm (in morse code), representing the soul of our American nation crying out in desperation. Finally, while marches typically move through two closely related tonal centers (I-IV, or i-III), this piece moves through three, separated by minor thirds (G min, Bb min, Db Maj) creating an overall fully diminished chord, fraught with dissonance, and moving as far from one tonal center to another as is possible (the distance of a tri-tone or diminished fifth). The second idiomatic device is the use of traditional American patriotic songs. These melodies are often heard incomplete, out of order, and stacked on top of each other rhythmically, creating dissonance and contrast. Among these short phrases are America, America the Beautiful, The Star Spangled Banner, The Battle Hymn of the Republic, and Taps. The final device used in the work is the fragmented quoting of melodies and harmonies from “Sunday, Bloody Sunday” by the Irish rock band U2. The song is one of U2's most overtly socio-political songs; its lyrics describe the horror felt by an observer of the Troubles in Northern Ireland, mainly focusing on the Bloody Sunday incident in Derry where British troops shot and killed unarmed civil rights protesters, bystanders and children. At the same time, the lyrics reject hate and revenge as a response, boldly demanding peace, unity and non-violence.
INTRODUCTION (moment of silence) 1-6 “S.O.S” Percussion theme 7-14 Statement of Harmonic Motif A (i-III-VII) in G minor FIRST STRAIN 15-23 Harmonic Motif A restated in small voicing, sans melody 24-33 Restatement (repeat of first strain) with Patriotic melodic fragments, Modulation to Dd SECOND STRAIN 34-37 B Harmonic Motif in upper WW, “America” melodies in contrasting tonal centers, Brief modulation to Bb minor 38-41 B Harmonic Motif stated in Eb Major in upper Brass, Modulation to C minor 42-49 A Harmonic Motif stated in F minor, Trumpet solo on melodic fragment of “Sunday, Bloody Sunday” 50-57 A Harmonic Motif revoiced, “Glory, Glory Hallelujah” melody fragment in Picc. Percussion crescendo TRIO 58-65 Restatement of original Harmonic Motif A (from m. 7) now in Bb minor BREAK STRAIN 66-74 “The Star Spangled Banner” melody in Trumpets, “America” melody in Hn., Alto, in contrasting tonal centers. Violent percussion call and response, improvised material in toms Chromatic build towards arrival key of Db GRANDIOSO & FINALE 75-79 Arrival in Db Major. Melodic fragment from “Sunday, Bloody Sunday” in Hn., Alto. 80-87 “…tonight, we can be as one,” Melodic quote, supported by Harmonic Motif B (altered) 88-93 Harmonic Motif A (altered) in upper WW, supported by Major sonorities
UNTIL THE NIGHT COLLAPSES 101318
INSTRUMENTATION
Full Score Piccolo
Flute 1 Flute 2 Oboe Bassoon 1 Bassoon 2 Contrabassoon Clarinet 1 Clarinet 2/3 Bass Clarinet Contra Bass Clarinet in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone Baritone Saxophone Trumpet 1 Trumpet 2/3 Horn 1 Horn 2 Trombone 1 Trombone 2/3 Euphonium T.C. Euphonium Tuba Timpani Large Field Snare Drum/Sus. Cym Large Concert Tom or Side Drum Bass Drum Large Wind Gong/Crash Pair/Sus. Cym
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Copyright © 2018 APOLLO STUDIOS. All Rights Reserved.www.andrewdavidperkins.com
Full Score
Piccolo
Flute 1
Flute 2
Oboe
Bassoon 1, 2
Contrabassoon
Clarinet in Bb 1
Clarinet in Bb 2, 3
Bass Clarinet
in Bb
Contrabass
Clarinet in Bb
Alto Saxophone 1
Alto Saxophone 2
Tenor Saxophone
Baritone Saxophone
Trumpet in Bb 1
Trumpet in Bb 2, 3
Horn in F 1, 2
Trombone 1
Trombone 2, 3
Bass Trombone
Euphonium
Tuba
Timpani
Large Field Snare
Suspended Cymbal
Large Concert Tom
Concert Bass Drum
Gong/Crash Pair
Suspended Cymbal
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UNTIL THE NIGHT COLLAPSES ANDREW DAVID PERKINS (ASCAP)
Dedicated to Mr. Alexander Kaminsky & the students, parents and staff of Marjory Stoneman Douglas High School, Parkland, Florida, to honor their bravery, humanity and love.
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UNTIL THE NIGHT COLLAPSES 101318
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Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1, 2
Cbsn.
Cl. 1
Cl. 2, 3
B. Cl.
Cb. Cl.
A. Sax. 1
A. Sax. 2
T. Sax.
B. Sax.
Tpt. 1
Trp. 2, 3
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Tbn. 2, 3
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Full Score
UNTIL THE NIGHT COLLAPSES 101318
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Picc.
Fl. 1
Fl. 2
Ob.
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Cbsn.
Cl. 1
Cl. 2, 3
B. Cl.
Cb. Cl.
A. Sax. 1
A. Sax. 2
T. Sax.
B. Sax.
Tpt. 1
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Tbn. 1
Tbn. 2, 3
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Euph.
Tba.
Timp.
S. D.
Con. Tom
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Gong/Cym.
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Full Score
UNTIL THE NIGHT COLLAPSES 101318
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Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1, 2
Cbsn.
Cl. 1
Cl. 2, 3
B. Cl.
Cb. Cl.
A. Sax. 1
A. Sax. 2
T. Sax.
B. Sax.
Tpt. 1
Trp. 2, 3
Hn. 1, 2
Tbn. 1
Tbn. 2, 3
B. Tbn.
Euph.
Tba.
Timp.
S. D.
Con. Tom
B. D.
Gong/Cym.
mf p
24
p
p
f p
mp mf p
mp mf p
p pp p mp pp
p pp p mp pp
p mp pp p mp pp
p mp pp p mp pp
p mp pp p mp pp
p f
24
p
mf p mf p
mf mp mf p
mf mp mf p
mp mf p
mf pmp mf p
mp mf p
mp
mp
mp
mp
mf24 25 26 27 28 29 30 31 32 33
34
44
34
44
34
54
34
44
34
44
34
54
&∑ ∑
Solo (Distantly)
∑ ∑ ∑ ∑ ∑
&∑ ∑
&∑ ∑
&
Solo
∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑
&∑ ∑
&∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑
Solo
&∑ ∑ ∑ ∑ ∑ ∑ ∑
&
a2
∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑ ∑ b
b
?∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
>
/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
>
/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
>
/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
>
/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
Ó Œ œ
œ ™ œ
J˙ w
˙ ™ œb œ œ ˙ œ œb œœ ˙ ˙ ™œ ˙ ™ œb œ œ w
œœœ ˙ ™ ˙ ™
˙b ™ œb œœ ˙ œ œ œ
œ ˙ ˙ ™œ ™ œ
˙b ™ œ œœ w œ
œœ ˙ ™ ˙ ™
˙ ™ œ œœb ˙ œ œ
œœ ˙ ˙ ™ Œ Œ
œ œ œb œ ™ œ
J˙ w ˙ ™
wwb
b ˙˙™™
wb ˙ ™
Ó ˙ w Œ ˙ ™ œ˙ ™ œ
˙ ™ ˙ ™
Ó
˙˙
ww
Œ
˙˙™™ œ
œ˙˙ ™™ œ
œ˙˙ ™™
˙˙ ™™
Ó Ó
Ó Ó
Œ˙# ˙
œ ˙˙ w
Œ˙# ™ œ ˙ ™ œ
˙ ™ ˙ ™
Œ ˙ ˙œ ˙
˙ w Œ ˙ ™œ˙ ™ œ
˙ ™ ˙ ™
Œ ˙ ˙œ ˙
˙ wŒ ˙ ™
œ˙ ™ œ
˙ ™ ˙ ™
Ó Ó
˙ ™ ˙ ™ ˙Ó Ó œb
˙ ™ ˙ ™ ˙ Ó
Óœ œ œ œ
œ ™ œ
j˙ w
Ó Œ œœœ ™ œ
Jœ œ ˙ ™ ˙ Ó
œ ™ œb
Jœ w ˙ ™
˙œ ™
œœ
Jœ w
wbb ˙
˙™™
wb ˙ ™
Ó
œb œ œb œœ ™ œb
J
˙ w
wb ˙ ™
wb ˙ ™
Œ ‰ œb
J
‰ œ
J
‰ œ
J
œb œœŒ Œ
Œ ‰œj
œ
j‰œ
j
œ
j‰œ
j
œ
j
œ
j
œœœŒ Œ
Œ ‰œj
œ
j‰œ
j
œ
j‰œ
j
œ
j
œ
j
œœœŒ Œ
Œ ‰ œ
j‰ œ
j‰ œ
j
œœœŒ Œ
Full Score
UNTIL THE NIGHT COLLAPSES 101318
4
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1, 2
Cbsn.
Cl. 1
Cl. 2, 3
B. Cl.
Cb. Cl.
A. Sax. 1
A. Sax. 2
T. Sax.
B. Sax.
Tpt. 1
Trp. 2, 3
Hn. 1, 2
Tbn. 1
Tbn. 2, 3
B. Tbn.
Euph.
Tba.
Timp.
S. D.
Con. Tom
B. D.
Gong/Cym.
poco rall. 34 38
mf mp p pp mf mp p mp
mf mp p pp mf mp p mp
mf mp p mp
mp p pp
mp p pp
mf mp p pp mf mp p pp
mf mp p pp mf mp p pp
mp p pp
mp p pp
f mf mp p mp
mp
p mf mp p pp
poco rall.
34 38
mf mp p pp
mf p
mf mp p pp
mf mp p pp
mp p pp
mf mp p pp
mp p pp
p mp pp
p mp pp
p mp34 35 36 37 38 39 40 41
54
64
54
64
44
54
64
54
64
44
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
&
&∑ ∑ ∑ ∑
tutti
?∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑
&
&
a2 a2
&∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑
&
Solo
∑ ∑ ∑
Tutti
&∑ ∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&∑
&∑ ∑ ∑ ∑
a2
&∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑
a2
?∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑
Soft Mallets
/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑ ∑ ∑
Large Gong
Œœ ˙
œ wœ
˙ ˙ ™œb w ™ Œ
œ ˙œ w
œ˙ ˙ ™
œb wŒ
œ
Œœb ˙b
œb wœ
˙b ˙ ™ œw ™ Œ
œb ˙œb w
œ˙b ˙ ™ œ
w Œœ ™ œ
Œœb ˙ œ w
œb ˙b ˙ ™œ
wŒ œb
˙
˙b
b ˙
˙
™
™
w
w
™
™
ww
Ó
˙b ˙ ™ w ™w Ó
Œœb ˙
œb wœ
˙b ˙ ™œ
w ™ Œœ ˙
œ wœ
w ™w
Ó
Œ œb ˙̇bœœb ww œ
œb
˙̇ ˙˙ ™™
œœwwb ™
™ Œ œ ˙̇ œœ
ww
œœ
˙˙#
wwww
Ó
˙ ˙ ™ w ™ w
Ó
˙ ˙ ™ w ™w
Ó
Ó™ Œœ œ ™
œ#
J
˙ ™ œ ™œb
J
˙ ˙ œ ™œ#
j
wÓ™ Ó
œ
Ó™ Óœ ™ œ
œ ™ œ
J˙ œb œ œb œ œ ˙ w ˙
Œ œ ˙œ w
œ#˙ ˙ ™
œ wÓ
Œœ ˙̇ œ
œww
œœ
˙̇ ˙˙™™
œœ# ww#
Ó
Ó Ó™œ
œ ™ œ
J˙ œb œ œb œb œ ˙ ˙ w
Œ
œb ˙ œ w œbw ™
wÓ
Œ
œb ˙̇ œœ
ww
œœ
wwnb ™
™wwb Ó
˙b ˙ ™ w ™w
Ó
Œ
œb ˙œ ˙ ™
Œœ
wb ™w Ó
˙
˙b
b ˙
˙
™
™
w
w
™
™w
Ó
æææ˙b
æææ˙ ™
æææ˙ ™
æææ˙ ™
æææw
Ó
æææ˙
æææ˙ ™
æææ˙ ™
æææ˙ ™
æææw Ó
æææ˙ ™
æææ˙ ™ w Ó
Full Score
UNTIL THE NIGHT COLLAPSES 101318
5
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1, 2
Cbsn.
Cl. 1
Cl. 2, 3
B. Cl.
Cb. Cl.
A. Sax. 1
A. Sax. 2
T. Sax.
B. Sax.
Tpt. 1
Trp. 2, 3
Hn. 1, 2
Tbn. 1
Tbn. 2, 3
B. Tbn.
Euph.
Tba.
Timp.
S. D.
Con. Tom
B. D.
Gong/Cym.
A Tempo q = 7642
p
p
p
p mf
p
p mp
p mp
mf mp mf f mp
A Tempo q = 7642
mp mf mp mp mf mp
mp mf mp
mp mf mp
mf
mf
mf
mf
p42 43 44 45 46 47 48 49
44
34
44
34
44
44
34
44
34
44
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
&
&
?∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
&
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
Solo (Freely)
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
?∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑
2
?∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑ ∑ ∑
Sus. Cymbal
˙b ™ œb œ œ ˙ ™ œb œ œ w œ ™
‰
œ ˙b ™ œb œ œ ˙ ™ œb œ œ w œ ™
‰
œ
˙b ™ œ œbœb ˙ ™ œb œ
œb w œ ™ ‰œ ™ œ
˙b ™ œ œbœb ˙ ™ œb œ
œb w œ ™ ‰œ ™ œ
˙b ™ œ œ œb ˙ ™ œœbœ w œ ™ ‰ œb
˙b ™ œ œ œb ˙ ™ œb œœb w œ ™
‰ Œ
Œ
˙˙ ™™ œ
œœœ
œœ
˙˙bb ™
™ œœ
˙˙bb ™
™ ˙˙ ™™
Œ ™ ‰ œ
˙ ™ œ œ œ ˙ ™ œ œ œ w œ ™‰
œ ˙ ™ œ œ œ ˙ ™ œ œ œ w ˙ ™
˙ ™ œ œœ ˙ ™ œ œ œ w œ ™ ‰
œ ™ œ˙ ™ œ œ
œ ˙ ™ œ œ œb w ˙ ™
Œœ œ ™™ œ
rœb ™™ œ
R
œ ™œ
Jw ˙ ™
Œœ œ ™ œ
jœb œ ™ œ
œ ™œ
J
œ ™ œ
Jœ ™ œ œb ˙ ™
Œ
˙˙™™
œœœœœœ
˙˙b
b ™™
œœb
˙˙b ™
™˙˙™™
Œ
˙˙™™
œœœœœœ
˙˙b
b ™™
œœ
˙˙b
b ™™
˙˙™™
Œ
˙ ™ œ œ œ˙b ™ œ
˙b ™ ˙ ™
Œ˙ ™ œ œ œ
˙b ™ œ˙b ™ ˙ ™
‰ œb
J
‰ œ
J
‰ œ
J
‰œj
œ
j‰œ
j
œ
j‰œ
j
œ
j
‰œj
œ
j‰œ
j
œ
j‰œ
j
œ
j
‰ œ
j‰ œ
j‰ œ
j
æææw
æææ˙ ™
Full Score
UNTIL THE NIGHT COLLAPSES 101318
6
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1, 2
Cbsn.
Cl. 1
Cl. 2, 3
B. Cl.
Cb. Cl.
A. Sax. 1
A. Sax. 2
T. Sax.
B. Sax.
Tpt. 1
Trp. 2, 3
Hn. 1, 2
Tbn. 1
Tbn. 2, 3
B. Tbn.
Euph.
Tba.
Timp.
S. D.
Con. Tom
B. D.
Gong/Cym.
mf p
molto rall.
50
mp p
mp p
mf p mp mf p
mp p
mp p
p p mp mf p
p p
mp p
mp p
p mp p mp mf p
p mp p mp mf p
p mp p mp mf p
mf
molto rall.
50
mf p
mp mf p
mp mf p
mp mf p
mp mf p
mp mf p
pp
pp
pp
pp
mf pp50 51 52 53 54 55 56 57
44
34
44
44
34
44
&∑ ∑ ∑ ∑ ∑
&∑ ∑
&∑ ∑
&
Solo
- - -Tutti
∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑
&∑ ∑
&∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑
&∑ ∑
&∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑
Solo (Off stage if desired)
∑ ∑
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑
a2
b∑
?∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑ ∑
? >∑ ∑ ∑ ∑ ∑
Hard Mallets
/
>
∑ ∑ ∑ ∑ ∑
/
>
∑ ∑ ∑ ∑ ∑
/
>
∑ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑
Large Gong
œb ™ œb
Jœ ™
œœb ™ œb ˙
˙b w
˙b ™ œb œb œ ˙ ™ œb œ œ ˙Œ
œ ˙b ™ œb œb œ ˙ ™œœbœb w
˙b ™ œ œbœb ˙ ™ œb œ
œb ˙ Œœ ™ œ
˙b ™ œ œbœb ˙ ™ œb
œbœ w
Œœb œ œ œb ™ œb
J˙ w Œ ˙b ™ œb
˙b ™
w
wwb
b ˙˙™™
˙ ™ œ œ œb ˙ ™ œœœ ˙
Œ œ˙ ™ œ œ œb ˙ ™
œœ œb w
Œ˙˙b™™
œœ ˙
˙ ™™
ww Œ
˙˙™™
œœ
˙˙ ™™
ww
Œ ˙ ™ œ˙ ™
w
w ˙ ™
w ˙ ™
Œ˙ ™ œ
˙ ™ œ˙ ™
Œ˙ ™
œ ˙ ™w
Œ ˙ ™ œ˙ ™ œ
˙ ™Œ ˙ ™
œ˙ ™
w
Œ˙ ™ œ
˙b ™ œb˙ ™
Œ˙ ™
œ˙ ™
w
Œ Ó œb ™ œ˙
œœb
w w
Ó Œ œb œ œ ™œ ™œj
˙œ
Jœ
œ ww
˙˙™™
w ˙ ™
wwb
b ˙˙™™
wb ˙ ™
wb ˙ ™
wb ˙ ™
œb œ œ Œ Óæææ˙b ™
æææ˙ ™
œ
j
œ œ œŒ
Ó
æææ˙ ™
æææ˙ ™
œ
j
œ œ œŒ
Ó
æææ˙ ™
æææ˙ ™
œ œ œŒ
Ó
æææ˙ ™
æææ˙ ™
w∑
æææ˙ ™
æææ˙ ™
Full Score
UNTIL THE NIGHT COLLAPSES 101318
7
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1, 2
Cbsn.
Cl. 1
Cl. 2, 3
B. Cl.
Cb. Cl.
A. Sax. 1
A. Sax. 2
T. Sax.
B. Sax.
Tpt. 1
Trp. 2, 3
Hn. 1, 2
Tbn. 1
Tbn. 2, 3
B. Tbn.
Euph.
Tba.
Timp.
S. D.
Con. Tom
B. D.
Gong/Cym.
Allargando, q = 7258
f
f
f
f f mf
f mf
f
f
fmf
fmf
f
f
f mf
f mf f mf
f
Allargando, q = 7258
f
f
f mf
f mf f mf
f mf
f
fmf
ff mf
ff p
ff f
ff f
ff58 59 60 61
44
34
44
34
44
44
34
44
34
44
&∑ ∑ ∑ ∑
&
&
&
?
?
&
&
&
&
&
&
&
&
&
&
a2
&
?
?
?
?
?
?
> > >
∑ ∑
/
> > >
∑ ∑
/
> > >
∑ ∑
> > >
/
> > >
∑ ∑
> > >
/ ∑ ∑ ∑
Ó
˙b ˙œ ˙
˙b ˙ ™
Ó˙b ˙
œb ˙˙b ˙ ™
Ó˙b ˙ œb ˙
˙b ˙ ™
wwb
‰œœb
œœ
œœbb ™
™ œœbb
J wwb
b ˙˙™™
wb‰
œb œ œb ™ œb
J wb ˙ ™
Ó˙ ˙
œ ˙˙ ˙ ™
Ó
˙˙
˙˙
œœb
b ˙˙
˙˙b ˙
˙™™
w
‰
œ œ œb ™ œ
j
wb ˙ ™
w
‰
œ œ œb ™ œ
j
wb ˙ ™
Ó˙ ˙
œ œ˙ ™ ˙ ™
Ó˙ ˙
œb œ˙ ™ ˙ ™
w‰
œ œ œb ™ œ
J w ˙ ™
w‰
œ œ œb ™ œ
J w ˙ ™
Œ
œ ˙ œ œb œn œ œ ˙ œb œ œ œ ˙ ™
Œ œœ ™™ œ
œb˙˙b œ
œœœbb
œœ œ
œœœ
˙˙ œœb œœ
œ œ ˙ ™
Ó˙˙
˙˙
œœbb
œœ
˙˙b
b ™™
˙˙™™
w œ˙b
wb ˙ ™
wwb
‰œœb
œœ
œœbb ™
™ œœbb
J wwb
b ˙˙™™
wb‰
œb œ œb ™ œb
J wb ˙ ™
Ó
˙b ˙œb ˙
˙b ˙ ™
wb
‰
œb œ œb ™ œb
j
wb ˙ ™
œb œ œÓ Œ
æææ˙b ™
œ œ œ ÓŒ
æææ˙ ™
œ œ œ ÓŒ ‰ œ
j
œ
j‰ œ
j
œ
j‰ œ
j
œ
j
œ œ œ ÓŒ ‰ œ
j‰ œ
j‰ œ
j
w
Full Score
UNTIL THE NIGHT COLLAPSES 101318
8
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1, 2
Cbsn.
Cl. 1
Cl. 2, 3
B. Cl.
Cb. Cl.
A. Sax. 1
A. Sax. 2
T. Sax.
B. Sax.
Tpt. 1
Trp. 2, 3
Hn. 1, 2
Tbn. 1
Tbn. 2, 3
B. Tbn.
Euph.
Tba.
Timp.
S. D.
Con. Tom
B. D.
Gong/Cym.
mp f mf
mp f mf
mp f mf
f mf
f mf
mp f mf
mp f mf
fmf
fmf
mf f mf
mf f mf
f mf
f mf f mf
mf f mf
mf f mf
mf f mf
f mf
f mf
f mf
mf f mf
fmf
ff f
ff f
ff f
ff f
ff62 63 64 65
44
34
44
34
24
44
34
44
34
24
&∑ ∑ ∑ ∑
&
&
&
?
?
&
&
&
&
&
&
&
&
&
&
&
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/
> >
/
> >
/
> >
/ ∑ ∑ ∑
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˙b œœ
œb ˙˙ ˙ ™
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˙b ˙ ™
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œœ
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™ œœbb
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b ˙˙™™
wb‰
œb œ œb ™ œb
J wb ˙ ™
Ó˙ œ
œ œ ˙˙ ˙ ™
Ó
˙˙
œœ œ
œbœœb ˙
˙
˙˙b ˙
˙™™
w
‰
œ œ œb ™ œ
j
wb ˙ ™
w
‰
œ œ œb ™ œ
j
wb ˙ ™
Ó˙ œ
œ œ œ ™ œ ˙ ™ ˙ ™
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œ œ œ ™ œb ˙ ™ ˙ ™
w‰
œ œ œb ™ œ
J w ˙ ™
w‰
œ œ œb ™ œ
J w ˙ ™
Œ
œ ˙ œ œb œn œ œ ˙ œb œ œ œ ˙ ™
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œb˙˙b œ
œœœbb
œœ œ
œœœ
˙˙
œœb
b œœ
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œ˙˙™™
Ó˙˙
œœ
œœ
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˙˙b ™™ ˙
˙ ™™
w œ˙b
wb ˙ ™
wwb
‰œœb
œœ
œœbb ™
™ œœbb
J wwb
b ˙˙™™
wb‰
œb œ œb ™ œb
J wb ˙ ™
Ó
˙b œœ œb œ ™ œb ˙b ™ ˙ ™
wb
‰
œb œ œb ™ œb
j
wb ˙ ™
œb œ œŒ Ó ‰
œb
j‰
œ
j‰
œ
j
œb œ œŒ Ó ‰
œb
j‰
œ
j‰
œ
j
œ œ œŒ
Ó ‰ œ
j
œ
j‰ œ
j
œ
j‰ œ
j
œ
j
œ
j
œ œ œŒ
Ó ‰ œ
j
œ
j‰ œ
j
œ
j‰ œ
j
œ
j
œ
j
œ œ œŒ
Ó ‰ œ
j
œ
j‰ œ
j
œ
j‰ œ
j
œ
j
œ
j
œ œ œŒ
Ó ‰ œ
j
œ
j‰ œ
j
œ
j‰ œ
j
œ
j
œ œ œŒ
Ó ‰ œ
j‰ œ
j‰ œ
j
œ œ œŒ
Ó ‰ œ
j‰ œ
j‰ œ
j
w
Full Score
UNTIL THE NIGHT COLLAPSES 101318
9
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1, 2
Cbsn.
Cl. 1
Cl. 2, 3
B. Cl.
Cb. Cl.
A. Sax. 1
A. Sax. 2
T. Sax.
B. Sax.
Tpt. 1
Trp. 2, 3
Hn. 1, 2
Tbn. 1
Tbn. 2, 3
B. Tbn.
Euph.
Tba.
Timp.
S. D.
Con. Tom
B. D.
Gong/Cym.
66
f
f
f
f
f
f
f
66
f
f
ff ff
ff mp f mp
ff ff
ff ff
ff ff ff66 67 68 69 70
24
34
44
34
44
34
24
34
44
34
44
34
&∑ ∑ ∑ ∑ ∑
&∑ ∑
&∑ ∑
&∑ ∑
?∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑
>
&∑ ∑ ∑ ∑
>
&∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑
&∑ ∑
> >
>
> >
> > > >
&∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑ ∑
&
> > > > > > >> > > > >
&> > >
> >>
>
>
> >
>>
> >
>
>
&∑ ∑
a2
> > > > > >
> >>
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?∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑ ∑
?
>
Violently
> > >>
>> > > > > >
3
/
>
∑
Suspended Cymbal
∑
/
>Violently
> > > > > > > > > > > > >3 3 3
/
>
∑
Violently
>
∑
>
/
>
∑
Crash Pair
>
∑
>
œ
œ ˙ œ œ œœ ˙ ™
œ
œb ˙ œ œb œœ ˙b ™
œbœ ˙ œ œ œ
œ ˙b ™
Ó™œ
Ó™ œœ
Œ œb œ œbœ ™ œb
jœb œ
J
‰ œ œ œb
Œœ ™™ œ œ œ œ ˙ ™ œ œ œ œ œ ˙ ™ œ
Œœœ™™™™œœ
œœ œ
œœœ ˙ ™˙ ™
œœœ
œœ œ
œ˙ ™
œ œœ ˙
œœ
Œœb œ œb
œ ™ œb
jœb œ
j‰ œb œ œb
œb œ œŒ Ó ‰™
œb œ ˙b‰™
œ œ œ œ‰
œb
j
œ
j‰™
œ œ œœ
‰™
œ œ œ œ
‰
œ
j
œ œ œ
œ
j
œ œ œŒ
æææw
æææw
œ
j
œ œ œŒ
ÓŒ ‰ œ œ œ œ ‰ œ œ œ œ œ œ ‰ œ
j
œ
jŒ
œ
j
œ œ œ ‰ œ
j
œ
j‰ œ
j
œ
j
œ
j
œ œ œ ‰ œ œ œ
œ œ œŒ Œ
œ
j
˙ ™Œ
œ
j
˙ ™
˙ Ó ˙ Ó ˙
Full Score
UNTIL THE NIGHT COLLAPSES 101318
10
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1, 2
Cbsn.
Cl. 1
Cl. 2, 3
B. Cl.
Cb. Cl.
A. Sax. 1
A. Sax. 2
T. Sax.
B. Sax.
Tpt. 1
Trp. 2, 3
Hn. 1, 2
Tbn. 1
Tbn. 2, 3
B. Tbn.
Euph.
Tba.
Timp.
S. D.
Con. Tom
B. D.
Gong/Cym.
poco rall.
sfz
f
f
f
poco rall.
sfz
f
f
sfz
f mp
sfz
mp71 72 73 74
34
44
34
44
&∑ ∑ ∑ ∑
&
--
&
--
&
--
?∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑
&
> > >>
>>
>
-
- -
&> > > > > > > -
-
-
&∑ ∑ ∑ ∑
&∑ ∑ ∑ ∑
&
>>
> >-
>
&∑ ∑
&∑ ∑
&∑ ∑
&
> > >>
>>
>
-
- -
&> > > > > > > -
-
-
&>
> > > -
>
?∑ ∑
?∑ ∑
?∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑
?∑ ∑ ∑ ∑
?
>> >
/ ∑ ∑
/
> > > > > > >Increasingly improvised
> > >Fully Improvised
3 5 5
/ ∑
> >
/ ∑ ∑
Large Gong
œ ˙# œœ
œ# œ ˙#
Œ
œœ
œ ˙ œœ
œ œ ˙
Œ
œœ
œ ˙ œœ#
œ œ ˙
Œœ
œ
œ ™ œ
Jœ œ ™ ‰ œ ™ œ ˙
œ œœ
œ#
œœ™™
œœ
j
œœ
œœ™™ ‰
œœ ™™
œœ ˙
˙œœ#
œœ œ
œ#
œœ
œ ™ œb
Jœb ˙ ™ ˙b ™
˙b ™
Œ ˙#˙b ™
Œ ˙#˙b ™
Œ˙ ˙ ™
œ ™ œ
Jœ œ ™ ‰ œ ™ œ ˙
œ œœ
œ#
œœ™™
œœ
j
œœ
œœ™™ ‰
œœ ™™
œœ ˙
˙œœ#
œœ œ
œ#
œœ
œb ™œb
j
œb ˙ ™ ˙b ™˙# ™
Œ
˙n˙b ™
Œ
˙̇nb˙˙bb ™
™
‰™œb œ ˙
‰™
œ œ ˙
Œæææ˙b
æææ˙ ™
æææ˙ ™
æææ˙ ™
œ
j
œ œ ‰ œ
j
œ
j‰ œ
j
œ œ œ œ œ ‰ œ œ œ œ œ œ œ œ œ ‰ œ œ œ œ œ œ œ œ œ? ? ?
Œœ
j
˙Œ
æææ˙
æææ˙ ™
æææ˙ ™
æææ˙ ™
Full Score
UNTIL THE NIGHT COLLAPSES 101318
11
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1, 2
Cbsn.
Cl. 1
Cl. 2, 3
B. Cl.
Cb. Cl.
A. Sax. 1
A. Sax. 2
T. Sax.
B. Sax.
Tpt. 1
Trp. 2, 3
Hn. 1, 2
Tbn. 1
Tbn. 2, 3
B. Tbn.
Euph.
Tba.
Timp.
S. D.
Con. Tom
B. D.
Gong/Cym.
Maestoso, q = 56
Tempo Primo, q = 76
accel.75 80
ff mf f mf
ff mf f mf
ff mf f mf
ff f mf f mf
ff fmf f mf
ff mf f mf f mf
ff mf f mf f mf
ff f mf f mf
ff f mf f mf
ff f
ff f
ff f mf mf f
ff f mf f mf
ff mf f mf mf f mf
Maestoso, q = 56
Tempo Primo, q = 76
accel.75 80
ff mf f mf mf f mf
ff f
ff f mf mf f mf
ff f mf mf f mf
ff f mf mf f mf
ff f mf f
ff f mf f mf
ff
ff mf mf
fff
ff mf f mf f
ff mf f mf f75 76 77 78 79 80 81 82
44
44
&∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
&
&
&
?
?
&
&
&
&
&
above the ensemble > >
&
above the ensemble
> >
&
>> >
&
&
&
&
above the ensemble
a2
b
>
> >
bb b
b
>
>
?
?
?
?
>>
?
? >∑ ∑ ∑ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑ ∑ ∑
/>
∑ ∑ ∑ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑ ∑ ∑
/ ∑ ∑ ∑ ∑ ∑ ∑
w
Œ
œbœb
œb w
wb ˙
Œ
œ wb ˙
Œ
œ wb
wb
Œ
œb œbœb wb
wb ˙
Œ
œb ™ œwb ˙
Œ
œb ™ œwb
wb
Œœb
œb œb wbw ˙
Œœb
wb ˙
Œœb
wb
wwb
b wwb
b wwb
b wwb
b
wwbbŒ
œœbb
˙˙
wwbb
Œ
œœbb
˙˙
wb wb wb wb w
Œœb
˙bwb
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˙b
w
Œ œbœb
œb wwb w
Œ œb˙b
w
Œ œb˙b
wwbb Œ
œœb œœb
œœb w
wbb wwbb ww Œ
œœb
˙˙b
wwbb Œ
œœb
˙˙b
wb w wb w wŒ
œ˙b
wb Œ
œ˙b
wb w wb w wŒ
œ˙b
wb Œ
œ˙b
Œœ œb œ œ œb œ œ œ œ œ œ œ
œ œb
Jœ œ
J
œb ™ œ œ ™ œ œ ™ œ
J
˙ ™œbœ w ˙ ™
œbœ œ œ œ œ œb œ
œ
Œœ œb œ œ œb œ œ œ œ œ œ œ
œ œb
Jœ œ
Jœ ™ œ œ ™ œ œ ™ œb
J
˙ ™ œbœ w
œ œ ™ œ ™ œ œ œbœ w
w wb w wbwb
Œ œb˙b œ œ ™ œ ™ œ œ œb
œb ˙b œ ™œ
J
wb w wb wwb
Œœ
˙ w
Œœ
˙
w
Œ œbœb
œb wwb w
Œ œb˙b
w
Œ œb˙b
wwbb Œ
œœb œœb
œœb w
wbb wwbb ww Œ
œœb
˙˙b
wwbb Œ
œœb
˙˙b
Œœb œb œn œ œb œ œ œb œ œ œb œ
œb œb
Jœ œ
J
œœbb ™
™ œœb œ
œ ™™ œœ œœ ™
™œœbJ
˙˙ ™™
œbœb wb ˙ ™
œ œ ™ œ ™œ œ œ
œ œœœ ˙ œ œ œ ™œ œb œ
œœ
J
wbwn
wbwn wn
Œ
œb˙ wb
Œ
œb˙
wwb
wwbb w
wb
wwbb
ww
Œ
œœb
˙˙bb
wwbb
Œ
œœb
˙˙bb
wbwb wb
wb wŒ
œb˙b
wbŒ
œb˙b
wb wb wb wb w Œ
œb˙b œb œ ™ œ ™ œ œ œb œ
œbœb ™ œb
J
wb wb wb wb w
Œ
œb˙b
wbŒ
œb˙b
wb
æææw
æææw
w
æææw
æææw
æææw
æææw
Full Score
UNTIL THE NIGHT COLLAPSES 101318
12
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1, 2
Cbsn.
Cl. 1
Cl. 2, 3
B. Cl.
Cb. Cl.
A. Sax. 1
A. Sax. 2
T. Sax.
B. Sax.
Tpt. 1
Trp. 2, 3
Hn. 1, 2
Tbn. 1
Tbn. 2, 3
B. Tbn.
Euph.
Tba.
Timp.
S. D.
Con. Tom
B. D.
Gong/Cym.
molto rall.
f mf f mf
f mf f mf
f mf f mf
f mf f mf
f mf f mf
f mf f mf
f mf f mf
f mf f mf
molto rall.
f mf f mf
f mf f mf
f mf f mf
f mf f mf
mf f
f mf f mf
ff mp
mf ff mp
ff
ff mp
mf mp83 84 85 86 87
&∑ ∑ ∑ ∑ ∑
&
&
&
?
?
&
&
&
&
&
>>
&
> > >
&
> > >
&
&
&
&
a2
b
>
> >
bb b
b
>
>
b
?
?
?
?
> >
?
?
>
∑ ∑
/
Snare Drum >
∑ ∑
Sus. Cymbal
/
>
∑ ∑ ∑
/
>
∑ ∑
/ ∑ ∑ ∑
˙<b>
Œ
œ wb ˙
Œ
œ wb wb
˙<b>
Œ
œb ™ œ wb ˙
Œ
œb ™ œ wbwb
˙<b>
Œœb
wb ˙
Œœb
wbw
wwbb
Œ
œœbb
˙˙
wwbb
Œ
œœbb
˙˙ w
wbb
wbŒ
œb˙b
wbŒ
œb˙b
wb
wbŒ œb
˙bw
Œ œb˙b w
wwbb Œœœb
˙˙b
wwbb Œ
œœb
˙˙b wwb
wb
Œ
œ˙b
wb Œ
œ˙b
wb
wb
Œ
œ˙b
wb Œ
œ˙b
wb
œ œ ˙œb
œ w ˙ ™
œbœ œ œ œ œ œb œ œ œ
Jœb ™ ˙
˙ ™
œbœ w
œ œ ™ œ ™ œ œ œbœ ˙ œ ™
œ
J
œ œb ˙ ™
œ œ ˙œb
œb wbœ œ ™ œ ™ œ œ œb
œb ˙b œ ™œ
J
œ œb ˙ ™
wŒ
œ˙ w
Œœ
˙ wb
w
Œ œb˙b
w
Œ œbœb œn ˙ ˙
wwbb Œ
œœb
˙˙b
wwbb Œ
œœb
œœb
œœ
˙˙
˙˙b
b
œœ<b>
œœb ˙
˙œb
œ wb ˙ ™œ œ ™ œ ™
œ œ œœ œ
œœ ˙ œ œ œ ™œ œb œ œœ
J
œ
j
œ ™œ œ ˙ ™ ˙
wb
Œ
œb˙ wb
Œ
œb˙
wb
wwbbŒ
œœb
˙˙bb
wwbb
Œ
œœb
˙˙bb wwbb
wbŒ
œb˙b
wbŒ
œb˙b
wb
œ<b> œb ˙ ™
Œ
œb˙b œb œ ™ œ ™ œ œ œb œ
œb˙b
wb
wb
Œ
œb˙b
wbŒ
œb˙b
wb
Œ ‰œb
j ‰œ
j ‰œ
j
œb œ œŒ Ó æææ
wb
æææw œ œ œ
ŒÓ
æææw
Œ ‰ œ
j
œ
j‰ œ
j
œ
j‰ œ
j
œ
j
œ
j
œ œ œŒ
Ó
Œ ‰ œ
j‰ œ
j‰ œ
j
œ œ œŒ
Ó
æææw
æææw
æææw
Full Score
UNTIL THE NIGHT COLLAPSES 101318
13
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
Picc.
Fl. 1
Fl. 2
Ob.
Bsn. 1, 2
Cbsn.
Cl. 1
Cl. 2, 3
B. Cl.
Cb. Cl.
A. Sax. 1
A. Sax. 2
T. Sax.
B. Sax.
Tpt. 1
Trp. 2, 3
Hn. 1, 2
Tbn. 1
Tbn. 2, 3
B. Tbn.
Euph.
Tba.
Timp.
S. D.
Con. Tom
B. D.
Gong/Cym.
p
Largo, q = 48
poco rall.
88
mp p
mp p
mp p
mp p pp
mp p pp
mp p
mp p
mp p
mp p pp
p
p
p
p
mp p
Largo, q = 48
poco rall.
88
mp p
mp p p
mp p p
mp p p
mpp p
mp p p
mp p p
mf
mf
mf ppp
mf88 89 90 91 92 93
54
64
24
54
64
24
&∑ ∑ ∑ ∑
U
&∑ ∑
U
&∑ ∑
U
&∑ ∑
U
?∑
U
?∑
U
&∑ ∑ ∑ ∑
U
&∑ ∑ ∑ ∑
U
&∑ ∑
U
&∑
U
&∑ ∑ ∑ ∑ ∑
U
&∑ ∑ ∑ ∑ ∑
U
&∑ ∑ ∑ ∑ ∑
U
&∑ ∑ ∑ ∑ ∑
U
&∑ ∑ ∑ ∑ ∑
U
&∑ ∑ ∑ ∑ ∑
U
&∑
a2
∑
U
?∑ ∑ ∑
U
?∑ ∑ ∑
U
?∑ ∑ ∑
U
?∑
U
?∑
U
?∑ ∑ ∑ ∑ ∑ ∑
U
/ ∑ ∑ ∑ ∑ ∑ ∑U
/ ∑ ∑ ∑ ∑ ∑ ∑U
/ ∑ ∑
U
/ ∑ ∑ ∑ ∑ ∑ ∑U
Œ
œb ˙b ™
Œ
œb wb
Œœ ˙b
Œ œb ˙b ™ Œ
œb ˙b ™
Œ
œb wb
Œ œb ™ œ ˙bŒ
œb ™ œ ˙b ™ Œœb ™ œb ˙ ™
Œœb ™ œb w
Œœb ˙b Œ œb
˙b ™Œ œb
˙b ™Œ œb
wb
wwb
b
˙˙bb
˙˙ ™™
˙˙b
b ˙˙™™
˙˙b
b ww
˙˙b
b
wb˙b ˙ ™
˙b ˙ ™ ˙b w ˙b
wb˙b ˙ ™
ww
˙̇bb ˙̇ ™™
w˙b ˙ ™
˙b ˙ ™ ˙b w
w˙b ˙ ™
˙b ˙ ™ ˙b w ˙b
˙b ˙ ™
˙ ˙ ™
˙b ˙ ™
˙b ˙ ™
wb
wwb
b
˙˙b
b ˙˙™™
˙b ˙ ™ ˙b w ˙b
˙ ˙ ™ ˙ w ˙
˙˙b
b ˙˙™™
˙˙b
b ww
˙˙b
b
˙b ˙ ™ ˙b w ˙b
wb˙b ˙ ™ ˙b ˙ ™ ˙b w ˙b
wb˙b ˙ ™
˙b ˙ ™ ˙b w ˙b
æææ˙
æææ˙ ™
æææ˙
æææw
æææ˙
æææ˙
Full Score
UNTIL THE NIGHT COLLAPSES 101318
14
Please visit www.andrewdavidperkins.com for additional works for Wind Band:
KODACHROME (2018) Grade 2
UNTIL THE NIGHT COLLAPSES (2018) Grade 5
THE RAPTOR RIDES THE WHALE (2018) Grade 3
GRADIENTS (2017) Grade 2.5
ASYLUM (2017) Grade 4
CONSPIRACY THEORIES (2016) Grade 3.5
PRAYERS IN VILLEFRANCHE (2016) Grade 3
SOUTHEAST BY NORTHWEST (2016) Grade 5
TRIP THE LIGHT FANTASTIC (2015) Grade 5
ALCATRAZ (2014) Grade 4
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