a european cultural commons 30102012

47
Common Challenges, Common Solutions 2nd Strategic Briefing Europeana Commons Cyprus, October 30th 2012 Merete Sanderhoff [email protected] @MSanderhoff

Upload: merete-sanderhoff

Post on 08-May-2015

664 views

Category:

Education


1 download

DESCRIPTION

Talk delivered at the 2nd Strategic Briefing on the European Cultural Commons on October 30th 2012 in Limassol, Cyprus

TRANSCRIPT

Page 1: A European Cultural Commons 30102012

Common Challenges,Common Solutions

2nd Strategic Briefing

Europeana Commons

Cyprus, October 30th 2012

Merete [email protected]

@MSanderhoff

Page 2: A European Cultural Commons 30102012

My motto:

Page 3: A European Cultural Commons 30102012

“The preservation, transmission, and advancement of knowledge in the digital age are promoted by the unencumbered use and reuse of digitized content for research, teaching, learning, and creative activities.”

Memo on open access to digital representations of works in the public domain from museum, library, and archive collections at Yale University

May 2011

http://odai.yale.edu/sites/default/files/OpenAccessLAMSFinal.pdf

Page 4: A European Cultural Commons 30102012

…why should they care?

Page 5: A European Cultural Commons 30102012

Why an Art Commons?

Page 6: A European Cultural Commons 30102012

”…what does it mean that there are millions of images on the web that we are not allowed to touch while at the same time there are other millions of images that we can actually use?”

Peter Leth, Creative Commons For All (in Danish only), 2011

@peterleth1

http://www.creativecommons.dk/?p=537

Page 7: A European Cultural Commons 30102012

What are common challenges?

• Rapid technological change

• Silo culture – high maintenance

• Charging for digitized images

• Relevance to new generations of users

Page 8: A European Cultural Commons 30102012

What could be common solutions?

• Working together in networks/hubs

• Using shared/existing platforms

• Providing free and easy access to digitized images and data

• Listening to and engaging users

Page 9: A European Cultural Commons 30102012
Page 10: A European Cultural Commons 30102012

Pilots since 2009

• Save money

• Lighten administrative burden

• Create synergies between collections

Page 11: A European Cultural Commons 30102012
Page 12: A European Cultural Commons 30102012

Take leadership

Page 14: A European Cultural Commons 30102012

Access is not =

to sharing

Michael Edson, Director of Web and New MediaSmithsonian Institution

@mpedson

Page 17: A European Cultural Commons 30102012

http://www.kdcs.kcl.ac.uk/fileadmin/documents/USMuseum_SimonTanner.pdf

Page 18: A European Cultural Commons 30102012
Page 19: A European Cultural Commons 30102012
Page 20: A European Cultural Commons 30102012

"Like other museum institutions SMK is used to being seen as a gatekeeper of cultural heritage. But our collections do not belong to us. They belong to the public. Free access ensures that our collections continue to be relevant to users now and in the future.

Our motivation for sharing digitized images freely is to allow users to contribute their knowledge and co-create culture. In this way, SMK wishes to be a catalyst for the users' creativity." 

Karsten Ohrt, Director, SMK

Page 22: A European Cultural Commons 30102012

”Our primary mission is to ”tell the truth.”

Lizzy Jongma, data manager

Rijksmuseum, Amsterdam

@LizzyJongma

Page 24: A European Cultural Commons 30102012

Enriching public knowledge

http://en.wikipedia.org/wiki/The_Milkmaid_(Vermeer)

Page 25: A European Cultural Commons 30102012

http://da.wikipedia.org/wiki/Wikipedia:WikiProjekt_Maleri/158_highlights

Page 26: A European Cultural Commons 30102012

How an Art Commons?

Page 27: A European Cultural Commons 30102012

3 principles

1. All Public Domain content is freely shareable and reusable under Creative Commons

2. We use an existing platform that users like instead of custom-building a new one

3. Target users take part in developing the experience and creating the content

Page 28: A European Cultural Commons 30102012

• Artworks have individual #

• Comments are <140c

• All users are equal and have names and faces

• It is multilingual

• Comments lead to richer content

• The platform is dynamically updated and improved

Page 29: A European Cultural Commons 30102012

And perhaps most importantly…

Twitter works as a Commons

Page 30: A European Cultural Commons 30102012

How will it work? • Stand in front of an artwork in a museum

• Pull out your smartphone or tablet

• Scan a QR code or enter the URL

• Scroll through a stream of brief comments and questions, open links to related images, texts, videos etc. (anyone can do this)

• Post a comment, question, add a link, photo, video etc. (you need to be a Twitter user to do this)

• Maybe you get a response – if you direct a question or comment to a museum tweep, you certainly will!

Page 31: A European Cultural Commons 30102012

Objective

Page 32: A European Cultural Commons 30102012

Objective

Inspire usersto look closer

at the artworks

Page 33: A European Cultural Commons 30102012

Testing the concept

Page 34: A European Cultural Commons 30102012

Paper prototyping

Page 35: A European Cultural Commons 30102012
Page 36: A European Cultural Commons 30102012

Follow up survey

Page 37: A European Cultural Commons 30102012

Focus group discussion

Page 38: A European Cultural Commons 30102012
Page 39: A European Cultural Commons 30102012
Page 40: A European Cultural Commons 30102012
Page 41: A European Cultural Commons 30102012
Page 42: A European Cultural Commons 30102012

Lowering the barrier of

• System maintenance

• Content creation

• Participation

• Joining the network

Page 43: A European Cultural Commons 30102012

What’s next?

Page 44: A European Cultural Commons 30102012

A common framework and infrastructure

• Open licensing

• Shared platforms

• Distributed ownership

• Democratic dialogue

Page 45: A European Cultural Commons 30102012
Page 46: A European Cultural Commons 30102012

http://www.formidlingsnet.dk/sharing-is-caring-2012-program

Page 47: A European Cultural Commons 30102012

Read moreAbout the shared mobile pilot project• Open GLAM

http://openglam.org/2012/10/23/the-participatory-museum-of-denmark/ • Swedish Exhibition Agency

http://www.riksutstallningar.se/content/spana/curating-and-participation-new-mobile-platform?language=en

• MuseumNext 2012 http://vimeo.com/45705253#at=0

About SMK’s free charter collection• CC GLAM wiki

http://wiki.creativecommons.org/Case_Studies/Highlights_from_SMK,_The_National_Gallery_of_Denmark

About Public Domain and open licensing• Public Domain and Image Sales References

http://smithsonian-webstrategy.wikispaces.com/Public+Domain+and+Image+Sales+References