a contrast: the idiomatic development of the cello from

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University of Nebraska at Omaha University of Nebraska at Omaha DigitalCommons@UNO DigitalCommons@UNO Student Work 8-1-1997 A contrast: The idiomatic development of the cello from the A contrast: The idiomatic development of the cello from the eighteenth to the twentieth centuries as shown by the prelude and eighteenth to the twentieth centuries as shown by the prelude and saraband of Johann Sebastian Bach's Suite No. 2 in D minor for saraband of Johann Sebastian Bach's Suite No. 2 in D minor for Unaccompanied Cello, BWY 1008 and Dmitri Shostakovich's Unaccompanied Cello, BWY 1008 and Dmitri Shostakovich's Sonata in D minor for Cello and Piano, OP. 40. Sonata in D minor for Cello and Piano, OP. 40. Christa A. Speed Follow this and additional works at: https://digitalcommons.unomaha.edu/studentwork Recommended Citation Recommended Citation Speed, Christa A., "A contrast: The idiomatic development of the cello from the eighteenth to the twentieth centuries as shown by the prelude and saraband of Johann Sebastian Bach's Suite No. 2 in D minor for Unaccompanied Cello, BWY 1008 and Dmitri Shostakovich's Sonata in D minor for Cello and Piano, OP. 40." (1997). Student Work. 2935. https://digitalcommons.unomaha.edu/studentwork/2935 This Thesis is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Student Work by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected].

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University of Nebraska at Omaha University of Nebraska at Omaha

DigitalCommons@UNO DigitalCommons@UNO

Student Work

8-1-1997

A contrast: The idiomatic development of the cello from the A contrast: The idiomatic development of the cello from the

eighteenth to the twentieth centuries as shown by the prelude and eighteenth to the twentieth centuries as shown by the prelude and

saraband of Johann Sebastian Bach's Suite No. 2 in D minor for saraband of Johann Sebastian Bach's Suite No. 2 in D minor for

Unaccompanied Cello, BWY 1008 and Dmitri Shostakovich's Unaccompanied Cello, BWY 1008 and Dmitri Shostakovich's

Sonata in D minor for Cello and Piano, OP. 40. Sonata in D minor for Cello and Piano, OP. 40.

Christa A. Speed

Follow this and additional works at: https://digitalcommons.unomaha.edu/studentwork

Recommended Citation Recommended Citation Speed, Christa A., "A contrast: The idiomatic development of the cello from the eighteenth to the twentieth centuries as shown by the prelude and saraband of Johann Sebastian Bach's Suite No. 2 in D minor for Unaccompanied Cello, BWY 1008 and Dmitri Shostakovich's Sonata in D minor for Cello and Piano, OP. 40." (1997). Student Work. 2935. https://digitalcommons.unomaha.edu/studentwork/2935

This Thesis is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Student Work by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected].