a · by 1966, eva hesse had devised one of the most confined and controlled approaches to drawing...

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Page 1: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 2: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 3: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 4: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 5: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 6: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 7: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 8: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 9: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 10: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 11: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 12: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 13: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 14: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 15: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 16: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 17: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 18: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 19: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical
Page 20: a · By 1966, Eva Hesse had devised one of the most confined and controlled approaches to drawing imaginable, an endgame announcing drawing's decisive tendency towards historical