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CHAPTER 0THE CHAPTER EVERYONE SKIPSA journey of one thousand milesmust begin with a single footstep.Lao Tzu c 531 B.C.�

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Welcome to Basic M us i c T h e o r y !Why B a s i c M u s i c T h e o r y ?

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W h a t s I n s i d e�

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The Icons

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B a s i c M u s i c T h e o r y : O v e r v i e w

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H o w t o U s e t h e S p e c i a l F e a t u r e s

Moving On

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CHAPTER 0AN ULTRA-BRIEF HISTORYOF MUSICAL NOTATIONHistory doesn t repeat itself,�but it does rhyme.Mark Twain�

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Hear, There, EverywhereMusic Performed

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The Future

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CHAPTER 1LINES, LINES, EVERYWHEREAll music is folk music. I ain t never�heard no horse sing a song.Louis Armstrong�

THERE S LINES�

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E v e r y t h i n g Y o u D o n t H e a r�The Staff

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Moving On

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C h a p t e r 2 S t u d y G u i d e

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CHAPTER 2MORE LINESCan we ever have too much of a goodthing?Cervantes, Don Quixote�

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No Holds BarredMoving On

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C h a p t e r 3 S t u d y G u i d e

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CHAPTER 3Days full of wanting.Let them go by withoutworrying that they do.Stay where you are insidesuch a pure, hollow note.Rumi�

WHERE S THE BEAT?�

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The Beat Goes OnThe Notes

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The Note Head

The Stem

Put Your Stems Up, Put Your Stems Down

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Moving On

Chapter 4 Review

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CHAPTER 4The rest is silence.Shakespeare, Hamlet, Act v, sc.2�

THE SOUND OF SILENCE

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T a k e a R e s tT h e R e s t s o f t h e S t o r y

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Moving On

Chapter 5 Review

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Whew! You Made It.

The Review

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CHAPTER 5All times are not alike.Cervantes, Don Quixote�

METER

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Not the Metric System

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4/4 Time

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2/4 Time

3/4 Time

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Moving On

Chapter 6 Review

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CHAPTER 6I like to see you move with the rhythm;I like to see when you're dancin' fromwithin.Bob Marley�

DOWN WITH THE COUNT

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C a n Y o u C o u n t t o 4 ?Tap Your Foot

Quarter Note Count

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Half Note Count

Whole Note Count

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C o u n t t h e R e s t

All Together Now

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Moving On

Chapter 7 Review

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CHAPTER 7Indeed, what is there that does notappear marvellous when it comes to ourknowledge for the first time?Pliny the Elder�

NEW NOTES

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E i g h t h N o t e s a n d R e s t s

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Sweet Sixteenth Notes

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H o w t o F i g u r e o u t a T o u g h R h y t h m

Moving On

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C h a p t e r 8 R e v i e w

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CHAPTER 8We see things not as they are, but as we are.H.M. Tomlinson,�

Out of SoundingsSEEING DOTS

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Y o u A r e N o t S e e i n g T h i n g sThe Dotted Whole Note

The Dotted Half Note

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The Dotted Quarter Note

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Dotted Eighth Note

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Dotted Rests

Moving On

Chapter 9 Review

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CHAPTER 9TRIPLETSPeople are flowers.Music is water.Musicians are the hose.Carlos Santana�

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G e n e r a l T u p l e t I n f o rma t i o nE i g h t h N o t e T r i p l e t

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S i x t e e n t h N o t e T r i p l e t s

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Q u a r t e r N o t e T r i p l e t s

Moving On

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C h a p t e r 1 0 R e v i e w

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Whew! You Made It

The Review

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CHAPTER 10DON T SAY PRACTICE�I never practice; I always play.Wanda Landowska, 1952�

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D o n t S a y t h e P Word�

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C o m e o n B a b y , L i g h t m y D e s i r e

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How to Get Better

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Start a New Habit

Where to Do It

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How to Do It

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T h e I d e a l S e s s i o n

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Other Ways to Play

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Some Instruments

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CHAPTER 10THE WIND-UP AND THE PITCHMaking music should not be left tothe professionalsMichelle Shocked�

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Spaced Out and L i n e d U p

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T h e H i g h a n d t h e L o w l y

What? More L i n e s ?

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Moving On

C h a p t e r 1 2 S t u d y G u i d e

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Home, Home on the Ranges

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CHAPTER 12A NOTE BY ANY OTHER NAMEWOULD SOUND AS SWEETSweetest melodiesAre those that are bydistance made more sweet.Wordsworth, Personal Talk.�

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What s in a Name?�

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Moving On

C h a p t e r 1 3 S t u d y G u i d e

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CHAPTER 13GOING OVERTHE CLEFSometimes it takes a long time to playlike yourself.Miles Davis�

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What s a C l e f ?�C C l e f s

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T r e b l e C l e f

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B a s s C l e f

Rhythm Clef

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Moving On

C h a p t e r 1 4 S t u d y G u i d e

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CHAPTER 14NO TROUBLE WITH TREBLEThe flute is not an instrument whichhas a good moral effect; it is tooexciting.Aristotle, Politics�

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G o l l y G

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Moving On

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C h a p t e r 1 5 S t u d y G u i d e

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CHAPTER 15THE BASS OF THE CLEFNever look at the trombones. You ll only�encourage them.Richard Strauss�

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T h i s C l e f i s N o t a F i s h !

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Nmore Mnemonics

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Moving On

C h a p t e r 1 6 S t u d y G u i d e

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CHAPTER 16TOFATHOM THE RHYTHM CLEFMusic is nothing else but wild soundscivilized into time and tune.Thomas Fuller, History of the�

Worthies of England.

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N o L e t t e r s W i t h t h i s S t a f fWhy No Note Names?

T h e O n e - L i n e S t a f f w i t h R h y t h m C l e f

I n s t r u m e n t s , n o t P itches

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T h e 5 - L i n e S t a f f w i t h R h y t h m C l e f

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Moving On

C h a p t e r 1 7 R e v i e w

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Whew! You Made It.

The Review

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CHAPTER 17MUSICAL TERMSThe mind is a musical instrumentwith a certain range of tones, beyondwhich in both directions we have aninfinite silence.

John Tyndall (1820 - 1893)�

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Music a l T e r m s a r e D irec t i o n sTempo

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Dynamics

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A r t i c u l a t i o n s

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G e n e r a l M u s i c a l T e r m s

P e t e a n d R e p e a t

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Moving On

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CHAPTER 18Roaming through the jungle of "oohs" and "ahs,"searching for a more agreeable noise, I live a lifeof primitivity with the mind of a child and anunquenchable thirst for sharps and flats.Duke Ellington (1899 - 1974)�

ACCIDENTALS ON PURPOSE

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A c c i d e n t a l s A r e N o A c c i d e n tG e n e r a l A c c i d e n t a l I n f o r m a t i o n

F l a t s

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Sharps

Naturals

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M o r e A c c i d e n t a l R u l e s

Moving On

C h a p t e r 1 9 R e v i e w

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CHAPTER 19Music is perpetual, and only the hearingis intermittent.Henry David Thoreau (1817 - 1862)�

THE PIANO KEYBOARD

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Why Learn the Keyboard?Note Names on the Keyboard

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F l a t N o t e s o n t h e K e y b o a r d

Sharp Notes on the Keyboard

Enharmoni c Notes

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Half Steps and Whole Steps

The Chromatic Scale

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Moving On

Chapter 20 Review

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CHAPTER 20Without music, life would be a mistake.Nietzche�

MAJOR SCALES

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The Major ScaleThe C Major Scale

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Octave

S c a l e s w i t h A c c i d e n t a l s

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M a j o r S c a l e s w i t h M a n y A c c i d e n t a l s

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Moving On

C h a p t e r 2 1 R e v i e w

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CHAPTER 21UNLOCK THE SECRET OFKEY SIGNATURESServant and master am I: servant of thosedead, and master of those living. Throughmy spirit immortals speak the message thatmakes the world weep and laugh, and wonder,

and love, and worship.I am Music.Anonymous�

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K e y S i g n a t u r e sF l a t K e y S i g n a tures

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F i n d t h e N a m e o f a F l a t K e y

C o n s t r u c t a F l a t K e y

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Sharp Key Signatures

F i n d t h e N a m e o f a S h a r p K e y

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C o n s t r u c t a S h a r p K e y

T h e K e y o f C

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The Major Keys to the Kingdom

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T h e C y c l e o f F i f t h s

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Moving On

Chapter 22 Review

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CHAPTER 22THE GUITAR FINGERBOARDInformation is not knowledge. Knowledge is notwisdom. Wisdom is not truth. Truth is not beauty.Beauty is not love. Love is not music. Music is the best.Frank Zappa�

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B a s i c G u i t a r D e t a i l s

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T h e S t r i n g s o f t h e G u i t a r

H a l f S t e p s a n d the Gui t a r

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A l l N o t e s o n G u i t a rS c a l e s o n G u i t a r

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C h o r d s o n G u i t a r

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Moving On

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Whew! You Made It.

The Review

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CHAPTER 22My idea is that there is music in the air,music all around us; the world is full ofit, and you simply take as much as yourequire.Sir Edward Elgar�

INTERVALS

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Intervals by the NumberI n t e r v a l Q u a l i t y

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A l t e r i n g P e r f e c t I n t e r v a l s

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A l t e r i n g M a j o r I n t e r v a l s

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F i n d i n g a n I n t e r v a l

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A B r i e f N o t e o n E a r T r a i n i n g

Moving On

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Chapter 24 Review

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CHAPTER 24A painter paints pictures on canvas, buta musician paints pictures on silence.Leopold Stokowski�

MINOR SCALES

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G e n e r a l M i n o r S c a l e I n f oT h e N a t u r a l M i n o r S c a l e

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The Harmonic Minor Scale

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T h e M e l o d i c M i n o r S c a l e

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C y c l e o f F o u r t h s R e v i s i t e d

Moving On

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Chapter 25 Review

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CHAPTER 25Musical innovation is full of danger tothe State, for when modes of musicchange, the laws of the State alwayschange with them.Plato, The Republic�

SCALES A LA MODE

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What is a Mode?The Modes

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F i n d i n g Mod e s i n Other Keys

Modes Using Other S ca l e s

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Moving On

Chapter 26 Review

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CHAPTER 26BLUES TO BEBOPAND BEYONDJazz isn t dead, it just smells funny.�Frank Zappa�

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G e n e r a l B l u e s S c a l e I n f oT h e B l u e s S c a l e

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Other Crazy Scales

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Moving On

Chapter 27 Review

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H o w t o S i n g t h e B l u e s ( N o t R e a l l y )

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Whew! You Made It.

The Review

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CHAPTER 27

CHAPTER 27HOW TO CONDUCT YOURSELFConductors must give unmistakableand suggestive signals to the

orchestra, not choreography to theaudience.George Szell�

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G e n e r a l C o n d u c t i n g I n f o r m a t i o n

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C o n d u c t i n g P a t t e r n s

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The Left Hand

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Moving On

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CHAPTER 28MusicWhich can be made anywhere, is invisibleAnd does not smell.W.H. Auden�

TRIADS

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G e n e r a l C h o r d I n f o

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The Triad

Major Triads

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M i n o r T r i a d s

D i m i n i s h e d T r i a d s

Augmented Triads

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Moving On

Chapter 29 Review

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CHAPTER 29CHORD EXTENSIONSI don t care too much about music. What I like is�sounds.Dizzy Gillespie (1917 - 1993)�

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G e n e r a l C h o r d E x t e n s i o n I n f o

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Seven t h C h o rds

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Ninth Chords

Other Chords

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Moving On

Chapter 30 Review

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CHAPTER 30CHORD INVERSIONSSee deep enough, and you see musically;the heart of nature being everywheremusic, if you can only reach it.Thomas Carlyle, Heroes and�

Hero Worship

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More General Chord InfoF i r s t I n v e r s i o n

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Second Inversion

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I n v e r t ing Seven t h C h o rds

H o w t o F i n d a C h o r d s Name�

Moving On

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C h a p t e r 3 1 R e v i e w

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CHAPTER 31CHORD PROGRESSIONSDo you know that our soul is composedof harmony?Leonardo da Vinci�

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W h a t i s a C h o r d P r o g r e s s i o n ?C h o r d P r o g r e s s i o n G e n e r a l G u i d e l i n e s

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The I IV V7 I P r o g r e s s i o n

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T h e i i V 7 I P r o g r e s s i o n

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T h e i i i v i i i V 7 I P r o g r e s s i o n

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P l aga l C a d e n c e s ( IV-I)

T h e 1 2 B a r B l u e s

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Moving On

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Chapter 32 Review

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Whew! You Made It.

The Review

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CHAPTER 32FASTER NOTES ANDDOUBLE DOTSYou are the music while the music lasts.T. S. Eliot�

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Shorter NotesDouble Dotted Notes

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Moving On

Chapter 33 Review

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CHAPTER 33DOUBLE FLATS,DOUBLE SHARPSIf I were to begin life again, I woulddevote it to music. It is the only cheapand unpunished rapture upon earth.Sydney Smith, 1814�

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Double Your FunD o u b l e F l a t s

Double Sharps

A W e r d o n S p e l l i n g K o r d s

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Moving On

Chapter 34 Review

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CHAPTER 34MORE METERSAfter playing violin for the cellist GregorPiatagorsky, Einstein asked, Did I�play well?�Piatagorsky replied, You played relatively�well.�

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Beyond 4/4 TimeC u t T i m e , o r 2 / 2 T i m e

6/8 Time

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Odd Meters

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Moving On

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Chapter 35 Review

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Whew! You Made It.

The Review

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CHAPTER 35WHAT COMES NEXTToo many pieces finish too long afterthe end.Igor Stravinsky�

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So Much MoreT h e o r y A i n t E v e r y t h i n g�

Drop Me An E-mail

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