6 c late renaissance

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    Chapter 6

    The Renaissance

    Late RenaissanceMusic

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    Key Terms

    Declamation

    Word painting

    Mass

    Motet

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    Late Renaissance Style

    Rooted in High Renaissance style

    pioneered by Josquins generation

    Remarkably stable since Josquins day

    Most evident in sacred music Especially Mass and motet

    Universal, international style practiced by

    composers from across Europe: Palestrina, Lassus, Victoria & Byrd

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    Late Renaissance Style

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    Counter-Reformation

    Luther, Calvin, King Henry VIII and othersbroke away from the Catholic church in theearly 1500s

    The Counter-Reformation was the Catholicchurchs answer to the Reformation

    Starting in 1545, Council of Trent met toreform the worship and practices of the

    Catholic churchFor a time, the Council consideredbanning complex polyphonic music

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    Palestrina,Pope MarcellusMass (1562)

    From the Gloria

    Compared with Josquins Gloria:

    Palestrinas is more homophonic, easier to

    follow (response to Council of Trent?)

    As a result, declamation is much clearer

    Six parts and varied groupings sound richerthan Josquins four-part choir

    This full, sonorous, sensuous music is typicalof the late Renaissance

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    Josquin vs. Palestrina

    Josquin

    Qui tollis peccatamundi,

    MISERERE NOBIS.

    Qui tollis peccatamundi,

    SUSCIPEDEPRECATIONEMNOSTRAM.

    Qui sedes ad dexteramPatris,

    miserere nobis.

    Palestrina

    QUI TOLLIS PECCATAMUNDI,

    MISERERE NOBIS.

    QUI TOLLIS PECCATAMUNDI,

    Suscipe

    DEPRECATIONEMNOSTRAM.

    QUI SEDES AD DEXTERAMPATRIS,

    MISERERE NOBIS.

    (Capital letters indicatehomophony.)

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    Pope MarcellusMass, Gloria(1515)

    QUI TOLLIS PECCATAMUNDI,

    MISERERE NOBIS.

    QUI TOLLIS PECCATA

    MUNDI,Suscipe DEPRECATIONEM

    NOSTRAM.

    QUI SEDES AD DEXTERAMPATRIS,

    MISERERE NOBIS.

    You who take away the sinsof the world,

    Have mercy upon us

    You who take away the sins

    of the world,Hear our prayer.

    You who sit at the righthand of the Father,

    Have mercy upon us.

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    Pope MarcellusMass, Gloria

    QUONIAM TU SOLUSSANCTUS,

    TU SOLUS DOMINUS,

    TU SOLUS ALTISSIMUS,

    JESU CHRISTE,CUM SANCTO SPIRITU,

    in gloria Dei Patris.

    Amen.

    (Capital letters indicatephrases sung in

    homophony.)

    For you alone are holy,

    you alone are the Lord,

    You alone are the most

    high, Jesus Christ,With the Holy Spirit,

    in the glory of God theFather.

    Amen.

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    Renaissance Motet

    Relatively short composition using Latinwords

    Text usually sacred, sometimes taken

    directly from the BibleEssentially same style as Mass, alternatingbetween imitation and homophony

    Often more expressive than music of theMass, with effective declamation and eventext painting