6 c late renaissance
TRANSCRIPT
-
7/31/2019 6 c Late Renaissance
1/10
Chapter 6
The Renaissance
Late RenaissanceMusic
-
7/31/2019 6 c Late Renaissance
2/10
Key Terms
Declamation
Word painting
Mass
Motet
-
7/31/2019 6 c Late Renaissance
3/10
Late Renaissance Style
Rooted in High Renaissance style
pioneered by Josquins generation
Remarkably stable since Josquins day
Most evident in sacred music Especially Mass and motet
Universal, international style practiced by
composers from across Europe: Palestrina, Lassus, Victoria & Byrd
-
7/31/2019 6 c Late Renaissance
4/10
Late Renaissance Style
-
7/31/2019 6 c Late Renaissance
5/10
Counter-Reformation
Luther, Calvin, King Henry VIII and othersbroke away from the Catholic church in theearly 1500s
The Counter-Reformation was the Catholicchurchs answer to the Reformation
Starting in 1545, Council of Trent met toreform the worship and practices of the
Catholic churchFor a time, the Council consideredbanning complex polyphonic music
-
7/31/2019 6 c Late Renaissance
6/10
Palestrina,Pope MarcellusMass (1562)
From the Gloria
Compared with Josquins Gloria:
Palestrinas is more homophonic, easier to
follow (response to Council of Trent?)
As a result, declamation is much clearer
Six parts and varied groupings sound richerthan Josquins four-part choir
This full, sonorous, sensuous music is typicalof the late Renaissance
-
7/31/2019 6 c Late Renaissance
7/10
Josquin vs. Palestrina
Josquin
Qui tollis peccatamundi,
MISERERE NOBIS.
Qui tollis peccatamundi,
SUSCIPEDEPRECATIONEMNOSTRAM.
Qui sedes ad dexteramPatris,
miserere nobis.
Palestrina
QUI TOLLIS PECCATAMUNDI,
MISERERE NOBIS.
QUI TOLLIS PECCATAMUNDI,
Suscipe
DEPRECATIONEMNOSTRAM.
QUI SEDES AD DEXTERAMPATRIS,
MISERERE NOBIS.
(Capital letters indicatehomophony.)
-
7/31/2019 6 c Late Renaissance
8/10
Pope MarcellusMass, Gloria(1515)
QUI TOLLIS PECCATAMUNDI,
MISERERE NOBIS.
QUI TOLLIS PECCATA
MUNDI,Suscipe DEPRECATIONEM
NOSTRAM.
QUI SEDES AD DEXTERAMPATRIS,
MISERERE NOBIS.
You who take away the sinsof the world,
Have mercy upon us
You who take away the sins
of the world,Hear our prayer.
You who sit at the righthand of the Father,
Have mercy upon us.
-
7/31/2019 6 c Late Renaissance
9/10
Pope MarcellusMass, Gloria
QUONIAM TU SOLUSSANCTUS,
TU SOLUS DOMINUS,
TU SOLUS ALTISSIMUS,
JESU CHRISTE,CUM SANCTO SPIRITU,
in gloria Dei Patris.
Amen.
(Capital letters indicatephrases sung in
homophony.)
For you alone are holy,
you alone are the Lord,
You alone are the most
high, Jesus Christ,With the Holy Spirit,
in the glory of God theFather.
Amen.
-
7/31/2019 6 c Late Renaissance
10/10
Renaissance Motet
Relatively short composition using Latinwords
Text usually sacred, sometimes taken
directly from the BibleEssentially same style as Mass, alternatingbetween imitation and homophony
Often more expressive than music of theMass, with effective declamation and eventext painting