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INSINKERATOR DISPOSERS:MADE IN THE USA, ALWAYS READY TO SHIP
2010 InSinkErator, InSinkErator is a division of Emerson Electric Co. All rights eseserved.
*The mounting collar configuration is a trademark of Emerson Ellectric Co.
The last thing a builder wants to deal with during a
home construction or remodeling project are unnecessary
delays because of supply chain issues. Lost time equals
lost money and an unhappy customer. And avoidable
delays to kitchen projects are especially frustrating
because they are one of a builders more intricate
rooms to plan and finish.
InSinkErator, a division of St. Louis-based
Emerson Electric Co. (NYSE: EMR) and the
worlds largest manufacturer of food waste
disposers, makes millions of household
disposers every year at its production
facility in Racine, Wisconsin. As a result of its
well-established supply chain, InSinkErator
ensures its food waste disposers will be ready
to ship when you are ready to build.
Purchasing American-made disposers is not
only good for the country as a builder, the
advantages for procurement and operations
are clear. A food waste disposer can easily be
installed at the same time and on the same trip
as the rest of the plumbing, achieving greater
efficiency. This reduces one more opportunity for
delay at your sites.
InSinkErator offers a disposer to fit any lifestyle, from
the Badger series, offering proven performance at an
exceptional value, to the Evolution Series, which has
changed the food waste disposer category with its sound
and grind capabilities. Homeowners appreciate the recent
advances in disposer technology that make it possible to
discard virtually any kind of food scraps, from potato peels to
chicken bones, without concern about clogs or loud noises.
With a model designed to suit every homeowner need,
InSinkErator disposers are the worlds leading brand and
the choice of 9 out of 10 plumbing professionals. Should
the customer ever need service, you and your plumberknow exactly who to call to quickly resolve a service issue.
Almost every plumber has 24-hour access to InSinkErator
replacement disposers.
No matter which model you choose, InSinkErators
efficient, proven supply chain guarantees
that your construction project will never
be delayed while you are waiting for one of
our products.
To learn more about InSinkErator disposers
or find a local distributor, visit our website
at www.insinkerator.com. You can also
call 1-800-558-5712, ext. 4633, to speak
with a product specialist.
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2010 InSinkErator, InSinkErator is a division of Emerson Electric Co. All rights reservedd.
*The mounting collar configuration is a trademark of Emerson Electricc Co.
READY TO BUILD?WERE READY TO SHIP.
Dont hold up your project waiting for an imported disposer. As the worlds largest manufacturer of food waste disposers, we
have disposers available. Theyre made right here in the USA, using a well-established supply chain, so theyre ready when
you are. It also means we can offer a range of products from our Badger Series, which delivers proven performance and
value, to our Evolution Series, capable of grinding the toughest foods with barely a sound. Talk to your plumber or distributor
about the advantages of an InSinkErator disposer, or call 1-800-558-5712, Ext. 4633, to speak to a product specialist.
*
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Grow your business with peoplewho understand your business.
An alliance with Bank of Americawill make us your go-to source
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2010 Bank of America Corporation. ARG374E1
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November/December 2010 / Custom Home /On the cover: A live/work space in Seattle designed by Tyler Engle (see page 30). Photo by Benjamin Benschneider.
Volume 20, Number 6. CUSTOM HOME (ISSN: 1055-3479; USPS: 010-543) is published six times a year (Jan./Feb., March/April, May/June, July/Aug., Sept./Oct., Nov./Dec.) by Hanley Wood, LLC, One Thomas CirclN.W., Suite 600, Washington, DC 20005. Copyright 2010 by Hanley Wood, LLC. Reproduction in whole or in part prohibited without written authorization. CUSTOM HOME is sent free of charge to qualified readeinvolved in the custom home building and design industries. Publisher reserves the right to determine qualificat ion. Nonqualified annual subscription rates: U.S. and possessions and Canada, $36; all other countrie$192. Single-copy price: $10. For subscription information, write: Circulation, CUSTOM HOME, Hanley Wood, LLC, One Thomas Circle, N.W., Suite 600, Washington, DC 20005. Periodicalspostage paid at Washington, DC, and at additional mailing offices. Postmaster: Send address changes to CUSTOM HOME, P.O. Box 3494, Northbrook, IL 60065-9831. Printed in the USA.
Features
30 The Public/ Private House
Some homes arent just for living: Three residenceseffortlessly combine showcase public areas with intimateprivate spaces.
44 Home Study/Living History
Custom builder Tom Glass salvages a 200-year-oldside-hall Federal by deconstructing it, relocating it,and rebuilding it as a weekend home in rural Virginia.
Departments7 Editors Page
10 20 After 20
16 Custom Builder 2.0
22 K+B Studio/ Daily Show
24 K+B Studio/ Separate Peace26 K+B Studio/ Products
48 Whats New
54 Ad Index
56 Last Detail
ContentsNovember/December 2010
20thyear
This 6,000-square-foot former bakery houses multiplebusinesses as well as a living area, where sliding frosted-glasswalls separate the space from the atrium below.
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38
44
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www.customhomeonline.com November/December 2010 / Custom Home /
EDITORIAL DIRECTOR/S. Claire ConroyMANAGING EDITOR/Jennifer LashSENIOR EDITORS/Meghan Drueding, Bruce D. SniderASSISTANT EDITOR/Evelyn RoyerCONTRIBUTING EDITOR/Cheryl Weber, LEED APSENIOR WEB EDITOR/Kyle Gustafson
ASSOCIATE WEB EDITOR/Stephani L. Miller
ART DIRECTOR/Brian Walker
DIRECTOR OF PRODUCTION AND PRODUCTION
TECHNOLOGIES/Cathy UnderwoodPRODUCTION MANAGER/Johanna DaprozaINSIDE SALES AD TRAFFIC MANAGER/Annie ClarkPREPRESS MANAGER/Fred WeisskopfPREPRESS COORDINATOR/Betty Kerwin
CIRCULATION DIRECTOR/Chris LustanREADER SERVICE MANAGER/Ann RussellMARKETING MANAGER/Michelle RideoutSENIOR DIRECTOR, CREATIVE SERVICES/Kelly Griffith
EXECUTIVE DIRECTOR, RESIDENTIAL NEW
CONSTRUCTION GROUP/Warren NesbittPUBLISHER, RESIDENTIAL NEW CONSTRUCTION GROUP
/Jeff Calore,[email protected] PUBLISHING SUPPORT MANAGER
/Joanna Mott, [email protected] DIRECTOR E-MEDIA/Jeff Rule
HANLEY WOOD BUSINESS MEDIA
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Reproduction in whole or in part is prohibited without writtenauthorization. Opinions expressed are those of the authors orpersons quoted and not necessarily those of CUSTOM HOME.
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Canadian return address: Pitney Bowes Inc., PO Box 25542,London, ON N6C 6B2
For reprints, call 717.399.1900.For a media kit, contact Janet Allen, [email protected].
I was talking recently with one of our former custom builders of the year. His bus
ness is going strong despite the endlessly dismal economy. Its clear he knows
great deal about running a topflight construction companyone that continue
to win the scarce projects in play even when
its not the cheapest bid on the table. Hes also
the first stop for the best architects in town,
because they know hell build their most de-
manding designs carefully, properly, and ef-
ficiently. Most of his success stems from whathe does actively to stay at the top of his game
and from some things he doesnt do.
Despite the fact that hes one of the finest
craftspeople in town, he makes sure he isnt
overpriced compared with his top competi-
tion. He doesnt want to be the lowballer nor the gouger. So, he regularly shop
prices for subs work and materials. Another part of what makes him so good
he doesnt just build a beautiful home, he puts together the highest performing hous
he can. He isnt a green builder, per se, but he knows that unimpugnable energ
efficiency is a mark of excellence in construction. And, perhaps most importan
he is extremely sensitive to the project timeline. His high-end clients certainly wa
the job done well, but they also want instant gratification. No overruns in schedulor costor the ultimate cost is reputation.
To the same end, whenever a former client calls with a problem, this custom
builder answers promptly. Hes even got a handyman service to take care of thes
and other tasks his clients ask him to do. More often than not, if it isnt covered b
the warranty, hell go ahead and fix the problem for free anyway. His clients re
sponse is always surprise and delight, and thats great for word of mouth. Hes ther
for other minor projects his clients need done, as well, even though theyre not bi
moneymakers. The result is, hes there and at top of mind for them when they decid
to take on a larger addition, alteration, or an entirely new home. As we know, repe
business has kept many of the best builders afloat in these trying times.
Builders cant survive playing seek and hide from their clients anymore: sign th
job and then run as far away from the relationship as fast as possible. If they do, th
next job wont be theirs. Itll be his.
S. Claire [email protected]
The Next Job
Editors Page
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www.customhomeonline.com10 / Custom Home / November/December 2010
Our year-long, 20th anniversary series focuses on 20builders whove survived and thrived for 20 years or more
20 After 20 By Bruce D. Snider
Ask Mitch Handman how the economy has affected his company an
he wont sugarcoat it for you. Business is, I would say bad, say
Handman, president of Malvern, Pa.based R.C. Legnini. The residen
tial side is very, very slow. Our retail work has slowed to a crawl. Ou
office interior work has stopped. Ecclesiastical projects are providin
a flying buttress for his volume. Theres lots of church work and som
synagogue work, Handman reports, adding with a laugh: We kee
praying here. But even appeals to a higher power have their limits
Last year churches accounted for about $7 million of our business,
he says. This year, if wer
lucky, they will account for $
million. We laid off eight o
our guys in the last 14 months. But the market that taketh away also giveth to those able to spot an opportunityand Handma
sees one in rental properties. Ive been actively going after foreclosed buildings, he says. The same conditions that are hammering
residential constructionunemployment, tight credit, and a glut of foreclosed propertiesalso have created, in his view, the mothe
of all buyers markets. Handman has bought and renovated eight small multifamily properties, all of which are now fully occupied
While residential sales have slowed, Handman observes, rentals remain strong, at least where we are. The folks who go to wor
every daythey need a place to live. Handman has invested in real estate before, but when values skyrocketed years ago he
cashed in his chips, expecting never to get back in. Current prices, though, are too good to pass up. In our lifetimes, were not going
to see values like this again, he asserts. The only problem is youve got to have a fair amount of cash, and theres not an unlimited
supply of that. But Handman says builders who muster the wherewithal can kill two birds with on
stone, building their own portfolios while keeping their crews busy. People in our business know wha
a good property is; we know what a good location is. While builders everywhere recalibrate the
retirement plans, Handman actually may have improved his prospects of a graceful exit by directing
resources toward income producing investments. I never made any money in the stock market, he ob
serves. Over the years, Ive always made money by owning properties because its something I know.
R.C. Legnini
Malvern, Pa.
www.rclegnini.com
Type of business: Custom/
commercial builder
Years in business: 38
Employees: 12
2009 volume: $9.5 million
2009 starts: 193
Mitch Handman
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Cost more?No. Work better?Yes. End of story.
WE SAW THISSTORM COMING.AND ENGINEERED FOR IT YEARS AGO.
WE SAW THISSTORM COMING.AND ENGINEERED FOR IT YEARS AGO.
20 After 20
The doldrums that stalled the construction industry in the past three year
have forced many builders to rework their retirement plans, but Finley Perr
remains right on course. I sold the business to Allison [Iantosca, Perry
daughter], Bill Cosman, and Brad Gardner three years ago, says the Boston
area custom builder and remodeler. Since then, he adds, theyve been good
enough to employ me as a business development/sales guy. Smart move. I
his last turn at the tiller, Perry has helped his company maintain headwayand even growin the slowest residential constructio
market in a generation. Weve had to really look at the margins, Perry says. Every single [subcontract] is getting three bids
Finley Perry
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We can identify the trade partner that is most suitable to do the work, but we also push hard to get the
right number. Maintaining the bottom line has meant ramping up volume. After a decade of comfort-
ably averaging $5 million in annual work, Perry reports, the company has billed $8 to $12 million in
each of the past three years. Before the real estate crash, the company diversified into maintenance
and repair work, which now accounts for some $2 million in volume. Most crucially, Perry adds, Weve
had a big, two-year project that started for us in March 2009, which gave us the sense that we would
have cash flow to cover our overhead. The company owes its steady progress in large part to Perrys experience and standing i
the high-end Boston market (a stalwart of the local building community, Perry is a past president of his local HBA and served as
state representative to the NAHB). But he credits the new management team as well. Allison has run this great sales and market
ing effort, he says, and Cosmans interest in high-profile new-home projects opened a rich new market for a company that bui
its reputation on luxury remodels. The combination, Perry says, has created great opportunities for us. Not the least of whic
is for Perry to make himself scarce. Clients are already looking to his successors, he notes. And they dont need me from a busi
ness management point of view. The proof is in the companys largest current project, a major remodel of a high-profile home o
Bostons Commonwealth Avenue. Bill, Brad, and Allison have really done a marvelous job, Perry says. I go in there as a tourist.
F.H. Perry Builder
Hopkinton, Mass.
www.fhperry.com
Type of business: Custom
remodeler
Years in business: 21
Employees: 17
2009 volume: $8.3 millio
2009 starts: 70
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www.customhomeonline.com16 / Custom Home / November/December 2010
By DesignTwo San Francisco architects find successin the design/build model.
Custom Builder 2.0 By Meghan Drueding both of us, de Vito recalls. I was doinmore art stuff, and he was doing furnitur
and little projects.
Around 2000, though, Zack and d
Vito designed, developed, and built a du
plex that started them off on a series o
small, for-sale inflll projects. They rea
ized the competitive advantage that Zack
construction background gave them, an
began to formalize the build side of the
business. We decided were not going t
keep turning our backs on this, Zack say
In 2005, they started a general contractin
company, BuiltForm Construction, whic
has functioned separately from the desig
side, Zack / de Vito Architecture. Zack
a registered contractor, runs BuiltForm
while he and de Vito share leadership du
ties at the architecture flrm.
The pair has faced a constant cha
lenge, though, in the way they marke
themselves. It was always a dilemma,
Zack says. Wed be telling people th
advantages of having the design and buil
sides integrated, but then wed be presen
ing ourselves to them as two companies.
He and de Vito have decided to take step
to change the way the flrm is perceived
Theyre now starting to present themselve
as simply Zack / de Vito, an architectur
and construction flrm. We want people t
know theyre getting a seamless integration of services, he adds. The flrms ar
chitecture staff, which previously had bee
separate from the building staff, will act a
design/build project managers, handlin
design and also overseeing construction.
As the economy has worsened, th
flrm has been able to take on more design
build projects than in the past. In 200
or 07, out of 30 projects, we would onl
build three, four, or flve of them, Zac
says. Now as much as 40 percent of it
work is design/build. Some of those proj
Zack / de Vito, San Francisco, www.zackdevito.com / Type of business: Design/build / Years in business: 19 / Employees: 11 / Annual revenue: $1.9 mil-lion / Average number of projects per year: 1015 / Project type breakdownremodeling vs. new construction: 60 percent to 70 percent vs. 30 percentto 40 percent / Project type breakdownresidential vs. commercial (mostly restaurants): 50 percent vs. 50 percent
Jim Zack has tried not to be a builder. As a teenager he worked on construction
sites, learning carpentry and eventually going to architecture school at the Uni-
versity of California, Berkeley. My interest in architecture evolved out of my
background in construction, he says. In school, I was kind of a shop rat. After
graduating he practiced as a designer/builder, but eventually felt he wanted to
focus purely on architecture. Fate, however, had other plans. Whenever I turned around,
we found ourselves making things, he admits.
Zacks wife and partner, Lise de Vito, also has a hands-on background, with a degreein flne arts from the Rhode Island School of Design (along with an architecture degree).
The couple has practiced together since 1997, but for the flrst couple of years they spent
most of their time designing rather than building. They specialized in custom residential
projects in their home city of San Francisco. The making of things was a side thing for
Partners Jim Zack and Lise de Vitoalso husband and wiferun their owndesign/build firm in San Francisco.
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ultimately means less rework. So if youre looking for a durable, easy-to-install structural panel that also acts as a code
recognized1 water and air barrier that wont blow off or tear, ZIP System roof and wall sheathing has you covered.
ZIP Systemroof and wall sheathing is available wherever you buy AdvanTech flooring. For more productinformation and to learn how you can earn up to $900 in rebates 2, please visit zipsystem.com/ch.
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Its Uncompromising
Its Geberit
And that means Geberits
Concealed Tank and Carrier System
is uncompromising, distinctive and
sustainable.
Its Uncompromising. Safely hidden
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Its Distinctive. Multiply your design
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www.customhomeonline.com
ects are residential, such as a remodel and
addition currently under construction. The
flrm is designing and building a few restau-
rant projects, which have helped make up
for the recession-related drop in residential
work. Its also open to doing build-only
projects. Additionally, Zack / de Vito offers
supportive building services, in which
it creates specialized elements like cabi-
netry or staircases but leaves the overall
construction to an outside contractor. Ofcourse, the flrm still designs projects en-
tirely built by others, such as a new house
under construction in Napa, Calif.
Reasons for Zack and de Vito to keep
up the fiow of design/build projects abound.
Building provides them with another rev-
enue stream. They also believe building a
project themselves has the po-
tential to save time and money.
Theres a certain efflciency
to the process, says de Vito.
Our construction team has
worked with us for years. We
dont have to describe every-
thing in as much detail. Its
nice for both the client and the
architects to be able to con-
tinue the relationship theyve
already established during the
design process. And on occa-
sions when the flrm develops
its own design/build projects,
it provides an opportunity to
try out new products, building
systems, and materials.
At the couples own home
in San Francisco, for example,
they experimented with a pan-
elized wood building system.
Completed in 2009, the house
has won design honors in mul-
tiple awards programs, includ-
ing the C H Design
Awards. The panel system
turned out very well, de Vito
says. It was an amazingly
quick process. She and Zack
are planning to use a combina-
tion of wood and metal panelson another two-unit develop-
ment project that should be starting con-
struction soon. Its a hybrid panelization
that uses partial wood-frame panels, and
also aluminum-skin foam panels, like the
walls of a walk-in freezer, Zack explains.
He and de Vito have enjoyed develop-
ing small residential projects, and theyd
like to do slightly larger onesas soon as
the market improves. I would love to take
it to the next scale and do an eight- to 10-
unit building, Zack says. He and de Vitoalso hope that theyll be able to keep up
their current ratio of design/build commis-
sions once things get busier. In a sense
weve sort of been forced back into what
we started doing, de Vito says. Were
hoping that wont change. We enjoy the
process as a whole.
Zack and de Vito sometimes develop theirown projects, which gives them a chance
to experiment. The pair successfully used apanelized wood building system for theirpersonal residence in San Francisco.
How Does theGeberit System
Allow Unique D
The Geberit Concealed
and Carrier System allo
unique design by takin
toilet off the floor. The s
flexibility and adaptabil
free rein within individu
space. Once the syste
installed, the only visib
element is the stylish a
flush panel.
With millions of installa
throughout the world, t
Geberit Concealed Tan
and Carrier System en
unique design and utiliz
water-saving, dual-flus
technology.
For a free copy of
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www.geberit.us866/787-3924
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Napoleons Fireplace Design Studio allows you to
design, visualize and price the perfect fireplace for
your home. Available as an iPhone app or online.
napoleonfireplaces.com/FDS
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Certi-label cedar on your home never goes out of style.
Being environmentally
sound has never beenso fashionable.Fortunately, weve always been ahead
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www.customhomeonline.com22 / Custom Home / November/December 2010
K+B Studio
This eastern Long Island retreat, dubbed Northwest Peach Farm
for the orchard that surrounds it, was designed to enhance th
rituals of everyday life, says architect Paul Masi. And for thowners, a Manhattan couple who use the house on weekend
year-round, that includes a celebration of cooking and dining
Theyre into good food and wine, Masi says. He cooks, so the kitchen became a central hub. Masi and partner Harry Bates devote
a substantial amount of interior real estateand considerable ingenuityto a room that combines the arts of cooking and dinin
in a way that elevates both experiences.
More cook-in dining room than eat-in kitchen, this shared
space conceals equipment and food storage behind flush redcedar panels and in stacked cabinets that hide in plain sight.
Daily Show
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www.customhomeonline.com November/December 2010 / Custom Home / 2
Project: Northwest Peach
Farm, East Hampton, N.Y.;
Builders: Padden Builders,
East Hampton; Brian MannixBuilder, East Hampton;
Architect: Bates Masi +
Architects, Sag Harbor, N.Y.;Photographer: Michael
Moran. / Resources: Dish-
washer: Miele; Doors andwindows: Crittall Windows;
Garbage disposer: InSinkE
ator; Oven: Miele; Plumbingfixtures: Franke, Dornbracht;
Range: Wolf; Refrigerator:
Viking, Sub-Zero.
The preparation area revolves around the needs of the chef, Masi explains. He wants everyone to be
gathered around and having fun while hes cooking and being sort of serious about what hes doing. The
long island the chef shares with his audience serves as both an intimate stage set and a sophisticated work
environment. Its polished concrete counter was cast with integral tracks for a heavy mahogany cutting board,
Masi points out, so when he pulls something out of the oven he can put it down and slide it over to the sink.
Above the opposite counter is a stainless steel shelf that can be preloaded with ingredients for the task at
hand, then swept clear when the cooking is done.
But in this kitchen, the details that dont show are as important as those that do. Two large refrigeratorshide in a bank of red cedar cabinets. A backsplash of quartzite tiles lapped in a shingle pattern rises into a
skylight shaft, anked by vertical cabinets that read more like structure than storage. The reveal below the
island counter rim discreetly conceals a continuous power strip. It has all these amenities, Masi says, but
theyre all built in. For its owners, the result is a room that turns everyday events into something special.
Even though they come out here every weekend, it still feels like a vacation.Bruce D. Snider
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www.customhomeonline.com24 / Custom Home / November/December 2010
K+B Studio
A dressing area (near left) buffersthe master bedroom from the maste
bath (top). A multipurpose limestonecounter connects the daughter'sbedroom and bath (far left).
Northwest Peach Farms master bath
room also occupies a generous volume
and it, too, employs a simple motif to de
lineate functional areas without dividin
the space into separate chambers. A free
standing makeup counter helps den
the bathing area, its steel-framed mirro
echoing the windows used throughou
the house. A second counter, opposite th
rst, backs on a double shower framed i
a glass-and-steel assembly sourced from
the company that supplied the house
exterior windows and doors. Anothe
glazed steel door allows daylight into th
toilet compartment. Limestone counter
top the red cedar cabinets, while extra
small mosaic tiles lend a crisp rhythm t
oors warmed by hydronic radiant heat
ing. A ow-through dressing area sepa
rates the bath from the bedroom.
Each of the childrens bedrooms con
nects sleeping and bathing areas with
limestone surface that architect Paul Mas
conceived as a seamless element tha
sort of snakes through the room. Begin
ning as a counter at the head of the builtin bed, it jumps up to form a desktop tha
segues to a sink counter. In the sons suit
the counter ends at a walk-in shower; in
the daughters it turns a corner and drop
to form the tub deck. A sliding barn doo
provides privacy, with a horizontal slo
cut into the door neatly accommodatin
the counters prole.B.D.S.
Project: Northwest Peach Farm, East Hampton,
N.Y.; Builders: Padden Builders, East Hampton;
Brian Mannix Builder, East Hampton; Architect:
Bates Masi + Architects, Sag Harbor, N.Y.; Photographer: Michael Moran. / Resources: Doors and
windows: Crittall Windows; Plumbing fixtures:Ann Sacks, Boffi, Kohler, Neptune, Toto.
SeparatePeace
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27/60Registered trademark//TM Trademark of Whirlpool, U.S.A., KitchenAid, U.S.A. Jenn-Air, U.S.A. or Maytag Corporation or its related companies. 2010. All rights reserved. All other trademarks are owned by their respective
You have a vision. We help you realize it.
The Inside Advantage
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appliance brands. insideadvantage.com
ENERGY WATER INDOOR A
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www.ebuild.com / www.customhomeonline.co26 / Custom Home / November/December 2010
K+B Studio/Products
Sonoma Cast Stone molds its MetalCrete sinks from recycled concrete and plates them with copper, nickel, brass, bronze, or stee
resulting in a unit that's lighter than solid metal but without the ringing sound of hollow cast sinks, according to the manufacturer. Th
sinks are available in a variety of nishes, and the powder-coated steel or hardwood sink stands come with a natural or distressed nis
Sonoma Cast Stone. 877.939.9929. www.sonomastone.com.
ma Cast Stone molds its MetalCrete sinks from rec cled concrete and lates t
Tap Heavy
Seven color combinations of hand-cut glass
make up the Liberty Collection, which in-
cludes sustainable tile made from 75 percent
post-consumer recycled glass, says the com-
pany. The manufacturer fuses 24-karat gold
leaf behind random tiles for a metallic accent
to complement the irregular surface and stag-
gered joints. The tiles come in 10 3/8-inch and
12 1/5-inch modules and can be installed ver-
tically or horizontally. Trend. 866.508.7363.
www.trendingreen.com.
Final Cut
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composite materials
hand-crafted quality
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DuraLife Siesta Collection (formerlyCorrectDeck CX Premium Decking)by GAFis made with a uniqueco-extruded surface that fights theusual spoilers of wood and ordinarycomposite decking like wine, oils,leaves, ketchup, barbecue sauce,dirty paws, and muddy toes.
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Who says screws andconnectors dont mix
2010 Simpson Strong-Tie Company In
A new twist on fastening connectors. Introducing Strong-Drive(SD)
structural-connector screws. Our SD screws are specifically designed to perform
with some of our most popular connectors. Why screws instead of nails? In tight
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Simpson Strong-Tie is expanding its line of fasteners. For a complete list
of approved Simpson Strong-Tie connectors for use with SD screws, visit
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Everyhousemustwelc
omevisitorsfromtimetotim
e,
butsomemakeabusines
sofdoingitbeautifully.ByCherylWeber,LEEDAP
ThePublic
/PrivateHo
use
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November/December 2010 / Custom Home / 3
A large skylight makes the living
area feel like a courtyard, andclerestories brighten the mastersuite behind it. A shade inside
the skylight protects the ownersartwork from direct sun.
Living in a former
storefront isnt for
everyone. But it
works out just fine for the owners of this building on a Seattle street cor-
ner. Thanks to some creative spatial boundaries, they live and work happily
from homewithout worrying about the neighbors staring in. The wife, apersonal assistant, and the husband, a real estate and software developer
whose clients often come to the office, had been living and working there
full time in awkwardly divided space. They asked Seattle architect Tyler
Engle for a gracious new design that also would showcase their art collec-
tion.At 1,543 square feet, this house is fairly small. Fitting multiple pro-
grams into the compact interior easily could have made it feel crowded,
but the floor plan flexes for both openness and privacy. Inside the plate
glass window on the left is a foyer/lobby with built-in seating; on the right
Living in a
storefront i
everyone.
works out just fine for the owners of this building on a Seattle str
Street Smart
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www.customhomeonline.co32 / Custom Home / November/December 2010
The Public/Private House Street Smart
is the wifes office. Directly behind that is what Engle calls the shipping containeran ipe-clad core housing a powder
room on the left and a kitchen in the center. Thin steel blinders bookend the kitchens parallel counters, partially hiding
it from pass-throughs on either side, and pocket doors close off the core from the street view. The wood rectangle could
have been moved forward or backward in the space, but we placed it in the sweet spot so it provides a buffer between the
courtyard and the street, Engle says.The courtyard Engle refers to is an airy living and dining room at the houses cen-
ter, where a 12-foot-9-inch-by-9-foot skylight, and the ipe wall, make it feel like its outside. Interior clerestories let light
through to the master suite, entered through a pivoting door behind the living room. Four steps up beyond the bedroom
is a second bath adjoining the husbands office, and an outside entrance.The husband, who uses a wheelchair, goes to
work by going outside, up the sidewalk, and into the rear door. He wanted to commute, and thats his commute, Engle
says. The concrete floors have a smooth terrazzo finish thats easy to maneuver on, and the hydronically heated surface
makes the wheels warm to the touch.
The gut-renovation of the 100-year-
old building, once a drug store and
soda fountain, immediately hit a snag.
Excavation of the flimsy, 2-inch-thick slab reveale
unstable soil, which meant digging down and refil
ing with gravel. But in a building this old, there
always a surprise lurking behind the walls. Whe
you have a crisp architectural design, you can
get away with crookednessthat was the bigges
challenge, says builder Stan Christensen. We re
framed the old side walls to get insulation in, an
did a lot of furring and straightening to get thing
level and plumb. Exterior improvements include
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www.customhomeonline.com November/December 2010 / Custom Home / 3
replacing the Victorian paint job with a charcoal-gray color that
respects the buildings form. I love this space because, with
constraints, great things can happen, Engle says. It has as
many uses as some houses we do that are 8,000 square feet.
Dummy caption
Project Credits: Builder: Christensen Construction, Seattle; Architect andinterior designer: Tyler Engle Architects PS, Seattle; Structural engineer:Swenson Say Fagt, Seattle; Living space: 1,543 square feet; Site: 0.35acre; Construction cost: $229 per square foot; Photographer: BenjaminBenschneider. / Resources: Bath tile: Dal Tile; Bathroom light fixture:FontanaArte; Blackened Steel: Company K; Cabinets: Pacific Rim Cabinets,Boojum Woodworks; Countertops: Dogpaw Design; Floor: Durashine; InteriorPaneling: Christensen Construction; Kitchen backsplash tile: Pental; Plumb-ing fixtures: Kohler.
The husbands office has a rear entrance; the wifes office
occupies the storefront (opposite, top). An ipe core housesa powder room and kitchen, where blackened hot-rolledsteel blinders have a supple wax finish. Two pocket doorson the street side of the ipe container allow for two-zoneheating and divide the public and private realms.
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www.customhomeonline.com November/December 2010 / Custom Home / 3
The Public/Private Ho
The hospitality suite at Paul Hobbs Winery is everything the surrounding production buildings are not: crisp, refined, and detaile
to a T. Owner and international winery consultant Paul Hobbs stays here comfortably when hes in town, but the long, linear build
ing also is a corporate meeting center and a stylish setting for wine-tasting events, often with food pairings by celebrity chefs
Dubbed Lindsay House, it was phase two of a master plan for the 19-acre property, whose working buildings have barnlike
shapes and pitched metal roofs. The form of the winery buildings is based on their function, says architect Howard J. Backen
of Backen, Gillam & Kroeger Architects, Sausalito, Calif. The Lindsay House became a foil, a very simple wall. The house
segmented walls express the floor plan. To the left of a formal foyer is the most public realma cozy, art-filled room for intimate
wine tastings. To the right, two vestibules lead into a larger living/dining area. This room, where Hobbs hangs out, also can b
arranged for corporate events. On opposite walls are a 750-bottle wine refrigerator for displaying sample releases, and a long
slotted fireplace. Full-height pivoting doors flanking the wine fridge lead to a professional-grade kitchen. An office and Hobbs
bedroom and bath are located behind the kitchen. The full-height doors continue when you enter the private area, Backe
explains. You dont end up coming to a different aesthetic. Builder Jim Murphy and Associates (JMA) rose to the challenge
The linear building houses the dedicated public realm
to the left, and the public/private spaces to the right.Custom ingredients were used to create a dark plasterexterior; the large quantity of traditional pigments
required kept the plaster from binding.
Wine, Dine, Live, Work
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www.customhomeonline.co36 / Custom Home / November/December 2010
The Public/Private House Wine, Dine, Live, Work
of Hobbs exacting expectations. While the wood-frame buildings construction wa
straightforward, its strong axial symmetry, where every line ties back to something
else, meant mapping out the smallest details before construction began. Cleanou
plugs in the honed-concrete kitchen floor, for example, had to be centered on th
control joints. We knew a control joint would come off the pocket door and cros
the kitchen, says project manager Michael Quesenbury. The cleanout was perfectly placed 10 months before we put the casin
on the door. Features and finishes were chosen to engage the senses. Floors are white cement mixed with bronze lapis sand
To bring out its color and texture, the concrete was lightly honed with a rotary machine, and, once cured, a handheld machin
fitted with finer and finer grinding pads. The dramatic gas fireplaces created another construction puzzle. Their openings are so
large that a concealed air curtain was necessary to prevent them from pulling conditioned air out of the room. A make-up sup
This page: Fire features are highlights
in the wine-tasting room and a largerroom used for private living and corpo-rate events. The kitchen cabinets con-
sist of red fabric placed between layersof resin. Opposite: A large wine fridge
separates the living room and kitchen.
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www.customhomeonline.com November/December 2010 / Custom Home / 3
Project Credits: Builder: Jim Murphy and Associates, Santa Rosa, Calif.; Architect: Backen, Gillam & Kroeger Architects, Sausalito and St. Helena, Calif.; Engineer:
Summit Engineering, Santa Rosa, Calif.; Landscape architect: Andrea Cochran Landscape Architecture, Berkeley, Calif.; Fire features: Colombo Construction Corp.,
Brooklyn, N.Y.; Project size: 3,840 square feet; Site: 19.2 acres; Construction cost: Withheld; Photographer:Tim Maloney. / Resources: Countertops: ReddingMetal Crafters, Silestone; Dishwasher: Miele, Hobart; Entry and patio doors: Arcadia; Exterior siding: Fleetwood; Garbage disposer: Insinkerator; Hardware:
Hafele, Valli&Valli, FSB, d line; HVAC: Carrier; Insulation: Owens Corning; Interior doors: Healdsburg Door & Sash; Interior walls: TBC Artisanal Plasters; Kitchen
and bath fixtures/fittings: Dornbracht; Kitchen cabinets: Lasertron; Motorized shades: Lutron, Phifer; Oven: Wolf; Paints/stains: Benjamin Moore; Pizza ovenMugnani; Refrigerator and freezer: Sub-Zero; Windows: Fleetwood.
ply fan located on the roof distributes air through chases concealed in the walls and discharges the combustion air out of grilles
hidden in the fireplace surrounds. An exhaust fan in the fireplace flue draws the hot air and carbon dioxide out of the firebox.
Even flawlessly planned projects encounter conflicts, though. The day before the hot tar roof was to be installed, Hobbs decided
the acrid smell would spoil the scheduled grape crush, so JMA tarped the building until the crush was over. We respected his
wishes, Quesenbury says. When we understood the level of perfection he was requiring of us, he became easier to work for.
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www.customhomeonline.com38 / Custom Home / November/December 2010
To some, simplifying means downsizing. But for San Francisco designer/builder Loring Sagan, it means
combining his professional and personal lives into one cavernous building. He runs his varied business
venturesan architecture firm, a real estate redevelopment company, and a pottery studioout of a
6,000-square-foot former bakery. Its an industrial space lined with desks and lit by a large skylight,
but built into the soaring atrium is a pied--terre
whose kitchen/dining area doubles as an office
conference room. My wife and I dont live in the apartment full time, bu
I take a nap here almost every day, Sagan says. After 20 years of build
ing resort homes in Tahoe City, Calif., Sagan had begun searching for wor
space in San Franciscos Hayes Valley neighborhood, a once-seedy distric
on its way to becoming the cultural corridor it is today. The grungy building
120 feet long by 27 feet wide, started life as a bakery in the 1920s and late
served as a photography studio. But when Sagan purchased it eight year
ago, it was part of a funky alleyway with a porn club next door. It was
Alley Adaptation
The Public/Private House
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www.customhomeonline.com40 / Custom Home / November/December 2010
Project Credits: Builders: Loring Sagan, San Francisco; Paul Woo Construction, San Francisco; Designer: SaganPiechota Architecture, San Francisco; Landscape designer: Sagan Piechota Architecture; Living space: 6,000square feet (apartment: 600 square feet); Site: 0.07 acre; Cost: $250 per square foot; Photographer: SharonRisedorph. / Resources: Dishwasher: Fisher & Paykel; Entry door: Stuart Wright and Tom Allen; Garage doors:Schweiss; Kitchen and bath fixtures and fittings: Hansgrohe; Solar energy system: SunPower Corp.
The Public/Private House Alley Adaptation
an oversize walnut door open
to a bedroom/living room an
bath. Crossing the bridg
through the atrium is a meta
phorical departure from work,Sagan says. Sliding frosted
glass walls close off the livin
area from the atrium below
If were there alone at nigh
we open them up and borrow
space from the atrium, h
says. When theyre closed
everything is quiet. Th
once-derelict real estate nowattracts vibrant commercia
tenants, too. The ground-level i
leased to Blue Bottle Coffee,
nationally known coffee roast
er, and Fatted Calf, an artisana
charcuterie. And the wood an
metal workshop Sagan set u
to build out the finishes ha
since been turned into his pottery studio. Not only is th
building a model for combin
ing public and private space,
also demonstrates how public
private partnerships can trans
form the public realm. Saga
just finished landscaping a 200
foot section of the alleywa
with gardens and benches, using a $98,500 grant from the city. It builds on the neighborhoorenaissance begun 10 years ago, when an earthquake-damaged freeway was torn down. Th
end of my alley is a park, Sagan says. You wouldnt recognize the neighborhood now.
The kitchen/conference roomopens to an outdoor terrace,as does the studio across the
atrium. Ground-level garagedoors lift up, creating invit-ing sidewalk space for the
Blue Bottle Coffee kiosk.The new ipe and glass faadeupdates the streetscape.
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www.customhomeonline.com44 / Custom Home / November/December 2010
Some people specialize
in preserving the rare
and valuable, such as
endangered animals,
antique books, or important
paintings. Washington, D.C.,
custom builder Tom Glass
focuses on saving an equally
diminishing and beloved com-
modity: old houses. Growing
up in southeastern Ohio, he fell
in love with the areas declin-
ing 19th-century housing stock,
and that passion never left him.
Hes devoted his 30-year-old business, Glass Construction, to renovating and restoring Wash-
ingtons rich trove of historic residences.
Several years ago Glass purchased a property in Virginias pastoral Rappahannock County,
with the thought of one day nding an old house he could move there to use as his weekendresidence. The seed of the idea came from taking horseback rides in the mountains and high
meadows out there, he says. Youll see a lot of old barns and farmhouses that have been aban-
doned. There are getting to be fewer and fewer of them, because theyre falling down.
Finally, he came across a dilapidated, 1797 side-hall Federal in Appomattox County, Va., a
two-hour drive from his Flint Hill, Va., site. Moving it would prove a complicated process. The
home hadnt been lived in since the 1930s, and it was too large and too far away to be transported
whole. If we hadnt taken it then, in another year or two it would have collapsed, Glass says.
Living
HistoryA custom builder
rescues a pieceof Virginiaspatinaed past.
By Meghan Drueding
Home Study
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www.customhomeonline.com46 / Custom Home / November/December 2010
Home Study Living History
The houses previous owner connected him
with Richard Williams, an Aldie, Va.based
restoration craftsman.
Despite the houses fragile state, an im-
pressive portion of its original structure re-
mained intact. Mortise-and-tenon construc-
tion, a typical 18th-century technique, held
together its hand-carved timber-frame, as
well as its doors, window frames, casings,
and stair railings. The wood, of course, all
came from old-growth forests. The resin
in the wood was a preservative, so termitesdidnt eat it, Glass says. This wood sat
out in the rain for 200 years and didnt rot.
He, Williams, and a couple of others dis-
mantled the house, using small sledgeham-
mers to drive out the wooden pegs keeping
it together. They numbered every item and
formulated detailed drawings for the build-
ings reassembly. The process took two
weeks, at the end of which all the pieces
were trucked to Williams workshop.
Williams and Glass went over each
item carefully, evaluating whether it
needed to be repaired or discarded. They
remilled replacements for pieces beyond
salvaging, leaving them out in the summer
sun to weather. In the meantime, Glass dug
a foundation on his land. When he was
ready, he and his three-man crew rebuilt
the frame, essentially reversing the routinetheyd used to disassemble it.
Rebuilding the roof and siding came
next. Glass guessed the original roof con-
sisted of cedar shingles, so he had new ones
made. Using reproduction nails from a fa-
vorite supplier, Tremont Nail Co., he and
his crew attached the shingles to poplar
skip sheathing. Glass also
had beaded cedar boards
milled to match the old,
unsalvageable siding. Just
as when the home was rst
built, theyre nailed right
onto the framethis time with house wra
in between for greater energy efciency.
Two of the original buildings mos
distinctive featuresits imposing chim
neysused such strong mortar that to tr
to take them apart would have broken thbricks. So Glass opted to let them stand i
Appomattox County and re-create them i
Flint Hill. Wood forms gave the new brick
the old-fashioned texture he wanted.
Glass started out wanting to do a com
prehensive restoration, but a visit to Dray
ton Hall, a historic house in Charleston
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www.customhomeonline.com November/December 2010 / Custom Home / 4
S.C., changed his mind. At Drayton Hall,
you could see the beauty of 200 years of
weathering, he says. I realized it would
be such a shame to lose this patina. He
developed a hybrid approach inside the
house, reproducing missing or damagedwood pieces and choosing to simply paint
the new items, instead of faux-nishing
them to make them look old. In contrast,
he cleaned the remaining original wood-
work, stabilized it with a clear, waterborne
urethane, then applied a coat of clear poly-
urethane. All of its nicks and imperfections
are still visible, and it works with the fresh-
ly painted areas to form a visual record of
all the years the house has stood.
Architect Dwight Matthews did design
drawings and helped with the permitting
process while Glass ordered the materi-als and nishes, and designed the homes
cabinetry and other new detailing himself
A new house, he believes, would have cos
about the same amount of money. But i
wouldnt have had the same character
Theres something about it that feels or
ganic because of the slight imperfections,he says. They make it more human.
Project Credits: Builder: Glass Construction, Washington, D.C.; Restoration architect: Dwight MatthewsArchitect, Flint Hill, Va.; Restoration carpenter: Richard Williams, Aldie, Va.; Living space: 3,400 squarefeet; Site: 117 acres; Construction cost: $257 per square foot; Photography: Powers and Crewe Photog-raphy. / Resources: Bathroom fittings: Sigma; Bathroom fixtures: Toto USA; Brick: Cushwa; Cooktop:Viking; Dishwasher: Bosch; Hardware: Baldwin; Flooring (tile): Ann Sacks, Waterworks; Heat pumps:Trane; Lighting controls: Lightolier, Lutron; Nails: Tremont Nail Co.; Oven: Viking; Refrigerator: Sub-Zero;Washer/dryer: Maytag.
Glass (pictured opposite, left) added spray-foam insulation to keepthe interior temperatures constant. Track lighting brightens the spaces
while leaving the old ceiling beams intact. The restored rooms highceilings, gracious proportions, generous natural light, and solid recon-struction all contribute to a sense of well-being inside the house.
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www.ebuild.com / www.customhomeonline.co48 / Custom Home / November/December 2010
Whats New
Shimmering cork encased in 100 percentrecycled glass, custom-made Lavawood
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Remote-controlled and out of sight, the Dream Machine lift slides
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bly and can hold televisions weighing up to 120 pounds. Auton.
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DigitalDreams
The Manhattan direct vent fireplace burns gas on an embe
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Napoleon. 705.721.1212. www.napoleonreplaces.com.
Fire Wall
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Ristr today for our fr NAHB- and AIA-approvd cours on
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www.customhomeonline.com50 / Custom Home / November/December 2010
Publication Title: Custom HomePublication Number: 010-543Filing Date: 9/30/10Issue of Frequency: BimonthlyJanuary/February, March/April, May/June, July/August, September/October, November/DecemberNumber of Issues Published Annually: 6Annual Subscription Price: Free To Qualified; Non-Qualified $36/year
Complete Mailing Address of Known Office of Publication (Not Printer): Hanley Wood, LLC, One Thomas Circle NW , Suite 600, Washington, DC 20005Complete Mailing Address of Headquarters or General Business Office of Publisher (Not Printer): Hanley Wood, LLC, One Thomas Circle NW, Suite 600, Washington, DC 20005Full Names and Complete Mailing Addresses of Publisher, Editor, and Managing Editor: Publisher: Warren NesbittHanley Wood, LLC, One Thomas Circle NW, Suite 600, Washington, DC20005; Editor: S. Claire ConroyHanley Wood, LLC, One Thomas Circle NW, Suite 600, Washington, DC 20005; Managing Editor: Jennifer LashHanley Wood, LLC, One Thomas CircleNW, Suite 600, Washington, DC 20005.
Owner - Full name: FSC Holdings, LLC; J.P. Morgan Partners (BHCA), L.P.; J.P. Morgan Partners Global Investors, L.P.; J.P. Morgan Partners Global Investors (Cayman), L.P.; J.P Morgan Part-ners Global Investors (Cayman) II, L.P.; J.P. Morgan Partners Global Investors (Selldown), L.P.; JPMP Global Fund/Hanley, L.P.; JPMP Global Fund/Hanley A, L.P.; JPMP Global Fund/Hanley/Selldown, L.P.; USEP II HW Acquisition, LLC; Apollo Investment Corp.; HW Co-Investors, LLC; Co-Investment Partners, L.P.; Michael Wood; Frank Anton; Peter Goldstone; Galen Poss.; OneThomas Circle NW, Suite 600, Washington, DC 20005
Known Bondholders, Mortgagees, and Other Security Holders Owning or Holding 1 Percent or More of Total Amount of Bonds, Mortgages, or Other Securities: None
Publication Title: Custom Home Average Number Copies Each Issue Number Copies of Single IssueIssue Date for Circulation Data Below: SEPTEMBER/OCTOBER 2010 During Preceding 12 Months Published Nearest to Filing Date
Extent and Nature of Circulationa. Total Number of Copies (Net press run) 27,998 26,729b. Legitimate Paid and/or Requested Distribution
(1) Outside County Paid/Requested Mail subscriptions stated on PS Form 3541. 26,314 25,481(2) In-County Paid/Requested Mail Subscriptions stated on PS Form 3541. 0 0(3) Sales Through Dealers and Carriers, Street Vendors, Counter Sales, and Other Paid or Requested Distribution Outside USPS 46 45(4) Requested Copies Distributed by Other Mail Classes Through the USPS 0 0
c. Total Paid and/or Requested Circulation [Sum of b 1, 2, 3 & 4] 26,360 25,526
d. Nonrequested Distribution(1) Outside Country Nonrequested Copies Stated on PS From 3541 419 484(2) In-Country Nonrequested Copies Stated on PS From 3541 0 0(3) Nonrequested Copies Distributed Through the USPS by Other Classes of Mail 0 0(4) Nonrequested Copies Distributed Outside the Mail 387 14
e. Total Nonrequested Distribution (Sum of d 1, 2, 3, & 4) 806 498f. Total Distribution (Sum of c and e) 27,165 26,024g. Copies not Distributed 832 705h. Total (Sum of f and g) 27,998 26,729i. Percent Paid and/or Requested Circulation 97.03% 98.09%
Publication of Statement of Ownership for a Requester Publication is required and will be printed in the November/December 2010 issue of this publication.I certify that all information furnished on this form is true and complete. Signature and title of Editor, Publisher, Business Manager, or OwnerWarren P. Nesbitt, Group Publisher, 9/30/10
Custom HomeStatement of Ownership
Bring Biltmore home.
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S P E C I A L A D V E R T I S I N G S E C T I O N
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54 / Custom Home / November/December 2010
Advertising SalesOffices
Advertising IndexGo to http://chome.hotims.com for more product information
Advertiser Page(s)Warren Nesbitt, Executive Director,
Residential New Construction Group/202.736.3328/[email protected]
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CanadaD. John Magner, York Media Services
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Classified AdvertisingJanet Allen, Executive Director,Account Management Group
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For subscription inquiries and back issue orders,call 888.269.8410.
For reprints, call 717.399.1900.For a media kit, contact Janet Allen,
Published by Hanley Wood, LLC
Ainsworth Engineered 12-13
Atlantic Premium Shutters by The Tapco Group 27
Bank of America 2
Biltmore For Your Home 50
Cedar Shake and Shingle Bureau 21
Cedar Shingles Direct / Michigan PreStain 5
Craftsmen in Wood 43
CUSTOM HOME2011 Design Awards 42
Directions Virtual Conference 2010* 55
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SoftPlan 5
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Western Red Cedar Lumber Association 51
Whirlpool / KitchenAid 25
*Issue appears in regional editions.
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Put some new energy into your business. The fre
micro-CHP system is the future of home energy. It he
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www.customhomeonline.com56 / Custom Home / November/December 2010
Last Detail
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a s,, loves, a th r ou o r co trr me s. arc ite t ames Este e ign a nifty s be h and ndwi hed i
twe n a air d om osets. e att bu lt of vertical-grain r st ir tread supp rt by t , ut r ed w d
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s e i htini ,, ppaainted beadb a , r touc s n t ral , and a rfrfe tlyy pl ed wi dow l t h
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Ideal as a cost-competitive altern
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Whether youre looking at the
pavilion, or out from it, you
should believe the structure has
grown out of the woods that
surround it.
To echo the look of the trees,
we cut standing dead timbers
from the site and used them
for our posts and beams. Then
we added asymmetrical divided
lights near the ceiling to emulate
leaves and smaller branches.
Now, the dancers can feel as if
they were moving through the
forest itself.
JOE PATRICK ROBBINS
Architect
The Steinberg Pavilion at thePerry-Mansfield School of Dance
Steamboat Springs, Colorado