32 years of glasgow school of art exhibitions 1988 - present day · 2020. 3. 31. · 32 years of...

32 years of Glasgow School of Art Exhibitions 1988 - present day

1988 1. ‘Glasgow Girls: Women at the Art School 1880-1920’, 15 July – 31 Aug 1988, Mackintosh Museum.

Curated by Jude Burkhauser. ‘...an exhibition showcasing the work of The Glasgow Girls held in The Mackintosh Museum at The Glasgow School of Art. The exhibition ran from the 15th of July to the 31st of August 1988 and was the precursor for a larger Glasgow Girls exhibition that would be shown two years later [at Kelvingrove Museum]. This particular exhibition was curated by Jude Burkhauser who went on to write a full PhD on The Glasgow Girls.’ GSA Archives catalogue entry GSAA/EPH/10/43.

1989 1. Soviet Season: Academic Tradition, 28 Oct-2 Dec 1989. Newbery Gallery. External curator: Galina

Kargopolova. ‘Work from three leading Soviet Art Schools.’

1990 1. Hannah Frew Paterson Embroidery Retrospective 1963-1990, 12 April – 5 May, Newbery gallery. GSA

Archives: catalogue, poster. This show marked her retirement from GSA.

2. ‘V: Five Years of Photography in Fine Art at GSA 1985-1990’, 10-24 March 1990, Mackintosh Museum and Newbery Gallery. GSA Archives: poster and press release.

3. ‘Artwork from IBM’s UK locations’, 4 May – 2 June 1990, Mackintosh Museum. An exhibition curated

by Clare Henry (includes Gilbert & George)

4. A series of Glasgow 1990 events. ‘Passing Out’, 24 Aug-15 Sept – an exhibition of UK silversmith & Jewellery depts. GSA Archives: catalogue.

5. ‘View from the inside’, exhibition of art from Scottish Prisons, 6 Oct – 3 Nov, Newbery Gallery

6. ‘Contemporary Visions’, exhibition of architects responding to Mackintosh architecture, 9-31 Aug

1990. GSA Archives: poster / catalogue.

7. ‘Mackintosh in context’, 7 July – 8 Aug 1990, Studio 31

8. ‘Cassina I Maestri’, contemporary furniture exhibition, 7 July – 18 Aug 1990

9. ‘Ten Years, GSA Sculpture Graduates’, 4 Aug – 1 Sept 1990, Newbery Gallery

10. ‘Saying it with Clay’, 6-7 Oct 1990, Mackintosh Musem. ‘... An exhibition held in The Mackintosh Museum at The Glasgow School of Art that showcased the work of graduating ceramics students from across Britain. The exhibition ran on the 6th and 7th of October 1990 and was funded by Potterycraft Ltd and The Glasgow District Council's Festival Budget for The Glasgow 1990 Culture Capital of Europe.’ GSA Archives catalogue entry GSAA/EPH/10/41.

11. ‘Exchanging Influences’, Shona Barr, Lorraine Cotterell, Fiona Robertson, Lorraine Turley, 12 – 26 Nov

1990, Newbery Gallery.

12. ‘Artists in Schools’, an exhibition of collaborative works, photographs and texts. The result of projects initiated by Student Artists in Residence in Strathclyde Nursery, Primary and Special Schools, March – April 1990, Newbery gallery

13. ‘Haldane Connections’, 11 Aug – 9 Sept 1990, Haldane Building GSA Archives: poster.

14. ‘MA1’, First Year MA Fine art student work terms 1 & 2, 12-28 April 1990

15. ‘Good, a celebration of Graphic Design’, 1-15 Dec 1990, Mackintosh Museum

16. ‘Work in Progress’, Glasgow School of Art Printmaking Dept, 13 Jan – 3 Feb 1990


1991 1. ‘20th Century Arts from Czechoslovakia’, 18 Oct – 24 Nov 1991

2. ‘YARD’, 26 April – 26 July 1991, off-site project in ‘a new building on Broomielaw’ staff exhibition

3. ‘Finnish wooden churches’, 3-31 Aug 1991

4. ‘Albanian Painting and Caricature exhibition (no further information)

5. ‘Hand Signals’, a thematic exhibition by students and staff of the Dept of Silversmith & Jewellery, GSA

Gallery 1 (Mackintosh Museum), 6-18 April 1991

6. ‘Open Leaves’, Akira Kurosaki, 2-23 Nov 1991 7. ‘Drawing from life’, Joe MacAvoy, Embroidered & Woven Textiles, 13-27 April 1991, Mackintosh

Museum

8. ‘Wire Toys from Zimbabwe’, 4-26 Oct 1991

9. ‘Portrait of GSA, its governors and staff’, photography by Andy Stark, 30 Nov – 14 Dec 1991, Newbery Gallery

1992 1. ‘8 ½ years: a Retrospective of Printed & Knitted Textiles’, Mackintosh Museum

2. ‘Work in Progress’, the Department of Environmental Art, 6-18 April 1992

3. ‘Fireworks’, BABA (British Artist Blacksmiths Association), 25 April – 18 May 1992, Newbery Gallery 1993 1. ‘Sojourn, Eleven Years’, Thomas Joshua Cooper. GSA Archives: postcards.

2. ‘Look’, an art exhibition by young people with little or no sight, 6-27 Feb 1993. GSA Archives: flyer

3. ‘Small and Special’, exhibition as part of Design Renaissance Congress’ programme, Sept 1993,

including design by graduates Savage + Booth, and Timorous Beasties

4. ‘Jonnie + Cathy Wilkes’, Newbery Gallery, GSA Archives: Interview 1 & Interview 2, which are collaborative works

5. ‘In a Still Climate’, Victoria Morton, Tom O’Sullivan, Jonnie Wilkes, 18 – 22 May 1993, Newbery Gallery

6. ‘Evidence of Justice No.2’, John Baturin, 29 April – 10 May 1993 1994 1. ‘Dave Cohen’, ceramicist, 10 Jan – 15 Feb 1994, Mackintosh Museum

2. ‘Work of GSA Ceramics staff and visiting artists’, 10-21 Jan 1994, Newbery Gallery

3. ‘Meubles d’en France’, an exhibition of chairs, 15 Oct – 12 Nov 1994, Mackintosh Museum 1995 1. ‘Miao Chinese Costumes’, 11-26 May 1995, Mackintosh Gallery. Tour initiated by Surrey Institute GSA

Archives: photographs.


2. ‘Producing the goods’, Pam Hogg, Chuck Mitchell, Tom Scott, John McNeece, Frank McFadgen, Joe Hall, Ian McIlroy, Janice Kirkpatrick, Alex Leckie, Hannah Frew Paterson, Sandie Anderson, John Macfarlane, Mackintosh Museum

3. ‘The Continuing Tradition: GSA 1920-1995, 75 Years of painting at GSA’, selected by Sandy Moffat,

Mackintosh Building. Part of GSA’s 150th

anniversary year. GSA Archives: list of artists, catalogue.

1996 1. ‘Gillespie, Kidd and Koia’, 26 Jan – 17 Feb 1996, Mackintosh Museum

2. ‘David Donaldson 80’, 1-30 Aug 1996, studios, Mackintosh Building

3. ‘Fra Newbery’, 2-30 Aug 1996, Mackintosh Museum. Curated by George Rawson.

4. ‘Karl Hofer’, exchange exhibition 7-24 Nov 1996, Mackintosh Museum. Seven Berlin artists show at GSA. The exchange is 7 Scottish artists show in Berlin – Margaret Barron, John Beagles, William McCall, Kate Daw (?), Julie Low, Angus Miller & Shauna McMullan

1997

The following exhibitions relate to a programme based on India. 1. ‘God and Mammon’, 28 July – 13 Sept 1997, Mackintosh Museum. India’s textiles from the collection

of Ritu Kumar

2. ‘Contemporary Indian Painting’, Sunil Gaude, 28 July – 30 Aug 1997, Mackintosh Museum

3. ‘Peter Bevan: Sculpture 1989-1997, between visits to India’

4. ‘India 1993-1996’, Sandra Petrillo

5. ‘Sutra, the thread that binds’, 28 July – 13 Sept 1997

1998 1. ‘Designers Republic’, 5-18 Feb 1998, Mackintosh Gallery.

2. ‘Like a Shadow’, 3 Sept-2 Oct 1998, Mackintosh Museum. This exhibition linked to ‘The social context

of Death, Dying and Disposal’, 4th International Conference proceedings. Catalogue and info available. “‘Like a Shadow’ is an exhibition of installation, video and 2d images exploring themes of death and dying” Media Release. Exhibition info: John Bellany, Alan Clark, Ken Currie, Robert del Tredici, Julie Roberts, Andre Serrano, Edward Stewart & Stephanie Smith, Richard Wright, Bill Viola.

3. ‘Bliss: Douglas Percy Bliss’, 25 July – 28 Aug 1998, Mackintosh Museum. Bliss was Director of GSA

1946-1964. Catalogue and list of works available.

4. ‘Pillar to Post’, Fraser Taylor and David Band 24 July – 2 August 1998, Mackintosh Museum. ‘This exemplary exhibition by former graduates of GSA explores crossovers between Design and Fine Art practice’, Media Release. GSA Archives: list of works, admin, posters, photographs and Fraser Taylor catalogue.

5. Chuck Mitchell, 9-29 Oct 1998, Mackintosh Gallery. Solo show by lecturer in Printed Textiles.

6. Colin St John Wilson. Touring exhibition of architect of New British Library’s work.

7. ‘Brussels, contemporary art from Brussels’, 31 Oct – 21 Nov 1998, Mackintosh Gallery. ‘An exchange

of artists and ideas between Brussels and Glasgow’, media release. This was part of a wider programme, also at CCA, GSA, Intermedia, Botanic Gardens.


8. ‘Sense Scotland’ award, Helen Keller Award, 4 Nov 1998, Mack building corridors.

9. Mark Harrington, 9-29 April 1998, Mackintosh Gallery. Solo show by rector of Nordland Kunst OG

Filmskole.

1999 1. ‘Made in Scotland’, 14 Jan – 12 Feb 1999, Mackintosh Gallery. Contribution to Glasgow’s Year of

Architecture and Design, demonstrating contribution of designers to quality of everyday life. Includes photographs of students hanging work and a speaker.

2. ‘Brave New Worlds’, 1-13 March 1999, Mackintosh Gallery. Scottish and Hungarian furniture from 1930-50. Academic exchange between GSA and National Board for Protection of Historic Monuments Budapest.

3. Flexible Furniture, 27 April – 21 May 1999, Atrium Gallery. Craft Council exhibition.

4. Jessie King, 26 July – 3 Sept 1999, Mackintosh Gallery. Exhibition curated by David Devereux,

Stewartry Museum, Kirkcudbright. Part of an anniversary programme of events for her 50th anniversary. Includes list of works.

5. ‘House for Art Lovers: a 20th century ideal’, curated by Prof Andy MacMillan, designer Drew Plunkett.

The 1900 competition entries and their legacy – Mackintosh, Baillie Scott, Hoffman, le Corbusier and Alto.

6. ‘Looking for the perfect house’, 21 July – 11 Sept 1999. 36 models of houses form Paris, London,

Copenhagen and Helsinki.

7. Ettore Sottsass and Associates, 21 July – 24 Sept 1999. Includes slides and associated admin.

8. ‘Scott Kilgour: Interspace’, slides of install and photograph of model he made for planning exhibition in Mackintosh Museum. He was a painter at GSA in 1980s.

9. ‘Technocraft’, Susan Cohn, 3 Dec 1999 – 3 Jan 2000. Artist and Jeweller. 2000 1. ‘Propositions: Thinking through drawing’, Barry Atherton, Pete Bevan, Jock McInnes, Robert Wyatt, in

collaboration with Ray Mackenzie, 17 Jan – 4 Feb 2000, curated by Mark Baines and Gerry Barnett (?).

2. Young Forum 2000: Finland’s New Designers’, 17 April – 13 May 2000. From Design Forum Finland.

3. James D Robertson, 22 July – 1 Sept 2000. Retrospective.

4. ‘Charles Heath Wilson (1809-1882) Missionary for Art’

5. Plano XX1: Contemporary Art from Portugal, 15 Sept – 14 Oct 2000. Citywide. Exhibiting: Museum of Modern Strategy, Rafael Sa-Pereira, Didier Fiuza Faustino. Cd of images.

2001

1. Ral Veroni, 16 Jan – 10 Feb 2001, Mackintosh Library. Artist books by Argentinian artist.

2. ‘CADE 2001 DIGITAL CREATIVITY - CROSSING THE BORDER’, Conference: 9 - 12 April 2001, Exhibition:

9 April - 4 May 2001, Mackintosh Gallery. ‘A conference and exhibition to discuss and highlight the

role of Computers in Art and Design Education. The CADE Conference is one of the world's principal


forums for digital creativity in art and design education. CADE 2001 will celebrate the interdisciplinary

and international character of digital media by challenging the boundaries that divide and exclude.’

3. ‘Interim MFA Show’ 15 May – 1 June, 2001, Mackintosh Gallery. ‘The annual exhibition from the

Master of Fine Art Course. The MFA course at Glasgow School of Art has already established a

significant international reputation. This annual interim exhibition by post-graduate students in Fine

Art provides an opportunity for both the collegiate community within the School, as well as the wider

public, to see a small sample of the diversity and quality of work produced by students on the first

year of the course.’

The following nos. 4-7 exhibitions relate to a programme ‘Japan 2001’.

4. ‘Hidden Landscapes’, Satoshi Watanabe, 14 July – 25 Aug 2001. Watanabe was first Japanese student

on MFA course in 1992.

5. ‘Shingu at the GSA’, 15 Sept – 27 Oct 2001, Mackintosh Gallery. ‘Shingu is a world-class artist whose supporters and collaborators have included Issey Miyake, Hermes, Renzo Piano and Tadao Ando. His work combines the use of natural forces such as wind and water, evoking ideas about the natural environment, expressed through the materials of advanced technology. For the first time in the UK, Shingu, through the exhibition and a series of events and workshops, will introduce new ideas about the impact of art on environmental issues. (Part of the Japan 2001 Festival)’

6. ‘Contemporary Haiku’, Aya Iguchi & Komachi Goto

7. ‘Lines of Continuity: Manga’, 26 Oct – 30 Nov 2001. Gordon Hush and David Sweeney co-curated,

assistance from Susannah Thompson. ‘An exhibition celebrating comic book medium, with emphasis on Japanese Manga and American super hero genres.

8. ‘Art Booms with the Guns: The War Years at the GSA’, 7 Aug – 15 Sept 2001. ‘An exhibition looking at life in Glasgow School of Art during the war years. Along with archival documents, photographs, artefacts and films, artwork produced by graduates and staff of the period will be on display. Despite conditions of great austerity and dramatically reduced student and staff numbers the period attracted a student body of exceptional creativity which included Joan Eardley, Bet Low, Cordelia Oliver, Tom Gardner, Dan Ferguson and Margot Sandeman. The exhibition will display works by these and other graduates as well as exploring themes such as firewatching rotas, the use of the Mackintosh Building, social life and collaborative projects with other cultural institutions in Glasgow.’ Two box files, list of works, catalogue. GSA Archives: includes letter written by Willison Taylor to show organisers, on Herman Josef, including an account of why Josef left Warsaw. Also letter by Bet Low who wishes to lend artwork to the exhibition and an Ian Hamilton Finlay letter.

9. Nobel Grossant Painting Prize, 6-23 Feb 2001

10. ‘Eckhart Muthiesius in India (1930-39)’, 6 March – 6 April 2001, Mackintosh Gallery. This touring photographic exhibition 'Muthesius in India' looked at the 1930s architecture and interior design of Eckart Muthesius, commissioned by the Maharajah of Indore. The creation of a new palace at Manik Bagh invited the most progressive and avant-garde European architects, artists and designers (including Brancusi, Le Corbusier, Marcel Breuer, Eileen Gray and Charlotte Perriand) and showcased the potential and the possibilities of International Modernism, combined with Hindu and Mogul - Indian building traditions. In association with the Goethe Institut, Glasgow.

11. Phillips Decorative Arts Exhibition and Sale, 1-9 Nov 2001, Mackintosh Gallery. A preview of

decorative arts to be sold at auction on 10 November, including examples of design by Charles Rennie Mackintosh, CFA Voysey and Jessie M King.


12. ‘Saving Faces: Portraits by Mark Gilbert’, 23 Nov 2001 – 25 Jan 2002, Mackintosh Gallery. An exhibition of paintings by Mark Gilbert from his residency at the Royal London Hospital during which Gilbert painted portraits of patients before, during and after facial reconstruction by the surgeon Iain Hutchison, in association with the 'Saving Faces' project. www.savingfaces.co.uk Touring exhibiton by Djangoley.

13. ‘The Elements of Drawing’, Timothy Emlyn Jones, 15 Dec 2000- 26 Jan 2001, Mackintosh Gallery

2002 1. ‘Alive: Life Drawings from The RCA & Yakult Outreach Programme’, 8 April – 3 May 2002, Mackintosh

Gallery. Part of a collaboration with GSA involving GOALS (Greater Opportunities for Access and Learning in Schools)’.

2. ‘Interim MFA Show’, 18-30 May 2002, Mackintosh Gallery.

3. Ken Currie, 28 Sept – 16 Nov 2002, Mackintosh Gallery. Recent work curated by Sandy Moffat, Head of Painting Dept.

4. ‘Works from the Saatchi Gift’, 25 Feb – 23 March 2002, Mackintosh Gallery.

5. ‘Terra Nova: Post degree show’, 12 July – 14 Sept 2002, Mackintosh Gallery.

6. ‘Speak English’, Lubaina Himid and Maud Sulter, 12-31 Oct 2002, Newbery Gallery. Poster with essay

by Deborah Cherry.

7. ‘Bonhams sale’, 10-21 Nov 2002.

8. ‘Design from 1860’, 24-28 Nov 2002, Mackintosh Gallery.

9. AKA present 4 x 4, 2-20 Dec 2002, Mackintosh Gallery. Will Holt and Mark Melvin are AKA.

10. ‘F Apothecary’, 23 Sept – 11 Oct (Jeanne Tan, PhD, textiles)

2003 1. ‘Jerwood Drawing Prize’, 15 Jan – 22 Feb, Mackintosh Gallery. Annual open exhibition of drawing in

UK, selected and organised by Jerwood Foundation. GSA touring venue.

2. ‘Lucienne Day: Silk Mosaics and Early Textiles’, 7 April – 10 May 2003, Mackintosh Gallery. Poster, invite. ‘This exhibition marks the start of a season highlighting 20th Century design at GSA.

3. Master of Fine At Interim Show, 19-30 May 2003, Mackintosh Gallery.

4. ‘Robert Stewart: Design 1946-1995’, 24 July – 1 Nov 2003, Mackintosh Gallery. Retrospective. ‘Robert Stewart was one of the design pioneers of the 20

th Century. A new exhibition at GSA celebrates his

genius as a designer, his commitment as an educationalist and links with GSA itself, making him a key figure in GSA’s own heritage.’

5. ‘Green Margarine’, 8 Aug – 19 Sept, 2003, Studio 42. ‘A contemporary response to Whistler by

Lapland’.

6. Bonhams Sale, 10-21 Nov 2003, Mackintosh Gallery.

7. 4 x 4, 1-26 Dec 2003, Mackintosh Gallery.

2004

http://www.savingfaces.co.uk/


1. Jerwood Drawing Prize 2003-4, 14 Jan – 21 Feb 2004, Mackintosh Gallery.

2. ‘Women at the Gödönö Artists Colony’, 4-27 March 2004, Mackintosh Gallery. Curator Dr Katalin Keserü. ‘The exhibition is part of ‘Magyar Magic – Hungary in Focus 2004’, a yearlong celebration of Hungarian Art and talent in the UK. An exhibition of painting, graphics, textiles and furniture produced in Gödönö Arts & Crafts Colony at the turn of the 20

th Century.

3. Museums (Work in Process), CJ Lim & and Studio 8 Architects, 12 April – 7 May 2004, Mackintosh Gallery.

4. ‘A Wee Bit of Portugal’, 19-30 April 2004, Ground Floor Corridor, Mackintosh Building.

5. Interim MFA Show, 15 – 28 May 2004, Mackintosh & Newbery Galleries.

6. ‘Terra Nova II’, 8 July – 10 Sept. David Galloway, Neil Clements, Gemma Parsons, Olivia Gürtler, Trine Kristensen, Thomas Bangsted, Alistair Frost, Lucy Stein, Andrew Margolies Mezvinsky, Jonathan Muir Wilson. Selection Kathy Chambers, Ruth Hedges, Gráinne Rice, in association with The List magazine.

7. ‘A post degree show selection of GSA Fine Art undergraduate degree shows.’

8. ‘Tea Ceremony: Japanese Ceramics’, 30 Aug – 10 Sept 2004, Mackintosh Gallery. Toshihide Saiki, Yoji Kato, Takashi Watanabe. Selected by Mo Shankland of Made Objects Studio.

9. ‘Kathleen Mann: Embroiderer, Artist, Teacher and Author’, 13 Sept – 29 Oct 2004, Studio 42. Curated by Kathy Chambers, with essay by Liz Arthur.

10. ‘Artists also working in the medium of education and management’, Staff Show 2004, 1-29 Oct 2004,

Mackintosh Gallery. David Bellingham, Sue Brind, Justin Carter, Stuart Mackenzie, Christina McBride, Susanne Nørregård Nielsen. Selected by Klaus Jung.

11. ‘Design 1860 to present day’, Bonhams Auction, 15-20 Nov 2004, Mackintosh Gallery.

12. ‘Unrealised Dreams’, Beagles and Ramsay, 4 Dec 2004 – 14 Jan 2005, Mackintosh Gallery. A new exhibition from internationally recognised artistic partnership John Beagles and Graham Ramsay. Poster / Essay Dave Beech. http://www.beaglesramsay.co.uk/unrealiseable/unrealisedmackintosh.html

2005 1. ‘Maker Wearer Viewer: Contemporary Narrative Jewellery’, 5 Mar – 12 April 2005, Mackintosh

Gallery. Initiated by Jack Cunningham, GSA Silversmithing and Jewellery. ‘An exhibition featuring all new work by 70 jewellers from 20 countries. The exhibition has been curated by Jack Cunningham, Lecturer in the Department of Silversmithing & Jewellery at The Glasgow School of Art. Jack Cunningham is a practice based studio jeweller whose particular interest is narrative jewellery’. https://www.flickr.com/photos/glasgowschoolart/sets/72157627114971287/

2. Glasgow International 2005, ‘Campbell’s Soup’, 18 April – 7 May 2005, Mackintosh Gallery. ‘Campbell’s Soup will take stock of Steven Campbell’s crucial contribution to contemporary art. Curated by Neil Mulholland, this exhibition will feature works by precursors Alasdair Gray, John Byrne, Ron Kitaj, Jack Knox and Alexander Moffat, paintings by Campbell contemporaries Mark Kostabi, and Alexander Guy as well as idiosyncratic works by younger artists such as Rabiya Choudhry, Larry Elliot, Keith Farquhar, Michael Fullerton, Ronnie Heeps, Iain Hetherington, The Lonely Piper, Rory MacBeth, Lucy McKenzie, Ellen Munro, Lee O'Connor, Alex Pollard, Harry Pye, Jo Robertson and Lucy Stein. Campbell's Soup is a unique opportunity to experience a breadth of works spanning several generations of Scottish art.’

http://www.beaglesramsay.co.uk/unrealiseable/unrealisedmackintosh.html

https://www.flickr.com/photos/glasgowschoolart/sets/72157627114971287/


3. Interim MFA show, 17-27 May 2005, Mackintosh & Newbery Galleries. ‘The annual exhibition from first year students of the internationally acclaimed postgraduate Master of Fine art course at The Glasgow School of Art. Graduates from the course continue to have a significant presence in the contemporary art scene in the UK and beyond, and notable alumni include Roddy Buchanan, Simon Starling, Ross Sinclair, Claire Barclay, Joanne Tatham and Tom O'Sullivan.’

4. ‘BUD/GLA’, 12 July – 5 Aug 2005, Studio 39 & 40, Mackintosh Building. Curated by Alexandra J Spaulding. ‘Budapest – GSA MFA Exchange, part 2 of a post-graduate exchange from Hungarian Academy of Fine Arts and GSA and will show the work of thirteen MFA students from Glasgow and seven students from Budapest.’

5. ‘Sensacional! Mexican Street Graphics’, 6 Aug – 16 Sept 2005, Mackintosh Gallery. ‘Sensacional! Mexican Street Graphics is the exhibitionary antidote to ever encroaching bland corporate international marketing. The murals, flyers, paintings and posters in this exhibition capture the exuberance of the urban experience of Mexico and its vibrant and experimental visual culture.’

6. ‘Castle Toward’, 2-15 Sept 2005, Newbery Gallery. ‘Work by Glasgow Schools pupils from this year's

two week summer school at Castle Toward, Dunoon’.

7. ‘Dreaming Beyond the Medieval’, Ronnie Heeps, 8-18 Oct 2005, Corridor Gallery, Mackintosh Building. ‘This series of paintings is ultimately destined for a permanent home at Mount Orgueil Castle, Jersey. Essay by John Calcutt.

8. ‘Out in the Open’, Staff Show 2005, 8 Oct – 4 Nov 2005, Mackintosh Gallery. ‘An exhibition of work by The Glasgow School of Art staff which sets out to celebrate the artistic richness of The School of Fine Art by presenting a cross-section of the work produced by staff. The exhibition features work by Alan Currall, Jim Hamlyn, Shauna McMullan, Carol Rhodes, John Calcutt and Francis McKee.’

9. ‘Textile Treasures at the GSA’, 15-19 Nov 2005, Mackintosh Gallery. An exhibition and launch event to

celebrate publication ‘Textile Treasures at the GSA’, by Liz Arthur.

10. ‘Wanderlust’, 11 – 25 Nov 2005, Newbery and Assembly Galleries. ‘An exhibition of student work produced as part of the Fine Art Photography Dept. Glasgow-Leipzig exchange.’

11. ‘Leipzig Lens’, 11 Nov – 22 Dec 2005, Podium Gallery. In association with the Goethe Institute, an exhibition of contemporary photography and video at the Academy of Visual Art Leipzig (HGB) featuring works by Jurgen Bergbauer, Johanna Diehl, Peter Frey, Ulrich Gebert, Sven Johne, Steffen Junghans, Stefanie Kiwitt, Wiebke Loeper, Clemens von Wedemayer, Rebecca Wilton and Cold Hearts, a photographic edition by graduates and students of Timm Rautert. Curated by Susanne Altman.

12. ‘Abraham Games’, 25 Nov 2005 – 13 Jan 2006, Mackintosh Gallery. ‘A retrospective exhibition from the Design Museum in London. Abram Games produced some of the most memorable graphic images of the mid-20th century including advertising for Shell, wartime campaigns such as Careless Talk and the iconic Britannia for the Festival of Britain in 1951.’

2006 1. Jerwood Drawing Prize 2006, 23 Jan – 18 Feb 2006, Mackintosh Gallery. ‘Now in its tenth year, the

Jerwood Drawing Prize is the country's leading award in the sector and is the largest annual open drawing exhibition in the UK. Selected for 2005 by Stephen Farthing RA, Artist & Rootstein Hopkins Chair of Drawing, University of the Arts, London; Martin Kemp Writer, Curator and Professor of the History of Art, Oxford University; and Sarah Simblet Artist & Author. The exhibition, chosen from over 2,400 entries, includes established artists as well as relative newcomers and those fresh from Art School.’


2. Glasgow International 2006: ‘William Kentridge: Tidetable’, 19 April – 13 May 2006, Mackintosh Museum. ‘For Gi 2006, GSA will present recent work of William Kentridge. Partnership with the Model Arts and Niland Gallery, Sligo; a shared production initiative’. ‘Kentridge is a South African artist whose work tracks a personal route across the fraught legacy of apartheid and colonialism, through an innovative use of charcoal drawings, prints, collages, animation, and film. The exhibition will include 7 Fragments for Georges Melies (2003), a series of short films inspired by the early work of Bruce Nauman and the films of artist Georges Melies, and Tide Table (2003) which reintroduces the character Soho Eckstein. This is Kentridge's first solo show in Britain since 2000.’

3. Interim MFA Show, 20-26 May 2006, Mackintosh & Newbery Galleries

4. ‘Cordelia Oliver: Edinburgh Festival drawings 1949 – 1960’, 1 July – 30 Sept 2006, West Ground Floor Corridor, Mackintosh Building. ‘Dating from 1949, a collection of drawings from the earliest days of the Edinburgh International Festival up to 1960. These portraits highlight the international artists who performed in the first decade of the festival.’

5. ‘Terra Nova III’, 1 – 22 July, Studio 40, Mackintosh Building. ‘In association with the Map Magazine, Terra Nova III provides an excellent opportunity to revisit some of the best Degree Show work from the School of Fine Art by this year's graduating students.’

6. ‘Charles Rennie Mackintosh: speculation on an Architectural Language’, 18 Aug – 30 Sept 2006, Mackintosh Museum. Curated by Drew Plunkett and Robert Mantho. ‘Part of the Mackintosh Festival of 2006, this exhibition traces the evolution of Mackintosh's architectural language through his architectural drawings, including many rarely exhibited drawings made for competitions and un-built projects. The exhibition documents the conventional drawings of his student years and the following refinement of his architectural language within the more intimate scale of early proposals for houses and tearooms and under the financial constraints placed on him by the board of governors of The Glasgow School of Art.’ Supported by Keppie Design.

7. ‘Jane Topping & Billy Teasdale’, Emergent Artists Programme, 19 Aug – 15 Sept 2006, Mackintosh Building. The first exhibition of new work in the new Emergent Artists programme at The Glasgow School of Art.

8. ‘Annual Fine Art Staff Show 2006’, 5 – 27 Oct 2006, Mackintosh Gallery. An exhibition of work by Christine Borland, Thomas Joshua Cooper and Peter McCaughey which sets out to celebrate the artistic richness of the School of Fine Art by presenting a cross-section of the work produced by staff.’

9. Doug Cocker, 8 Nov – 1 Dec 2006, Mackintosh Gallery.

2007 1. ‘Erich Mendelsohn: Dynamics and Function: Realised Visions of a Cosmopolitan Architect’, 15 Dec

2006 – 9 Feb 2007, Mackintosh Gallery. ‘With his very first buildings in the 1920s, the Einstein Tower in Potsdam, the hat factory in Luckenwalde and the Mosse Building in Berlin, German architect Mendelsohn catapulted himself to the forefront of the avant-garde. His subsequently commissions included department stores, commercial buildings, factories, private houses. His buildings were erected in Germany, the Soviet Union, Norway, England, Palestine and the USA. Curated by Dr Regina Stephan (the Technical University of Darmstadt), the exhibition presents Mendelsohn's extensive oeuvre in several distinct fields of activity.’

2. ‘Dining in Style’, 1 – 31 March 2007, Ground Floor Corridor, Mackintosh Building. ‘An exhibition to accompany A& C Black's publication of Dining in Style by Carol Paterson and Annie Ferguson. Curated by the authors, the exhibition includes examples of glassware, cutlery, crockery and textiles that illustrate trends in 20th century dining in the West. It provides a fascinating and unique angle on social history, combined with a slice of 'retro' nostalgia.’


3. ‘Fleeting Arcadias: Thirty Years of British Landscape Photography from the Arts Council Collection’, 10 Mar – 14 April 2007, Mackintosh Gallery. National Touring Exhibitions, organised by Hayward Gallery, for Arts Council England. ‘The landscape as a source of lyricism, spiritual comfort, and nostalgia has always loomed large in British consciousness, but by the 1970s a number of photographers began to take pictures that questioned this ideal. Selected by artist and writer John Stathatos. Including Fay Godwin, John Blakemore, Roger Palmer, Ray Moore, Martin Parr, Susan Trangmar and Chris Wainwright.’

4. Interim MFA Show, 12-25 May 2007, Mackintosh & Newbery Galleries.

5. ‘Terra Nova IV’, 30 June – 1 Sept 2007, including Pio Abad, Jenny Baynes, Masako Ueda, Rosemary Ruane, Sam Kenyon, Nafeesa Umar, Salome Oggenfuss.

6. ‘Emergent Artists 2007: Iain Hetherington / Lynn Hynd’, 17 Aug – 15 Sept 2007, Studio 40, Mackintosh Building. The second exhibition of new work in the emergent artists programme at The Glasgow School of Art.

7. ‘Castle Toward’, 8-14 Sept 2007, Newbery Gallery. ‘Work by Glasgow pupils from this year's two week summer school at Castle Toward, Dunoon’.

8. ‘Staff Show 2007: Borders, Crossings and Settlements’, 5 Oct – 3 Nov 2007, Mackintosh Museum. Borders, Crossings and Settlements is the fourth annual staff exhibition and this year showcases the work of the technicians working in the School of Fine Art. As well as assisting and guiding our students in the development of their studies, these artists are making work and developing their own practice through research, residencies and exhibitions.’ Stephen Jackson, Iain Macfadyen, Aoife McGarrogle, Helge Mruck, Kevin Pollock, Sandy Smith, Harald Turek, Hugh Watt.

9. Jerwood 2007, 27 Nov 2007 – 12 Jan 2008, Mackintosh Museum. ‘The Jerwood Drawing Prize is the country’s leading award in drawing, and is the largest and longest running annual open exhibition dedicated to drawing in the UK. The exhibition has been selected from over 2,600 submissions by Paul Bonaventura, Senior Research Fellow in Fine Art Studies, Ruskin School of Drawing & Fine Art, Oxford University; Avis Newman, Artist; and Catherine de Zegher, Art Historian and Curator.’

10. ‘The Weirding and the Uncanny’, 1-14 Dec 2007, Newbery Gallery. ‘The Weirding and the Uncanny is a Host production. Host is a collective based in Edinburgh and Glasgow, established to facilitate exhibitions for independent artists' groups and individuals. Curated by MFA student, Levi Hanes, the exhibition incorporates a range of international artists using digital video, photography, painting, drawing, and sculpture to explore notions of utopia and dystopia, mystery and the uncanny.’

11. ‘The Past in the Present: History as Practice in Art and Design’, 27 – 29 Oct 2007, conference organised by Dr Sarah Smith.

12. ‘Mondrian’s Flowerbed’, Susanne Nørregård Nielsen, 26 Oct – 17 Nov 2007, West Corridor Gallery, Mackintosh Building. ‘Photographs document the flowerbed that Nielson planted at St Andrews’ Royal Botanic Garden in 2004. This was a mixture of the flowers that Piet Mondrian drew and painted throughout his life, but particularly in the early stages of his career. Nielson worked with botanists to source the exact species that Mondrian studied.’

2008 1. ‘Grandes et Petits Machines’, Craig Mullholland, 8 Feb – 22 March 2008, Mackintosh Gallery.

Programme across GFT and Sorcha Dallas Gallery also. ‘Solo exhibition comprising of painting, sculpture, video and sound works. This featured a 5 channel video and audio installation entitled 'Rising Resistance'. This exhibition event was held simultaneously with Grandes Et Petites Machines at The Mackintosh Museum, The Glasgow School Of Art.’ https://www.craigmulholland.com/2004-2009 http://www.sorchadallas.com/exhibitions/944/press-release http://radar.gsa.ac.uk/2291/

https://www.craigmulholland.com/2004-2009

http://www.sorchadallas.com/exhibitions/944/press-release

http://radar.gsa.ac.uk/2291/


2. Glasgow International 2008: ‘New Work From Beijing’, 11 April – 10 May 2008, Mackintosh Gallery, curated by Colin Chinnery and Pi Li.

3. ‘… Wretched Stars, Insatiable Heaven…, Steven Campbell, New Work 2006-7’, 16 Aug – 11 Oct 2008, Mackintosh Gallery. ‘… features a selection of paintings and drawings chosen from a body of new works Steven Campbell produced on invitation to exhibit at GSA. The new works wre completed in the 12 months before Campbell’s untimely death in Aug 2007.’ Curator Kathy Chambers. Campbell’s prints were also concurrently shown at Glasgow Print Studio.

4. Emergent Artists 2008 ‘LATEO on Atlantes’, 15 Aug – 13 Sept 2008, Studio 42, Mackintosh Building. Christy Cole and Manu Kurewa.

5. Emi Tanaka, 15 Sept – 10 Oct 2008, Ground Floor West Corridor, Mackintosh Building. ‘Exhibition of photographs and woodcuts, showcasing yearlong residency in GSA’s Printmaking Studios.’

6. Art Trek – A Retrospective’, 6 Oct – 24 Oct 2008, Newbery Gallery. ‘The Art Trek artists met through Project Ability’s Workshop programme and formed an artist-led group in 1996. The artists are John Cocozza, Edward Henry, Tommy Mason, Cameron Morgan and Steven Reilly. Co-ordinated by Valerie O’Regan.’

7. ‘Israeli Digital Archive’, 18 Nov – 12 Dec 2008, Newbery Gallery. An exhibition of ‘The Mobile Archive’, curated by Galit Eilat, founding Director of Israeli Center for Digital Art.

8. ‘The Two Alasdairs: Alasdair Gray and Alasdair Taylor’, 21 Nov 2008 – 10 Jan 2009, Mackintosh Gallery. Curator Grainne Rice. An exhibition of work by Alasdair Gray (1934-) and his friend Alasdair Taylor (1934 – 2007).

2009 1. ‘Awaken: New Textiles inspired by Archives & Collections at GSA’, 24 Jan – 28 Feb 2009, Mackintosh

Museum. Curator Jimmy Stephen-Cran. ‘To celebrate the recent opening of GSA’s new Archives & Collections Centre, 15 design academics, researchers and technical staff from the schools acclaimed Dept of Textiles have been invited to unlock and explore the conceptual and creative possibilities of re-interpretation and appropriation’. Including Beca Lipscombe, Helena Britt, Leigh Bagley, Alan Shaw and Vicky Begg.

2. ‘How to manage when everything is a priority’, Grace & Clark Fyfe Gallery, 16-30 Jan 2009. Curated by Ufuk Gueray and Erica Mendritzki.

3. ‘Our Objects: Contemporary Ceramics in Context’, 7 Mar – 10 April 2009, Mackintosh Gallery. Curated by Katy West. Xavier Toubes, Richard Slee, Alison Britton, James Rigler, Hans Stofer, Dawn Youll. https://katywest.co.uk/our-objects/ ‘This exhibition represents a broad range of concerns, styles and making schools. Episodic in its approach, the exhibits are linked by a material, ceramic, and a simultaneous regard and defiance for that material’s traditions. Works may be categorised – functional, decorative, figurative or abstract – but these categories in turn can over lap and contradict themselves. Ceramic is after all a versatile material that manifests in varying forms of varying qualities. When a definition of the genre is so elusive it may be better to consider the particularities of a range of specific, personal and at times, idiosyncratic objects. Nine contemporary ceramicists work has been paired with industrial and historic ceramic objects to highlight similarities and illustrate discrepancies that exist between new work and recognisable generic types. These ‘foils’ aim to ground each piece and offer ways into the varying schools of thought. My approach is consciously personal but is nevertheless intended to illuminate aspects of the medium’s history and tradition. The selected pieces do not illustrate absolute relationships and indeed could be cross-referenced with each other. Furthermore these ‘foils’ are affordable, accessible and relatively commonplace. They serve to flatten the hierarchy of objects often dictated by monetary value, rarity and prestige and, by showing the works alongside each other, demand a more democratic critique based on form and content.’

https://katywest.co.uk/our-objects/


4. 2nd

Year Painting and Printmaking exhibition, 2 April – 1 May 2009, Newbery Gallery.

5. ‘The Art of Japanese Tarot’, 18 April – 9 May, 2009. Curated by Ronnie Heeps with Adam McLean. 6. ‘Dai Nippon: Kabuki Prints from the Henry Dyer Collection’, 21 Aug – 10 Oct, Mackintosh Gallery.

Curated by Vanessa Tothill. ‘Dai Nippon ('Great Japan') reunites a series of original late Edo period Japanese woodblock prints from the Henry Dyer Collection, acquired by the Lanarkshire-born Dyer between 1873 and 1882 during his tenure as founding Principal and Professor of Engineering at Japan's Imperial College of Engineering.’ The exhibition was supported by: Japan-UK 150 Festival, Great Britain Sasakawa Foundation, Japan Foundation, Glasgow City Council, Edinburgh City Libraries, City of Edinburgh Council, Mitchell Library, Edinburgh Art Festival.

7. Emergent Artists Programme: ‘Natural Order’, Yvonne Mullock, Karen Cunningham and Michael Hill – Johnston, 20 Aug – 12 Sept, Studio 40, Mackintosh Building.

8. ‘The Flower and the Green Leaf; Glasgow School of Art in the Early Twentieth Century’, 27 Nov 2009 – 6 Feb 2010, Mackintosh Museum. Curated by George Rawson. ‘Celebrating 100 years since the completion of Charles Rennie Mackintosh's masterwork, the Glasgow School of Art building, this exhibition explores the lives and works of GSA's staff and students during the early twentieth century, displaying previously unseen works of art from our own archives and other international collections. The exhibition displays items from each of the four departments of the time: Painting and Drawing; Modelling and Sculpture; Design and Decorative Art; Architecture. Included are a set of drawings for the Mackintosh Building by Charles Rennie Mackintosh dated 1910; a green linen bag designed by Grace Wilson Melvin (1892-1977), embroidered in green white and violet, the colours of the suffragette movement; photographs of staff and students in the early 20th century; life drawings by students of the time and the inaugural Bram Stoker Medal awarded for most imaginative work of the year, dated 1903.’ This exhibition was supported by Glasgow City Council, Anderson Strathern, Blythswood Square, Deloitte, The Mary Andrew Charitable Trust, and the James Wood Bequest Fund. A publication ‘The Flower and the Green Leaf: Glasgow School of Art in the time of Charles Rennie Mackintosh’ accompanied the exhibition. Invite, programme of events.

2010 1. ‘International Orange: Please Shut The Gate’, Ben Kelly, 6 Mar – 3 April 2010, Mackintosh Museum,

curated by Drew Plunkett. ‘An exhibition of solo and collaborative work, produced away from the office and clients, by Ben Kelly. Kelly is the principal of Ben Kelly Design, an award winning Interior Design practice based in London, founded in the mid-1970s. BKD built their reputation producing high-profile and innovative spaces, including Manchester's legendary night-club The Haçienda. In Glasgow, Ben Kelly designed the interiors of Bar Ten (1991) and DLC (Glasgow) (1991) on Mitchell Lane.As a practitioner Ben Kelly has collaborated with Peter Saville, DJ Simpson, Michael Marriott, Morph, Graphic Thought Facility and Ted Walters. Invite, poster, leaflet.

2. Glasgow International 2010: ‘Inhale, Exhale’, Alice Channer, 16 April – 8 May 2010, Mackintosh Museum. Curated by Jenny Brownrigg. ‘Alice Channer's first solo exhibition in Scotland saw this London-based artist create an installation especially for the Mackintosh Museum. Channer's works often take the form of concentrations of matter, particularly fabric, which she pleats, stretches and folds. Through installations, she explores the potential for her works to inhabit a physical space and to have the feeling of being inhabited, paralleling the way clothes are worn on the body. Her installation for the show aimed to 'clothe' Mackintosh's work, moving with it in some places, and away from it in others. As the museum is part of Charles Rennie Mackintosh's architectural masterwork, with the style and features of a museum, Channer wanted to use the immediate and intimate time of the worn garment in an attempt to make Mackintosh's work exist in the present.’ A new publication, Inhale, Exhale was commissioned as part of the exhibition. Supported by Glasgow International Festival of Visual Art, Glasgow City Council, The Henry Moore Foundation, The approach and Raven Row. Invite, poster, pamphlet, media release, gallery plan, festival guide. https://www.flickr.com/photos/glasgowschoolart/sets/72157632921347116/

3. Interim MFA Show, 15-22 May 2010, Mackintosh Gallery, Newbery Gallery. Gallery map, list of artist works.

http://www.google.com/url?q=http%3A%2F%2Fwww.glasgowinternational.org%2F&sa=D&sntz=1&usg=AFrqEzcmArgKmG2xsmXXT2rOI-_q4IQRug

http://www.google.com/url?q=http%3A%2F%2Fwww.glasgowinternational.org%2F&sa=D&sntz=1&usg=AFrqEzcmArgKmG2xsmXXT2rOI-_q4IQRug

http://www.google.com/url?q=http%3A%2F%2Fwww.ravenrow.org%2F&sa=D&sntz=1&usg=AFrqEzcYES0vQjaczP6p_fUAn0I-_C6dyA



4. ‘Magic Towards Your Face’, Henry Coombes, 24 July – 28 Aug 2010. Curated by Jenny Brownrigg. ‘A

solo exhibition and new film work by Glasgow artist Henry Coombes. The film provides a fictional exhibition account within this real show in the Mackintosh Museum. It explores, through Coombes' idiosyncratic approach, the act of creation and the rituals of exhibition making, focusing on the pre-show anxieties an artist can experience.’ Invite, poster. https://www.flickr.com/photos/glasgowschoolart/sets/72157624941597527/

5. ‘Restore Us and Regain’, Tommy Grace, Ged Quinn, Tony Swain, 2 Oct – 6 Nov 2010, Mackintosh Museum. Curated by Jenny Brownrigg. ‘This group exhibition looked at the ways in which artists utilise archaic landscape, the monument, the ruin, the fortress and other architectural references within their work, to create constructed illusions. By referencing historical detail, or times lost, the works employ contemporary methods to critique and subvert the past. The exhibition title 'Restore Us And Regain', is from Book 1, John Milton 'Paradise Lost'.’ Invite, media release. https://www.flickr.com/photos/glasgowschoolart/sets/72157624941277855/

6. ‘Lines of Memory’, Simon Manfield, 11 – 29 Oct 2011, Atrium Gallery. ‘A show of works by English illustrator Simon Manfield, including drawings documenting an excavation of a Spanish Civil War era communal grave in northern Spain, and new works illustrating a poem by George Mackay Brown.’

7. ‘The Glasgow Girls: 1980-1930’, 19 Nov – 20 Dec 2010, Mackintosh Museum. Curated by Liz Arthur. ‘This major exhibition of paintings, decorative and applied art by the 'Glasgow Girls' (1890-1930) was a touring exhibition by the Kirkcudbright 2000 group. Over 100 exhibits were provided by the three main Scottish collections of 'Glasgow Girls' work - Glasgow Museums (Glasgow Life), The Glasgow School of Art and the Hunterian Gallery, University of Glasgow. Artists and makers represented include Annie French, Margaret Gilmour, Norah Nielson Gray, Jessie M King, Frances and Margaret Macdonald, Jessie Newbery and may others. However, many private individuals have also lent significant works, many of which have never been seen in public before. This exhibition was curated by Liz Arthur, formerly a Glasgow Museums curator, who was involved in the last major exhibition on the 'Glasgow Girls' in Glasgow 1990. She has also written a book to co-incide with the exhibition: Glasgow Girls : Artists and Designers 1890-1930, Alba Printers Ltd, 2010.’

2011 1. ‘Living Today: with information from the Orwell Archive’, 15 Jan – 5 March 2011, Mackintosh

Museum. Matei Bejenaru, Ross Birrell, David Harding, Francis Cape, Jens Haaning, Angela Ferreira, Eva Merz. Curated by Jenny Brownrigg. ‘This group exhibition presented artists whose work explores aspects of the society they live in - politics, culture, economy, living conditions and social structures. Included were copies of information from the Orwell Archive, University College of London, relating to George Orwell's 1937 publication "The Road To Wigan Pier" which, commissioned by Victor Gollancz and published by the Left Book Club, documented poverty in the north east of England before the Second World War.’ This exhibition was supported by Glasgow Life and University College London. Invite, poster, small catalogue. https://www.flickr.com/photos/glasgowschoolart/sets/72157626055356897/

2. ‘BOOM. ROOM. New Estonian Architecture’, 3 – 14 Feb 2011, Grace & Clark Fyfe Gallery. The exhibition was divided into topics that reflect the important spheres of the period's building landscape: Big city lights, Culture and Symbols, Municipalities Build, Modern Work Environments, Leisure Time Spaces, Layers of Time, Old Neighbourhoods, New Neighbourhoods, Ideal Home. Curator: Pille Epner and Union of Estonian Architects. Exhibition supported by the Estonian Centre of Architecture. With thanks to University of Glasgow Eastern European Studies.

3. ‘Written, Drawn and Stapled’, 11 Feb – 3 Mar 2011, Atrium Gallery. 'Written, Drawn, and Stapled' was an exhibition of over a hundred American poetry books and periodicals covering the period 1965-75, taken from the collections of John Janssen and Les Coleman. https://www.flickr.com/photos/glasgowschoolart/sets/72157626261308389/ https://www.flickr.com/photos/glasgowschoolart/sets/72157625734917707/







4. ‘The Erratics’, Lotte Glob, with Nick Evans and Ruth Barker, 12 Mar – 9 April 2011. Curated by Jenny Brownrigg. ‘An erratic rock is a large boulder which has been transported by a glacier, coming to rest on rock of a different nature. Lotte Glob (born 1944) is a Danish ceramic artist living in the north of Scotland. We move Glob's work from its outdoor location in her 'sculpture croft' in Sutherland, to the Mackintosh Museum, where it comes to rest on works made by Glasgow artist Nick Evans. A performance by Glasgow artist Ruth Barker will draw the exhibition to a conclusion.’ Invite, poster. https://www.flickr.com/photos/glasgowschoolart/sets/72157626111596937/ https://www.flickr.com/photos/glasgowschoolart/sets/72157626538042932/

5. ‘Half Way’, Part 1 & 2, 14-19 April, 22-28 April 2011, Mackintosh Museum. An exhibition of recent work by GSA’s 2

nd Yr Painting and Printmaking.

6. ‘two | three | five: Silversmithing and Jewellery Artist in Residence programme’, 27 April – 10 May

2011, Atrium Gallery. Gillian Harvie (Glasgow) Katherine Agnew (Glasgow) Malin Winberg (Jacobstad, Finland) Hannah Eccles (Edinburgh) Berkeley Brown (Nova Scotia, Canada)

7. MFA Interim Show, 7-14 May 2011, Mackintosh Museum. Rachel Bradley, Federico Del Vecchio, Suzanne Dery, Marie-Michelle Deschamps, Aideen Doran, Tom Godfrey, Nils Guadagnin, Dunja Herzog, Hyojun Hyun, Chun Soo Kim, Georgia Kung, Douglas Laing, Claire McGee, Alexander Oleksyn, Erik Osberg, Josée Aubin Ouellette, Blake Peterson, Benjamin Rankin, Matthew Richardson, Brent Ridge, Scott Rogers, Sarah Rose, Geneva Sills, Kyle Channing Smith, Justin Stephens, Minka Stoyanova, Urara Tsuchiya, Zoe Williams, James Winnett.

8. ‘Live Your Questions Now’, 15 July – 1 Oct 2011, Mackintosh Museum. Ana Jotta, Alasdair Gray, Helena Almeida, Sam Ainsley, Michael Kidner, Joan Jonas, Běla Kolářová, Lygia Pape. Curated by Jenny Brownrigg. ‘The exhibition title is inspired by a quote from Rainer Maria Rilke's 'Letters to a young poet' (1934): "Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer." With the focus of survey shows predominantly on emergent artists, what can we learn from an earlier generation of contemporary visual artists? 'Live Your Questions Now' is a survey exhibition of Scottish, UK and international contemporary artists over 60 years old.’ Invite, poster, leaflet, list of works. https://www.flickr.com/photos/glasgowschoolart/sets/72157627238782328/

9. ‘Atelier – The Inventors of Tradition Collection 2011’, 15 Sept – 18 Sept 2011, Mackintosh Museum. ‘Artist Lucy McKenzie (Glasgow, based in Brussels) and designer Beca Lipscombe (Edinburgh), working under the name Atelier, present their first fashion collection encompassing high quality knitwear, wovens, raincoats, workwear and accessories for sale. This exclusive collection uses the best of Scottish manufacturing to realise a wardrobe for working women, specifically artists and those in creative and artisan professions. The sample collection will be presented, for order, within The Mackintosh Museum from 15 - 18 September 2011.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157629672730323/

10. ‘Mobile Solutions’, 7 Oct – 17 Dec 2011, Mackintosh Museum. Justin Carter, Grizedale Arts, Icecream Architecture, The Mobile Foundry, myvillages.org, Public Works. Curated by Jenny Brownrigg. ‘This exhibition called 'Mobile Solutions' brings together a selection of mobile structures made by designers, architects and artists that are designed to journey out around communities and diverse contexts from rural locations to urban environments. The structures all set out to solve something or to generate an alternative situation for the people and communities that come into contact with them.’ Invite, Interpretation. https://www.flickr.com/photos/glasgowschoolart/sets/72157627929523784/

2012 1. ‘The Invigilators’, 21 – 28 Jan 2012, Mackintosh Museum. Curated by Jenny Brownrigg. An exhibition

of selected works from Mackintosh Museum invigilators working at The Glasgow School of Art. An invigilator's job is to sit in the gallery when the exhibition is open. They look after the work, speak to the public about the exhibits and enforce any house rules - 'no photography', 'no eating' in the space, 'don't touch'. All are GSA graduates or students who have had much time in this role to consider the







nature of this unique gallery space from the invigilator's chair. With work by Laura Campbell, Michael Davis, Romany Dear, Federico Del Vecchio, Suzanne Dery, Mimi Deschamps, Samuel Devereux, Nils Guadagnin, Hyojun Hyun, Emily Ilett, Rachel Jones, Douglas Laing, Sophie Manhire, Theresa Moerman Ib, Emilia Muller-Ginorio, Anne Nyyssonen, Rosie O'Grady, Alistair Quietsch, Geneva Sills, Sally Webber and Petter Yxell.

2. ‘To Have a Voice’, 4 Feb – 31 March 2012, Mackintosh Museum. Hernan Bas, Kaye Donachie, Moyna Flannigan, Chantal Joffe, Bruno Pacheco, Gideon Rubin, Lynette Liadom-Boakye. Curated by Jenny Brownrigg. ‘A group show of national and international artists, exploring contemporary painting. How can a contemporary artist give a voice or fresh perspective to the established canon of figurative painting? Why do artists choose to give a voice to the characters they create? 'To have a voice' explores a variety of approaches.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157629401590853/

3. ‘A White Woman’s Photographic Travel Journal’, Nina Bacos, PhD exhibition, 6-12 April 2012, Mackintosh Museum. This exhibition is an intervention into whiteness as a racial construction. Invite. https://www.flickr.com/photos/glasgowschoolart/sets/72157629784884811/

4. Glasgow International 2012, ‘Easterhouse Mosiac’, Alex Frost, 20 April – 7 May 2012, Platform, Easterhouse. Curated by Jenny Brownrigg, in association with Platform (Glasgow East Arts Company). ‘Alex Frost creates his first permanent public art work for Easterhouse working with Platform in partnership with The Glasgow School of Art. Reference points for the project revolve around the Easterhouse Mosaic, an important identifier within the area in the 1980's that was created by the local community and located in Lochend. Many stories surround the work; it was destroyed ten years ago during a redevelopment phase of the area, and now lies in pieces in a shed. The new public art commission will be sited directly outside the venue; on the right hand side of the pavement as you enter The Bridge complex from Westerhouse Road. Exhibition: ‘The Old And The New Easterhouse Mosaic (& everything in between)’; Platform Exhibition Wall’. https://www.platform-online.co.uk/latest/article/alex-frost-easterhouse-mosaic https://www.alexfrost.com/the-old-new-easterhouse-mosaic-everything-in-between/

5. Glasgow International 2012: ‘The Immortals’, Folkert de Jong, 20 April – 7 May 2012, Mackintosh Museum. Curated by Jenny Brownrigg. Dutch artist Folkert de Jong makes a new installation of figurative sculptures for the Mackintosh Museum, inspired by the figures of Charles Rennie Mackintosh and his wife Margaret MacDonald Mackintosh. The exhibition title 'The Immortals' refers to the name they gave to their peer group that included Herbert McNair and Margaret's sister Frances. Folkert will bring a contemporary approach to figurative sculpture which will also make lively connections with the Museum's past function as the drawing studio, housing all the figurative classical plaster casts for students to learn from. De Jong's exhibition will travel to Galerie Dukan Hourdequin in Paris later this year. Commissioned by The Glasgow School of Art in association with Glasgow International Festival of Visual Art with support from the Mondriaan Fund, Amsterdam. https://www.flickr.com/photos/glasgowschoolart/sets/72157629517903822/

6. Interim MFA 2012, 12-14 May 2012, Mackintosh Museum. Jennifer Bailey, Simon Buckley, Alexander Cahoon, Saejin Choi, Kai Qun Chun, Brandon Cramm, Allison Gibbs, George Gray, Choon Lin Joo, Darius Kowal, Gabriel Leung, Tessa Lynch, Zoe Mackler, Anthony Meadows, Jason Mosher, Stephen Murray, Thorgerdur Olafsdottir, Hardeep Pandhal, Steven Papadopoulos, Fraser Sim, Keeley Stitt, Cedric Tai, Lisa Ure, Weizi Xu. https://www.flickr.com/photos/glasgowschoolart/sets/72157629756320078/

7. ‘Studio 58: Women Artists in Glasgow Since World War II’, 7 July – 30 Sept 2012, Mackintosh Museum. Curated by Dr Sarah Lowndes. ‘An exhibition and accompanying publication examining the period between World War II and the present day when women artists in Glasgow have been at the forefront of the art scene in the city. The title of the exhibition comes from the studio located on the top floor of the Mackintosh Building which historically was the dedicated work space for women students. In recent years, a number of highly regarded women artists have emerged from the Glasgow art scene, including Turner Prize nominees Christine Borland, Cathy Wilkes and Karla Black.



https://www.platform-online.co.uk/latest/article/alex-frost-easterhouse-mosaic

https://www.platform-online.co.uk/latest/article/alex-frost-easterhouse-mosaic

https://www.alexfrost.com/the-old-new-easterhouse-mosaic-everything-in-between/

https://www.alexfrost.com/the-old-new-easterhouse-mosaic-everything-in-between/

http://www.dukanhourdequin.com/

http://www.dukanhourdequin.com/




Studio 58 will contextualise the work of contemporary women artists in Glasgow through documenting and displaying the little known and under-represented lineage of women's art in the city from 1939 onwards, within the frame of the city's art school where all of the artists included in the exhibition either studied or taught.’ Symposium, 25 Sept 2012. Catalogue, media cuttings. https://www.flickr.com/photos/glasgowschoolart/sets/72157630634938232/

8. ‘GSA in Dunoon’, 20 July – 4 Aug 2012, Burgh Hall Dunoon. ‘An exhibition of selected work from The Glasgow School of Art's 2012 Degree Show, organised by the Exhibitions Department in collaboration with the Burgh Hall, Dunoon and curated by GSA graduate Sophie Manhire. The exhibition will include both Fine Art and Design, and aims to bring the work of recent GSA graduates to an audience who might not normally encounter it. With work by Hans Peter Auken Beck, Philip Blaikie, Kate Costigan, Rosie Healey, Claire Johnson, Robyn McLean, Alex H Millar, Theresa Moerman Ib, Emma Reid & Lisa Schmalstich.’

9. ‘The Interzone: Three Points of Contact exhibition’, 3 – 30 Nov 2012, Mackintosh Museum. ‘Stuart Gurden, Ann Haycock, Martha Jurksaitis, TAaP, Mark Vernon, von Calhau!, Megan Wellington. ‘An introduction to the work of core artists taking part in the Three Points of Contact Artist Residency linking Glasgow, York and Cornwall. The exhibition space will then turn into a studio space for the artists to work in 3-14 Dec. The exhibition is 'the interzone', occurring before the residency leg at The Glasgow School of Art and will be an opportunity to introduce the practices and begin to see possible connections between those involved.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157632067594838/

10. ‘Three Points of Contact’, 3-14 Dec 2012, Mackintosh Museum. Curated by Jenny Brownrigg, Judit Bodor and Blair Todd. ‘A roving residency and evolving network that creates the opportunity for curators to bring together international artists into contact with UK artists at contrasting locations’. Von Calhau!, Martha Jurksaitis, Megan Wellington, Stuart Gurden, Mark Vernon, Ann Haycock, TAAP’, joined by Michelle Hannah and Rachel Maclean in Glasgow. Funded by Calouste Gulbenkian. Booklet. Evaluation report. https://www.flickr.com/photos/glasgowschoolart/sets/72157632165518047/

11. ‘GSA Live at Platform’, 11-27 Feb 2012, Platform, Easterhouse. Dept of Sculpture & Environmental Arts students making work for Platform.

2013 1. ‘Anticipating the Future’, Mariusz Tarkawian, 12 Jan – 23 Feb 2013, Mackintosh Museum. Polish artist

Tarkawian’s first solo exhibition in the UK. ‘The show includes ‘Anticipation of Art’, his on-going series of over 600 drawings which anticipate what kind of work well known artists may be making in the future.’ Invite, media cuttings. Supported by Adam Mickiewicz Institute. https://www.flickr.com/photos/glasgowschoolart/sets/72157633092407461/

2. ‘The Marmite Prize for Painting IV’, 2 Mar – 6 April 2013, Mackintosh Museum. ‘The Marmite Prize is an artist-run, open submission painting prize and touring exhibition that aims to showcase the best in contemporary painting from the UK and abroad. This year, 32 artists were selected from almost 850 entries. Every Marmite Prize exhibition has been dedicated to a very good artist, which influences how the exhibition is hung in each venue. Previous exhibitions have seen the paintings being hung upside down or from wooden structures. This year the exhibition has been dedicated to the former London artist collective BANK and their iconic and notorious 1995 exhibition 'Zombie Golf'. Winner of the Visitor's Choice award for the Glasgow leg of the Marmite Prize is Hyojun Hyun with 'Disappeared Junkie's Place', 2012, oil on canvas, 137x183cm. Hyojun Hyun graduated from GSA MFA in 2012.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157632945502461/https://www.flickr.com/photos/glasgowschoolart/sets/72157632909323727/

3. MFA Interim Show 2013, 27 April – 4 May 2013, Mackintosh Museum. Stephanie Burt, Jack Cheetham, Patrick Cole, Johnathan Cook, Ying Cui, Natalie Duncan, Marysia Gacek, Lauren Hall, Amanda Hillis, Selma Hreggvidsdottir, Heejoon Lee, Sarah F Malony, Emily McFarland, Aniara Omann, Kirsty Palmer, Sasha Panyuta, Malie Robb, Alexandra Sarkisian, Kelli Sims, Vigdis Storsveen, Maria Toumazou, Katrina Valle, Rika Watanabe, Dominic Watson, Lauren M Wells, Fanny Wickstrom.








4. ‘A Conspiracy of Detail’, 13 July – 29 Sept 2013, Mackintosh Museum. Pio Abad, Jonathan Baldock, Jim

Lambie, Hew Locke, Alex Pollard, Eva Rothschild, Karin Ruggaber, Renee So. Curated by Jenny Brownrigg. ‘This group exhibition looks at the ideas contemporary practice has around adornment, exploring cultural, social and material aspects. In response to the arts & crafts design of Mackintosh Museum.’ Invite, poster, media release, artist book (Pio Abad). https://www.flickr.com/photos/glasgowschoolart/sets/72157634762322764/

5. ‘Convocation: Colm Cille’s Spiral’, 12 Oct – 1 Nov 2013, Mackintosh Museum. Emma Balkind, Susan Brind, Thomas Joshua Cooper, Caroline Dear, Michael Mersinis, Hardeep Pandahl, Edwin Pickstone, Jessica Ramm, Johnny Rodger, Augustus Veinoglou. Curated by Jenny Brownrigg. ‘In August 2013 a group of seventeen scholars, artists and organisers made their way to Raasay, a small island off Skye, for a short residency, responding to the legacy of 6th Century Irish monk Colm Cille. A month later the group will re-gather in Glasgow, to give their creative responses over an afternoon event on 11 Oct 2-5pm at CCA, and in an exhibition at the Mackintosh Museum. Work will then travel onto London Street Gallery, Derry~Londonderry, for an exhibition opening 30 November, showing all the presentations from the UK and Eire that make up Colm Cille's Spiral. 'Convocation' is part of the Derry~ Londonderry City of Culture project 'Colm Cille's Spiral' www.colmcillespiral.net, and is one of 6 projects across UK and EIRE that creates an artistic engagement with significant sites along once-vital perimeters and sea routes, including Lindisfarne, Derry~Londonderry and Bradwell-on-Sea.’ Colm Cille's Spiral is a Difference Exchange project in partnership with The Centre for Late Antique and Medieval Studies, at Kings College London. ‘Convocation’ supported by CCA, Atlas Arts, University of Glasgow, Creative Scotland. Part of Derry~Londonderry City of Culture Project ‘Colm Cille’s Spiral’. Invite, artist publications, background information.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157637048601635/

6. ‘Interwoven Connections: The Stoddard Templeton Design Studio and Design Library, 1843 – 2005’, 9 Nov 2013 – 11 Jan 2014, Mackintosh Museum. Curated by Dr Helena Britt. ‘The Stoddard Templeton companies were Scotland’s most prominent carpet manufacturing innovators. They designed and supplied many iconic carpets, including for Glasgow Cathedral, the White House, the Titanic and Queen Mary liners and for events such as the Royal Coronations and Festival of Britain. This exhibition focuses on the Stoddard Templeton Design Library, a unique resource used by designers to inspire and aid the design process. The Library contains a rich array of material amassed from the mid-nineteenth to early twenty-first centuries. Through folios, books, designs, films and samples, the exhibition will provide insight into the Design Library’s contents, the Stoddard Templeton design studio, the designers, carpet designing and Design Library utilisation in the creative process. This is a design research exhibition by GSA School of Design staff member Helena Britt. With thanks to The Glasgow School of Art Library, The Glasgow School of Art Archives & Collections Centre, University of Glasgow Archive Services and The Museum of Carpet, Kidderminster.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157637691592346/

2014 1. ‘Drawing on Holl’, 8 Feb – 23 Mar 2014, Mackintosh Museum. Curated by Mark Baines in

collaboration with Steven Holl Architects. ‘The exhibition chronologically charts the design development of the Reid Building, as designed by Steven Holl Architects’. Media release, list of works. https://www.flickr.com/photos/glasgowschoolart/sets/72157640968665595/

2. ‘Sweeney’s Bothy’ residency, Isle of Eigg, Michael Barr, 7- 14 Feb 2014. ‘GSA Exhibitions and GSA Sustainability in Action Group are delighted to announce that Michael Barr, 3rd Year Sculpture and Environmental Art student was selected for Sweeney’s Bothy Residency. The opportunity was made open to all GSA staff and students to apply for. Michael will take up the residency on the Isle of Eigg 7-14 March 2014.’

3. Glasgow International 2014: ‘This Song Belongs to Those Who Sing It’, Michael Stumpf, 4 April – 4 May 2014. Reid and Mackintosh exterior balconies, Mackintosh Museum. Curated by Jenny Brownrigg. ‘This new commission sees GSA alumnus Michael Stumpf making an installation of exterior and interior new works at The Glasgow School of Art. This ambitious new body of work will


http://www.colmcillespiral.net/





consider the context of the art school as an ‘expanded field’, creating a sequence of points where the audience would encounter it, beginning out on the street, then leading into the Mackintosh building, concluding in the Mackintosh Museum. From ‘The Balconies Commission’, creating new temporary ‘landmarks’ on the exterior of the new Reid Building and the Mackintosh building, to the Mackintosh building reception desk and the Mackintosh Museum itself, Michael’s work will create a journey encouraging the viewer to see a sequence of sites afresh.’ Invite, poster, essay (Brownrigg, J), Gi catalogue, work in progress ‘Now Sing’. Part of the Supported Programme. https://www.flickr.com/photos/glasgowschoolart/sets/72157643570166733/

4. ‘A Feminist Chorus’, by Lucy Reynolds, curated by MAP, Hen Run, Mackintosh Building, 4 April – 4 May 2014. Glasgow International commission.

Reid Building opened, March 2014.

5. ‘Caesura’, Heaven Baek, Briggs & Cole, Raydale Dower, 22 Mar – 4 May 2014. Inaugural exhibition, Reid Gallery. Curated by Jenny Brownrigg. ‘For the opening public exhibition in The Glasgow School of Art’s Reid Gallery, a purpose built exhibition space on the ground floor of the new Reid Building, GSA Exhibitions has invited four of the GSA’s alumni - Briggs & Cole, Raydale Dower and Heaven Baek - to respond to the architecture of the space and this point in the GSA’s 170 year history. Incorporating both physical and digital works, the exhibition exploits the full potential of the new gallery space. The exhibition runs from 22 March – 4 May 2014 and is part of the included programme for the 2014 Glasgow International Festival of Visual Art.’Poster, invite. https://www.flickr.com/photos/glasgowschoolart/sets/72157643954604585/

Mackintosh Building fire, 23 May 2014.

6. ‘Cabbages in an Orchard; The formers and forms of Charles Rennie Mackintosh and Graham Fagen’, 28 June – 29 Aug 2014, Reid Gallery. Curated by Jenny Brownrigg. Part of GENERATION, a programme across Scotland led by National Galleries and Glasgow Life, aiming to tell the story of 25 years of contemporary art in Scotland, to a local and visiting audience for the Commonwealth Games. GSA alumnus, Graham Fagen, has been invited by The Glasgow School of Art Exhibitions Dept to research Charles Rennie Mackintosh through the GSA Archives & Collections Centre, and to create a solo exhibition of new work to be featured as part of GENERATION. Through the research project, Fagen has examined the work of Mackintosh and his peer group, focusing particularly on concepts of form and place, and has used his findings as a catalyst for the creation of a body of new artwork. This exhibition had been intended for Mackintosh Building, but was transferred to Reid Gallery. https://www.flickr.com/photos/glasgowschoolart/sets/72157645604072823/

7. ‘Part Seen, Imagined Part’, GSA in Dunoon, 4 -26 July 2014, Dunoon Burgh Hall. Curated by Theresa Moerman Ib and Colm Docherty. ‘The third annual exhibition of selected work from The Glasgow School of Art’s Degree Show, to be shown in the Burgh Hall, Dunoon. The exhibition will include both Fine Art and Design, and aims to bring the work to an audience who might not normally encounter it.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157645563093835/

8. ‘In a place like that’, Susan Brind, Duncan Higgins (KhIB), Shauna McMullan, 16 – 21 Sept, Reid Gallery. ‘During Freshers Week, the Reid Gallery becomes a space to focus on themes around landscape and a number of projects that have been undertaken by the GSA community and invited practitioners. The gallery will be a studio, for the collaborative staff research project. With talks by Michael Barr, Alan Grieve and Theresa Moerman Ib. ‘In a place like that: Between Orkney and Odda.’ This is a collaborative research initiative between Glasgow School of Art (GSA), The Bergen National Academy of Art (KhIB). Phase 1 supported by Creative Scotland.

9. ‘Posters of the Cuban Revolution’, 20 Sept – 31 Oct 2014, Reid Ground Floor Corridor. ‘This exhibition brings together examples of Cuba state-sponsored propaganda poster art which flourished during the Cold War era, following the Cuban Revolution. The posters, commissioned by the Organisation in Solidarity with the People of Africa, Asia and Latin America (OSPAAL) illustrate the aesthetic that the country’s artists and graphic designers developed, revealing the idealistic spirit at the core of the






Cuban revolution, which was intent on fighting globalization, imperialism and defending human rights.’ From the collection of Michael Tyler. List of works. https://www.flickr.com/photos/glasgowschoolart/sets/72157648715299036/

10. ELIA, Neu Now Glasgow, 12-16 Nov 2014, Reid Gallery. Curated by Sukaina Kubba. 35 young artists from 13 countries.

11. ‘Studio Paintings’, Richard Walker, 4 Oct – 2 Nov 2014, Reid Gallery. ‘The artist's studio space was used as a starting point for a series of images, combining direct observation with an exploration of the conventions and history of representation. Walker teaches in the Department of Painting and Printmaking, School of Fine Art, at The Glasgow School of Art.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157648600496771/

12. ‘Alasdair Gray: Spheres of Influence II’, 22 Nov 2014 – 25 Jan 2015, Reid Gallery. Curated by Jenny Brownrigg. Through the prism of others work, both historical and contemporary, this exhibition provides an alternative reading of Alasdair Gray’s visual work, including a series from his personal archive. Part of a city-wide Alasdair Gray Season, curated by Sorcha Dallas. Aubrey Beardsley, Oliver Braid, Eric Gill, Alasdair Gray, Peter Howson, Dorothy Iannone, David Kindersley & Lida Lopes Cardozo, Stuart Murray, Denis Tegetmeier, Hanna Tuulikki. https://www.flickr.com/photos/glasgowschoolart/sets/72157649254018740/

2015 1. ‘Drouth Five-Oh’, 17 Jan – 15 Feb 2015, Reid Ground Floor Corridor. ‘Having been founded in 2001 as

a quarterly journal, the fiftieth issue of The Drouth will be published in January 2015. ‘Drouth Five-Oh’ marks this anniversary with an exhibition of cover art in the Reid Building at Glasgow School of Art.’

2. ‘The Politics of Craft: After Ford 151’, 7 Feb – 8 Mar 2015, Reid Gallery. ‘Grizedale Arts' subjective history of utopian failure illustrated through craft and design. Including work by juneau/projects, Mark Titchner, Olivia Plender, Ryan Gander, Laure Prouvost and many more.’

3. Kellenberger-White, 13 Mar- 12 April 2015, Reid Gallery. ‘This exhibition with London-based design studio Kellenberger–White showcases the identity they developed for Glasgow International Festival of Visual Art in 2014. Kellenberger-White have been nominated by Design Museum in Graphics Section for Design of the Year 2015 for this design identity.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157651507698746/

4. ‘Muscle Theory’, Catherine Street, 18 – 30 April 2015, Reid Gallery. ‘This new work is somewhere between an exhibition and a slowly unfolding piece of theatre. Ideas, sounds and images gradually reveal their connections and antagonisms. Precisely spoken voice recordings, softly flickering projections and live performances are configured to create an atmosphere of intense reverie that is occasionally interrupted by moments of vulnerability, salaciousness, confusion or cynicism.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157652150925076/

5. MFA Interim Show 2015, 9-16 May 2015, Reid Gallery and Reid Ground Floor Corridor. ‘The annual exhibition of new work by twenty five students in the first year of the Master of Fine Art comprising a great variety of works across a wide range of media including painting, drawing, sculpture, video, performance and installation.’

6. ‘Phoenix Exhibition’, 24 July – 2 Aug 2015, Reid Building. ‘A special group exhibition of new work by 100 artists who benefited from the Phoenix Bursary programme. Following the fire in the Mackintosh Building last year, which significantly impacted on final year School of Fine Art students, the GSA set up a special programme with support from the Scottish Government and academic institutions across the world. The Phoenix Bursary programme offered the graduates up to 15 weeks' studio time, a bursary and materials budget in order to develop their practice and create a new body of work. Around half of the artists stayed in Glasgow with others taking the opportunity to work overseas.’ Curated by Sukaina Kubba, exhibition managed by Sam de Santis.







7. 'Clearseeing Drawing’ sessions with Kate Walters, 12 - 13 Oct 2015, Project Space 1, The Art School. ‘Kate Walters is an artist based in Cornwall. Her work is concerned with the interaction of the animal, plant and human worlds. Following shamanic training (2000-2006) she developed ‘Clearseeing Drawing’ performances. She invites participants to sit beside her, then she tunes into them with her drum, and makes monotype drawings about their inner lives and/or dreams.’ Part of Freshers Week activities.

8. ‘A Return to Normalcy: Birth of a New Museum’, Grace Ndiritu, 2 Oct – 12 Dec 2015, Reid Gallery. A solo show by Grace Ndiritu, including a specially commissioned new film of a performance staged at The Glasgow School of Art (GSA) Mackintosh Lecture Theatre. This show is part of the Turner Prize fringe programme across the city. https://www.flickr.com/photos/glasgowschoolart/sets/72157657429020933/

2016 1. ‘The Kildas’, Deirdre Nelson, 19 Jan – 28 Feb 2016, Reid Ground Floor Corridor. Touring. On a modern

day pilgrimage in search of ‘Saint’ Kilda, Deirdre Nelson travelled to the St Kildas of Scotland, Australia and New Zealand. The resulting works reward and celebrate ‘saints’ met along the way. The project links both past and present, north and south and the people who inhabit the Kildas. The Kildas was part of the Glasgow 2014 Cultural Programme. https://www.flickr.com/photos/glasgowschoolart/sets/72157663829215555/

2. ‘Nothing Compares to the First Time Getting Shot At’, Rachel Lowther, 16 Jan – 20 Mar 2016, Reid Gallery. Curated by Jenny Brownrigg. ‘For her specially commissioned exhibition artist Rachel Lowther draws on contemporary conflicts and research she was invited to undertake into the GSA Archives and Collections’ World War I holdings.’ Rachel Lowther’s archival research and exhibition have been commissioned by The Glasgow School of Art, with support from Museums Galleries Scotland WWI Fund. https://www.flickr.com/photos/glasgowschoolart/sets/72157663826987645/

3. ‘From the Service of Venice to the worship of Mars’, 16 Jan – 28 Feb 2016, Reid Ground Floor Corridor. ‘This exhibition shows a selection of letters and ephemera held in the GSA’s archives and used by artist Rachel Lowther in the development of new work for her exhibition Nothing compares to the first time getting shot at showing at GSA’s Reid Gallery from 16 January-20 March 2016. It showcases the variety of activities and experiences of the School’s students and staff at home and abroad and reveals how the war impacted on them individually and on the School as a whole.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157663827655035/

4. Glasgow International 2016: ‘Hold Fast Stand Sure I Scream a Revolution’, Serena Korda, 7 – 30 April 2016, Reid Gallery. Curated by Jenny Brownrigg. Supported Programme. ‘Korda will produce a new sound sculpture for the Reid Gallery that combines her interest in primitive impulses, invented tradition and our skewed relationship to nature. Taking her inspiration from the politically radical history of Garnethill (the surrounding area of the Reid Gallery), whilst considering the geographical significance of The Isle of Mull as a portal to the underworld. Korda continues her investigation in to “thin places” anomolies in the landscape which were viewed in pre - Christian times as access points to the afterlife. Garnethill is situated on a drumlin, a village like community nestled on a steep hill in the centre of Glasgow which has seen the rise of The Glasgow Girls, the Scottish suffrage movement, The Women’s Library and The Third Eye Centre (now the CCA).’ This project was developed in partnership with Comar, Isle of Mull, where it toured to in July 2016. Poster, invite, vinyl record. https://www.flickr.com/photos/glasgowschoolart/sets/72157667033759475/ https://www.flickr.com/photos/glasgowschoolart/sets/72157671528379436/

5. Glasgow International 2016: ‘Light Becomes Silence’, Christina McBride, 7 – 30 April 2016, Reid Ground Floor Corridor. ‘Light Becomes Silence’ brings together two groups of photographic works. A series of black and white analogue images drawn from a larger body of work undertaken in recent years but never shown in Scotland, and a new body of images and accompanying bookwork entitled ‘Bound’. Part of Across The City Programme.








6. ‘There’s a Special Place in Shell…’, 27 April 2016, Reid Auditorium. ‘There’s a Special Place in Shell…’ is a new performance by Foote & Mouth (Monica Foote & Kathryn Ashill) that explores the role of the Banshee and the Siren.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157667947389835/

7. MFA Interim Show 2016, 10 – 15 May 2016, Reid Gallery and Reid Ground Floor Corridor. ‘The annual exhibition of new work by 24 students in the first year of the Master of Fine Art comprising a great variety of works across a wide range of media including painting, drawing, sculpture, video, performance and installation.’

8. ‘Comics: Art & Enterprise Symposium’, 18 May 2016, Reid Auditorium. A symposium with speakers Frank Quitely, Yishan Li, Sha Nazir and Jason Mathis. Organised and chaired by Jason Mathis, GSA International Foundation Programme. https://www.flickr.com/photos/glasgowschoolart/sets/72157669268295751/

9. ‘Hosts and Visitors’, Birthe Jorgensen, Sogol Mabadi, 9 July – 21 Aug 2016, Reid Gallery. Curated by Jenny Brownrigg. ‘Hosts and Visitors’ showcases new work by Glasgow-based artists Birthe Jorgensen (b. Copenhagen, Denmark) and Sogol Mabadi (b. Tehran, Iran). ‘Hosts and Visitors’ takes as its inspiration the subject of diaspora and migration. This theme came out of the artists’ discussions on language and identity and how their art practices creatively engage with it. Jorgensen and Mabadi are both GSA alumna.’ Supported by Creative Scotland. https://www.flickr.com/photos/glasgowschoolart/sets/72157671346819725/

10. ‘The Lavender Blue Dress’, Aidan Moffat and Emmeline Pidgen. 9 July – 21 Aug 2016, Reid Ground Floor corridor. Curated by Caroline Grape. ‘The Lavender Blue Dress is the first children's book from the acclaimed indie singer-songwriter Aidan Moffat alongside illustrations by award-winning Emmeline Pidgen.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157671256465026/

11. ‘Building Blocks: GSA Designers Group R&D Residency’, 16 – 30 Sept 2016, Reid Gallery. This group designers’ research and development residency will see the Reid Gallery at The Glasgow School of Art turning into their studio space. The four designers selected are: Sam Johnson, Ross Hogg, Marie O’Connor and ‘Design by Zag’, a collaborative graphic design studio run by Alice Rooney & Kat Loudon. The four between them cover the design disciplines of service design, animation, textiles and graphic design.’ Open application. Devised by Jenny Brownrigg. Supported as part of the Year of Innovation, Architecture and Design 2016, an initiative delivered by VisitScotland. https://www.flickr.com/photos/glasgowschoolart/sets/72157672993919192/

12. ‘Disappearing Glasgow’, Chris Leslie, 17 Sept – 2 Oct 2016, Reid Ground Floor Corridor. ‘The skyline of Glasgow has been radically transformed as high rise tower blocks have been blown down and bulldozed. Does this ‘Disappearing Glasgow’ herald a renaissance in the city? Photographer and filmmaker Chris Leslie is widely acknowledged as the most consistent chronicler of the city’s recent history. His exhibition and accompanying book, edited by Johnny Rodger, documents an era of spectacular change in film and still photography.’

13. The Mack” Digital Recovery Begins Physical Re-imagining, School of Simulation + Visualisation (formerly Digital Design Studio), 7 – 29 Oct 2016, Reid Ground Floor Corridor. ‘Cutting edge digital documentation techniques have been employed by the School of Simulation + Visualisation (formerly the Digital Design Studio) at the GSA to capture the Mackintosh building post fire, to help illustrate the story of the 2014 Mackintosh Building fire, and to assist the design teams in planning for the return of this iconic building to its former glory and provide a new creative environment ready for the next generation of artists, architects and designers to inhabit.’

14. Eugene Bourdon: From the Classroom to the Battlefield, 5 Nov - 4 Dec 2016, Reid Ground Floor Corridor. ‘This exhibition will focus on the career of Paris-born Eugene Bourdon, The Glasgow School of Art’s first Professor of Architectural Design (appointed in 1904) whose life was tragically cut short when he was killed whilst serving with the French Forces at the Battle of the Somme in July 1916.’ GSA Archives & Collections.





http://glasgowschoolofart.cmail19.com/t/r-i-gkrjhkt-l-n/

http://glasgowschoolofart.cmail19.com/t/r-i-gkrjhkt-l-n/



15. GSA Staff & Student Proposal Call Out 2016: ‘Ahali: a journal for setting a setting, Can Altay’, 19 Nov – 16 Dec 2016, Reid Gallery. ‘The third project from our GSA staff and student call out for proposals is curated by Lesley Young, a tutor with MLitt Curatorial Practice a course hosted by GSA and The University of Glasgow. Lesley is working with Istanbul-based artist Can Altay, to stage his project ‘Ahali: a journal for setting a setting’. ‘Ahali’ is a self-initiated publishing project which began in 2007 which expands from Altay’s artistic practice and includes others.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157677746265341/

16. GSA Staff & Student Proposal Call Out 2016: ‘Line of Sight’, 19 Nov – 16 Dec 2016, Reid Gallery. ‘Line of Sight is a group show by GSA Design School staff Paul Maguire, James Houston, Kimberley O’Neill and Jen Sykes, looking at the current perceived role of technology, and what relationship humans have with its future.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157677984477760/

17. GSA Staff & Student Proposal Call Out 2016: ‘Whereabouts You Are’, 15 Oct – 10 Nov 2016, Reid Gallery. ‘Whereabouts you are’ is an exhibition of work by ten GSA PhD Researchers, curated by Allyson Keehan (GSA) and guest curator Viviana Checchia (Public Engagement Curator, Centre for Contemporary Arts). https://www.flickr.com/photos/glasgowschoolart/sets/72157675123164940/

18. ‘Merry Christmas: A History of GSA Christmas Cards’, 7 -21 Dec 2016, Reid Ground Floor Corridor. ‘The Glasgow School of Art staff and students have celebrated Christmas since the School’s opening, producing Christmas balls, theatre productions, fairs and cards to send to each other. The Archives and Collections present a selection of these materials including photographs, ephemera and Christmas cards made by GSA staff and students.’

2017 1. ‘Print Print Print’, 14 – 26 Feb 2017, Reid Ground Floor Corridor. ‘This exhibition features recent work

made by staff at Glasgow School of Art who use traditional printmaking processes and techniques.’

2. ‘Simone Ten Hompel – A Life in Metal’, 14 Jan – 23 Feb 2017, Reid Gallery. Curated by Amanda Game. A survey of the 35 year career of German born, UK-based silversmith Simone Ten Hompel. https://www.flickr.com/photos/glasgowschoolart/sets/72157679488401620/

3. ‘CONNECTED: 8 International Artists and Jewellers’, 1-16 April 2017, Reid Ground Floor Corridor. This

group exhibition is curated by GSA Silversmith & Jewellery staff Andrew Lamb and Jonathan Boyd. CONNECTED brings together, for the first time, eight designers from Denmark, Scotland, Holland and Iceland.

4. ‘The Glasgow School of Art Fashion Show 70th Anniversary, 1947 – 2017’, 4 – 26 March 2017, Reid Ground Floor Corridor. ‘This exhibition celebrates the 70th anniversary of the Fashion Show at The Glasgow School of Art. Introduced in 1947 as an event during Charities Week, the show provided an opportunity to present student designs and fundraise around the City of Glasgow. Over the years, the format, location and emphasis of the event have changed, although collaboration, team working and GSA’s Students Union remain central to organisation.’

5. ‘Professors’ Sketchbooks’, 22 – 30 April 2017, Reid Ground Floor Corridor. ‘Professor Andrew MacMillan and Professor Charles MacCallum, two professors at the GSA Mackintosh School of Architecture, kept personal sketchbooks. It has been decided to publish some of these sketches, as they give an intriguing insight into how an architect thinks and what he observes, including how an architectural idea or detail may be developed. The exhibition has been created in coordination with the Glasgow City Heritage Trust and the Mackintosh School of Architecture.’

6. ‘Franki Raffles: Observing Women at Work’, 4 March – 27 April 2017, Reid Gallery. Curated by Jenny Brownrigg. The exhibition focused on three projects by Franki Raffles, recording women working in Russia and Edinburgh, as well as her Zero Tolerance campaign against domestic abuse. Franki Raffles (1955-94) was a feminist social documentary photographer. Franki Raffles Archive is an Edinburgh Napier University research project, run by Dr Alistair Scott (Associate Professor, Film & Television, School of Arts and Creative Industries), who this exhibition is produced with. The photographs are

http://www.gsa.ac.uk/life/gsa-events/events/a/ahali-a-journal-for-setting-a-setting’,-can-altay/?source=archive

http://www.gsa.ac.uk/study/graduate-degrees/curatorial-practice-(contemporary-art)/


http://www.gsa.ac.uk/about-gsa/our-people/staff-profiles/m/maguire,-paul/

http://www.gsa.ac.uk/support-gsa/gsa-alumni/alumni-stories/h/houston,-james/

http://www.gsa.ac.uk/research/design-profiles/o/oneill,-kimberley/

http://www.gsa.ac.uk/support-gsa/gsa-alumni/alumni-stories/s/sykes-jen/





held by University of St Andrews Special Collections Division. https://www.flickr.com/photos/glasgowschoolart/sets/72157678585814503/

7. ‘Art Scrubber: Observing Women at Work’, 20 April 2017, Reid Gallery. Performance by the Art Scrubber (aka Silver Swimmer and Kate Clayton), in response to ‘Franki Raffles: Observing Women at Work’.

8. ‘MFA Interim Show 2017’, 6-12 May, Reid Gallery and Reid Ground Floor Corridor. Featuring work by: Zoe Beaudry, Cara Bonewitz, Elina Bry, Christian Charles, Nien-Teng Chen, Megan Clark, Jaimie Cooper, Corinna D'Schotto, David Fagan, Wojtek Gasiorowski, Mari Gondek, Sandy Harris, Sarah Keber, Supapong Laodheerasiri, Giulia Lazzaro, Sooa Lee, Lucas Mascatello, Dan Newton, Nastia Nikolskaya, James Oberhelm, Cameron Orr, Mathew Parkin, Negin Saaed, Godai Sahara, Jaxton Su, Jeanne Tullen.

9. ‘Against Landscape’, 1 July – 28 August 2017, Reid Gallery. Curated by artist Daniel Sturgis in collaboration with Grizedale Arts, ‘Against Landscape’ uses the artworks to consider how the ideas, genius or place of landscape painting have been manifested, but not overtly displayed, in a variety of practices. https://www.flickr.com/photos/glasgowschoolart/sets/72157683007531162/

10. ‘Pioneers of Post-War Pattern’, 16 Sept – 8 Oct 2017, Reid Ground Floor Corridor. ‘An exhibition showcasing products developed by GSA's Centre for Advanced Textiles and inspired by the work of mid-20th century female designers represented in GSA's Archives & Collections.’

11. ‘East and West Walk Forward: Luxun Academy of Fine Arts (China) Teachers’ Exhibition’, 23 Sept – 29 Oct 2017, Reid Gallery. Curated by Xiaoai Wang. Presented by GSA SoFA. Poster, media release, catalogue. https://www.flickr.com/photos/glasgowschoolart/sets/72157661936371708/

12. ‘Prosthetic Greaves’, 14-29 Oct 2017, Reid Ground Floor Corridor. The ‘Prosthetic Greaves’ project aims to deliver a beautiful crafted aesthetic for lower limb prosthesis covers, through a collaborative design process between artisans and amputees. Research by Jeroen Blom and Dr. Tara French, researchers at the Innovation School at the Glasgow School of Art Highlands and Islands Campus.

13. ‘Somnyama Ngonyama: Hail the Dark Lioness’, Zanele Muholi, 11 Nov – 17 Dec 2017, Reid Gallery. ‘Presented by Autograph ABP in partnership with The Glasgow School of Art, South African visual activist Zanele Muholi (b. 1972) confronts the politics of race and representation in the visual archive in her ongoing self-portrait series Somnyama Ngonyama.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157690023407815/

14. ‘Anatomies of Architectural Form’, 4 – 26 Nov 2017, Reid Ground Floor Corridor. ‘This is an exhibition celebrating 25 years of precision model-making in the Mackintosh School of Architecture (MSA).The models form one option within the Stage 4 Research project as part of a self- directed studies project carried out by the students, in a topic of their choice, with contributions from their Academic supervisor and undertaken with the guidance, close supervision and assistance of Suzanne Dunscombe, Architectural Modelmaker.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157690024556695/

15. ‘Dance Number’, Louise Hopkins, artist wall commission, outside the Mackintosh Building. Digital print on metal, on wooden hoarding. 2.4 x 12.2m. Damaged by Mackintosh fire, and removed. https://www.flickr.com/photos/glasgowschoolart/sets/72157661941558218/

2018 1. ‘What’s Love Got To Do With It?’ 8-12 Jan 2018, Reid Gallery. Project organised by Kirsteen

Macdonald (GSA) with Vanessa Brito from the research programme Bureau des Positions at the Marseille-Méditerranée School of Art and Design (ESADMM). ‘What's Love Got To Do With It? is a project exploring collaboration, exhaustion and love in the field of artistic practice. As the world of work drives us to want to do more, to live according to deadlines, to be late, to be exhausted, what does it mean for creative practice? How can we collaborate if each individual is already exhausted?








What affects and shapes the conditions for curatorial research? What does love have to do with it? These questions will guide the participating group's research during two workshops; firstly, in January at The Glasgow School of Art, and secondly, in March at the School of Art and Design Marseille-Méditerranée. Using theoretical texts, artists' works, non-linguistic practices, fringe material and experimental processes they plan to learn, share and adapt approaches to collaboration and propositions for a public programme for Art-Cade Gallery, Marseille, during the Printemps de l'Art Contemporain Festival (PAC) in May 2018.’

2. ‘Curatorial Studio in Residence’, 15 – 26 Jan 2018, Reid Gallery. Curatorial Studio is delivered by Scottish Contemporary Art Network (SCAN) with curator Kirsteen Macdonald. ‘Curatorial Studio is a unique peer-learning and development programme that supports curators based in Scotland in the early stages of their career. With a national scope and international outlook, the programme encourages participants to reflect critically on their own work and develop new approaches. They work together to test ideas and gain new skills to develop their individual practices and interactions with audiences. https://www.flickr.com/photos/glasgowschoolart/sets/72157692068136894/

3. ‘India Street: Type Writers Workshop’, 13 Jan – 14 Feb 2018, Reid Ground Floor Corridor. Curated by

Katy West. ‘Type Writers' Workshop involved students and alumni from GSA (in collaboration with the GSA Students' Association) and the National Institute of Fashion and Textiles (Gandhinagar) and took place in Glasgow and Ahmedabad on the 11th November 2017.’

4. ‘QE2 50 Years Later’, 10 Feb – 4 March 2018, Reid Ground Floor Corridor. Curated by Professor Bruce

Peter, Professor in Design History at The Glasgow School of Art. ‘This exhibition focuses on the design of the QE2 ship and its interiors - which represented a high point for British post-war design and involved a number of very significant British architects, industrial, interior and graphic designers.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157713631325997/

5. ‘To see this story better, close your eyes’, 17 Feb – 7 March 2018, Reid Gallery. Curated by Chloë

Reid. An exhibition of film and writing by Thabo Jijana, Jemma Kahn, Kiluanji Kia Henda, Rosa Lyster, Mitchell Gilbert Messina, Njabulo Ndebele, Sean O'Toole, Pravasan Pillay, Chad Rossouw, Penny Siopis, Helen Sullivan and Marianne Thesen Law. ‘To see this story better, close your eyes’ gathers the work of twelve artists and writers currently exhibiting and publishing in South Africa.’ https://www.flickr.com/photos/glasgowschoolart/sets/72157664673441427/

6. MFA Interim Show 2018, 17 – 25 March 2018, Reid Gallery and Reid Ground Floor Corridor. ‘The annual exhibition of new work by 26 students in the first year of the Master of Fine Art programme.’

7. Glasgow International 2018: ‘War of the Corners’, Torsten Lauschmann, 20 April – 7 May 2018, Reid Gallery. Curated by Jenny Brownrigg. ‘This new solo commission of audio-visual and sculptural works by Glasgow-based Torsten Lauschmann, takes its title from a war of words that broke out in 18th century Paris when an elitist French opera had to make way for a sudden wave of populist Italian opera.’ Part of the Supported Programme. https://www.flickr.com/photos/glasgowschoolart/collections/72157624990241179/

8. Glasgow International 2018: ‘Pencil to Paper’, 20 April – 7 May 2018, Reid Ground Floor Corridor. As part of the Glasgow International's 2018 Across the City programme, this exhibition features new work by GSA alumna Susanne Nørregård Nielsen. The playful interdisciplinary work responds to Sophie Taeuber-Arp's (1889-1943) text 'Remarks on Instruction in Ornamental Design' (1922) to form the foundation for a series of drawings on paper. Part of ‘The Across the City’ programme. https://www.flickr.com/photos/glasgowschoolart/sets/72157696210566704/

Fire Mackintosh Building, 15 June 2018. 2019 1. ‘Prabhakar Pachpute: Political Animal’, 21 June – 4 Aug 2019, Reid Ground Floor Corridor, GSA.

Curated by Viviana Checchia, written by Prof Johnny Rodger. ‘For the occasion of this exhibition, Prabhakar Pachpute presents a new series of work commissioned by the Centre for Contemporary




https://www.flickr.com/photos/glasgowschoolart/collections/72157624990241179/



Arts (CCA), The Drouth and The Glasgow School of Art; sponsored by Leverhulme International Network of Contemporary Studies, to accompany the publishing by CCA of the book Political Animal. The exhibition consists of 10 drawings by Pachpute as well as a series of spatial interventions including large scale drawings across the walls of the interior of the Reid Building and an extensive series of books and texts related to the content of Political Animal.’

2. ‘Refuge Garnethill’, 9-13 Sept 2019, Fleming House, GSA. An exploration of the rich heritage of Garnethill through the eyes of refugees and asylum seekers – the ‘New Glaswegians’. An exhibition that explored themes of heritage, culture and home through photographs taken by students from St Aloysius Church’s ESOL classes. Coming from a diverse range of countries, the students have explored what these themes mean to them in their new home of Glasgow. With the aim of growing language, creativity and self-confidence, the photographs have been taken through a series of workshops with photographer Betty Meyer and supported by research into the history and heritage of Garnethill with ESOL tutors. This project is a collaboration between St Aloysius Church and The Glasgow School of Art, funded by The Heritage Lottery Fund. https://www.flickr.com/photos/glasgowschoolart/sets/72157713630726847/

3. ‘Art School Film Club’, 14-29 Sept 2019, Reid Ground Floor Corridor. A poster exhibition curated by Marc Baines. ‘Since 2006 Illustration students in the Communication Design department have been meeting up to watch and discuss a diverse and esoteric range of films. They’ve been stretching their narrative muscles by dissecting the work of film makers with all kinds of stories to tell and all manner of ways to tell them. For that same period the 4th Year Illustrators have been trumpeting the screenings with graphic aplomb through a series of screen-printed, etched and lithographed posters. This exhibition curated by Marc Baines in association with GSA Archives and Collections features around fifty of these posters from the last twelve years displaying them alongside posters from earlier GSA film clubs stretching back to the 1970s. Films represented span the years 1924 to 2011 and include work by directors hailing from Greece (Athina Tsangari); Japan (Yasujiro Ozu); the Czech Republic (Jan Svankmajer); Turkey (Nuri Bilge Ceylan); Armenia (Sergei Parajanov) and all points inbetween. US and UK directors as varied and wide ranging as Chris Petit, Shirley Clarke, Buster Keaton and Charles Burnett feature too. Supported by: The Glasgow School of Art Archives & Collections, GSA Exhibitions, GSA Communication Design Department, Glasgow City Council and Scalarama.

4. ‘Ultrasonic Glasgow’, 5-31 Oct 2019, Reid Ground Floor Corridor. ‘A celebration of The Glasgow School of Art’s contribution to the history and development of medical obstetrics ultrasound. The exhibition documented the early Glasgow pioneers of ultrasound, particularly the pivotal role of design in the development process through the work of the then graduating designer, Dugald Cameron, in his first paid commission, in transforming the industrial apparatus into humane and manufacturable designs that helped revolutionize the clinical management of antenatal treatment and care. It provides an insight into the thinking processes and innovative skills of the young designer. The exhibition brought the story up to date by showcasing current related research at GSA including a fascinating oral record of women’s lived experiences of ultrasound during their pregnancy in 1960s Glasgow, a critical examination of drawing practice in the art academy and its role in informing design, as well as the imaginings of future applications of the technology by GSA's young product design engineering students, a Glasgow School of Art and University of Glasgow joint programme co-established by Cameron in 1987.After a period in Industry, Cameron returned to GSA to become the Head of Product Design, Head of Design and then its Director between 1991 and 1999. This exhibition was curated by Professor Alastair Macdonald, Senior Researcher School of Design at GSA. Supported by: The Glasgow School of Art, The Royal Society of Edinburgh (Arts and Humanities Small Research Grant) and a GSA Research Development Grant. ‘Making Waves’, Professor Duguld Cameron OBE, The GSA Public Lecture Series, 29 Nov 2018, Royal College of Physicians and Surgeons Glasgow https://vimeo.com/310066410 ‘Ultrasonic Glasgow’, a short film by GSA Alumnus Callum Rice https://vimeo.com/303013461 For publication: http://radar.gsa.ac.uk/6988/

5. ‘The Arbitrary Ritual’, Claire Paterson, 15 Nov – 20 Dec 2019, Reid Ground Floor Corridor. Claire Paterson is a contemporary painter and graduate of The Glasgow School of Art. The Arbitrary Ritual


https://vimeo.com/310066410

https://vimeo.com/303013461

http://radar.gsa.ac.uk/6988/


showcases work inspired by collaborations she undertook while on the 2016-17 Steven Campbell New York Scholarship, which was funded by Creative Scotland, The Saltire Society and The Steven Campbell Trust. Paterson’s 3-month residency at the International Studio and Curatorial Programme (ISCP) in Brooklyn provided her with an exciting opportunity to work with other artists from around the world, exploring ideas related to the theatrical language embedded in totems and gestures. During the residency, she hosted a series of experimental collaborations, with participants using costume and installation elements to produce tableaus that have something in common with obscure ritualistic and arcane rites. In keeping with the aims of The Steven Campbell Trust, Paterson also used her time in New York to promote the legacy of Steven Campbell’s work and the contribution he made to the development of Scottish Art on the international stage.

2020 1. ‘Small Scale Works’, Michael Stubbs, Reid Ground Floor Corridor. 10 Jan – 2 Feb 2020.

‘Michael Stubbs’s paintings, which operate at the interface of abstraction and pop, are constructed by

combining poured, abstract configurations of transparent varnishes and opaque household paints

with ready-made graphic stencils. The repeated pouring, in conjunction with the pop signs, form a

physical process of sensual flat-on-flat layering that reveals multiple perspectives and optical depths.

This layering is part of the fracturing process, the breaking up or ‘exploding’ of a recognisable image, a

response, says Stubbs, to the ever expanding proliferation of broadcast and internet-based images

that fill our world. Amorphous shapes, sharp-edged logos, scything blocks of colour and silky veils of

tinted varnish intrude into Stubbs’ picture planes, fragmenting the surface; it is as though the

physicality of the works are coming up against the pixilation of the flattened, immaterial space of the

digital image. Stubbs interrogates and critically re-configures painting in an age of internet

information overload. Stubbs is a lecturer in Painting and Printmaking at The Glasgow School of Art.’


2. ‘Practicing Landscape: Land, Histories and Transformation’, Gallery 1, Lighthouse, Glasgow 25 Jan – 22 March 2020. This exhibition brought together the work of sixteen The Glasgow School of Art researchers, who are part of a research group called ‘Reading Landscape’. Artists include Nicky Bird, Susan Brind, Justin Carter, Alan Currall, Marianne Greated, Michail Mersinis, Christine McBride, Shauna McMullan, Lesley Punton, Frances Robertson, Ross Sinclair, Michael Stumpf, Amanda Thomson, Gina Wall and Hugh Watt. The Reading Landscape Research Group was initiated in June 2014 by Susan Brind (Reader in Contemporary Art: Practice & Events, Department of Sculpture & Enviromental Art) and Nicky Bird (School of Fine Art). The research group, based in GSA’s School of Fine Art (SoFA), provides a context for Fine Art practice and research interests through a programme of research seminars, and knowledge exchange in addition to practice-led research projects. https://www.flickr.com/photos/glasgowschoolart/sets/72157713288125582/ http://www.gsa.ac.uk/research/contemporary-art-curating/reading-landscape/ https://readingthelandscapesite.wordpress.com/

COVID-19, campus shuts to students and staff 17/18 March 2020, until safe to reopen.



http://www.gsa.ac.uk/research/contemporary-art-curating/reading-landscape/

https://readingthelandscapesite.wordpress.com/

32 years of glasgow school of art exhibitions 1988 - present day · 2020. 3. 31. · 32 years of...

Documents