3._ΤΑ ΟΝΕΙΡΑ ΣΤΗΝ ΚΡΗΤΙΚΗ ΛΟΓΟΤΕΧΝΙΑ_,Όνειρο Και...
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127
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132, .133. : Peri, M., , , .., (. 1), .188.134
, .135 . . : , , .., (. 127), . 349. .
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,147
,148,
,
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5. :
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--.150
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.151
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,
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. ,
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(., . , . 2, . 403-404),
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(., , . 2, . 111, 117-118).
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.155 , .
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.
(. , . 2, . 111, 120-123).
.
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156
:157
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(. , . 1693-1694).
, :159
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(. , . 9, . 589-590).
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2.
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3.
At the present work, we trip. to the dreams of the first and the later epoch of
the Cretan Renaissance Literature. At the beginning of this effort, I refer to the
love dreams of the Cretan-Venetian, M. Falieros, the dreams of death in Bergadis
Apokopos and Picatoros Rime and, then, to Josephs prophetic dreams in
Houmnos Cosmogenesis. The dreams, that follow, belong to the Cretan theatre,
such as the tragedies:Erofili,RodolinosandZenon, the comedies:Katzourbosand
Stathis, and the pastoral poem: Voskopoula. , of course, dont forget to refer to
Aretousas dream in the love novel,Erotokritos.
I especially focus on the making of dreams and the chose of words and
phrases which are usually being used at the beginning and at the end of every
dream. Beyond this, I refer to if and how literature dreams have common things
with the true nature of dreams. I continue with the narrative purposes of every
dream and their conclusions: if the writer intends to speak of forbidden themes
and wishes to express thoughts without censorship, if the narration is being
promoted or not and if the writers only purpose is to light out the character hewants, by expressing feelings and thoughts in a dream form.
At last, after having noticing a big percent of women dreams, I thought it right
to speak of those reasons which make women of Cretan literature, through
Renaissance, dream more than men. I examine the way a dream is being received
from the dreamers themselves, dividing them according to sexman, woman and
ageyoung, old. I continue by claiming that the way one reckons the dream seems
to reflect the way that he or she faces the difficulties of real life and especially inan era which follows, almost blinded, the dreams, as futuretellers.
91