Číslo: 39/2013 41. týždeňWWW.WAVEMAG.EU

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internet music television

internet music television

internet music television

internet music television

internet music television

Weekly news l Releases l Global Podcast lSlovak & Czech Sound l Your Parties l

Flashback l On Air l Specials l Partylist l

LützenkirchenNemecká tvár novodobého techna

N A J L E P Š I E Č Í TA N I E Z O S V E TA TA N E Č N E J A K L U B O V E J H U D BY N A S L O V E N S K U

WEEKLYwave

Who Sampled?Niekoľko najčastejšie samplovaných trackov

FlashbackSom DJ, som sexy!

OBSAH REDAKCIA Šéfredaktor:

Drahoslav Hanzel

Zástupca:

Lenka Opálková

Inzercia

Lenka Opálková

Editor:

Veronika Zeiselová

Grafika:

Drahoslav Hanzel

Redakcia:

Ladislav Szalai, Dennis Bartalský, Drahoslav Hanzel, Lenka Opálková, Veronika Zeiselová, Rob Leway, Jakub Škrovánek...

Názov a adresa vydavateľa:

Drahoslav Hanzel, P.J.Šafárika 378/17 Šaľa

Kontakt:

redakcia@wavemag.eu

PARTNERI

Chceš sa aj ty zúčastniť tvorby časopisu? Máš zaujímavé nápady? Posielaj nám svoje tipy na redakcia@wavemag.eu

CENNÍK INZERCIE VO WAVE WEEKLY

WAVE MAGAZINE SOCIALS

6 Interview - Lützenkirchen

Weekly News4

8 Releases

Global Podcast10

Slovak & Czech Sound12

14 Kde som to len počul…

18 On Air

16 FlashbackSom DJ, som sexy!

20 Specials

26 Partylist

WEE

KLY

NEW

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Klub Warehouse Project zaviedol drogové testy pri vstupeKlub Warehouse Project v Manchestri, kde minulý týždeň po užití neznámej drogy zomrel mladý muž a ďalších 15 bolo hospitalizovaných, zavádza nový program na prevenciu proti drogám. Od soboty 12. októbra sa budú všetky podozrivé nelegálne látky zaistené v klube ihneď testovať v prenosnom labo-ratóriu umiestnenom v prívese pri klube. Výsledky a varovania o ich zistenom obsahu budú následne

zdieľané cez sociálne médiá. Warehouse Project je vôbec prvým klubom v Británii, ktorý daný program vo svojich priestoroch zaviedol, ale podľa ohlasov najmä z rád občanov, určite nie posledný.

autor: Lenka

Indické policajné zložky sa rozhodli, že prekazia vy-darenú party v klube Posh, a tak headlinera Dasha Berlina počas jeho vystúpenia stiahli z pódia a zatkli. Dôvodom bola kontrola jeho pracovných víz. Po chvíli ho prepustili a celú túto frašku si môžete vďaka jeho fanúšikovi pozrieť aj vy.

Dash Berlin a jeho indický zážitok

V podaní tejto švédskej dvojky to však rozhodne ne-bude o športe. V Chicagu sa 26. októbra pokúsia v rámci ich setu vytvoriť svetový rekord s najväčšou vankúšovou vojnou v histórii. Uvidíme, či sa toto „ná-silie“ zapíše do dejín.

Dada Life sa pokúsia o svetový rekord

VÝSTAVA PRE ZVUKOVÝCH GURMÁNOV Budúci víkend sa v dňoch 19. – 20. októbra uskutoční v Bratislave výstava High End Slovakia 2013, kde sa predstaví špička z oblasti hifi, stereo a home cinema. Po minulom roku určite odporúčame a nezabudnite si priniesť vlastné CD alebo aj LP.

KTORÝ TRACK BOL TOTO LETO NA IBIZE TOP?Hudobná aplikácia Shazam spracovala svoje dáta za posledných 6 mesiacov a zistila, ktorý track bol na Ibize najpopulárnejší. Až dva mesiace bola na špici rebríčka skladba od Ninetoes „Finder“. Vypočujte si ju a potom si položte otázku, koľkokrát ste ju počuli na Slovensku.

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MÁTE RADI ROZPRÁVKY?Pre všetkých, ktorí sa radi zabávajú pozeraním rozprávaok máme celkom príjemné video. Jeho obsahom je zostrihaná časť animovaného filmu Ja Zloduch a o hudobnú stránku sa postaral... Veď to budete počuť sami.

Stránka Silk Road, na ktorej si zákazníci mohli dať do košíka kokaín, extázu či iné „vitamíny“, dokonca aj zbrane, minulý týždeň vďaka FBI ukončila svoju až trojročnú činnosť. Jej zakladateľ 29-ročný Ross Ul-bricht bol zadržaný a obvinený, z čoho asi, že?!

Online obchod s drogami padol

ZLÉ ČASY PRE KLUBOVÚ SCÉNU?To, o čom sa už dlhšiu dobu pošepkávalo, sa stalo skutočnosťou. Paris Hilton, známa aj svojimi nepo-darenými pornoscénkami predstavuje svoju novú skladbu. Producentom je Afrojack a my iba dúfame, že táto vec nás nikdy nebude otravovať z rádia..

„There are people who play records and there are DJ‘s who blow minds.“

Eddie Halliwell

Ben Long:

interview

Nemecký DJ a producent Lützenkirchen pat-rí medzi populárne tváre novodobého techna. Jeho tracky sa za posledné roky dostali do vy-davateľstiev z celého sveta a po svojom premié-rovom vystúpení na Festivale Pohoda, ho už 18.10. čaká party v bratislavskom Subclube.

Dozvedeli sme sa, že v 90tych rokoch si robil pro-motéra na Ibize. Čo to boli za akcie a pomohla ti táto skúsenosť v tvojej ďalšej kariére?

No, v podstate mi to nepomohlo vôbec, preto-že vtedy som o nejakej kariére vôbec nepre-mýšľal, ale určite mi to pomohlo v zlepšení mojej povahy, disciplíny a celkovo to bola veľmi dobrá skúsenosť. A vlastne hneď po návrate z Ibizy som začal s vlastnou produk-ciou, takže pomohlo to aj mojej mysli dostať sa do styku s klubovým zvukom.

Veľa dobrých producentov neprerazilo, lebo neboli v správny čas na správnom mieste alebo proste sa to len nepodarilo. Tebe sa to podarilo, ale je niečo z minulosti, čo ľutuješ, že si neurobil inak?

Hmm. Dobrá otázka. Ale asi nie, pretože moja cesta je len moja a stále som na nej a som spokojný, takže nemám čo ľutovať, hlavne čo sa týka mladosti. Možno neskôr, keď sa diali veci okolo tracku „3 Tage Wach“, som mohol jednu-dve veci urobiť inak.

Na projekte Interactive si spolupracoval aj s ve-teránom Jensom Lissatom, jemu sa teraz celkom dobre darí, napríklad aj na Beatporte. Ako sa ti pá-čia jeho nové veci? Čaká aj vás nejaká spoluprá-ca?

S Jensom sa poznáme dosť dlho, ale ja som sa pri-dal k Interactive až keď Jens a Marc Innocent projekt opustili, takže k spolupráci nedošlo. Vždy sme spolu chceli niečo urobiť, keď už som bol zabehnutý produ-cent, ale keď som sa presťahoval do Mníchova, tak to už nešlo.

Za ostatné sa často v rôznych štýloch objavujú staré známe melódie. Myslíš, že už producentom došli nápady alebo sú len leniví či si chcú len uľah-čiť cestu za hitom?

Je to jednoduché. Ableton, Samples a Loop Libraries. Skoro každý používa to isté, takže potom to je všetko podobné. Chceš znieť inak? Používaj iné veci, aby si vytvoril svoj vlastný sound a zároveň tie veci aj použí-vaj inak, to vidím ako cestu.

Stalo sa ti pred hraním, že si stratil alebo prišiel o platne, CDčká alebo čokoľvek, čo by ti prekazilo vystúpenie?

Samozrejme. Krádež, strata alebo zničenie po ceste, dávnejšie sa to stávalo často, do mesiaca som hral aj na desiatich rôznych miestach a platne boli háklivé. Ale posledné dva roky sa mi nič podobné našťastie

nestalo.

Leto sa skončilo, ktorý z eventov ti asi naj-viac utkvel v pamäti?

Mám taký, hral som v Rakúsku, ale zabudol som meno akcie. To bolo úplne šialené, nie-čo ako open-air v strede jarmoku alebo kar-nevalu, niečo neuveriteľné, ale zábava jak delo. :-)

Na Slovensku si zatiaľ hral iba raz, na festivale Pohoda. Ako si to pamätáš?

Bolo to super a dirty! A takto to mám rád. Áno, myslím, že na Slovensku som okrem Pohody ešte nehral.

18. októbra budeš hrať v Subclube v Bratislave. Je to klub s bohatou históriou, hrali tam napr. aj J. Mills, J. Ruskin, Regis, A. Weatherall, M. Broom atď. Tešíš sa trochu?

Úprimne, doteraz som o tomto klube nepočul, ale urči-te sa teším a chcem to vidieť naživo.

A nakoniec, aktuálne máš nejakých obľúbených producentov?

Samozrejme, momentálne u mňa vedie Maceo Plex.

autor: Drahosh

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BOOKA SHADELove IncNemecké duo Booka Shade prichádza s novým deepovým releasom. Ich EP s názvom Love Inc vychádza v týchto dňoch na značke Blaufield. Na re-lease nájdete okrem originálnej verzie ich skladby aj remixy od uznávaných producentov Hot Since 82, Butch či Richie G. Release nájdete už teraz na Beatporte.

RELEASES

HOUSE TECHHOUSEDEEP HOUSE PROGRESSIVEHĽADAJ SVOJ ŽÁNER PODĽA FARBY!

MACEO PLEX FEAT FLORENCE BIRDGoing Back

MARKOMASHappy People

JORGE MONTIAReady To Funk

THE MADISONYou‘ve Got Some

FEDERICO SCAVOFunky Nassau

ROBIN THICKEGive It 2 You

RHYTHMIC GROOVESomething In The Air

TONY ROMERADrakarta

RUI DA SILVAThe Full Circle EP

HAILING JORDANPeace

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TRANCE DRUM&BASS DUBSTEPTECHNO, HARDTECHNO BREAKZ HARDCORE MINIMAL

SIWELLThe Yourney

ANDREY PUSHKAREVPaolo Tocci

501Beat The System

VARIOUS ARTISTSLive From The Future

PLEASUREKRAFTSinister Strings

MARK KNIGHT & STEFANO NOFERINIThat Sound

ALBERTO TOLOThe House Nation

ALAN BACKDROPSalco

DEETRON & BENWESTBEECHRhythm

TOMY DE CLERQUEPush

INNERLIGNZulu

BUKES FINEZTWrong Friends

KOVEMeasures

CURSAFlange

PHACEVitreous

FADEGuideline

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THE BEST OF GLOBAL

PODCAST

HOUSE TECHHOUSEDEEP HOUSE PROGRESSIVE

OCTOBER MIXIgor Tchkotua a Dan Duncan sa po prvý raz stretli počas letu lietadlom do Španielska v roku 1999. Zmes vplyvov, ktoré sa ich dotýkali vytvorili špecifický sound, vďaka ktorému ich techno ľahko rozoznať.

PIG & DAN

Mark Knight založil label „Toolroom Records“, ktorý oslávil už desaťročie fungovania. Pri tej príležitosti tento rok navštevuje rôzne kluby a medzi nimi aj Ministry of Sound Londýne. Ako to tam znie si vypočujte tu.

MARK KNIGHT

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LIVE @ THE GALLERY

Tvár pána z titulky jarného vydania magazínu Wave iste dobre poznáte. Maximálne sústredenie za mixom je to, čo vystihuje meno Dave Clarka. Techno legenda prináša live set a s ním nadupanú hodinku.

DAVE CLARKE

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WHITE NOISE

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Každý týždeň to najlepšie z celého sveta

TRANCE DRUM&BASS DUBSTEPTECHNO, HARDTECHNO BREAKZ HARDCORE MINIMAL

RESIDENTHernán Cattáneo začal svoju kariéru ako DJ v malom argentínskom rádiu, ktoré sa zaslúžilo o šírenie elektro-nickej hudby v krajine. Podcast si pre vás namixoval v príjemnom, nenáhlivom tempe deep housu.

HERNAN CATTANEO

HARDWELL

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ON AIR

Ed Keeley z anglického mesta Brighton je drum&bassovej komunite iste dobre známy najmä pod svojim pseudony-mom Friction. Verejnopráve BBC Radio 1 je narozdiel od nášho SRo pekne popredu, keďže tam môžete počuť aj niečo takéto.

FRICTION

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BBC RADIO 1

Hardwell je 25 ročný talent, ktorý ako-inak pochádza z Holandska. Od 13tich rokov sa venuje DJingu a hudob-nej produkcii sa začal venovať v roku 2009. Odvtedy nás zásobuje svojským pohľadom na electro house.

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t

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SOUNDSLOVAK CZECH&

HOUSE TECHHOUSEDEEP HOUSE PROGRESSIVEHĽADAJ SVOJ ŽÁNER PODĽA FARBY!

Breakbeatový producent Macho sa postaral o ďalší zaujímavý remix. Tento krát to bolo pre ruského producenta, ktorý vystupuje pod me-nom F-Word a remix bol vydaný na značke

KindCrime Recordings. Celý release si môžete už teraz stiahnuť z Beatportu alebo vypočuť na SoundCloude.

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F-WORD Ti Gu Li (Macho Remix)

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NEW STUFFREMIX

MASHUPBOOTLEG MIXES

SMOLYAj bratislavský DJ Smoly sa môže pochváliť novým setom, v ktorom si vypočujete jeho prierez širokým spektrom žán-rov techna a house.

PRONKGalantský drum&bass DJ na-mixoval guestmix k pripravova-nej party RÉVolution. Započú-vajte sa do jeho definície štýlu drum&bass.

MITH WHITENová show Housetime.sk už naplno fičí v rádiu Frontinus. Dajte si práve teraz selekciu toho najlepšieho tech housu v podaní Mith White.

CLIVEPopulárny DJ Clive nahral svoj minimix aj pre drum&bass show Signall_FM. Tento výborný set si môžete vypočuť už teraz na MixCloude.

TRANCE DRUM&BASS DUBSTEPTECHNO, HARDTECHNO BREAKZ HARDCORE MINIMAL

Do rubriky Slovak & Czech So-und sa dostal aj tento techhou-se mix od DJa, ktorý si hovorí Hendriks. Jeho októbrový mix si môžete vypočuť práve teraz.

Pošli nám aj ty svoj track, bootleg, mashup alebo set na redakcia@wavemag.eu a možno ti ho uverejníme v najbližšom vydaní!

CLICK& PLAY

Producent zo stredného Slovenska, Mathias Moor nám do redakcie poslal výborný boot-leg známej veci Dream State. Jeho bootleg je príjemnou progresívnou záležitosťou a môžete si ho stiahnuť FREE na jeho SoundCloud channele. q PLAY

QUINN FEAT. DANIEL BARONDream State (Mathias Moor Bootleg Remix)

Z Lučenca pochádza ďalší mladý DJ, ktorý sa venuje produkcii. Jeho pseudonym Ivo Pavko vám možno nie je známy, avšak svo-jou hudbou sa snaží dostať do povedomia verejnosti. Vypočujte si jeho najnovší track na Beatporte. q PLAY

IVO PAVKODreaming

Zo susednej Českej republiky pochádza dubstepový release vydaný na značke Delta Recordings. Ide o jedinečný projekt, na kto-rom sa nachádza až 20 dubstepových trac-kov od producentov z Českej republiky, ale aj iných krajín. Release bude vydaný najbližšie týždne.

VARIOUS ARTISTSHeadshout Compilation

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HENDRIKS

Už desiate pokračovanie pod-castu s názvom Substance Session obsahuje selekciu toho najlepšieho v podaní DJ Styllera. Počúvaj teraz!

STYLLER

KDE SOM TO LEN POČUL… (ČASŤ. 1)

Niektorí túto skladbu volajú aj prvým deep housovým trackom. Originál skladby v inštrumentálnej verzii bol vy-daný v roku 1986 na EP „Washing Machine“chicagskym producentom Larrym Heardom alebo Mr. Fingers. Om-noho známejšia verzia ako originál je remix skladby z roku 1988, ktorý obsahuje vokál od Chucka Robertsa „In the beginning, there was Jack, and Jack had a groove ...“. Pôvodnú verziu určite poznáte, no v koľkých ďalších mutáciách ju poznáte vy? My sme našli tieto, ale isto ich je viac.

MR. FINGERS Can You Feel It

Keby sme premýšľali nad tým, ktorá je najpoužívanejšia technika producentov elektronickej hud-by, iste by to bolo samplovanie. Schopnosť vytiahnuť zo skladby istú časť a dať ju do chytľavého loopu sa však v poslednom čase šíri ako mor a pri počúvaní mnohých skladieb vám často prebehne hlavou myšlienka „kde som to už počul?“ Možno vám pomôžu tieto štyri, podľa nás, najviac používané sample.

Marshall Jefferson je známy aj ako otec housu. Tento žáner výrazne ovplyvnil v roku 1986 vydaním EP „The House Music Anthem“ (asi vedel, prečo ho tak nazýva) so skladbou „Move Your Body“, v ktorej ako prvý použil v house piano. Aj keď ste si to možno neuvedomili, ale sampel z tejto skladby boli použité aj napr. v skladbách od Technotronic, Stefano Noferini a iných.

MARSHALL JEFFERSON Move Your Body

Fort RomeauJack Rollin

AC SlaterJack Got Jacked

SSR To Be House

TechnotronicPump Up The Jam

Jeff MillsMove Your Body

Chris KaeserWho’s In The House

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Píše sa rok 1992 a britská skupina Nightcrawlers vy-dáva album „Let´s Push It“, kde ako prvá skladba je práve „Push the Feeling On“. Umiestnila sa na vrchole rebríčkov v 10tich krajinách Európy a jej reedícia v roku 1995 spôsobila ešte väčší ošiaľ. Vraví sa, že značná časť „inšpirácie“ k tejto skladbe pochádza z iného známeho tracku vydaného ešte v roku 1990, a to Robin S „Show Me Love“. Rádiovým poslucháčom určite ne-treba melódiu pripomínať, v rovnakej podobe ju použil Pitbull, či Bob Sinclar v remixe pre Rihannu.

NIGHTCRAWLERS Push The Feeling On

Ak ste si skladbu pustili určite ste prekvapene počúvali, kde sa prvýkrát objavila tá známa populárna melódia. Od roku 1979 spustila táto melódia vlnu samplovania a v roku 1995 sa objavila v skladbe od The Bucket-heads „The Bomb (These Sounds Fall Into My Mind)“ Od tohto okamihu spopularizovala a pozná ju snáď každý. Z ďalších jej verzií ponúkame napr. od Hysteric Ego „Want Love“ alebo od Nicola Fasano vs Pat Rich – 75 Brasil Street.

CHICAGO Street Player

PitbullHotel RoomService

RihannaDon’t Stop The Music (Bob Sinclar Remix)

The BucketheadsThe Bomb

Nicola Fasano75, Brazil Street

WHO SAMPLED?

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SUPERSTAR DJHovoríme o popredných DJoch sveta, umiestňujúcich sa pravidelne v rôznych rebríčkoch TOP 100 Djs. Sú to ľudia, ktorí hrajú len veľké akcie, takže tu nedostatok nápadníčok s veľkou istotou nehrozí. Títo chalani majúci status rockových hviezd dostanú dievčatá na pohyb viečka. Vždy si pekné fanynky odsledujú a potom ich jednoducho prenasledujú. Samozrejme, ide jedine o najkrajšie a najviac sexy ženy večera, žiadna druhá liga. Šance na úspech: 95 až 100%

DJ NA ŠTUDENTSKÝCH PÁRTYVäčšina z nás už určite bola na študentskej párty, či imatrikulačkách a vo veľkej miere je možné, že aj mnoho z nás opitých. DJ na takejto úrovni má veľkú šancu neísť domov sám, najmä (aj keď nie výhradne) kvôli al-koholu a statusu študentskej kultúry. V mo-jich študentských rokoch (nebol som vtedy DJ), si dodnes pamätám jednu babu, ktorá vždy čakala na koniec párty, aby mohla DJa zbaliť. A nebolo potrebné s ňou počas jeho setu ani hovoriť. Šance na úspech: 30 až 35%

DJ V KLUBOCH NA ÚROVNISú možno dobrí DJi, ale nemusia sa nut-ne hraním živiť. Je to ich koníček, za ktorý dostanú dobre zaplatené. K svojim hraniam inklinujú vo svojom voľnom čase a majú okrem pozície DJa aj veľa iných aktivít. Pod-ľa toho, ako dobre vyzerajú, dostanú spra-vodlivo aj množstvo obdivných pohľadov z radu žien. Avšak pokiaľ DJ nehrá dobre a ľudí nebaví, tak rýchlo môže jeho kariéra aj skončiť. A pozor, menšia výstraha: chudob-ný DJ na tejto úrovni nemá žiadnu šancu. Šance na úspech: 45 až 50%

DJ NA SVADBÁCH A OSLAVÁCHTento typ DJa si často zarába na živoby-tie hraniami práve iba na svadbách, či ro-dinných oslavách. Sú to často muži aj nad 50 rokov, vyzerajú síce dosť priateľsky, ale v skutočnosti toto povolanie nerobia kvôli ženám. Jednoducho si urobia svoju prácu, zarobia si a potom odídu domov. Ak ich prí-padne aj nejaké ženy oslovia, reagujú na ne veľmi zriedkavo. A ak sú trochu opití a zúfalí tak rovno žiadajú potencionálne nápadníčky o ruku... Šance na úspech: 8%

TOP KLUBOVÝ DJTíto chlapci hrajú vo väčšine prípadov pred všetkými veľkými menami v najlepších klu-boch sveta. Môže sa jednať o vynikajúcich DJov - nechceme síce nikoho uraziť, ale sú zoradení tesne pod najvyššou úrovňou v pyramíde úspechu DJov. Sú často rovnako tak dobrí, ak nie ešte lepší ako superstars na vrchole pyramídy, ale bez veľkého hum-buku a slávy. Pravdepodobne zažívajú me-nej pozornosti, ale ich šance sú skoro stále tak rovnaké ako u kolegov vyššie. Šance na úspech: 92 až 95%

BAROVÝ A KRČMOVÝ DJ Niektoré bary a krčmy sú zárukou veľkej zábavy a ak je ešte hudba aj dobrá, každý môže tancovať kde len chce, dokonca aj na bare. Tento druh DJa je medzi priateľmi veľmi známy a je zárukou toho, že ak ho požiadate o vytvorenie dobrej atmosféry, tak vás určite nesklame. Pri rôznych okolnostiach sa však môže stať, že bar zíva prázdnotou a jeho šance na úlovok prudko klesajú. Väčšinou je to však práve on, kto chodí za dievčatami a pýta sa ich, čo robia neskôr.Šance na úspech: 20 až 25%

Určite ste už o tom počuli. Každý, kto je DJ, môže mať dievčat koľko sa mu len zapáči. Ale aká je však pravda? Je všeobecne známe, že najznámejší DJs sveta biedu s opačným pohlavím určite netrú. Ale čo taký chlap, ktorý hráva v sobotu večer študentské diskotéky? Buďme k sebe úprimní a priznajme, že mnoho mužov sa DJingu venuje iba kvôli tomu, že tak cítia väčšiu šancu zbaliť nejakú dievčinu. Týmto sa ospravedlňujeme všetkým DJ-kám, ale 90% z DJov sú proste muži. Samozrejme neznamená to, že po každom DJovi sa automaticky vrhajú všetky ženy sveta. Ale bez ohľadu na to, aký typ DJa ste, vám poradíme jedno. Hrajte to, čo si myslíte že na dotyčné potencionálne ctiteľky platí.Kvôli lepšiemu prehľadu vám ponúkame nasledujúci rebríček, ktorý obsahuje jednotlivé typy DJov, zoradené v percentuálnom vyjadrení, podľa možnosti úspešne zbaliť nápad-ničku nielen z parketu.

SOM DJ, SOM SEXY! FLASH BACKStr. 12 - 13 Wave č.1/2012

16 WAVE WEEKLY WWW.WAVEMAG.EU

llllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll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llllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll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lllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll lllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll

PREČO SA PAUL STÁLE OBZERÁ V ZRKADLE?SHato: Paul sa totiž nepozerá do zrkadla, ale zrkadlo sa pozerá na

Paula.Paul: Kvôli ženským (pozn.redakcie použili sme až príliš slušný výraz)

nesprávne

JE STÁLE PAUL TAKÝ ZAVISLÝ NA COUNSTERSTRIKE?SHato: Už ani nie. Teraz má ženy a alkohol.

Paul: Ani nie, teraz skôr kosíme zombíkov v Left 4 Dead 2.nesprávne

MYSLÍŠ, ŽE PAUL JE V PRODUKCII AKTÍVNEJŠÍ AKO TY?SHato: Nie, aktívnejší som ja. Paul má na starosti iné záležitosti, ako

je prísun Jägermeistru, žrádla a žien.Paul: Vôbec. Som strašne lenivý. Máme prácu jasne rozdelenú - SHa-to dre, já inkasujem, prezerám sa v zrkadle, rozvážne investujem naše peniaze do liehovarníckeho priemyslu a občas zájdem SHata skontro-

lovať, či sa neulieva alebo neumrel od hladu.správne

DAJ NEJAKÝ PAULOV ZLOZVYKSHato: Myslí, že má vždy pravdu.

Paul: Čúram v sprche.nesprávne

V KOM HĽADÁ PAUL HUDOBNÚ INŠPIRÁCIU?SHato: Arty, a až potom som to ja.

Paul: Na dne fľašky.nesprávne

PAULOV OBĽÚBENÝ SERIÁL?SHato: Californication.Paul: Californication.

správne

ČO NEMÔŽE NIKDY CHÝBAŤ V PAULOVEJ CHLADNIČKE?SHato: Jäger, žrádlo a ženy (pozn. redakcie: ženy???)

Paul: Jäger a pleseň (dajme tomu)

KDE TRÁVI PAUL NAJRADŠEJ VÍKENDY?SHato: Všade kde sú zrkadlá.. veľa zrkadiel. A kde nie sú zrkadlá, tak

tam kde sú činky a chladnička s Jägerom, žrádlom a ženami.Paul: So SHatom v štúdiu, s kamarátmi Moodies a v podstate kdekoľ-

vek daľeko od kreténov. Tých je tu totiž všade strašne moc.(Kedže so SHatom v štúdiu je vždy aj Jäger, zrkadlá, žrádlo a

ženy, tak odpoveď považujeme za správnu)

Veľa ste toho nenabojovali, ale o to väčšia sranda to bola, a o to nám presne išlo :) Mimochodom, koľko ste si chalani zarobili za takú masívnu

reklamu na Jägermeister?

DJ Z PRÍVESUTento chlap urobí počas nedeľnej noci v prívese grilovačku spojenú s diskotékou a vytiahne všetky najnovšie top 40 hity. Cez mikrofón dokáže kričať tak hlasno, ako je to len možné medzi každou Rihannou, Bey-oncé, Lady Gaga alebo spieva falošne rôz-ne melódie, ktoré môžu spôsobiť krvácanie v ušiach malých detí. Má veľkú spotrebu alkoholu a bohužiaľ jeho sety takmer vždy skončia bitkou a jeho technika obliata lac-ným pivom. Šance na úspech: 7%

DJ DÔCHODCANáš posledný kandidát v rebríčku baví väčšinou postaršie publikum. Nesmejte sa, všetci raz budeme starí. V jeho repertoári nechýbajú skladby od Heleny Vondráčkovej a domnieva sa, že ak bude hrať osvedče-né hity, nevyjde určite naprázdno. Bohužiaľ, jeho úspech závisí od toho, či mu jeho pes-tún pred večerou nepomiešal lieky. Ak sa mu predsa len nepošťastí dáma z parketu, naprázdno nemusí obísť pri obliehaní ku-chynského personálu v domove dôchodcov.Šance na úspech: -2%

Pozrite sa, vieme, že tento člá-nok môže vyzerať smiešne a

nereálne. Ale z vlastných skúseností vieme my aj vy, že mnoho z nedočka-vých samcov sa uchyľuje k povolaniu DJa naozaj kvôli ženám a možno tým aj preberá miesto niekomu, kto to chce robiť naozaj s chuťou alebo preto, že ho to baví. Nech tento rebríček a hlav-ne spodné priečky slúžia ako výstraha všetkým tým, čo to s DJingom nemyslia vážne.

„

“ Momentálne veľmi populárna česko-slovenská dvojica, ktorá vyvolala veľký

rozruch na svetovej trance scéne. O oboch členoch zoskupenia sme si písali v čísle 3/2011, teraz vám ponúkame menej duchaplný, zato naozaj vtipný kvíz o

tom, či sa dvojica pozná natoľko, aby mohla spolu zostať aj naďalej.

PAULROCKSEEK

SHATO

WWW.FACEBOOK.COM/WAVEWEEKLY WAVE WEEKLY 17

18 WAVE WEEKLY WWW.WAVEMAG.EU

SINGLOVE OBRÁTKY LIVE

Každý týždeň tanečná hitparáda DJ TOP 10 a trojica noviniek, hosťovský DJ mix v rubrike DJ On The Phone. V druhej časti si opäť zaspomíname na staré dobré tanečné hity v rubrike Dance Flashback a nebude chýbať ani súťaž o voľné vstupenky do klu-bov.

Každý piatok 20:00 - 22:00Beta Rádio

HVIEZDY DISKOTÉK

Hviezdy dostali v októbri mladšieho brata v podobe housetime.sk. Po hodine a pol EDM, si doprajeme rovnako dlhú siestu v podobe rovného beatu v štýloch house a tech house. O hovorené slovo, výber trackov a mixovanie sa postará opäť Mirec.

Každý štvrtok 19:00 - 22:00Rádio Frontinus

SIGNAII_FM

Veľká nádielka drum&bassových noviniek aj horúcich ešte nevydaných trackov ťa aj teraz čaká v show Signall_FM. Špeciálny hosť v štúdiu bude DJ Presha z Nového Zélandu. Porozpráva o svojom pohľade na súčasný drum&bass a naživo zahrá mixo-vaný set.

Každá nedeľa 22:00 - 00:00Rádio_FM

GET FUN

V Get Fun si už v sobotu o 9tej večer vy-počujete dve hodiny nadupanej hudby. Milan Lieskovsky sa bude venovať pripravovanej Get Fun Tour 2013, na ktorú budete môcť vyhrať aj lístky. Sajfa odprezentuje svoj hu-dobný tip na tento týždeň a ku koncu si vypo-čujete aj drum&bass mix v podaní DJ NPC.

Každá sobota 21:00 - 23:00Fun Rádio

20 WAVE WEEKLY WWW.WAVEMAG.EU

S P E C I A L S

MIX OF THE WEEK - SPACE - CLOSING FIESTA

MIX OF THE WEEK

V rubrike Mix of the week si zvyčajne pre vás vyberiem jeden set, ktorý v daný týždeň zaujme moju pozornosť a predstavím vám jeho autora. Tentoraz však prichádza trošku zmena, pretože set nebude jeden, ale bude ich niekoľko... Nejde iba o zvukový záznam, ale o videá! Vi-deá priamo z klubu Space, kde sa 6. októbra konala ak-cia s názvom „Closing Fiesta“. Na videách môžete vidieť samé hviezdne mená: Carl Cox a Nic Fanciulli v B2B sete, Nina Kraviz, Pleasurekraft, Guti, Remo, Josh Wink či Uto Karem. Klub Space na Ibize píše svoju novodobú históriu od roku 1989, kedy pôvodný klub prešiel veľkou rekonštrukciou a nadobudol vzhľad „diskotéky“. V rokoch

2005, 2006 a opäť v roku 2012 získal tento klub pre-stížny titul „Best Global Club“ na IDMA. Vlajkovou loďou klubu Space sú parties s názvom „We love Sundays“, ktoré svoju tradíciu začali už v roku 1999. Počas týchto akcií sa klub otvára o 16:30 v nedeľu a ľudia sa môžu za-bávať až do 6tej rána. Ibiza je určitou verziou Mekky pre clubberov, tak si doprajme aspoň trošku z jej atmosféry vďaka videám. Enjoy!

autor: Shiwave

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22 WAVE WEEKLY WWW.WAVEMAG.EU

S P E C I A L S

CHASE & STATUS

ARTIST OF THE WEEK

Chase & Status je elektronická hudobná producent-ská dvojica z Británie, ktorú tvoria Saul Milton (Cha-se) a Will Kennard (Status). Na koncertoch, ale aj pri komponovaní hudby ich dopĺňajú MC Rage & Andy Gangadeen. Prvé produkcie vyšli už v roku 2004 ako napríklad remix pre Future Cut nasledovaný radom hymnických skladieb pre labele Breakbeat Kaos, Bin-go Beats a Ram Records. Po rade vystúpení po celom svete sa im v roku 2008 podarilo vydať debutový album „More Than Alot“. V roku 2009 začínajú vystupovať ako live projekt, s ktorým sa vydávajú na turné po takmer

všetkých kontinentoch. V tomto období podpisujú na-hrávaciu zmluvu s veľkým labelom Vertigo/ Mercury Records, ale tiež zakladajú vlastnú značku More Than Alot Records, špecializujúcu sa na dubstep a deep ho-use. V roku 2011 sa stali najpredávanejšou kapelou v UK. V roku 2012 postupne začínajú pracovať na novom albume s názvom „Brand New Machine“, ktorý vyšiel 7. októbra 2013. Nový album je ohliadnutím za rave érou rokov 90tych.

autor: past rascal

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TVOJ KLUBOVÝ PROGRAM NA NAJBLIŽŠIE TÝŽDNE S WAVE

PARTYLIST

Pošli nám aj ty svoj tip na party na mail veronika@wavemag.eu, ak bude žánrovo vyhovovať magazínu, tak ho uverejníme.

CARL COX AT CITADELAINCHEBABrnoPiatok 11.10.2013Techno, MinimalCarl Cox, Lucca, Jon Rundell, Subgate, Chris Sadler, Wilda...

SUNDANCE IN THE CLUBPONORKAPrešovPiatok 11.10.2013House, Tech HouseDrahosh, Folly, Robin

PAPPI B-DAY PARTYCASEYBratislavaPiatok 11.10.2013Vstupné: 5€ HousePappi, Breeth, Smoly & Semtex, Tino

MOODY NIGHTGIARDINO CAFÉTornaľaPiatok 11.10.2013Deep House, Tech HouseSauberstaub, DNS, Gustawson + VJ Mowo-nic

MÁLORADOSŤBratislavaPiatok 11.10.2013Techno, MinimalToky, Loktibrada, Violet-ta, Kevi

SIGNALL_FM NIGHTKC DUNAJBratislavaPiatok 11.10.2013Drum&bassTokyo Prose, Presha, Clive, Twist, Lixx

DUBFLEX DUBBASE.FM NIGHTSUBCLUBBratislavaPiatok 11.10.2013Drum&bass, Dubstep, Trap

Breezer, LX Sounder, Genetic Krew, Dubsho-ock

CONSISTENCELÚČTrenčínPiatok 11.10.2013HouseYacube, Treto, Sten, Filo, Tiff

IMPORTANT IN THE HOUSECMCNové Mesto nad Váhom Piatok 11.10.2013HouseMaggi, Thomas Dexter

TECHNO DEAFPIXEL MUSIC PrešovPiatok 11.10.2013Vstupné: 2€ / 3€Techno, MinimalIka Sali, Julien G, Dragon Hoang, Preset & Webber, Mogola & Tomtie

BÓNUSZ FESTIVALHUNGEXPOBudapešťSobota 12.10.2013Techno, MinimalCarl Cox, Dubfire, Sander van Doorn, Mark Knight, Fitz Kalkbrenner, Sasha Carassi...

SUNDANCE IN THE CLUB U HRICKAHanušovce nad TopľouSobota 12.10.2013House, Tech HouseFolly, LayDee Sue, Robin

DNB FUSION VOL. 15VINYL MUSIC CLUBNitraSobota 12.10.2013Drum&bassPsycho, Infra&Structure, Mir - G, Bakkly, Pronk

DELIGHTYES!PrahaSobota 12.10.2013HouseBollo, Cuba, Sebü Bee

STUDENTS IN DA HOUSE IBIZAKošiceStreda 16.10.2013House, Tech HouseDrahosh, AZ-Best

LEPORELO_FM PARTYNU SPIRIT CLUBBratislavaPiatok 18.10.2013House, Tech HouseAkufen, Milos, Baltazaar, Skank, Subminimal Ses-sion, PLUSplus, Benco

IMAGINATION FESTIVALEXPO HOLEŠOVICEBrnoPiatok 18.10.2013Drum&bass, Hardstyle, Hardcore, Hardtechno Dirtyphonics, Wilkinson, Calyx & Teebee, Black Sun Empire, Forbidden Society, Loadstar...

PLATFORM BEATSUBCLUBBratislavaPiatok 18.10.2013Techno, Tech HouseLutzenkirchen, Loktibra-da, Breeth, Volton Vegma

SHIFT!PERPETUUMBrnoPiatok 18.10.2013Techno Julyukie a.k.a. Juliana Yamasaki, Bari, Nois, Tomas Ivicic, Carl W

MEGA COOLTURAK SHOW VOL. 3DKBrusnicaPiatok 18.10.2013Tech House, Electro, Prog-

ressiveLayDee Sue, Toffy, Lu-bosh, Pette Laure

DIAMONDS IN THE SKYSKYSninaPiatok 18.10.2013House, ProgressiveRichard Reynolds, Robin, Folly, Beat, Drey

BEATLINE VOL. 1BATELIĚRBratislavaPiatok 18.10.2013House, Drum&bassHemoglobine, Annita CZ, Freemind, Kutlo, IM3, Martin Dee, Deagon, Uwex, Alzi

BREAKSTORMINGSTORMPrahaPiatok 18.10.2013Breaks, Deep House, Tech House, FunkA. Skillz, Fucko, Kaplick & Saku aka Dummy, Fat-ty, Thomas Sky, Shorty

CLUB GUIDE CLUB FE-ELINGREDUTALiptovský MikulášPiatok 18.10.2013HouseThomas Dexter, I.Van Vesel

CLUBOWICAONYXBreznoPiatok 18.10.2013TechnoGoyaa, Beat Synonym, Mola, Mlyno, Kaffu

HALLOWEEN THERAPY SESSIONS SPYPartizánskeSobota 19.10.2013Drum&bassDonny, Hallucinator, For-bidden Society...

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WAVEMIXLAB PARTYMANHATTANŠamorínSobota 19.10.2013House, Tech House, Prog-ressive, ElectroStereo Palma, Bozóky vs. Lipóczy a.k.a. Katapult DJ, EKG, Marco

PLAYGIRLSMINISTRY OF FUNBanská BystricaPiatok 25.10.2013Tech House, House, Prog-ressive, ElectroViktoria Metzker, E-Lite, LayDee Sue

REACTION CONTROLENJOYCLUBŽilinaSobota 26.10.2013Techno, House, Tech HouseBen Long Space DJz, Toky, Sepromatiq, Gri-ning, Derma & Marosh, Extaza, Deagon, Kukuri-ca, The X, Cherma, Jema

DNB.SK presentz PANA-CEA - LIFTED SESSION SUBCLUBBratislavaSobota 26.10.2013Drum&bassPanacea, Huspi, Matis, Swatch, Spiro, NoiseVi-zioN VJs

GOOD VIBES - PREMIE-RE NIGHTMETROCLUBŠaľaSobota 26.10.2013House, Tech House, FunkyDrahosh & friends

BRAINOFFRADOSŤBratislavaUtorok 29.10.2013Techno, Minimal, Tech House, ProgressiveAamon, Casual, GoEu-rope

TECHNO DEAFBATELIÉRBratislavaPiatok 1.11.2013Vstupné: 5€Techno, MinimalThomas Tribal & B. Slave, Miss Rodez, Dragon Hoang, Anfree & Tanya, Aghi, Weepl, Mailo

APOKALYPSABOBYCENTRUMBrnoPiatok 22.11.2013Vstupné: 27,42€Techno, MinimalSasha Carassi, A.Paul, Joseph Capriati, Hora-cioCruz, Eric Sneo, Miss DJAx, The Advent & In-dustrialyzer, Kaiserdisco, Jay Lumen...

TRANCEFUSION OLD SCHOOL EDITIONMINISTRY OF FUNBanská BystricaSobota 9.11.2013Trance, ProgressiveJohan Gielen, Kai Traicid, Scot Project, Shog, Tho-mas Coastline

TRANSMISSIONO2 ARENAPrahaSobota 30.11.2013Vstupné: 45€Progressive, Electro, Hou-se, Techno, MinimalMarkus Schulz, Ørjan Nil-sen, Cosmic Gate, Arnej, Tomas Heredia, Sneijder, Thomas Coastline, Thrill-seekers...

MAGNETIC FESTIVALPVA EXPOPrahaPiatok 20.12.2013Vstupné: 43€Progressive, Electro, Hou-se, Techno, MinimalLaidback Luke, Yves V, Dyro, more TBA

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