MUSIC MOVES YOU

2013-2014 SEASON

Luis Biava, MUSIC DIRECTOR

M M Y

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New Albany Symphony Orchestra

Friends,

We strive to always be inclusive in our programming – Music is for everyone…Or is it?

As we sat down to plan our season this year, it dawned on us that people with hearing impairment are highly unrepresented in the concert hall. Why would a “hearing” activity be entertaining or even relevant to the deaf? After doing a bit of research, we were surprised to learn that approximately 12% of the U.S. population—or 38 million Americans—have a signifi cant hearing loss. Now imagine being a deaf musician, or a composer none the less, whose job it is to create harmonious sound. Such was the case for one of the most famous musicians in the world—Ludwig van Beethoven.

When Beethoven completed his Ninth and fi nal symphony, he had become completely deaf. As a matter of fact, during the premier on May 7, 1824 in Vienna, the soprano soloist had to signal Beethoven to stop conducting when the piece ended, and physically turn him around to accept his applause. Th e audience threw handkerchiefs and hats in the air so that Beethoven, who could not hear the applause, could at least see the festive reception of his fi nal symphony. We will open the season with the powerful sight of a full orchestra and chorus performing Beethoven 9. Although Beethoven could not hear the music, he could certainly feel the passion in this tour-de-force.

In December, we bring back our popular “Holiday Spectacular,” featuring local celebrities and the winner of our student concerto competition – a musical celebration for the eyes and the ears. Be sure to come early to take part in our Holiday Gift Basket Fundraiser event in the lobby! In February, we celebrate the music of the movies in our “Let’s Go to the Movies!” concert – all your favorites from Harry Potter to Superman will be performed on this Oscar-winning afternoon.

In April, we are pleased to welcome world-class pianist Jon “Jackie” Kimura Parker, who will perform Beethoven’s beautiful Second Piano Concerto. We have tailored this performance with our deaf and hearing impaired community in mind—balloons will be distributed to audience members so they will be able to feel vibrations from the sound waves. Additionally, John Adams’ “Short Ride on a Fast Machine” will include a laser light show that will be timed to the pulsating rhythms on stage. Dramatic sign language interpreters will guide us through the emotions of Holst’s Th e Planets, and large on-stage screens will enhance the performance.

Music IS for everyone – we just need to make a few adjustments to enhance the traditional concert setting. Th ese are all concerts you will not want to miss! We look forward to seeing you at our events throughout the year!

Fondly,

Heather Garner Luis BiavaExecutive Director Music Director

WELCOME TO THE 6TH ANNIVERSARY SEASON!

New Albany Symphony Orchestra

MEET THE MUSIC DIRECTOR

LUIS BIAVAMusic Director

Th ese concerts mark Luis Biava’s sixth season as Music Director of the New Albany Symphony Orchestra. Mr. Biava also serves as cover conductor for the Columbus Symphony Orchestra. His recent engagements include the National Orchestra of Guatemala and the Orchestra-Society of Philadelphia. He has been reengaged in Guatemala for two subscription weeks to perform and conduct Beethoven’s Triple Concerto and Mahler’s Fifth Symphony. He also conducted two weeks with the Bogota Philharmonic in August of 2011. He has conducted Orquesta Sinfonica Nacional de Colombia on tour and a joint concert of the Orquesta Sinfonica de Bogota and the Barranquilla Symphony for the President and First Lady of Colombia.

Mr. Biava has also been guest conductor with the Columbus, Newark-Granville, Westerville, and Akron Youth Symphonies, the Greater Columbus Community Orchestra, the Puerto Rico Philharmonic, and the Festival Youth Symphony of the Americas in San Juan Puerto Rico, where he conducted performances of Mozart’s Impresario and Salieri’s Prima la musica e poi le parole. Other operas include Puccini’s Suor Angelica, as Music Director of the Metropolitan Chamber Orchestra (MCO) and fi ve performances of La boheme with the Atlantic Coast Opera Festival. As director of his ensemble Camarata, he has performed and conducted at the Incontri Pomeridiani series in Spoleto Italy, at Kenyon College, and at Sunday at Central.

Mr. Biava studied conducting at the Interlochen Center for the Arts under Howard Halgedah, and with his father, Maestro Luis Biava, who has served as Conductor-in-Residence of the Philadelphia Orchestra, Music Director of the Colombia National Symphony, and is Professor of Conducting at Temple University. He attended master classes and courses at the University of Michigan, Tanglewood, and Mexico with Gustav Meier, the Igualada Scola Municipal in Spain with Antonin Ros Marba, the Schleswig-

Hosltein Festival with Jorma Panula, the Pierre Monteux School with Michael Jinbo, the College- Conservatory of Music in Cincinnati with Mark Gibson and Gustav Meier, and attended the Aspen Music Festival as a Fellowship recipient for three years in the Aspen Academy of Conducting with David Zinman and Murry Sidlin. He has been on the podium and has shared the concert stage with noted artists Sara Chang and Doc Severensen.

Mr. Biava holds Bachelor and Masters degrees from the Juilliard School, as well as a Bachelor degree from the University of Michigan. His teachers include Leonard Rose, Elsa Hilger, Samuel Mayes, Gabor Rejto, and Oliver Edel and his uncle Miguel Uribe as well as chamber music classes with Howard Beebe, Eugene Bossart, Paul Doktor, and Robert Mann.

A native of Bogota, Colombia, Luis Biava represents four generations of musicians. He is the Principal Cellist of the Columbus Symphony, maintains an active teaching studio, and is Adjunct Instructor of Cello and director of the string ensemble at Kenyon College. His recordings include works of Antonio-Maria Valencia with the Biava-Uribe Trio, Faure’s Elegy with the Columbus Symphony, as well as orchestral recordings with the Philadelphia Orchestra, the Columbus Symphony, and the Spoleto Festival Orchestra recording of Barber’s Antony and Cleopatra, which was nominated for a Grammy.

Mr. Biava resides in Clintonville with his wife, violinist Ariane Sletner.

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MEET THE ADMINISTRATION

HEATHER GARNERFounder and Executive Director

Heather Garner received full performance scholarships from Ohio University and Th e Ohio State University where she earned her Bachelors and Masters Degrees in Viola Performance, studying under Howard Beebe and Edward Adel-son. While studying at Th e Ohio State Univer-sity, Heather was also the Administrator for the Ohio State Pre-College Strings Program.

Winner of the Ohio Arts Council Solo Competi-tion, the Katherine B. Geis Performance Award and a scholarship student of Robert Vernon at the Encore School for Strings, Heather has per-formed as a soloist, recitalist, chamber musician and strolling strings advocate throughout the United States and Europe.

Th is is Ms. Garner’s 17th season with the Co-lumbus Symphony Orchestra as an associate vio-list as well as her 17th season as Assistant Princi-pal Violist for the Lancaster Festival Orchestra. She is a frequent guest in the local schools as a chamber music clinician, sectional coach and presenter. Heather founded the New Albany Symphony Orchestra in 2007. She serves as the Executive Director and also performs viola in the orchestra. Ms. Garner resides in New Albany, Ohio, with her husband John and two boys, Jack and Evan.

Linda Brill, Marketing DirectorArt Silva, Stage ManagerJoel Kohler, Graphic DesignRobert Pfeifer, Personnel ManagerAnn Sproule, Operations DirectorHeidi Wick, Librarian

Join our Friends of the New Albany Symphony!Come join Th e Friends of the New Albany Symphony Orchestra! Th is fun group supports the Symphony through volunteer activities. We help behind the scenes during practices and performances, at community events, and are an integral part of fundraising for the orchestra. Large or small, the time commitment is up to you. We would love to have your participation.Chair – Lori WeinerCo-Chairs – Jane Th ompson, Karen DennisUshers: Margaret Garner, Joseph Garner,

Nikki Slack, Jack Bogart, Sharon Bogart, Jack Garner, Sharon Garner, Mitch Garner, Lindsey Garner, Judy Robinson

INTERESTED IN JOINING OUR VOLUNTEER GROUP? PLEASE EMAIL hgarner@newalbanysymphony.com or call 614-323-1237

*Special thanks to CAPA, the City of New Albany, New Albany Schools, New Albany High School Band Director, Darren Falk, and New Albany High School Orchestra Director, Erica Donahoe*

New Albany Symphony OrchestraP.O. Box 332New Albany, OH 43054(614) 323-1237 offi ce(614) 469-0939 ticket offi cewww.newalbanysymphony.com

Mission StatementTo enrich, educate, entertain, and inspire creativity through the arts to people of all ages and backgrounds. Th e New Albany Symphony Orchestra is a non-profi t community orchestra made up of professional musicians, community players, and students, providing musical enrichment and education for the community of New Albany, its surrounding areas, and the students of Plain Local school district.

Board of Directors

Cover artwork by Jurate Phillips | Program Layout & Design by Joel Kohler

THE NEW ALBANY SYMPHONY ORCHESTRA

Heather Garner, PresidentAnn Sproule, Executive Vice PresidentRon Cadieux, Vice PresidentJohn Garner, Treasurer

Christophe LeBarbierSandy MendozaPaul Naumoff Jennifer Spalding

New Albany Symphony Orchestra

NEW ALBANY SYMPHONY ORCHESTRA2013-2014 ROSTER

Luis Biava, Music DirectorVIOLINRobert Firdman

ConcertmasterAriane Sletner

ConcertmasterOlev Viro

Principal SecondRachel Bernard*‡Laura ChampaPatricia ClousSavannah Emler*Wei FischettiErin GillilandJoyce GreenAlicia HuiBenita Jackson-Smoot* Laura KohKimberly KramerHeather KufchakRebekah LeeDelaney Meyers‡Gabriela MillerShankar Pattabhiraman*†Lokita Rajan*†Frederick RipleyNatasha Sadoff Brittany SchuchAmy ShevrinDivyaditya Shrivastava†Paige SibeveihKathleen TriveriAlayne WegnerDawning Welliver‡Stephen YenAndrew Zhang‡Melissa Zigler

VIOLAHeather Garner*

PrincipalCynthia BushNorman Cardwell-MurrijKim GerckensJocelyn HachMorriah HernandezDavid HoytSerena Hsu‡ Sarah McBride‡Brandon Mendoza*Deborah PriceVanessa RipleyLois Seward

CELLOMark Kosmala

PrincipalJane VanVoorhis

Associate PrincipalMina AoyamaLinda Bollas

Terri BoselliLeah BranstetterChristopher DurrenbergerJulia EllisMichaiah HalleyKurt HarrisonPiper Hill*‡Jesse Hsu‡Tim KwanSabrina LackeyNicholas Lampson*†Mia LewisEric MagnusonMitchell MyersColin Sproule*‡

BASSJena Huebner

PrincipalJohn Pellegrino

PrincipalDavid Champa‡Micah Hausmann‡Jeff rey HickmanMitchell Reiner-Coff ey‡ Aidan TerryGarry Wasserman

HARPAbigail Bachelor‡Anna Ellsworth

FLUTEMaria Renzetti

PrincipalAnn DunningtonSarah Gattis‡

PICCOLOKatie Kuvin

OBOEKaren Pfeifer

PrincipalElizabeth BatesRachel JakesKevin Qian‡Kyle Qian‡

ENGLISH HORNKevin Qian

CLARINETRobert Pfeifer

PrincipalLinda BrillKatie Morell

BASS CLARINETAntoine Clark

BASSOONEmily Patronik

Principal

John Gorman

CONTRABASSOONEvan Copeland

HORNAdam Koch

PrincipalHeidi Wick

Associate PrincipalJim DohertyDevin GossettBrad GranvilleIan HewetsonKatey JahnkeMartin Young

TRUMPETDale Nawrocki

PrincipalStephen FanninStephanie RyanNicholas Stevens*

TROMBONEAndrew Wolf

PrincipalDoug MoranJeremy SmithJohn Welsh

BASS TROMBONEScott Zigler

EUPHONIUMLori Lohen

TUBALawrence Cohen*Bradley GoldmanEric Leday

TIMPANIMichael La Mattina

Principal

PERCUSSIONErik Meininger*

PrincipalCraig HahnNicholas Iovino*‡Marc NawrockiYusuke TanakaScott Wedell

KEYBOARDSuzanne NewcombKathleen Sadoff *

*Denotes New Albany residents†Denotes Young Artist‡Denotes Student Musician

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New Albany Symphony Orchestra

Let’s Go to the MoviesSunday, February 9, 2014 at 3 pmJeanne B. McCoy Community Center for the ArtsJennifer Whitehead, sopranoGrace Wipfl i, soprano - NASO Vocal Competition WinnerCarolyn Redman, mezzo-sopranoRobert Firdman, violinLuis Biava, conductor

R. STRAUSS Introduction to Also sprach Zarathustra, Op. 30 (2001: A Space Odyssey)

SHORE Symphonic Suite from Th e Lord of the Rings: Arr. Whitney Th e Fellowship of the Ring

RODGERS Sound of Music: Selections for orchestra“I Have Confi dence,”Grace Wipfl i, sopranoMusic and Lyrics by Richard Rodgers. Orchestrated by Irwin Kostal

WILLIAMS Th eme from Schindler’s List

WILLIAMS Selections from Harry Potter and the Sorcerer’s Stone

MASCAGNI Intermezzo from Cavaliera Rusticana

W. A. MOZART Sull’aria from Marriage of Figaro (Shawshank Redemption)

program continued on next page

Media support provided by:Concert Sponsor:

Season support provided by:

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WAGNER Ride of the Valkyries (Apocalypse Now)

INTERMISSION

HORNER “Nearer, My God, to Th ee” (Titanic)

HORNER Titanic Suite

HAROLD ARLEN “Over the Rainbow” from Th e Wizard of Oz

WILLIAMS Main Title from Star Wars

JARRE “Lara’s Th eme” from Doctor Zhivago

DELIBES Lakme’ Duet: Sous Le dome epais (Flower Song) (Superman)

WILLIAMS March from Superman

New Albany Symphony Orchestra

Grace Tozer Wipfl i is a freshman at Capital Uni-versity’s Conservatory of Music pursuing a degree in vocal performance with an emphasis in mu-sical theatre and opera. Th is fall she sang with the Capital University Chapel Choir in a performance of

Beethoven’s Symphony No. 9 with the New Al-bany Symphony Orchestra. Grace is a Toledo na-tive and a graduate of Ottawa Hills High School, where she appeared as “Paulette” in Legally Blonde, “Maria” in Th e Sound of Music, and “Baker’s Wife” in Into the Woods. In 2013, she was chosen to be a National Finalist in the Michael Feinstein Great American Songbook High School Vocal Competi-tion. She spent a week working with professionals such as Michael Feinstein, Jane Monheit, Sylvia McNair, Jim Caruso, and Sandi Patty. Th e compe-tition led to a guest appearance in the Great Voice concert series at Congregation Shaarey Tefi lla in Indianapolis and at Birdland in New York City.

Grace studies voice with Jacqueline Barlow-Ware at Capital.

Jennifer Whitehead, so-prano, is a Columbus na-tive who recently gradu-ated from Th e Ohio State University with a doctorate of musical arts in voice and singing health. She fre-

quently appears in both staged and concert works in Central Ohio, where recent roles with Opera/Columbus include “Kate Pinkerton” in Madame Butterfl y, “Guinevere” in Camelot, “Papagena” in Th e Magic Flute, and “Yum-Yum” in Th e Mikado. Jennifer has also been extensively involved with Opera/Columbus education and outreach pro-grams, with which she has performed roles in the world premieres of the children’s operas Barefoot and Somebody’s Children, as well as “Little Red Riding Hood” in Little Red’s Most Unusual Day. As concert soloist, she has performed with the Co-lumbus Bach Ensemble, Columbus Symphony, Westerville Civic Symphony, and orchestras and

choirs at Th e Ohio State University, Kenyon Col-lege, Otterbein University, and Denison Univer-sity. She resides in Westerville, Ohio, and serves on the voice faculty of Otterbein University.

Originally from Bellevue, Ohio, mezzo-soprano Carolyn Redman received a MM and DMA in vo-cal performance from Th e Ohio State University. She has performed operatic roles as well as musical theater roles with various profes-sional companies, includ-

ing Des Moines Metro Opera, Opera/Columbus, Opera Project Columbus, Columbus Light Opera, Cincinnati Opera, Weathervane Playhouse, and Lyric Opera Cleveland. She has been a winner or fi nalist in four competitions, most recently a fi rst place fi nish in the 2000 Opera/Columbus vocal competition. She has also been a featured soloist in oratorios and other concert works with groups such as Cantari Singers, Denison University, Co-lumbus Bach Ensemble, Marion Civic Chorus, Master Singers, Inc. Chorale, Saint Joseph Cathe-dral, and the American Institute of Musical Stud-ies in Graz, Austria. In addition to performing, she serves on the voice faculty of Kenyon College.

Robert Firdman, violin, graduated from the East-man School of Music with a Bachelor and Master’s Degree in performance and literature and studied with Donald Weilerstein and Charles Castleman. Before joining the Columbus Symphony Orches-tra, he was an associate member of the Rochester Philharmonic under the direction of David Zin-man and concertmaster of the National Orchestral Association in New York City, which performed numerous times in Carnegie Hall. Robert has been an adjunct violin teacher at Ohio Weslyan University and Kenyon College. He also has per-formed with the Chamber Music Society of Dub-lin and was a member of the Carpe Diem String Quartet. Robert Firdman also performs regularly with ProMusica Chamber Orchestra.

GUEST ARTISTS

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“Short Ride on a Fast Machine” Soiree with “Jackie” Parker

Saturday, April 5, 2013, 7:00 p.m. -11:00 p.m.

A night to remember in New Albany!  You are cordially invited to attend a meet-and-greet and private concert by world-class pianist Jon Kimura Parker.  Th is fabulous evening will take place in the beautiful home of Larry and Cindy Hilsheimer and will include food and spirits catered by the New Albany Country Club.  A small number of tickets are available for $150 each or $300 per couple. 

Please contact Lori Weiner at lweiner918@gmail.com or 614-746-7528 for more information.

Th is evening has been fully underwritten by PNC.

“Sh t Rid F t M hi ”

The Huntington National Bank is an Equal Housing Lender and Member FDIC. ¥® and Huntington® are federally registered service marks of Huntington Bancshares Incorporated. Huntington.® Welcome.™ is a service mark of Huntington Bancshares Incorporated. ©2013 Huntington Bancshares Incorporated.

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New Albany Symphony Orchestra

Th is list includes contributions made to Th e New Albany Symphony Orchestra up until October 1, 2013. Every eff ort has been made to ensure accuracy. However, in listings of this length, errors and omissions may occur. If your name has been omitted, or listed incorrectly, we sincerely apologize. Please let us know so that we may correct our records and this listing. Th ank you.

NEW ALBANY SYMPHONY ORCHESTRA2013-2014 DONOR ROSTER

New Albany Symphony appreciates the generous support of our donors! Th ank you to the following people for making this season possible

We would like for the New Albany Symphony to be sustained for many years to come. Th is is YOUR community orchestra! We hope you will protect its future by considering a gift to our endowment in your estate planning, as a memorial to a loved one, or simply as a generosity. Additional details may be obtained by contacting Heather Garner at 614-323-1237 or by e-mail at hgarner@newalbanysymphony.com

PREMIER SEASON PRESENTER($20,000 and above)

PNC Foundation

SEASON CO-SPONSORS ($10,000 - $19,999)

City of New AlbanyNational Endowment for the ArtsNew Albany Community

Foundation

CONCERT SPONSORS ($5,000 - $9,999)

Th e Columbus Foundation: Community Arts FundHuntington National BankLimited Brands FoundationOhio Arts CouncilTh e Raines Group

MAESTRO SPONSORS ($2,500 - $4,999)

Cardinal HealthTh e Columbus Foundation: Johnstone Fund for New MusicFahlgren/MortineJohn and Heather GarnerAlex and Sandy Mendoza

ARTIST SPONSOR ($1,000 - $2,499)

Luis O. and Clara V. BiavaComcast CorporationCommunity Foundation of Delaware

County: Amos Family FundIrv and Karen DennisErnst & YoungJoseph and Margaret GarnerPaul and Jennifer Naumoff Martyn and Lynne Redgrave

George and Lisa RuzekSmoot ConstructionDavid and Ann Sproule

IN-KIND ($1,000 and up)Ron Cadieux and Sandy Raines HER

RealtyCourtyard Marriott New AlbanyNew Albany Country ClubOakland NurseryArtist Jurate PhillipsProfessional Practice ManagementRobert Sohovich

PATRONS ($500 - $999)Jack and Sharon BogartBrandon DuplerCassandra HaighPhilip and Sheryl HeitChristophe Le Barbier Martin Family Foundation, David and

Patricia MartinOhio Alliance for Arts EducationSloan and Jennifer SpaldingTony and Kate Th omas

SUPPORTER ($250 - $499)Rodger and Jasmine ClementsJulia ElllisTh e Loft Violin ShopJohn and Patricia McDonaldDale NawrockiTodd and Shobha PainterRobert and Karen PfeiferMaria RenzettiHadie Sletner-DwelleyNicholas and Wendy StevensScott and Melissa Zigler

FRIENDS ($100 - $249)Mina AoyamaRandy and Ruth Bank

Judith BennettTed and Lauren BernardLuis Biava and Ariane SletnerLinda BollasEric and Linda BrillHoward and Diane BurackPatricia ClousAnn DunningtonTim and Laura EllisPatrice FahyTh omas and Carol GableGregory HenchelJeff rey HickmanInsurance Offi ce of Central OhioJohn Kramer and Susan SweetLuis LibrerosKathie ManciniWilliam and Nancy PfeiferDeborah PriceStan and Becky RegasNick and Valerie RogerAkram and Alice SadakaJonathan and Marcy Schaffi rJeff and Marne SchmittRamesh Pattabhiraman and Saye

SubramanianKathleen TriveriHeidi Wick

MEDIA SPONSORSHealthy New AlbanyTh isWeek NewsWOSU Public Media

PNC ARTS ALIVE KEEPING THE ARTS THRIVING We know what art can do, how it changes perspectives, even

changes lives. That’s why the PNC Foundation is committed

to PNC Arts Alive, a multi-year, $2.5 million initiative to support

the visual and performing arts in the Columbus and central

Ohio region. From classical music and fine art to dance and

theatre, we’re committed to keeping the arts alive. To learn

more, go to pncartsalive.com

PNC ARTS ALIVE

New Albany Symphony Orchestra

Short Ride on a Fast MachineSunday, April 6, 3:00 p.m.Jeanne B. McCoy Community Center for the ArtsSunday, April 6, 2014 at 3 pmJeanne B. McCoy Community Center for the ArtsJon Kimura Parker, pianoJason Gay, production designerLuis Biava, conductor

HOLST Th e Planets Mars, the Bringer of War Venus, the Bringer of Peace Mercury, the Winged Messenger Jupiter, the Bringer of Jollity Saturn, the Bringer of Old Age Uranus, the Magician Neptune, the Mystic

INTERMISSION – 20 minutes

BEETHOVEN Piano Concerto No. 2 in B-fl at Major, Op. 19Allegro con brioAdagioRondo. Molto allegro

ADAMS Short Ride on a Fast Machine

Portions of the video presentation were provided by NASA and/or ESA. NASA images are in the public domain. Offi cial guidelines for their use can be found at: www.nasa.gov. Most ESA images are available publicly and can be used under guidelines found at: www.esa.int.Th ank you to Columbus Deaf Services for providing Dramatic Sign Language Interpretation

Media support provided by:with additional support fromPresented

by:

Season support provided by:

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New Albany Symphony Orchestra

“What an amazing way to mark the 100th anniversary of Th e Rite of Spring. Stunning!” Th ese words from the Toronto Star echoed glowing reviews across North America for Jon Kimura Parker’s recent CD, Rite, which includes world premiere

recordings of his solo piano transcriptions of Stravinsky’s Th e Rite of Spring and Petrouchka. Mr. Parker also celebrates this special centenary with recitals throughout 2014.

A veteran of the international concert stage, Jon Kimura Parker has performed as guest soloist with the Philadelphia Orchestra and Wolfgang Sawallisch in Carnegie Hall, toured Europe with the Royal Philharmonic Orchestra and Andre Previn, and shared the stage with Jessye Norman at Berlin’s Philharmonie. A true Canadian ambassador of music, Mr. Parker has given command performances for Queen Elizabeth II, the U.S. Supreme Court, and the Prime Ministers of Canada and Japan. He is an Offi cer of Th e Order of Canada, his country’s highest civilian honor.

He performs as duo partner regularly with James Ehnes, Lynn Harrell, Orli Shaham, and Cho-Liang Lin, with whom he has given world premieres of sonatas by Paul Schoenfi eld, John Harbison and Steven Stucky. An unusually versatile artist, Mr. Parker has also jammed with Audra McDonald, Bobby McFerrin and Doc Severinsen. As a member of the outreach project Piano Plus, Mr. Parker toured remote areas including the Canadian Arctic, performing classical music and rock’n’roll on everything from upright pianos to electronic keyboards. In commemoration of his special performances in war-torn Sarajevo in 1995, he was a featured speaker alongside humanitarians Elie Wiesel and Paul Rusesabagina at the 50th anniversary of the relief organization AmeriCares.

An active media personality, Mr. Parker hosted the television series Whole Notes on Bravo! and CBC Radio’s Up and Coming. His YouTube channel

features the Concerto Chat video series, with illuminating discussions of the piano concerto repertoire.

Last season, Mr. Parker appeared as soloist with the major orchestras of Beijing, Shanghai and Guangzhou, and toured the United States with Bramwell Tovey and the Vancouver Symphony Orchestra. He also had the honor of being the last guest pianist to work with the Tokyo String Quartet in their fi nal season.

Highlights of this season include solo appearances with the St. Louis Symphony with David Robertson, the San Diego Symphony with Jahja Ling, the Seattle Symphony with Ludovic Morlot, the Shepherd School Symphony Orchestra with Larry Rachleff , and the National Arts Centre Orchestra with Hannu Lintu. He appears at the Hong Kong Festival with Gary Hoff man, Vadim Repin and Joyce Yang, and begins two major chamber music collaborations, with the Miró Quartet, and in a trio with violinist Martin Beaver and cellist Clive Greensmith.

Jon Kimura Parker has recorded music of Tchaikovsky, Prokofi ev, Chopin and PDQ Bach for Telarc, Mozart for CBC, and Stravinsky under his own label. His new recording, Fantasy, featuring not only the Schubert Wanderer Fantasy and the Schumann Fantasy but also William Hirtz’s brilliant fantasy on themes from Th e Wizard of Oz, is scheduled for release in early 2014.

“Jackie” Parker studied with Edward Parker and Keiko Parker privately, Lee Kum-Sing at the Vancouver Academy of Music and the University of British Columbia, Robin Wood at the Victoria Conservatory, Marek Jablonski at the Banff Centre, and Adele Marcus at Th e Juilliard School. He won the Gold Medal at the 1984 Leeds International Piano Competition. A committed educator, Jon Kimura Parker is Professor of Piano at Th e Shepherd School of Music at Rice University. He lives in Houston with his wife, violinist Aloysia Friedmann, and their daughter, Sophie.

For further information, please see www.jonkimuraparker.com and www.oicmf.org.

GUEST ARTIST

Subscribers Have More Fun!Be sure to watch your mailbox for information on our 2014-2015

season! We are fi nalizing the details at this time, and our seventh

season is shaping up to be one that you won’t want to miss.

Remember that subscribers get the fi rst and best choice of seating,

in addition to other benefi ts such as a Columbus Dine Originals

card for discounts on Columbus dining, arts events, and more.

For the latest information, watch our website at

www.newalbanysymphony.com

Be inspired.The Philip Heit Center for Healthy New Albany, set to open at the end of 2014 in our Village Center, will serve as our community anchor for health and wellness activity with programming for all ages.

www.healthynewalbany.org

Symphony2014.indd 1 1/13/2014 8:44:21 AM

PROGRAM NOTES

Gustav Holst, Th e Planets

English composer Gustav Holst (1874–1934) had something of a mental block when it came to composing large-sale works. According to his daughter, Imogen, “He was continually being defeated by the technical problems of extended form: years later, he was still unable to grapple with the diffi culties of writing a symphony.”

In 1914, Holst was nearly 40 years old and growing in artistic maturity, but he had yet to experience public acclaim or success in publishing his works. He had composed opera, choral works, and some shorter orchestral suites, but his most ambitious projects had not fared well. Th e Planets, which Holst worked on between 1914 and 1916, changed all of that. A seven-movement symphonic suite, the work was widely performed following its fi rst complete public presentation in 1920. Its popularity also led to the recognition and publication of some of Holsts’s earlier compositions.

Perhaps it is fi tting that the work that changed Holst’s fate was inspired by the heavens—although not, as the title Th e Planets might suggest, by astronomy. Rather, Holst had developed a keen interest in astrology. He noted that the movements of the suite represent not the mythological fi gures for whom the planets are named, but rather the “astrological signifi cance” of these celestial bodies.

A friend of the composer, writer Cliff ord Bax, recalled meeting Holst for the fi rst time in March of 1913, when they traveled together to Spain. It was, according to Bax, “during that long journey that I introduced him to the elements of astrology.” Th e subject may have played into Holst’s interests in mysticism and theosophy, and he continued to study it for several years. “All the musical world knows to what fi ne purpose Gustav subsequently put his study of ‘the stars,’” wrote Bax, “and it was characteristic in him that once he had transmuted the subject into music he almost entirely lost interest in it. However, he was a very slow worker, partly because he had to earn

a living as a teacher; and during the period in which he was composing Th e Planets he became a remarkably skilled interpreter of horoscopes.”

Holst subtitled each movement based on his perception of that planet’s infl uence on the human spirit: “Mars, the Bringer of War”; “Venus, the Bringer of Peace”; “Mercury, the Winged Messenger”; “Jupiter, the Bringer of Jollity”; “Saturn, the Bringer of Old Age”; “Uranus, the Magician”; and “Neptune, the Mystic.” Musicologists are not certain why Holst chose to put the movements this order—which switches Mars and Mercury—but some speculate that his logic had to do with creating an eff ective emotional and musical trajectory.

What seemed to inspire Holst the most was the opportunity to create seven diverse and contrasting “mood pictures.” His daughter believed that “without the help of a clearly defi ned character for each of his seven movements, it is unlikely he would have attempted to write a symphonic suite of such dimensions.” Th e musical colors and textures of Th e Planets are wide ranging, from the martial

brass in the opening “Mars, Bringer of War” (which was completed shortly before World War I began) to the ethereal chorus of female voices that brings the suite to a close in “Neptune, the Mystic.” Ultimately, what we get is not only what the composer described as “seven infl uences of destiny and constituents of our spirit,” but also seven diff erent sides of Holst’s musical imagination.

Ludwig van Beethoven, Piano Concerto No. 2 in B-fl at Major, Op. 19

Ludwig van Beethoven (1770–1827) composed his piano concertos with a particular soloist in mind: himself. Although the B-fl at concerto was the second of Beethoven’s concertos to be published, and therefore labeled “No. 2,” it was actually composed before the Concerto No. 1 in C Major. Th is work therefore gives us a glimpse of what the composer was like as a pianist early on in his performing career.

In 1795, Beethoven received a commission to perform one of his own works for a benefi t concert in Vienna. Th is was to be the then

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24-year-old composer’s fi rst real public performance in the city. Th e only problem: he still needed to write out a piece. He already had at least parts of a concerto composed—one that he had started working on as many as seven years earlier—and he could always do some improvising at the piano during the concert (most soloists during this era were already in the habit of improvising their own virtuoso cadenzas). Th e orchestra would need something to play as well, however, and all of their parts had to be made out by hand.

According to at least one account, everything came down to the wire. Beethoven’s friend Franz Gerhard Wegeler was on hand to witness the preparations for the concert. Two days before the performance, the concerto was still not written out in its entirety. Beethoven, moreover, was reportedly suff ering from a bout of severe abdominal pain. Wegeler, who was a physician, “relieved him with simple remedies so far as I could. In the anteroom sat four copyists to whom he handed sheet after sheet as soon as it was fi nished.”

Even after this 1795 performance, Beethoven did not consider the concerto “fi nished.” He revised it over the next few years and was never fully satisfi ed with the product. When he submitted what amounted to the fourth version of the work to a publisher in 1800, he called it “a concerto for pianoforte, which, it is true, I do not make out to be one of my best.” He did apparently still consider it worthy of publication. It may have been the case that Beethoven found it diffi cult to look back on his more youthful compositions, as he also asked the publishers Breitkopf and Härtel to advise critics to show “great care and wisdom especially in the products of younger composers.”

John Adams, Short Ride on a Fast Machine

“You know how it is when someone asks you to ride in a terrifi c sports car, and then you wish you hadn’t?” Th at’s the feeling composer John Adams (b. 1947) wants you to have when you listen to Short Ride on a Fast Machine, a fanfare for orchestra that he completed in 1986. He has also said of the work: “I had an image of moving throu gh space at tremendous speeds. Perhaps being in some kind of vehicle: a fast

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car, or a fast plane, or maybe even a rocket ship skirting through a fi eld of meteors.” At about four minutes in length, Short Ride is just long enough to accompany a few helter-skelter spins around the block.

Th e piece is scored for a large orchestra, replete with a variety of wind and percussion instruments and even calling for two synthesizers. Short Ride is loosely modeled on orchestral fanfares of the past—one might think of Aaron Copland’s Fanfare for the Common Man, for example—so the work showcases brass instruments in particular. Adams notes that “the sound of 80 or 90 or even 100 people playing together at the same time creates a sense of energy and sense of excitement that really cannot be paralleled in any other sound experience.” He describes that sound experience as a “heavenly racket.”

Despite its large instrumental forces, this piece refl ects Adams’s stylistic roots in minimalism. Short Ride begins with a single woodblock, which establishes the rapid tempo—marked dilerando, or “delirious,” in the score. Th e composer then begins to pile on diff erent groups of instruments,

assigning to each one short, rhythmic loops of music that repeat and change only gradually over a given section of the piece. Finally, near the end, Adams gives us the fi rst and only truly melodic element of the piece: a fanfare theme led by the four trumpets. Th en he slams on the brakes.

Program Notes by Leah Branstetter

PRODUCTION DESIGNERToday’s production has been specially designed for the New Albany Symphony Orchestra by Jason Gay. Jason is a graduate of Otterbein University, and he has worked professionally as a live event production designer and technician for 19 years. Jason has worked as the technical director at the Ohio Th eatre in Columbus since 1992, handling the technical needs for a variety of productions. He spends his free time maintaining a hundred-year-old home, paddling Ohio’s waterways, and preparing for his next marathon. He lives in Granville, Ohio, with his wife and two children.

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Vofex

Jurate Phillips (pronounced: You-ra-te) grew up in Soviet occupied Lithuania. From her earliest memories, she has studied art and developed her talents in that fi eld. She graduated from Siauliu Universitetas, in Lithuania (1996), where she was classically trained in painting and design.

In 1997, she came to the United States, where she graduated from Columbus College of Art and Design in 2002. She now resides in Columbus, Ohio, with her husband and daughter.

Since her earliest days, her passion has been for art in all forms. Jurate has partaken in the creation of many pieces from photography to painting and sculpture. Her work can be found all over the world in both residential and commercial settings.

After working as an interior designer, freelance artist, and art teacher, she has returned to her fi rst love, which is painting. She now focuses on painting regularly and exhibiting her work.

Jurate credits most of her aesthetics to her maternal grandmother, with whom she spent most of her summers. Th e natural beauty that surrounded her on her grandmother’s farm has infl uenced the size, scope, and subject matter ever since. Her emotions dictate to her what she will paint. One day she will do a landscape, another an abstract, or she might be inspired by a simple fl ower bloom.

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MEET THE ARTIST

Jurate’s artwork from the 2013-2014 program book covers will be auctioned off at the soiree

on Saturday, April 5.

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Nicholas Iovino is a ninth grader at New Albany High School, where he is active in the Marching Band, Jazz Band, Wind Ensemble, and the Junior Varsity Soccer Team. He started drum lessons when he was in the second grade, and continues his percussion instruction with his teacher, Dean Anshutz, throughout the year. Being a part of the New Albany Symphony Orchestra has been a great opportunity for him to broaden his music education, and an experience that is both exciting and fun!

Dale Nawrocki, Principal Trumpet, has been with the New Albany Symphony Orchestra since its inception. He graduated from Th e Ohio State University, where Dr. Richard Burkart was his primary teacher. Recently retired from 30 years of teaching music at Berne Union Schools & Norton Middle School, Dale is now focusing on his new adventure as Director of the Southwest Home School Band Program. In its fi rst year there were 17 young musicians, and the program has already expanded to 28. Dale is also Music Director of “Swing’s Th e Th ing” Big Band—a 17-piece band

that plays for dances, festivals, weddings, and corporate events, featuring the music of Dorsey, Miller, Setzer, Ellington, Chicago, and others. In addition, Dale substitute teaches, has a private studio for lessons, and performs in many ensembles in the Central Ohio area. Dale is married to wife Christy, and he has two grown sons, Alex and Joseph.

Melissa Zigler (violin) received her Bachelor and Masters of Music Education degrees at Th e Ohio State University. While there, she studied violin with Michael Davis, played in the symphony orchestra, and also participated in Th e Ohio State University Marching Band (on trumpet). Upon graduation, she started the orchestra program in the New Albany-Plain Local Schools, assisted in teaching band and marching band, and also had a private studio of string students. Now a full-time mother of two, Mrs. Zigler continues to play throughout Central Ohio, and she is the Operations Coordinator for the Columbus Symphony Junior Strings.

MEET THE MUSICIANS

SUPPORT THE NEW ALBANY SYMPHONY ORCHESTRA WITH A YEAR-END CHARITABLE CONTRIBUTION!

Why do we need to raise money?

TO RENT OR PURCHASE MUSICMusic rental is more than $4,000 per year!

TO HIRE OUR MUSIC DIRECTORDid you know Maestro Luis Biava has a Masters of Music degree from the Julliard School, one of the most prestigious music schools in the world? In addition to being principal cellist for the Columbus Symphony Orchestra, Maestro Biava has extensive training and experience conducting.

TO HIRE OUR PROFESSIONAL MENTORSNew Albany Symphony is a unique community orchestra. Its mission is to combine professionals with adult and student musicians. Th e professional core raises the quality of the performances and allows a mentoring relationship to our students. Th ese professionals earn their living by performing and teach-ing.

FREE EDUCATIONAL PROGRAMMINGWe work with area schools to provide educational outreach to our students featuring our visiting guest artists.

REHEARSAL SPACEWe rent performance and rehearsal space at the Jeanne B. McCoy Community Center for the Arts. Th e rent ultimately supports the operating costs of the hall.

OTHER EXPENSESASCAP license, liability insurance, postage, copying, supplies…there are lots of hidden costs! We thank you for your generous support!

Please ensure that the beautiful music on stage continues for years to come by supporting our Annual Fund. Your support is vital to the orchestra’s continuing commitment to artistic excellence, and we deeply appreci-ate your generosity.

Name(s): ____________________________________________________________________(as you would like it to appear in the program)

Address: ____________________________________________________________________

City/State/Zip: _______________________________________________________________

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Email: ______________________________________________________________________

Please add me to your email list to receive information about upcoming concerts and more!

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Inside Commentary & opinion >> A6Letters >> A7 The Beat >> A10Homecoming Court >> A14 Sports >> A18Classifieds >> A25

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Oct. 13 eventHarvest festivalcelebrates workof local artistsNineteen years ago, whenthe New Albany Arts Councilformed to support arts in thecommunity, the arts councilcreated a festival that cele-brated the history of the areaand its community of artists.The Harvest the Arts Fes-tival continues this year from11 a.m. to 4 p.m. Saturday,Oct. 13, at its original site,Doran’s Farm Market, 5642Babbitt Road in New Albany.“The festival’s purpose hassort of changed as the com-munity has changed,” said JoshMcKinney, one of the organ-izers. “When it first started,we had lots of crafters fromall over the state display whatthey had made and peoplecould purchase (their wares).We were trying to keep thehistory of New Albany aliveas it was beginning to growand remembering where wecame from.”

The arts council included

art displays and performancesto illustrate what the arts addto the community, he said.“We have live entertain-ment, dancing and artistry,which shows how we feel thearts are important for the com-munity’s growth,” McKinneysaid. “As the years go by,

By LORI WINCETHISWEEKNEWS.COM

FESTIVAL>> A2

Spanish shoe company expanding operations in New AlbanyMagnanni, a Spanish men’s shoecompany, is expanding its office anddistribution center in New Albany, itsbase of U.S. operations for the pastfive years.The company, currently on ZarleyStreet, is building a 15,000-square-foot building on 2.15 acres in the Per-sonal Care and Beauty Campus, northof state Route 161 and east of BeechRoad. The new building will be eastof Axium Plastics off the Smith’s MillRoad loop.

Jennifer Chrysler, New Albany’scommunity development director, saidthe company owns land elsewhere but

was reminded of New Albany’s poten-tial by a recent magazine article thatfeatured her and New Albany Co. pres-ident Bill Ebbing. Ebbing wore a pair

of Magnanni shoes in the magazinephoto. “They decided to remain a part ofour community,” Chrysler told NewAlbany City Council on Oct. 2.City Council approved a100-per-cent property-tax abatement for thecompany for five or seven years,depending on how the new buildingis constructed. New Albany offerslonger abatement terms for buildingsthat meet certain environmental stan-dards.

Chrysler said Magnanni is a third-generation company that was startedby Sebastian Blanco Aldomar in hishome in Almansa, Spain. Accordingto the company’s website, BlancoAldomar, started working in Spanish

shoe factories at age 12 and openedhis own company when he turned 44.Pascual Blanco, one of Blanco Aldo-mar’s grandsons, is a resident of NewAlbany.He is the president of the U.S. oper-ation, which imports and distributesshoes all over the country. He said theshoes can be found in many stores,including Nordstrom and Neiman Mar-cus and online through Zappos.The company manufactures men’sshoes only; Blanco said it is compli-cated to do both men’s and women’sshoes.

Magnanni shoes are handcrafted ina factory in Spain, where the companyproduce 1,300 pairs of shoes a day, hesaid.

In its expanded office and distribu-tion space in New Albany, Magnanniwill retain five full-time and two part-time employees and add two to threenew employees in the next three years.The land on which it will build inthe Personal Care and Beauty Cam-pus is within the Johnstown-MonroeLocal School District. A portion ofincome taxes received by New Albanywill be shared with the Licking Countyschool district during the term of thetax abatement.Blanco said the company also retainsownership of 22 acres between JerseyTownship and Pataskala but has noplans for the site.

lwince@thisweeknews.com

By LORI WINCETHISWEEKNEWS.COM

Debbie Bessler, a fire-safety educator with the Plain Township Fire Department, explains fire safety to kindergarten students

Oct. 4 at the New Albany K-1 elementary building. JOSHUA A. BICKEL/THISWEEKNEWS

Learning fire safety

At a glanceThe company, currently on ZarleyStreet, is building a 15,000-square-foot building on 2.15acres in the Personal Care andBeauty Campus, north of stateRoute 161 and east of BeechRoad. The new building will beeast of Axium Plastics off theSmith’s Mill Road loop.

“We’re trying to focuson local artists, notonly giving them theopportunity to selltheir artwork, butalso getting them tointeract with com-munity and let thecommunity knowwhat they do.”– JOSH MCKINNEYHarvest the Arts Festival organizer

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