2011 fall-winter catalog - ohio university press

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Fall & Winter 2011 OHIO UNIVERSITY PRESS & SWALLOW PRESS

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Fall & Winter 2011

OHIO UNIVERSITY PRESS & SWALLOW PRESS

O H I O U N I V E R S I T Y P R E S S | 1

Suzi Parron is a quilter, backwoods traveler, and avid collector of folk art. She holds a Master of Arts in English from the University of Florida, with a concentration in the literature of the American South. She teaches English at Lakeside High School in Atlanta.

Donna Sue Groves launched the Ohio Quilt Barn Project in 2001. She was formerly the Southern Ohio field coordinator for Ohio’s Appalachian Arts Initiative and the Southern Ohio field representative for the Ohio Arts Council. She is the recipient of numerous awards, including the 2010 Ohio Governor’s Award for the Arts in Community Development and Partnerships.

The story of the American Quilt Trail, featuring the colorful patterns of quilt squares writ large on barns throughout North America, is the story of one of the fastest-growing grassroots public arts movements in the United States and Canada. In Barn Quilts and the American Quilt Trail Movement Suzi Parron travels through twenty-nine states and two Canadian provinces to visit the people and places that have put this movement on America’s tourist and folk art map.

Through dozens of interviews with barn artists, committee members, and barn owners, Parron documents a journey that began in 2001 with the founder of the movement, Donna Sue Groves. Groves’s desire to honor her mother with a quilt square painted on their barn became a group effort that eventually grew into a county-wide project. Today, registered quilt squares form a long imaginary clothesline, appearing on more than three thousand barns scattered along one hundred driving trails.

With more than fifty full-color photographs, Parron documents a movement that combines rural economic development with an American folk art phenomenon.

Barn Quilts and the American Quilt Trail MovementSuzi Parron with Donna Sue Groves

QUILTS • FOLK ART

Member of the Association of American University Presses

WHO WE ARE

Ohio University Press was incorporated in 1947 and formally organized in 1964 by President John C. Baker. As the largest university press in Ohio, we are dedicated to publishing quality scholarship, books of regional interest and value, and trade titles with wide appeal. The press attracts the work of scholars of national reputation and benefits from partnerships with institutions throughout Ohio and the world.

Along with its Swallow Press imprint, Ohio University Press publishes more than forty books a year and maintains over one thousand titles in print, a growing number of which are also available as electronic editions. Each book carries with it the banner of Ohio University, reaffirming the university’s commitment to the fruits of research and creative endeavor.

FALL • WINTER • 2011

NEW BOOKSQuilts ..................................... 1

Irish History ......................... 2–3

Literary History ........................ 4

Short Fiction ........................... 5

Psychiatric History ............... 6–7

Ohio History ....................... 8–9

African Literature ............ 10–11

American History ............ 12–13

Victorian Studies ............. 14–16

Environment ................... 17–19

African History ...................... 20

African Studies ............... 22–23

Continental Philosophy ... 24–25

Southeast Asian Studies ........ 26

Peace Studies ........................ 27

Gardening and Food ............. 28

RECENT ................................... 29–30

ORDERINGSales Information .................. 31

Sales Representatives ............ 32

INDEX ......................................... 33

Of related interest___________________The Ohio Quilt Series

A SWALLOW PRESS BOOK

February_______________240 pagescolor illustrations8 x 10

pb $29.95t 978-0-8040-1138-9_______________

O H I O U N I V E R S I T Y P R E S S | 3

The story of Irish linen is a story of the Irish people. Many thousands of men and women made Irish linen a global product and an international brand. It is also a story of innovation and opportunity. Irish linen has served its makers as sail cloth of incredible strength and durability for world exploration and trade; it has functioned as watertight containers for farmers and firemen; it has soothed the brows of royalty and absorbed the sweat of the working class. As outerwear and underwear, linen has clothed men, women, and children from birth to death—the rich and powerful, poor and pitiful alike.

Into this cultural history Kathleen Curtis Wilson weaves personal nar-ratives and the words and songs of individual spinners, factory work-ers, and out-workers like Sarah McCabe, who created fabulous linen lace; Sarah Leech, who wrote poetry as she spun fine thread; the three Patterson women, who worked in Mossley Mill for a to-tal of one hundred years; and the Herdman brothers, who settled in county Tyrone to build a mill and a utopian community.

Lavishly illustrated and engagingly written, each chapter tells of art, social and economic history, design, architecture, technology, and cultural traditions that celebrate the linen industry.

Irish People, Irish LinenKathleen Curtis Wilson

IRISH HISTORY • IRISH CULTURAL STUDIESTEXTILE HISTORY • WOMEN’S STUDIES

2 | o h i o s w a l l o w . c o m

October__________________328 pages

185 color photographs10 x 10

hc $49.95t978-0-8214-1971-7__________________

Kathleen Curtis Wilson is the author of Uplifting the South—Mary Mildred Sullivan’s Legacy for Appalachia and Textile Art from Southern Appalachia: the quiet work of women. She guest curated a multivenue international exhibition by the same name. A renowned authority on Appalachian crafts, Wilson was craft section editor for the Encyclopedia of Appalachia. She lives in Alameda, California.

“An extraordinary book, well researched, beautifully written, stunningly illustrated.”

—Robert C. Vaughan, President, Virginia Foundation for the Humanities, Charlottesville, Virginia

O H I O U N I V E R S I T Y P R E S S | 5 4 | o h i o s w a l l o w . c o m

Of related interest___________________________Updike in Cincinnati A Literary Performance

Edited by James Schiff

Photographs by Jon Hughes

December_______________192 pages, illus.

6 x 8 1/2

hc $24.95t978-0-8214-1969-4_______________

Of related interest___________________________New Stories fromthe Midwest

Edited by Jason Lee Brown and Jay Prefontaine

February_______________190 pages5 1/4 x 8 1/4

hc $24.95t978-0-8040-1137-2_______________

In the Shade of the Shady Tree Stories of Wheatbelt Australia

John Kinsella

Literary CincinnatiThe Missing Chapter

Dale Patrick Brown

SHORT FICTIONLITERARY HISTORY • CINCINNATI HISTORY

The history of Cincinnati runs much deeper than the stories of hogs that once roamed downtown streets. In addition to hosting the nation’s first professional baseball team, the Tall Stacks river boating, and the May Festival, there’s another side to the city—one that includes some of the most famous names and organizations in American letters. Literary Cincinnati fills in this missing chapter, taking the reader on a joyous ride with some of the great literary personalities who have shaped life in the Queen City. Meet the young Samuel Clemens working in a local print shop, Fanny Trollope struggling to open her bizarre bazaar, Sinclair Lewis researching Babbitt, hairdresser Eliza Potter telling the secrets of her rich clientele, and many more who defined the nineteenth- and early twentieth-century Queen City. For lovers of literature everywhere—but especially in Cincinnati—this is a literary tour that will entertain, inform, and amuse.

Dale Patrick Brown is the author of Brilliance and Balderdash: Early Lectures at Cincinnati’s Mercantile Library. She lives in Cincinnati, Ohio.

“Dale Patrick Brown deftly raises Cincinnati’s rich history of writers and writing from undeserved obscurity to its proper place in the C.V. of one of America’s great cities. The collection of authors with Cincinnati connections, from Harriet Beecher Stowe to John Berryman, will surprise and please all readers, but it will be especially gratifying to those who have labored under the misapprehension that literature is something that happens somewhere else.”

—Albert Pyle, executive director, The Mercantile Library

In the Shade of the Shady Tree is a collection of stories set in the Western Australian wheatbelt, a vast grain-growing area that ranges across the southwestern end of the immense Australian interior. Kinsella’s stories offer glimpses into the lives of the people who call this area home, as the reader journeys from just north of the town of Geraldton to the far eastern and southern shires of the region.

Cast against a backdrop of indigenous dispossession, settler migration, and the destructive impact of land-clearing and monocultural farming methods, the stories offer moments of connection with the inhabitants, ranging from the matter-of-fact to the bizarre and inexplicable. Something about the nature of the place wrestles with all human interactions and affects their outcomes. The land itself is a dominant character, with dust, gnarled scrubland, and the need for rain underpinning human endeavor. Inflected with both contemporary ideas of short fiction and the “everyman” tradition of Australian storytelling, this collection will introduce many readers to a new landscape and unforgettable characters.

John Kinsella’s highly regarded books of poetry include Peripheral Light: Selected and New Poems and Jam Tree Gully. He is also the author of numer- ous plays and collections of short stories and essays. He taught at Kenyon College in Ohio and now is a Fellow of Churchill College, Cambridge Uni-versity, and a Professorial Research Fellow at the University of Western Aus-tralia. He lives at Jam Tree Gully in Western Australia.

A SWALLOW PRESS BOOK

Asylum on the HillHistory of a Healing Landscape

Katherine Ziff

O H I O U N I V E R S I T Y P R E S S 7

Katherine Ziff is a scholar of psychiatric history and asylums. She is a public school mental health counselor and an adjunct teacher in the counselor education program at Ohio University. Ziff has published articles in History of Psychiatry, Counselor Education and Supervision, Creativity in Mental Health, New Research in Mental Health, and elsewhere.

February_______________204 pagesarchival photographs7 x 10

hc $35.00t 978-0-8214-1973-1_______________

Asylum on the Hill is the story of a great American experiment in psychiatry, a revolution in care for those with mental illness, as seen through the example of the Athens Lunatic Asylum. Built in Southeast Ohio after the Civil War, the asylum embodied the nineteenth-century “gold standard” specifications of moral treatment.

Stories of patients and their families, politicians, caregivers, and community illustrate how a village in the coalfields of the Hocking River Valley responded to a national impulse to provide compassionate care based on a curative landscape, exposure to the arts, outdoor exercise, useful occupation, and personal attention from a physician. Although ultimately doomed by overcrowding and overshadowed by the rise of new models of psychiatry, for twenty years the therapeutic community at Athens pursued moral treatment therapy with energy and optimism. Ziff’s fresh presentation of America’s nineteenth-century asylum movement shows how the Athens Lunatic Asylum accommodated political, economic, community, family, and individual needs and left an architectural legacy that has been uniquely renovated and repurposed.

PSYCHIATRIC HISTORY • OHIO HISTORY • LANDSCAPE DESIGNARCHITECTURAL HISTORY • ATHENS COUNTY HISTORY

6 o h i o s w a l l o w . c o m

“Anyone who peruses Ziff’s work will not have an easy time putting it down. This book is more than a history of a time, a place, a movement, and a people. It is instead a sensitive and centered examination. . . . Her portraits of people who influenced the asylum are wonderfully rendered . . . alive and moving.”

—Samuel T. Gladding, Wake Forest University

O H I O U N I V E R S I T Y P R E S S | 9

Ohio Canal Era, a rich analysis of state policies and their impact in directing economic change, is a classic on the subject of the pre–Civil War transportation revolution. This edition contains a new foreword by scholar Lawrence M. Friedman and a bibliographic note by the author.

Professor Scheiber explores how Ohio—as a “public enterprise state,” creating state agencies and mobilizing public resources for transport innovation and control—led in the process of economic change before the Civil War. No other historical account of the period provides so full and insightful a portrayal of “law in action.” Scheiber reveals the important roles of American nineteenth-century government in economic policy-making, finance, administration, and entrepreneurial activities in support of economic development.

His study is equally important as an economic history. Scheiber provides a full account of waves of technological innovation and of the transformation of Ohio’s commerce, agriculture, and industrialization in an era of hectic economic change. And he tells the intriguing story of how the earliest railroads of the Old Northwest were built and financed, finally confronting the state-owned canal system with a devastating competitive challenge.

Amid the current debate surrounding “privatization,” “deregulation,” and the appropriate use of “industrial policy” by government to shape and channel the economy. Scheiber’s landmark study gives vital historical context to issues of privatization and deregulation that we confront in new forms today.

Harry N. Scheiber is the Riesenfeld Chair Professor of Law and History in the School of Law, University of California, Berkeley. Among his previous publications are The State and Freedom of Contract; Inter-Allied Conflicts and the Origins of Modern Ocean Law; American Law and the Constitutional Order; and some 150 articles in journals of history, law, economics, and political science.

“Ohio Canal Era is a classic that ought to be read in every genera-tion. It’s wonderful to

have it back in print.”—Charles W. McCurdy, University of Virginia

January_______________460 pages, illus.5 1/2 x 8 1/2

pb $34.95s978-0-8214-1979-3_______________

Today’s visitor to Mariemont, Ohio, encounters what appears to be a community from another place and time, perhaps a country village in England’s Cotswold region. Tree-lined streets pass through neighborhoods lined with Tudor- and

Georgian-style buildings. A stone church with a roof that dates from 1300 abuts an early settlement graveyard. This remarkable village is the masterpiece of the eminent town planner John Nolen (1869–1937) and the vision of philanthropist Mary M. Emery (1844–1927).

Located near Cincinnati, Mariemont was designed as a self-sufficient town, its inspiration derived from the English Garden City and concepts developed in the early twentieth century. In 2007, Mariemont earned National Historic Landmark status from the Secretary of the United States Department of the Interior. Today, it serves as a “National Exemplar” for twenty-first-century developers, including those of the New Urbanist movement.

Mariemont: A Pictorial History of a Model Town presents both archival photographs that trace the creation, construction, and growth of the town and contemporary views by noted Cincinnati photographer Robert Flischel. Photographs from the rich collection of the Mariemont Preservation Foundation, including rare images made of the area in the 1870s–80s and by John Nolen and Nancy Ford Cones in the 1920s, mark this important experiment in architecture and urban design.

Millard F. Rogers Jr. is the director emeritus of the Cincinnati Art Museum and a longtime resident of Mariemont. His publications include Rich in

Good Works: Mary M. Emery of Cincinnati and John Nolen and Mariemont: Building a New Town in Ohio.

Karen Monzel Hughes is an associate dean in the College of Design, Architecture, Art, and Planning and associate professor of design at the University of Cincinnati. She is the recipient of numerous awards, including the Chris Award at the Columbus International Film and Video Festival.

MariemontA Pictorial History of a Model Town

Millard F. Rogers Jr. Designed by Karen Monzel Hughes

Ohio Canal EraA Case Study of Government and the Economy, 1820–1861

Harry N. Scheiber

A new paperback edition with a foreword by Lawrence M. Friedman

OHIO HISTORY • TRANSPORTATION HISTORYLEGAL HISTORY

OHIO HISTORY • URBAN PLANNINGARCHITECTURAL HISTORY

October_______________182 pages, illus.

9 x 12

hc $59.95t 978-0-8214-1972-4_______________

8 | o h i o s w a l l o w . c o m

O H I O U N I V E R S I T Y P R E S S | 11 10 | o h i o s w a l l o w . c o m

“Too few writers have Kilgore’s wide-angle vision. This promising first book, vividly rooted in his own experience, leaves me eager to read more by him.”

—Adam Hochschild, author of King Leopold’s Ghost:

A Story of Greed, Terror, and Heroism in Colonial Africa

September_______________272 pages6 x 9

pb $22.95t978-0-8214-1985-4_______________

Rights: World except South Africa

Bafana Kuzwayo is a young man with a weight on his shoulders. After flunking his law studies at the University of Cape Town, he returns home to Soweto, where he must decide how to break the news to his family. But before he can confess, he is greeted as a hero by family and friends. His uncle calls him “Advo,” short for Advocate, and his mother wastes no time recruiting him to solve their legal problems. In a community that thrives on imagined realities, Bafana decides that it’s easiest to create a lie that allows him to put off the truth indefinitely. Soon he’s in business with Yomi, a Nigerian friend who promises to help him solve all his problems by purchasing a fake graduation document. One lie leads

to another as Bafana navigates through a world that readers will find both funny and grim.

Niq Mhlongo was born in 1973 in Soweto. He is the author of Dog Eat Dog, forthcoming in the Modern African Writing Series in spring 2012. After Tears is his second novel. Mhlongo lives in Soweto, South Africa.

“Niq Mhlongo is one of the most high-spirited and irrev-erent new voices of South Africa’s postapartheid literary scene.” —Rachel Donadio, New York Times

“A uniquely South African story, told in a fast, hip, and happening style that is synonymous with Soweto, where the author’s witty, dodgy, plain and simple characters play out their daily drama.” —Lucas Ledwaba, City Press

September_______________224 pages

6 x 9

pb $18.95t978-0-8214-1984-7_______________

Rights: North America

We Are All Zimbabweans NowJames Kilgore

After TearsNiq Mhlongo

AFRICA • FICTIONAFRICAN LITERATURE

The Modern African Writing Series will bring the best African writing to an international audience. These groundbreaking novels, memoirs, and other literary works will showcase the most talented writers of the African continent. The series will also feature works of significant historical and literary value translated into English for the first time. Moderately priced, the books chosen for the series will be well-crafted, original, and ideally suited for African studies classes, world literature classes, or any reader looking for compelling voices of diverse African perspectives.

First volume in the series

We Are All Zimbabweans Now is a political thriller set in Zimbabwe in the hopeful, early days of Robert Mugabe’s rise to power in the late 1980s. When Ben Dabney, a Wisconsin graduate student, arrives in the country, he is enamored with Mugabe and the promises of his government’s model of racial reconciliation. But as Ben begins his research and delves more deeply into his hero’s life, he finds fatal flaws. Ultimately Ben reconsiders not only his understanding of Mugabe, but his own professional and personal life.

James Kilgore brings an authentic voice to a work of youthful hope, disillusionment, and unsettling resolution.

James Kilgore is a research scholar at the Center for African Studies, University of Illinois.

“The book is fast-paced and funny, extolling two literary virtues often missing on the Left. It is a good read—the work of a great storyteller. But it is also an invaluable object lesson—the work of a committed activist.”

—Frank B. Wilderson III, author of Incognegro: A Memoir of Exile and Apartheid, winner of the 2008 American Book Award

Of related interest_________________________________

Welcome to Our HillbrowA Novel of Postapartheid South Africa

By Phaswane Mpe

MODERN AFRICAN WRITING SERIES

MODERN African Writing SERIES

O H I O U N I V E R S I T Y P R E S S | 13 12 | o h i o s w a l l o w . c o m

In the antebellum Midwest, Americans looked to the law, and specifically to the jury, to navigate the uncertain terrain of a rapidly changing society. During this formative era of American law, the jury served as the most visible connector between law and society. Through an analysis of the composition of grand and trial juries and an examination of their courtroom experiences, Stacy Pratt McDermott demonstrates how central the law was for people who lived in Abraham Lincoln’s America.

McDermott focuses on the status of the jury as a democratic institution as well as on the status of those who served as jurors. According to the 1860 census, the juries in Springfield and Sangamon County, Illinois, comprised an ethnically and racially diverse population of settlers from northern and southern states, representing both urban and rural mid-nineteenth-century America. It was in these counties that Lincoln developed his law practice, handling more than 5,200 cases in a legal career that spanned nearly twenty-five years.

Drawing from a rich collection of legal records, docket books, county histories, and surviving newspapers, McDermott reveals the enormous power jurors wielded over the litigants and the character of their communities.

Stacy Pratt McDermott is the assistant director and associate editor of the Papers of Abraham Lincoln in Springfield, Illinois, and the coeditor of The Papers of Abraham Lincoln: Legal Documents and Cases and The Law Practice of Abraham Lincoln.

During the long decade from 1848 to 1861 America was like a train speeding down the track, without an engineer or brakes. The new territories acquired from Mexico had vastly increased the size of the nation, but debate over their status—and more importantly the status of slavery within them—paralyzed the nation. Southerners gained access to the territories and a draconian fugitive slave law in the Compromise of 1850, but this only exacerbated sectional tensions. Virtually all northerners, even those who supported the law because they believed that it would preserve the union, despised being turned into slave catchers. In 1854, in the Kansas-Nebraska Act, Congress repealed the ban on slavery in the remaining unorganized territories. In 1857, in the Dred Scott case, the Supreme Court held that all bans on slavery in the territories were unconstitutional. Meanwhile, northern whites, free blacks, and fugitive slaves resisted the enforcement of the 1850 fugitive slave law. In Congress members carried weapons and Representative Preston Brooks assaulted Senator Charles Sumner with a cane, nearly killing him. This was the decade of the 1850s and these were the issues Congress grappled with.

This volume of new essays examines many of these issues, helping us better understand the failure of political leadership in the decade that led to the Civil War.

Paul Finkelman is President William McKinley Distinguished Professor of Law and Public Policy at Albany Law School and Senior Fellow in the Gov-ernment Law Center at Albany Law School. He is the author or editor of many articles and books, including Slavery and the Founders: Race and Liberty in the Age of Jefferson and A March of Liberty: A Constitutional History of the United States, and coeditor (with Martin J. Hershock) of The History of Michigan Law.

Donald R. Kennon is the chief historian of the United States Capitol Historical Society. He is coeditor of the Ohio University Press series Perspectives on the History of Congress, 1789–1801 and editor of the series Perspectives on the Art and Architectural History of the United States Capitol.

Of related interest_______________________________

In the Shadowof FreedomThe Politics of Slavery in the National Capital

Edited by Paul Finkelman and Donald R. Kennon

December_______________264 pages6 x 9

hc $49.95s978-0-8214-1977-9_______________

Of related interest________________________________No Winners

Here TonightRace, Politics, and

Geography in One of the Country’s Busiest Death Penalty States

By Andrew Welsh-Huggins

February_______________272 pages

6 x 9

hc $54.95s978-0-8214-1956-4_______________

Congress and the Crisis of the 1850sEdited by Paul Finkelman and Donald R. Kennon

The Jury in Lincoln’s America

Stacy Pratt McDermott

U.S. HISTORY • CIVIL WARAMERICAN HISTORY • LEGAL HISTORYILLINOIS HISTORY

PERSPECTIVES ON THE

HISTORY OF CONGRESS1801–1877

SERIES ON LAW, SOCIETY, AND POLITICS IN THE MIDWEST

O H I O U N I V E R S I T Y P R E S S | 15 14 | o h i o s w a l l o w . c o m

Across the nineteenth century, meter mattered—in more ways and to more people than we might well appreciate today. For the period’s poets, metrical matters were a source of inspiration and often vehement debate. And the many readers, teachers, and pupils encountered meter and related topics in both institutional and popular forms.

The ten essays in Meter Matters showcase the range of metrical practice of poets from Wordsworth and Byron to Hopkins, Swinburne, and Tennyson; at the same time, the contributors bring into focus some of the metrical theorizing that shaped poetic thinking and responses to it throughout the nineteenth century. Paying close attention to the historical contours of Romantic and Victorian meters, as well as to the minute workings of the verse line, Meter Matters presents a fresh perspective on a subject that figured significantly in the century’s literature, and in its culture.

Contributors:Isobel Armstrong –University of LondonMatthew Bevis – University of YorkMichael Cohen – Louisiana State University, Baton Rouge Jason David Hall - University of ExeterYisrael Levin – Hobart and William Smith Colleges, GenevaMeredith Martin – Princeton University, PrincetonCornelia Pearsall – Smith College, NorthamptonYopie Prins – University of Michigan, Ann ArborJason R. Rudy – University of Maryland, College ParkSummer J. Star – University of California, Santa BarbaraSusan Wolfson – Princeton University, Princeton

Jason David Hall is a lecturer in English at the University of Exeter, UK. He is the author of Seamus Heaney’s Rhythmic Contract and editor, with Ashby Bland Crowder, of Seamus Heaney: Poet, Critic, Translator.

Of related interest___________________________Electric Meters

Victorian Physiological

Poetics

By Jason R. Rudy

December_______________300 pages

6 x 9

hc $59.95s978-0-8214-1968-7_______________

With this seventeenth and final volume, The Complete Works of Robert Browning concludes the major phase of a great scholarly project: the accurate preservation and transmission of the poet’s works for future generations of readers. Volume XVII begins with Browning’s last collection of poems, Asolando: Fancies and Facts, published on the day of the poet’s death, 12 December 1889. Wonderful in its diversity and intensity, Asolando contains lyrics of startling emotion, autobiographical narratives, and a few of the dramatic monologues for which Browning had become famed.

Also in this final volume are ninety-nine fugitive pieces, either unpublished or uncollected during the poet’s lifetime. Ranging from experimental poems of Browning’s youth to Greek translations to joking couplets and witty ephemera, these works illustrate the endless variety of the poet’s talent.

Finally, Volume XVII includes “Thomas Wentworth, Earl of Strafford,” a biographical essay that Browning coauthored with John Forster in 1836. The historical research done for this work formed a basis for Strafford, a play Browning completed the following year.

Comprehensive explanatory notes for the works in this volume are provided, as is a title index to all seventeen volumes of The Complete Works.

Ashby Bland Crowder is Peace Professor Emeritus of English, American Literature, and the Humanities at Hendrix College. He is the author of the prize-winning Wakeful Anguish: A Literary Biography of William Humphrey and editor of Far from Home: Selected Letters of William Humphrey. With Jason David Hall, he edited Seamus Heaney: Poet, Critic, Translator.

Allan C. Dooley is general editor of The Complete Works of Robert Browning and is professor emeritus at Kent State University.

February_______________520 pages, illus.6 x 9

hc $79.95s978-0-8214-1981-6 _______________

The Complete Works of Robert Browningwith Variant Readings and Annotations

Volume XVII

Edited by Ashby Bland Crowder and Allan C. Dooley

Meter MattersVerse Cultures of the Long Nineteenth Century

Edited by Jason David Hall

BRITISH LITERATURE • POETRYVICTORIAN STUDIES • LITERARY STUDIES

POETRY • VICTORIAN STUDIES

O H I O U N I V E R S I T Y P R E S S | 17 16 | o h i o s w a l l o w . c o m

Research in environmental justice reveals that low-income and minority neighborhoods in our nation’s cities are often the preferred sites for landfills, power plants, and polluting factories. Those who live in these sacrifice zones are forced to shoulder the burden of harmful environmental effects so that others can prosper. Mountains of Injustice broadens the discussion from the city to the country by focusing on the legacy of disproportionate environmental health impacts on communities in the Appalachian region, where the costs of cheap energy and cheap goods are actually quite high.

Through compelling stories and interviews with people who are fighting for environmental justice, Mountains of Injustice contributes to the ongoing debate over how to equitably distribute the long-term environmental costs and consequences of economic development.

Geoffrey L. Buckley is an associate professor in the department of geography and the Program in Environmental Studies at Ohio University. He is the author of Extracting Appalachia: Images of the Consolidation Coal Company, 1910–1945 and America’s Conservation Impulse: Saving Trees in the Old Line State.

Michele Morrone is an associate professor of environmental health sciences and director of Environmental Studies at Ohio University. Her publications include Sound Science, Junk Policy: Environmental Health and the Decisionmaking Process and Poisons on Our Plates: The Real Food Safety Problem in the United States.

Today’s mass-market romances have their precursors in late Victorian popular novels written by and for women. In Modernism and the Women’s Popular Romance Martin Hipsky scrutinizes some of the best-selling British fiction from the period 1885 to 1925, the era when romances, especially those by British women, were sold and read more widely than ever before or since.

Recent scholarship has explored the desires and anxieties addressed by both “low modern” and “high modernist” British culture in the decades straddling the turn of the twentieth century. In keeping with these new studies, Hipsky offers a nuanced portrait of an important phenomenon in the history of modern fiction. He puts popular romances by Mrs. Humphry Ward, Marie Corelli, the Baroness Orczy, Florence Barclay, Elinor Glyn, Victoria Cross, Ethel Dell, and E. M. Hull into direct relationship with the fiction of Virginia Woolf, Katherine Mansfield, James Joyce, and D. H. Lawrence, among other modernist greats..

Martin Hipsky is a professor of English and an associate dean of first-year students at Ohio Wesleyan University. He is the author of numerous articles on British modernism, postmodern fiction, and popular film.

Of related interest___________________________Oscar Wilde and Modern Culture

The Making of a Legend

Edited by Joseph Bristow

November_______________324 pages

6 x 9

hc $59.95s 978-0-8214-1970-0_______________

November_______________216 pages6 x 9

hc $49.95s978-0-8214-1980-9_______________

APPALACHIAENVIRONMENTAL STUDIES

Mountains of InjusticeSocial and Environmental Justice in Appalachia

Edited by Michele Morrone and Geoffrey L. Buckley

Foreword by Donald Edward DavisAfterword by Jedediah Purdy

VICTORIAN LITERATURE

Modernism and the Women’s Popular Romance in Britain, 1885–1925Martin Hipsky

Of related interest___________________________Extracting Appalachia

Images of the Consolidation Coal Company, 1910–1945

By Geoffrey L. Buckley

from the Afterword:

“There is no equality among American landscapes: some are sacred, some protected against harm, and some sacrificed. As a result, there is no equality among Americans to the degree that they care about their landscapes, identify with them, and wish to imagine that their children and grandchildren might live there as they have. . . . But if you love the hills of southern West Virginia or eastern Kentucky, if they form your idea of beauty and rest, your native or chosen image of home, then your love has prepared your heart for breaking.”

—Jedediah Purdy, author of The Meaning of Property: Freedom, Community, and the Legal Imagination

O H I O U N I V E R S I T Y P R E S S | 19 18 | o h i o s w a l l o w . c o m

Environment at the Margins brings literary and environmental studies into a robust interdisciplinary dialogue, challenging dominant ideas about nature, conservation, and development in Africa and exploring alternative narratives offered by writers and environmental thinkers.

The essays examine how geographers, anthropologists, and historians make use of literature and how they apply theories and ideas drawn from their respective fields in the study of both African and colonial literatures. Contributors analyze the writing of Nadine Gordimer and J. M. Coetzee and the intersections between literary and policy devices in the works of Ngugi wa Thiong’o, Zakes Mda, Mia Couto, Ben Okri, and Wangari Maathai. These postcolonial ecocritical discussions focus on dialogue among disciplines and among different visions of African environments.

Through its cross-disciplinary approach, Environment at the Margins moves African ecocriticism beyond the marginalized visions of the imaginary Africa.

Byron Caminero-Santangelo is an associate professor of English at the University of Kansas. He is the author of African Fiction and Joseph Conrad: Reading Postcolonial Intertextuality.

Garth Myers is a professor of geography and African & African-American studies at the University of Kansas. He is the author of African Cities: Alternative Visions of Urban Theory and Practice, and coeditor with Martin J. Murray of Cities in Contemporary Africa.

The landscapes of the Middle East have captured our imaginations throughout history. Endless images of shifting golden dunes, camel caravans, isolated desert oases, and rivers lined with palm trees have often framed the written and visual representations of the region. Embedded in these portrayals is the ubiquitous belief that the environment, in most places, has been deforested and desertified by centuries of misuse. It is precisely such orientalist environmental imaginaries, increasingly undermined by contemporary ecological data, that the contributors in this volume dispute.

This is the first volume to critically examine culturally constructed views of the environmental history of the Middle East and show that they have most often benefited elites at the expense of the ecologies and the peoples of the region. The contributors expose many of the questionable policies and practices born of these environmental imaginaries and related histories that have been utilized in the region since the colonial period. They further reveal how power, in the form of development programs, notions of nationalism, and hydrological maps, for instance, relates to environmental knowledge and reproduction.

Diana K. Davis is an associate professor of history at the University of California at Davis. She is the author of Resurrecting the Granary of Rome: Environmental History and French Colonial Expansion in North Africa.

Edmund (“Terry”) Burke III is a research professor of history at the University of California at Santa Cruz. He is the author of numerous books, including Genealogies of Orientalism: History, Theory, Politics, edited with David Prochaska.

Environment at the MarginsLiterary and Environmental Studies in Africa

Edited by Byron Caminero-Santangelo and Garth Myers

ENVIRONMENTAL STUDIES • AFRICAN LITERATUREECOCRITICSM AND LITERATURE

ENVIRONMENTAL STUDIES • GEOGRAPHYINTERNATIONAL STUDIES • POLITICAL SCIENCE

Environmental Imaginaries of the Middle East and North AfricaEdited by Diana K. Davis and Edmund Burke III

SERIES IN ECOLOGY AND HISTORY

“Ecocritical studies have long

neglected the postcolonial

regions of the world, so it’s

refreshing and timely to see

a collection of essays focused

entirely on Africa. This collec-

tion is the first of its kind and

as such is positioned to make

a vital intervention in postco-

lonial, ecocritical, and African

studies.”

—Elizabeth DeLoughrey, author of Postcolonial Ecologies:

Literatures of the Environment

September_______________304 pages6 x 9

pb $34.95s 978-0-8214-1978-6_______________

“This volume goes far beyond the current work in ‘colonial studies’ which tends to discuss ‘imperial visions and imaginings’ without grappling with the much more im-portant issue: how these colonial visions of other peoples and other landscapes were instrumentalizedon the ground in ways that drasti-cally affected real people’s daily lives and livelihoods—and the nature of postcolonial states and societies.”

—Julia Clancy-Smith, author of Mediterraneans: North Africa

and Europe in an Age of Migration, c. 1800–1900

November_______________280 pages

6 x 9

hc $59.95s978-0-8214-1974-8_______________

O H I O U N I V E R S I T Y P R E S S | 21 20 | o h i o s w a l l o w . c o m

For more than half a century before World War II, black South Africans and “American Negroes”—a group that included African Americans and black West Indians—established close institutional and personal relationships that laid the necessary groundwork for the successful South African and American antiapartheid movements. Though African Americans suffered under Jim Crow racial discrimination, oppressed Africans saw African Americans as free people who had risen from slavery to success and were role models and potential liberators.

Many African Americans, regarded initially by the South African government as “honorary whites” exempt from segregation, also saw their activities in South Africa as a divinely ordained mission to establish “Africa for Africans,” liberated from European empires. The Jamaican-born Marcus Garvey’s Universal Negro Improvement Association, the largest black-led movement with two million members and supporters in forty-three countries at its height in the early 1920s, was the most anticipated source of liberation. Though these liberation prophecies went unfulfilled, black South Africans continued to view African Americans as inspirational models and as critical partners in the global antiapartheid struggle.

The Americans Are Coming! is a rare case study that places African history and American history in a global context and centers Africa in African Diaspora studies.

Robert Trent Vinson is an associate professor of history and Africana studies at the College of William and Mary. He has published several book chapters as well as articles in the Journal of African History, the Journal of South African Studies, and the African Studies Review. He serves on the editorial board of Safundi: The Journal of South African and American Studies.

Of related interest___________________________Trustee for the Human CommunityRalph J. Bunche, the United Nations, and the Decolonization of AfricaEdited by Robert A. Hill and Edmond J. Keller

November_______________236 pages6 x 9

pb $32.95s978-0-8214-1986-1_______________

In Our New Husbands Are Here Emily Lynn Osborn makes a significant contribution to our understanding of the role of gender in precolonial and colonial Africa. Well written and meticulously researched, this important book shows that women assumed a critical if understudied role in the precolonial state of Baté, in present-day Guinea. Osborn also reveals that the gender biases implicit in the French colonial project radically diminished women’s political roles and created new opportunities and burdens for colonized men.

Osborn traces these processes to the seventeenth century, when a group of Muslim migrants arrived in the Milo River Valley, in the interior savannas of West Africa. Those men and women used their households to lay the foundations of the state of Baté. Over the next two centuries, Baté’s elites combined household-making and state-making to endure the predations of the transatlantic slave trade, build a vital urban economic hub, and dissolve external political and military threats. But Baté’s leaders proved unable to fend off the French, who colonized the region in the late nineteenth century and introduced a new method of statecraft, one that sought to separate the household from the state.

By investigating the relationship between household-making and state-making, Our New Husbands Are Here generates a nuanced perspective on power in precolonial and colonial Africa and shows that previous studies have overlooked the shifting role of women and the domestic sphere in West African political history.

Emily Lynn Osborn is an assistant professor of history at the University of Chicago.

Of related interest___________________________Domestic Violence and

the Law in Colonial and Postcolonial Africa

Edited by Emily S. Burrill, Richard L. Roberts, and

Elizabeth Thornberry

October_______________288 pages

6 x 9

pb 32.95s978-0-8214-1983-0_______________

AFRICAN STUDIES • AFRICAN AMERICAN STUDIESAMERICAN HISTORY • AFRICAN DIASPORA STUDIES

The Americans Are Coming!Dreams of African American Liberation in Segregationist South Africa

Robert Trent Vinson

AFRICAN HISTORY • GENDER STUDIES

Our New Husbands Are HereHouseholds, Gender, and Politics in a West African State from the Slave Trade to Colonial Rule

Emily Lynn Osborn

NEW AFRICAN HISTORIESSERIES

NEW AFRICAN HISTORIES

SERIES

O H I O U N I V E R S I T Y P R E S S | 23 22 | o h i o s w a l l o w . c o m

The incompleteness of the decoloniza-tion struggle is evident in the fact that Africa today remains widely associated with chaos, illness, and disorder. This misconception is a latter-day invocation of the idea of “the white man’s burden,” which was central in providing justifica-tion for the violence of Europe’s military conquest and colonial occupation of Af-rica. The essays in this collection address the enduring intellectual legacies of Eu-ropean colonialism in Africa.

The challenge for African and non-African scholars alike is to establish the fact of African humanity, in all its diversity, and to enable the representation of Africa

beyond its historical role as the foil to Western humanity. The significant contribution of this volume is to move the discussion of decolonization in Africa to the postcolonial period, and to begin a post-neocolonial phase in the Academy. All of the essays address topics and themes in African states and societies since those states achieved political independence.

African Intellectuals and Decolonization addresses the enduring intellectual legacies of European colonialism in Africa while providing scholarly tools to assist in the ongoing processes of decolonizing the Academy and the African continent more broadly.

Nicholas M. Creary is an assistant professor of African history at Ohio University. He is the author of Domesticating a Religious Import: The Jesuits and the Inculturation of the Catholic Church in Zimbabwe, 1879–1980.

Lesley Cowling, University of the Witwatersrand

Nicholas M. Creary, Ohio University

Marlene De La Cruz, Ohio University

Carolyn Hamilton, University of Cape Town

George Hartley, Ohio University

Janet Hess, Sonoma State University

T. Spreelin McDonald, Ohio University

Ebenezer Adebisi Olawuyi, University of Ibadan

Steve Odero Ouma, University of Nairobi

Oyeronke Oyewumi, State University of New York at Stony Brook

Tsenay Serequeberhan, Morgan State University

January_______________160 pages5 1/2 x 8 1/2

pb $19.95s 978-0-89680-283-4_______________

Anatomy of a South African GenocideThe Extermination of the Cape San Peoples

Mohamed Adhikari

GENOCIDE STUDIES • AFRICAN STUDIESANTHROPOLOGY • COLONIAL HISTORY

African Intellectuals and Decolonization

Edited by Nicholas M. Creary

AFRICAN STUDIES

In 1998 David Kruiper, the leader of the ‡Khomani San who today live in the Kalahari Desert in South Africa, lamented, “We have been made into nothing.” His comment applies equally to the fate of all the hunter-gatherer societies of the Cape Colony who were destroyed by the impact of European colonialism. Until relatively recently, the extermination of the Cape San peoples has been treated as little more than a footnote to South African narratives of colonial conquest.

During the eighteenth and nineteenth centuries, Dutch-speaking pasto-ralists who infiltrated the Cape interior dispossessed its aboriginal inhab-itants. In response to indigenous resistance, colonists formed mounted militia units known as commandos with the express purpose of destroying San bands. This ensured the virtual extinction of the Cape San peoples. In Anatomy of a South African Genocide, Mohamed Adhikari examines the history of the San and persuasively presents the annihilation of Cape San society as genocide.

Mohamed Adhikari is an associate professor at the University of Cape Town. His most recent books are Not White Enough, Not Black Enough: Racial Identity in the South African Coloured Community and Burdened by Race: Coloured Identity in Southern Africa.

Of related interest___________________________Unconquerable SpiritGeorge Stow’s History

Painting of the SanBy Pippa Skotnes

“Anatomy of a South African Genocide provides a succinct and accessible summary of a large body of scholarship on San colonial history. This makes it useful to both academic and lay readers. The book is a high-quality contribution to public education about the colonial history of the San.”

—Mathias Guenther, Wilfrid Laurier University, Canada

September_______________120 pages6 x 9

pb $16.95s978-0-8214-1987-8_______________

RESEARCH IN INTERNATIONAL STUDIES

AFRICA SERIES No. 90

O H I O U N I V E R S I T Y P R E S S | 25 24 | o h i o s w a l l o w . c o m

From the frozen landscapes of the Antarctic to the haunted houses of childhood, the memory of places we experience is fundamental to a sense of self. Drawing on influences as diverse as Merleau-Ponty, Freud, and J. G. Ballard, The Memory of Place charts the memorial landscape that is written into the body and its experience of the world.

Dylan Trigg’s The Memory of Place offers a lively and original intervention into contemporary debates within “place studies,” an interdisciplinary field at the intersection of philosophy, geography, architecture, urban design, and environmental studies. Through a series of provocative investigations, Trigg analyzes monuments in the representation of public memory; “transitional” contexts, such as airports and highway rest stops; and the “ruins” of both memory and place in sites such as Auschwitz. While developing these original analyses, Trigg engages in thoughtful and innovative ways with the philosophical and literary tradition, from Gaston Bachelard to Pierre Nora, H. P. Lovecraft to Martin Heidegger. Breathing a strange new life into phenomenology, The Memory of Place argues that the eerie disquiet of the uncanny is at the core of the remembering body, and thus of ourselves. The result is a compelling and novel rethinking of memory and place that should spark new conversations across the field of place studies. Edward S. Casey, Distinguished Professor of Philosophy at Stony Brook University and widely recognized as the leading scholar on phenomenology of place, calls The Memory of Place “genuinely unique and a signal addition to phenomenological literature. It fills a significant gap, and it does so with eloquence and force.” He predicts that Trigg’s book will be “immediately recognized as a major original work in phenomenology.”

Dylan Trigg is a researcher at the Centre de Recherche en Epistémologie Appliquée, Paris. He is the author of The Aesthetics of Decay and has published widely on phenomenology, continental philosophy, and aesthetics.

In The Tenets of Cognitive Existentialism, Dimitri Ginev draws on devel-opments in hermeneutic phenomenology and other programs in herme-neutic philosophy to inform an interpretative approach to scientific prac-tices. At stake is the question of whether it is possible to integrate forms of reflection upon the ontological difference in the cognitive structure of scientific research. A positive answer would have implied a proof that (pace Heidegger) “science is able to think.” This book is an extended version of such a proof. Against those who claim that modern science is doomed to be exclusively committed to the nexus of objectivism and instrumental rationality, the interpretative theory of scientific practices reveals science’s potentiality of hermeneutic self-reflection. Scientific research that takes into consideration the ontological difference has resources to enter into a dialogue with Nature.

Ginev offers a critique of postmodern tendencies in the philosophy of science, and sets out arguments for a feminist hermeneutics of scientific research.

Dimitri Ginev is a professor at St. Kliment Ohridski University of Sofia. He is the author of The Context of Constitution: Beyond the Edge of Epistemological Justification and is founder and editor in chief of the international journal Studia Culturologica Divinatio.

Of related interest___________________________Transversal Rationality and Intercultural Texts Essays in Phenomenology and Comparative Philosophy

By Hwa Yol Jung

September_______________248 pages6 x 9

hc $55.00s978-0-8214-1976-2_______________

Of related interest___________________________The Intentional Spectrum

and IntersubjectivityPhenomenology and the Pittsburgh Neo-Hegelians

By Michael D. Barber

January_______________386 pages

6 x 9

hc $69.95s978-0-8214-1975-5_______________

The Tenets of Cognitive ExistentialismDimitri Ginev

The Memory of PlaceA Phenomenology of the Uncanny

Dylan Trigg

CONTINENTAL PHILOSOPHYPHENOMENOLOGY

PHILOSOPHY • HERMENEUTICS

SERIES IN CONTINENTAL

THOUGHTNO. 42

SERIES IN CONTINENTALTHOUGHTNO. 41

O H I O U N I V E R S I T Y P R E S S | 27 26 | o h i o s w a l l o w . c o m

In a world desperate to comprehend and address what appears to be an ever- enlarging explosion of violence, this book provides important insights into cru-cial contemporary issues, with violence providing the lens. Violence: Analy- sis, Intervention, and Prevention provides a multidisciplinary approach to the analysis and resolution of violent conflicts. In particular, the book dis-cusses ecologies of violence, and micro-macro linkages at the local, national, and international levels as well as intervention and prevention processes criti-cal to constructive conflict transformation.

The causes of violence are complex and demand a deep multidimensional analysis if we are to fully understand its driving forces. Yet in the aftermath of such destruction there is hope in the resiliency, knowledge, and creativity of communities, organizations, leaders, and international agencies to transform the conditions that lead to such violence.

Sean Byrne is a professor and cofounder of the doctoral and joint master’s programs in peace and conflict studies, and founding executive director of the Mauro Centre for Peace and Justice at St. Paul’s College, University of Manitoba. Jessica Senehi is an associate professor of peace and conflict studies, cofounder of the doctoral and joint master’s programs in peace and conflict studies, and associate director of the Mauro Centre for Peace and Justice at St. Paul’s College, University of Manitoba. Together with Dennis Sandole and Ingrid Sandole-Staroste, they coedited the Handbook of Conflict Analysis and Resolution. And with Thomas Matyók, they coedited Critical Issues in Peace and Conflict Studies: Theory, Practice, and Pedagogy.

January _______________256 pages5 1/2 x 8 1/2

pb $32.95s 978-0-89680-285-8_______________

Women’s status in rural Java can appear contradictory to those both inside and outside the culture. In some ways, women have high status and broad access to resources, but other situations suggest that Javanese women lack real power and autonomy. Javanese women have major responsibilities in supporting their families and controlling household finances. They may also own and manage their own property. Yet these symbols and potential sources of independence and influence are determined by a culturally prescribed, state-reinforced, patriarchal gender ideology that limits women’s autonomy. Power, Change, and Gender Relations in Rural Java examines this contradiction as well as sources of stability and change in contemporary Javanese gender relations.

The authors conducted their research in two rural villages in Yogyakarta, Indonesia, during three important historical and political periods: the end of the New Order regime; the transitional period of reformation; and the subsequent establishment of a democratic government. Their collaboration brings a unique perspective, analyzing how gender is constructed and reproduced and how power is exercised as Indonesia faces the challenges of building a new social order. Ann R. Tickamyer is a professor of rural sociology and head of the Depart-ment of Agricultural Economics and Rural Sociology at the Pennsylvania State University. She is the author of numerous publications on rural pov-erty, inequality, gender, work, and development.

Siti Kusujiarti is a professor of sociology and chair of the Department of Sociology and Anthropology, Warren Wilson College, Asheville, North Carolina. She has done extensive research and teaching on gender relations, disaster, and social change in Indonesia and other countries. She is the author of numerous publications on rural poverty, inequality, gender, work, and development.

January_______________246 pages5 1/2 x 8 1/2

pb $29.95s978-0-89680-284-1_______________

ViolenceAnalysis, Intervention, and Prevention

Sean Byrne and Jessica Senehi

PEACE STUDIESGLOBAL STUDIES

SOUTHEAST ASIAN STUDIES • GENDER AND POLITICSRURAL SOCIOLOGY

Power, Change, and Gender Relations in Rural JavaA Tale of Two Villages

Ann R. Tickamyer and Siti Kusujiarti

RESEARCH IN INTERNATIONAL STUDIES

SOUTHEAST ASIA SERIESNo. 125

RESEARCH IN INTERNATIONAL STUDIES

GLOBAL AND COMPARATIVE STUDIES

No. 13

O H I O U N I V E R S I T Y P R E S S | 29 28 | o h i o s w a l l o w . c o m

The Midwestern Native GardenNative Alternatives to Nonnative Flowers and Plants, an Illustrated Guide

Charlotte Adelman and Bernard L. Schwartz

Available summer 2011___________________272 pages, illus.

6 x 9

pb $26.95t978-0-8214-1937-3_______________

Midwestern gardeners and landscapers are becoming increasingly attracted to noninvasive regional native wildflowers and plants over popular nonnative species. The authors provide a comprehensive selection of native alternatives that look similar or even identical to a range of nonnative ornamentals. These are native plants that are suitable for all garden styles, bloom during the same season, and have the same cultivation requirements as their nonnative counterparts. The Midwestern Native Garden will be a welcome guide to gardeners whose styles range from formal to naturalistic but who want to create an authentic sense of place, with regional natives.

Charlotte Adelman and Bernard L. Schwartz are the authors of Prairie Directory of North America – US and Canada, winner of the 2003 National Garden Club Illinois Tommy Donnan Certificates Publications award.

GARDENING

The Locavore’s KitchenA Cook’s Guide to Seasonal Eating and Preserving

Marilou K. Suszko

Available summer 2011___________________264 pages, illus.

7 x 10

pb $32.95t978-0-8214-1938-0_______________

From asparagus in the spring to pumpkins in the fall, Marilou K. Suszko helps readers learn what to look for when buying seasonal or locally grown foods as well as how to store and prepare fresh food to bring out the flavor and color. Suszko shares tips and techniques for extending the season, with detailed instructions on canning, freezing, and dehydrating. In more than 150 recipes that highlight seasonal flavors, Suszko inspires cooks to keep local foods in the kitchen year round.

Marilou K. Suszko is the author of Farms & Foods of Ohio: From Garden Gate to Dinner Plate. She is a food writer and local foods advocate whose work appears in numerous newspapers and magazines. She hosts From My Ohio Kitchen to Yours, which airs on all Ohio PBS stations.

FOOD

A Photographer’s Guide to OhioIan Adams978-0-8214-1960-1, paper 29.95

New Stories from the MidwestEdited by Jason Lee Brown and Jay Prefontaine978-0-8040-1135-8, paper 28.95

Harmless as DovesAn Amish-Country MysteryP. L. Gaus978-0-8214-1967-0, hardcover 24.95

Lit from WithinContemporary Masters on the Art and Craft of WritingKevin Haworth and Dinty W. Moore978-0-8214-1948-9, paper 19.95

Hatred at Home Al-Qaida on Trial in the American MidwestAndrew Welsh-Huggins978-0-8040-1134-1, hardcover 26.95

Cracks in the InvisiblePoemsStephen Kampa978-0-8214-1952-6, paper 16.95

Ghazal GamesPoemsRoger Sedarat978-0-8214-1950-2, paper 16.95

Negotiating a Perilous EmpowermentAppalachian Women’s LiteraciesErica Abrams Locklear978-0-8214-1965-6, hardcover 49.95

RECENT RELEASES

O H I O U N I V E R S I T Y P R E S S | 31 30 | o h i o s w a l l o w . c o m

SALES INFORMATIONThis catalog contains descriptions of books scheduled to be published between September 2011 and February 2012 and selected backlist titles. All prices and publication dates are subject to change without notice. Page counts of books not yet published reflect our best estimate at the time this catalog goes to press. For a complete catalog of publications currently in print, contact Ohio University Press or go to: ohioswallow.com.

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RIGHTSAAPR = All Americas and Canada exclusively and the Pacific Rim (includes Australia and New Zealand on an open market basis.)AA = All Americas

Screening MoroccoContemporary Film in a Changing SocietyValérie K. Orlando978-0-89680-281-0, paper 28.95

Cinematic HamletThe Films of Olivier, Zeffirelli, Branagh, and AlmereydaPatrick J. Cook978-0-8214-1944-1, hardcover 55.00

Welcome to Our HillbrowA Novel of Postapartheid South AfricaPhaswane MpeForeword by Ghirmai Negash 978-0-8214-1962-5, paper 16.95

Sugar Girls and SeamenA Journey into the World of Dockside Prostitution in South AfricaHenry Trotter978-0-8214-1963-2, paper 28.95

Pachakutik and the Rise and Decline of the Ecuadorian Indigenous MovementKenneth J. Mijeski & Scott H. Beck978-0-89680-280-3, paper, 28.95

Christianity and Public Culture in AfricaEdited by Harri Englund978-0-8214-1945-8, hardcover 49.95

Poetry, Pictures, and Popular PublishingThe Illustrated Gift Book and Victorian Visual CultureLorraine Janzen Kooistra978-0-8214-1964-9, hardcover 59.95

Mad Dogs and MeerkatsA History of Resurgent Rabies in Southern AfricaKaren Brown978-0-8214-1953-3, paper 32.00

RECENT RELEASES

32 | o h i o s w a l l o w . c o m

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SALES REPRESENTATIVES

Abrams Locklear, Erica 29Adams, Ian 29Adelman, Charlotte 28Adhikari, Mohamed 23After Tears 10The Americans Are Coming 21Anatomy of a South African

Genocide 23Asylum on the Hill 7

Barn Quilts and the American Quilt Trail Movement 1

Beck, Scott H. 30Brown, Dale Patrick 4Brown, Jason Lee 29Brown, Karen 30Buckley, Geoffrey L. 17Burke, Edmund, III 18Byrne, Sean 27

Caminero-Santangelo, Byron 19Christianity and Public Culture

in Africa 30Cinematic Hamlet 30The Complete Works of Robert

Browning, Vol. XVII 15Congress and the Crisis of the

1850s 13Cook, Patrick J. 30Cracks in the Invisible 29Creary, Nicholas M. 22Crowder, Ashby Bland 15

Davis, Diana K. 18Dooley, Allan C. 15

Englund, Harri 30Environmental Imaginaries of

the Middle East and North Africa 18

Environment at the Margins 19Extracting Appalachia 17

Finkelman, Paul 13

Gaus, P. L. 29Ghazal Games 29

Ginev, Dimitri 25Groves, Donna Sue 1

Hall, Jason David 14Harmless as Doves 29Hatred at Home 29Haworth, Kevin 29Hipsky, Martin 16Hughes, Karen 8

In the Shade of the Shady Tree 5

Intellectuals and African Decolonization 22

Irish People, Irish Linen 3

The Jury in Lincoln’s America 12

Kampa, Stephen 29Kennon, Donald R. 13Kilgore, James 11Kinsella, John 5Kooistra, Lorraine Janzen 30Kusujiarti, Siti 26

Lit from Within 29Literary Cincinnati 4The Locavore’s Kitchen 28

Mad Dogs and Meerkats 30Mariemont 8McDermott, Stacy Pratt 12The Memory of Place 24Meter Matters 14Mhlongo, Niq 10The Midwestern Native

Garden 28Mijeski, Kenneth J. 30Modernism and the Women’s

Popular Romance in Britain, 1885–1925 16

Moore, Dinty W. 29Morrone, Michele 17Mountains of Injustice 17Mpe, Phaswane 30Myers, Garth 19Negotiating a Perilous

Empowerment 29

New Stories from the Midwest 29

Ohio Canal Era 9Orlando, Valérie K. 30Osborn, Emily Lynn 20Our New Husbands Are

Here 20

Pachakutik and the Rise and Decline of the Ecuadorian Indigenous Movement 30

Parron, Suzi 1A Photographer’s Guide to

Ohio 29Poetry, Pictures, and Popular

Publishing 30Power, Change, and Gender

Relations in Rural Java 26Prefontaine, Jay 29

Rogers, Millard F., Jr. 8

Scheiber, Harry N. 9Schwartz, Bernard L. 28Screening Morocco 30Sedarat, Roger 29Senehi, Jessica 27Sugar Girls and Seamen 30Suszko, Marilou K. 28

The Tenets of Cognitive Existentialism 25

Tickamyer, Ann R. 26Trigg, Dylan 24Trotter, Henry 30

Vinson, Robert Trent 21Violence 27

We Are All Zimbabweans Now 11

Welcome to Our Hillbrow 30Welsh-Huggins, Andrew 29Wilson, Kathleen Curtis 3

Ziff, Katherine 7

INDEX

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IO

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457

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izat

ion

U.S

. Pos

tage

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ens,

OH

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it N

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00