(2011-12) · peter wastall (boosey & hawkes) first book of trumpet solos (nos.13-25) john...

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Syllabus for Elementary & Intermediate Classes (2011-12)

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Trumpet �

Grade Title (Scope) Composer (Publisher) E1 Studies & Technical Excercises (Tutors must teach at least one of the following items)

A Tune A Day for Trumpet, Book 1 (lessons 1-16) Herfurth (Boston)

20 Supplementary Tunes for Beginner Brass (nos.1-10) Gregson (Brass Wind)

Solo Pieces (Tutors must teach at least one of the following items)

10 Miniatures for Trumpet (nos.1-3) Gregson (Brass Wind)

Scales and Arpeggios From memory, to be played both slurred and tongued in the following keys:

C major; A minor (one octave) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated

* * * * * *

Grade Title (Scope) Composer (Publisher) E2 Studies & Technical Exercises (Tutors must teach at least one of the following items)

A Tune A Day for Trumpet, Book 1 (lessons 17-32) Herfurth (Boston)

Supplementary Studies (nos.1-8) Endresen (Rubank)

Forty Progressive Studies (nos.1-10) Sigmund Hering (Carl Fischer)

20 Supplementary Tunes for Beginner Brass (nos.11-20) Gregson (Brass Wind)


First Book of Trumpet Solos (nos.1-12) John Wallace & John Miller (Faber Music)

10 Miniatures for Trumpet (nos.4-10) Gregson (Brass Wind)


Bb, D majors; A, D minors (one octave) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated

* * * * * *

�� As at: 1 NOV 2007

Grade Title (Scope) Composer (Publisher) I1 Studies & Technical Exercises (Tutors must teach at least one of the following items)


Forty Progressive Etudes (nos.11-20) Sigmund Hering (Carl Fischer)

Arban’s Complete Conservatory Method:

p.26, nos.13-15; p.28, nos.19,20; p.29, no.22;

p.32, nos.28, 29; p.191, nos.3, 6, 22

Arban (Carl Fischer)


First Repertoire Pieces for Trumpet (Trumpet tune from

The Indian Queen, Two Songs, Scherzo from Trio Op.38,

March in The Occasional Oratorio, Folk Song Blues)

edit. Peter Wastall (Boosey & Hawkes)

First Book of Trumpet Solos (nos.13-25) John Wallace & John Miller (Faber Music)


Eb, E majors; C, E minors (one octave) A major (a twelfth)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on C (one octave)

* * * * * *

Grade Title (Scope) Composer (Publisher) I2

Studies & Technical Exercises (Tutors must teach at least one of the following items)




p.27, nos.16, 17; p.29, nos.23, 24, 27;

p.34, nos. 32-34; p.199, nos.33, 43, 47


Progressive Studies for Trumpet (nos.1-4) John Miller (Faber Music)


First Repertoire Pieces for Trumpet (O for the Wings of a

Dove, Allegro & Siciliano from Suite No.1, Serenade from

Swan Songs, Canzona from The Marriage of Figaro,

Romance for Cornet & Piano by Jenkins, 1st Movement

from Sonata No.1)

edit. Peter Wastall (Boosey & Hawkes)

Going Solo (nos.1,7,9,10,15) John Miller & Leslie Pearson (Faber

Music)

�� As at: 1 NOV 2007


F major; F minor (one octave) Ab, Bb majors; A, B minors (a twelfth)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on Bb (a twelfth)

* * * * * *





p.28, no.18; p.33, no.31; p.35, nos.36-38;

p.208, no.63; p.229, no.124; p.240, no.146


Progressive Studies for Trumpet (nos.5, 6, 7, 9) John Miller (Faber Music)


First Repertoire Pieces for Trumpet (Gdansk Episode,

Conversation for Trumpet, Variations 1 & 2 from

Variations for Trumpet, Romance for Cornet & Piano by

Hare)

edit. Perter Wastall (Boosey & Hawkes)

Going Solo (nos.2-4, 6, 8, 11) John Miller & Leslie Pearson (Faber Music)


Bb, Db majors; Bb, C# minors (a twelfth) G, Ab majors; G minor (two octaves)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on C (a twelfth) Dominant Seventh: in the key of C (two octaves)

* * * * * * *

�� As at: 1 NOV 2007

Grade Title (Scope) Composer (Publisher) A1 Studies & Technical Exercises (Tutors must teach at least one of the following items)

Tarantella or Bulgarian Bounce: from 20 Dances for Trumpet Allen Vizzutti (De Haske)

Animato alla Polacca: No. 23 from 34 Studies for Trumpet Vassily Brandt (IMC 1391/ MDS)

Andantino in Bb: No. 9, P. 117 from Cornet Method Arban (Boosey & Hawkes/ MDS)


The King’s Juell, no. 4 from Suite for trumpet Orlando Gibbons, arr. Cruft (Stainer &

Bell)

Sarabande, 1st movement from Sonata for trumpet Jean Hubeau (Durand/ UMP)

Scherzo for Cornet and Piano Thorvald Hansen (Hansen WH10138/

Music Sales)

Scales and Arpeggios From memory, to be played both slurred and tongued in the following keys: D major; C minor (a twelfth) F#, A majors; G#, A minors (two octaves) Bb major; Bb minor (two octaves) Scales: in the above keys (minors in both melodic and harmonic forms) Chromatic Scales: starting on F#, G, Ab and A (two octaves) Arpeggios: the common chords of the above keys for the ranges indicated Dominant Seventh: in the key of D (two octaves) Diminished Seventh: starting on G (two octaves)

* * * * * * * Grade Title (Scope) Composer (Publisher) A2 Studies & Technical Exercises (Tutors must teach at least one of the following items)

Arban Allegro moderato: No. 12 from 14 Studies for

Cornet

Arban (Boosey & Hawkes/MDS)

Presto: No. 3 from Fantasy Pieces for Trumpet Bourgeois (Brass Wind)

Marziale: No. 2 from 34 Studies for Trumpet Brandt (IMC 1391/MDS)


Polonaise, Op. 126 (observing cadenza) Küffner (Kunzelmann GM 1623/Peters)

Andante et Allegro for Trumpet and Piano Ropartz (Edition Musicus/MusT)

Allegro con anima: 3rd movt from Sonata for Cornet and

Piano, Op. 18

Hansen (Hansen WH13213/Music

Sales)

Scales and Arpeggios From memory, to be played both slurred and tongued in the following keys: C, Db, D, Eb, E, F majors; C, C#, D, Eb, E, F minors (a twelfth)

�� As at: 1 NOV 2007

All other keys, major and minor (two octaves)

Scales: in the above keys (minors in both melodic and harmonic forms)

Chromatic Scales: starting on any note F#–B (two octaves)

Arpeggios: the common chords of the above keys for the ranges indicated

Dominant Sevenths: in the keys of C, Db and Eb (two octaves)

Diminished Sevenths: starting on Ab and A (two octaves)

* * * * * * * Grade Title (Scope) Composer (Publisher) A3 Studies & Technical Exercises (Tutors must teach at least one of the following items)

Allegro: No. 10 from 14 Studies for Cornet Arban (Boosey & Hawkes/MDS)

Allegro moderato in C or Allegro misterioso in Bb minor:

No. 1 or No. 4 from

Characteristic Studies for the Cornet

Herbert L. Clarke (Carl Fischer

O2281/MDS)

Polka: from 20 Dances for Trumpet Allen Vizzutti (De Haske)


Allegro (observing cadenza) or Vivace (observing

cadenza): 1st or 3rd movt from Trumpet Concerto in Eb

Neruda (Bb/Eb edition: Musica Rara MR

1817A/Breitkopf & Hartel or Brass Wind)

Slavonic Fantasy for Trumpet and Piano (observing

cadenzas)

Höhne (Bb/C edition: Editions Marc Reift

6123H/

MusT or Bb edition: Bote & Bock/MDS)

Allegro con spirito: 1st movt from Trumpet Concerto J. N. Hummel (Bb/Eb edition: Kevin

Mayhew or Bb edition: Boosey &

Hawkes/MDS)

Scales and Arpeggios From memory, to be played both slurred and tongued in the following keys: Db, D, Eb, E, F majors; C#, D, Eb, E, F minors (a twelfth)

All other keys, major and minor (two octaves)

Scales: in the above keys (minors in both melodic and harmonic forms)

Chromatic Scales: starting on any note F#–C (two octaves)

Whole-Tone Scales: starting on B and C (two octaves)

Arpeggios: the common chords of the above keys for the ranges indicated

Dominant Sevenths: Bb instruments: in the keys of B, C, Db, D, Eb, E and F (two octaves)

Diminished Sevenths: starting on Ab, A and Bb (two octaves)

�� As at: 7 APR 2011

Syllabus for Elementary, Intermediate & Advanced Classes (2011-12)

�� (2011-12)

French Horn ��


A Tune A Day for Horn, Book 1(complete) Herfurth (Boston)

Primary Studies for the French Horn (no.33: Theme and

Variation 1 on an Old German Folk Song)

Anton Horner (Elkan-Vogell U.M.P.)


C major; A minor (one octave, starting an octave above lowest tonic) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated

* * * * * *


Primary Studies for the French Horn (nos.34-37) Anton Horner (Elkan-Vogell U.M.P.)

Simple Studies for Beginner Brass (nos.1-10) John Miller (Faber)


Bb, C majors; B, D minors (one octave, starting an octave above lowest tonic) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated

* * * * * *

�� As at: 7 APR 2011


Concone Studies for Horn in F( nos.1-3) arr. Ashworth (Emerson)

Primary Studies for the French Horn (nos.43-48, 53, 55-57) Anton Horner (Elkan-Vogel)


Time Pieces for Horn, Vol. 1 (complete) arr. Harris & Skirrow

The Beatles for Horn in F: Yesterday John Lennon & Paul McCartney

(Editions Marc Reift)


C, E minors (one octave starting an octave above lowest tonic) G, A majors; G minor (a twelfth, starting below stave)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on middle C (one octave)

* * * * * *



Concone Studies for Horn in F (nos.3-5) arr. Ashworth (Emerson)

Primary Studies for the French Horn (nos.59-66, 69-71) Anton Horner (Elkan-Vogel)



Horn Solos, Book 1 (Nocturne from A Midsummer Night's Dream) arr. Campbell (Faber)

Circus Suite, 1st movt.: March Michael Horvit (Southern Music)

Classic Experience Collection for Horn: Barcarolle arr. Lanning (Cramer)


Bb major; A, B minors (a twelfth) E, F majors; F minor (two octaves) Scales: in the above keys (minor in melodic or harmonic form)

Arpeggios: the common chords of the above keys for the range indicated Dominant Seventh: in the key of C (one octave) Chromatic Scale: starting on A (a twelfth)

* * * * * *

�� As at: 7 APR 2011


Concone Studies for Horn in F (nos.6-8, 10-11) arr. Ashworth (Emerson)

Primary Studies for the French Horn (nos.72-74, 77-83) Anton Horner (Elkan-Vogel)



Going Solo, no. 12: March of the Gimps arr. Bissill & Campbell (Faber)

Time Pieces for Horn, Vol.2: Romance in F, Op.36 by Saint-Saens arr. Harris & Skirrow (ABRSM)

Horn Concerto No.3 in Eb, K.447: 2nd movt, Romance Mozart (Barenreiter)

Circus Suite: 2nd movt, Lions and Tigers Michael Horvit (Southern Music)


Bb major (a twelfth) D, Eb, G majors; D, E, F# minors (two octaves)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on F (two octaves) Dominant Seventh: in the key of C (two octaves)

* * * * * *

�� As at: 7 APR 2011


60 Selected Studies for French Horn, Book 1 Kopprasch

200 New Studies for Horn, Book 3 Maxime-Alphonse

Restless: from Featuring Melody Peter Lawrance

16 Etudes: Suite 1, Etude 3 Andrew Clark


Horn Concerto No. 1 in D, K. 412/514: 1st or 2nd movt, Allegro or

Rondo: Allegro

W. A. Mozart

Horn Concerto No. 2 in Eb, K. 417: 2nd movt, Andante W. A. Mozart

Morceau de Concert, Op. 94: Allegro moderato to Fig. 3 Saint-Saëns

I Got Rhythm Gershwin

En Irlande Bozza


C, Db, F#, Ab majors; C#, Eb, G, A minors(two octaves) Scales: in the above keys (minor in melodic and harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on E, F, F#and G (two octaves) Dominant Seventh: in the key of D (two octaves) Diminished Seventh: starting on G (two octaves)

* * * * * *

�� As at: 7 APR 2011


Cello Suite No. 5: 7th movt, Gigue J. S. Bach


200 New Studies for Horn, Book 3 Maxime-Alphonse

20 Études pour le Cor grave de Pré


Rêverie, Op. 24 Glazunov

Horn Concerto No. 3 in Eb, K. 447: 1st or 3rd movt W.A. Mozart

Concerto No. 4 in Eb, K. 495: 3rd movt W.A. Mozart

Rondo in Bb Arnold Cooke

Nocturno, Op. 7 Franz Strauss


All keys, major and minor (two octaves; A and Bb majors and minors both lower and upper two octaves)

Scales: in the above keys (minors in both melodic and harmonic forms) Chromatic Scales: starting on any note (two octaves) Arpeggios: the common chords of the above keys for the range indicated Dominant Sevenths: in the keys of B, C, Db and D (two octaves) Diminished Sevenths: starting on C and Ab (two octaves)

* * * * * *

�� As at: 7 APR 2011


Cello Suite No. 1: 5th and 6th movts, Minuetto I and II J. S. Bach, arr. Orval

48 Etudes for French Horn Verne Reynolds

12 Studies, Op. 57, for Horn Gally

20 Études pour le Cor grave de Pré



Horn Sonata in F, Op. 17: 2nd and 3rd movts, Poco adagio, quasi

andante and Rondo: Allegretto moderato

Beethoven

Horn Concerto No. 2 in Eb, K. 417: 1st or 3rd movt, Allegro or

Rondo: Allegro

W. A. Mozart

Rondo in Eb, K. 371 W. A. Mozart

Fantasy for Horn, Op. 88 Malcolm Arnold

Élégie Poulenc

Hunter’s Moon Gilbert Vinter

Horn Concerto No. 1 in Eb, Op. 11: 1st and 2nd movts, Allegro and

Andante, or 3rd movt, Rondo: Allegro

Richard Strauss


A, Bb, B majors; A, Bb, B minors (three octaves) All other keys, major and minor (two octaves)

Scales: in the above keys (minors in both melodic and harmonic forms) Chromatic Scales: starting on any note (two octaves) Whole-Tone Scales: starting on B and C (two octaves) Arpeggios: the common chords of the above keys for the ranges indicated Dominant Sevenths: in all keys (two octaves) Diminished Sevenths: starting on G, Ab and A (two octaves)

* * * * * *

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Trombone)'


A Tune A Day for Trombone and Euphonium, Book 1 (lessons 1-15) Herfurth (Boston)

Standard of Excellence: Book 1 Trombone Pearson (Neil A. Kjos Music

Company)


Bb major; C minor (one octave) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated

* * * * * *



Standard of Excellence: Book 1 Trombone Pearson (Neil A. Kjos Music

Company)

Supplementary Studies for Trombone (nos.1-8) Endresen (Rubank)

Solo Piece

Slide Show for Trombone, Finlandia by Sibelius arr. Mowat (Brass Wind)

Time Pieces for Trombone, Volume 1, Captain Corcoran’s Song by

Sullivan

arr. Harris and Miller

(ABRSM)


Ab, C majors; C, D minors (one octave) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated

* * * * * *

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Going Solo – Trombone: no.2 arr. Gout (Faber)

Slide Show for Trombone, The Parson’s Nose by Mowat arr. Mowat (Brass Wind)

Time Pieces for Trombone, Volume 1, Autumn Leaves by Kosma arr. Harris and Miller

(ABRSM)


D, Eb majors; D minor (one octave) Ab major; G minor (a twelfth)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on C (one octave)

* * * * * *




40 Progressive Etudes for Trombone (nos.1-20) Hering (Carl Fischer)

Melodious Etudes for Trombone, Book 1 Bordogni, trans. Rochut

(Carl Fischer)

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Slide Show for Trombone, Basse Dance by Warlock arr. Mowat (Brasswind)

Time Pieces for Trombone, Volume 2, La Rejouissance:

Allegro from Music for the Royal Firework by Handel

arr. Harris and Miller

(ABRSM)

Time Pieces for Trombone, Volume 2, Agnus Dei by Mozart arr. Harris and Miller

(ABRSM)

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Db major; E minor (starting an octave above lowest tonic) (one octave) Ab, Bb majors; G minor (a twelfth)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on Eb (one octave)

* * * * * *


Bone of Contention, Op.112: No.8 Moderato Derek Bourgeois (Brasswind)




(Carl Fischer)

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Bach for Trombone, Polonaise by J. S. Bach arr. Mowat (Brasswind)

Second Book of Trombone Solo, Triste from Sonata in F minor by

Telemann

arr. Goodwin and Pearson

(Faber)

First Solos for the Trombone or Baritone Player, With All Your Hearts

by Mendelssohn

trans. Smith (Schirmer)


A major; C minor (a twelfth) F, F#, G majors; F, G minors (two octaves)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on F (two octaves) Dominant Seventh: in the key of Bb (two octaves)

* * * * * *

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Bone of Contention, Op.112: No.13 Allegretto grazioso Derek Bourgeois (Brasswind)


(Carl Fischer)


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Second Book of Trombone Solos, No. 7 Aria from La serva padrona

by Pergolesi

arr. Goodwin and Pearson

(Faber)

Bach for Trombone, Sarabande from French Suite No. 1 (observing

repeats) by J. S. Bach

arr. Mowat (Brasswind)

Jazzed Up Too for Trombone, Fantango by Jim Parker arr. Parker (Brass Wind)

Slide Show for Trombone, Bone Idyll by Christopher Mowat arr. Mowat (Brass Wind)


Bb, C majors; Bb, C# minors (a twelfth) E, Ab majors; F# minor (two octaves)

Scales: in the above keys (minor in melodic and harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on G and Ab (two octaves) Dominant Seventh: in the key of C (two octaves) Diminished Seventh: starting on F (two octaves)

* * * * * *

Grade Title (Scope) Composer (Publisher)

A2 Studies & Technical Exercises (Tutors must teach at least one of the following items)

Bone of Contention, Op.112: No. 15 Alla marcia Derek Bourgeois (Brasswind)


(Carl Fischer)

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Allegro spiritoso (taking upper line in ossias) for Trombone and Piano

by Senaillé

arr. Mortimer (MusT)

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Bach for Trombone, Prelude in Ab from 48 Preludes and Fugues,

Book 1 by J. S. Bach

arr. Mowat (Brasswind)

Jazzed Up Too for Trombone, Dances with Bears by Jim Parker arr. Parker (Brasswind)

Fantasy for Trombone James Curnow (Winwood

Music 0136P)


B, C, Db, D, Eb majors; B, C, C#, D, Eb minors (a twelfth) All other keys, major and minor (two octaves) Scales: in the above keys (minor in melodic and harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on any note E�Bb (two octaves) Dominant Sevenths: in the keys of B and Db (two octaves) Diminished Sevenths: starting on G and A (two octaves)

* * * * * *


Super Studies for Trombone (No. 18-26) Philip Sparke (De Haske)


(Carl Fischer)

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Morceau symphonique (Concert Piece), Op. 88 (starting at Allegro

moderato, b. 39 )

Guilmant (Music Sales)

Concertino for Trombone : 1st movt, Allegro maestoso (ending before

Adagio)

Sachse (IMC 1436/MDS)

Concertino for Trombone, Op. 45 No. 7: 1st movt, Preludium

(Allegro pomposo)

Larsson (Emerson)

Sonata in Bb: 3rd movt, Larghetto by A. Besozzi arr. Slokar and Meyer (MusT)


B, C, Db, D, Eb majors; B, C, C#, D, Eb minors (a twelfth) All other keys, major and minor (two octaves)

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Scales: in the above keys (minor in melodic and harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scales: starting on any note E�Bb (two octaves) Dominant Sevenths: in the keys of A, Bb, B, C, Db, D and Eb (two octaves) Diminished Sevenths: starting on G, Ab and A (two octaves) Whole-Tone Scales: starting on A and Bb (two octaves)

* * * * * *

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Baritone/Euphonium ��728)(��72



Standard of Excellence, Book.1 - baritone/euphonium bass clef Pearson (Neil A. Kjos Music

Company)


Bb major; G minor (one octave) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated

* * * * * *


A Tune A Day for Trombone and Euphonium, Book 1 (lessons16-32) Herfurth (Boston)

Standard of Excellence, Book.1 - baritone/euphonium bass clef Pearson (Neil A. Kjos Music

Company)


Solo Piece Going Solo – Trombone or Euphonium: no.3 arr. Gout (Faber)


Ab, C majors; G, C minors (one octave) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated

* * * * * *

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Going Solo – Trombone or Euphonium: no.9 arr. Gout (Faber)

The Magic Trombone, Theme from “Pomp and Circumstances”

March No. 4

arr. Hare (B&H)


Db, D majors; Bb, D minors (one octave) G major (a twelfth) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on Bb (one octave)

* * * * * *





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Going Solo – Trombone or Euphonium: Serenade from Hassan by

Delius

arr. Gout (Faber)

Going Solo – Trombone or Euphonium: The Old Castle from

Pictures at an Exhibition by Mussorgsky

arr. Gout (Faber)

Three Euphonium Tunes: Metrical Tune Raymond Parfrey (Emerson)

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Eb major; Eb minor (one octave) F#, Ab majors; G, A minors (a twelfth)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on Ab (a twelfth)

* * * * * *




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Second Book of Trombone Solos: no. 12 arr. Goodwin & Pearson (Faber)

Trombone Solo, Volume 1, I Attempt from Love’s Sickness (from

‘The Indian Queen’) by Purcell

arr. Iverson (Music Sales)

Three Euphonium Tunes, Marching Tune Raymond Parfrey (Emerson)

Air from Orpheus and Euridice by Gluck arr. Hammer (Studio Music)


Ab, B majors; G#, B minors (a twelfth) F, F# majors; F minor (two octaves) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on Bb (a twelfth) Dominant Seventh: in the key of Bb (two octaves)

* * * * * *

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Selection of Concone Studies for Trombone (No. 1 – 9) Reinhardt (UMP)

40 Progressive Etudes for Trombone (nos.31- 35) Hering (Carl Fischer)

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Sonata in F, 1st & 2nd movements B. Marcello (IMC)

The Swan Saint-Saens (Studio Music)

Euphonium Sonata, 1st & 2nd movements Ernst Young (Smith)

Scales and Arpeggios From memory, to be played both tongued and with legato tonguing in the following keys: C major; Bb minor (a twelfth)

E, G, Ab majors; F#, G, G# minors (two octaves) Scales: in the above keys (minors in both melodic and harmonic forms) Chromatic Scales: starting on E, F, F# and G (two octaves) Arpeggios: the common chords of the above keys for the ranges indicated Dominant Seventh: in the key of C (two octaves) Diminished Seventh: starting on F (two octaves)

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Selection of Concone Studies for Trombone (No. 10– 12) Reinhardt (UMP)

40 Progressive Etudes for Trombone (No 36 – 40) Hering (Carl Fischer)

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Rhapsody for Euphonium Curnow (Winwood)

Euphonium Concerto, 2nd movement Horovitz (Novello)

Scales and Arpeggios From memory, to be played both slurred and tongued in the following keys: Bb, B, C, Db, D, Eb majors; Bb, B, C, C#, D, Eb minors (a twelfth)

All other keys, major and minor (two octaves) Scales: in the above keys (minors in both melodic and harmonic forms)

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Chromatic Scales: starting on any note E–A (two octaves) Arpeggios: the common chords of the above keys for the ranges indicated Dominant Sevenths: in the keys of Bb, B and Db (two octaves) Diminished Sevenths: starting on F# and G (two octaves)

* * * * * *


Selection of Concone Studies for Trombone (No. 13 – 15) Reinhardt (UMP)

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Sonata in F (Complete) B. Marcello (IMC)

Euphonium Concerto, 1st & 2nd movements Horovitz (Novello)

Euphonium Sonata (1st & 3rd movements) Ernest Young (Smith)

Czadas Monti (Winwood)


B, C, Db, D, Eb majors; B, C, C#, D, Eb minors (a twelfth) All other keys, major and minor (two octaves)

Scales: in the above keys (minors in both melodic and harmonic forms) Chromatic Scales: starting on any note E–Bb (two octaves) Whole-Tone Scales: starting on A and Bb (two octaves) Arpeggios: the common chords of the above keys for the ranges indicated Dominant Sevenths: in the keys of A, Bb, B, C, Db, D and Eb (two octaves) Diminished Sevenths: Bass clef: starting on F#, G and Ab (two octaves)

* * * * * *

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A Tune A Day for Tuba, Book 1 (lessons 1-15) Herfurth (Boston)

Standard of Excellence, Book.1 - tuba Pearson (Neil A. Kjos Music Company)


Bb major; G minor (one octave) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated

* * * * * *


A Tune A Day for Tuba, Book 1 (lessons 16-32) Herfurth (Boston)

Standard of Excellence, Book.1 - tuba Pearson (Neil A. Kjos Music Company)

Supplementary Studies for Tuba (nos.1-15) Endresen (Rubank)

Solo Piece Nine Miniatures for Eb Bass/Tuba (no.4/2) Gregson & Ridgeon (Brass Wind)


Ab, C majors; G, C minors (one octave) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated

* * * * * *

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Nine Miniatures for Eb Bass/Tuba (no.6) Gregson & Ridgeon (Brass Wind)

Learn as you play Tuba, The Merry Peasant by Schumann arr. Wastall (B&H)


Db, D majors; Bb, D minors (one octave) G major (a twelfth) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on Bb (one octave)

* * * * * *



70 Studies for Bb Tuba, Vol.1 (nos.1-5) Blazhevich (Robert King/U.P.M.)


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From Vivaldi to Fats Walker for Eb Bass/ Tuba,

Papageno’s Song (from ‘The Magic Flute’) by Mozart

arr. Ramskill (Brass Wind)

First Solos for the Tuba Player (no.11) arr. Wekselblatt (Schirmer)


Eb major; Eb minor (one octave) F#, Ab majors; G, A minors (a twelfth)

Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on Ab (a twelfth)

* * * * * *

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70 Studies for Tuba, Vol. 1 (nos.6-10) Blazhevich (Robert King/U.P.M.)

60 Selected Studies for Bb Tuba Kopprasch (Robert King/U.P.M.)

Supplementary Studies for Tuba (nos. 31-45) Endresen (Rubank)

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Tuba Suite (nos. 6 or 7) Jacob (B&H)

From Vivaldi to Fats Walker for Eb Bass/ Tuba,

Largo from Winter by Vivaldi

arr. Ramskill (Brass Wind)

Top Line Album for Eb Bass/ Tuba, Beach Buggy Jim Parker (Brass Wind)



Ab, B majors; G#, B minors (a twelfth) F, F# majors; F minor (two octaves) Scales: in the above keys (minor in melodic or harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on Bb (a twelfth) Dominant Seventh: in the key of Bb (two octaves)

* * * * * *


70 Studies for Tuba, Vol. 1 (nos.11-14)

Blazhevich (Robert King/U.P.M.)


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Allegro (observing repeat) by Vivaldi arr. Swanson (Alfred-Belwin)

The Music of Jim Parker for E b Bass/Tuba, Ground Force Jim Parker (Brass Wind)

Tuba Suite: No. 2, Hornpipe Jacob (Boosey & Hawkes/MDS)

In the Lowlands: complete Alan Richardson (Music Sales)

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C major; Bb minor (a twelfth) E, G, Ab majors; F#, G, G# minors (two octaves)

Scales: in the above keys (minor in melodic and harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on E, F, F# and G (two octaves) Dominant Seventh: in the key of C (two octaves) Diminished Seventh: starting on F (two octaves)

* * * * * *


70 Studies for Tuba, Vol. 1 (no.15-25)

Blazhevich (Robert King/U.P.M.)


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First Solos for the Tuba Player, No. 14 Hornpipe by Anon arr. Wekselblatt (Music Sales)

Concerto for Tuba: 2nd movt Romanza Vaughan Williams (OUP)

Introduction and Allegro spiritoso by Senaillé arr. Catelinet (Peters H 853)

Suite Marine: 2nd and 3rd movts, Le Cachelot and Le Requin Jean-Michel Defaye (Leduc)


Bb, B, C, Db, D, Eb majors; Bb, B, C, C#, D, Eb minors (a twelfth) All other keys, major and minor (two octaves) Scales: in the above keys (minor in melodic and harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on E–A (two octaves) Dominant Seventh: in the keys of Bb, B and Db (two octaves) Diminished Seventh: starting on F# and G (two octaves)

* * * * * *

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70 Studies for Tuba, Vol. 1 (nos.26-36) Blazhevich (Robert King/U.P.M.)


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Andante and Rondo by Capuzzi arr. Catelinet (Peters H 1474)

Tuba Concerto: 1st and 2nd movts, Allegro deciso and Lento e

mesto

Edward Gregson (Music Sales)

Konzert: complete Lebedjew (Music Sales)

Fantasy for Tuba (solo), Op. 102 Malcolm Arnold (Faber)


Bb, B, C, Db, D, Eb majors; Bb, B, C, C#, D, Eb minors (a twelfth) All other keys, major and minor (two octaves) Scales: in the above keys (minor in melodic and harmonic form) Arpeggios: the common chords of the above keys for the range indicated Chromatic Scale: starting on E–Bb (two octaves) Dominant Seventh: in the keys of Bb, B and Db (two octaves) Diminished Seventh: starting on F# and G (two octaves) Whole-Tone Scales: starting on A and Bb (two octaves)

* * * * * *

(2011-12) · peter wastall (boosey & hawkes) first book of trumpet solos (nos.13-25) john...

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