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    Ashoka Aurora Ishaya The Art of Subration

    THE ART OF SUBRATION

    What i s t he h i ghes t o r de r covenan t ou r s pec i es has w i t h i n na t u r e? I t

    i s a p r omi s e ! Th i s p r omi s e ba i t s many ques t i ons whi ch t h i s t r ea t i s e s eeks

    t o unr ave l : s uch as , wha t i s t he s ac r ed con t r ac t o f the omo s ap i ens ? r e

    w e a s a s p e c i e s d e s t i n e d t o b e e n l i g h t en e d ? W h a t i s t h e i n t e r n al d y n a mi c

    o f th i s pr o ce s s o f e vo l ut i on ? W h at f or c es g o v er n th i s pr o ce s s? s a

    s pe ci es , c an w e e nt er t he a re n a o f t hi s p ro ce ss w it h g ra ce a n d s ki ll ?

    " oo ki ng a t t he k al ei do sc op e o f o u r c ho ic e s, i t s ee ms e vi de nt i n t he

    W e s t e r n c o n s u m p t i v e , d o m i n a t o r s o c i e t y , w e h a v e b e e n a c t i n g o u t o f t h e

    pa ra d ig m #a the r ine epbur n s o e loqu en t l y s t a t ed t o umph re y $og ar t in

    T h e f r i c a n % u e e n , & ' a t u r e , ( i s t e r l l n u t t , i s w h a t w e a r e p u t i n t h i s

    wor l d t o r i s e above ) * The r t o f +ubr a t i on i s t he p r oces s wh i ch e l uc i da t e s

    t he goa l s o f cons c i ous nes s and ou t l i nes t he t r ans l a t i on s k i l l s neces s a r y t o

    g r o w t h r o u g h g a p c o n s c i o u s n e s s a n d f u r t h e r r e f i n e s t h e f i n a l s t a g e s o f

    + ub ra ti on i nt o nl ig ht en me nt a s I h av e d is co ve re d b y m y p er so na l

    - ou r ney)

    Goals o f Consc iousness

    is to ri ca ll y, t he re h av e b ee n m an y p at hs l ea di ng t ow a rd m an y

    d i f fe r e n t e n d p o i n ts i d e n ti f i ed b y w h i c he v e r + a i n t o r . u r u w a s p o p u l ar a t

    t ha t g i ven t i me ) Whi chever t r ad i t i on one obs e r ves , wha t eve r t he i den t i f i ed

    e n d p o in t o n e i s s e e k i n g , i t m a t t er s n o t ) / o r Subrat ion i s T p r o c e s s a n

    i n di v id u a l u n de r go e s t o a c h ie v e g r ow t h o f c o ns c io u sn e ss t o w h at e ve r

    e n d p o in t y o u r p a r t ic u l a r t r a di t i o n i d e nt i f ie s a s n l i g h t en m e n t) 0 n c e t h e

    bas ic s t eps o f g r owth a r e und ers tood the p r ocess can be u nder t aken wi th

    much l e s s conf us i on )

    I n each age , man has deve l oped t oo l s t o enab l e cu l t u r a l evo l u t i on t o

    con t i nue ) The s u r v i va l cond i t i on i ng o f man1 s ho r i 2on t a l ou t war d d i r ec t ed

    f o c u s m u s t b e t r a n s f o r m e d ) s o n e i s b o r n i n t o t h e p h y s i c a l v e h i c l e , t h e

    s el f m us t s uc ce ss fu ll y c og ni 2e t hi s h or i2 on ta ll y o ut wa rd m od e o f

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    Ashoka Aurora Ishaya The Art of Subration

    fu nc tio nin g) Th ose w ho f ai l to t r a ve rs e th is in te rn al t o e 3te rn al

    o r i en t a t i on a r e l o s t i n t he i r own r ea l i t y ) 4epend i ng on t he s eve r i t y o f t he

    i nwar d f ocus mos t o f t hes e i nd i v i dua l s a r e l abe l ed au t i s t i c ) 0nce t he s e l f

    h as s uc ce ss fu ll y c om pl et ed t hi s h or i2 on ta l o u tw ar d e 3p lo ra ti on , t he

    a w ar e ne s s c a n b e r e co n di t io n e d, t a ug h t t o c o nt r ac t i n wa r dl y t o s u pp o rt

    mor e compl e3 , abs t r ac t t h i nk i ng ) Th i s ho r i 2on t a l i nwar d d i r ec t i ona l mode

    i s f u r t he r s uppor t ed f i r s t , by l ea r n i ng t o r ead , and t hen by movi ng t owar d

    a m o r e c o m p le 3 e d u c a t io n a l p r o c es s ) / i n a ll y, a s o n e l e a rn s t o q u i e t t h e

    mi nd and i n t eg r a t e t hes e t wo d i r ec t i ona l awar enes s es t h r ough a t r ue f o r m

    o f m e d i t a t i o n , o n e a g a i n l e a r n s t o e 3 p l o r e n e w g r o u n d b y d i r e c t i n g t h e

    a w a r en e s s i n w a r d a n d u p w a r d) T h i s i n w a r d d i r e c t i on a l f o c u s , p r a t y a ha r a ,

    & w it h dr a wa l * i s a c r it i ca l m o ve m e nt ) " e ar n in g t o w i th d ra w t h e s e ns e s

    f r o m t h e e 3 t e r n a l w o r l d m o v e s o n e t o u n d e r s t a n d t h e s e n s e 5 i m p r e s s i o n s

    t h a t a r i s e f r o m e 3 t e r n a l s t i m u l a t i o n a r e c r e a t e d b y r e v e r b e r a t i o n s w i t h i n

    y ou r p e rs on al d om ai n) Ve r ti c a l l y I n w a r i s t h e d i re c ti o n a n e v ol v in g

    cons c i ous nes s mus t g r ow) The h i ghes t up i s t he deepes t i n 6 t he d i mens i ons

    a r e nes t ed and i n t e r pene t r a t i ng )

    7 s y c ho l o g y i s t h e s c i e nc e o f t h e m i n d ) 7 s y c h e i s a . r e e k w o r d a n d

    i ts . er ma n t ra ns la ti on i s 8 so ul 1) Wit ho ut a p syc he t he re c an b e n o

    7 s yc h o lo g y) 7 s yc h o lo g y, a s t h e s t ud y o f t h e p s yc h e , o r ig i na l ly m e an t

    s t u d y o f t h e s o u l ) & I n t h e i n d u t r a d i t i o n , t h e t e r m p s y c h e h a s r e p l a c e d

    + ou l a s t he l in k b et we en s pi ri t a nd m at te r) W he n t he p sy ch e i s r aw ,

    u nd ev e lo pe d , a nd q ui te p ri mi ti ve i t i s s ub -e ct t o g ro ss i ll us io n a nd

    uncons c i ous r epe t i t i ve behav i o r s ) s i t g r ows i n b r ea t h and s ens i ti v i t y, i t

    beco mes a pe r f ec t l i nk be tween p ure ma t te r and p ure sp i r i t a nd g i ves

    m ea n in g t o m at te r a nd e 3 pr es si on t o s pi ri t ) * 9 I n o th er w or ds , y ou r

    behav i o r s evo lv e a l ong wi th yo ur l eve l s t age o f co ns c ious nes s ) ls o , in

    g y p ti a n m y st i c i sm t h e & t e r m s f o r t h i s s e p t e n ar y c o n s t it u t io n o f m a n , a s

    f o un d i n t h e # a b b al a : C ha - m a t e r i a l b o d y , Anch - v i ta l f o rc e , Ka th e

    e t he r ea l c o un t er p ar t o r a s tr a l b o d y, Ha t i a ni ma l s ou l, Ba i ; r a t io n a l

    s ou l , Cher b i ; s p i r i t ua l s ou l , Ku ; t he d i v i ne s p i r i t ) n i v e r s a l a w a r e n e s s i s

    - us t tha t 6 aware ness o f the >n ive r se ! /or thos e who choos e the pa th , i t can

    be t r av e r s ed 5 n l igh t enmen t i s ob ta i nab l e ! The famou s 9 t h @en t u r y

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    p ro phe t , (ich e l d e 'os t rad amu s p red ic ted a thou san d ye a r s o f p eace ,

    & w h e n t h e s e v e n th m i l le n n i u m h a s c o m e , i n w h i c h m a n i s t r a n s f o rm e d ) I t

    i s t o be a pe r i od wher e t he t wo s i des o f t he hemi s pher e mee t , s c i ence and

    r e l i g i on mer ge and a ga l ac t i c communi t y come i n t o be i ng ) * A

    i s to r i c al l y, t h i s p r o c e s s h a s b e e n d e f i n e d a s & T h e . r e a t W or k * o r

    c r ea t in g t h e $ u d dh a fi e ld ) T h om a s $ e rr y d e fi n es T h e . r ea t Wor k a s a

    p ro cess wher eby W &ca r r y o u t the t r an s i t ion f r om a pe r iod o f human

    devas t a t i on o f t he ar t h t o a pe r i od when humans wou l d be p r es en t t o t he

    p lan e t in a mutua l l y b ene f i c ia l manner )* B s w e a p p r o a c h t h i s e p o c h i n

    o ur s pe ci es e vo lu ti on , m an y c ul tu re s1 m yt hs a n d l eg en ds d ef in e o ur

    p lan e t 1s covenan t ) +ome o f th ese p rophe s ie s a r e :

    & Th e e nd o f t hi s c en tu ry i s t he e nd o f t he ma gi ca l s ev en th

    m il le nn iu m, t he l as t t ho us an d ye ar s o f o ur k no wn h is to ry)

    s t r ol o g i ca l l y, w e a r e a t t h e c h a n g e o v e r p o i n t f r o m t h e g e o f t h e

    7 i s ces t o t he ge o f t he quar i us ) Th i s a l s o mar ks the f i ve hundr ed

    y e ar p s yc h ic c y cl e , w h e n t h er e i s s u p p os e dl y a m a rk e d c h a n g e o f

    cons c i ous nes s p l ane t 5 wi de ) The @e l t s be l i eved t ha t t he ve i l be t ween

    t h e w o r l d o f m a n a n d t h e w o r l d o f t h e s p i r i t b e c o m e s v e r y t h i n a t

    ce r t a i n s eas ons , i n ce r t a i n ages and epochs ) @e l t i c t r ad i t i ons mar k

    t hi s p e ri od a s t a ki ng p la ce e v er y f i ve h u n dr ed y ea rs ) ve n t h e

    m y t hi c a l 7 h o e n i 3 , w h i c h h a s a l i f e o f f i v e h u n d r e d y e a r s, i s d u e t o

    r e5 ap pe ar i n a m ig ht y h ol oc a us t t o r is e a ga in , r eb or n f ro m i ts

    a s hes ) * C

    / ro m t he i nd ig e no us t ri be s, t he op i I nd ia n 7 ro ph ec y s pe ak s o f t he

    e m e rg e n c e o f t h e f i f t h w o r ld ) T h e i n d i g en o u s p e o p le s o f + o u t h me r i c a

    s peak o f t he t i me when t he condor and t he eag l e f l y t oge t he r )

    & /r om t he 4 ia mo nd + ut ra , w e l ea rn t ha t . au ta ma t he $ ud dh a

    c l a i me d t h a t a f t e r e a c h t w e n ty 5 f i ve c e n t u ri e s t h e r e c o m e s a r a d i ca l

    c h a n g e o f c o n s c i o u s n e s s o n a r t h w i t h a n a c c o m p a n y i n g p e r i o d o f

    i n t e ns e c h a o s ) $ u d d h a mo v e s t h e w h ee l o f 4 h a rm a o n c e e v e ry t w o

    t h ou s an d f i ve h u n d re d y e a rs ) T h e w h ee l t h at $ u d d ha m o v e d h a s

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    Ashoka Aurora Ishaya The Art of Subration

    f in al ly c o m e t o r e st a n d h i s a ge d i e s) T he w h e el m u st t h e n b e

    s t a r t ed aga i n f o r t he 4har ma mus t be r enewed )*

    s ub se qu en t t as k o f t hi s . re at Wor k a s s ee n b y nl ig ht en ed

    ( a s t e r s o f o u r a g e i s t o c r e a t e t h e $ u d d h a f i e l d , a g r o u p o f e n l i g h t e n e d

    be in gs wh o co l l ec t ive l y c r ea te a morp hog ene t i c t r ans i t i on )

    & D ) # r i s h na m u r ti o n c e s a i d t h a t i t w o u l d t a k e 9 E a w a k e ne d b e i n g s

    w o rk i ng i n c o ns o rt 6 w h il e . u rd - ie f f a s s es s ed t h e n u m b er o f s u ch

    be i ngs needed to change the w or ld a t 9 EE ) $hagwan +h ree

    =a - nees h , who has a t t empt ed t o b r i ng 9E ,EEE d i s c i p l e s i n t o h i s own

    $ ud d ha fi el d, a gr ee s w it h . ur d- ie ff t ha t t he n u mb e r n ee de d t o

    d et on at e t h e e vo lu ti on ar y m e ga b o m b i s a ro un d 9 E E) n d y et

    maybe , i t i s on l y one ) * F

    I s t h e n a t u r e o f t h i s $ u d d h a f i e l d u n i f o r m ? > l t i m a t e l y , t h e r e i s n o

    s epa r a t i on o f awar enes s i n t he $uddhaf i e l d ) 0n l y t he ego bas ed i l l u s i on o f

    g o o d o r e v i l , r i g h t o r w r o n g c r e a t e s o u r p e r c e p t i o n o f s e p a r a t i o n ) & / r o m

    the p er s pec t i ve o f non5 dua l w is dom the r e i s no impor tan t and

    un i mpor t an t ) * G s o n e g r o w s o r + u b r a t e s t o i n h a b i t t h i s k n o w l e d g e , o n e

    e3per i ences t ha t T= i s on l y t he 0', wi t hou t a s econd ) T r u t h mus t be

    e3per i enced ) 4 i r ec t knowl edge i s no t t h i nk i ng ) Th i nk i ng and knowi ng a r e

    qu i t e d i f f e r en t )

    o w d o w e a s h u m a n b e i n g s c o n n e c t t o t h i s f o r m l e s s f i e l d t h r o u g h

    t he $H++? nd beyond The 4a l a i "ama s t a t e s , t ha t :

    & #no wledge and under s t and ing deve l op on t he bas i s o f a

    cons c i ous nes s t ha t has t he ab i l i t y t o pe r ce i ve i t s ob - ec t s ) When t he

    n e c e s sa r y c o n d i t i on s a r e m e t , i t s a b i l i t y t o p e r c ei v e i n c r e a s e s, t h e

    s co pe o f i ts o b -e ct s o f k no w le dg e e 3p a nd s, a n d u nd er st an di ng

    d e ep e n s) I n t h is w a y t h e m i n d c a n d e v el o p i ts f u l l p o te n ti a l) * J

    n d , & T h r o u g h s u c h a p r o c e ss , t h e m i n d 1s t r u e c o l o r , s o t o s p e a k ,

    w i ll g r ad u al l y d a w n o n t h e p r a c ti t io n e r) W h e n t h e m i nd i s f r ee

    f r om a l l k i nds o f t hough t s and concep t s , s udden l y a f o r m o f vacu i t y

    w il l a pp ea r) I f t he m ed it at or t ri es t o g a in f am il ia r it y w it h t ha t

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    vacu i t y , t he c l a r i t y o f t he cons c i ous nes s w i l l na t u r a l l y become mor e

    obv i ous ) * 9 E

    + a i n t / r a n c is o f s si s i o n c e s a i d , & W h a t w e a r e l o o k i n g f o r i s w h a t

    i s l o o k i n g ) * 0 n e o f t h e c l e a r e s t d i s c o u r s e s o f t h e s t a t e s a n d s t a g e s o n e

    ma y g ro w th ro ug h i s fo un d i n ( +I 1s Ascens io n (1991 ) , a n d f u rt h er

    e 3 p o u n d e d o n i n E n l i g h te n m e n t K 9 J J C L) ( + I r e f e rs t o t h i s v a c u i t y a s t h e

    s c e n d a n t ) 0 v e r t i m e t h e m e d i t a t o r i s t a u g h t t o r e c o g n i 2 e T T , a n d i s

    t a u g h t t o p l a ce m o r e a n d m o r e o f o n e 1 s a tt e n t io n o n t h e s c e nd a n t ) T h i s

    e 3p er ie nc e i s s ti ck y t o t he m in d) 0 ne c an l ea rn t o c ho os e t hr ou gh

    e 3p er ie nc e to r ec og ni 2e a nd s tr e ng th en th is l e ve l o f a wa re ne ss )

    v en t ua l ly, i t w i ll b e co m e a s h ad o w p r e s en c e6 t h is i s t h e h a l l ma r k o f

    w i t n e s s i n g ) T h e n i t w i l l b e c o m e H 0 > a n d t h e b o u n d a r i e s b e g i n t o b l u r )

    nd t hen , one l ea r ns t h i s i s t he Tr u t h , t he $uddhaf i e l d , and The >ni ve r s e )

    I a m T h a t! @ h r i s t i an s c r ip t u r e r e s t a te s t h i s t r u t h i n 8 I a n d m y / a t h e r a r e

    0 ' ) 1 T hi s s t at e me n t i s n o t a e u ph e mi s m6 i t i s a r e 5s t at e me n t o f w h at

    o n es 1 c o ns c io u s e 3 p e ri e nc e s t ab i li 2 es i n to b e in g ) 4 i ff er e nt s p ir i tu a l

    t r a d it i o n s l a b e l t h i s e 3 p e r i e n c e d i f f e r en t l y) Wo rd s o n l y p o i n t t h e f i n g er 6

    t he e3per i ence i s t he goa l )

    I n t h e p r a c ti c e o f s c e n si o n , o n e i s t a u g h t t o w o r k w i t h t h e n a t u ra l

    cyc l e o f the g r owt h o f cons c i ous nes s ) 0ur s pec i es 1 cons c i ous nes s cyc l es ,

    t h r o ug h t h e t h r e e s t a te s o f a w a re n e s s 6 W ak i n g , 4 r e a m i ng a n d + l e e p in g ,

    r e l a ti v e l y e f f o r t le s s l y) 4 i s tu r b a n ce s i n t h e a b i l it y t o c y c l e t h r o u g h t h e

    s t a t e s o f c o n s c i o u s n e s s i n d i c a t e u n d e r l y i n g i m b a l a n c e s o b s c u r a t i o n s ) $ y

    g ai ni ng i ns ig ht i nt o t he r es ti ng c yc le o f o ur b od ie s o ne b eg in s t o

    u n d e r st a n d t h e u n d e r ly i n g p r in c i p le s o f t h e g r o w t h o f c o n s c io u s n e ss ) I n

    t h e w a k i n g s t a t e t h e b o d y i s i n i t s 1 l e a s t m o s t r e s t f u l s t a t e ) T h e w a k i n g

    s t a t e o f cons c i ous nes s i s mos t l y r ep r es en t ed by a r a - a s i c f o r ce , t he t ens i on

    be twee n c rea t i v i t y an d des t ru c t ion ) Th i s gun a i s neu t r a l in f o rc e un les s

    a pp li ed t o o ne o f t he o th er t wo g un as ; + at tv a a nd Tam as ) = a- as i s

    r ep r es en t ed by t he cu r ved l i ne d r awn b e t ween t he Hin and Hang r eg i ons i n

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    t h i s a l c h e m i c a l s y m b o l ) I t s e p a r a t e s o r p a r a d o 3 i c a l l y h o l d s t o g e t h e r t h e

    f o r ces o f H i n and Hang ) nd , c l a s s i ca l l y i s d r awn wi t h a =ed " i ne )

    I n t h e 4 r e a mi n g + t a t e o f c o n s c io u s n e ss , t h e b o d y h a s s e t t l e d i n t o a

    l e s s a c t i v e p h y s i o l o g i c a l l y s t a t e t h a n W a k i n g ) T h e b o d y h a s p r o g r e s s e d

    i n t o a mor e r e s t f u l s pace ) 4r eami ng i s cha r ac t e r i 2ed a s +a tt v i c i n na t u r e )

    I t i s ou t war d d i r ec t ed , e3pans i ve , pos i t i ve , (as cu l i ne 5 Hang ) =epr es en t ed

    b y the whi te r eg i on in the Hin Hang s ymb o l and i s t he evo lu t i ona r y fo rce

    f o r t he g r owt h o f cons c i ous nes s ) I n con t r a s t 6 + l eep i ng i s cha r ac t e r i 2ed a s

    Tamas i c i n na t u r e ) I t i s i nwar d d i r ec t ed , con t r ac t i ve , nega t i ve , /emi n i ne 5

    H i n ) = e p r e s e n t e d b y t h e b l a c k r e g i o n i n t h e H i n H a n g s y m b o l a n d i s t h e

    i nvo l u t i ona r y f o r ce f o r t he g r owt h o f cons c i ous nes s )

    s i mpl i ed t he r e i s a cyc l i ng a s pec t t o ou r cons c i ous nes s ) +moot h l y

    m o v in g t h r o ug h t h e s t a t e s o f c o n s c io u s n e ss e n a b l es a n i n d i vi d u a l t o l i v e

    l i f e in a so me wh at & no rma l* mo de ) s o ne l e ar ns t he p ra ct ic e o f

    sc en si on , o ne t e ac he s t he b od y mi nd to e nt er a fo ur th s ta te o f

    cons c i ous nes s , even mor e r e s t f u l t han t he p r ev i ous t h r ee ) Th i s f ou r t h s t a t e

    o f cons c i ous nes s i s l abe l ed : Tur i ya ) 'ami ng i t makes i t s o?

    s t he t oo ls o f s ce ns io n a re u ti li 2e d o n a d ai ly b as is , < E5 AE

    m i n u te s , < 5 A t i m es a d a y, t h e b o d y m in d i s t a u g h t t o e n t e r c y cl e t h r o ug h

    t h i s mor e r e s t f u l s t a t e ) s t h i s f ou r t h mor e r e s t f u l s t a t e , Tur i ya beg i ns t o

    cha r ac t e r i 2e co l o r pu r i f y t he o t he r t h r ee s t a t e s o f cons c i ous nes s t he / i r s t

    + ta g e o f nl ig ht en me n t i s a ch ie v ed ) T he d ai ly p ra ct ic e o f s ce ns io n

    c r e a t e s 7 e r p e t u a l @ o n s c i o u s n e s s ) T h i s f i f t h s t a t e o f c o n s c i o u s n e s s i s t h e

    / i r s t + t a g e o f n l i g h t e n m e n t a n d i s k n o w n a s ' i r v a n a o r + a m a d h i ; i n

    o t he r t r ad i t i ons )

    7 e rp e tu a l @ o ns c io u sn e ss i s = a -a s ic i n n a tu r e, c r ea t es a d u a li t y i n

    pe rc ep t io n a nd s t ab i l i 2es in t o w i tn ess ing ) Wit ness in g a l lo ws one to

    m ai nt ai n a n e v er 5p re se n t a wa re n es s o f t he s ce nd an t a s o n e c yc l es

    t h r o u g h W a k i n g , 4 r e a m i n g a n d + l e e p i n g ) s t h i s p u r i f i c a t i o n , g r o w t h o f

    c on sc io u sn es s c on ti nu es , t he b od y l ea rn s t o s et tl e d ow n i nt o a n e v er

    d e ep e r, h i gh e r v i br a ti o na l h a bi t at io n a n d h e al s t h e o b sc u ra t io n s o f t h e

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    bod y mi nd and ones pe rcep t ion aga in beco mes mor e re f i ned ) Th i s p roc ess

    c re at es t he n e3 t s ta te o f c on sc io u sn es s K si 3t hL , t he + ec on d + ta ge o f

    n l i g h t e n m e n t , 3 a l t e d @ o n s c i o u s n e s s ) 3 a l t e d @ o n s c i o u s n e s s i s + a t t v i c

    i n na t u r e and ou t war d d i r ec t ed )

    s one moves t o f u r t he r pu r i f y i n t o t h i s + t age o f n l i gh t enment , t he

    n e 3 t s t e p n e e d e d t o s t a b i l i 2e t h e n e 3 t s t a te o f c o n s c i o u sn e s s , t h e s e v e n t h

    s t a t e 5 i s a c o n t r a c t i v e p r a c t i c e ) e r e o n e l e a r n s t h e v a l u e o f p r a t y a h a r a )

    T hi s d is ci pl in e b u il ds s tr uc tu re s i n a wa re ne ss w hi ch a l l ow s o ne t o

    s t ab i l i 2e i n t o an even mor e r e f i ned awar enes s , >n i f i ed @ons c i ous nes s ) The

    t hi rd + ta ge o f nl ig ht en me nt mo re c om mo nl y r ef er re d t o a s @ hr is t

    @ons c i ous nes s ) @hr i s t o r @hr i s t os i s one who has been ano i n t ed ) (ean i ng

    o ne s e ye s h av e b ee n w as he d c le an o f o bsc ura ti on s) Th is s ta te o f

    cons c i ous nes s i s mor e Hin i n na t u r e an d con t r ac t i ve ) 4! K +e l f conf i dence

    i s n o t a r ro g a nc e 6 f r o m m y p l at f or m i t i s a s e v id e nt a s t h e n o se o n y o u r

    f ace ) L

    s one con t i nues t he p r ac t i ce o f s cens i on , mov i ng ones awar enes s

    o u t w a r d i n f o c u s a n d a c t i v i t y , t h e e i g h t h s t a t e o f a w a r e n e s s b e g i n s t o

    s ta bi li 2e : t he / ou rt h + ta ge o f nl ig ht en me nt ; $ ra hm an ) $ ra hma n

    c o n s c i o u s n e s s i s u l t i m a t e l y n e u t r a l i n f o r c e a n d i s c h a r a c t e r i 2 e d a s t h e

    mai n t a i ne r a s pec t o f cons c i ous nes s )

    + u c c i nc t l y, t h e d a i l y p r a c ti c e o f s ce n s i on r e s u lt s i n t h e g r o w t h o f

    c o n s c i o u s n e s s ! T h e u n d e r s t a n d i n g o f t h e o u t w a r d p h a s e o f e v o l u t i o n a n d

    t h e i n wa r d p h a se o f i n vo l ut i on o f c o n sc i ou s ne s s g i v e s o n e a c o g ni ti v e

    p la t fo r m wi th i n whi ch o ne i s ab le to more eas i l y g r asp t he wo rk to be

    d o n e ) ( a n y g r o w t h s p u r t s c a n b e c o n f u s i n g ) n d r e s u l t i n b e i n g l a b e l e d

    i ns an e i n o ur c ul tu re ) n d q ui te f ra nk ly, m ov in g w it hi n b an ds o f

    a w a r e n e s s c a n b e c r a 2 y m a k i n g ) t d i f f e r e n t t i m e s d u r i n g o n e s g r o w t h a

    m o r e o u t w a r d , a c t i v e l i f e s t y l e m a y s e r v e t h e g r o w t h o f y o u r a w a r e n e s s )

    nd , a t o t he r t i mes a mor e i nwar d , qu i e t l i f e s t y l e s uppor t s g i ven s t ages o f

    g r owt h ) The #H i s t o know wha t t o do When!

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    > l t i ma t e l y, t h i s s t a g e o f n l ig h t e n me n t , $ r a h ma n @ o n s ci o u s n es s i s

    cha r ac t e r i 2ed a s hav i ng a t t a i ned $uddha5 na t u r e ) Ten2 i n Wangya l = i npoche

    f ur th er d ef in es $ ud dh a n at ur e a s o ne w it ho u t o r o n e w it h a p u ri fi ed

    k u n 2 h i n a ms h e ) T h i s k u n2 h i n a m s h e i s o u r c o ll e c t io n o f o b s c u r a ti o n s o f

    cons c i ous nes s o r ,

    & #a rmic t ra ce s th at r e ma in a s p syc hi c r e mn an ts o f a ct io ns

    pe r fo r med wi th g r asp i ng o r av e r s ion ) I t i s no t a th i ng o r a p lace 6 i t

    i s th e d yn ami c th at u nd er li e s th e o rg an i2 at i on o f d ua li s ti c

    e 3 p e r ie n c e ) T h e k a rm i c t r ac e s c o n t in u e i n t h e c o n sc i o u sn e s s u n ti l

    t h e y a re p u r i fi e d ) W h e n th e y a r e c om p l e te l y p u r if i e d , th e r e i s no

    l onger a kun2h i nams he and t he i nd i v i dua l i s a BU!!HA"* 9 9

    s t h e m e d i ta t o r b e g i n s t o e 3 p e r ie n c e t h e s c e n d a nt , o n e b e g i n s t o

    e 3 p e r ie n c e t h e s u b t le r e a l m s o f t h e > n iv e r s e) ( + I s p e ak s o f t h e $ r a h m a

    a n d e 3 p er ie n c in g t h e w o nd e rs o f $ r ah m an c o ns c io u sn e ss ) 4 a vi d $ o hn

    s p e c u la t e d , & T h e n a t u r e o f t h e u n i v e r se m i g h t b e m o r e l i k e a h o l o g ra m , a

    r ea lm o f f re qu en ci es a nd p ot en ti al it ie s u nd er lyi ng a n i ll us io n o f

    concr e t enes s ) * 9 9

    o w d o w e a s a w i l l f u l , c o n s c i o u s s p e c i e s , c r e a t e a m o r p h o g e n e t i c

    f i e l d t o c a t a l y 2 e t h e c h a i n r e a c t i o n o f o u r s p e c i e s e v o l u t i o n a r y p r o c e s s ?

    ccor d i ng t o (c4ouga l l , who wor ked wi t h r a t cons c i ous nes s , s co r e t heor y

    s t a t e s : once a f i e l d i s e s t ab l i s hed , i t accumul a t e s ) e f u r t he r s t a t e s t ha t a

    f i e l d may e3 i s t f o r l ong pe r i ods w i t hou t a f f ec t i ng any t h i ng s i mpl y becau s e

    t h e r e i s n o f o r m w h i c h f i t s i t ) f o r m m i g h t a r i se b u t th e e n v ir o n m en t

    mi gh t be t oo a l i en t o s uppor t i t s o t ha t i t wou l d d i e ou t )

    T#e $rocess o f Subrat ion

    I f we accep t t he $ i g $ang Theor y o f @r ea t i on , i t s t ands t o r eas on t ha t : t he

    > ni ve rs e s t ar te d f r o m o n e p o i nt o f e 3 is te nc e) W hi ch m ov e s o n e t o

    pos tu l a te : the r e i s a s i ngu l a r und er l y in g f i e l d o f e3 i s t en ce ) s sc i en t i s t s

    c o nt e mp l at e & W hy d o e s m a t t er h a v e ( a ss ? * a n ot h er q u es t io n c o me s t o

    mi nd , does (at t e r have cons c i ous nes s ? I f t he r e i s an under l y i ng f i e l d , i s

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    i t c o n sc i ou s ? i ns t ei n s t a te d , & h um a n b e in g i s a p a rt o f t h e w h ol e ,

    c al l e d b y u s & >n iv er se * ; a p ar t l i mi te d i n t ime a nd s pa ce ) e

    e 3 pe r ie n ce s h i ms e lf , h i s t h ou g ht s a n d f e el in g s a s s o me t hi n g s e pa r at e d

    f r om t he r e s t ; a k i nd o f op t i ca l de l us i on o f cons c i ous nes s * 9 < 4r ) / r ances

    Mau g ha n s t at e d, & 0 ur a b il it y t o c o rr e ct w h a t i ns t ei n c a ll e d & o p ti c al

    d el us io n o f c on sc io us ne ss * d ep en ds o n a n ew v is io n o f r el at io na l

    e 3 c h a n ge a t a l l l e v e ls o f t h e s p e c t ru m o f c o n s c i o u s ne s s ) * 9 A T h e a b i l i t y t o

    c o rr e ct t h is o p ti c al d e lu s io n o f c o ns c io u sn e ss i s t h e r t o f + u b ra t io n )

    + u b r a t i o n a s d e f i n e d b y l i o t 4 e u t s c h i s & t h e ( e n t a l ? 7 r o c e s s w h e r e b y

    o ne r e5 ev al ua te s s om e p re v io us ly a p pr ai se d l ev el o f c on sc io us ne ss

    becaus e o f i t s be i ng cance led , o r a t l eas t se t in a d i f f e ren t co n te3 t , b y t he

    e3per i ence o f a new l eve l o f cons c i ous nes s ) * 9 B The r t o f +ubr a t i on i s no t

    l im it ed t o t h e m e n ta l f ie ld ) / or t he p ro ce ss t o b e c om pl et e, i t m u st

    e n c o m pa s s t h e f u l l s p e ct r u m o f o u r s o u l1 s h ab i t at ) # e n W il b e r f u r th e r

    i l l umi na t es :

    &The mys t i c means t ha t a l l t he e l emen t s on each f l oo r ha r moni ous l y

    i n t e ra c t , ' 4 m o s t i m p or t a n tl y, e a c h o f t h e f l o o r s i n t e r a ct s w i t h

    e a c h o t h e r ) s f o r t h i s m u l t il e v e l ed i n t e ra c t i on , t h e m y s t i c m e a n s

    t h at t h e p h y s ic a l e l em en t s i n te r ac t w i th t h e b i o l o gi c al e l em e nt s

    whi ch i n t e r ac t w i t h t he men t a l wh i ch i n t e r ac t w i t h t he s ub t l e wh i ch

    i nt er ac t w it h t he c au sa l w hi ch p as s i nt o i nf in it y, e ac h l ev el

    s upe r s ed i ng i t s p r edeces s o r bu t mut ua l l y i n t e r pene t r a t i ng wi t h i t ) 9 C

    + ub ra ti on i s a p ro ce ss w he re by t he i nd iv id ua l i s e ng ag ed i n

    u n d e r s t a n d i n g w h a t l e v e l o f t h e s p e c t r u m h e s h e i s i n t e r a c t i n g w i t h , a n d

    w h a t m a t e r i a l i s b e i n g p r e s e n t ed f o r e v a l u a t i on a n d e v e n tu a l i n t e gr a t i on )

    I ni ti al ly, o ne s ee s t hi s n ew l ev el o f t he s pe ct ru m a s a n o b- ec t o f

    i n t e r ac t i on ) s t h i s p r oces s o f +ubr a t i on con t i nues , t he ve i l o f s epa r a t i on

    d i s s ol v e s ) T h i s e 3 p a n si o n l e a d s o n e t o n e w o b s e r va t i o ns o f a n e w s u b - e c t

    w i t h in t h i s n e w e 3 p a n d ed s p e c tr u m ) T h e 8 I 1 of s e l f o b s e r v es a n o u t e r I T ,

    a s n o t s e l f) T h e n a w a r e n e ss e 3 p a n d s t o e 3 p l o r e t h i s n e w o b s e r v e d I T ) s

    th i s g ro und o f a warenes s i s in teg ra ted i n to be in g, a n ew W i s

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    es t ab l i s hed ) I n o t he r wor ds , a new awar enes s i s obs e r ved whi ch appea r s t o

    be d i s t inc t l y s epa r a te f rom the s e l f K I L , h owever a s c ons c ious nes s g r ows

    t he s e l f and ob - ec t o f obs e r va ti on K I TL merge i n t o a knowi ng o f W) The

    c o g n i t i v e a b i l i t y o f r e c o g n i 2 i n g w h a t b a n d , w h a t n e w g r o u n d , w h a t n e w

    s k i l l s e t s o t o s peak , one i s e3pand i ng i n t o and wha t s ubs t r uc t u r e f a i l ed t o

    s u p p o r t t h e e 3 p a n s i o n i s T c r i t i c a l s k i l l o n e n e e d s t o c u l t i v a t e ) T h i s

    g r o w th i s c h a r a ct e r i 2e d b y a n e 3 p a n si v e p e r i o d , f o l l o w ed b y a g a p w h i c h

    ma y l i t e ra ll y f ee l l i ke a n in te rn al sh if t, fo llo we d b y a p er i od o f

    c o n t r a c t i o n ) 4 u r i n g t h i s b r e a k , t h i s g a p , a w i d e r a n g e o f e 3 p e r i e n c e s o f

    c o n s c i o u s n e s s c a n a n d m a y o c c u r 5 0 = ' 0 T ) T o m a s t e r t h i s s k i l l s e t t h e

    m e d i t a t o r m u s t b e c o m e c o g n i 2 a n t o f t h e f u l l s p e c t r u m o f c o n s c i o u s n e s s

    o u r s p e c i e s i n h a b i t s , f r o m t h e g r o s se s t , m o s t d e n s e v e h i c l e 5 o u r p h y s ic a l

    bod y in to the mos t s ub t l e veh ic l e ) +us an +hums ky de f i nes o u r spe c ies 1

    veh i c l e s o f hab i t a t i on :

    &s a phys i ca l en t i t y , you a r e a bund l e o f ene r gy wi t h a name and a

    u n i q u e f or m ) $ u t t h e n o np h y si c a l p a r ts o f y o u r s e lf , s u c h a s yo u r

    e mo ti on s a n d t h o ug ht s a r e a l so c om po se d o f v ib ra t i on s) Hou r

    i den t i t y a l s o i nc l udes i nv i s i b l e a s pec t s s uch as your mi nd , i n t e l l ec t ,

    e g o , a n d e m o t i o n s a n d d e e p e r a s p e c t s o f y o u r s e l f , w h i c h c o m p r i s e

    your &h i ghe r s e l f * ) s an en t i t y , you a r e a s t r eam of cons c i ous nes s ,

    r e ac h in g f r o m t he d i v in e l e v el t o t h e g r o ss p h y si c al l e v el ) Hou

    pos s ess myr ia d i nne r iden t i t i e s w i th i n one reco gn i2ab l e i den t i t y,

    and many s ub t l e bod i es compr i s e your i nne r f o r m) +ub t l e bod i es a re

    n o t n e c e s sa r il y c o nf i ne d t o t h e s p a c e o c c u p ie d b y y o ur p h ys i ca l

    bod y6 inne r bod ies ma y even e3 i s t in more than on e p l ace a t a

    t i me )* 9

    s a c h a i n i s n o s t r on g e r t h a n i t s w e a k e s t l i n k , w e a l s o e 3 p a n d a n d

    l ea rn t he o pe ra ti on o f t he n e3 t h ig h es t v eh ic le o f c on sc io us ne ss , t he

    gr owt h o f t h i s h i ghe r v i b r a t i ona l body s ubs equen t l y caus es a l i gh t en i ng up

    o f t h e l o w e r b o di e s o f h a b i ta t i o n ) T h i s r e su l t s i n t h e w o u nd o r w e a k n e s s

    w i t h i n t h e l o w e r s t r u c t u r e K s L t o c o m e t o l i g h t , t o b e & e n l i g h t e n e d * ) T h i s

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    u n v e i l i n g p r o c e s s i n i t i a t e s t h e h e a l i n g o f t h e i l l u s i o n o f s e p a r a t i o n ) T h e

    h ig he r t he v ib ra ti on al v eh ic le o ne i s w ork in g t o in ha bi t a nd th e

    c om pl e3 it y o f t he w ou nd in g o ne h as e nc ou nt er ed p re vi ou s t o t hi s

    s u b s e qu e n t e 3 p a n s i o n d i c t a t e s t h e c o m p le 3 i t y o f t h e a b r e ac t i o n: t h o u g ht ,

    d r ea m , f l as h ba c k, o r b o d y5 m em o ry) T h e o u t5 p ic t ur e d m a te r ia l m a y b e

    c o m p l e 3 o r n o t ) I t m a y h a v e d i s r e g u l a t e d e m o t i o n a l c o m p o n e n t s c o u p l e d

    w i th b o d y m e mo r ie s o v e rl a id w i th m e nt a l f la s hb a ck s c o nc u rr e nt w i th

    s e e i n g a n d o r h e a r i n g a r t h b o u n d + p i r i t s , 4 e v a s o f t h e l e m e n t s a n d o r

    + p i r it . u i d es ) 4 i o n / o r t u n e i n f o r m s t h e m e d i ta t o r d u r i n g t h e t r a n s l a t io n

    p ro cess :

    & l l t h e p l a n e s o f m a n if e s t at i o n a r e d i f fe r e n t t y p e s o f e 3 i s t e n c e,

    a nd t he s ev en b od ie s o f ma n, n ot e 3c ep ti ng t he p hy si ca l, a re

    d i f f e r en t modes o f cons c i ous nes s and d i f f e r en t t ypes o f o r gan i 2a t i on

    o f f o r c e) > n le s s w e k n o w e 3 a c tl y w h at c o n sc i ou s ne s s i s a n d h o w

    a pp re he ns io n t ak es p la ce , w e s ha ll b e u na bl e t o t ra ns la te o ur

    c on sc io us ne ss f r o m o ne m od e t o a n o th er) T he p ro c es s m a y b e

    l i k e n e d t o t h a t o f t r a n s p o s i n g f r o m o n e k e y t o a n o t h e r i n m u s i c )

    T h e a m a t e u r w h o c a n v a m p a l i t t l e m a y n o t n e c e s s a r i l y b e a b l e t o

    t r ans pos e ) The g r ea t mi s t ake t o wh i ch t he un t r a i ned ps ych i c i s l i ab l e

    i s t h a t o f c o n f u s i n g t h e p l a n e s , a n d t h i n k i n g i n t e r m s o f o n e p l a n e

    when f unc t i on i ng on ano t he r ) * 9 F

    0 ur n at ur al a pp re he ns io n, c on tr ac ti on i n n ew e 3p er ie nc es m us t b e

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    a nd l ea d t o t ra ns fo rm at io n ; t ha t i s, t o a m or e e nl ig ht en e d a n d

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    $ r a h m a r a n d h r a i s t h e 7 a t h o f t h e + a g e s ) T h i s . 7 c o n s c i o u s n e s s c a n b e

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    m in d i l lu m in a ti n g t h e e n ti r e b r a i n, r e le a si n g i t a l l b a c k i n to t h e

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