1925 - radio digest - full article of cyl
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Si bien este es un blog dedicado al cine silente, me pareci de
DICKSON GREETING (1891)REVISTAS CINEMATOGRFICAS
LA ESTACIN DE RADIO CYL(1925)
AUGUST 25, PM LUIS RECILLAS ENECOIZ LEAVE A COMMENT
CINE SILENTE MEXICANO / MEXICAN SILENT CINEMA
INICIO PRESENTACIN ACTORES ANTECEDENTES ATISBO BIBLIOGRAFA CARTELES CINES DIRECTORES
EDUCACIN ENTREVISTAS EXTRANJERAS FOTOGRAFAS INDUSTRIA INSTITUCIONES INVESTIGADORES
LITERATURA MEXICANAS MSICA PERSONAJES PROVINCIA RESEAS REVISTAS TOLUCA WORDPRESS
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elemental cortesas hacia los historiadores de la radio en Mxico,subir este artculo publicado en el Radio Digest del 14 de noviembrede 1925. La estacin se localizaba en Av. Jurez. Como dato curiosoaparece el simptico locutar y anunciante George Marron quien noes otro que Jorge Marrn que con el tiempo se convertira en Dr. IQ.
Se nota la deferencia con que se refieren a Plutarco Elas Calles quiena la postre usara la radio para fines electorales y polticos. Loscomentarios sobre su bien modulada y grave voz permiten entenderque la relacin entre los dos pases haba comenzado un nuevorumbo despus del desaguisado revolucionario. La relacin entremedios de comunicacin y gobiernos en turno se remonta a la
gestacin. El nombre est bien: Ral Azcrraga, quien fue elpropietario de la estacin de radio CYL. El artculo se titulaViajepagado a los Estudios CYL de la ciudad de Mxico
Edison Laboratory. Producers:W.K.L. Dickson & William Heise.
LA BLOGOTECA
Cine silente mexicanoEntra en LaBlogoteca a valorareste blog
APOYA LA INVESTIGACINQUE LLEVA A CABO CINESILENTE MEXICANO
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Adquiere el libro sobre los inicios del cineen Toluca: $250.00 ms envo.
CINES DE ANTAO
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Artculo publicado en Radio Digest, Vol. XV, No. 6, pp. 7 y 12 del sbado 14 de noviembre de1925.
A Junket to the Mexico City Studios of CYL
Susan Haymes
When one dials CYL of El Universal and La Casa delRadio (The House of Radio), Mexico City, Mexico, athrill is experienced akin to that of visiting on foreignshores; one feels, too, a keen desire for becoming better
acquainted with the station that sheer nerve built onthe other side of the silvery Rio Grande.
For it was in November, 1923, that CYL went on the airas the first broadcaster in Mexico with its initialconcert; this, despite a law prohibiting Radiobroadcasting and reception except for governmentalpurposes, on account of the revolution in Mexico. Lateron, ironical as it may appear, General Calles himselfmade his campaign for the presidency of the Republic,via CYL.
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Incidentally, the voice of Calles has a rare andextraordinary quality in it; a depth and cadence that canonly belong to a powerful man. The part CYL played incarrying to the people the voice of this man, hissubsequent election and eminently successful reign is
too well known for further elaboration on these pages.
This station was the idea of the late President PorfirioDiaz. It was designed by Raul Azcarraga, who owns anddirects the station, and was built by Sandal Hodges.George Marron is the gracious and popular announcer.
The cost to the Mexican government was eight millionpesos. Thats something else for you to consult yourbanker about; ascertain just how many good Americaneagles that represents.
CYL is ideally situated from the standpoint oftransmission, in the center of the city, facing the GarageAlameda directly in front of the famed National theater.Wonderful records have been obtained from points inNorth America, Central America and South America.During the transcontinental tests, this was the onlystation that reached Buenos Aires, London and the
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Berring Strait. High altitude, clarity of atmosphere, theunusually fine antenna system and standard 500-wattequipment are attributes to its success.
Acoustically perfect, the studio is artistically draped in
heavy folds of rich red silk; with the dim lights ofdecorative floor lamps and antique candelabra, a mostalluring roseate hue is lent to the surroundings. Both apiano and an organ are in evidence. Quite an interestinghistory is woven around this beautiful handmade organ.
The organ originally belonged to the magnificent oldchurch, Basil de Guadalupe ; this mecca of tourists andhaven of worshippers was established by the Spaniardsover a century ago. But queer things happened tochurches back in the fourteen stormy years ofrevolution and destruction, and this hand-carved,seventy-five year old instrument, with its uniqueengraved marquetrie of solid ebony, passed eventuallyinto the hands of CYL. Its tone is as rich as of old, yet oneidly fingers its yellowed keys with mingled emotions andthoughts of God, of love, of human sacrifices, and ofmans inhumanity to man.
FUNCIONES RECIENTES
Los rollos del cine revolucionarioCine e Historia
Los rollos perdidos de PanchoVilla de Gregorio Rocha
El cine que nunca fue mudo:
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The programs over CYL are varied and recipients ofmuch praise. The Cathedral of Mexico sends a priesteach Sunday at 10:30 a. m. to conduct very impressivechurch services. Music is broadcast each Tuesday from
the Hotel Regis and from Abels Cabaret. On Fridaynights, two-hour concerts are given. The first partconsists of Mexican typical music and folk songs by well-known charro singers and senoritas, and the charrotypical band. The most popular selections, beloved alikeby Americans and natives. are: La Paloma (the Dove)and La Golondrina, known as the Mexican HomeSweet Home song. A real treat for the Radio fan,accustomed to box-office prices, Is the last half of theprogram which is given by real opera finger.
Emphasis Is placed on the better type of music always,for the Mexican is easily a musician and a lover of goodmusic, from the president in the national palace atChapultepec to the humble peon his little hut. And wemight say right here that King Jazz doesnt hold thesway over their heartsand feetas it does in theStates.
intentos de sonorizacin previosal llamado cine sonoro
The Bravery of Dora (1912)
Se ha perdido 75% del cine mudo
The Guardian of the Flock (1915)Portadas de Cine-Mundial (1916-1918 y 1920)
Creacin del primer cine clubmexicano
Miguel Contreras Torres,Esperanza Iris y El Gallo (1923)
LARGOMETRAJES
Actores y actricesdel cine silenteAntecedentes delcinematgrafo Atisbo a losinicios del cine en Toluca(1896-1910) Bibliografa
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CYL has played no small part in teaching students of theSpanish and Mexican languages the correctpronunciation of their softly spoken tongues. Spanishthroughout the country listen regularly.
Many telegrams and cables of appreciation are receivedby CYL. An Innovation for confirmation to the listenersin, instead of the Ekko stamp, is their decorative genuinezarape. This blanket, in miniature, is beautifullydesigned in a combination of many colored yarn; oftentwo or three days are required for the native AztecIndians to weave one by hand. A charge of one dollar fora size 814 inches is made; a smaller size may be had forfifty cents. These may be used as souvenir mats, as adecoration or framed for use as a tray. The charge isnecessary on account of postage, wrapping and paymentto the Indians, many of whom obtain their meager
livelihood by handweaving. Those desirous of obtainingthese original zarapes may send remittance to RadioCYL, Juarez No. 62, Mexico City, Mexico.
Through arrangements made with stations in the UnitedStates, it is expected to increase the number of listeners
del cine silente mexicano(2008) Bibliografageneral del cinemexicano (2008)Cartelestoluqueos decine silente Cine-Mundial Cinesilente enprovincia Cines yteatros CinetecaNacional Cine yeducacin histricaCine y literatura De laVega Alfaro, Eduardo Delos Reyes, AurelioDirectores de cinesilente en MxicoDirectores pioneros
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to CYL during the coming winter season.
Radio Digest , Vol. XV, No. 6, Nov. 14, 1925, p. 7 & 12.
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ESTACIN DE RADIO CYL RAL AZCRRAGA
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cinematogrficas SolaxFeature Co. Thomas A.
Edison Toluca VeracruzQue viva Mxico! (1932)
CORTOMETRAJES
Apolinar ArchivoHistricoMunicipal deToluca Azteca Film BeatrizMichelena Bibliografa CarlosMongrand Carlos Noriega HopeConaculta De los Reyes,Aurelio Dvalos Orozco,Federico El Universal
Emilio Garca
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Riera Emma Padilla EnriqueRosas Esperanza Vzquez BernalEstampas toluqueas GabrielRamrez Garca, Gustavo GeorgesMlis Gregorio Rocha Hiplito SeijasHistoriografa Hollywood Jos Manuel
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CINE SILENTE MEXICANO ENTWITTER
Perfecto da para disfrutar aVerdi; en especial su Misa deRequiem. fb.me/2CFbDFk62...1 day ago
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BIBLIOGRAFA SILENTE
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DIRECTORES PIONEROS
ALFRED HITCHCOCK
CECIL HEPWORTH
EDWIN S. PORTER
FERDINAND ZECCA
GEORGES MLIS
HERMANOS LUMIRE
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HERMANOS LUMIRE
LUIS BUUEL
MAN RAY
ROBERT J. FLAHERTY
SERGUEI EISENSTEIN
THOMAS A. EDISON
PELCULAS EXTRANJERAS
ARTIST, THE (2011)
BEAU GESTE (1927)
BLANCANIEVES (2012)
CAT AND THE CANARY, THE (1929)
CHIEN ANDALOU, UN (1929)
CONFESOR, EL (1920)
FAUSTO (1926)
FEU MATHIAS PASCAL (1925)
HUNCHBACK OF NOTRE DAME, THE (1923)
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JUEGOS OLMPICOS (1896-1928)
METROPOLIS (1927)
NANOOK OF THE NORTH (1922)
SAFETY LAST! (1923)
SPEEDY (1928)
UNHOLLY THREE, THE (1925)
ADDING SOUND TO MOVIES WOULD BE LIKE PUTTING LIPSTICK ON THE VENUS DE MILO. MARY PICKFORD
CINE SILENTE MEXICANO
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Select Category
ABONOS
ABONO
BLOGS SOBRE CINE
Pasin silente
James Agee Cinema Circle
Ferdinand von Gelitzien
Bioscope
100 Year Old Movies
Sempre in penombra
Mi d l di
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Miradas a los medios
Recanto silente
Political Film Blog
Fotgrafos de la Revolucin
Louise Brooks Society
Cine mujeres
Cine de nunca jams
Silent London
CINE MEXICANO
Ms de cien aos de cine mexicano
Escritores del cine mexicano sonoro
Mexican Film Resource Page
Filmografas digitales del cine mexicano
Cine y la Revolucin Mexicana
Corre cmara
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Corre cmara
CINE MUNDIAL
Cine-Clsico
Archive.org
Association Fracaise de Recherche Sur l'Histoire du Cinma
David Bordwell's website on cinema
IMDb
Cinema Museum, London
Complex Index to World Film
CINE SILENTE
Thomas A. Edison
Whose Who of Victorian Cinema
Golden Silents
Film History of the 1920s
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Film History of the 1920s
Japanese Silent Films Site
Fundacin Salvador Toscano
Charles Urban, Motion Picture Pioneer
Women and Silent British Cinema
History of the Discovery of Cinematography
Silents are Golden
Betzwood Film Archive
Silent Films
Home of the Silent Film Star
Collection Gabriel Veyre
Domitor
Institut LumireSilent Era
Greatest Silent Films
Old Magazine Articles
Photoplay Productions
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p y
Ithaca-made Movies
Silent Film Still Archive
Movie Flix
Thanhouser Company Film Preservation Inc.
Silent Movies
Motion Picture & Television Reading Room
Delta of Venus
Cinematgrafo Fola Lumire
Pringle's Silent Movies
Women Film Pioneers Project
Early Cinema
CINE-HISTORIA
Cine-Historia
History of the World on Film
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Cine educacin
Film and History
Bill Douglas Centre of the University of Exeter
Aula de cine
DICCIONARIOS VIRTUALES
Webster's Online Dictionary
Diccionario de la Real Academia Espaola
Sinnimos & antnimos
FESTIVALES DE CINE SILENTE
Kansas Silent Film Festival
Opotiki's Silent Film Festival (Nueva Zelanda)
Pordenone Silent Film Festival (Italia)
San Francisco Silent Film Festival
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Australia's Silent Film Festival
Killruddery Film Festival (Irlanda)
British Silent Film Festival
Denver Silent Film Festival
FILMOTECAS Y ORGANISMOS
Academy of Motion Picture Arts and Sciences
Filmoteca de la UNAM
Cineteca Nacional (Mxico)
National Film Preservation Foundation
Filmoteca Espaola
European Film Academy
British Film Institute
Cinmathque Francaise
American Film Institute
Academia de las Artes y las Ciencias Cinematogrficas de Espaa
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MoMA, Film Collection
Academia Mexicana de Artes y Ciencias Cinematogrficas
Fdration Internationale des Archives du Film (FIAF)
OBRAS ON-LINE SOBRE CINE SILENTE
Kino: A History of the Russian and Soviet Film
Filmoteca UNAM, 50 aos
Motion Picture Almanac 1929
1927 Film Daily Year Book of Motion Picture
Motion Picture News Booking Guide 1929
Famous Library Silent Films
Stars of the Photoplay
Annals of the American Academy of Political and Social Science: The Motion Picture in Its Economic and Social Aspects(1926)
Classics of the Silent Screen: A Pictorial Treasury
Movie Parade, 1888-1949. A Pictorial Survey of World Cinema
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En tiempos de Revolucin. El cine en la Ciudad de Mxico, 1910-1916
Histoire Encyclopdique du Cinma I. Le Cinma Francaise, 1895-1929
1922-23 Film Daily Year Book of Motion Pictures
A Pictorial History of the Silent Screen
Who's Who on the Screen (circa 1920)
Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company
REVISTAS
Archivos de la Filmoteca
Miradas de Cine
Cinefagia
Sight & Sound
Media History Digital Library
Film-Philosophy
Film Comment
Offscreen
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Offscreen
Cineaste
Cahiers du Cinema
1895
Cineforever
Film-Historia
Ojo que piensa
GALERA DE CINE SILENTE
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MES DE ESTRENO
Select Month
VOZ DEL CINFILO
Juliana El Cine Coliseo de Toluca
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Las diversiones durante el Por
Sofia Bautista Las diversiones durante el Por
Videos de antiguas salas de ci
Videos de antiguas salas de ci
ENTRADAS A LA FUNCIN
ENTRADAS POR PAS
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FACEBOOK
Luis Recillas Enecoiz
Create Your Badge
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ALMANAQUE
AUGUST 2013
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