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design made in germany

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Designing the future.

What has inspired you to look into this Catalogue and be interested in Wilkhahn ideas for designing living and working environments?

Is it the curiosity of finding out what a company has to offer that stands for design made in Germany like hardly any other in the

industry? Are you looking for ideas and inspiration to visualize your own success convincingly? Are you faced with challenges that

require intelligent and high-quality solutions? Or is it simply the pleasure to be derived from carefully designed, lasting and fascinatingly

functional products?

Whatever the reason may be – with this Catalogue we would like to take you on a visual journey to provide you with inspiration for

designing the future. For design can visualize approach and influence behaviour. Internally and externally. This is where decisive

potential can be found to sharpen one’s position, particularly in times of lacklustre products, quick substitution and stimulus satiation.

The continuity, consequence and coherence of Wilkhahn design guarantees that we will be able to be with you for decades to come.

Since the mid-twentieth century, Wilkhahn has been regarded as a pioneer of modern German furniture design: enduring quality,

functional intelligence and time stable design are values that make Wilkhahn a coveted brand in all markets of the world. Our clients

include leading companies in the field of finance, insurance, industry, trade and services, as well as public administrations, educational

institutions, accountants and law firms, advertising agencies and private lovers of design throughout the world. Numerous international

design awards and publications have marked our milestones which continue to make furniture history. Our inspiration is our focus on

the future and the desire to develop products for you that are lasting and better. In other words, the exciting challenge of successfully

designing the future together with you.

Let yourself be inspired by the Wilkhahn Catalogue – for conference furniture, high-quality office chairs or sophisticated interiors for

relaxation. We look forward to our journey with you.

Dr. Jochen Hahne Holger Jahnke

Wilkhahn Management

Contents

8 Guiding principles: design, innovation, quality

10 Conferencing

44 Working

68 Lounge and relaxation

80 Overview of product catalogues

82 Index, Imprint

83 Wilkhahn worldwide

Cover photograph: TOYOTA AUTO BODY,

Interior design: SHIMIZU CORPORATION

and FIELD FOUR DESIGN OFFICE.

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Brand-typical Wilkhahn design is displayed by a unique combination of design, innovation and

quality. Wilkhahn design is not influenced by short-lived fashion trends but is reduced to essentials:

Wilkhahn design is simple, honest and straightforward – yet it combines pure elegance with top

functionality. It incorporates self explanation and intuitive operation as well as delight in aesthetic

form, authentic materials and carefully designed features. The strength of Wilkhahn design lies

in its very understatement. For the products are convincing without dominating an interior.

In terms of function, Wilkhahn repeatedly succeeds in creating milestones which become global

models of excellence for completely new generations of furniture. This is no coincidence but the

result of a systematic development process. It is focused on developing the simplest solutions

possible for complex requirements. Observing, analyzing and questioning are prerequisites for

thorough rethinking and for achieving innovation.

Inspiration from aircraft construction allows elegant cross sections with maximum stability.

For example: table top in oak, stained dark, open-pore lacquering; aluminium uprights, clear

anodized; foot sections in die-cast aluminium, polished.

Logon conference table range. Design Andreas Störiko.

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Guiding principles design, innovation, quality

which have lasting appeal. It is not a matter of designing a new chair but of improving sitting, not

about a table but about promoting communication, not about a range of casual upholstered seating

but about relaxing.

The third dimension of longevity and high quality comprises materials and finish. “Quality not only

where it can be seen, but where it is needed” is the credo for the sustainable value of Wilkhahn

ranges. High-quality materials, selected surface finishes, workmanship with attention to detail and

intelligent engineering principles are a guarantee that Wilkhahn ranges will continue to fascinate you

for a long time to come. And should they show signs of wear after years of intensive use, every

product may be easily updated many times anew. Our approach to responsibility considers conser-

vation of natural resources as well as optimal payout of your investments.

The more dynamic work processes are, the more important face-to-face communication is.

It is decisive for team building and identity as well as for the willingness to embrace change, creativity

and innovation. Wilkhahn provides suitable furnishing solutions, depending on the nature of communi-

cation goals to be achieved: prestigious, customized table configurations for information and decision

processes with a classic character, variable table systems for conference and seminar environments, and

mobile foldable and pivotable table ranges for dynamic workshop and project work. Regardless of the

different types of conference and utilization concepts, all Wilkhahn conference ranges have one point

in common: they stand for high-quality function and design, and excellent workmanship. And as height-

ened concentrative ability is also a question of providing physical relaxation, corresponding chair models

from the extensive Wilkhahn collection of seating are available to suit every table range and requirement

profile. To create perfectly coherent solutions …

Conferencing

Palette table range. Design Karlheinz Rubner. Sito cantilever chair. Design wiege.

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The Club models of the Sito cantilever range

are characterized by a high degree of seated

comfort, distinct design and luxurious features.

The innovative frame construction with a

cantilevered seat platform is derived from bridge

building. The classic contours of the upholstery

with superbly soft leather covers finished with

elaborate, triple stitching emphasize the exclusive

character of prestigious meeting and conference

interiors.

Sito range. Club model group. Design wiege.

Four square legs, a solid table top – like virtually no other range,

Palette stands for the modern archetype of a conference table.

The visual point of connection between the table leg and top

has a ribbed profile to add an appearance of optical lightness.

It is ingeniously simple to unlock the table leg and reposition it

to attach an additional element, thus enabling Palette to be

converted – from a single table to a complex table configuration.

Palette table range. Design Karlheinz Rubner.

Palette table range. Design Karlheinz Rubner.

Table configuration with integrated, electrically retractable displays and microphone technology.

Table tops and modesty panels in oak, stained dark, open-pore lacquering.

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This table configuration was created using slender, rectangular legs in clear anodized aluminium profile. The modular character of

the range allows customized table geometry and lipping in addition to various table leg forms. To team with the prestigious character

of the interior: swivel chairs with automatic synchro-adjustment from the design classic range: the FS-Line. Colour coordinated, slim,

leather-covered cushions repeat the clear geometry of the interior and provide relaxed dynamic sitting of the highest degree.

Palette table range. FS-Line range. Model group 220. Design Klaus Franck, Werner Sauer.

The straight contours of the spacious, four-legged Versal chair harmonize perfectly with the clear elegance of the table range.

Ingenious and practical: the outward curvature of the armrests allows Versal chairs to be stacked compactly to provide standby seating.

Palette table range. Versal stacking chair. Design wiege.

“Reduce to the max” – this is the principle of the DinA range of tables and storage units. This makes DinA an ideal all-rounder for

conference and office interiors, for consultation spaces or for a private setting. The balanced proportions (1: √2), the monolithic form

and authentic materials (wood, stainless steel) mark the strength of high-level design.

Versal stacking chair. DinA table range. Design Udo Schill, Timo Küchler.

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The Contas table range has been designed for variable table configurations: with a classic form, simple handling, high-quality materials

and surface finishes. A table system that is equally at home in prestigious conference environments and in seminar and training interiors.

Light construction principle, assembly without the use of tools and patented linking and folding mechanisms ensure rapid payout of

investments …

Contas table range. Design wiege, Fritz Frenkler, Anette Ponholzer.

Contas table configuration. Sito cantilever chair. Design wiege.

The Sito cantilever chair, bright chromium-plated, with elegant, slim, leather-covered cushions, is used in this example

to complement application as an optically light conference configuration.

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DinA range. Design Udo Schill, Timo Küchler.

Three table sizes and three heights (low, working and standing) – that is the DinA table and storage unit range in a nutshell.

The next smallest format is achieved by halving the corresponding table surface area; it always retains the same proportions.

With fascinatingly simple elegance and intelligent details: for example, with flexible storage nets underneath the table tops.

DinA table range. Sito cantilever chair. Design wiege.

The frame of the Sito cantilever chair with matt chromium-plated finish acts as a visual complement

to the finely sand-blasted stainless steel structure of the table legs.

The Logon table range may be used to create table configurations to suit virtually any requirements,

as with the illustrated barrel-shaped table surface that can seat up to 24.

Logon table range. Design Andreas Störiko. Sito cantilever chair. Design wiege.

Coherent solutions: the creations of different designers harmonize to form a perfect whole as they are all based on the principles

of Wilkhahn design. For example, they use the same surface finishes and lipping for table and sideboard tops, matching armrest pads

on the Sito cantilever chair or coordinated frame finishes – the latter in this illustration are in aluminium clear anodized combined with

matt chromium-plated steel tube.

630 table range. Design wiege, Fritz Frenkler, Werner Baumhakl.

Conrack sideboard. Design wiege, Fritz Frenkler, Justus Kolberg, Sven Birkenheuer.

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Fascinating solutions emerge, which pay off quickly, when aesthetic design is combined with intelligence. Designer Andreas Störiko

created products for Wilkhahn which have added a new dimension to furnishing concepts for conference interiors. Even large

conference and seminar spaces can be furnished dynamically in no time at all by means of ingenious, patented pivoting and swivel

mechanisms – requiring just one person for reconfiguration and extremely compact storage facilities.

Timetable mobile table range. Design Andreas Störiko. Sito stackable cantilever chair. Design wiege.

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Quality makes all the difference: Wilkhahn cannot only claim to be the first company in the world to have developed mobile,

foldable tables – but the ranges have also remain unrivalled until today in terms of intuitive operation and inspired function:

for example, by means of the automatic pivoting of the table legs when the table top is folded up, allowing extremely compact

storage. Not to mention aesthetic quality.

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Timetable range. Design Andreas Störiko.

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Many Wilkhahn ranges are available in white for application in the health and hotel sector, and also in the private sphere.

The example shows the Sito cantilever chair with white through-dyed armrest pads, seat shell and back shell. It is teamed

with the Confair folding table with a white top, frame coated white and with bright chromium-plated foot sections.

Mobile Confair folding table. Design Andreas Störiko. Sito white cantilever chairs. Design wiege.

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Mobile Confair folding table. Design Andreas Störiko.

A table range to meet any challenge: extend with ease and speed – and a spacious area of 260 x 110 cm invites you to take a seat.

The folding table stands (or rolls) for a modern communication culture: dynamic, creative, space-saving – and with attractive design.

This unique table, which has received the highest international awards, is also a perfect solution for furnishing interiors for top

executives.

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Chairs, pinboards, flipcharts and servers from the Confair range are modular, mobile and ideal for workshops requiring self-organiza-

tion and active participation. They have become a global model of excellence for a completely new generation of furniture for creative

project work. Above all: they are characterized by coherent, high-quality design to allow them to fit together like an intelligent set of

tools and emphasize professional creativity.

Confair range. Design wiege, Fritz Frenkler, Justus Kolberg.

The Confair folding table always cuts a good figure in a conference room or a congress centre. In addition, interiors may be recon-

figured extremely fast and easily to meet new applications – ranging from a closed conference configuration or a horseshoe layout

to concourse setting. Cantilever models from the Modus range provide an ideal solution if greater demands are made on comfort

for longer periods of sitting.

Mobile Confair folding table. Modus cantilever chair. Design Klaus Franck, Werner Sauer, wiege, Fritz Frenkler, Justus Kolberg.

Modus cantilever chair. Logon table range. Design Andreas Störiko.

The backrest of the cantilever model with semi-transparent flexible material adjusts ergonomically correctly to individual body types like

a supportive membrane. The characteristic side apertures and the leather-covered crescent-shaped grip are intelligent design features

that are typical of Wilkhahn: the former provide the user’s back with pleasant ventilation and the latter allows the cantilever chair to be

moved away from the table with ease.

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Modus swivel chair. Model group Conference. Design Klaus Franck, Werner Sauer, wiege.

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A swivel chair that speaks for itself: modern – but free from fashion, clear – and not dominating, comfortable –

yet slim, high-quality – but not lavish …

The graceful flow of the contoured star base in die-cast aluminium, the elegant curvature of the armrests with

finely embossed leather pads and the leather covers with welted seams make Modus Conference an aesthetic

and tactile experience. A fine example of elegance, supporting our conference culture.

Modus swivel chair. Model group Medium. Design Klaus Franck, Werner Sauer, wiege.

The interior is bright and airy, and the conference chairs with semi-transparent back covering form a perfect complement with

their lightness and grace. The torsion-rod controlled automatic synchro-mechanism encourages movement and changes in posture –

and provides physical relaxation for lengthy periods of sitting too.

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The larger the conference configuration and the more participants who have to be seated, the more important it is to ensure a sense

of structure and harmonious arrangement. Modus Conference swivel chairs may be positioned and adjusted with precision. Combined

with the customized oval table configuration from the Palette range, the impression is one of open communication on equal terms.

The form of the bright chromium-plated frames adds to the overall appearance of harmony.

Modus swivel chair. Model group Conference. Design Klaus Franck, Werner Sauer, wiege. Palette table configuration. Design Karlheinz Rubner.

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The 630 and the 635 ranges provide quite a different type of “round table”: a table top with a maximum diameter of 180 cm to seat up to

nine is supported by a centre pedestal, which boasts high stability due to a heavy foot plate. As a charming contrast: Aline, the lightweight,

transparent skid-base chair with white through-dyed seat and back frames.

Aline multipurpose chair. Design Andreas Störiko. 635 table range. Design wiege, Fritz Frenkler, Werner Baumhakl.

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Aline multipurpose chair. Design Andreas Störiko.

Placed side by side, the rear curves of the seat and back frames create a lively visual pattern and give Aline a graceful,

organic appearance.

The example shows a version of Aline in grey, coordinated with the understated colour of the DinA meeting table with a black-grey

through-dyed wooden top and matt stainless steel legs. The furnishing of the interior merges perfectly with the light-flooded loft with

black-grey industrial quality flooring.

Aline multipurpose chair. Design Andreas Störiko. DinA table range. Design Udo Schill, Timo Küchler.

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Stack compactly, configure casual rows with a lively visual pattern, sit in comfort – the innovative skid-base chair is a convincing solution

due to minimum material input, maximum transparency and easy handling. The elegant form of the seat frame is not only a distinct

design feature but also guarantees neat, compact stacking. In black, grey or white – the elegant transparency of the material preserves

the ambience of an interior even in high-density arrangements.

Aline multipurpose chair. Design Andreas Störiko.

Sitting everywhere and whenever you like – at home or at work, on a train, airplane or in the car, in front of the television,

at the dining table or in the theatre – is the most natural thing in the world.

Homo erectus has finally become Homo sapiens sedens as a result of information and communication technology: a permanently sedentary

being characterized by heightened concentrative progress but suffering from an increasing lack of physical exercise. The real challenge for

office chairs is therefore to achieve a proper balance between mind and body: between concentration and relaxation, and between posture

and movement. And yet sitting involves more than simply ergonomic requirements.

Palette table range. Design Karlheinz Rubner. Modus office chair. Model group Medium. Design Klaus Franck, Werner Sauer, wiege.

Conrack sideboard. Design wiege, Fritz Frenkler, Justus Kolberg, Sven Birkenheuer.

As one of the oldest objects of cultural value, chairs are “placeholders” and an expression of personal identity. Wilkhahn chairs have

repeatedly become milestones in the development of office chairs. As they support their users and also get them moving – and as they

make an aesthetic contribution to contemporary culture with their typical Wilkhahn design. With understated, intuitive operation and

excellent quality. Chairs which one can enjoy for a very long time.

Working

Modus range. Model group Executive. Design Klaus Franck, Werner Sauer, wiege.

A symbol of modern, transparent management: the top models of the Modus range

with slim cushions covered in superbly soft leather with welded seams to emphasize

the slender contours, while conveying an impression of casual sophistication.

Modus range. Model group Compact. Design Klaus Franck, Werner Sauer, wiege.

The combination of a back frame with semi-transparent flexible

material, optimal comfort for both support and movement, and

graceful design make Modus a global model of excellence for a

new generation of office chairs in the 21st century.

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The elegantly curved swing plates in die-cast aluminium form the core of Modus in terms of design,

engineering and ergonomics. They join the seat platform, the backrest frame covered in flexible material

and the armrests. When the user leans back, the swing plates, which contain compact torsion rods,

ensure a perfectly coordinated sequence of movement of backrest and seat platform and provide

unrivalled comfort. The construction of the backrest with its characteristic apertures is a design feature

that is both aesthetic and well thought out: the covering of the flexible upright forks is an open-ended

membrane that adjusts automatically to varying body types, provides support in any phase of sitting,

and ensures pleasant ventilation for lengthy periods of sitting too. Twenty-five years of experience with

materials for covering chair seats and frames guarantees a technological edge and lasting quality of

the highest degree.

Modus range. Model group Compact. Design Klaus Franck, Werner Sauer, wiege.

Solis range. Design wiege. Logon table range. Design Andreas Störiko.

Clear surfaces, consistent parallel lines and precision down to the very

last detail repeat basic architectural forms and provide a welcome

contrast to stimulus satiation in offices. A range for aesthetes, which

can be equipped with any adjustment options required.

Solis range. Design wiege. Logon table range. Design Andreas Störiko.

This extensive product family provides models and design features

to suit any requirements: ranging from an office chair for reception

areas to an executive’s chair with luxurious leather upholstery with

welded seams. The silver-coloured adjustment mechanism and the

polished star base are perfectly coordinated with the frame finishes

of the Logon table range.

Solis range. Design wiege.

Wilkhahn has set itself the goal of supporting people and companies at work in the best and simplest

manner possible. Clarity and orientation, health and straightforward utilization are prerequisites

for people and organizations being able to work efficiently.

The design of Solis has therefore been consistently reduced to simple symmetrical sections and

harmonized, geometric surfaces. Every detail boasts contours that follow the principles of simplicity

and clarity. The interplay of flexible, ergonomically designed seat shells and back shells with a new

type of synchro-mechanism allows a high degree of seated comfort: ranging from the slight forward

tilt of the seat to the generous back-to-seat ratio in the relaxing position, whereby the seat platform

lowers automatically. Easy operation is as important as simple form: the adjustment levers with

integral crank handle conveniently positioned at the side allow the user to adjust the seat intuitively

whilst remaining seated. The backrest height and the seat depth are also adjusted intuitively but

without the use of any levers.

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Solis range F. Design wiege.

The Solis F model group is marked by uncompromisingly purist engineering and an

incredibly high degree of seated comfort. It targets areas that focus on transparency,

the future and progress. “F” stands for frame, for the distinct seat frame and back

frame in aluminium covered with transparent, high-performance flexible material.

This reveals the fascinatingly clear and precise design of the seat mechanism.

An optional feature: seat and the backrest with quilted leather upholstery. Whatever

the choice, Solis F makes sitting in “pure simplicity” an experience for all the senses.

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The geometric form of Solis F and the surfaces coated in the colour silver harmonize perfectly with the DinA range that is characterized by

design reduced to essentials and minimum input of different materials. DinA tables and storage units are available in three sizes and three

heights: low, sitting and standing. The monolithic elements allow high versatility for combination, and are ideal equipment for modern

work practices that require a clear approach, creativity and change.

Solis F office chair range. Design wiege. DinA table and storage unit range. Design Udo Schill, Timo Küchler.

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Simplicity with finesse: the DinA range and the Stitz leaning aid may both be taken as examples of the Wilkhahn

claim to being able to find the simplest and best solution possible for complex requirements. As design concentrates

on essentials, both products are suitable for any application: ranging from office and showrooms to a private setting.

Using materials that “grow old with dignity” results in design classics which retain their appeal for decades.

DinA range. Design Udo Schill, Timo Küchler. Stitz leaning aid. Design ProduktEntwicklung Roehricht.

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An office chair that has gone done in history as a design classic and is still one of the best in the world after a quarter of a century: in terms

of self-adjustment, stability and simple use, the FS-Line has remained unrivalled until today. With a white through-dyed seat shell, it is as

fresh and modern as when it was launched. Nobody would think that two generations of design history separate this table from the chair.

FS-Line range. Design Klaus Franck, Werner Sauer. DinA table range. Design Udo Schill, Timo Küchler.

FS-Line range. Design Klaus Franck, Werner Sauer.

The concept of inserting a highly flexible seat shell between the swivel joint and the

swing arms has revolutionized the principle of dynamic sitting throughout the world.

With ingeniously simple design, the FS-Line demonstrates a perfect synthesis of form

and function.

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FS-Line range. Model group 220. Design Klaus Franck, Werner Sauer.

The 220 model group is the flagship of the FS-Line. The frame

construction, comprising steel tube, a middle section with latex

mesh all moulded in open-pore foam, provides a degree of comfort

that is usually only found in first-class upholstered furniture.

The exchangeable covers in superbly soft leather are finished with

stitched fluting, and the leather-covered armrests with Dacron fibre

underlay are crafted according to traditional upholstery techniques.

A chair to last your entire working life – and even one which your

predecessor might enjoy – that is, of course, should you feel like

passing it on.

“Sitting without a driving licence”: the latest addition to Wilkhahn office chair families provides a pleasantly coherent form, inviting

comfort and extremely simple operation for healthy dynamic sitting. This makes Neos an ergonomic task chair to meet any challenge;

it merges with any existing interior design – a modern, colourful ambience or the light and airy atmosphere of a converted industrial loft.

Neos range. Design wiege. DinA table range. Design Udo Schill, Timo Küchler.

Statisticians estimate that people spend at least a quarter of their waking state either waiting or taking a break – in front of the computer,

in the kitchen, at traffic lights, the bus stop, in a restaurant, at the doctor’s, in the office and even in bed. Waiting periods and breaks

are frequently regarded as a waste of time. How would we feel if we missed out on these brief moments of relaxation and recuperation?

And if we had no time to linger with dreams and visions?

Tubis range. Design wiege, Klaus Franck, Werner Sauer, Rainer Grabe.

Lounge and relaxation

Waiting periods at railway stations and airports have become an integral part of our daily life. When everything has been

planned down to the very last minute even the slightest hold-up can cause annoyance. The delay, often accompanied

by lack of information regarding the reason, and the uncertainty as to when things will get moving invariably result in

irritation and a tense atmosphere …

Even with optimal planning and foresight, waiting periods cannot be completely avoided. That is why they should be

as pleasant as possible to make the best of the situation. Periods of waiting and relaxation in between fulfil important

functions: to recharge our batteries, order our thoughts but also to let our fantasy wander. Not forgetting that casual,

informal communication often produces most ideas and leads to new friendships.

With Wilkhahn, you will find interesting solutions for a variety of requirements for the areas of reception, lounge and

relaxation – for example, transit zones, foyers, seating configurations for informal meetings and oases of relaxation in

the office or at home. The spectrum ranges from high-tech to high-touch, from minimalist and classic to understated

luxury, from aluminium to high-quality veneered plywood. Let your spirit fly and inspire you to create your own ideas …

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Waiting throughout the world in style: Tubis seating elements are among the highest quality, most elegant and durable furniture available

for transit zones. The core of the seating system, which has won numerous awards, comprises a modular frame structure that allows

virtually unlimited configurations: two horizontal aluminium profiles are supported by an elegant base. They are used for fixing all func-

tional elements such as seat shells, armrests, side tables or sliding footrests. Possible configurations include seating elements with four legs

or free-standing, concourse seating as inline, back-to-back or corner solutions or purist benches – Tubis combines technically appealing

aesthetics, comfort and functionality to create a coherent overall design. That proves a convincing economic solution day in, day out:

from Hong Kong to Munich, from Milan to Dubai, from Lanzarote to Macao.

Tubis range. Design wiege, Klaus Franck, Werner Sauer, Rainer Grabe.

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The settee with its understated and purist design can be converted into a two seater with up to three side tables in no time at all by folding

down sections of the backrest that is veneered on the outer side. Or it may be used as a full-size office couch for a power nap in between.

The seat is simply pulled out to form a reclining area. Various veneer finishes and a wide choice of fabric and leather from the Wilkhahn

collection ensure a high degree of design versatility.

Cana settee. Design wiege, Fritz Frenkler, Justus Kolberg.

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The art of relaxation becomes second nature when sitting in these inviting, three dimensional formed plywood shells. The spacious volume

of the firmly cushioned armchairs, settees and benches is supported by organically contoured aluminium legs. Square or rectangular

tables with tops in veneered wood, glass or granite form a perfect addition to seating elements. Avera creates oases of relaxation in foyers,

lounges or a private setting.

Avera range. Design wiege, Fritz Frenkler, Justus Kolberg, Sven Birkenheuer.

The fascination of contrasts: steel, glass and natural stone have been used for the interior, while the furniture focuses on wood,

leather and aluminium. Unique experience of space is possible when opposites are combined so skilfully. This is the best inspiration

for creative dreaming.

Avera range. Design wiege, Fritz Frenkler, Justus Kolberg, Sven Birkenheuer.

The classic cube-shaped armchairs and settees are a perfect standalone solution that merges with any interior. The compact design

creates a feeling of privacy even in vast customer services halls and areas with heavy passenger traffic. Firm upholstery and a pleasant

seat height make it easier to stand up – even for older people – and provide a high degree of support and seated comfort. With clear

forms, an intelligent concept and distinct design details, Cubis is on the way to becoming a design classic.

Cubis range. Design wiege, Klaus Franck, Werner Sauer.

The distinct oval frame profiles are optionally coated, clear anodized or bright chromium-plated. Armchairs, settees and matching

square or rectangular side tables with tops with a laminate or wood veneer finish offer high versatility for coordination with existing

interior design concepts.

Cubis range. Design wiege, Klaus Franck, Werner Sauer.

Perfect adjustment to individual body types, flexible mobility and the epitome of optical lightness make Nuvola a “practical work of art”

in stainless steel and organically shaped netting. Every object is a transparent eye-catcher that does not dominate a space. The ingenious

engineering of the seat and back covering, comprising resilient polyester netting, provides a supportive membrane; the flexible stainless

steel legs transport every movement into minimal, relaxing movements. The fact that Nuvola may be stacked compactly combines

aesthetics with practicability. The range is completed by circular glass tables and light, transparent screens.

Nuvola range. Design Jutta and Herbert Ohl.

design made in germany design made in germany

design made in germany design made in germany

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Logon.620 range

Aline.230 range

Stitz 2.20 range

Confair.440 range

Sito.240 range

Versal.251 range

Solis.190 rangeSolis.190 range

Tubis.760 range

Signo.380 range

Solis F.190 range

Neos.180 rangeNeos.180 range

Timetable.610 range

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design made in germany

design made in germany design made in germany design made in germany

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Nuvola.810 range

Cubis.830 range

Conrack.900 range

Cana.890 range

Modus.27 range

Palette.640 range

FS-Line.21 range

Linus.370 range

Contas.540 range

DinA.500 range

Picto.20 range

Avera.820 range

Product catalogues

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Index

Concept Burkhard Remmers, Rainer Schilling

Design Rainer Schilling

Copy Burkhard Remmers

Cover photograph with the kind permission ofTOYOTA AUTO BODY, Aichi, SHIMIZU CORPO-RATION and FIELD FOUR DESIGN OFFICE, Tokyo.

Photographs

Vojislav Nikolic, Frankfurt (p. 2–9, 12–15, 17, 20, 22–28, 30, 33–35, 37–49, 51–57, 60–63,65–67, 70–73, 78 /79)

Poul Ib Hendriksen, Århus (p. 10 /11)

Andreas J. Focke, Munich (p. 16)

Axel Bleyer, Ohlsbach(p. 18, 29, 31, 32, 50, 74–76)

Tom Wolf, Frankfurt (p. 19)

Arnoud Verhey, Rotterdam (p. 21, 64)

Klemens Ortmeyer, Brunswick (p. 36, Landeshaus Kiel, Arch. Pax, Brüning)

Armin Kammer, Bad Oeynhausen (p. 58 /59)

Nick Daly, Gettylmages (p. 68 /69)

Bernhard Schramm, Vienna (p. 77)

Project management and production Scherrer Druck-Management, Hanover

Translation Susan Pfenninger, Altusried

Printed on Arctic the Volume, FSC-certified

Total number of copies 25,000, publishedin German, English, French, Dutch, Spanish

© Wilkhahn 2006Wilkening + Hahne GmbH+Co. KGFritz-Hahne-Straße 831848 Bad MünderGermany

Nominal charge EUR 8

Imprint

Aline p. 38–41

Avera p. 73–75

Cana p. 72

Confair p. 28–32, 60

Conrack p. 23, 44, 45

Contas p. 18 /19

Cubis p. 76 /77

DinA p. 17, 20 /21, 40, 56, 57, 60, 64, 65

FS-Line p. 15, 60–63

Logon p. 8 /9, 22, 33, 50, 51

Modus Conference p. 34, 35, 37

Modus Executive p. 46

Modus Medium p. 36, 44, 45

Modus Compact p. 32, 33, 47–49

Neos p. 64, 65

Nuvola p. 78 /79

Palette p. 10 /11, 13–16, 37, 44 /45

Sito p. 10–12, 19, 21–25, 28

Solis p. 50–53

Solis F p. 54–56

Stitz p. 57–59

Timetable p. 24–27, 61

630/635 range tables p. 23, 38

Tubis p. 68–71

Versal p. 16, 17

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