00071 12p/26116bhuonline.in/pdfs/pet_2012/m.music instrumental.pdf · set no.1 que.tio"...

27
Set No.1 Que.tio" Booklet No. 00071 12P/26116 (To be jilled up by the candidate by bluelblack ball-point pen) Roll No. L..1_-,-_-,-_.1-_'---'_-"_-'-_-' Roll No. (Write the digits in words) ................................................................................................. Serial No. of Answer Sheet ............................................ .. Day aod Date .... ••.•••••...•.•••..••.•••.•••••• .... ••.•••• ....... .... •..• ..... ( Signature of IDvigiiator ) INSTRUCTIONS TO CANDIDATES (Use only .• lue/b/ack ball-point pen in spaCe above and on both sides of the Answer Sheet) 1. Within 10 minutes of the issue of the Question Booklet, check the Question Booklet to ensure that it contains all the pages in correct sequence and that no page/question is missing. In caSe of faulty Question Booklet bring it to the notice of the SuperintendentlInvigilators immediately to obtain a fresh Question Booklet. 2. Do not bring any loose paper, written or blank, inside the Examination Hall excep •• he A.dmit Card without its envelope. 3. A separate Answer Sheet is given. I. should not be folded or mutilated. A second Answer Sheet shall not be provided. Only the Answer Sheet will be evaluated. 4. Write ):'our Roll Number and Serial Number of the Answer Sheet by pen in the prvided above. S. On the front page of the Answer Sheet, write by pen your Roll Number in the space provided at the top and by darkening the circles at the bottom. Also, wherever applicable, write the Question Booklet Number and the Set Number in appropriate places. 6. No overwriting is aUowed In the entries of Roll No •• Question Booklet no. and Set no. (if any) on OMR sheet and Roll No. and OMR sheet no. on the Queston Booklet 7. Any change In the aforesaid entries is '0 be verified by the Invlgilator. otherwise it will be taken as unjairmeans. 8. Each question in this Booklet is followed by four alternative answers. For each question, you are to record the correct option on the A,lSwer Sheet by darkening the appropriate circle in the corresponding row of the Answer Sheel, by pen as mentioned in the guidelines given on tile first puge of the Answer SheeL 9. For each question. darken only one on the Answer Sheet. If you darken more than one circle or darken a circle partially, the answer_ will be treated as incorrect. 10. Note that the answer once filled in ink cannot be changed. Jfyou do IlOt wish to attempt a question, leave all-the circles in the corresponding row blank (such question will be awarded zero marks). ll. For rough work, use the inner back page of the title cover and the blank page at the end of this Booklet. 12. Deposit only OMRAnswer Sheet at the'end of the Test. 13. You are not pennitted to leave the Examinati.on Hall until the end of the Test. 14. If a candidate attempts to use any fonn of unfair means, he/she shall be liable to such punishment as the University may detennine and impose 'on him/her. Total No. of Printed Page. :28 f.IW W ,; arf.Wr 'I< TffJ: 19

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Page 1: 00071 12P/26116bhuonline.in/pdfs/PET_2012/M.Music Instrumental.pdf · Set No.1 Que.tio" Booklet No. 00071 12P/26116 ... Total number of Kakus are: ... ( 1 ) Re-Pa (2) GaDha -(3) Pa-Ni

Set No.1 Que.tio" Booklet No. 00071

12P/26116 (To be jilled up by the candidate by bluelblack ball-point pen)

Roll No. L..1_-,-_-,-_.1-_'---'_-"_-'-_-' Roll No. (Write the digits in words) ................................................................................................ .

Serial No. of Answer Sheet ............................................ ..

Day aod Date ....••.•••••...•.•••..••.•••.••••••....••.••••.......•....•..•.....• ( Signature of IDvigiiator )

INSTRUCTIONS TO CANDIDATES (Use only .• lue/b/ack ball-point pen in t~e spaCe above and on both sides of the Answer Sheet) 1. Within 10 minutes of the issue of the Question Booklet, check the Question Booklet to ensure that it

contains all the pages in correct sequence and that no page/question is missing. In caSe of faulty Question Booklet bring it to the notice of the SuperintendentlInvigilators immediately to obtain a fresh Question Booklet.

2. Do not bring any loose paper, written or blank, inside the Examination Hall excep •• he A.dmit Card without its envelope.

3. A separate Answer Sheet is given. I. should not be folded or mutilated. A second Answer Sheet shall not be provided. Only the Answer Sheet will be evaluated.

4. Write ):'our Roll Number and Serial Number of the Answer Sheet by pen in the sp~ce prvided above. S. On the front page of the Answer Sheet, write by pen your Roll Number in the space provided at

the top and by darkening the circles at the bottom. Also, wherever applicable, write the Question Booklet Number and the Set Number in appropriate places.

6. No overwriting is aUowed In the entries of Roll No •• Question Booklet no. and Set no. (if any) on OMR sheet and Roll No. and OMR sheet no. on the Queston Booklet

7. Any change In the aforesaid entries is '0 be verified by the Invlgilator. otherwise it will be taken as unjairmeans.

8. Each question in this Booklet is followed by four alternative answers. For each question, you are to record the correct option on the A,lSwer Sheet by darkening the appropriate circle in the corresponding row of the Answer Sheel, by pen as mentioned in the guidelines given on tile first puge of the Answer SheeL

9. For each question. darken only one ci~le on the Answer Sheet. If you darken more than one circle or darken a circle partially, the answer_ will be treated as incorrect.

10. Note that the answer once filled in ink cannot be changed. Jfyou do IlOt wish to attempt a question, leave all-the circles in the corresponding row blank (such question will be awarded zero marks).

ll. For rough work, use the inner back page of the title cover and the blank page at the end of this Booklet.

12. Deposit only OMRAnswer Sheet at the'end of the Test. 13. You are not pennitted to leave the Examinati.on Hall until the end of the Test. 14. If a candidate attempts to use any fonn of unfair means, he/she shall be liable to such punishment as

the University may detennine and impose 'on him/her.

Total No. of Printed Page. :28 [~ f.IW W ,; arf.Wr ~ ~ 'I< ~ TffJ: 19

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ROUGH WORK ~"/fl11f

2

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12P/261/6 No. of Questions: 100

~w~hs,n: 100

Full Maries: 300

~:300 Note: (1) Attempt as many questions as you can. Each question carries 3

(Three' marks. One mAlrk will be deducted/or each incorrect answer. Zero mark will be awarded for each unattempted question.

31f~ m 'q;'t mor..m q;J "IT'-Tl'!"<rt1 ~ 'lIT-! 3 (m ) ~ q;J ~I )Ir<1!/i 7Tfflr 3'ffl' ci; fRI1: ~ Ji<T; ~ iiI,4'111 ~ 3lj'dRd 'lIT-! q;J

~ I '<Ii<t> !'FI' ~\t1Tl (2) If more than one alternative answers seem to be approximate to

the correct answer,· choose the closest one. "* 1l;<t>1f~ "<t>r<"l<t> ~ <m ~ iI; f.r<!;G. it, <it ""<t>adli <m ~ ~I

01. Rag Puriya is similar to :

(I) Sohini

(3) Purbi

WT~~~

(1) ffi~<!l

(3) ~

(2) Puriya Dhanashri

(4) Basant

(2) ~ 'RIm (4) "1f1'<1

02. Which Rag is formed when 'Ni' is made Shuddha in Rag Bheempalasi ?

(1) Chandrakauns (2) Patdeep

(3) Multani (4) Hindol

3 P.T.O.

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(2) q"i{jq (3) !!ot1l4\ (4) ~'"

03. Who is the author of Granth ·Sangeet Raj'?

(1) Sharangdeo (2) Ramamattya

(3) Maharana Kurnbha (4) Pratap Singh Deo

'~>\ld{lG1' "!fer ~ <!lUI'" ~ ~ ?

(1) ~II!Rq (2) {I'll%q

(3) 'l.H <I'll <g"'1T (4) ~ ~ a:cr

04. Rag Kalingda is near to : ( 1) Ramkali (2) Bhairav (3) Todi

-wr "'~'I~I wfiq ~ :

(1) <I'l'blill (2) ~ (3) ~

05. Which of the following is a Rag and That both ?

(1) Bhairavi (2) Malkosh (3) Bageshri

f.1"'1~~d if ~ <tFr-m -wr Of 0IlC >iAt ~ ? (1) frofi (2) i"llWblO!! (3).wt~

06. Tick mark the correct Ragt for the following notes :

~i Sa ~ rna pa, ni dba p, mg, 'rrI'!! ~ sa

(1) Bhairav (2) Multani (3) Shree

f.1""'1" ~'Hlq~ ~ IW:! mft -wr qt f.1~I1"1 ~ :

<ft m '1 T{ q, <ft >i q, T{ ~ "« 'T t m . - - -(1) ~ (2) !!ot1l41 (3) ~

4

(4) Jaunpuri

(4) Des

(4) ~

(4) Vibhas

(4) l4"'l~

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07. Who is not a Violin player? (1) D.k Datar (2) N. Rajam (3) Santosh Nahar (4) Shahid Perviz

~ <Cr.r <l1"l~'1 ~ '11If ~ ?

(1) it. >f;. GRI'I< (2) "l"'r. ~

(3) 'ffiitor ~ (4) ~lIi$~ q(ilIGI

08. Both the Maclhyam are used to getter in Rag

(1) TOOi (2) Lalit

(3) RamkaJi (4) Puriya Dhanashri

~ 'I>2I'f <or lI'Wr ~ WI' lilm ~ : (1) ~ (2) <'I~a

(3) <l>fM (4) ~ ORT~

09. Jhaptal is similar to : (1) Ekatal (2) Rupak (3) Sultal (4) Khemta

$lqal<'l ~ ~ :

( 1 ) «<1><11<'1 (2) ~. (3) ~<ilal<'l (4) ~<rer

10. Total number of Kakus are:

'ffl'R q\J 'Wf ms<rr ~ : (1) 5 (2) 7 (3) 6 (4) 8

11. Who is the inventer of Rag 'Miyan Ki Todi'? (1) Bakshu (2) Saiju Bawra (3) Tansen (4) Silas Khan

5 P.T.O.

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"U'T 'm 'llt ~' q;r "l1\4"'1>I( I4><:ITl I4>'IT ?

(1) ~ (2) ~ "iTCI'(T

(3) <11'"1 ?l '1

12. How many Shruti interval between Shadaj and Pancham Bhav ?

~ 1:j'i[J{ "IJGI if 14><l4l ~ q;r ~<I (I<!1 ~ ? (1) 12 (2) 10 (3) 13 (4) 14

13. Which two notes are Vadi-Samvadi of Rag Shree ?

( 1 ) Re-Pa (2) GaDha (3) Pa-Ni (4) Re-Dha - - -~ ~ <tr "'" "U'T 'lit if; ~ fi'll{\ ~ ?

(1 ) t -"I (2) '1-'1 (3) "I-4l (4) t-'I - - -14. Famous Rudra Veena player is :

(1) Amjad Ali (2) Asad Ali

(3) Nishat Khan (4) Imrat Khan

llffl>a Mcflull ~ ~

( 1) '31'"1'*:: ~ (2) *""" ~ (3) f.!m<f W (4)

~

~'"I(<I GIl

15. Which Rag is similar to Rag Purbi ?

(1) Basant (2) Shree (3) Puriyadhanashri (4) Paraj

"U'T ~ q;r <:I '"Ill ¥I "U'T 'lit"! ~ ?

(1) "1<:1'<1 (2) 'lit (3) ~ 'I"fl'llt (4) 'RGf

6

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16. Surbahar is similar to : (1) Violin (3) Sarangi

ti~"!!1 ~ wftq ~ :

(1) CfI"'~'1

(3) ~m"fI

(2) Sitar

(4) Sarod

(2) ftr"ctR (4) ~

17. In which Grantha we find the name of Kinnan Veena ? (1) Brihadeshi (2) Natyashastra (3) Sanget Ratnakar (4) MansolIas

f'lffi wer if """"fa <ftvn: 'liT 'Il'f flI<i1ol ~ ?

(1) "JOi!!<l'lfi (2) '11<;;ll~nfSl

(3) Wfur ~MICfH

18. From where 'Sangeet Kala Vihar' monthly Magazine is publised ?

(l) Ahemdabad (2) Miraz (3) Poona (4) Mumbai

'Wfur ""'" fei!!1 <' '"I 1~'I'i qfSj'l'il ~ "ft ~ lffift ~ ?

(1) '3'1"'"1",01,,, (2) fi'IT;Jr

(3) ~ (4) ~

19. In which Swar the string of 'Jodi Ka Tar' is tuned in Sitar ?

(1) Ma (2) Sa (3) Pa (4) Ga

~Ol ~ if ~ ~ ('fIT em f'lffi ~ if flI<i11Cl ~ ?

(I) 'I (2) m. (3) q (4) 'T

7 P,T.O.

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20. How many type of Gamakos are there?

"'1'T<1i if; Ri<l>l W!iR ~ ? (1 ) 12 (2) 15 (3) 14 (4) 10

21. Which Rag is Uttaranga Pradhan ? (1) Bheempalasi (2) Bihag (3) Shankara (4) Yaman

'liR-m "WI '3«Hi'l JNR ~ ?

(1 ) ol1+r q", I ('\'l (2) \li'WI (3) ~t<J;-U (4) W'A

22. What is Dayavati ?

( 1) Swar (2) Gram

(3) Shruti (4) Murchhana

~"II '" ctl 'I"IT ~ ?

( 1) «r< (2) JII'q

(3) ~ (4) 'itS'll

23. Tick mark the correct Rag for the following notes.

~i Re ga, rna ga, ni dha rn ga, I.li Re sa. ( 1) Kamod (2) Hindol (3) Puriya (4) Basant

f.'r«r «1 <1i1~ if; ~ mt "WI 'R m """~4

oft ~ 71, ..( 71, oft 'T ..( 71, -tt ~ m . - -(1 )

, ""'M (2) ~oiI<'1 (3) ~ (4) iffi'<!

8

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24. How many part of 'Sangeetanjali' ?

fi·ft<1i"1~ <f; 14><10\ '<IT'T. ~ ?

( 1) 5 (2) 7 (3) 6

25. The previous form of Rag is : (1) Dhruva (2) Prabandh (3) Jati

WI"~wr"l.W~ :

(1) !fIT (2) Sl<roOJ (3) "11f<r

26. Which Rag is supposed to be a seasonal Rag ?

(1) Gaud Malhar (2) Malkosh (3) Kedar (4) Lalit

~ <Iif.r-m WI" ~ ~ ~ ?

( 1 ) >il9 'l ""I{

(3) ~

(2) 'l1",<i)~T

(4) ~

27. How many Matras are in Tal Deep Chandi ?

{jqij{j <1'R'T if 14><14'1 'lISillf ~ ?

(1) 12 (2) 14 (3) 15

28. Which Rag is Ashray Rag ? (1) Darbari Kanhra (3) Shayarn kalyan

~ <Iif.r m "1T.IJl<f WI" ~ ?

(2) Purbi (4) Rarnkali

(1) 'FOil tl (2) T'ff (3) !f'lT'l' 'Il<i<lI"1 (4) {I'l~

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(4) 8

(4) Gram

(4) llT'f

(4) 11

9 P.T.O.

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29. How many Jatis of one Tal in Karnatak music?

':ti'lk'l1 Wlm if 1{'l1 ffi"\'l '!it f4i<j41 "11R1<!i lffi'!T ~ ? (I) 4 (2) 6 (3) 5 (4) 7

30. Sulta! is related with : (I) Dhamar (2) Dhrupad (3) Khayal (4) Tappa

~"'(11<i1 'lit W'O""f ~ :

(1) ~ (2) ~ (3) ~ (4) '!"f[

31. What is the name of fast Gat of Sitar? (1) Maseetkhani (2) Firojkhani (3) Razakhani (4) Amirkhani

m<:1R '!<." ~ <!R'T\ 5"'" 'T<:1 'l1T 'f'lT "!11'{. ~ ?

(1) -rum lSIAT (2) fth{)Gjtlll41

(3) ("\ltlIl41

32. Who is related with Flute? (l) Shiv Kumar Sharma (3) Ronu Mazumdar

(2) Vishwa Mohan Bhatt (4) Ajay Chakravarty

f4ifl'l1l ~tT <tiWI ~ ~ ?

(1) W!~m

(3) U:! 'l'!!'l'm

(2) fcr.I<f ~ ~ (4) -3lG'!<I €1M <:!l

33. Which two Talas have equal matras and equal parts ?

(1) Ekta! -Sulta! (2) Deep Chandi -Jhumara (3) Teental-Chartal (4) Jhaptal-Dhamar

10

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(1) q<'I)dl<'1~<ildl<'1

(3) dl'idl<'1 ~H<dl<'1

34. Sarangi played with : (1) Jawa (2) Mizrab

~i{'fl 'fiT cmr-r lffi;T ~ :

(1) 'JfCIT (2) illGHI"I

(2) d)q-ci<fl ~

(4) iWldffl-OI'lT{'

(3) Bow

(3) '1"f

35. What is the Jati of Rag 'Miyan Malhar' ?

(1) Shadav-Sampuma (2) Odav-Shadav (3) Sampuma-Sampurna (4) Odav-Odav

WI ~ '1~1 < q\) tmf<t <i<fT ~ ?

(1) ~-~

(3) ~-~

(2) ~-'fTl?C[

(4) ~~

12P/261/6

(4) Dandi

(4) ttl

36. Which two notes are ncit used in the Aroh of Rag Multani ?

(1) Ga-Pa (2) ~-D.!la (3) Ga-Ni (4) Ga-Dha

WI 1iffi I." of; ~ if fII;;r <U m 'fiT wiFT ~ li\m ?

(1) ~-q (2) I-Y (3) '[-;It (4) '[-tf

37. Which is Aad' Layakari ?

'3m? <'14'61 ~. <CR-~ ~ ? (1) 4/3 (2) 2/3

11

(3) 3/4 (4) 3/2

P.T.O.

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38. Sidheshwari Devi was a Gayika of which Vocal style? (1) Khayal (2) Dhrupad (3) Semi Classical (4) Dhamar

~lIcRt ~ ~ fcr>tT 'lI'\'nitl4'i1 ~ ?

(1) ~ (2) ~

(4) \!I1lR

39. Which Rag is originated from Khamaj that . (1) Kedar (2) Tilak Kamod 13) Bihag (4) Hameer

<6R-m WT <51"11"" em! "'1"'! ~ ? (1) ;f;m

(3) ~t$I'1

(2) ~~'fi 'fil&i\~

(4) ~

40. Karnatak Rag 'Mayamalav gaud' is simitar to : (1) Bhairav (2) Asawari (3) Todi

4'i;fl<!<b WT '''II11I''lI~q ~' ~ ~ ?

(1) ~ (2) ilillill<l{1 (3) ~

41. Which group of instrument violin belongs: (1) Tat (2) Awanadha (3) Ghan

<llllRi'1 ~. cpf q;r cnt:r t ?

(1) CR{ (2) iIi<l'1~ (3) 1;I"f

42. Which Rag is appropriate tor thumaree Gayan ? (1) Yarnon (2) Tilang (3) Hindol

12

(4) Bilawal

(4) ~~I<I~

(4) Sushit'

(4) ~

(4) Bageshri

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<tror-m 'U'T .~ 'IN''I' 111 \iq~'ffi ~ ?

(1) 'PR (2) ~ (3) ~iI~ (4) ~1Ii\

43. Who is a Santur player? (1) Sujat l<han (3) Tarun Bhattacharya

(2) Nishat l<han (4) Niladri Kumar

¢f<tror~~~ ?

(1) WIld 8i'f (3) m;.T. "1<;:<:1"'14

(2) f.'tl!lId at (4) f.'t"ni'A ~

44. Which two notes are VlUjit in Rag 'Bhupali' ? (1) Ga-Dha (2) Ma-Ni (3) Re-Pa

<tror ~ ~ ~ 'U'T 'fII(Ift it ~ l ? (I) "HT (2) If-;f) (3) ~-q'

48. Rupak Tal is similar to : (1) Jhaptal (2) Teevra (3) Kaharva

~<!R'f~~:

(1) II!qdl~ (2) <1m

46. Tappa Gayiki was started by :

(4) Ga-Ni

(4) Butta!

(1) Maseet Khan (2) Shoree Miyan (3) Mohammad Shah Rangeele (4) Sadaranga

ea:rr .nq,gj 1fif III ("'t ~ en : (1) .mt<r GiT (2) ~. fq>,if

(3) I'fll1"'1i.\:mw ~ (4) 6111('1

13 P.T.O.

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47. 'Bhartiya Sanget Vadya' book is written by:

(1) Thakur Jaideo Sing (2) Dr. La! Mani Misra (3) Dr. Premlata Sharma (4) Pt. K.C. Brihaspati

''ll<<!l<l ~ W1m' g«I'" of; ~ ~ :

(1) ~ ~ m (2) <i.~ 11'ft fi'r'll (3) ~. WI' WIT ~ (4) <i. ~<.'II~ '<FlI: ~ "&t<I~

·48. How many Matras are in Ada charta! ?

~ """ ffi'<.'I' if fin.".,'! '11.1\4 ~ ? (1) 15 (2) 12 (3) 14

49. Which is Adhwadarshak Swar ?

(1) Re (2) Pa (3) Ma

'31'''<Ii"\~j", «IT f'Iffi ~ ~ ?

(1) ~ (2) tf (3) '"

(4) 16

(4) Ni

(4) oft

SO. Mapti Gan is a type of : (1) Jati Gan (3) Rag Gan

(2) Anibadha Gan (4) Nibadha Gan

o31l<.'1~ "IT"[ q<j; !:!'ilR ~

( 1 ) Gllft'r "IT"[

(3) WT "IT"[

(2) o31f.'tct'ill "IT"[

(4) f.'toM 'IFf

51. Who propounded seventy two (72) Melkarta system? (1) Hridaya Narayan Deo (2) Shri Nivas (3) Vyankat Mukhi (4) Ramamatya

14

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(I) ~ '11(lq"1 e:cr (3) Ctj'b,,~

(2) -Wt f.l'ue (4) (1'11'11«1

52. How many Rasas are mentioned in Natya Shastra ?

~ ~ if fthd"l -mf '!if '3W1<S1' ~ ? (I) 9 (2) 8 (3) 7

53. Malkosh Rag is originated from ?

(I) Todi (2) Bhairavi (3) Bhairav

'1I<'1qil~T WT 'Ilt '3NRi ~ ~ ? (I) ~ (2) ~ (3) ~

54. Second Murchhana of Shadaj Gram is : (l) Rajni (2) Matsarikrita (3) Uttarmandra (4) Ashwakranta

~ JITI'f' 'Ilt ~ 1;;8'11 ~ :

(I) ~ (2) '1ffi~~dl

(3) '3m (<illl (4) 'l'/l!<U<I>HlI

55. What is the Vadi Swar of Rag Adana? (I) Pa (2) Sa (3) Dha

WT ~ '!if ~ ~ <f'IT ~ ? •

(I) q (2) m (3) Of

15

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(4) 10

(4) Asawari

(4) '>IF,,, .. tl

(4) Re

(4) 't

P.T.O.

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56. How many Matras are in Tal Dhumali ?

~1<if1 ~ it \4;il<fi 'iliilll! 'it ?

(1) 10 (2) 8 (3) 12 (4) 9

57. What is the name of the piece after playing three times and come on sam. (1) Tukda (2) Toda (3) Tihai (4) Tana

~ ~ <6r <li''II<ti< WI tr( ~ 'Ii\" "/flIT ~ ~ ?

(1) ~ (2) ~ (3) ~ (4) <IT"!

58. Write the correct Rag for the following notes:

&b~~~m~m~~~~~~~resa (1) Khamaj (2) Al1haiya Bilawal (3) Des (4) Kafi

~ *4(ICi~ ~ fW1; ~ U'T 'Ii\" ~ I

m~'Tq ([;tt"6t;jl([;tt ~ql{'Tl{~m

( 1 ) 1Sf1lT3f (2) '" ~ln ~ <'II" (II

(3) ~ (4) 'fi11tt

59. Who was honoured by 'Bharat Ratna' in 2009 ? (1) Hari Parasad Chaurasiya (2) Shiv Kumar Sha~

(3) Bheem Sen Joshi (4) Pl. Jasraj

f'Ii<! <:i<1iil$l <6r 2009 if (1) m lffI1&"' o:ii<~<ll

(3) '4t"! Wt ~Tl

'"1l<il&1' 'ft a"'llfilil \4;<:rr 'TIlT ~ ?

(2) ~r"l~I< ~

(4) <f. ~1{1G1

16

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60. In Which Evening Rag 'Pancham' is not applicable? (1) Puriya Dhanashri (2) Marwa (3) Multani (4) Shree

61<i"'1~" f'Iffi "U'T if $lp:r 'fiT witor 'IWt m ? (I) ~ @l'!T'lft (2) '!I<ql

(3) !t'1I;fi (4) 'lft

61. How many Banis are in Dhrupad ?

~ <fit i<I><1<il iSllf.'tllj ~ ? (I) 4 (2) 6 (3) 5

62. 'Kutap' word is used in Natya Shastra for: (I) Vrinda Gan (2) Vrinda Vadan (3) Twya (4) Vadya yantra

'~' ~ 'fiT R'iPr "f1~q~lI~ if ~'* ~ : (I) ¥' 'TR(2) 'i"'f ~ (3) ~ (4) l/T@I' WSI

63. Which Ved is related to music? (1) Rigved (3) Sarnved

oCR m ~ Wfur -« ti~<l ~ ?

(2) Yajurved (4) Atharv-Ved

(1) "A'i'I~ (2). (3) 61'1il~

64. Which is 'Parmel Praveshak' Rag ? (1) Chhayanat (2) Jaijaiwanti (3) Shayam kalyan (4) Hameer

17

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(4) 3

P.T.O.

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IFfii' ~-m WI 'q(q~ Wt~l'6' ~ ?

0) 'WH'l<! (2) &\&\q;ffl (3) ~<lT'i "'~I·I (4) ~

65. Which Karnatak music instrument resembles to shehnai ? (1) Nadaswaram (2) Veena

(3) Maridangam (4) Gottu Vadyam

~"fi Wfuf q;r ~-m qm ~ItHI~ ~ fll~(11 ~ ?

(1) 'll<;;(q, • .{ (2) <\r.rr

66. Nikhil Banerjee was a famous player of:

(I) Sarod (2) Sitar (3) Surbahar

f-'1fur(if q"Rff u,q; 5lRi~ 'l"IG"fi ..

(1) ~G (2) Ri,m (3) t!>('h!l{

67. In Sitar 'Chikari Ka Tar' tuned in :

(1) Ga (2) Ma (3) pa

Ri(11{ if ~ '" {j <f; """' 'liT fll ~ I 11 ~ : (1) '1 (2) 1;[ (3) '1

68. W dte the correct Rag of the following notes:

~i sa, ga re rna ga, pa dha m P, rna ga, pa re sa.

(1) Kedar (2) Gaud Sarang (3) Kamod (4) Durga

18

(4) Violin

(4) Sa

(4) m

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;jt m, 'T t " 'T, 'fOpf 'f " 'T, 'f t m (1) ~ (2) ~ mt<r (3) 'hl<il~ (4) ~

69. Which is the oldest text oflndian classical music? (1) Sangeet Ratnakar (2) Brihadeshi (3) Natya Shastra (4) Sangeet Parijat

'fl<<il"l ~ '61 SU~I"l<1't we:r <fir.f-m ~ ?

(1) ~ <MI'IH (2) ~1Ifi

(3) ~ 'Iffi'5I (4) ~ qln:Glld

70. Manda is a folk style of :

(1) Rajasthan (2) Gujrat

(3) Asam (4) Madhya Pradesh

>;ig 'll'I"f 'i\T ~ ~ ~offtld ~ :

( 1) <IGI~I'1 « (2) TI<ld « (3) "'1~tIR « (4) 1M" smr«

71. 'Kramic Pustak Malika' is written by :

(1) V.D. paluskar (2) V. N. Bhathkhande

(3) N. RaoVyas (4) Jaideo Singh

'jf)ITi'h 3«1'" '1~'hI' <I; <il<Sl'h ~ :

(1 ) f<!r • f<!r • q'@«/)< (2) eft.lFf. 'fIMii

(03) 'IT. ~. 0!Jffi (4) ~M!'

19 P.T.O.

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7:1. Who is a Sitar player among the followings? ( 1) Buddha Deo Das Gupta (2) ManUal Nag (3) Ashish Khan (4) N. Rajam

~ '?t ~ ~<"II( ~ ~ ?

(I) ,<a~Cl ~ ~ (2) 'liVT <'IR'l 'Wf

(3) ~~ (4) "R. 'U'!I'l.

73. Which two notes are Komal in Rag Vibhas ? (1 ) Ga-Dha (2) Re-Dha (3) Re-Ga (4) Ga-Re -- -- - - - -<]T( fcr.lm if ~ '?t <n ~ <ffi"l<'1 ~ ?

(I) T(-'l" (2) I-'l (3) 't-'f (4) T(-'t - -74. First part of the saptak is called :

(1 ) Purba-Rag (2) Uttaranga

(.3) Purbanga (4) Uttar-Rag

li1'<1 'l> '6[ l:rlll"f 'IT'T 'l>l!<i11t1l ~

( \) ~-WT (2) '3rod·j

(3) ~ (4) ~-WT

75. Which Rag is originated from kafithat ?

(I) Bageshri (2) Des

(3) Kedar (4) Shankara

<tA <IT WT 'l>T"6t tm': 'IF<t ~ ?

( 1) <rriT~ (2) ~ (3) ~ (4) I!i<Iro

20

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76. Santur is related to : (1) Hariyana (2) Punjab (3) Kashmir (4) Gujrat

~ 06T e>al'l!f ~ :

(1) 1!f{<lIoli (2) $nor (3) "'1~41{ (4) ~R'f

77. What is the playing time of Rag Ramkali ?

(1) Morning (2) Noon (3) Evening (41 Night

WT {1'I'MIl 06T ~ <I"Itr <t<IT ~ ?

(1) lmf: 'bffi" (2) ~ (3) m<i <Iiffi

78. In which category Pakhawaj belongs to : (1) Tat (2) Awanadha (3) Ghan (4) Sushir

4<S11"l'Jl f<lffi qof 06T <mr ~ ?

(1) <R( (2) -3l<l.,iS\ (3) ~ (4) ~

79. Jaltarang played by : (1) Mizrab (2) Dandi (3) Bow (4) Jawa

\I1(1,H:'1 06T ~ .mrr ~ : (I) fi'I'!IU<l (2) ~ (3) 'l'lf (4) 'ifc1T

80. In North Indian music total notes are:

'3<'ffi' "I{tflll ~ if ~ m OJ\]" <ffiqr ~ :

(1) lO (2) 14 (3) 12 (41 II

81. Which three notes are Kamal in Rag Darbari Kanhara ?

(1) Q12 N (2) 8. CJ.12 (31 Q N Q (4) DNR

21 P.T.O.

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WT ~("Ift 'h1"l!i?1 i'f <6R ~ ciR ~ <hl'l<i1 ~ ?

(1) ~ ~ oft (2) '!" ~ .!:! (3) 'T oft ~

82. Sui Tal is played on : (1) Dholak (3) Pakhawaj

WI" <IR'f 'liT ~ jim ~ :

(1) <i\t'I'h (2) ~

(2) Tabla (4) Khol

(3) Q"II'1"1

S3, Which group of instrument Sarod belongs? (l) Tat (2) Awanadha (3) Ghan

~ f<ii<'l Cf'l 'liT <1m ~ ?

(1) m:J. (3) ~

84. Tick mark the correct Rag for the following notes. , , , r; S M G, S G M P, M G, sM G R S. (1) Bihag (2) Des

(4) ~ oft 't - --

(4) ~

(4) Sushir

(4) ~

(3) Maru-Bihag (4) Shyam Kalyan

f.'F! ~ ~ ~ mit WT 'R f.'r.tU'1 wnif I -4> -,' <If ' "-")' "fIT 'I '1,"fIT 'I., 4, 'I 'T, 'I 'T , "fIT I

ill f~T (2) ~

(3) 'IT'i"i f.\'lI'l (4) ~ 'h<fqI"1

85. What is the Vadi Swar of Rag Durga ?

(1) Mu (2) Dha (3) Pa (4) Re

22

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(1) '! (2) t:T (3) q (4) ':

86. 'Ohin dha Tirkit dhin' is a part of which Tal ?

(1) Ohamar (2) Jhumara

(3) Oeepachndi (4) Teental

'j'q 'IT RI d'Pc ftr' F<Iffi <IWf 'liT 031'~ ~ ?

(1) 'l'!T{ (2) ~ (3) 4lq~4l (4) <ft'1tlR'l

87. Name the instrument played by Rajendra Prassana ?

(1) Sarangi (2) Violin (3) Flute (4) Sitar

'<I~,>\ !Hl'"'1I' <6R m <mr ~ ~ ?

(1) ftl{·jl (2) ql<l~'1 (3) ~ (4) ffttll~'

88. Which Rag describes about 'Hori' ?

(1) Khamaj (2) Kafi (3) Hameer (4) Hindol

F<Iffi WT if l1rtT 'liT "f"ior f'I<iltl I ~ ?

(1) ~"ll"f (2) 'filt!it (3) ~

89. Which are the Vadi-Samvadi Swar of Rag Saranag? (1) Pa-Ni (2) Re-Pa (3) Ni-Pa (4) Ma-Re

<6R ~ ~ "" WI <1Wr If; qW fi<u4l ~ ? (1) q-ofi (2) 't-q (3) ofi-q (4) <r-'\:

90. From which place the monthly magazine 'Sangeet Kalavihar' is pub-lished ? '

(1) Baroda, (2) Pune (3) Hatharas (4) Mumbai

23 P.T.O.

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Wfu! 'lit 'llre", qlSi"'l 'Wfu! <mIT Fcim"' <iiliT it ~ .mfi ~ ?

(1) "I~&I (2)!!"t (3) 1$1"1(('1 (4) ~

91. What is the Jati of Rag 'Chayanat' ? (1) Shadav (2) Shadav Sampurna (3) Sampurna (4) Odav Sampurna

,PT "§I<lI'R' 'lit "I1f<'r 'l'<IT ~ ?

(1) "lf9Cf (2) ~-~ (31 ~ (4) -3~~

112. Which Kag have all Komal notes? (I) Todi (2) Bhairavi (3) Jaunpuri (4) Bhairav

~ \PT if ~ "'" <i\"kl ~ ?

(1) <i'tltT (2) ~ (3) <5ll'1:!{1 (4) fRq

93. Sarna Chatustayi was started by: (1 ) Bharat (2) Matanga (3) Som Nath (4) Abhinav Gupta

UI"''Tf '<'l\,!,,<!41 >!R""'f ~-31[ "IT

(1 ) "Ri:i m<f (2) 'lWT &ro

(3) mq;w:r &ro (4) '3l f':I '1 Ci ~ &ro

94. How many notes are essential for a Rag?

,Pf it f4'><lil ~1 'liT fl -31[er~'I'O ~ ? (1) 4 (2) 6 (3) 5

24

(4) 3

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95. Who was the founder of 'GwaIiar Gharana; of vocal music? (I) Abdul Karim Khan (2) Hassu Haddu Khan (3) Faiyaz Khan (4) Bade GuIam Ali Khan

""11~ <I < "Q"{Jiif' ott f1!Il q '11 fIb(1 if ott ~ ?

(1) ~ ~ Gil' (2) ~ ~ -00 (3) 0%<11"1 -00 (4) ~ ~ .m>lt lSIT

96. Who is known as 'Pranav Rang' ?

(1) Bheemsen Joshi (3) Omkar Nath Thakur

(2) Ramashray Jha (4) Pt. Jasraj

'wrrcr t>r' it; '1l'f ~ ~ 'ffl'1T '3f1<!T ~ ?

(1) '4l'ffl'1 ~ (2) ~'ll'r m

97. In Rag Tilang 'Dha' is a : (1) Samvadi Swar (3) Varjit Swar

WI fffi;jTr if ~ {(qj :

(1) ti<ll~ ~

(3) ~~

(4) q. "1{1<I"1

(2) Vivadi Swar (4) Vadi Swar

(2) Ri<H<fl ~

(4) ~ ~

98. The instruments are classified into:

(1) 4 (2) 6 (3) 5

25

(4) 3

P.T.O.

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99. Anindo Chattetjee is a famous player of : (1) Sitar (2) Tabla (3) Santur

(!if"! ~ 'WlIT t% !>1f(1,&: ~ ~

(1) fff<li{ (2) ~

100. How many specialities of Nad ?

~ <tt fihct41 ~l"'ct,;q ~ ? (1) 5 (2) 4

26

(3) ~

(3) 3

(4) PakhawaJ

(4) Q(ll,<1'>1

(4) 6

200

Page 27: 00071 12P/26116bhuonline.in/pdfs/PET_2012/M.Music Instrumental.pdf · Set No.1 Que.tio" Booklet No. 00071 12P/26116 ... Total number of Kakus are: ... ( 1 ) Re-Pa (2) GaDha -(3) Pa-Ni

(F !lfiito>, ~ JIIIIlf 3mffI1T 9'3" 'IT m ifflf-Illi' ~ ~:if rp;H 'IT

Ifm;r ofhrf/-<611'II _-• .r.r f1 tt ff;Ri)

I. l!'R W*fI"', f'iIef.t ~ 10 fir;R" ~ aF;1: m ~ <'I flI; ~ if <1'li '1'6 ~ ~ am: ..w l!'R 'Ff -m~' ~rl<1"" <i\'Tfi <WJ;;w; 1R ~ 'i"AT ~ ~-Ra>ll'" 'h1 ~ ~ ~ <lit ~ W*fI"" 111'<1 """ <'I,

2_ m ""'" if fiil.i/IIi, $ rifr-Illi' ~ 3/frlfliRI, fffi9T 'IT ~ ~ >IT W"l ~ WI if '!~,

3_ ifflf-Illi' 3/Ff'T f1 ~ 'I/fIT " f'1:f cit 'II'IJ'3/Ir:r ttfilpnrllifl {1m 1fflf-Illi':rtf~ 0iiiIrir1 Ifm;r 'Nf-Illi' "" tt 'J.!"I j",,, fiF;fIT 0iiiIrir1

4, 'l1'l'lT 311;ti~i'" mrr ""'-~ '!iTlP!i<Ii 1l'!'! 3lffiUT-'1'6 1R il'! 'i't Rt/IRa <"!R 1R !i;rl§,

5, ifflf-Illi' ~ JIIIIlf 9'3" 'IT.r.r f13Irr.IT JGI""j", f./.,m. flIIT'f 'IT ffflj' 1fI!I1:f1it ~ '['iff 1Ii'I '"'" "ff ~I "",-."r .."",40; ~ .m l/f:r-Slfilq;, "" fIi11iq; 1fI!I1 m- "" ""'" oIim 'fl/Ir:ff 'IT ffflj',

6, Ji/. !!'fo 3/l'f0 Illi' lI!' 3/fl,.~jo; mr, .'''!j!l<lo;, !ifI'IT " m- !ifI'IT (~ <it( it) 1fI!I1

.'''S!l<lo;, '" 31fJ1fi1/j", 3/Ir Ji/o 11'70 3/l'fo Illi' !ifI'IT "" lIfidilil'!t'3.flfflil" "" ~ 'It/'tl

7, orr'fm lIfidil<ififllft( rf/.fl .. *, "'" f.r(t"", rm •• "..,. '6l'Ir ~ 3I'<ItJJ l/l lI'" 3ifJIirrr !11tR "" JT<ittr '"'" 0iiiIrir I

8, l/f:r-Slfilq;, if I/1'Q; l/f'7 ~ iI7l' 8",fiii/0; 'Nf ~ 'lit ti I/1'Q; l/f:r ~ 8ihfiii/", 1fflf ~ ~

3/7I/IIff 'Nf-Illi' "" "utf.itct rifiIr ~.",..r ~ 'lit 9W 1Ii'I 'Nf-Illi' ~ JIIIIlf 9'3" lI!' ~ 'lit

~ ~ ~ .r.r f1 '"'" ""'"" . 9. ~ l!'R ~ "'" ~ full; ~ 11;'" m ~ 'h1 '11WT lIRl 11;'" 'i't 31Nq; 'f'IT 'h1 '11WT .m

1R 31Yf<lT 11;'" ~ 'h1 ~ ~ 1R ~ "'" lfffi\ '!AT ;;nWrr, 1 0, un:r ~'fin lI'" II/l' fIIIrtIrm Jifii;n 'Nf _ 'It/' 'lIT !IiIi'i/T , I ~:mrr fI6!fIl/f'7 "" ifflf

'It/' t-I1 ~ t; cit!iiifi«r rifi!it ~ !11'1'7 ~ 'lit !IrfI ¢ 1Ii'I wTI'it ritJ (, ~ rill!' If'I' airI;~~1

11, "" 'liT'! ~ full; l!'R-~"" ~ TY~'6 ~ ~ 'm'IT '1'6 mrr ""'-~"" ~ affirl'1'6 '!iT lfIjm lIR'

12, m ~ aq (I'" m 3il' !!'f 3/I'f ifflf -Illi' m ""'" if '3fI!T """ ~, 13, m ~ ~ 'i't ~ m 'l"R 'i't ~ ;W; 'lit 311'ffi! -m ~, 14, 'If<; ~ 3l'I>!>ff m if 311Ria m>l'i\ '!iT wWr <mIT~, <it ~ r,,~qf~Q'''''' mr f.Nfft!

~ '!iT1'Iit, 'Ill'itmm,it'rit,