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Common Core Middle SchoolLaunching Narrative Writing Unit
7th gradeProfessional Development Module Handouts
Copyright 2012 Oakland Schools / Michigan Association of Intermediate School Administrators Page 1
Launching the Writer’s Workshop Unit Learning Progression
Copyright 2012 Oakland Schools / Michigan Association of Intermediate School Administrators Page 2
Grade Level 2 3 4 5Text Personal Narrative & Craft Units 1 &
2Mentor Texts:
Owl MoonJane Yolen
Night at the FairDonald Crews
The Rain StomperAddie Boswell
Song and Dance ManKaren Ackerman
Or other mentor text(listed in unit)
Personal NarrativeUnits 1 & 2
Mentor Texts:Shortcut; Big Mama’s by Donald
Crewsor other mentor texts
Raising the Bar: Personal NarrativeMentor Text:
Through Grandpa’s Eyes by Patricia McLaughlan,
The Summer My Father was Ten byPat Brisson,
An Angel for Solomon Singer by Cynthia Rylant,
or other mentor texts
Refining the Personal NarrativeMentor Text:
Time of WonderBy Robert McCloskeyMr. Peabody’s ApplesBy Madonna Ritchie
A Day’s WorkBy Eve Bunting
Or other mentor texts
Analysis Navigate through the writing process using important moments from their life
Write well-elaborated short stories
Crafting a Personal Narrative Improving a Personal Narrative Improving the quality of Personal Narrative
Becoming a Community of Writers Establishing Routines, Setting Up Writer’s Workshop, Writing a Personal Narrative
Establishing Routines, Setting Up Writer’s Workshop, Writing a Personal Narrative
Establishing Routines, Setting Up Writer’s Workshop, Writing a Personal Narrative
Establishing Routines, Setting Up Writer’s Workshop, Writing, revising, editing and publishing Personal Narrative
Generating a Small Moment Story Explore strong feelings to generate story ideas
Zoom in on a topic Develop sense of story through
sketching Use graphic organizers to plan
stories Focus on small moments Using list to generate ideas Think about the heart of the
story Use of mentor text and authors
to get ideas/frame writing Rehearse stories through
storyteller’s voice
Using strategies to generate story ideas: person, place, object
Focusing on small moments Writing step by step in the
moment Using timelines or fingers to plan
your story Writing with small details Making a movie in your mind--
visualizing Generating and experimenting
with writer’s notebook entries Learning from mentor texts Reading like a writer Finding the heart of the story Understanding our role in a
conference
Using strategies to generate story ideas: person, place, object
Focusing on small moments Making a movie in your mind--
visualizing Writing with tiny details Using lists to generate clear, small
moments Generating and experimenting
with writer’s notebook entries Learning from mentor texts Writing for readers Using strong emotions to
generate story ideas Thinking of turning points to
generate story ideas Mining writer’s notebooks
Using mentor text to generate ideas
Use notebook to generate and develop ideas to include mentor craft techniques in personal writing
Analyze mentor text for crafting techniques
Focus on small moments and elaborating
Copyright 2012 Oakland Schools / Michigan Association of Intermediate School Administrators Page 3
Grade Level 2 3 4 5Drafting Plan or rehearse story orally or
pictorially Consider a storyteller’s voice Zoom in on a topic to find a small
moment Catchy leads Include details Show not tell Strong ending Use of mentor text and authors
for style and crafting
Finding notebook entries that matter to the writer
Committing to a topic or idea Writing the internal and external
story Consider external and internal
traits of characters Use of a story mountain to plan
and sequence events Consider point of view Elaborating on ideas to write
longer more meaningful narratives
Crafting strong story leads: action, setting, description, dialogue, or thoughts
Using mentor texts to study leads and endings
Closing with strong endings: action, dialogue, thoughts, images, and whole-story reminders
Adding sensory words Adding dialogue
Read like a writer. Using exact details and specific
words to recognize and write concrete words and phrases.
Using concrete words, phrases to create scenes rather than summaries.
Using sensory details to help the reader experience the story
Plan stories using a story mountain
Use mentor texts to study the heart of the story or turning point
Develop/consider perspective Use of line breaks, shape,
imagery, literary devices to express clarity of thought (poetry)
Experiment with rhythm of words (poetry)
Determine the heart of the story Organize using a story mountain Describe characters using detail
and figurative language Use dialogue, description and
pacing to develop experiences and events
Precise word choice and movement through time to convey experiences and events
Elaborating beyond one sentence forming paragraphs
Revising and Editing Relive or re-create events to show, not tell
Use revision checklist Use word wall Editing checklist Work effectively with writing
partner Making revision a habit Develop a purpose to revise Introduce mechanics of revision Specific revisions include:
characters, show not tell, determining importance, word choice
Writers create scenes rather than summaries
Using descriptive details and specific words
Encourage more sophisticated sentence structure for effect
Combining short sentences to include variety
Revising for internal thinking, emotions, reasons
Revise stories for meaning—reread to make sense
Use of literary devices such as repetition to emphasize action or idea in story
Edit for capitalization, end punctuation, and spelling of high-frequency words
Create scenes rather than summaries
Create alternate leads and conclusions
Bringing forth the internal story
Elaborating ideas Revising leads Revising conclusions Attend to meaning and clarity Use of editing/revision
checklists
Eliminate extraneous details from writing
Word choice for clarity and meaning to include phrases and clauses
Improve leads and conclusions based on mentor texts
Edit for capitalization, end punctuation, and spelling of high-frequency words
Copyright 2012 Oakland Schools / Michigan Association of Intermediate School Administrators Page 4
SESSION 3Questions List to Use When Planning Your Memoir: What the Reader will Need or Want to Know
Questions for memoirs when the subject is a person:1. How long have you known this person?2. When did you first meet and how did you meet?3. What do you like about this person?4. How has this person helped you?5. Is there one thing that he or she always says?6. How do you feel about this person?7. What have you learned from this person?8. What’s the first thing you notice when you see this person?
Questions for memoirs when the subject is a place:1. What are your feelings when you think about this place?2. When was the first time that you went to this place?3. What’s you favorite thing to do in this place?4. Who else comes to this place?5. If you could change one thing about this place, what would it be?6. How often do you go there?7. Does everyone feel like you do about this place?8. Is this place the same today as it was in the past?9. What’s the most important object in this place? Why?
Questions for memoirs when the subject is an animal (pet):1. What physical feature of this animal do you like the best?2. What’s the first thing you notice about this animal when you see him?3. Pretend this animal is with you right now. Close your eyes. What would you be doing with it?4. What is this animal’s favorite thing to do?5. When did you get it?6. How did you get it?7. How do you feel when you are with it?8. Does everyone feel the way you do about this animal?9. What’s one funny thing that it does?10. How does this animal help you or how do you help it?
Questions for a memoir when the subject is an object:1. How did you get this object?
2. How long have you had it?3. How do you feel when you’re with it?4. Where is it right now?5. Has it changed any since you first got it?6. What’s your favorite thing to do with it?7. Does everyone feel like you do about this object?8. How has it helped you?9. Is there a time when you really need it?10. What if you lost it?
http://web2.jefferson.k12.ky.us/CCG/supp/MS_Memoir.PDF
Copyright 2012 Oakland Schools / Michigan Association of Intermediate School Administrators Page 8
SESSION 3
Name__________________________________________________Date______________Hour______
What Am I Going to Write About?
Memoirs include events, experiences and emotional shifts that make the story important to the author. These emotions lead to a new understanding or realization about being in the world. Now that you have created maps of your world, what events are you considering writing about for your memoir? What new understandings or realizations have you experienced?
Using your map(s) to guide you, generate ideas from different events/experiences in your life that may help you choose a topic for your memoir.
Event/Experience from your life Your response to the event/experience
New understanding or realization?
Copyright 2012 Oakland Schools / Michigan Association of Intermediate School Administrators Page 9
SESSION 6Name___________________________________________________________________Date_______________________Hour_________
MEMOIR STRUCTUREFill in the chart, explaining with details from the text on the author’s experience.
Title of Memoir
Before EventHow was the author
feeling or dealing with life?
EventWhat happened that changed the author?
After EventNow how was the author feeling or dealing with
life?
Learning or Realization
What did the author learn or realize from this
experience?
Copyright 2012 Oakland Schools / Michigan Association of Intermediate School Administrators Page 10
Name___________________________Date________________Hour___________
Memoir RubricContent High Medium Low
Memorable Moment
Clear memorable moment.
Memorable moment is somewhat clear. Memorable
moment is unclear.
New Understanding or Realization
The writer has made clear what they have learned or realized
from this memorable moment.
The writer has made it somewhat clear what they have
learned or realized from this memorable
moment.
Meaning or learning is
unclear from the experience.
Structure/Organization of
Memoir
Writer shows attitudes and feelings
through events BEFORE the moment,
during the meaningful moment
and AFTER the moment.
Writer somewhat shows attitudes and
feelings through events BEFORE the moment, during the meaningful moment
and AFTER the moment.
Writer is not able to show attitudes
and feelings through events
BEFORE the moment, during the meaningful moment and AFTER the moment.
Style/Voice
Meaning is shown through several literary devices
weaved into text including similes,
metaphors, personification and
onomatopoeia.
Meaning is shown through few literary devices weaved into
text including similes, metaphors,
personification and onomatopoeia.
Limited use of literary devices.
Weak contribution to meaning.
Mechanics
Demonstrates solid grasp of standard
writing conventions and uses them
effectively.
Writer shows reasonable control
over a limited range of standard writing
conventions
Errors distract the reader and make the text difficult
to read.
Total Points____________ Final Grade_____________
Teacher’s Comments:Common Core Launching Narrative Writing – Handouts for PD Module Page 11