: the sad truth of it all

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  • 8/12/2019 : the sad truth of it all

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    BY D.C

    DEMARSE

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    all I had to do was take off the dust jacket

    and now, Ashbery

    o Ashbery

    I love your poems to death.

    this book. this naked book

    I am so glad I have breathing to distract me from

    thinking. And I suppose it is odd that that is all I can

    configure as to the virtues of being and being alive. I look at

    the trees everywhere eyes absolutely-

    -Drenched in lucidness: I find out this:

    That the random skunk smell is life, the

    Cigarette I smoke is life, is fleeting, just

    One type of contraband to eat my lungs

    Into a killing before I make one on the

    Lit Job Market, even the physical award

    For being really wonderful is the total

    Crux of life, the quietly passing cars a

    Ways back as I see them, shuffling traffic,

    This physical platelet is life, and if life is

    GOD, it too is the motel, an unspeakable-

    -Violence rattling us: a neutral spectrum for

    Us to have impressive ideas about: for

    Example: and all of it blind as hell! I jest

    About it all to feel as if I snatched a bolt

    Of lightning and laughed at the grace of

    Death: which is pretty uncouth: GOD is

    Blind, unconscious: and we as aware folk--On even the basest level, even some

    Simplistic turd, drudging out one big idea

    After another, living for such a spice of

    What is in actuality common sense and not

    Much feels his timely erhebung and makes

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    It as much his as a clueless musical savant

    Makes sex his viol: of course there is a viol

    Miniature for the miniature petty griefs truly

    An excuse to pity a self with remarks that

    Matter enough in the head to be never

    Rid of. One wills thru hell, whether in

    A motel - in a place with trees on it - or an

    Urban curbstomp: the latest treat for

    Hoodrats since the busting fire hydrant-

    -Last week: grim clouds of crime and

    Venture I think of: as life provokes me sansSaying or thinking a thing: o to wonder at-

    -A spacious universe: par exemplarrrrrrr:

    The greatness of this great, blind neutral

    Is found in we very intelligences that

    Impress whatever and any on it, maybe

    Needing to fill the chaos of such a

    Senseless kingdom with magnificent

    Psyche, needing to have really important-

    -Feelings that shake the planet, or at

    Least make one feel its massive orbit

    Beneath their feet: once again I say as I

    Cannot enough that I feel: I feel like I

    Am struggling against the turning of

    The Earth: my old lover and I and how

    Sad! once hugged and teetered to-and-fro,

    As if our feet were whelming like ships

    At the dreadful sea-storm, to GOD prob.

    Nothing more than a nice little rondure for

    Her tiny friends that she likes to play house

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    With: rondure to stoke fun imagining with-

    -And consider as a roller coaster! however

    The whole crew dies, sans the craven

    Captain, who tells everyone hes and how

    Usual, Going down with the ship but he

    Really treats himself with too much

    Positive regard for being so nastily selfish:

    He kills SKIPPER, intending to use his body-

    -For food after using his body as a raft that

    Did not work very well anyway, so he found

    In the distance of the seas now calm surface

    - How fast the time flew to drown all the crew! -

    A large, a large intact barrel: he dislodged

    The top of the barrel, which thankfully was

    Empty enough to buoy him, and stuck the

    Dead man in there: you know, for food:

    What? he didnt know where he was, most

    Likely would wash up somewhere really

    Far away from civilization, or something,But, how funny!, well, he, the captain,

    Not but spent a few hours bobbing around-

    -Before coming into sight of Gloucester Bay:

    So overcome with relief, he kicked his legs

    Toward the first ship in port - forgetting

    Completely of the dead man in his barrel,

    Who had a series of large wounds in his back:

    How frail is life: and how demented:

    Upon appearing before a jury, the attorney

    Asked why so many bloody holes were there,

    And why he had been shoved into a barrel:

    And, jumping upon his own momentary

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    Candor, feeling lifted, redeemed even, at

    Least as far as ST. PETER was concerned,

    Said the capt. - I killed him, you know. To eat.

    In case I washed up on alien shores. TheAttorney, ruffled, disguised that instead,

    Realizing such and such was in the bag;

    Reportedly grew way too tickled by this

    Triumph at the grim hand of a deliberate

    Crime, and smiled ebulliently all over the

    Place: the jury was disgusted at this joy,

    A disgusting joy, and everyone-

    -Vindicated the captain, made him innocent

    On principle, thereby forever besmirching

    The lawyers soullessly contiguously firm

    Record with INSERT FABRICATED LAW

    FIRM, MAYBE ADD AN ESQUIRE,

    Nice touch, amoral writer as I am: crapola:

    An imagination - any - is quite in tow with

    A harried MAMMA MORALS, perhaps

    From time to time a motion of the head

    To signify childish, window-less, bad

    Confusion, unable to understand all the

    Queer terms and aims: imagination has

    Its own imprint, directive, dialectic etc.

    Without needing be told foolish stories

    About cannibalism: I suppose I project--All this upon a reality of blind GODs,

    But then the need to chase after a nucleus

    Undermines the meaning of such a wee-

    -MORAL OF THE STORY : my minds

    Captive really: the captain: anyway:

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    Life, yea, is great, bc, well, not only do

    We get to be alive but we get to die

    After having existed : and so then if life

    Itself, blind, BLIND, is GOD, well it

    Is easy to see, people themselves are

    An upgrade from their very creator, by

    Actually being blessed with the context

    Of having been, as opposed to trees, motels,

    Concepts of shipwreck, mediocre reveries:

    If such things are material I would rather

    Exit this place: this WORLD:We get to - have known - that the WORLD

    Is, at least up until when we die,

    Tomorrow: Sartre had it right: thats really

    The only tomorrow there is: I want to say-

    -My life has been absolutely bonkers,

    Unreal, exciting, but thats how it is for

    Everyone: things get out of hand, and how

    Joyous this is true - things, they get

    Out of hand very fast: for everybody: life,

    Being GOD, will refuse to bore you,

    And then: well: that is why life is a gift:

    And I wonder what this fetishizing of

    Weltschmertzz, ennui, la noiaa, fuckingg

    Sticky-ass feelings, malaise, whatnot, -

    Ah many names for it : why do philosophers

    Focus on that of all things: or poets:

    Why not, I mean, yea, we would prob.

    Notice if people stopped talking about-

    -And / or analyzed - dissected - ugh boredom.

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    EXAMPLE : of why I am so great. That I

    Gave suffering a chance too, - practiced so long

    To thwart a most bizarre divine Fuck-Up, - bring

    MMy hand of Abraham - wielding knife - down,

    Then ask if it please may chill, chill, chilllll:

    So, uhm, if you could just leave me to

    Remain at the end of my tether without cutting

    It free: thatd be great: its a skillful noose

    Youve made and altogether resembles a

    Weir,d genetic braid: so, lemme ask ya:

    ARE YOU GONNA KICK THE CHAIR,

    OR: ARE YOU GONNA SING? to bad-

    -I smoke

    .synecdoche, metonymy, metaphor, irony.- those ^ are the four master tropes in poems.Irony and metaphor can explain themselves, but what is

    synecdoche, and what is metonymy?

    From what I can grasp, synecdoche, in common parlance, means

    symbol or something that stands for something else. This

    sounds like metaphor or ironyexcept in metaphor, it is an image

    that stands for something else; in irony, it is the meaning that

    stands for something that is COMPLETELY opposite what its intent

    is. Specifically, synecdoche (pron. sin-ec-doe-key) is a part

    used to to represent a whole, a whole used to represent a part.

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    This trope is favored by expansive writers, such as whitman,

    because it enlarges the meaning of the work in a small space, as

    well as focuses the meaning in the whole of the pome; so that,

    by the end, we understand what whitman is saying, but only

    because it is represented in such focused parts that relate back

    to that ethereal, incomplete whole. In other words, it is partof something that refers to the whole thing, while the whole

    thing cannot be located, therefore giving the work the

    impression of something infinite.

    Metonymy is harder for me to understand.

    In rhetoric, metonymy is, like, saying Hollywood when referring

    to the big movie industry. Calling something something else that

    is similar to it or rings a connotative bell in your mind.

    Moreover this switch is done, as regards poems, to flesh out the

    story. Browning is like that. Sort of like an imago: one thingyou see in your minds eye that rightly follows along the path

    of narrative?

    It seems something like Wallace Stevens: meanings that exist in

    relation to other meanings. To cite BLOOM: contiguity replaces

    resemblance. wtf does that mean lol

    Well, contiguity means, in poetry and philosophy, a continuous

    line of reasoning: associated meanings that cannot stand on

    their own, because each one resembles the one after, and yet is

    slightly different, in order to perpetuate whatever line ofreasoning one might have. So then you see why it is different if

    it fuels the poem!

    So then a line of poetry might refer to the previous line, but

    it is not the same as the previous line. The reference of one

    thing to something different, that nonetheless figuratively

    elucidates what u had said before, produces powerif that makes

    any sense. Kind of like Stevens poetic crossing.

    Personally, i think the trope i favor, in my own writing, is

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    metaphor..Staring

    down a bottle of

    expired Roxicet in there, right there, my eyes glued there, my

    face plain and stoic and I already nearly under the table with

    five shots of Jger and three lines of good shit. Like I mean

    fucking fire. But I guess blow and all that liquid courage

    didnt drown out the noise, besides the prattle of assembled,

    different friends at this guys house, of my minds own harping.

    It was like thousand of pianos tapping a variety of keys. An

    eager discord, I thought, to drown out with weird half-convos

    and I guess a few pills. Yeah, it was reason enough to ingest

    that shit, half the bottle nearly, and wind up passed out on the

    side of the street at 3 A.M., picked up to my shaky haunches,

    heaved rather, by a few preferably [in my mind] anonymous ex-

    friends, them all bodies for the carnage, this disturbing

    wastefulness, nearly a tale for Fitzgerald to read and think of

    abandoned

    Airdales. I was green. Froggy. But at least I wasnt blue. But

    from that day on I figured out how easy it was to steal pills.

    How easy it was to lose people. Everyone. A few simple turns and

    you can be throttled forever until you put down the brick. Left

    me with a massive headache. The loss of trust people had in me

    is a gift doe. And, at least now, I take an aspirin or two,

    maybe. I was fourteen.

    So. I guess. Much to explain. About my behavior, now and then.

    In a word I have started recovering from my own illness that is

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    yet too much a choice for me to call DISEASE. Been shattered by

    drugs, this time bundles of heroin. Spent four months in and out

    of seedy places in Windsor Locks, CT, cultivating this

    addiction, ignoramus that I am, who does not listen to his body.

    Tried quitting seven times; sick sick sick, unending sick,

    physical convulsions, puking black grease, needing water thatyet when I drank it burned my throat. Physical addiction is the

    story of Narcissus embodied. Wasted money, wasted years. Now

    however a GLIMMER OF HOPE, pardon the pithy saying. I am clean

    now and scared of any drug, perhaps this reasoning comes too

    late to retain the whole of what I once was. But I pick up the

    scraps and call it a day like anyone does. Pacing the halls of

    rehab, Mountainside it is called, a strict recovery center. I

    have thus been out of pocket, out of touch. No technology there,

    no phone, nada. So as of now I am clean. Only fitting Id push

    myself to the extremity at the very end. I am doom-eager as

    Orpheus, my solitary lady , haha. Carol, I have thirty daysclean and feel higher now than I ever was quenching my habit, by

    the coming of the sun, my girlfriend and I driving to Hartford

    to pick up and sick as hell.

    Every morning that was what it was. Blank sleep, maybe too

    disturbed to call it sleep, waking and heading to resume my

    disembodiment etc. Ah,

    Hell, I am done, I am serious, life is no joke; if one doesnt

    take what they have been given seriously life will respond and

    turn them into a joker, and their life an exposed punchline,meaningless, detrimental to everyone. A bug is in every family

    as Kafka said. But we are all bugs, sweaty, stinking, plain,

    thoughtless, wrong. I have in such and such a way quit my

    buzzing against the window and resigned myself to dying in this

    place, this World, this planet: this imprisonment etc. between

    two walls of infinite glass. Its lovely. For we are all

    resigned. We as a race of people are stuck with lifes

    retaliation against those who do not celebrate the gift that it

    is. The positivity here is muddled I guess but it exists here in

    the words.

    I am staying sober. For good. For my brain. For my body, which

    as of now I can make out a few directives without stalling. I

    still stall. But I am healing. Just like you. We heal by

    affirming the awesome power that takes our ommateum and feelers

    to the glass walls and reveal our painful futility etc. which is

    grace. Life is grace. So we shall live and continue to live

    gracefully. I will try to write you more than I have in the

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    past. Truly. You are my moms friend but mine as well, and hope

    is for us: impending like an armageddon that is a death of the

    old World as the curtains draw for the new one. I guess that is

    somewhat a mixed metaphor, but it works best to say for me what

    I wish said. Carol you are and will remain my friend. To

    reiterate, as apologetic people must, what they think othersmight not understand clearly enough.

    I read Madame Bovaryby Flaubert. If there is any book that you

    should read to understand the art of novels it is that one. He

    made reality reality, but somehow the language/style is lush.

    Wonderful, porous identities, gripping narrative, if only bc one

    starts to see the story itself is simple and yet full of an

    inner understanding of futility that fills everything and

    expands it beyond the points of concrete narrative. Everything

    works. Subtle yet undeniably florid. If that makes sense, which

    it doesnt: which is why such a book is a work of genius worthyof its authors embolism at fifty and subsequent tumble down the

    stairs. Le Mot Juste.

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    I finally returned home to new york literally every single

    pedestrian on the street was welcoming me back, that [and this

    still happens] when people speak it is some highly backhanded

    commentary or slang as regards my own however slight physical

    positions and shifts, that I created a wormhole, that I

    controlled the weather, that the apocalypse was fastapproaching, that I could drive my girlfriends car just by

    talking to her, maddening, elaborate schemes as regards me being

    the second coming, that God spoke to me and got pissed off at me

    for calling it IT, that my long lost friend Justin in Storrs was

    actually the voice of god, that I had created a new form of

    calculus, that my girlfriends ex was a poltergeist inhabiting

    the house in CT. Hah. I could go on. For the amount of psychosis

    I endured truly I am amazed I am not at present in a padded room

    because absolutely everything I have said is 100% true. I like

    saying that maybe its a testament to my mental endurance or

    intelligence that I can lose so much and still be here and withit. moreover, the emotional blunt fucking force trauma that is

    waking life. as I said my body and mind either conspire to stall

    me into despair, over the ledge of which I teeter - probably for

    good - or lift me up to higher zones and then do that but much

    the disproportionately worse than the initiated better feeling

    was good. you guys really dont have to believe any of this if

    you think no human being can emerge sober minded or alive when

    it is, has been a long, hard enough fucking job to merely ignore

    a deadly shift of even one small digit. I have said elsewhere

    that awareness in large doses is a poison and I stick to that as

    it is probable to say that such a wearying perception ofsignificance, applied to the most atomic physical twitch - will

    inflate beyond its borders of ever being recognized by someone

    else. then I think that people hide most of their anxiety or

    shrug it off easier than I because such atomic twitches they

    might not even recognize. but to put so much obscene weight in

    something - THAT - FUCKING UNSEEN, is not only frightening as

    hell, not only gives you a tendency to doubt everything beyond

    recognition, but often people see its impact on you in your eyes

    and all of it is basically like being crushed by a boulder. I

    mean holy fuck! when your sense of wellbeing depends on the

    shift of a pinkie! and oh hell do I wish I was over-exaggerating, in fact would rather you believe that first of all

    because I dont think such an inhuman spiting of oneself is very

    possible to live for long with and bc its a very nice reality.

    so in a word I have emotional cancer. now. hopefully I die soon

    from smoking, which is somewhat an over-exaggeration thankfully.

    please tell me what it is like to not have to fight tooth and

    nail to feel good? please. I beg you all to tell me how you do

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    it. And if anyone can relate, I beg you to join a denomination

    or at least take up a hobby. Admit to anything of this

    resonating with you and - well, this is hyperbole, but merely,

    to be honest, because I dont know how long I actually could

    keep this up - well yeah I WOULD AND YEAH I WILL FUCKING PRAY

    FOR YOU EVERY NIGHT. I will toss and turn knowing somebody elsesuffers eternally like this. The cricket brings no relief, as

    T.S. Eliot wrote. and as well I imagine a wilderness of crickets

    at the end of this absolutely desperate post. again, most likely

    people will think to themselves, Hes just in a bad place or

    something so misery is his world for right now. and I wont

    deny how true it is that emotional states most persuasively

    mimic permanent states. but I know this exactly because my life

    is run - not all the time, I grant sufficient wiggle room for a

    rare case of having an empty mind or feeling truly calm or

    peaceful or even kind of happy - but I know this exactly

    because. my. life. is. run. by. that. very. evil. despicable.permanence.

    anyway,

    DC DeMARSE

    .I frown

    and think about why I can

    make something mean what it means in a practical sense and also

    imply something independent of that left unsaid in the words

    themselves obviously but completely dependent on a consciousness

    of the words and tied together with the practical value.

    I thought of that and my mind fed up with itself said,

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    "Its called WIT, you fool! It is called your dirty WIT."

    So like Whitman was a journalist for a Staten Island paper

    originally. Leaves Of Grass is a title simultaneously sublime

    and throwaway, by way of having this experience it is easy totell. Leaves are the pages of a newspaper tied together, grass

    is the editors casual junk filling up the page, in 19th century

    printers lingo. It can also be a reference to Psalm 42 or 43

    maybe, All flesh is grass etc. The people is grass or

    something primal and rough and provocative not a lyric dainty

    candyass piece of victorian dullness.

    On another note. It is fascinating to consider that Walt

    Whitmans rhetorical autoeroticism and positive capability

    extend not only from his desire to fulfill a national ethos

    based in freedom - the Emersonian desire actually - butpsychologically speaking is more personal, a sort of rebellion

    in the face of dour penitence: growing up in a puritanical

    household brimmed with his fathers ideologies as a follower of

    part-black part-indian Quaker Elias Hicks. But moreover there is

    no rebellion but in a hidden one, the afflatus of the poems

    completely removed from their goals as poems. Whitman, for

    example, was a complete elitist, private, not exactly a social

    lion like Coleridge and certainly in no hurry - tho he had

    visitors - to invite a coven of oblique self-referential artists

    into his home, which of course was originally the manner of poet

    he was at first considered.

    On a possible homoerotic stance: besides one elegy from the

    Sea-Drift - Out of the Cradle Endlessly Rocking - this view

    anyway is taken too seriously but is also too confining for any

    massive synecdoche as is Whitmans. -

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    PROLOGUE: to this generation of

    pontiuses, for the jesus no one

    fucks with, heres a set oftampered pins

    "Of mans first disobedience, and the fruit

    Of that immortal tree, whose mortal taste

    Brought death into the World and all our woe

    - - - from the beginning of Paradise Lost, John Milton

    "Cynicism isnt wisdom / its just a lazy way to say youve been

    burned. / In fact it seems youd only be less certain aftereverything youve ever learned."

    - - - Nana Grizol

    "Dont get stuck on a dreeee-eee-eee-eee-eee-eeeam."

    - - - Thom Yorke

    I suppose I might as well say how funny it is how often I

    concern myself with something that has been around for eon on

    eon, when maybe I would do well to give myself a friend inmyself and have my mind follow a normal inner monologue, like,

    you know, qualities I possess or something.

    that is to say, words, language, ideas I think of, but as if

    trying to help these things, explore for the sake of seeing more

    possibility in these things than has, as I see it, been properly

    taken advantage of. that is I do not think about myself in

    regards to writing and absurd as it sounds I do not consider

    myself a writer at all. writers I see as people who are

    fascinated with the label, name, etc. but not the selfless work,

    which I am aware is pretty much a schema as narrow-minded as thelip service of any redundant politico but at least is not so bad

    as being an indifferent shithead who doesnt even look up from

    lunch upon first word of an american presidents assassination,

    as my father once recalled to me of his father.

    I saw that as somewhat a vicious indifference. indifference is

    not vicious he said. but indifferent people not only assume no

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    blame but do not bother even to rattle the cage with the most

    polite stance. hell, being polite is even too much a risk.

    basically cowardice wearing the mask of disconnection. cowardice

    by proxy of barely lifting a finger for someone else. anyone

    indifferent, ironically, will not be self-indifferent but very

    much delusively absorbed in that. they make of it a regularfactotum, clerk job, assist themselves against a planet

    resisting them and their fucked sense of personal specialness.

    so as that is to have besides relatively batshit morals a

    relatively well-kempt sanity. basically.

    but indifference, like the word maybe - usually leans to the

    negative, unless it is a coy pardoning for the sake of some

    surprise and so then feigned anyway. a serious maybe is a no.

    and my fathers father, now dead, lost the chance to surprise my

    father. if he even ever thought to do that to begin with.

    you all I bet see why I can say such things are vicious. seeing

    as we as social media mongrels hide by sharing, it is only just

    I assume I am the worst kind of cowardice. I purport, my tongue

    is in cheek when I say I am my words written more than my words

    spoken. so then this whole spread of language on this blog or

    Facebook suddenly you understand. I do not know myself because I

    have given all of my identity away to words that in turn I had

    felt comfortable sharing, not under comfort of feeling anonymous

    but precisely because the congenital source of truth in the

    contemporary way at least is that all it is are lies. no we donot have nearly as much fun as we seem, but everyone somehow

    knows this and at the same time feels alienated from the rest of

    what is a dream anyway, a happy ship that has left port and you.

    but the real desert island, the true naufrage, is the

    appearance, the FEIGN of improvised speech. because oh yes do

    you deliberate what pictures to show and ponder meaninglessly

    for hours on not even a status update but a response to

    anothers.

    all this lost the novelty of being absurd long ago and is nowmostly just hopeless and sad. like, ok, we know everyone is

    lying, but somehow feel we do not, because we know our antics,

    we know our rationalizing, our tricks, our truths. and yet

    somehow we feel sad that we arent having as much fun as the

    lie. and this is enough to give the lie validation as something

    that is happening in reality enough for us to consider it; and

    ourselves o very low on the social ladder, unfamous, wretched

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    even.

    we then ape the content others shotgun all over cyberspace in a

    massive knot of self-treason, and grow slowly more jealous of

    our past candor.

    as if it belonged to another person. this of course, irony of

    ironies, is all caused by other people and caring what they

    think. we dwell over our ruin and soon that becomes the lie in

    place of the actual lie: pouting over drunk-pics and old

    girlfriends in the arms of some new victim of which the relation

    is ambiguous enough to be torture, and if not, an unwelcome

    effrontery, a scandal. and all this of course is caused by what?

    INDIFFERENCE. indifferent to ones own scruples. indifferent to

    the idea of possessing good character and good will. because

    most people will need constant evidence of this or believeotherwise, which is distrustful and awful but not unsurprising

    in this world of bite-sized info and the de facto bloodlessness

    of white collar grief. a CFO chewing out his general counsel

    only serves to make him feel disembodied which is the most

    murderous high of them all. and it only serves to skullfuck

    anyone on the tail-end of that situation.

    but, however grim this premise, such sadness, depression,

    despair etc. might be the manifesto to write as the final say on

    such a withered zeitgeist. people these days are into awkward

    cringe-worthy comedy these days and no surprise there. butwhile clever today it will probably amount to a sort of

    chaplinism tomorrow or worse, baffling maudlin.

    yeah, but what is for sure is that people will always be people,

    will always contain through the flat-falling of things an ardor

    to pursue, a triumph to dream about, an unrequited skill to

    despise its inability, as something external and abstract, to

    hurry up to you and lose its stubborn desire to remain the pipe

    dream. ah, thats a common disembodiment. we blame the skill for

    not availing itself to us. that illusion of grandeur however is

    less in place. people are not really aristocrats in americaanymore despite how rich one is. people these days in america

    are, well, realistic. buffers no longer can keep up - and,

    certainly not for the whole life of even the most pampered,

    sheltered individual - with the fast-growing availability of

    inferences at least - most involve the web and the ease of it -

    definitely a forbidden fruit sort of deal - as to how shitty

    absolutely everything on the face of the Earth is.

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    this is quite inept of us: that in the holes of people we find

    something insufferable. BUT EVERYONE, EVERYONE, EVERYONE

    is literally pockmarked. what is not ever novelty in any case

    are the tears we shed. nor is feeling astounded, speechless,itself - and funny, this - too deep for tears.

    this is what makes someone a person. the hidden joys and

    intensities and despairs etc.

    so, all this is out there. take it or leave it. it is how I see

    things after years of deep thought and my own afflictions by now

    a regular birthright. I suppose being in my twenties will be the

    coolest thing that ever happened to me, but probably because

    they will come to an end and I will see this as something

    cathartic or whatever. we hanker for change but do not livewithin what changes. I only did this in the sense that I stayed

    at home basically bedridden, stinking, dysfunctional, and manic

    to the point of a very singular episode that was so frightening,

    so harrowing - some literary professors would call it an

    intellectual crisis [ahem HAROLD BLOOM] - that it resulted in

    two and a half weeks of just straight amnesia. Like Vonneguts

    amicable and naive character Rosewater, I saw a burning city,

    wreathed in flame, and woke up sometime very much later on a

    bench holding a tennis racket.

    in my case, though, it was a pen.

    uh, figuratively. I mean I basically wrote on the computer at

    that time so I woke up at evening some time after the episode

    doing what I am doing right now. I just said pen for dramatic

    effect. sorry, I shouldnt apologize. in fact you know what FUCK

    YOU!!! sorry.

    heh. but I suspect these years - my twenties - will be the

    coolest part of my life. it is when we can still be wowed like a

    child at more complex faculties of existence and ritual and

    soul. soulful optimism.

    but then I hear myself say to keep telling myself that. for I

    say my twenties will be cool despite a definite lacking as to

    variety of ass. and despite a crippling addiction issue. and

    despite the quandary of being simultaneously looked up to by no

    one at all and looked down upon by people you rarely respect.

    and despite the cornucopia of meds I have to take that basically

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    are slowly killing my sense of imagination. and the insufficient

    social sway despite ironically being the most influential social

    generator.

    you know what I should either kill myself or just invent a time

    machine and go back to somewhen like the 60s when being atwentysomething was actually magnificent as opposed to the

    vacuum of ennui, pharmacology, mediocrity, weight problems in

    summa, the general passive game it now is.

    at least you can use a gun in call of duty without your school

    guidance counselor shitting his pants. because its not real.

    but since when has anything over these past four years of mine

    been real? perma-tripping for three months straight off a mere

    four jesus tabs and albeit gram after gram of molly, thinking I

    could talk to god, and my lover getting so sick of it she gotaddicted to xanax? a few good books. those have been realer than

    this cuckoofuck reality I see before me like a slaughtering

    dagger. but the spot is still there despite rubbing. its chaps

    my ass - and no I wont please you with the dick pun, delicious

    as rubbing the angry member soft usually is. but I just fed you

    all with my denying you. anyway:

    I dont want to kill myself so I guess I am shit out of luck. I

    mean I could grow some dignity but then I would have to move my

    pot plants. ah fuck it. Ill just make a butter sandwich and

    call it a sleepless night. besides, knowing me, the variety ofass wouldnt fluctuate no matter if I went back in time to the

    paleolithic era, when nobody was very discriminate as far as I

    can tell or forward in time to when everyone fucks everyone,

    families dont exist, and one can just click the magic booties

    of soma-bliss together. or whatever we need to forget were

    alive. shit. kind of sounds similar to the emancipated

    selfishness of today, even worse for the civil rights touchstone

    of having a black president - not inconsiderably to have himself

    made, recently, considerable leaps in climate change legislation

    - and, ah, only to lead a nation of lack-tragic, unprofound

    people who would sooner shoot up a kindergarten, than lookinside themselves.

    no wonder Huxley was fascinated with mason jars. our horrible

    doom has been preserved from the beginning it seems.

    my guess is, the sound of any regular traffic congestion on the

    highway must be dinosaurs rolling in their graves.

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    :HOCUS FOCUS- [When mechanism hath turned past departure with tapering

    mechanism, finally away, and loose as a banshee whirred out down

    the carpeted aisle of a particular minds prospective eyes:

    well: I felt as dissimilar to those ensuing abstractions as

    bled: from a moving cog to a synapse after next: like: whether

    it should be met w umbrage or something: if I was a few shades

    from the civilized and forgot a comrades drink, for example. A

    raspy fealty with the singers of optimism gives me enough rug to

    cut. And so often is it given me to look up at the skys

    residing stare back, effectively pouring out the watchmakers

    toolbox, and the grass below my feet suddenly littered with

    strange, abstract metal.]

    [reading the stories kafka I appreciate the formalism of a well-

    organized drabness, or something like realitys stupendous

    plainness, so much of which I tend to miss, but all of it there.

    never abandoned the weave of all things tho I cannot number

    every stitch. kafka shows me that words make a story; write the

    words and the story comes, perhaps even changes imperceptibly,

    and we are sorely shocked at K.s exclamation : Like a dog!

    when that drabness on the surface tricks us w its clinical

    monotony precisely to illuminate the delineation between what is

    happening - the immanent attention to detail that comes w any

    drab, plain description is an aid in this - and how it is

    described.]

    [Wallace Stevens is compulsively rereadable to me. Ya read it

    over and over again, maybe the first handful of times you might

    even just be purely reading the words [in my case hundreds,

    which believe me is not a compliment] and what was a sort of

    advancing torpor by its movement as the sun might clock slowly

    over pictorial hills from a great distance yet it is of great

    speed to those small beings on earth whom might only know its

    immediacy in flooding the here and now around their small

    places. An appreciation for the stillness that is the coming

    winter morning, ends up having always been the true reason

    behind the poems of him. Stillness, stillness, somber mind and

    tired forms of motion, weary but somewhat as one would look

    behind himself and see all how it was impossible to have lived

    so long and pined withal a bad throat. Stevens beckons by the

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    music, you stay to have what resonates reveal itself to you,

    perhaps unconsciously that is why you return to the same

    pieces . . The same is true for me w Rimbaud. As for short

    stories, Kafkas Description of a Struggle I suspect I could

    reread forever and that in a sort of astonished fear. Poop.]

    I the pusillanimous am now as much generally weak, and in

    possession of no virtues whatever; at most have the good will my

    past deeds typify, though I grovel so frequently before the

    lightest touch of shade or flaw on me that actually doesn't

    exist. Don't be sympathetic. A hint that is itself delusive I

    come rather closer to, at present, intoxicated by doubt as I am

    - so as to uncover the same fake lie about what I believe is who

    I am. Now, well,

    I now am left without a sense of being out of time otherwise.

    Unable to vacate myself, remove the five senses: and encroachupon that fine, friendly gravity as I had once ago as upon an

    undiscovered, moldy land - the same land sans forgetting it at

    least upon ending whatever visitation of power I allowed my

    forgetting to disremember and pour out of effect. As water

    through both ears!

    But no I do not ever again come upon such nearly dispassionate

    focus, a thing - ironic - the rudder for my passions actually.

    Once free of that livery of all that forced habituation of

    awareness had me throw aside, for good maybe - I find, I am

    still just as absent as I had been of understanding time, atleast.

    But it comes about in such a way that my carefulness makes time

    extinct for me - or vague - if I am lucky.

    I rehearse my minutes beforehand, I dispose of what is almost

    always the adequate prolepsis, before it comes - unsheathe

    nothing for my battle - a sword of dry tendril and shrinking

    calyx and crumbling leaf - before the speech of the clock has

    dealt its hand, as the time comes to properly think it, and

    thereof instead of a quietism I am upon ruinous anxiety, itselfthe leftovers of a quickening towards the anticipation. But no

    anticipation. A sneeze-rag.

    . . . Tautology is all-encompassing and therefore a phenomenon;

    for it does not encompass all but what it may represent on an

    individual basis only. The subjective ethics of Kierkegaard need

    boredom as an intended experience of the text: because its

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    immanently disorganized, it makes no pretense of a phenomenal

    order but instead involves the reader, nearly guides her, via a

    conscious, intended effect. It is the words which mean what the

    reader feels.

    Elvira leaves convent - Trauma is the fundamental mood aproposthe original intuitive glance

    More real = Someones effect on another - involves another -

    more fundamental - important - than intuitive original - which

    is personal - more like a dream.

    . . . To set out on a task! - alienating- many trains of

    thought, as opposed to emotive writing, on one train only -

    infinite resignation - try and fail, not instituting flaws like

    a persian rug - a mistake, but more in earnest than arbitrarily

    inserted flaws - ironically fuller to follow one train, thancreate a system by connecting many, perhaps many already

    abandoned, grassy boxcars - peh - phenomenology is a system, for

    sure - the phenomenon is that it must be set out concretely for

    all, on a universal level. - Kierkegaard only example of

    dialectic as attempt at phenomenal essence. Single train to

    represent non-system system. Different from Nietzsche, who was

    fuck all on everything.

    THEORY OF CHRIST : a vessel for GOD, no character of his own: to

    be touched by GOD is to become GOD. And therefore overwhelm the

    character of the individual - personality, et al. How does thatplay into faith?

    Faith = no room for nuance, absolute; touched by GOD, become

    GOD, absolutely.

    WE ARE ALL ENTIRELY GODLESS

    GOD removes from us because GOD loves our variety and mortal

    nature. Faith is intellectual inertia, at least as regards the

    thought that its leap is the intellect in motion

    It is faith began us

    Two equivalent GODs - absoluteness invades absolutely and is the

    source of all variety by making possible the existence of

    multiple somethings - not from nothing but from ONE THING - the

    one thing exists by this same kinetic principle: it is not about

    beginnings and endings, finite arcs. It is about that any thing

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    absolute already falls in line with thing-in-itself.

    Language And The Myth Of Duality

    Nihilism As Not A Pessimism

    Verbal springs from nonverbal. Language springs from a need toorganize what is an intuitively concrete World, really a

    complex. And so then a psychology. A dream.

    Nietzsche was a poetic Kant and so then anti-Kant. No origin,

    useless to consider.

    Experience is a psychology

    Experience is intuitive.

    'heaven' is merely, and 'hell' too, the result of being

    conscious of the World you left. Maybe just that's enough toplague you or redeem.

    A SECOND BIRTH

    Whoa odd

    Freedom driven by skepticism. Volition = freedom to doubt.

    Sometimes, we must begin with what we know is wrong.

    Contraries feel both sides of balance.

    IDEA : Pascal, human nature as a spring set in the center. Todisturb one side is to disturb the other also.

    Principles / categories for reality degrade inspired practice -

    philosophy, as verbiage, relies on afflatus / inspiration, the

    zone.

    Different from imposing order on natural disorder. Suppose order

    as tabula rasa. Not from existential standpoint, yet the king is

    chaos and the mask is liberating void, as of such.

    Existence imposes order. Essence precedes existence, the mask isdisorder. The balance is disturbed by insubstantial talking. entropy [Jacobs Ladder]

    The order is originating . . more humble to start w order,

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    causes as preceding thing, existence not as free radical but the

    very beginning for things, solid things, reality organized into

    a table, chair, small sharp-

    Chaos is the order, is literally more orderly than what is made

    carefully sensible in words. It is us who presumed reality wasanything close to what words and discussions could box in, or

    rather out.

    -quartz.

    The World is a painting. Goff,

    Goff

    [NOTES, on F.N.s The Gay Science on the concept of Amor Fati]We trick fate by expecting it. Tender moments seem more to those

    who have them than those apart from them, to whom they are

    directed, and whom, sensing the act, define them strictly, and

    as a result prematurely; for the acting on it has yet to be, tho

    to the definer it seems definitive, for being, in his or her

    eyes, fated to happen.

    Nietzsches phil. is not quite existential nor quite like pure

    hierarchal phenomena. As Blake lasted into the Romantic period

    from the Baroque, as Beckett was considered Postmodern while

    remaining a Modern, one starts to go backwards in attemptingarbitrary names and periods. And how ironic I say this!

    It is not so alienating and more like some scrupulous wealth we

    can identify but cant hold in our hands to use or trade and if

    we get his value system wrong it is our own fault. It is

    especially not so systematic; however the passion is classical,

    the logical purge not quite so drowned in terms, yet the result

    being, well, pure supernova. A period unto oneself.

    GoffMy suitability to life I must compress into the meant words, you

    kno, really earnest,go by how I feel, even if it is a weak

    twinge, it will be an accurate expression of the twinge, how the

    muscle throbs: babe of info: distant datagrown old. Old hat.

    But I want to be surprised again, kno the position of my heart

    again midst all spacious uselessnesskeyto somethingis to see

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    it plain, like an objectdepthless, lacking depth. But where

    goes all this spelunking ??

    Goff

    Relative all

    Regarding how I feel, what I feel

    Is a dirty pile of rope, jammed

    Bits, opportunities to stoke what is jut

    From the slit of an image,

    Carrion regarding, raising the noose tied,

    Riddance of all complex children,

    Haunting their rooms forever, how I feel

    Regarding what I feel : a tomb

    And masochism

    To get me there.

    Goff

    That beautiful, present stranger.

    Goff

    I would love if love were not a cross,

    My heart bent out of shape

    To fit a figure for the burden

    I have carried in her object, The girl far gone, behind,

    Yet tracingmy every step.

    How I was a man:

    Well, certainly I at the center

    OF the crowd, in a huff

    Walked off into anonymity, down

    The hidden, spidery

    Rows I counted, deliberate,

    Not to stray, demeanor blank, Eventually cleaner as lifted

    Fogs of afterthoughts as various

    Confusions, as spirits

    Balled in various confusions,

    Lifted, the bawdiness of day to more

    Serious a light, slipped

    Off the hosiery of day, slipped, to

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    Reveal earnest legs, fresher

    Than before; that yellow

    Socket drooled lightit was o o o

    An alive sun. And I was one. I

    Made me lie. So mad they

    Dont believe me. What the fuck.

    CONNECT THE SENSES,

    Now smell her a little,

    And if its gettable, well then, let me know,

    Comrades. Let me see that you understand

    The stark raving madness of the universe.

    This isnt smug talk, I know

    This shit is dense, and hard, and sometimes

    Rough around the edges. Maybe evenStraight up boring. But

    Try and see works I work to work into pomes as

    Anything but mild, see the fury in the words as I

    Do. Maybe I beggar the concept too much.

    But I aint changing anything. Its a vision.

    Visions you do not alter, they give alter to

    Your view of the World, by assuming a shape

    Unexpectedly, perhaps at first only in yourPeripherals, but soon

    A smash into the eyesocket, right there, without

    You even knowing whats hallucinated and

    Whats out of your control to see as a realness;

    A vision, something, that is, that is

    There for to make you know that you arent too

    Alone, maybe just a littlebut if you

    Think about how The Vision

    Came to mind, you find it is an amalgam

    Of the thoughts thought well and concisely

    Enough to produce a phenomenon

    Completely outside of your ability to have

    Shaped it consciously. Thats

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    What I mean. Something of an OUTSIDERFORCE

    That perhaps is relic: a depthy gratitude

    The universe has, in giving one that

    Pasty shard; is seen in that

    You are the part of its delivery to youOF something very much from a place

    Where you have not been. This is

    The literarily welcomed plague

    OF hallucinated vision. And I wont dare

    Sully the gift of something to me given

    By something not me, in my head,

    Nonetheless. So sue. And find, well,

    You sue your wishes for being wished,And come to a place

    Where nastiness is, and then judgments

    By others louden, thinking it is merely

    A peripheral expression, the bad tautology

    OF a contrite hollering for

    Meaning to give its chance you,

    When, really, it is all a polite

    Grace of the sky and the

    Cosmos. And I would not be happier

    With my little shrugs

    OF nothing, my little weaves,

    My million-swervesat ease, Mr Talker

    My celebrated illness

    Of the disease.

    It isn't that one could not make this up.

    It is that speech could not write this down.

    . .. . . . . . .. .. . . .. .. . .. .. ..

    The philosophic dame

    Makes

    Her refrain, and then

    Pretends: an instance anew: that

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    Of fear, feeds fear, sees it in

    The lucid breeze: which gets

    Thrown back,

    Attack on the wind - thrown -

    By the wind, and descends it all friendly.

    The stillness like A veil, on the

    Stockstill trees, on it all;

    Drawn from the rapier,

    This sword is a broken man

    And delicate the season

    For the weaponrys plan,

    Dismiss this uh kiss of the stokers stick,

    The blade in

    Your back,

    And then filter it all

    Like dirty blood From the bite. Spite

    Licks against, punctually,

    A bathos: surrounds

    The grounds in smoke, before

    The last minute plays

    Its crudity, the lost joke, a laugh

    At the path, and a welter for

    The ringing birds disturbs

    Some objection, a cough before silence

    . .. . . . . . .. .. . . .. .. . .. .. ..

    . .. . . . . . .. .. . . .. .. . .. .. ..

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    A SORT OF

    MASSIVE

    POEM,Into the practice of a given meaning for the gulch-

    -As if it were there in thirst, no masquerade,

    But dryness, no interminable neverland, but

    Writhed in lye, already dead but whispering,

    Feebly, into the nastiest ear of them all,

    A tough ghost, sinister as bones, mendicant

    For raveled proxies and cheap spasm,

    A novel broker for the currency of spent,

    A bizarre gerund, doing without the verb, a field

    But seen deserted as an axe to rust, a lethal

    Prescience and a faith in grievance for

    Coronation, what that is that is left to make

    Sense of the doom, the test off the text and

    Making speech somber as a prelude to

    Exotic nothing, speaks but doesnt, walks

    But prepares for the cardboard, when EARTH

    Gets all alone within a mind a gulch,

    A spare livingness redeemless, for she is

    Smoking dust and without a filial dread for

    Her, is left hopeless, is dry as the brain

    Of a random klutz bleeding harmonies onto

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    The floor, she dont, she cant, shes preaching

    Matters to herself following mortal dangers

    Already passed thru, mortal dangers,

    Yea, like you care, like you care so much to

    Leave and regret leaving, spy on your

    Own feelings like tearing up a science, deep

    Cores, lost, breaks not given, slack not

    Given, shes a desert, ah, shes the

    Ghost, you just justly dont tell me, poem,

    To spare my antipodes their lack of relation

    And rising up of futility like something of

    A birth, a happiest cause to bring the dead

    To a life already decided to end, I hope,I hope she lives, I hope the canvas her

    Mind makes empties before the portrait

    Becomes picture, herself unknown as a

    Gulch in the hot barren heat,

    Afterbirth, worsening, eking mind, thoughts,

    Laceration of a hairsbreadth of decency,

    A moment of karma, irreversible,

    Tuned to the carnage of tomorrow whenAsperities lead her here to scream at herself,

    While loving me, hating me for love,

    When like a despot I have tried to rise her,

    Thwarting her, ranking her, qualitative,

    She makes the qualitative quantitative, ah,

    Poem, you go to many places, poem,

    You go too many places, you find your room,

    You go mindfucking, you fuck like chimps,

    You illuminate a dram, furnish trash,

    Glum partitions, dreamy cloudless day too

    Blue to get me beyond blurs, naked sun

    Burning the gulch to pieces, senseless,

    Carnage, I said that perforce to drown it

    Out of possibility, for I have made

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    The morning psychotic night, found friend

    In whats not left, resigned to the nothingness

    Of what is, what is and dreams like

    The vault of sky opening upon a stupid world.

    . .. . . . . . .. .. . . .. .. . .. .. ..

    HEARTACHE

    126,I used to smoke and pace outside of the motel room.

    It was 126. Right next to where my lover and I stayed.

    Once. This was minutes ago. How funny I see it already

    As so long ago. As if a deep intimacy forded time

    Out, to leave the event in the minutes that began

    It. Ceasing to be real, the moment hinges

    On chaos. So many thoughts can draw out for hours.

    But it is the ego not time that nuzzles a lackluster

    Commonplace out of puzzled fragility, and to freak it

    Thence into something, perhaps, more positive.

    More like you. Who is her. But she might as well

    Be here for me to see all this beauty everyplace.

    For example. Item: man with natty hair descends

    Into gates of hell, his favorite. Item: some mother

    Eats a sandwich looking for her sons monsters.

    Item: fat guy gets thin, thin guy puts on a handsome

    Few. Item: writer relishes the nicety of balance

    As its own eternal commonplace. But then,

    And I guess I will make this a bad thing or whatever,

    But personally, I think its the oddest and therefore

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    Most rattling ITEM: A flock of birds quickens

    From a tree thousands of miles away. The flock

    Of birds however, I am learning to my horror,

    Is right next to me, sitting its casual burgeon

    On the motionless sheet of this motel room

    Bed. Remember that time when I wrote that?

    Yeah. I dont either. I do think though that

    I am lumbering, lack true gesture, lack even

    Too little to mourn what I lack, which somehow

    Makes me humble if that is I can see the

    Nitpicking of myself bad and thorough enough

    To actually trick myself into saying something

    Nice about myself. No one else is though.

    I was alone hundreds of years ago, back when.

    I was made of strings. I was a haunting piece of

    Artwork. Or the sound of a garbage truck at

    Four in the morning. But now I just really smoke,

    And pace, thinking, well, I should add some

    Different thing now, should be as one who

    Will smoke but never actually doing it. This

    Stasis is most comforting to me, that I canMove forward by staying still. I should just

    Accept that nobody is subtle all the time.

    There are moments, moments we lumber,

    Most of all hamfisted, and I cant believe

    How obvious Im making this even now.

    It was never a matter of being deliberately

    Abstruse, reality says, waking me up,

    But more, I as being reality was more intriguedBy complexity, making it worthwhile at the bezel

    Of the struggle. Humans are simple, predictable.

    And for awhile between the break and the door

    Back inside, I imagined that I could sans mercy

    Exist for the first time in that harbored space,

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    Could paint my image and leave it there, on

    The underside of realitys desk, some snoring

    GOD there, head pillowed by no sentinel but

    Pages, ignorant though weathered with

    Scrawl. GOD would later wake up with aBackache from falling asleep hunched

    Over his task. I suppose my head took me

    With itself. By the way, I paced minutes ago,

    Got a room with her awhile ago, but now it

    Seems kind of pleasant to perceive the same

    Amount of passed time. Was this poem

    Even written?

    . .. . . . . . .. .. . . .. .. . .. .. ..

    VERBAL

    BOGGING, The Worlds

    A beautiful

    Communication. And, yet, still,

    In all that

    Sunders, rips the

    Throat apart for

    Words, there is

    A grace rejected And a grace

    Uncontrollably

    Affirmed. Think of a

    Swamp lain

    Beside the

    Ignorant lake;

    The bile dwells

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    There, the septic

    Invading of a

    Followed desire

    To eternitys

    Strict end, in

    Grandest, braveApocalypse, as

    One betrays

    His vaunted yes

    In response-

    -To the myriad

    Voices of doubt and scoff delivered.

    And then, one

    Enters the realm

    Of endless

    Ceasing instead,

    A rocky arbitrary,A seeming amiss; and then, if one wages war enough,

    An elegant impartiality: or just conveyance of that neutral:

    Centers result from this, this, this, this, this,

    The pain of our bliss. Of

    Course we turn and nod

    Our heads, I attempt to

    Reconnoiter with an originating flaw, or something

    For the sake of comrades;

    Acknowledging thus invigorating

    A misery. Or other.

    Of course, we Do it wrong,

    Until the final

    Take. Then

    The universe

    Begins again for

    Us, who left

    So much carnage

    In that desirous

    Flap, that

    Next-door lake.

    We feed, choking onRotted life, details to the point of protozoa.

    A smog of

    Leftovers and

    Algae distress

    The bog, but o the lake is as much the worser

    Lacking, a true nothing, a

    Conniption; stake it all rather

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    On an only emptiness in

    Us, not on the sound: well, one thinks of

    Miseries pacing conspicuously

    Around in their created

    Rooms: a fallen

    People and aFallen king, yet

    GODs in us

    Remain, by

    The by, and to

    Their business

    They pretend

    A lifting from

    The ladder,

    Abandoning parallels,

    Muddled references

    And warmnessfor aTruth in fine

    That grows as one injecting antibodies: all this

    Comes down to the infinity

    Of one simplicity:

    Followed by, maybe, possibly, needlessly,

    Ironic remorse, no less, for the

    Painstaking nods that recur. Nods

    To a void, the

    Same one, but an irony for being an aid:

    It is reckless, worse because at the same

    Time by friendAnd friend, not person

    And person, so that in the end both ends are ends, and

    The gross permits doubly grossly, the fineries cut: that all

    Become negative, a bruise, is ruthless bullshit: it starts

    In what is just, after all: regarding just a

    Freedomfrom the

    Margents, banks, polluted with maddening, scummy

    Detail, yet finally coming tragic, a naufrage; one

    Is ashore to beat ones

    Feet and feel no

    Deck, nor rocking then, and then control returns,Non-commital and astonished and

    Loose. It is these

    Freedoms we betray

    In simultaneously admitting our different nodding bogs,

    Shouting our pain unmoving and as stagnant.

    From removed lips, I and I, but somewhere other-

    -That whisper an immediate chain of orbital events,

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    Admittance beside, around itself for sympathy: yes:

    All planets, bodies of water, antibodies to diagnose the will.

    The silence too then is there, to

    Confide in: bleaker, well, in bleaker

    Ways: than even the last corporeal relation, the

    Most hellishPersonage, beside himself.

    . .. . . . . . .. .. . . .. .. . .. .. ..

    ON PUSHING

    FLAMING

    TRAILERHOME

    OVER INTO

    CANYON WITH

    DEAD PERSON-

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    -IN IT,First rain

    Pissin down on aluminum

    Siding aflame, and

    The clonus alone gets

    Me mental and hiding again,

    A grave for a diced

    Angel for the crevasse

    Left in the crap

    And dirt.

    I leave the

    Train later full of beer

    And hurt. I looked so long

    In the wilderness of my spine

    For motive. Eh

    Lifes angle, or some foundational

    Emotion? This regime seems

    Unreasonable.

    Seems a river of mirrors

    Of the flame. The last time

    I looked to dine

    On pearls I guess

    My teeth cracked like

    Little girls, and my head is a

    Sidewalk,

    Strewn askew

    With empty grass

    Here and there, and

    The cloudy talk

    Of ruins disturbs

    This unbelievable Earth. I

    Find an only braid to ease

    My beard, cradle

    Fear like intestines

    In my lap, o children

    Its a rap, Ive driven alright?

    To the wild end. And might as well

    Be dead. I pull

    The soggy scarf across my

    Sodden cheek against

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    The silently falling snow, now.

    For the rain got colder, and with the trailer

    Are for my heart;

    The canyon, indiscriminate berth.

    A contagion

    Or an art, to swallowTo swallow and ignore. Unseemly

    In a fiery mess. O the humanity, o

    My disgusting, her dead wretchedness.

    Thank you. I scatter to the station then,

    Cant nothing be my best relation,

    This is the field of vision I choose: all just

    To use a spike to hike

    The pulse and empty state

    Likewise.

    . .. . . . . . .. .. . . .. .. . .. .. ..

    ANTIPODAL

    POME, It is me and my careless, deranged

    Luck, has brought - it seems -

    You here, fed to the place by

    Foreboding - powerlessness -

    That what you wish what you want

    To become becomes what you

    Are not: you dread the

    Unexpected metamorphosis, yet

    Will little against it on your own, not bc

    Your will is weak, rather likeA guarded secret it is cautious of

    Revealing all in full exertion unsubdued.

    Make the brawn to be you

    Yourself, find value there,

    Everywhere accomplishment, bc

    For you, to move still, heart

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    Beating - to manage

    A thread of least complacence

    About the day as you are

    Woven into another, and your will,

    Mon Semblable, brother and

    Symbol and treasure, along w/ you, Is to have done more as

    To effort than a president in

    Wartime; eager threats

    Of powerlessness aside, what

    Gives you strength is what you relish

    Of strength - in will - the freedom to Do

    The Thing.

    . .. . . . . . .. .. . . .. .. . .. .. ..

    EYESOCKET,embed artifice / in the very

    breeze / then, all / become

    a plea to be / real / imposing

    a rushing sound / of saving /

    for oneself / the grand obvious,

    and / the delectable insistence

    / of a reality / forcefully shorn /

    that is / you have, you / have /

    only / dead answers . from way

    back when / when everything

    had been created / merely / and

    the flesh of any scene before

    eyes / a thing of only / the quality

    of words / and thus, a / plea

    for substance / and an area to

    live / wherein nothing answers no questions asked / because that

    artful socket / has perennially been / is your eyes themselves

    . .. . . . . . .. .. . . .. .. . .. .. ..

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    LITTLE

    LACERATED

    BRAIN, OF

    MINE,I think my mind has a mind

    Of its own. Some would call

    This an identity pit. I call it

    Gnosis. I call many things

    As they are to me. My mind

    Has other plans. My mind

    Wants to see me healthy.

    It wants me to take my jaws,

    Waiting for death, off the

    Curb. I just want to kill off

    Everything, make speciousAnd trivial everything, deny

    The personal as damaged

    For all time. But thats it

    Exactly. It is impossible for

    Anyone to break apart like

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    That. Nietzsche called insanity

    A delight in unreason. I

    Think thats more accurate

    Than the whole, doing the

    Same thing and expecting

    A different result jargon.

    Sanity is in us. I think maybe

    It returns to us after we die.

    The most deteriorated soul

    Is still better than a dead

    Star. The explosion mightCreate planets, but the

    Mind has a purity sans

    Destruction. We all have

    Half a mind to destroy the

    Other half of our mind we

    Dont quite understand. But,

    Like a magician, it wont

    Reveal its secret. Not ever.

    I suppose its true that when

    I jumped the second time I

    Expected to hit the ground

    Harder than ever. But worse,

    I was suspended by a rope,

    Drifted easily to the ground.

    A leap of faith sometimes

    Needs a harness in that way.

    The faith involves the notion

    That one will not fly but die,

    Or break, or enter a stupid

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    Wilderness of schizophrenic

    Denial, denying not reason

    But denying that one is not

    Reasonable. The fact is,

    Language is that harness

    That will always be a tautology,

    That is that harness, that safety,

    That cant be touched by

    The sabotage we all strive to

    Replicate in seeing as

    Nothing but an oddly there

    And extant redundancy, a

    Redundancy that, because

    Whatever created the

    Universe is a fucking dunce,

    Ends up being, well, pretty

    Much the way things are.

    But maybe its not so duncelike

    Because anyway we are veryWounded as people who

    Think. The whole Cartesian

    Method irks me but damn does

    It make me think. That doubt

    Involves understanding the lay

    Of the land first. Only that

    Which we cannot understand

    We cannot doubt, which was

    His explanation of GOD, at

    Least, as far as I can tell. Ive

    Only really scoped out

    Descartes, but I like it, very

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    Methodical. Its a bit like what

    Schopenhauer said about

    Being a hypocrite and involves

    Intellectual finagling in theSame way: that it is hypocritical

    To deny one is talented, to call

    Themselves mediocre: saying one

    Thing while doing something

    Different: like a strange logical

    Inverse: if reality was as it is

    To us, that is, as the

    Raw nerve we exactly dont

    See it as, then maybe the soul,

    Whether material or whatever,

    Would be ruined. If I called

    Myself a charlatan I would be

    Closest to killing myself and

    Would generally feel shitty and

    Bummed otherwise. The fact is we

    Are all insane, all broken and

    Blessed and whatnot, simply

    Because reality is a useless

    Ideal that is useless to get to

    The bottom of because in any

    Case it would still amount to

    Some spectral apparentReality that must be so, as

    The limits of the mind must

    Be so, so as to ward off

    The ever-under-attack Unreal

    Part of the mind that is the

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    Soul basically, a material,

    Or maybe an infinite object

    Without the ability to degrade.

    Ah, who knows. Im tired as

    Fuck and pretty messed up

    And yet I delight in unreason

    Just to bleed into my skull,

    Voracious for some triumphant

    Sense of loss, more fodder

    For the poems I suppose, but

    Loss is loss. We are limitedFrom being able to encroach

    Upon the part of ourselves

    We do not understand so as

    Not to doubt its existence since

    It is no matter whether it is

    But why it does, and I guess

    The reality never before us,

    Before our eyes, must be

    Pretty damn scary to need

    Language to distance us from

    It. Id imagine cavemen just

    Kind of dwelled in some anguishing,

    Immense silence all the time

    And eventually the crossover

    Came about and the species

    Couldnt take having to guess

    Without a conclusive rapport

    With other cranial beings, however

    Vastly shrunk, they probably

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    Started to see the soul of this

    Planet, this planet and

    Themselves too, and like an

    Animal baffled they themselves

    Didnt understand the sensation

    Of being baffled, made words

    To try and figure it out forever.

    Little did cavemen or grunting

    Hunter-gatherers rather know

    That this creation would light a

    Fire under humanitys ass,

    And for all time everyone would

    Be obsessed, maybe so wrong,

    With the truth: with getting back

    To those perverse, soulless,

    Tongueless roots. Words are the

    Soul I guess is what I mean by

    Suspending us above the ground

    Upon the leap, and anchoring usDown. Whatever created

    Everything probably figured this

    Would happen, but then again

    Maybe GOD is just a file clerk,

    Maybe Earth-total is one file, at

    Most the first shit to deal with

    Would be atrocities in Africa

    Or starvation in India or those

    Kidnapped girls from Nigeria or

    Well, I could go on about all

    The horrible shit that goes on

    On a daily basis, like clockwork,

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    Like a thing that repeats itself

    Because we as people had the

    Bright idea that we were actually

    Reasonable instead of seeingOurselves as perverse as

    Primitive peoples, animals blessed

    Unknowing they were blessed,

    To now, as I see it, people who

    Think they know. You have to

    Suffer for knowledge. You have

    To really suffer. You have to

    Expand your mind but preceding

    An agonizing withering of self

    And body for a long time. Leopardi

    Basically revolutionized the way

    We look at poetry: the miserable

    Fuck developed a hunchback

    And bad eyes from studying by

    Candlelight for hours on end.

    And guess what? He was in his

    Parents clutches until the

    Last years of his life! A mind wants

    Itself to not be known, to be

    Content but also spread its wings,

    Pardon the bromide. But thats

    Kind of fucked because a littleBit of both often looks the same

    As all or nothing. But now Im

    Loading all you reading this

    With confusion. Frost had a good

    Way: he said: Be whole again

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    Beyond confusion. He is right,

    Fucking right. So right I get

    A boner just thinking how right

    He is. Forget about being

    Confused. Delight in unreason

    As not being something

    Wrong with you but just the

    Nature of our minds, secretive,

    Beautiful, protective of the

    Self in us, protective of sanity

    Rather, selfhood I am stillWorking on, autonomy, independence,

    Finding a job. Well this is screwball

    As all hell isnt it? Did you even

    Understand my poem? Good,

    It doesnt matter. Just as figuring

    Out real and not real is about

    The same as Descartes refusing eggs

    Too long under the ass of the chicken.

    Im not a proponent of intellectual

    Laziness, no no, but we have to work

    Carefully to the point of hunchbacks

    To make systematic sense, we

    Gotta really be OK with only being

    And ever only being able to rest in

    A continuum of words and limits,

    It helps us save who we are, helps

    That part of us, sacred and sane,

    Never die. And maybe losing that

    One part of us that baffles the

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    : ALL IN THE

    NAME"You said it will be painless / a needle in the dark."

    - - The National, PINK RABBITS

    We even brace ourselves,& at long last we manage

    To wallow our way out of

    Our wrong valleys wallow:

    The busy shade of some

    Cypress, and whose leaves

    The gild for branches seem

    In motion for some intent

    To join with the shade

    They give, the result,

    Confusions of substance,

    Color, texture, etc. that

    Lend to an abrasively

    Loud psychology in a

    Head already overfull

    With questions of source,

    Cognition, the desirous,

    The sex and sexfiend:

    At random: like a head

    Blown off in the back

    Seat: a pulp of fiction:

    Ourch! the trigger

    Pulled mistakenly as

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    The vague thug was

    Making a point to

    His counterpart, having

    Been pointing the

    Weapon there,

    Explaining such to

    His hostage, fearful

    Shitless: and so do

    We hover over the

    Mistaken stream, a

    Detached eye kept

    Specially for the bilge:

    Unreal stream: of

    Thuggish, abrasive

    Context, dappled water-

    -Fluent as tradetalk,

    And, the wind, o,

    The wind, more

    Dominant, as like a

    Brusque word,

    Just between theManager and lackey,

    A demand forgotten,

    A lax twick of the ear

    And a bang on the

    Head, nyuck, nyuck,

    Nyuck, we manage,

    Yes, amidst chaos we

    Manage to waddle,Weakly, we wankers,

    Out of our wrong valleys,

    Emerge, convivial with

    The days char [charm?]

    We go, from the chasm-

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    shade that would have

    Swallowed us: inviting

    Our ignorance to dance

    With it in hopes we might

    Know it, we straggleBehind those two

    Wanderers: trying to get

    A clear view of our

    Futurity, via this sort

    Of supplicated-

    -Cluelessness,

    Acknowledgment, of

    Cluelessness somehowDisplayed in that

    Illuminated socket,

    And conceive a

    Handsomest possible

    Outcome, tho bizarre,

    One sans blowing apart

    The brains: the light

    Is drawn like a curtain,

    Of course to the

    Opposite effect: a

    Pictorial, aesthetic,

    Flagrant approach, an

    Assuming us as sky

    Which may not be

    Betteror worse, the

    Sun. But wherefore

    These multiple dandys,

    Inclusion of the-

    -World a foolish

    Polemical stunt; why

    Do we have gall

    Enough to think we

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    Learn enough of

    Ourselves to get-

    -Past the testy brink

    Of what extravagance

    Had greeted us, as

    Individuals, to exist

    Beside, and right

    Besideits ornament

    Of myriad: calculated

    Glory calculated by

    Sure time, which

    Us with it mutually

    Quickens the

    Triangular shade

    Across, across the

    Literal/figurative

    Sundial only

    For us to transgress?

    Or just myself, squatting

    My decrepitude in a

    Transcendence reallyA misnomer. We consider

    More baffling circles,

    Feel we are used to

    Its repetitive bounty,

    And now we as we

    Mustnot to, ahem,

    I mean, you kno,

    Not to take advantageOf the preachiest of

    Pluralities, despite

    Its questionableness-

    -As to an accurate

    Shade of time, the

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    Timea personage

    Of zeitgeistwe begin

    To reel upon knowing

    It all this an inevitable-

    -Grand statement onReality, perhaps by

    Someone more vocal

    Than WE, who shrink

    From the shrill steam

    Of the churchorgan

    Maybe, though, as

    Pious folks, respect

    Any mouthpiece ofThe Gewd Lawd: Good

    Lord: WE reel, yea,

    Once nose-to-nose

    With the mawnin: morning:

    Fuck: the fat face of fact,

    Reality, as permanent

    As a knock on the door:

    Despite how little it is,

    All of what a day is in-

    -The wake of all days

    That have been, for

    You, for me,however

    Consequential an

    Answering something

    Like this, that doesnt

    Make sense, would be,

    We receive no sign, no

    Answer, for how did

    We survive? Following

    That empty discourse

    Between the light shed

    By the sun & the sun

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    Itself, things in all their

    Meander & meekness-

    -Come to inhabit

    Themselves again:

    Twigs, rock, dirt: one

    Begins parlay no more

    With something

    Nonsensical, averting

    Eyes away from there-

    -To focus on honesty

    Anyway instead,but

    Where? Well, where

    One had obviously

    Always wanted ones

    Own, particularly prickly

    Side of sight to rest on,

    Something like a bias

    Just for them. To narrow

    Reality down to this,

    This even someplace

    To manifest as gestures,Impressions ghostly:

    The rotating shoulder-

    -A retainer for the

    Uncertain pious, you

    Kno, to give belief a

    Higher, stranger altitude,

    Perhaps as far gone-

    -As Pluto, but, more,A depth unshakable:

    So then a thing not to-

    -Rocket forth into

    Unbreathable void, but

    Sink, sink to depths to

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    An, some, unbreathable,

    Coral-strewn pith: the

    Given scoff, of course:

    The eye rolling like

    A paraplegic, the scoffStuck inones throat

    Squandered however:

    The pressure no longer

    Even enough to squeeze

    Out a chuckle: the eyes

    Buckle, then,

    Buckle at this realization,

    Erhm, of perennialUngratefulness, ignored

    Intimacy of view, that

    Is worldview,and,

    That goldeny bias wilts

    With whatever was

    Previously handed to

    Openness, and then

    All is, suitably, indistinct,

    Outright secretive,

    Impotent,riotous

    Laughter, down to

    A hacking incredulity

    Of stuff & spit from a

    Throat burnished-

    -With unmentionable

    Dust: a subject, sinking

    Subject, growing

    Better as it drowns:

    Something about that

    Dont make sense, but

    Well enough, well

    Enough, you know, to

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    Interest, enrapture,

    Explode the head,

    Brains a-wing, & to

    Spatter nonsense-

    -All over the backseat,

    A beige pleather. Things

    Come to inhabit their

    Elongated materials,

    Again, batten down

    The bait for light-on-

    all to eat, so as to make

    Flawed way. Fishy sort

    Of reasoning, that,

    We snigger, being

    Cloistereted [portmanteau]

    In some extant

    Possibility too lush for

    Any of a product but

    Plurality: vents to

    Passages, and gives-

    -Along the way, traps,Shaky science: nathless,

    There are buoys of

    Manner and form,

    Bobbing patent findings

    To the streams-

    -Emotional surface:

    Feelings etc. science etc.

    Blessing a fulness finallyUpon these fracturing

    Blocks of stanza:

    Occult emissions to

    Clog the foggy stanza

    Further: down, down,

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    Down, low to the lowest

    Valley: clues trend: as

    Predicted: they begin,

    Fair enough, as a wager

    Of light to if not provideA foot or two to make

    Steps, at least reveal

    From a fixity what is

    Uponpsyches bulbous,

    Awkward way, until a

    Final warning peal, to

    Indicate the presence

    Of a search: we awaitResponse awhile: then,

    Uh, the search is off:

    Nathless, whatever it

    Is is still out there,

    Definitely: at least one-

    -Context-hostage: kept

    In a vagary resembling

    Sadism: bound

    Together with tenacious

    Rope [hope]: a thick

    Hide: organized evil:

    The respiratory mobile-

    -Of season and season

    And season is really

    Perfect for this our

    Causal societys getting,

    Yea, a regular rotten

    Ideal for evil people,

    Who eat up the fodders,

    Manna of manners, of

    Unbelievable repetition:

    We, WE, think ourselves

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    The ideal: are proud of

    Its gab:and as tho to

    Soothe a trembling cybil

    Muttering, damned

    Sacristanwe ahem rank

    Whatever riled shadows

    Of responsibility and,

    Of course, create

    Our time, build statues

    So light that light

    Itself could work as their

    Plinth: responsibilities:

    Agh: ah : to ford some,

    We will, once we are

    Shaved of our previous

    Discrepancies, leave

    Others dead on the

    Side of the path, a

    One tortuous, tenuous:

    Will it hold against

    The weakening powersOf encroaching

    Trepidation, fear of

    Cranial bursts,

    Embolisms, unneeded

    Bullets in the head?

    Of quaint apocalypses

    Daily one might

    Speak: you kno,Casual, dramatic ones,

    Threaded & dreaded

    & there & that fully

    By the timethat

    Negative quilts made:

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    Quills: tame, tame,

    Tame thee, pen: quills:

    Inkflood, antediluvian

    Wisdom poured: blood:

    And all the missing--Bastards from the

    Count: uncertain sun

    -light, filled with odd,

    Old testimonies dump

    Nightmares on the

    Will: a restless horse,

    Bridle with a sound

    Clamp, for now. ButTeeth are proud and

    Restive. But, stay

    Your hand, for what

    Stems from this

    Particular psychology

    Of leaves on the

    Soaked hills, crud;

    Leaves banged to

    Wisps, dirty ones?

    Bloody go the gulping

    Strings, twanging

    Strings, stay, stay:

    Brave the whiny,

    Whanging wind, just,

    Like, after all, a simplicity:

    Whom this blurry-

    -Hostage banters with:

    A captor: whom is a

    Kind of organized evil,

    Composed despicably

    Throughout whole pleas that

    Each one cause a raise

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    Of voice, when at

    Crescendo of the-

    -Obligatory rant:

    Confession:yea, a

    Pressing matter here,

    And the ego as one

    Would suppose affronted

    By interruptions, from

    That lowly cowering-

    -Cowering hostage, he

    Stiffening back at the

    Nudge of the damned

    Captors/bandits gun:

    But: whom prayers would

    Presume a productive

    'Yes' that would amount

    To a different set of guy:

    The good lord tackles

    Naysaying enough

    Already: ahem: clips

    Of yourself shaggingAss from cops show

    Up online in droves,

    And going viral lands

    You in jail: that happened:

    While the wood snores,

    Of course, the saw

    Remains silent and

    Disgruntled, that is,With neighboring

    Desiderata, wood-chip,

    Thin, aromatic punk,

    The keif of woodlands:

    An egg to swallow

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    Snakes: poorly-drawn

    Fruit: casket droppings

    Are possible even if

    Sustained under the

    Muscular ambitions ofThe sunniest pallbearer:

    If close to the deceased,

    They would tear up &

    Rage & stuff: makes

    Sense, if onlythat

    Does, sans regards the

    Context of all else:

    Hostage: moral carrion,Grumpy standards of

    Living ruin the face of

    Any eventual corpse:

    If even it was a happy

    Death: apart from the

    Couch, the pallbearer

    Has no respite in life &

    Is hassled by stressors

    Both general & too,

    Well, specific to remain

    Anything but unspecified:

    His exertion, in the

    Moment, tho, dont

    Flag, and all soon is

    Settled, that is, six

    Feet under, and as

    Thunder punctuates

    Wellwe all go home

    To our forgetting of it,

    It, death, gone, and

    Then, incipit tragoedia:

    But honed in on whats

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    Abreast in our own-

    -Breast, a personal

    Taxation: by then,

    Empiricism has lost its

    Place in any sort of big

    Macrocosmic duty to

    Alight ourselves from

    Intimate holes in the

    Argument, for the sake

    Of the entire, that is,

    World: not only do we

    Relate those illogical

    Commitments to our-

    Selves, but by proxy we

    Assume the greater

    Good illogical, piggish,

    Consumptive,and smile:

    Us is I, I is us: one thinks

    Of the detached, formal

    Unit one as a cruel

    Ward [wad] whomEntertains the parents,

    But whom the children

    Secretly despise the

    Smile of: molars packed

    With blockage: hoarse

    Bravado, hermetic,

    Oversensitive seethe

    Of smile; shouting aDevilish finger to the

    Devilish door: get out,

    Says the ward: an

    Exceeding annoyance

    To communicate stirs

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    63/96

    The tongue of the

    Ward, piece of shit,

    To click and smack,

    An unseemly sputtering

    Demand, eating cashews:

    .

    I think of every attempt

    To start over as a new

    Mollifying glance at that

    Pissed beauty with its

    Eyes closed anyway: more

    Reassuring to me in doing

    Than her a source of

    Anger I tried to divert,

    And to myself more

    Diverting from my own

    Angers alone: I am trying

    To beat PASCAL with

    Unbelievable import,

    Mere occupation: but

    Poetry is, yea, while

    Cool, swell as shit

    Really, still a diversion:

    So then, let me be an

    Artisan: or carpenter:

    Or creator of carpets:

    OR, a tail-coated

    Server of gruyere

    Perhaps: I am manic!Manic! I search thru

    Formal strata to find

    Iterations of the fair,

    Thinnest past the even

    Tho evenest oblique

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    Shades, or some

    Substance based on

    Its difference from

    Others, that is a

    Substance by that

    Differing quality

    Only: ghosts: not

    That is of self but

    Verbiag