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LK100AR1A
A
CASIO COMPUTER CO.,LTD.6-2, Hon-machi 1-chome
Shibuya-ku, Tokyo 151-8543, JapanMA0603-A Printed in China
LK100AR1A
C
! "#$
MID
I Imp
lemen
tation
Ch
art
Mode 1 : O
MN
I ON
, PO
LYM
ode 2 : OM
NI O
N, M
ON
OO
: Yes
Mode 3 : O
MN
I OF
F, P
OLY
Mode 4 : O
MN
I OF
F, M
ON
OX
: No
Fu
nctio
n ...
Tran
smitted
Reco
gn
izedR
emarks
Basic
Defau
ltC
han
nel
Ch
ang
ed
Defau
ltM
od
eM
essages
Altered
No
teN
um
ber
Tru
e voice
Velo
cityN
ote O
NN
ote O
FF
After
Key’s
To
uch
Ch
’s
Pitch
Ben
der
1C
on
trol
6, 38C
han
ge
7101164
100, 101120121
Pro
gram
Ch
ang
e:T
rue #
System
Exclu
sive
System
: So
ng
Po
sC
om
mo
n: S
on
g S
el: T
un
e
System
: Clo
ckR
eal Tim
e: C
om
man
ds
Au
x: L
ocal O
N/O
FF
: All n
otes O
FF
Messag
es: A
ctive Sen
se: R
eset
Rem
arks
11
Mode 3X
36-96
X 9nH
V =
100
X 9nH
V =
0
XXXXXXXXOXXX
O 0-99
XXXXXXXXXX
*1:
% &'
(
)
*2
=*
+
&
Modulation
Data entry
Volum
eP
anE
xpressionH
old1
RP
N LS
B, M
SB
All sound off
Reset all controller
*3:
&
&'
,
- .
/
GM
1-4, 101-4, 10
Mode 3X
0-12736-96 *
1
O 9nH
V =
1-127X
9nH V
= 0,8nH
V =
* 2
XXOOXOXXOXXX
O 0-127, 0-99 * 3
XXXXXXXXXX
Version: 1.0
Model L
K-100
662A-A-002A662A-A-039A
AR-1 662A-A-003A
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AR-2662A-A-004A
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AR-3 662A-A-005A
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2 (+3 4+0$&h *+6 ;&O 98+6 ,E( -+* &F [ ^ 9* / L ZFY 9.S+Fl ;&, 0#8(1&2? 0B 6 [&o
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CASIO7T
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CASIO7T
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CASIO7T
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AR-4662A-A-006A
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3+$#+%& B9 6 ,2(_ MIDI
•+~ 4+S #?&6H+ = 1'?9 i#& e$#•%'+ H *9 #?&6H+•!)( wa& B G7 ) !M #?&6H+
AR-6
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%x ~ L - p NhT0 $0 H 1C Oi#0 1 gC %n ) x 1F&G0 &V0 C H 2(0 (6- x 1F&G0 )x )(*06gC L NhT0 1C Oi#0
• V(3(7 4+S ON( \(E )x lF+7 Yq p 6 lF+7 Yq u ? %) O4(1Z !M2( x +S&M#G#0 F+10 .x 1(O4(1Z B+%#0/ '( ! %+Y#d +S +M#G#0 (A ) a(a0 (c0
" :+•1$(e0 * 6%& ( 6M+x %^ +0 =(%#s 6%+(%#?#( (gz mG(D 6B+S 6hq F(1[ 0 3(0 67 I9 4+S B($(S
#(A 6e$##(
2 H•)T#0 M20 H+0 %h#& =( +0 =(%#s
^_MIDI•! +4#9 12(_ MIDI & v?C L !4 4+S +S H 39 L +0 =(%#s 62(_ +49 1+MF0 x H +0 =(%#s
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662A-A-008A
AR-7
W!3a b
ccccccccccccccccccccccccAR-1
+=L "<cccccccccccccccccccccccccAR-6
(5 @]cccccccccccccccccccccccccccccccccAR-8
!o( (9 GF0 +M#G#0AR-9
WD %DccccccccccccccccccccccccccAR-10
:! !cccccccccccccccccccccccccAR-11
M $F((SAR-11
M 2(y #( &** ACAR-11
!G(x G7 %G(8#(AAR-12
!N %+4#9 G7AR-12
6 / 9'7cccccccccccccccAR-12
H=ccccccccccccccccccccccccccccccAR-13
G$K T()(SO&zAR-13
G$K %)#qAR-13
!M G$K #?&6H+AR-13
VG(S 6m#(SAR-14
@M %%cccccccccccccccccccccccAR-15
+4#9 6HB9 #(AR-15
h##& hT(SAR-15
6(8` &~ =#7AR-16
)x o( mM&AR-17
)x mG(DAR-18
662A-A-009A
!M B($0G(8#0AR-18
mI(- Z T(gz M(1G0 $5AR-20
#G] (\ [ =dccccccccccAR-21
M Nk( * lF+S UAR-21
*#9 x 1(O4(1Z B+%#0AR-23
wa& +Y#dAR-23
F+7 p: q +Y#dAR-24
F+7 u: q VLAR-25
F+7 : x 1&)0 )(*0AR-25
) ,E # #&~AR-26
MIDIccccccccccccccccccccccccccccccccccAR-27
( (4#0 MIDI?AR-27
MIDI (AR-27
WD _PccccccccccccccccccccccccccccAR-29
4U OF(EAR-29
+4=(SAR-31
'^ccccccccccccccccccccccccccccccccccccccA-1
Y(8T0 &F0 NhT0 GMA-1
Y(8T0mG(DA-2
,6- 6%( x 1(O4(1Z (FINGERED CHORD)
A-3
MIDI Implementation Chart
AR-8
E
J
EDC F H I***** G
M N O P Q R
1 2 3
7 8 0 A B9
4 65
LK
662A-A-010A
AR-9
1 MIC VOLUME
2 POWER/MODE
3 POWER
4! MAIN VOLUME
5! DEMO
6! KEY LIGHT
RHYTHM CONTROLLER " #$ %&'(7! SYNCHRO/FILL-IN
8! START/STOP
9) TEMPO
0! SONG BANK
A! RHYTHM
B! TONE
C*+,- .-
D)/,0 12 CHORD
E,
F*+,- 100 SONG BANK
G34-
H*+,- 50 RHYTHMS
A-2 I*+,- 100 TONES
! GM A-1 "# $% J5 6 7 8 9
K :; TRANSPOSE/TUNE/LOCAL CONTROL
L) <*
3-STEP LESSON "= > ? @A(M! STEP 1
N! STEP 2
O! STEP 3
P! PART SELECT
Q) ONE KEY PLAY
R! SPEAK
SBC @D MIDI OUT
TBC @ MIDI IN
UEF $ SUSTAIN
VEF DC 9V
WEF PHONES/OUTPUT
&'(% )'* '+ ,'- .' /0# 1'&2*34 56 "# "07 & 58 9:&":0 *5;:&(% )* +XEF MIC IN
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662A-A-011A
AR-10
1F7G "5. POWER/MODE 3&F8 NORMAL
2F!G H- SONG BANK
3@;< 3# . : ; I :HJ K 5L MN5, PQ )R;?S-- M-? <2 Q TE ;< #
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kT w i n l e
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662A-A-012A
AR-11
5
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662A-A-013A
AR-12
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ee+eeJe\ ee Cee&8 e,e feAO8 -Kgdeee\ 2N8
) . X!G *3. H- TONE P5\ :&(% &@ :A 0. :7% (W [ ;-Y :3a 9( b- :&(% ;-Y
VIW-•*5; W [ dbk &u sI &@ :A ` :5% 9:&":0 9` :. b'-a
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662A-A-014A
AR-13
1
2
3
!" #$% " &'( )*+ ,-. ,/ ,%'"*0 )/ 12 3452 #'6" 7 % 89 )/ :%4; %<
!"# 1$
: = >?@A' &B "C ,D% )*+ ,-.'E2 3452 /F +%G !G H % * )I J B KLM0
%&' ( !"# 2$
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*G /* *0
# ) * !"# 3$:%L_ :*2 P 3452 Q"; *R % + ,-. A 4T ,:?0
+• ' :%L_ :*'2 R )S ':G !G @'F E *R' )*+ ,-'.,
,40
,-
INPUT
./345'2 ' )' N' %'> YSP-3, SP-20[ ^G' ?S' SUSTAIN
%4 ? ,#` :-0
0. ./•A Wb W', Xb6 *G >c %$d 5', ) D
) L W0•A Wb' 7I, Xb6' *G ' >c :%' " +%'G >%N
e :
123.4 *#567^I 4!I %g P>h ,?SMIC IN >i/ ,4 b5Z )%JjA 7Q'I *' *+' ,-'. A &'B 'J MIDI0 5 '4!I , h #'6 Y% ,>2[ MIC VOLUME ^G
#6 5L-k Wh, )/ 12 #6 ,% Ej 8R )/ %0
89#6 l MIC VOLUME +%G >". *G OWc “MIN”0
:9+; -%g Vbm^>?F on/off ,4!I ^G #A %Vb0
;9:%'L'_ l' MIC VOLUME 4n' X'6 '%' ,4!I ^G ,% Ej 8R0
SUSTAIN
SP-20
?S PHONES/OUTPUT
)S :G
4 + -.,%, 000o0
+)k )S PIN
3p>
AUX IN $F V)R ,4 G
<
^G ?S + ,-.PHONES/OUTPUT
)S :G+ -. %
-%g YVbm^>?F[ on/off ,4!I
4!I
l MIC VOLUME
662A-A-015A
AR-14
• ' ^:%L_ ,-'%g on/off *'4!'I %`> ,'4!I ^G' #Aq>?F -" ,4!I + ,-. ,:? 5 %L0
=> #567 *( 0?
•4!I C>5n Y+n[ Y,?S ?:n[
• !" ,4!I + ,-. ,:? 5 %L0
<@ !AA@ 2BCD E2%$>h rF % c +s Z Y##Z %bE> q:% [0
•b@ = ,4!I )e•#A ,4!I >h h :
^1 +s 'Z, 9 ^)/'C ,4!'I )/'h =, +'R )/'h j: i0
AA@ 2FGq#Z -*W %c !n +s ##Z %Vt !n ^K ,4!I0
5 >`s UE, ue )/h q#Z %n %A I 4I :c %Vt0
*H 5E2I^:%L'_ !?6 ,*`?' q%' vC *+ ,-'. ,:'? UEw0 ^I^:%L'_ KZ 8' /%' >L*l @' Q>l, "'/? 4')x', q)VL"0
662A-A-016A
AR-15
BASS PIANO
5? PERCUSSION YN 99[• PERCUSSION Y5b 99[ /p yz W? :/ *+
,-. U #. CWw0 7 ,/5 4 -%g >V ^ *G +,-.0
+•Cx' C 'C> N' 5b''0 1 H )'C; 'C + !I V'K' A'
4 ^G #6 N 5b )? )/ |WG **0•1 8 #6' 5b )5' Xb6 -%'g + ,-. !I 5'b %b' +%G
>% Xb6 *G ,-%g Xb6 *G -%g + ,-. 0•A Wb' `C YD ' 5? %|' "[, ' >4I U5e b'
b S U5e b *'G q$<~ !G &@, )bk 5r -%gXb@R + ,-.0
•1 C*H ; N @ N 5b, 3452 /C ^G X6 )l )Xb6 *G TONE0
J* (6 2 BK)/k 5b' ,X$' ?h ?'N + ,-'. /@G p' D0 AD UEw 5b, >/% " 5 *G ,#A + ,-. %G /!0D; 12, BASS/PIANO YWb 90[ >XA BASS *G V; PIANO *G3p + ,-.0
>,-<
BASS/PIANO YN 90[
TEMPO
DEMOMAIN VOLUMETONE
RHYTHM
SONG BANK
Number buttonsPOWER/MODE
START/STOPSYNCHRO/FILL-IN
UE OZ ' ,A >! 2 ,/'* 7::' %G u%' %%L'_ +,-.0
2 56L 2I
89#6 ,5%?G POWER/MODE ^G #A NORMAL0
:9#b6 -. + ,-.0
;9:%L'_ Jl MAIN VOLUME X'6' %' " G'% 5L-k W0
M9-" % #6 5%?G POWER/MODE ^G #A OFF0
2B KB
89Wr ^G x 5b ,@ * *G WX + ,-. )`\ 5b %G >U0*Wr x >@ Wb GM )"-` A-1 %-"<
:9#b6 TONE0
;9:%L'_ 7J ,' qC; N' 1 /C>' E >`'C5b E > %w0D;:4n L% “26 ACOUSTIC BASS”, C 2 |N 60
G r a n d P n o
D+& N"
A c o . B a s s
7J ,
662A-A-017A
AR-16
5OPQ R .SJ* T2 B2
%'> !G + ,-'. UEw /@'2 - %'!A L-k -%'+/; w W" Wb0 UE >/'5G W2 %@A I @)l %5:c KLM, %@A I *bG < !A 5b &-- ,:?G %i/* :*/F0
89|5Z j #A )iWc #A' )52 78Wn Y>V ^R 5_ >X',dK' SONG BANK[, :%' !n X'b6' *G ' TONE
#b6 RHYTHM0•N )CZ &@ !G' <; S |WG )/ CZ &@' 0
:9:%L_ J TEMPO %b -%g + ,-.0D;:%b %5bN ^G B Y#` ) -1 7W Wb + :- C, E
U WbN C )5 *+[0
T r a n s
T r a n s ( – )
F# G A B C D E FA B C# E
Trans (–) Trans (+)
>*J 5K&<
>@ K<
KB/ B (-1)KB/ UR
D F G A
B
C
B
C
EC D E F G A B C
B
C D E F G A C
$(=6 (0! BK 5 .<,"@*. )G !WG >V ^G "G C 5 34 ! !G W-S H0+ ,-. UEw )' W %/C 7 %G V 5' %G /!
QI q>?] 1B ,"+ %*?x %G /! + ,-.0 ^I UE >/5G WR|5Z F Q q>?] 1B ,"+ %*?x ):@ + ,-., !I C5 Y%/C 7[ %G 34 Q"; * *+ 0 >X +I )/k 5b ?_ Wb %/C 7 !?60
•|5Z F Q >?] 1B "+c *?xG, !I C 7 ,/! !GW-S H >?0
•8N W2 %@A I " +%G W' !G , +, !I -.*+ 7)/ ,Xb$ !G T XGZ !?60
#b6 :#b6 :
: -%g: KK
662A-A-018A
BASS DRUM
SIDE STICK
ACOUSTIC SNARE
HAND CLAP
ELECTRIC SNARE
LOW FLOOR TOM
CLOSED HI-HAT
HIGH FLOOR TOM
PEDAL HI-HAT
LOW TOM
OPEN HI-HAT
LOW MID TOM
HIGH MID TOM
CRASH CYMBAL 1
HIGH TOM
RIDE CYMBAL 1
CHINESE CYMBAL
RIDE BELL
TAMBOURINE
SPLASH CYMBAL
COWBELL
CRASH CYMBAL 2
CLAVES
RIDE CYMBAL 2
HIGH BONGO
LOW BONGO
MUTE HIGH CONGA
OPEN HIGH CONGA
LOW CONGA
HIGH TIMBALES
LOW TIMBALES
HIGH AGOGO
LOW AGOGO
CABASA
MARACAS
VOICE 1
VOICE 2
VOICE 3
VOICE 4
VOICE 5
AR-17
+•1 H KK %5bN *G /# QG S |WG )I K, !I
VK :F . 4h0•!G &@ @>? )?, %@A >X I %L_ 7J ,
qC; 00 +%G 500•)Xb6 *G J TEMPO ( / ) !G W-S H >A #A %58N ^G 000•#b6 J SONG BANK >b #A %58N ^G 000•#A %58N >d| *G QI )52 7850•3452 5bN + ,-. !G ±50 :5%S ?> Y :5%S = W" Wb[0•#6 %58N 4 >X6 *G 00 5 Vb *+0•)Xb6 *G DEMO u; #A %58N ^G 000• * %58N d| *G Q q>?] Y99 PERCUSSION[0
VW X7 E2<Y3452 #6 + ,-. ^G F % Q D% !G )52 7850:F X' -'.' + %'Vb' %'#.' W F '*C &' )*'`
q:%/ |5Z /F0
Y<21 ZX WV @.
89N )% % #6 % "0
:9#b6 J DEMO0•>% F Q q:%/ !G C %)/ Wx +%G ?_ )-"*R0•^:N N Q q:%/ E >/F TI #. !G /#0•34'52' /''F )%''J *'G '+' ,-''.' |5'Z ^ 'C 'F Q'
q:%/0
;93452 b' F Q q:%/ E >/'F +h )Xb6 *G 7J ,0•>/C 'F QI )52 785' !G %)A' _ *`, )'Cx )N E'
%R0
Y<2 ZX WV WD[#b6' *G ' DEMO START/STOP ' %' F Qq:%/0
+•1 H KK 5? *G /# QG S |WG )I ' KnZ, !I
VK :F . 4h0• %@A b #6 5? 5 4I + ,-. !G #A )52 7850•!G &@ !G /* ,E <w, %@A >X I %L_ 7J , 0
+%G 5 %`C C ^G F0•)Xb6' *G J TEMPO ( / ) !G W-S 'H >/ #6 #A' %`>
^G C(0)0•#6 %`> >%`; 4 ^G #A C(0) 5 *+ #A
%Vb0•#6 5? >X6 4 ^G C(0) 5 Xb6 *G SONG BANK0•@ W ` /% *G 5b %G %L0 ^1 WH * 5? %c
!n I 5 %/j "G *5b %n %L, !I W-S 5 O9,:?n 7 *G , 5b %;0
• * 5? %b d| *G 5b N 99 (PERCUSSION) QI q>?],"+c *?x0
•u> 5b' 75 +%G 79 E2 90 +%G 96 >b' ,-. %G `C ' 5b0
•#6 %b >X6 4 *G C(0) 5 Xb6 DEMO0
J* /BK2 * )@ P/*2 58N + ,-. ^G :? 0
89|5Z j #A )iWc #A )52 78Wn Y>V ^R 5 >X,dK' SONG BANK[, :%' !n X'b6' *G ' TONE
#b6 *G SONG BANK0•N )%5-E &@ !G <; y |WG )/ 5-E &@ 0
:9:%L_ J TEMPO %b 58N + ,-.0D;:%L-k %5bN ?
T u n e
T u n e ( – )
662A-A-019A
AR-18
\9:%L_ J TEMPO X6 F Q q>?]0
•!G Xb6 + J TEMPO |5Z ? /F,!I #6 /F >%b @ <; 040 +%G 2550
•#6 : q>?] )%xG 5 ? U 1200•)/' #6 :' q>?'] QG )X'b6 *'G J TEMPO !G
@' , 345'2 >X' C; #'6 :' q>?'] E '>w C2)C; N |<| C ):%L_ 7J ,0
•:%' Xb'6 *'G >h ' J TEMPO :F >b' #6' : 'q>?] ) 0
•4G / #6 : q>?] ^G ? ?: 4 Q ^>?], #b6 J TEMPO0
]9q>?'F F Q q>?'], #b6 ' *G J START/
STOP0
123.4 *L2P+ ,-. UEw % )+%x *G y 1B "+c +\ 452 I X"+ *' *?x /!2'0 ,"+ %*?'x0 !I Z +,-. >`-' WH + -'. "+0 |5Z !2 e !G' +,-. ,"+, !I 51B ,"+ :F X6 4 %%A @ /F0WH u" *G $'>?%p L%*-%p /'F Q520 FINGERED 452 F*` -/ C, )5 CASIO CHORD >i/ ,4 I /F QId- * )A +0
L* J* - :-' Y>'[, y '9 :'?G' `-' q:%'L'R *'+ -''."+ 5' L% CASIO CHORD FINGERED A 5%'?G POWER/
MODE0 *+ *G -. + ,-. ,"+ #` ):Z 5 %G/!'0 )? + ,-'. YOZ E >V '+ ,-. ,"'+[ >G)*+ -. *`0 W2 %E UEw ,"@*`, 7WN :F >%L!G )? UE0
*J *L J HZ
^I '+ ,-''. 34' I %'L'_ /'F *`' |5'Z C 5'%?'GPOWER/MODE X$h *G #A NORMAL0( )
+•|5Z F Q )52 785 3452 !?6 :%L_ 7J %0
•Jl MAIN VOLUME
•J 7 C• START/STOP
•5%?G POWER/MODE (OFF)
• DEMO
• KEY LIGHT
• SPEAK
• 3452 b 5b ,%L ,*C Q )52 7850
VW ED>UEw *+ % i 50 1B Q ^>?] C D%0 1B >!L> 5? 4 ^) %20
>D1 ZX WV5 I2
89#6 ,5%?G POWER/MODE *G #A C NORMAL0
:9 Q' q>?] E'j > I '%L'R !n' x' q>?]Y-` A-2[ + N *`0
;9#b6 *G RHYTHM0• 5 -/ 12, >r ,dK RHYTHM0•7:N 'N E> >r'I *G' VK >'; *G Q q>?'] E
% TI0
M9:%L'_ 7J , qC; 'p N q>?'] E >:%LR0D;:q% “37 SAMBA”, C 3 |N 70
• Cx I uC C 1 p0•1 %V-H @ I N DWG, #b6 *G J RHYTHM
4G A ^G N ^>?] X6 )l0•3452 %b ^G >?] +%G |5Z F q>?] QG0
^9#b6 *G J START/STOP 12 % F Q q>?]0• 5 -/, > q>?] %0
S amb a
662A-A-020A
AR-19
C
Caug (*1)
Cm7
C75 (*1)
Cmadd9
Cm
Csus4
CM7
C7sus4
CmM7
Cdim
C7
Cm75
Cadd9
Cdim7 (*1)
*1A UEw 7, 5 -* !G F 7)A %L_ Cxh iE0 I !2 )7)A OE E > I %LR )@>? :*0
^9:% !G Xb6 *G -. L%*- !G + ,-. ,"+%/F ?_ &( )20
\9% F ,"+ %*?x, #b6 *G START/STOP
0
_00 WV< 4.32>Ce Wr_ FINGERED )/C !' 70 !G UE 5r_, %@'A I
F 1B "+ )Xb6 *G |<s )A -. + ,-. ,"+0+' ,-.' UEw C *G' F y L'%*0 ': %' '#./'F )7')A %'*2 7' A 7' C0 + WR' 3452' I *b'G 5'&' Y,#` C' 7= !G :' %#'` :-'[ 4G 5'%7 7, m7, M7, add9, madd9 mM70
4+= 4.32CASIO CHORD^I Wr_ CASIO CHORD :F 34'52 I /F )' W] 7 7)/x0 F 7 6 U #. )O; :-0
+•5 -* Y"G [ %G /! uC :N 0 D< 1 WH 5 -*
C, !I + ,-. 5% C0• 5 Xb6 *G D -%g + "+c, >4I U5e %<F :Z WH
,-. *G 3p :- 5 )XZ :CZ0
WV<CASIO CHORDP `L*
89:%L_ ,5%?G POWER/MODE %L% CASIO CHORD0
:9% Q >?] *?xG U' #. !G q% F Q>?] !G -` AR-180
;9) F Q q>?]0•1 C )%Z F 1B C Q q>?], #b6 START/
STOP0•34 >X I %'L_ )%Z % Y-` AR-20[ %' F Q
q>?]0
M9#b6 -%g + +%G ^G )A -. !G + ,-.,"+ :F 5b ,"+ !G /F 40
/
,-
C
Y xGC[
Cm
Y b C[
C7
Y :)A C[
Cm7
Y :)Ab C[
J
#b6 -%g5. "+c
#b6 C aKb-%g "+c
#b6 C ac-. "+
#b6 C I0_-. "+
K>
xG
b
:)A
:)Ab
CC DE FFE GA
A BB
CC DE FE
CC DE FFE GA
A BB
CC DE FE
CC DE FFE GA
A BB
CC DE FE
CC DE FFE GA
A BB
CC DE FE
662A-A-021A
AR-20
EId- _ Ke 0 fgX'b6' *G' START/STOP %'' F Q' ^>?'] >'c 'F #A'@/G *'51B0 3452 >X F i' q>? %*- '%L/* ,E :-0
FX >D 4.323452 C; >?] QV )Xb6 *G ' SYNCHRO/FILL-IN |5Z F>?] *?xG0
ZV2 D.0 4.323452 I q>?] 51B ,"+c !G W-S H, )/!2 !G + ,-.,"+0 %/ 12, A &@ %0
89#6 ,5'%?G POWER/MODE ^G' #A CASIO CHORD
#A FINGERED0
:9^% >?] *?xG0
;9#b6 SYNCHRO/FILL-IN0
M9#b6 ,-'. ,"+' %/F ; Q0 i'C I -/ UE,> 51B ,"+c *?x0
^9% 1B ,"+ %*?x, #b6 START/STOP0
+•^1 #@H ,5%?G POWER/MODE ^G #A NORMAL !G @ !G -`
AR-18, !I /* !G @ !G F q>?] Y 5?[ !?60
•1 !H W + |5p !?6 ) , |<s W 4I ', !WR' >5%' 0 Wr'_ FINGERED >%@'*c 4'I |<s )A' W '> /'!' 4'G >5'%' -' *'?'x'0 >X' +' I 7Q'I,%- / !?6 A 1B q>?] H %?* 5N0
+•7D* <w #. W] + !?6 /F )7)A ,45 4 0 + WR
3452 F 5 %G 4I !G V40 /F )7)A %,D<, 5% W-S C0
•Wr ; /F )7)A !G -` A-3 *`"; *G /* /F )7)A 4 OE0
P L WV<FINGERED
89:%L_ ,5%?G POWER/MODE %L% FINGERED0
:9% Q >?] *?xG U #. uH q% F Q>?] !G `- AR-180
;9) F Q q>?]0•1 C F 1B Q >?] C, #b6 J START/STOP0•345'2 >X' :%L'_ )'> %'5' YUEw "'-`'[ %' 'F Q
q>?]0
M9 F !G + ,-. ,"+ % F Q "+c*?xG0
^9:% !G Xb6 *G -. + ,-. ,"+ /F ?_ &( )20
\9% F "+ *?x, #b6 *G J START/STOP 0
*2J *L
/
662A-A-022A
AR-21
!"#$
%& '( ))* + ',- . &"/ 0" &123 4566 ONE KEY PLAY74 8 !"/ 123 9:3 ;6< => ,? $ @ A/ =B7 &-CD . -2 EF-G H;6I 4 E &@ ; 7' ))* + ',-J, 6H3 ' 00 83 EL MF- EAN O4+ 'F-EANP, &"L ' 84 99 . &2 O4+ 2 P7
9:3 ;6< => ,? ! 12'# '( Q ;6< => ,? !E; 7
: 8RC 4566 ONE KEY PLAY S %;T +'F- EAN 4U VD 2 L" . 4+ 2 7 . +W, E%F- AN 4UE'E! OVD 2 @T . 9RL> 2 P&1 7 X 4566 ONE KEY PLAY, !"/ 4 8 XRC4T ' 'YEG %YEG S 4U VD 2 L"7 Z [2
[\ =] 4 E; 9Y/ HJ %^ 9> S%;T7
: !" #$._ [\ =, E23 6X $ '[_ B&( _ `aZ12'# , U9:3 XD %Yb $ '[ %Yb ' %YEG c `a XRd7 !"/ &@ A/ %F->AN 4U VD 2 L" E":@ E8RC %Yb FSG7
%: &'( )*+&, &-, [ %T, ' Ee 'YEG %YEG '8f -W 4T 9>
`a 4 E, ! ":@Ug '@] 4Q@T 8RC %Yb FSG7%F-> AN> 4U VD 2 @T $ .# &@ ; 7
.,•H2 E( 4 E@T XD 'YEG hJ 4 iLj %-@] 4U . '"k 4Q@T
'8D] &i2]7•!"/ XRC 4566 ONE KEY PLAY, STEP 1, STEP 2, USTEP 3 . 4T
UHJ, ' 2 . 4l"D S ;7 ! E2 %YEG X# ;T,XRC 56 SONG BANK7
/0-1 ,&+ 234!"/ 4 E23 @ A . Q] m ' => . BYS AR-19 8-C1@ Z An VD 2 @T . &"/ 0" U;6< => ,? OQ] * oP7[ " 49/ E( 4 E23 1@ Z An &p . -2 , l$ EU;\ qL E$7XRC q ' 56T TEMPO O U P . 9Yj HJ 2 Z X-d&2N &k7
,3# ,567 85) "! ('
9&Sr 6H$ "RL E@ 2 .# . HNL &"/ 0"7
9XRC 6 SONG BANK :#@ 's@ SONG
BANK7• [ -a ._ t#6 6H$ U41$ + &"/ 09_ u6 +_
6X7
%9;Qv 2; wT @HLW "RL E@ 2 .#7',e:!_ E6 “13 TWINKLE TWINKLE LITTLE STAR” 4;Qv
1 l$ &2 w/ 37
T w i n k l e ;9XRC 6 START/STOP -24 S u67
•S u6 E!@6 , '( ZXD] 'YEG i@ Z 9>S %;T7
STEP 1STEP 2 STEP 3
TONE
PART SELECT
SONG BANKKEY LIGHTSPEAK
ONE KEY PLAY
START/STOP
662A-A-023A
AR-22
<9Hy + &"/ 0", XRC 6 START/STOP '@]4Q@T7
=9@z ' UX( &"/ 0", XRC 6 SONG BANK '@]Q@T7
•"2' EYv w/, "Yp 's@ SONG BANK7
.,•;NL ;Qv 2; wT 6HLW @H$ &"/ 0"7•!"/ ;Qe 6H$ + &"/ 0" l"D + Q@ ' &"/ 0"7•w 4;QJ Q| 4Ue 6H$ ' 6H$ + &"/ 0", !"/ ;] Z 8-C &k
&8RC 56 SONG BANK7• ! 1Le 56 RHYTHM . UX( &"/ 0"7 w 6;> An, XRC
6 SONG BANK ; Z X( ;T 4U7
('& >5?@ -A B+&C DEF# >41 GHIEJ67 85)
E8_D 'YEG %YEG !_ EXG %YEG _ `a 4 E8RC !_ E&5c '( 4+ &"/ 09_ ',v Z;] .#$7 "2 9Yj HJ, E@6X &B&(, 41LD UE6, 1@ An U%'> Q@T7
kT w i n l e
'( )7K)L@ E+M, +&, N-0/
3# L)K7 GOPE@ 4 8I 6X ' `a / 4 E-@ 4B&( !_ E ">, U' [~\ c `a 4 E-@ .d 4B&/7
',e: @ "> %q6] 4;9\ &1 2 L"
C EDA B3 31 12
C EDA B
•B U C i@ Z 4 -& `a 4 E-@ . %•C U D i@ Z 4  `a 4 -@ 41Yv -&7
,567 85) ('& >5?@ QF# >41"2' EA3 &;] + &"/ 0", E8p 'YEG %YEG !_ E-W /"> %1A _ E I7
!" )58 765, #R.3, E0OE8D 'YEG VD S ';T UE@7
.,•& 9RL> &"/ 0" E23 UE6 O',v C6P E( 4 E '(
X-C FINGERED OBYS AR-19P7 ._ UX( FINGERED, H2 EF26 UE6B> 'y F> %" &;] &"/ 0", Zw HLJ &
UE6 &B&( qL [ 'i6 Zd &%YEG %8f7
!" )58 765, S -"E8D 'YEG VD 2 @T UVD 2 L"7
@4> E, '( $9CE+
TU VE,−C WX CE+−CYC 5 7+$ X EZ[ E+ E\X> ) 3]9
^'> *+$ ^'> M5X
6X B&( %-6]'2'I &"/ 09
662A-A-024A
AR-23
('_& >_5?@ -A B+&C QF# >41 GHIE,?
"L EA3 &Q6 + 'F- EAN O' 00 Z83 P ;6< =>,l, 9:3 ZXD] %Yb -W / '[ %Yb c E8Rd, &"L EXG /6X &B&(7
5E, 8p 'Yb %YEG c `a 4 8RC7 B&( _ `a 4 E2'#!_ E "> %1A E! Z 8I 'XS 6X7
`] 5E,E:v 'YEG %YEG '8f % `a 4 E ">7 :v 4 8I &B&( 6X %2] e "E7
5E, , ' 'Yb %YEG = &"E _ `a 4 E, &"L :#@6H$ ' 6X &A@^ ' B-( c `a 4 E2'd "E7
**, " 5 a Fb "Yp XD 'Yb %YEG +:I &W "> U 8p '@] 4Q@T !v 9E '7E"Yp Z 8I &B&( UE8p '@] 4Q@T7
1st Note 2nd Note 3rd Note
',e:"2' a XRC %YEG &B-W 3, U2, l$ 17
G '( )7K)L RE, 23 ;v &B&( FE 'Sq] B> 9 !_ E2 46H3 &B&( 4l"D =] 6H$ * U=] 6H$ 26 a VD 22]7 ._ 4V/ 8RC 'Yb ' &|&#'/, 1-v %,e,. Ae ;v &B&( FE “One!”7 . E@ &1Z&#'/, 1 UB-( FR@, . Ae ;v &B&( FE;
“One, three, five!”7 2 ;v &B&( FE &B&( .AC "2' EA3 &8RC
%Yb FSG "2' `a / .v w/7
G__H_I__ L_4_ ,__E_R_ L_)_K7) (' G G-c (0-NC
Z123 6 SPEAK !_ he ;v &B&( FE X( iRvU A7
de+ 2g 's@ HJ 4 EF-G ';I + _ E.# Ue '@]&-W HJ "> _ E.# %YEG7 ' #v 6 HJ "2'E23 1@ 4 An &f 4l"D 26<7
+ed 1 XG 's@ HJ EHJ "> ] ._ D u6 I OR 4U LP7 ">Ei6 Z# M`LW '"YFW S@q ' HL 6X, Z 41Yv An7 E9E ' "2' EFv '`L# Z Hn 6X7
•qv ' LW %"YFW ! 4 Ei@ Z 9E U2] 4U 4q,@, 4L;I S c E.d7
.,• @ 's@ HJ EHJ "E qL E2 + &"/ 0" U 4l"D ;6<
=> ,l7• 4 's@ HJ @ EHJ EA@ -_ .AC7
4l"D + ', ! 4 ! HJ %i6 Zd ._ 4c '! ' "E ,'" Z"E ,9 U,l ' HJ Y_7
de+ G '( )7K)L RE,
.,•e "E i6 Zd "2' E23 + w> 2 O' 84 U 99P '(
=] * U=] 26< wU ,? Q>7 M`@; 4 E8RC 'Yb '8_D7.9d "Yp U -24 %Yb _ Uc 1 ._ '7
• i6 Z e "E &1 9:3 XD %Yb "2' E23 "RL w> 2 '( =] o7 ._ [\ +, . %Yb _ c `a 4 ' "2'E8RC 'Yb '8_D U6H$ B-( _ :#@ 6X7 @ .AC 6H$B-( +_7
E 5E, ,
5E, #'CW, f5
XD %Yb
"E %1A"E %1A+
U' 8_D U' 8_D 8_D U'
662A-A-025A
AR-24
DEF# >4 GRW
9XRC 6 KEY LIGHT7• Y_ %s@ KEY LIGHT "2' ! 9:3 XD %Yb 'SI X(
A7•XRC 6 KEY LIGHT '@] 4Q@T 2 EBv XD %Yb7
.,XD] %Yb EBv 4UE'E! . 4T ' +> :•"2' E! H %YEG . UX( iRv7•"2 &2 + 1@7•"2' ! 6 SONG BANK '8R . X( ;T OBYS AR-21P7•"2' E! QB Z96 EBv A26] ELv OBYS AR-12P7
bF XW >\# DEF# & 46&( 'YEG ' ! 4 E8D . 9Yj HJ7
8_5_) ,_M_H_ "_ $___ "_! X_W ,* ,MH +H ,567
9&E-n =] o ' => . BYS AR-21, XRC 56TONE7
•E8p qv ' 's@ SONG BANK U 's@ "RL TONE &5c '(6H$ "RL _ i6 Z# I %YEG7
9;Qv HL 6 "RL E@ 2 12'#7
.,•Q6 9R$ Q@ ' &"/ 0" Se X-C F> Z "R$ 2 2 u6
U%8- 1&A7•F> %q6 . [ 9Yd 2; S ';T = &"R$ &"/ 0"7•@ A %q6] 4\ ! 12'# R@ S %;T -"/ 0" H-v &2D
4U l"D 4;D 7•!"/ Z 8I ER@ 9E + w> 2 O46H3 + ' 84 Z99P7 '(
w/, 4 ZQ6 9RL H& 2$ O',v 9RL U60P "2 Z123 ;6< =>,l, =] * 4U =] Or E":@ %F- Z;Q/ FSG H-viRvP, ! 4 `v 9> %F- AN '2L &"L E! %YEG'":@] Z;Q/7 Zw 2? w/, 4 fI ' %YEG !_ EHy "E%2L7
:
9XRC 56 STEP 17•"2' EYv w/, 8p %s@ STEP 17•&2 4B> '2U;], E#| %YEG UE":@g 9RL 4Ue +7
w T S Z;Qe % %1A7 . E2Qv UX(12; &2 1!Le 4;Qe % %1A7
9XRC 4566 ONE KEY PLAY qv ' 9> S7•VD %F- O2 @TP ' S, &( '/ &"L E S
';T OVD 2 L"P7•'Yb &( "E 1 ', U 8D "2'
E "E7•VD An O"A@P F26 BE7
%9Ue 8RC 4T U2 ' 'YEG X 4566ONE KEY PLAY7
•&8RC 4T 56 ' 9E S FSG ';T OVD2 L"P7
•8RC 4q,@ ' 'Yb ._ 9Yj HJ Sa q"E + 'Y@;78RC 'Yb ' &"L ! 'Yb Q@ '8RI .9d Sa
q"EW S"W7
;9!_ EHy "2 4c UHJ, XRC 6 START/STOP7•"2' EYv w/, E"Yp 4 A9 STEP 17
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'( )7K)L
5E, Rcc, - &'Wa .X S E\H2 #FQ #\X>9
de+ 4> #FQ KEY LIGHT
662A-A-026A
AR-25
%: '( )*+&, &-,
9XRC 56 STEP 37•"2' EYv w/, :#@ %s@ STEP 37• -24 &2 B> 27
9 , '- %YEG qL E8D7•VD %F- O2 @TP ' S &@ ; , &R ":@
T E.d . 7•'( + 'F- EAN, 1 ' 'Yb %"t@ "E ,
U 8D "2' `a "E7•'( "RL w> 2 , 'Yb A&v -k :v '8D %
E "E =B &d7 Z 49d . [\ + 1 8D 'Yb %"t@ "E 7 1 E8D %YEG "2' -24 9RLE#7
%9!_ EHy "2 4c UHJ, XRC 6 START/STOP7•"2' EYv w/, "Yp %s@ STEP 37
: c"
9XRC 56 STEP 27•"2' EYv w/, E8p 4 A9 STEP 27•&2 4B> '2U;], E#| %YEG &9:6g 9RL 4Ue 9E7
w > "RL 'A j '2Q, 1 E2Qv A &21!Le %A j uY7
9 "> %-" &":3 ;6< => ,?7•VD %F-> O2 @TP &( '/ &"L E S ';T
OVD 2 L"P7•'Yb %"t@ "E 1 E 1 ',
U 8D "' E "E7• An O"A@P F26 BE7
%9!_ EHy "2 4c UHJ, XRC 6 START/STOP7•"2' EYv w/, "Yp %s@ STEP 27
4H2 FED ., )5M fX E\X>9 @g+ " FQ -\X>?5> &'( H -"9 4H2 gG #FED X E\X>9
'( )7K)L
kT w i n l e
'( )7K)L
kT w i n l e
662A-A-027A
AR-26
-h &X ^'> *+$M`@; &2 4 E; VD 2 L", !"/ 123 4+ 2 O46H3
84 99P 26^ VD 2 @T7
9XRC 6 SONG BANK :#@ 's@ SONG
BANK7• [ -a ._ t#6 6H$ U41$ + &"/ 09_ u6 +_
6X7
9;Qv 2; wT @HLW "RL E@ 2 .#7
%9XRC 56 PART SELECT Se Z 2 @T7
;9XRC 56 STEP 1, STEP 2 4U STEP 37•"2' EYv w/, :#@ %s@ STEP 1, 4U STEP 2, 4U STEP 37•&2' F26 B> 2 8@&>, -24 VD 2 L" .
UE' 9> VD 2 @T7
<9XRC 56 PART SELECT ;] Z ZQ6 D Z X-d&k7
=9YFv S, XRC 56 START/STOP7•"2' EYv w/, Y %s@ STEP 1, 4U STEP 2, 4U STEP 37
-\J>
662A-A-028A
AR-27
MIDI
MIDI? MIDI ! " #
$% &'() #" *+#,- ( ./- ( 0 &1 21 !#(34!#5#- 67 8 2&!- 98: ;< 6=
#- >;? &@%AB
MIDI
MIDI MIDI #C >D (## 6#5#- MIDI 2( E5F &>#3, >-, 6HI ;(J
$1 >;?B MIDI #C 7 &K LM & &K "( ;H, E.- =!%;(- MIDI #N( 2 &>#(3, >-B L( #(O <( 6#P&2#(Q 2E MIDI EQ ;R 5AS AT $; $ 6#5#- MIDI #C, 6HI ;J $1>;? > , >-B
,U" EQ &> (, >- %(N A#(V LM U( &=#6W &?( MIDI #C, X 46#P&2#Q EQ . %N Y! E #Z MIDI [ 2 $ 6#5#-
MIDI #C ( &(\ 62K( \ ]/-, $!( +!2#- 2(&!(, &1&>#3, E)B
•6#5#- MIDI (#C $%^ $ 3 Y!( &1 8_ X ( 6= .``(
$% N A#V LMB• a%b YK $#3 ( c#N# !#5#- MIDI #C (# E_ %%
$%^ &1 E_ \ ;- d , e , f , g hdB
( ;F ?( &1 #(i &(\ j^ MIDI (#, L( '"( A>(#i ] 3 k21 ,## !## 6%N A#V LMB
NOTE ON/OFF LM # 6#5#- $; &# lHm &A#n &# (NOTE ON) E Yo (NOTE
OFF)B# NOTE ON/OFF ," ;( 9!7 ; &A#N# &lHpE &(q: '$( 9'($ = hhd $; (&# 2(Q ( &'(r >(- LMN &1 s e , '$ = tu $; &# 2Q &'r >- d E.A:B
XNv EQ $ H ;( NOTE ON '@ C El#w 7 &'(r >-;'! %;B N A#V LM X'! 6#5#- $ # ; NOTE OFFB
$; &# lHm E (q &A#n &# \ N A#V L(M, \xQ ,# NOTE ON ENOTE OFF ;#y 6'$ z#6 &1 | MIDI OUTB
PROGRAM CHANGE !"LM ,# #, ;H, PROGRAM CHANGE k21 Q ," ;/4 & ) &1 0 N 127B
#( PROGRAM CHANGE 9&1 0 N( 99: %(@#,| /(4 | MIDI OUT (LM %N( $; &# H( (# ," ;H(B (!#4 (#
PROGRAM CHANGE &1 #Z #, H !m ;H %N A#V LMBN A#V LM k21 EQ /4 ) &1 0 N 99 '! 6#5#- ;H
/4 ) &1 0 N *127B Y &1 ~ed 5H MIDI #C & E(#w N 5H#- %N hhd K! Y# &V \ .A` A-1B L l!m
$; &# EQ '? 6#5#- MIDI #C &1 Y! E #Z #, [B
*$; &# 2Q @=m GM &`Xw ? H 9.A` AR-28:B $; &# 2Q&`Xw ? P#, \' '! 6#5#- ;H \ r 67 0 99B
•;# hd &@>> _ =!% \m, X '! ,#i A !5#&RB $; &# '!
6#5#- MIDI, \' > , .- E.- ; ;< 6= N A#V LMB
!#$ %&' PITCH BEND
LM # j &(%&#- 5`;#_ = &1 5XT ( %@= 8$%E 8A z;#_ $ %NB Q N A#V LM 1 6#5#- 5`;#_ =,
2;# '=? EQ '! &K LM !#5#-B
CONTROL CHANGE
LM # l(D z- &K P(Z H- &') >(- =!Wz;#_ $ %NB 6#5#- CONTROL CHANGE ," j2" 9 5Fz: j2" 9` 3 N# HP# $W z:B# #i 6#!#5#- k21 !## 6#@ C CONTROL CHANGEB
MIDI IN MIDI OUTMIDI IN MIDI OUT
(), * ++++
-./012 -#32
VOLUME7
HOLD164
MODULATION1
662A-A-029A
AR-28
TEMPORHYTHM
SONG BANK
( 4 LOCAL CONTROL 56 -7(8 49&: GM 56 ;
<+Ez;#_ (3 \ Er ? 6<#5 ?( 6;b 8U; 9(#, o$;( &#( l( (+( SONG BANK:, E(( \ H(m( ,
RHYTHM EHm , SONG BANKB•E) = ," e \ /(4 S 3#iW 6 _ = ,"( dB
=+(@ (C (, TEMPO )( `(( (`(2"( ]%( (?(HB
•L l#w `4 @=m GM ? P#B
L o c a l •XNv EQ LOCAL CONTROL `4 l#w ? H E#w $; &#(
C 6` , ? H E $; &# " lHm $% E#w &1 8Z,, #BSTART/STOP • 92 ! E $ 1 6;b 8U#5 E1 P#F:
ONE-KEY PLAY •
STEP 1 •
STEP 2 •
STEP 3 •
DEMO • 9! E $ 1 P:B•E5J #i = 5H GM \ y L \ %&#- $1 %" ;H#-
Ez;#_ 3 @=m GM &`Xw ? HB
LOCAL CONTROL >@0A: C79&: GM >@0A:C
L l!m ` 3 &# Y#5^ N A#V &> , >- LM %N &>%73%# E XB $; '< \ Y! E #Z #, [ &> 6N MIDI
IN/OUT LM %N, '#$ \>%^ LOCAL CONTROLB
on:Er +(_ ( \ %(N( >( (, .#( 6=( &>( (, >(- %( \ 5A(S ^( 5# &K( ,# MIDI &1( | MIDI
OUTB
oFF:Er +_ \ %N ;R Y# MIDI &1 | MIDI OUT,6 Q . , .- > , >- %B E\> LOCAL CONTROL
$; &# 2Q &'@ &# #. MIDI THRU \ Y! E #Z #,[B El(# XNv( E5o 1( > (, Er .- 6#%(N( \>( LOCAL
CONTROL X #Z #, &>B
•$; &#( '@ C (N A#V( LM \ ( &;A3, \'( Xl &A#(V N
A#V Ez;#_ j `2" ]% ? P#B
( 4 LOCAL CONTROL 56 ;7(8 49&: GM 56 -
<+Ez;#_ (3 \ Er ? 6<#5 ?( 6;b 8U; 9(#, o$;( &#( l( (+( SONG BANK:, E(( \ H(m( ,
RHYTHM EHm , SONG BANKB•E) = ," e \ /4 S 3#iW 6 _ = ," dB
=+E(@ (C , TEMPO ( ) (`(( `(2"( ]%( (?P#B
•L El#w `4 @=m GM ? HB
L o c a l
662A-A-030A
AR-29
!"#
•#"! $%& ' ()
•*+ ,-. /01 2 31#(456
•#78 9 % "!
•4:;:() :<: /:8: ::: ":::!:#'
#=#4 4; > <
#? @!- ; 3A $6&B#
#C::;:: D1: :::. E:<: :::#F
#G H::I:::::: E::<:(POWER/MODEH:> :::&::CASIO CHORD:::&:: 1
FINGERED#
#J K%L“99 PERCUSSION”ML1 N * #% O "! $%8
#P LOCAL CONTROL#QI(R & H>
•#8!- (456 *+
•:SS; QT 9 "! #? U5V 1 = U5V QT /01
• U4I E1 W6-( U4I ' 4XLYM#% & >
#= ZZ:: 4::: :S: ' AC:I:(:5:F :(4:5:6: [:5:*1 E1 :: ,:S:S'
(+/–)]:6::N ,"::S:' :&F ^ #^ O (456 E1
?# _T ,-.MAIN VOLUMEUZ(T #; 3A
#CU::: ::: E`a :::::::::. :::;:::>PHONES/OUTPUT#
#G::<:b E:<:() cZ QTB:: : H:I::: E:<:( ::::F :6::;: ":::!
POWER/MODE:+68 B& CASIO CHORD:::::::::::::&::::::::::::: 1
FINGEREDH:::I::::::::: $:::6:::& ::::O #POWER/MODE::::::::&:::::::: :::::::d
NORMAL##J4N /01“99 PERCUSSION”5A ,
"! $I> ,-A E1Ye8 #I )f S& .
#P ::LOCAL CONTROL::& ::d #%
• 1 U:(: :::g:h :(4:5:6 6. ZZ 4 S ,-.AC#
=.QT: : :::A:: i:8: j:! $%&#? U:5:V 1 = U5V
?. 4k $::%:&START/STOP:: l:-:: #? U5V 1 = U5V QT
•":::::!: :: j::!: 1 4k 31 $:%:&:: : :::6:5: ::%::: Q7.RU4:I: ::': $:6:& :: :> ":!
#^ mFR
S!'AR-11
S!'AR-15
S!'AR-13
S!'AR-18
S!'AR-15
S!'AR-28
S!'AR-11
S!;AR-
24 ,25
S!;AR-
24 ,25
S!'AR-12
•*5 4; no ,•% & S O k^•^/* p; 1 , ,5I U4;F i8 &4•D1 .qA ' 3A H6+ O r!-L•s ; (•! 'F QT ; H> H& N•! ;F QT *5 H> i! 4^Ld•! ;F QT ^d 1 &4 /& [XFX• j! $%8 H^ 1 W E1 F A s ;•^Nd * % (4X t- %L ' 4'd•H6+ O Oa uF QT vI(d $w• k^ 1 ; 6 QT @!- ' 3A 1 ,; ( ,*5 EI>MIDI
•H6+ O <F @!- E> < ' 3A•E> < NZ H> ]•E> < ,-.d U4I 4; no ,d
662A-A-031A
AR-30
•#Oa uF & > %
•#Oa uF & >
•#,I > r.R x
• W2.MIDI#SS' I(5F O
• :::6::<: :!y MIDI THRUE:<: #'
#=v:: : t:-( E> < ,-.d#F '
#?U/:&d : [:I::F E:> :< ,-.d#M.4>
#=@:!:- E> < ' 3A $6&B#
#? Q:I:(dq% j!on/offE:> < QI(R & z68off#
• 4T $%&1SONG BANKd Z < #3Z &
• 4T $%&SONG BANKd Z < #3Z &
•#r.R x QT t*
• W2. ' MIDI#SS' I(5F
• !y ;>MIDI THRU:6< H> ;> LOCAL CONTROL H> #"!
#= ` E:L: v:: : E:> :<: ,-.d# c( /*F Z T KA
#?F E> < WB# 4;
#=#E> < ' 3A $6& UZ(TF K*
#? Q:I:(dq::%:: j! $6& Oon/off
% & d E> <on#
S!'AR-21
S!'AR-21
S!'AR-17
S!'AR-27
S!'AR-28
S!'AR-13
S!'AR-13
S!'AR-13
S!'AR-13
• 44k1RHYTHM#)
• :+:6:& % <|)TRANSPOSE/
TUNE/LOCAL CONTROL#
• LF QT ' ( )MIDI #6
•:O ' ( "! QT#6<F ^' H6+
•# E> < ' /&&
•#E> < ' ( )
2:* !-( ; 3A % UZBZB#"! QT (1
,H* ~ FO O gL H ]X*#4;* 1 Tg Z d ) *p:6:A:F #H::'a H:I. k^g H 3 ,$. 3 ,@!- 3 XNo UZ *
7& Q2N ( * ,XB# ( ~F ; 3A % UZ H>
662A-A-032A
AR-31
!":LK-100
# $%&:=P !j gK *., J [ .I' ( ):|< ' >; G !" |< 1E 8/ > L! *M*+,:= .FI 86$$- , ./ 0:?= L FS 1*;' 12 3, 45:Z !" 8/U >H L! *M: G
02 N5dZU TQ:<4 L% U RZU TQZ TQ Fa'F ;:%qd(IQ
)# 678%1wz R(Iv:J A6_ 86$
. a(Iv: b< 86$,P=? N5U, G d JJ?, * Fm: ?=a 4:L9~ CASIO CHORD, FINGERED
1N3:w$ x, F/ T9;< /= >:= x
?@% )6, )A%7%:%, ;6 Im, 1./ 14*, Fu aO; . R(Iv, 4& Z4D V5 2, 1.K, TQ Fa'F, on*M, 1&/U !j, TQ Fa'F ;
?@8B C D:% AK .I:L;t L% F#~C~F%K:b< 86$ A4=I(6 GG T Z* ±J .M, I RFm: A4= .I(6 GG T
MIDI:J D − ZU AI6+E,:*5 = .K × ? s: 2W+2WCF %" GH I
1+Q MIDI:IN, OUT
K:I6 K;4 I4U:*F >M 4 A DC
. 1`EqLs:*F .( *. Vl (<E 1Z3 AI Vl: Ω, !M V4l: 4V (RMS) MAX
ZN < >E:I6 *.H k_ A3 ' < >EI N: ? 1 ,
A. N: = >M-1 7-1J:Z ?−L9,
F54(:gK 6 AA
654(:I(6B G . % ' FA6 654( I(I(6B . U % ' FA6 654( gT
^(i 4 ZZ AC: AD-5
d(IQ I4U ImB:I(6B P Z*m_ F N 0/ .-, 654( >I$
AKL 7-1J: >M /:JG × CC × JC= .KM<:I(6 G gK F E 654(
),
*; '! *F % F E .F_ 2E#
662A-A-033A
A-1
GM
662A-A-034A
00 GRAND PIANO01 BRIGHT PIANO02 HONKY-TONK03 E GRAND PIANO04 ELEC PIANO 105 ELEC PIANO 206 ELEC PIANO 307 ELEC PIANO 408 HARPSICHORD09 CLAVI10 ELEC ORGAN 111 ELEC ORGAN 212 ELEC ORGAN 313 ELEC ORGAN 414 CHURCH ORGAN15 PIPE ORGAN16 REED ORGAN17 ACCORDION18 BANDONEON19 HARMONICA20 NYLON STR GT21 STEEL STR GT22 JAZZ GUITAR23 CLEAN GUITAR24 MUTE GUITAR25 DIST GUITAR26 ACOUSTIC BASS27 ELEC BASS28 SLAP BASS29 BANJO30 VIOLIN31 CELLO32 HARP33 STRINGS 134 STRINGS 235 STRINGS 336 SYNTH-STR 137 SYNTH-STR 238 CHOIR AAHS39 SYNTH-VOICE40 TRUMPET41 TUBA42 BRASS SECTION43 FRENCH HORN 144 FRENCH HORN 245 BRASS 146 BRASS 247 SYNTH-BRASS 148 SYNTH-BRASS 249 SYNTH-BRASS 3
50 SOPRANO SAX51 ALTO SAX52 TENOR SAX53 OBOE54 CLARINET55 PICCOLO56 FLUTE57 RECORDER58 FLUTE ENSEMBLE59 WHISTLE60 SYNTH-LEAD 161 SYNTH-LEAD 262 SYNTH-LEAD 363 CALLIOPE64 SYNTH-PAD 165 SYNTH-PAD 266 SYNTH-PAD 367 BOWED GLASS68 HALO PAD69 SYNTH-BASS70 RAIN DROP71 SF72 SOUNDTRACK73 SPACE PAD74 SYNTH-SFX75 VEHICLE76 TELEPHONE77 SPACE78 INVADER79 FUNNY80 STRINGS PIANO81 STRINGS EP82 CHOIR EP83 CHOIR ORGAN84 STRINGS GUITAR85 STRINGS HARP86 BRASS STRINGS87 VIB PAD88 12STR GUITAR89 CHOIR STRINGS90 BASS/PIANO91 BASS/E PIANO92 BASS/VIB93 BASS/NYLON STR GT94 BASS/DIST GUITAR95 STRINGS/PIANO96 STRINGS/TRUMPET97 VIBRAPHONE98 MARIMBA99 PERCUSSION
GM
0132458967
1617181519
10420212322242526272829 30 31 843233 34 3536 37
10540 4142 4345 46 4748 554944505152 9153 85565857605961696263 8370
GM
646566 676871727374 7975 76 77788781 86808289909592 93 9854 9438 3996
10397
101102125124126127123106
88 107108109
99 110111112113114115100 116117118119120121122
10 11 1412 13
A-2 662A-A-035A
POPS
00 CLUB POP
01 FUNKY POP
02 SOUL BALLAD
03 POP BALLAD
04 LITE POP
05 16 BEAT FUNK
06 8 BEAT POP
07 POP ROCK
08 DANCE POP
09 POP FUSION
10 FOLKIE POP
ROCK
11 ROCK WALTZ
12 SLOW ROCK
13 SOFT ROCK
14 50’S ROCK
15 60’S SOUL
16 4 BEAT ROCK
17 ROCK
18 TWIST
19 NEW ORLNS R&R
20 R&B
JAZZ/FUSION
21 BIG BAND
22 SWING
23 FOX TROT
24 JAZZ WALTZ
25 LATIN FUSION
DANCE/FUNK
26 TECHNO
27 TRANCE
28 DISCO
29 FUNK
30 RAP
EUROPEAN
31 POLKA
32 MARCH
33 WALTZ
34 SLOW WALTZ
35 TANGO
LATIN/VARIOUS I
36 BOSSA NOVA
37 SAMBA
38 MAMBO
39 REGGAE
40 SKA
41 SALSA
42 FOLKLORE
43 RUMBA CATALANA
VARIOUS II
44 COUNTRY
45 TOWNSHIP
46 SLOW GOSPEL
47 BALADI
48 BAROQUE
49 NEW AGE
1234
5:
!"# $%&$' (FINGERED CHORD) !" #$ % & '# ()*+,
A-3662A-A-036A
*(-% &#./ 01 23 FINGERED 4 !$ !5 6&7 85, % & ;< *.8 #" *!= % =6> !=? .!? @*AB =!& )C", -% )*+/ D!2,
E& .6> !=? .!& FG B ;,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,D, F ;E& =6> !=? .!& FG B ;,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, E, G ;E& .6> !=? .!& FG A dim7,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,C dim7, E dim7 F dim7
E& .6> !=? .!& FG B dim7,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,C dim7, E dim7 G dim7
E& .6> !=? .!& FG B dim7,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,D dim7, F dim7 A dim7
A-4 662A-A-037A
MID
I Imp
lemen
tation
Ch
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Fu
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Tran
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Reco
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izedR
emarks
Basic
Defau
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Ch
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Defau
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essages
Altered
No
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um
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Tru
e voice
Velo
cityN
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NN
ote O
FF
After
Key’s
To
uch
Ch
’s
Pitch
Ben
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1C
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6, 38C
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7101164
11
Mode 3X
36-96
X 9nH
V =
100
X 9nH
V =
0
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*1:
*2
=
Modulation
Data entry
Volum
eP
anE
xpressionH
old1
1-4, 101-4, 10
Mode 3X
0-12736-96 *
1
O 9nH
V =
1-127X
9nH V
= 0,8nH
V =
* 2
XXOOXOXXO
Version: 1.0
Model L
K-100
662A-A-038A