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Page 1: sb34864868412b1e7.jimcontent.com · Created Date: 3/5/2010 1:02:46 AM
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sb34864868412b1e7.jimcontent.com · Created Date: 12/19/2006 4:20:53 PM

sb34864868412b1e7.jimcontent.com · 2019. 5. 2. · Bass Fitness 'AN Ex ERc'S'\Aè HANDBOOK N DES P E s Recommended by orld aecia ed a's la ers, music schoo s and 'music agazine

sb34864868412b1e7.jimcontent.com fileCreated Date: 5/13/2008 7:57:02 PM

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sb34864868412b1e7.jimcontent.com · Created Date: 6/19/2011 4:16:18 PM

sb34864868412b1e7.jimcontent.com fileCreated Date: 1/21/2004 4:59:52 PM

sb34864868412b1e7.jimcontent.com · 2019. 5. 2. · 1.1 Campo harmônico maior O campo harmônico maior é formado pelos acordes diatönicos à tonalidade maior. c 7M 17M Dm7 11m7

sb34864868412b1e7.jimcontent.com Steicher Mein Musizieren aufdemKontrabaß My Way of Playing theDoubleBass Doblinger Created Date 9/26/2011 2:58:10 PM

sb34864868412b1e7.jimcontent.com · 2015. 9. 1. · Created Date: 2/4/2009 3:45:51 PM

sb34864868412b1e7.jimcontent.com · 2014. 10. 13. · Created Date: 11/19/2010 7:38:34 PM

Foto a pagina intera - sb34864868412b1e7.jimcontent.com · o ben woeao S (GUJbo boco s tGn.1bo boco Hoq bLOfO onp1G proc.H ecHwr

Mercado 4 - sb34864868412b1e7.jimcontent.com · Flauta 1 Flauta 2 Oboe 1 Clarinete en Sib 1 Clarinete en Sib 2 Fagot 1 Fagot 2 Trompa en Fa 1.2 Trompa en Fa 3.4 Trompeta en Sib 1

2. Konzert - sb34864868412b1e7.jimcontent.com · Dittersdorf(1739-1799),andwerewrittenforthebass-playerFriedrich Pischelberger(1747-1813), whowasa colleagueofhisattheEpiscopalChapelofGrosswardein

sb34864868412b1e7.jimcontent.com · Created Date: 3/30/2011 2:57:42 PM

sb34864868412b1e7.jimcontent.com · Created Date: 1/21/2004 4:59:52 PM

sb34864868412b1e7.jimcontent.com · HEINZ KARL GRUBER KADENZEN zum Konzert in D für Kontrabaß und Orchester von J. B. Vanhal bearbeitet von Ludwig Streicher VERLAG DOBLINGER 03

sb34864868412b1e7.jimcontent.com · Created Date: 4/1/2009 6:33:13 PM

sb34864868412b1e7.jimcontent.com · Exercise #6 SHORT TURNAROUNDS IN G The following examples demonstrate short turnarounds. The FIRST note of each chord change is usually the ROOT

sb34864868412b1e7.jimcontent.comsb34864868412b1e7.jimcontent.com/download/version/...NOUVELLE TECHNIQUE DE LA CONTREBASSE MÉTHODE COMPLÈTE ET PROGRESSIVE EN TROTS CAHIERS . FRANÇOIS

sc7467ceb46111604.jimcontent.com · Created Date: 8/20/2000 4:46:01 PM

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sb34864868412b1e7.jimcontent.com · 2015. 8. 22. · Edvard Grieg,Op.47.NQ7. ben tenuto APO CO mosso poco mosso espresstto 8205 . C ag itoto creSC. ed agitato Editon Peters. 8205

sb34864868412b1e7.jimcontent.comsb34864868412b1e7.jimcontent.com/download/version... · 2014. 9. 10. · Created Date: 1/15/2009 6:00:34 PM

sb34864868412b1e7.jimcontent.com fileCreated Date: 2/11/2009 4:35:26 PM

sb34864868412b1e7.jimcontent.com...DUETTO for Clarinet, String Bass, and Piano GIOVANNI BOTTESINI STRING BASS 16 Adagio 0 1 2 + 41 (1 889) Solo 20 24 42 49 3424 Allegro rallentando

sb34864868412b1e7.jimcontent.com · Created Date: 3/19/2009 4:17:54 PM

Foto a pagina intera - sb34864868412b1e7.jimcontent.com · NOTE turn, I 'effetto quindi non è reale. Adottando la posizione Iata, e cioè suonando su due corde in parallelo non usando

Foto a pagina intera - sb34864868412b1e7.jimcontent.com filePiano Otoño porteño Tango Música de ASTOR PIAZZOLLA Lentón C) ght 1969 by EDITORIAL LAGOS - Buenos Aires, Argentina,

sb34864868412b1e7.jimcontent.com · 2015. 8. 24. · ADAGIO MELANCONICO ED APPASSIONATO PER CONTRABBASSO E co GIOVANNI RABBASSO . ram — arco c re-ce con mo/to cresc ADAGIO MELANCONICO

sb34864868412b1e7.jimcontent.com · Created Date: 3/18/2009 7:21:03 PM

The Double Bass as a Supportive and Melodic Instrument in a …sb34864868412b1e7.jimcontent.com/download/version... · 2014. 10. 8. · John Coltrane with singer Johnny Hartman on

sb34864868412b1e7.jimcontent.com · Created Date: 4/10/2009 4:07:30 PM

sb34864868412b1e7.jimcontent.com...This forms a C major triad. Moving up the scale to the second note. D, we write the 4th and 6th degrees Of the scale: This tormsa O minor triad

REVERIE - sb34864868412b1e7.jimcontent.com · fit. a temp o dim. a tempo rit. dim. a temp nit. a tempo rit. cresc. cresc. gliss. m m dim. espress. morendo

sb34864868412b1e7.jimcontent.com · progressions in jazz. From these two progressions, a large variety of song forms can be made by: a) varying the time value of each chord symbol