zocalo magazine - march 2012

Zócalo

March 2012 / TheZMag.coM

Urban Scene MagaZine

zó•ca•lo Mexican Spanish.1. a public square or plaza, esp. in the center of a city.2. a gathering place or the center of activity in a community.

Zócalo Tucson Magazine is an independently published community magazine, showcasing Tucson’s urban arts and culture.

EDITOR

Jamie Manser

PRODUCTION ARTISTS

Troy Martin, David Olsen

CONTRIBUTORS

Sydney Ballesteros, Marisa Bernal, Carli Brosseau, Sarah Burton, VK Embee,

Gerald Gay, KXCI, Kelly Lewis, Jamie Manser, Troy Martin, Jared McKinley,

Phoenix Michael, David Olsen, Randy Peterson, Tom Prezelski, Herb Stratford,

Katelyn Swanson, Eric Swedlund, Valerie Vinyard, Johanna Willett.

ADVERTISING

Marie Hancock

PUBLISHER & CREATIVE DIRECTOR

David Olsen

CONTACT US:[email protected]

P.O. Box 1171Tucson, AZ 85702-1171

520.955.ZMAG (9624)

All content copyright © 2009-2012 by Media Zócalo, LLC. Reproduction of any material

in this or any other issue is prohibited without written permission from the publisher and

author. No person may, without prior written permission of the publisher, take more than

one copy of each issue.

Zócalo Tucson Magazine is a proud member of

TIDBITS 05EVENTS 07

ARTS 22HISTORY 32

BUSINESS 33FASHION 35

COMMUNITY 37FOOD&DRINK 41

EN_ROUTE 43TUNES 45

LIFEINTUCSON 50

March 2012

March 2012 | THEZMAG.com 3

Zfrom the editor PLANES, TRAINS, AuTOMOBILES & CELL PHONES

We were driving up to Phoenix and a South Pacific train chugged south, pulling metal box cars painted various colors that advertised their companies with giant logos. I remembered seeing those same branded metal boxes in a L.A. port, shipped from overseas across the mighty Pacific.

A plane flew overhead, glinting in the shine of the setting sun. It reminded me of those passenger plane route maps in airline magazines, boasting of their breadth and speed of travel.

It’s all about connectivity and economics, the clichéd buzzwords of today. If one were to believe the incessant, earnest, pseudo hip cell phone and cable company commercials, one doesn’t need to travel to stay connected with family and friends; you just need affordable cell phone and internet access. And these technologies are great, as long as you don’t let it get in the way of actually staying connected with family and friends. How many times have you been in a social setting and watched people tooling around on their smart phones, surfing the ‘net, texting a message, “checking in” on Facebook or Yelp?

I was at a Japanese festival in Phoenix at the end of February and had I not sworn off my cell phone and pulled it out to take a picture, I would have captured the moment when three of the four of us were thoroughly absorbed in little, rectangular, hand-held devices. I teased my friend about it, and he told me of this great restaurant game where everyone puts their phones on the table and the first one to pick up a phone has to pick up the tab.

It’s a great way to school the techno freaks, especially on the weekends while hanging out. Enjoy the moments together, when we are able to connect face to face. Get out of your house, away from the web, be outside in the spring air and embrace all the great festivals offered this month. With your family and friends, phones off.

–Jamie Manser

4 THEZMAG.com | March 2012

FROM SPRING TO SUMMERWhile we’d rather not think about the season of triple digits right now, a little pre-planning this spring can help keep you cool during upcoming summers. Trees for Tucson is currently accepting applications for home shade trees, as well as community project requests, on a first-come, first-served basis. Tree choices include Desert Willow, Velvet Mesquite (save those pods for mesquite flour!), Blue Palo Verde, Sweet Acacia and Red Push Pistache. The deciduous trees are $8 each and only available to Tucson Electric Power customers. Visit TreesforTucson.org for detailed re-quirements or call 791-3109.

Speaking of lassoing Señor Sol, Technicians for Sustainability opened its Solar Grant application process last month to help non-profit groups install renewable energy systems. Both matching and full grants are open to 501c3 organizations. The application deadline is March 21. Information is at TFSSolar.com or by contacting Tiernay Marsh at 740-0736, [email protected].

BRING BACK THE SPLASH CAMPAIGNSummer just isn’t summer without a chance to go swimming! The Tucson Parks Foundation and the Tucson Parks and Recreation Department are so-liciting donations to reopen select city pools, which have been closed since the 2009 City budget reductions, for summer swim 2012. To date, ad-ditional funding has been secured to operate four summer season pools;

including a $25,000 donation from the Catalina Rotary to partially fund the summer operation at Jacobs pool. Purple Heart, Menlo and Mansfield pools will also open this summer. The goal is to open an additional seven city pools, which requires $40,000-$60,000 for each pool for a full sum-mer operations and maintenance needs. Contact Parks and Recreation for information at 791-4877, email [email protected], or visit cms3.tucsonaz.gov/parksandrec/aquatics.

SUMMER JOBS FOR YOUTHAs they say, work builds character, and Pima County is offering youth between 14- and 21-years-old job (and character/experience building) op-portunities through its Pima County One-Stop Career Center Summer Youth Program. Applications are being accepted through March 16, and previ-ous summer positions have included: administrative support, clerk, child care aide, recreation aide, library page, patient care technician, discovery guide at the Children’s Museum and surgery tech trainee at Pima Animal Care Center. Interested participants can apply online at secure.pima.gov/summeryouth. Before being put to work, selected youth attend a one-day “employability skills” workshop, where they learn about good work habits and employer expectations. For more information, contact Dana Katbah at [email protected] or call 798-0500. n

TidbiTsby Zócalo


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Tucson Museum of Art’s 5th Annual CRUSH Festival & Fundraiserby Kelly Lewis

ON MARCH 30, art and wine lovers should do two things: help support the Tucson Museum of Art by attending their annual wine tasting and art fundraiser, CRuSH, and plan on taking a cab home.

Now in its fifth year, the CRuSH festival will pair cuisine from 29 local restaurants with over 150 different wines from around the world, all for you to sample.

“It’s one of our biggest fundraisers and it’s one of the most fun events that we do,” said Alba Rojas-Sukkar, Tucson Museum of Art’s Director of Develop-ment. “There’s music, and we have an amazing auction where you can get everything from bottles of wine to expe-riences and dining. People really love this event.”

What started four years ago as a small event with a handful of restaurants and a small selection of wine, CRuSH has grown to become one of the largest and most successful fundraising events hosted by the Tucson Museum of Art, said Rojas-Sukkar.

This year, local restaurants such as Flemings, Firebird, The Hub and Jack’s Kitchen will participate. There’s also a beer garden with five differ-ent beers.

“We sell out every year,” said Rojas-Sukkar. “This year, we also have a VIP section and our tickets are selling like hotcakes.”

CRuSH includes two different events on March 30 and 31. The main event, the CRuSH party, is March 30 at the museum from 6 to 9 p.m.

Tickets are $75 each ($45 tax-deductible) in advance or $90 each ($60 tax-deductible) at the door.

The next evening is the CRuSH gala, kicking off at 5:30 p.m. at the Kiva Ballroom at Loews Ventana Canyon, 7000 N. Resort Dr. Tickets to the gala are $225 each ($100 tax-deductible) and the evening promises din-

ner, wine, dancing, hors d’oeuvres and a live auction that includes a getaway vacation to Costa Rica and to Paris.

“I can’t stress how amazing our auctions are,” said Kristi Kline, TMA’s Director of Public Relations and Mar-keting. “Our live auction on Saturday is to die for and our silent auction just has some superb items.”

If you’d like to visit the museum, take advantage of Mondays at the Mu-seum each Monday this month, and get a guided tour of the exhibits, plus wine and food pairings. Seminars are at 3 p.m. and are $50 ($30 tax deduct-ible) each or all three for $140 ($80 tax deductible). These events sold out last

year.“This has turned out to be the must attend event for spring,” said

Rojas-Sukkar. It’s unique; we have the finest restaurants and the finest wines and auctions that no one else can duplicate. We are truly a one of a kind event.” n

For more information or tickets to CRUSH, visit TucsonMuseumofArt.org.

Photo by Jerry P

eek/courtesy of Tucson Museum

of Art

Wine, Wine and More Wine


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SolAR RoCkby Katelyn Swanson

TuNE INTO THE clean vibrations of solar powered music at the 6th annual Solar Rock festival on March 18.

“Solar Rock is a solar powered concert dedicated to advocating solar power and educating about the benefits,” said Coley Ward, marketing and membership manager for the Food Conspiracy Co-op and organizer of the event.

Solar Rock is powered entirely by solar energy with the help of two local solar companies. GeoInnovation provides its solar trailer to power all of the music and The Solar Store assists with powering all the vendors.

The festival features a number of music performances, including Shrimp Chaperone and Aaron Gilmartin.

“I’ve been hoping solar and clean energy would take over the more scary fossil fuels,” Gilmartin said. “When I was younger we used to go to the power plants with my parents to protest… So I was excited to get involved.”

The Solar Rock Festival began as part of a national movement in which events were held to promote solar energy. The event was started by a group of friends in 2007 and has quickly grown since then.

Over 20 vendors are taking part in the event. This includes both food vendors such as Isabella’s Ice Cream, which runs on solar power on a day-to-day basis, and activity vendors like the Physics Factory bus which provides hands-on science experiences. It also features a number of solar organizations like Citizens for Solar, which will hold its own solar event, the 30th annual Solar Potluck, on April 28th.

Solar Rock is held in conjunction with Cyclovia, which shuts down sev-eral streets for people to walk, bike, and skate. Together the two events aim to promote alternative forms of energy and transportation while bringing the Tucson community together to enjoy fun activities for all.

Both events are free to the public and take place at Armory Park, 221 S. 6th Ave. in downtown Tucson. Cyclovia runs from 10 a.m. to 3 p.m. and Solar Rock is from 11 a.m. to 4 p.m. Also at Armory Park that day is the 3rd Annual Water Festival, from 10 a.m. to 4 p.m. n

For more information about Solar Rock, visit SolarRockTucson.com or contact Coley Ward, [email protected] or 624-4821.

Bruce Joseph, chair of Citizens for solar, and his solar oven at solar rock 2011.

Photo by C

oley Ward


CyCloviA Re-PURPoSeS CiTy STReeTSby Gerald M. Gay

ON MARCH 18, a five-mile loop of city streets will serve as an exclusive zone for human-powered-only traffic.

Several major roads south of East Broadway Boulevard, downtown, are closed to cars and motorcycles for Cyclovia Tucson 2012, an all-day event meant to engage community through the use of public space and non-motorized transportation.

The regular hustle and bustle of gas-powered traffic on South Fourth and South Eighth avenues will give way to an estimated 20,000 residents, as participants bikes, roller skates, skateboards and walk on their own two feet from the fringes of downtown, straight into the heart of South Tucson’s “Restaurant Row.”

“It’s really like a five-mile long block party,” said Emily Yetman, presi-dent of Living Streets Alliance, the organization behind the festivities. “Cy-clovia is one of our feature events and embodies our vision of what our streets can do for us.”

Based on the Ciclovía happenings held throughout Colombia, including in Bogotá where an estimated 2 million people participate on more than 75 miles of closed down streets every Sunday, Ciclovía events have popped up in many major American cities over the last five years. Miami, New York, Portland, Chicago, Los Angeles and San Francisco have all success-fully held their own Ciclovía gatherings.

Tucson’s first Cyclovia took place in 2010 and drew around 6,000 peo-ple, Yetman said. This year, organizers are expecting more than 20,000.

“There is no pressure on participants, no start or finish,” Yetman add-ed. “All you have to do is show up. If you can bring a bike, great. If not, walking works just fine.”

Live entertainment takes place at six stations or “activity nodes” along

the circuit. Armory Park, 221 S. 6th Ave., hosts the Solar Rock music fes-tival as well as the Water Festival. Santa Rosa Park on South Tenth Avenue features a cycling rodeo, face painting and bike decorating.

Ochoa Community Magnet School in Barrio Ochoa, south of East 22nd Street, holds food tastings and garden demonstrations.

Then there’s a healthy selection of restaurants along South Fourth Av-enue to choose from if you’re feeling peckish, Yetman explained. “If busi-nesses are open, they get slammed,” she said. “A lot of restaurants on South Fourth had bikes piled up left and right last year. Everyone rode around and then got hungry.”

South Tucson’s inclusion in the annual Cyclovia festivities is one of the major reasons Tucson resident Shipherd Reed plans on attending.

“It seems like many Tucsonans never venture south of 22nd Street,” he said. “There is a lot of life south of 22nd. Having it go down there really engages one population of the city with another.”

Reed, 48, discovered Cyclovia by accident in 2010 when it was held in the North Fourth Avenue area.

The digital media producer for the university of Arizona’s Flandrau Sci-ence Center was so impressed by what he saw, he brought his wife Julie and two children along for the ride in 2011. He likens the event to the an-nual All Souls Procession, which is very uniquely Tucson, he said.

“There is such a large cycling culture already here,” he added. “This is a real standout event. There is definitely potential to grow.” n

Cyclovia Tucson 2012 runs from 10 a.m.-3 p.m. on March 18. For more information visit CycloviaTucson.org.

Photo by Jennifer M

atthews

Photo by E

mily Yetm

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A Classic American Bike Race by Johanna Willett, photo by Mason Ibas

AMATEuR AND PRO bicyclists alike can speed through downtown during the second Old Pueblo Grand Prix this St. Patrick’s Day. The festivities last all day, entertaining spectators with a series of short-course races, or crite-rium, that take a 0.6 mile loop through Tucson’s urban core.

Saturday, March 17 kicks off at 10:30 a.m., as juniors 10- to 18-years-old hit the pavement. The pro race event finale starts at 5:30 p.m. with professionals speeding through downtown Tucson as the streetlights blink on. $20,000 in prize money will be awarded throughout the day, part of it provided by the title sponsor Athlete Octane.

This year, the Old Pueblo Grand Prix joins the uSA Crits Championship Series as the second of 11 stops. Now, the pros will have to race in Tucson in order to keep their standing in the overall series, said Kurt Rosenquist, the owner of Fitworks Cycling Support and one of the criterium’s organiz-ers.

Tucsonan Jame Carney is one of those pros. A two-time Olympian, Carney showed his stuff in the Masters men’s 35+ race last year, placing second. He thinks that this event can go big nationally.

“Hopefully this will be the start of a new era,” Carney said. “This is a cycling community. We need this.”

Having spectators cheer along the whole course amps up the event’s energy and enlivens downtown. “It’s just very exciting,” said Kate Van Roekel, a member of Team O2 Modern Fitness/Maynard’s and winner in the women’s category 3/4 race last year. “People are yelling and ringing bells. It was very cool to see everyone out and about downtown.”

With so many restaurants nearby, spectators can get a bite to eat or a good cup of coffee and watch the action unfold.

“It’s about the idea of an urban center where people gather,” said Su-

san Frank, O2 Modern Fitness owner and event organizer. “We want to see more of that in our downtown.”

This year, the route starts and finishes at the St. Augustine Cathedral, 192 S. Stone Ave. Racers will head east on Jackson Street, south on Scott Avenue, west on 14th Street and north on Stone Avenue. With two Jumbo-Trons on opposite sides of the course, racers will be larger than life, whip-ping around sharp corners at speeds of up to 35 miles per hour.

“The gnarly crashes are part of the thrill,” Van Roekel said. “It’s like watching a car crash on T.V. You think, ‘Whoa! I can’t believe that just happened.’”

Last year’s course had even more corners. “There was no relaxing then,” Carney said. “It was just grinding your

teeth the whole period. At one point, it got dangerous, so I took off.” Frank admits that the road conditions downtown aren’t ideal, but the

urban route is what makes criterium racing classically American. “Every continent has a racing style,” Carney said. “Instead of having

our city councils build tracks, Americans raced around city blocks. That’s our tradition, and foreigners aren’t used to the skill it takes to go around a corner that fast.”

So expect a show. “You have to have nerves of steel to do this,” Van Roekel said. “It takes

a lot of adrenaline. But when else do you get to take over downtown?” n

Cruise over to the Old Pueblo Grand Prix on March 17, starting at 10:30 a.m. Its free for spectators. Competitors must complete early registra-tion by March 6 to avoid a late fee. For more information and registration fees, visit OldPuebloGrandPrix.com.

Pedal to Pavement

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purse during the inagural old Pueblo Grand Prix, through downtown tucson.


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PARkS in FoCUS Tucson youth turn a creative eye on the natural worldby Emily Gindlesparger

WHEN YOu TAKE a hike with a camera, doesn’t the world shift a little? Put a frame around things, and suddenly the big vistas and small details are equally captivating. This is something hundreds of Tucson youth have dis-covered through Parks In Focus, a program of the udall Foundation that connects middle school children with nature through photography.

“It started with a tiny little pilot project in Tucson,” says Melissa Mill-age, Senior Project Manager. In 1999, Parks In Focus consisted of one trip with 12 youth for three days in Canyon de Chelly. The national program expanded to include trips for youth in the San Francisco Bay area and in Flint, Michigan.

Today, the Tucson project is a year-round program that connects kids to public lands and their own artistic expression through photography and it is serving as a blueprint for other programs across the country.

It’s a bridge, say Millage and Project Coordinator Ashley Pedersen, between youth organizations such as the Boys and Girls Club and parks in natural areas like the Grand Canyon, where Parks In Focus brought a crew of Tucson kids last year. Bringing middle school children to see a big crack in the earth is just the start; the magic happens when they’re given the cameras.

“Photography is a great way to introduce a place-based model for envi-ronmental education and connection to nature,” Pedersen explains. “The kids are learning a technical skill, but photography also broadens their awareness because they’re looking for the next best picture.”

After trips, photos go on display around Tucson, and have been shown at the Children’s Museum, Sonoran Institute, Armory Park Senior Center, and city council members’ offices, as well as the Parks In Focus website.

“They haven’t had these experiences before,” says Millage of Parks In Focus youth. “They’re not having them at school, at home, or with the Boys and Girls Club. So the chance to see them make discoveries through this program, to watch the connection process happen - not just about nature but about what exists in their backyards, what exists in Tucson, what kinds of things are out there in Arizona, and to make those discoveries about themselves, it’s really phenomenal to watch.” n

To learn more, see photo galleries from previous trips, donate or volun-teer for upcoming programs, visit pif.udall.gov or contact Melissa Millage at 901-8562, [email protected].

Arizona Parks in focus excursion 2011.

Grand Canyon in focus 2011.

Photo by Liany, age 1

1. C

ourtesy Parks in Focus/pif.udall.gov/photos.asp

Photo by A

nissa, age 11

. Courtesy P

arks in Focus/pif.udall.gov/photos.aspP

hoto by Parks in Focus. pif.udall.gov/photos.asp


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PAnelS AT TUCSon FeSTivAl oF BookS HigHligHT ARizonA HiSToRy by Kelly Lewis

THE TuCSON FESTIVAL of Books always offers a wide and diverse se-lection of books, authors and topics, but this year, some of the panels will touch upon some of Arizona’s more recent—and unpleasant—political history.

Coinciding closely with Tucson’s centennial, local authors will partici-pate in panels that discuss how recent laws may affect Arizona’s future.

Thomas Sheridan, uA professor of anthropology and southwest stud-ies and author of Arizona: A History, Revised Edition will participate in two panels surrounding Arizona history. The first, “Arizona’s Latino Population and the New Politics of Fear,” is Saturday, March 10 from 11:30 a.m.-12:30 p.m. in the Koffler Building, room 218. Dr. Lydia R. Otero (author of La Calle: Spatial Conflicts and Urban Renewal in a Southwest City) and Carlos Vélez-Ibáñez will also participate.

“I think one of the points about the panel on Latinos and Mexicanos here in Arizona will be that right now we’re living through probably the worst assault on Mexican migrants and Mexican society and culture since early statehood,” said Sheridan. “I think we will all be making the point that that may change very rapidly.

“Hispanics are the fastest growing segment of the American popula-tion,” Sheridan elucidated. “I think this anti-Mexican rhetoric and the laws that have passed recently may very well come back to haunt the politicians who passed them, down the road.”

Sheridan will also speak on a panel titled “Arizona History at the Cen-tennial,” with Eric Meeks and Jeff Biggers on March 10 from 1 to 2 p.m. in the Koffler Building, room 204.

For Greg McNamee, editor of The Only One Living to Tell, it’s not so much history that fascinates him, but the stories of the overlooked indi-viduals who helped to shape history.

Along with Jeff Biggers and Margot Mifflin, McNamee will participate on a panel titled “Forgotten Lives: uncovering Hidden Histories” on Sun-day, March 11, from 1 to 2 p.m. in the Integrated Learning Center, room 150.

The Only One Living to Tell is the autobiography of Mike Burns, a Yava-pai Indian who grew up in an American officer’s home after his family was massacred. His story is unique as he actually wrote his own biography, which sat in a museum in Prescott until McNamee was commissioned to help edit and publish it.

“We have no idea of how history will treat us but for the most part we can probably be assured that history will overlook almost all of us, and yet, we are the people who shape history each and every day,” said McNamee. “When we think about stories told of the American Revolution, we know the story of George Washington, but we don’t know the stories about the soldiers who fought and got frostbite at Valley Forge. The stories you’re likely to hear [in this panel] will be those kinds of stories.” n

For more information on the festival, visit TucsonFestivalofBooks.org.

Interested in travel? Stop by the Bon Voyage Travel Stage on the UA Mall from 12 to 1 p.m. on Sunday, March 11 to hear Zócalo writer Kelly Lewis discuss safe and affordable travel for women.

Greg mcnamee, editor of “the

only one Living to tell” partici-pates in tucson

festival of Books panels.

Book cover courtesy UA

Pressthomas sheridan, UA anthropology professor and author of “Ari-zona: A history,” participates in tucson festival of Books panels. Book cover courtesy UA Press


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by Phoenix Michael

END-OF-THE-WORLD BELIEVERS ARE certain the Mayan calendar pre-dicts apocalypse. If 2012 spells civilization’s demise, we should party like there’s literally no tomorrow. Make this St. Patty’s Day count; it could be our last. Slainte!

Emerald Isle Society’s 16th annual Emerald Ball takes place Saturday, March 3 at JW Marriott Starr Pass Resort & Spa, 3800 W. Starr Pass Blvd. $125/person includes live music by The Mulligans and the choreography of Riverdance lead Michael Patrick Gallagher and Company. Ball benefi-ciaries are the Pima Council on Aging and Candlelighters Childhood Can-cer Foundation of Southern Arizona. See EmeraldIsleSociety.org or call Kathy at 360-0729 for reservations.

Celtic/bluegrass musical storytellers The Dusty Buskers celebrate 2nd Saturdays Downtown with a free, all-ages in-store performance at 7 p.m. on March 10 at Flanagan’s Celtic Corner, 222 E. Congress St. Try on a uti-likilt after the music! Learn more about Tucson’s largest inventory of Celtic, Irish, Scottish and Welsh products at FlanagansCelticCorner.com.

The ever-popular Great Irish Cook Off heats up at 2 p.m. on Sunday, March 11 as competitive soda bread and corned beef chefs battle for bragging rights at O’Malley’s on Fourth, 247 N. 4th Ave. Just $10 gets you a bellyful of tasty.

Friday, March 16 brings the Tucson-Roscommon Sister Cities’ annual St. Patrick’s Day Mayor’s Luncheon to historic Manning House, 450 W. Paseo Redondo, with a $25/person meet and greet beginning at 11:30 a.m. Call Patrick Lavin at 818-1310 to make reservations. Later in the evening, catch the all-Irish power trio of Karan Casey, John Doyle and John Williams at Berger Performing Arts Center, 1200 W. Speedway Blvd., at 8 p.m. These are the finest artists Ireland has to offer, folks. Tickets are available at InConcertTucson.com or from Antigone Books, 411 N. 4th Ave. and The Folk Shop, 2525 N. Campbell Ave.

The Tucson St. Patrick’s Day Parade & Festival has relocated due to streetcar installation rerouting all parades. Join the day-long revelry at El Presidio Park, 160 W. Alameda St., beginning at 10 a.m. Saturday, March 17; this year’s theme is “Honoring our Founders.” That night Plush, 340 E. 6th St., invites all to celebrate in style with Phoenix’s Haymarket Squares, New Mexico’s Silver City String Beans and folk jokesters The Dusty Busk-ers again accompanied by dancers from Maguire Academy of Irish Dance. $5 gets you in when doors open at 9 p.m.

Canyon’s Crown Restaurant & Pub, 6958 E. Tanque Verde Rd., hosts local Irish/Appalachian act Púca from 7 to 10 p.m. on Friday, March 23. Familiarize yourself with this talented, melodically masterful duo at Puca-Music.com and plan your appetizers ahead of time at CanyonsCrown.com.

Finally, round out the season with a monthly adult ceili class on Mon-day, March 26 from 7:30 to 9 p.m. at Tir Conaill Academy of Irish Dance, 4580 E. Broadway Blvd. Everyone is welcome for a $5 fee; contact Chris McGrory at 991-3605 to join.

The final word? Like other local Irish community participants, Celtic Academy of Tucson board member Catherine Harris harbors a “special

affinity” for St. Patrick, patron saint of Ireland. “The story of his life makes for fascinating reading,” says Harris. “This we do know: he was respon-sible for Ireland being Catholic.”

Cheers and Godspeed! n

Disclosure: Phoenix Michael is part of The Dusty Buskers

st. Patrick’s day, tucson style.

Photo by P

hoenix Michael

Day EvEr?St. Patrick’SthE LaSt


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WATeR FeSTivAl ReFReSHeS TUCSon By Johanna Willett

IT’S NOT EVERY day you meet a mermaid, but at Tucson’s Water Festival on Sunday, March 18, Mermaid Odette will snap photos with delighted kiddies and spout tips about water conservation.

For the third year in a row, the festival will imbue the science of water with an artistic flair. Organized by the Tucson Arts Brigade, the event im-parts water awareness via an art exhibition, performances, and discussion panels.

The cameo appearances by Aquaman and Tucson’s very own mermaid lend some star power to the event and make it entertaining for scientist, artist, and child.

“Art is the voice of the times and survives throughout history,” said Jodi Netzer, the chair of the Water Festival planning team, in an email. “Statistics alone cannot affect change. It’s in our human nature to learn with hands-on experience.”

The cultural focus on water use in the region creates continuity be-tween the past 100 years and the future. Arizona’s not done celebrating its Centennial just yet.

“Water is a major issue but also a beautiful metaphor for tying the community together,” Netzer said. “Water flows. We want that for our com-munity.”

A sculpted block of frozen tribal waters in the shape of a man will demonstrate climate change and dependence on water, as the Arizona sun heats up and melts the ice.

This water festival won’t be like a typical fourth-grade science fair, Netzer said. It teaches, but not in that boring lecture way. After all, Mer-maid Odette just might be your teacher.

“I love the kids,” Odette said. “They want to touch my tail and ask me why I don’t smell like a fish. They are very attentive and whatever I say, they just take it. I use that to show them the importance of water conserva-tion.” n

Dive into the Water Festival on March 18 at the Armory Park Center, 220 S. 5th Ave. The activities start at 10 a.m. and run to 4 p.m. For more information, visit WaterFestivalTucson.org.

mermaid odette, sans pool, appears at the Water festival this year.

SPRingTiMe RevelRy The inaugural Moctoberfestby Emily Gindlesparger

THIS MONTH, THE Mercado San Agustin will be transformed by silks, fire and acrobatics; hoola-hoopers, beer drinkers, and vaudevillians, stilt walk-ers and epically mustachioed men and other eclectic surprises.

On March 31, or April Fool’s Eve, as it’s more poetically known to event organizers, will see Tucson’s first ever Moctoberfest, a play on the classic Hoegarten beer festival with local breweries, home-brew workshops, wine tasting, and all the spectacle and circus of the All Souls Procession, with a bit more letting-down of the hair, and without the solemn overtones. Where All Souls is a time to reflect, Moctoberfest is intended to celebrate the in-credibly diverse passions and creativity in our community.

“I thought of making it six months away, having a party halfway around the calendar from All Souls, and we could call it Moctoberfest because about that time is April Fools’,” says organizer Ruben Palma.

“There’s a connection with the founders and the people of All Souls, they did a lot of mockery and a lot of play, and that’s how All Souls emerged; it’s a little bit of a jest on life. Given that, it’s pretty serious and people re-flect and it seems kind of somber. I thought this would be a good time to have fun and be springtime about it.”

A $20 entry fee ($14 in advance) raises funds for the All Souls Proces-sion and includes an afternoon and evening filled with music, art, perfor-mances by Flam Chen and others, and workshops ranging from beer and wine making to circus arts, Acro-yoga, and even mustache grooming.

“We hope to have workshops like that as well as have some demon-strations of circus people in town, jugglers and stilt walkers,” Palma adds. “Mostly we’re showcasing a lot of the local talent and art around Tucson; it’s a little bit of a mix of different genres and interests.”

Space is still available to add your talent and creativity to the mix: Pal-ma is putting a call out to artists, performers, food vendors, craftspeople, and anyone else who wants to get involved in this entirely community-built event that will lighten up the night come April Fool’s Eve. n

Moctoberfest is Saturday, March 31 from noon to midnight at Mercado San Agustin, 100 S. Avenida del Convento; $20, $14 presale, discount available for Tuesday Night Bike Riders. Visit Moctoberfest.com or email [email protected] for more details.

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sAt 3UPtoWn sAtUrdAYs Featuring jazz group

Quantum Nites. 4pm. Free. St. Philip’s Plaza, 4280 N.

Campbell Ave. 529-2775, SAACA.org

BiCAs Art AnneX: GrAnd oPeninG & stUdio toUr New art studio/gallery featur-

ing bike themes & recycled art by local artists. Opening

showcases jewelry, photographs, limited edition prints,

sculpture, functional objects. 6pm-9pm. BICAS, 44 W.

6th St. 628-7950, Bicas.org

Wine, Women, And sonG Annual wine-

tasting & silent auction. Fundraising to support the

SAWC. 6pm-8pm. $35-$45. Tucson Osteopathic Medi-

cal Foundation, 3182 N. Swan Rd. 404-3148, South-

ernArizonaWomensChorus.org

sALsA eXtrAvAGAnZA 3rd annual event

includes salsa music, salsa tasting contest, dance les-

sons, desserts, raffles, performances by Pistor Dance

Ensemble & Junior Pistor Dance Ensemble. 7pm-9pm.

$8/person, $12/couple. John Valenzuela Youth Center,

1550 S. 6th Ave. 481-1656, [email protected]

sAt 3fords on 4th The Southern Arizona Mustang

Club showcase. Free. 9am-3pm. 4th Ave, between 6th

St & university Blvd. FourthAvenue.org

sUn 4mÖdA ProvÔCAteUr Fashion & dinner

fundraising event for Southern Arizona AIDS Founda-

tion. 4:30pm. $35-$135. Tucson Convention Center Grand

Ballroom, 260 S. Church Ave. 628-7223, SAAFModa.org

17th AnnUAL mUsiC in the CAnYon

Entertainment by Tucson High’s Mariachi Ariztlan, The

Lazy S Gang, Redhouse Dancers, Cadillac Mountain;

children’s activities, food and raffle. Benefits Friends

of Sabino Canyon. Noon-4pm. Donation: $5/person;

$10/family. 749-1900, SabinoCanyon.org

CAt moUntAin stAtion Arts And CrAfts fAir Local artists and craftspeople show

and sell jewelry, woodwork, wrought iron, stained glass,

bead work, recycled art, fabric art, folk art, candles,

more. 9am-2pm. Free. Cat Mountain Station, 2740 S.

Kinney Rd. 828-3779, CatMountainStation.com

sUn 4-sUn 1119th AnnUAL tUCson Winter ChAmBer mUsiC festivAL See story

page 23. 577-3769, ArizonaChamberMusic.org

fri 9dAnCehALL niGhts At the eAGLes LodGe Special guests: Silver Fox and DJ Carl Glam-

my. Hosted by Kenny Stewart & Carl Hanni. 9pm-2am.

$5 cover/$5 for wine tastings. The Eagles Lodge, 153

N. Stone. 571-8384.

sAt 102nd sAtUrdAYs A monthly downtown urban

fest. Scott Stage – up With People, The Cornerstone

Band, The Guilty Bystanders, Rich Hopkins and Lu-

minarios. Fox – Five Way Street, Congress – Foxtails

Brigade. Outdoor Movie – West Side Story. 6pm-10pm.

Free. Congress Street, 2ndSaturdays.com

sAt 10-sUn 11tUCson festivAL of BooKs Hundreds

of national and internationally renowned authors, hun-

dreds of exhibitors; lectures, interviews, book signings,

workshops, poetry readings, writing contests, panel

discussions, kids events, more. 9:30am-5pm. Free.

university of Arizona campus. TucsonFestivalofBooks.org

sUn 11Wine tAstinG for hoPe CataVinos Wine

Shop and Tasting Room hosts a fundraiser for HOPE

Animal Shelter. Six tastings, cheese, crackers & a

raffle. 4pm-6pm. $20. CataVinos Wine Shop, 3063

N. Alvernon Way. 792-9200, HopeAnimalShelter.net/

category/events

thU 15- sAt 17tohono ChUL PArK GoUrd festivAL

Over 15 gourd artists from Arizona and southern Cali-

fornia will showcase their work at the first annual festi-

val. 10am-4pm. Free with regular park admission. To-

hono Chul Park, 7366 N. Paseo del Norte, 742-6455,

TohonoChulPark.org

sAt 17siLver sPiKe festivAL See story page 32.

9am-11am. Free. Southern Arizona Transportation

Museum, 414 N. Toole Ave. 623-2223, TucsonHis-

toricDepot.org

25th AnnUAL st. PAtriCK’s dAY PA-rAde & festivAL Live Irish music, dancers,

entertainment, children’s activities, more. Festival be-

gins at 10am; parade begins at 11am. Free. El Presidio

Park, 160 W. Alameda St. TucsonStPatricksDay.com

oLd PUeBLo GrAnd PriX See story page

11.10:30am to 6:45pm. OldPuebloGrandPrix.com

sAt 17-sUn 18Arts in the PArK fine Art & JAZZ festivAL Local & nationally-known musicians

take the stage in this 16th annual event. Also features

art, merchants, food, & children’s activities. Free. Sat,

9am-4pm; Sun, 10am-4pm. Oro Valley Marketplace,

Southwest corner of Oracle and Tangerine. 797-3959,

OroValleyFestival.org

sUn 18CYCLoviA tUCson See story page 10. 10am-

3pm. Free. CycloviaTucson.org

sYnerGistiC WAter festivAL See sto-

ry page 18. 10am-4pm. Free. Armory Park, 221 S. 6th

Ave. WaterFestivalTucson.com

sUn 18soLAr roCK See story page 8. 11am-4pm. Free.

Armory Park, 221 S. 6th Ave. SolarRockTucson.com

eventsZ

the Guilty Bystanders perform during 2nd saturdays at the scott Avenue stage on march 10, 8pm.

John “flano” flanagan at a st. Patrick’s day Parade and festival, which begins at 10am on sat, mar 17.

Photo courtesy The G

uilty Bystanders

Photo courtesy of TucsonS

tPatricksD

ay.com

March EVENTS


TeAM AWeSoMe!A group of friends spearhead out-of-the-box fundraising efforts for MSby Sarah Burton

RAISE YOuR HAND if you’ve never walked a 5K. Hear that clichéd pin drop? If we’re being honest, the benefits, fundraisers, and walk/runs available to participate in are a veritable buffet of good causes. Some get more press than oth-ers, but ultimately the point is people coming together to celebrate, honor, and bring aware-ness to something they feel is important to hu-manity.

What better way to spark new interest and jazz up fundraising for one of these walks than to take on a fresh and humor-filled approach? That’s just what Team Awesome has been work-ing hard at, leading up to this month’s Walk to Create a World Free of MS.

Saturday, March 10 at 9:30am in Reid Park, Team Awesome will set out into a sea of orange (the official color of multiple sclerosis aware-ness) with the rest of the teams walking for MS. This time marks the fourth year Team Awesome leader Monika Mendoza has been involved. The first year was with just a handful of friends, this year she’s bringing more than 50 people.

The team has continued growing, along with coordinating increasingly creative fundraising efforts. This is not your mother’s pledge drive. Kickball in the park, a bake sale at this winter’s Fourth Avenue Street Fair, bingo at Bumstead’s, the second annual Orange Out show at Che’s with local musician Amy Rude, and a mega Fat Tuesday event at La Cocina Restaurant complete with food, live music, plus a bachelor/bachelor-ette auction. Last year Team Awesome raised $2,000. This year’s goal? A whopping $5,000.

In her first year on the team, Julianne Sze-kely says being involved harkens back to that feeling she treasured growing up, when playing sports and being part of a team. “Team Awe-some has all those elements of camaraderie—plus working at raising money totally plays to my competitive nature,” she explains, laughing.

What has become a fun-filled endeavor started out with Mendoza’s diagnosis of multiple sclerosis in 2007, after experiencing neuropa-thy in her fingers, hands, and an electric shock sensation the base of her neck.

“During a road trip to Bisbee with some girl-friends, I sat in the back seat playing with my fingers…my hands had gone completely numb,”

she remembers. After two months passed with still no sensation, she sought out a doctor.

“In the beginning I was self-conscious and unsure if I would share my diagnosis,” Mendoza admits. After her neurologist sent her home with a stack of fancy magnets, stress balls, pens, and other schwag to decide on a medication, she came to a decision and began the painful injections. There is no known cure for MS, but the medications available can prevent further flare-ups. unfortunately, they also cause excru-ciating side reactions.

“I consider myself a pretty tough chick but I did not enjoy this. It was a battle of wills, and I eventually stopped after several awful months,” she recalls. Friend Jill Brammer reflects on wit-nessing this struggle: “Monika is such a strong woman. She really armed herself with knowl-edge and faced it straight on, which I find ad-mirable. But it was terrible to see someone you care about go through it.”

“It’s refreshing and motivating to be part of a community that cares for one another and supports such an important cause,” says Jill Conway, Team Awesome member of four years and lead baked-good pusher during the street fair. “You never want someone you love to worry about how this disease will impact their life…that is why we walk,” Conway says. She adds that during the street fair it was a common oc-currence for a passerby to stop and share their story of a friend or family member that suffers from MS.

Mendoza is no stranger to that kind of mo-ment. “This is a far reaching disease that doesn’t draw the media attention other campaigns do,” she says. “But bring MS up in conversation and you’ll be surprised how many people are per-sonally affected by it.”

Team Awesome enters this year’s walk with excitement, spirit, community, a boatload of or-ange, and most of all: swagger. n

Walk to Create a World Free of MS happens Saturday, March 10, at Reid Park. For details, visit WalkAZA.NationalMSSociety.org. The preceding Saturday, March 3, catch local song-stress Amy Rude at Che’s, 346 N. 4th Ave., for the Orange Out benefit.

thU 22-sAt 24tUCson GLAss festivAL Focusing on the

American Studio Glass Movement 50-year Anniver-

sary. SGAA is the home of the event’s Anniversary

exhibition, demos and lectures by important Studio

Glass Artists. Featured artists include: Einar & Jamex

de la Torre, Laura Donefer, Henry Halem, Tom Phila-

baum. Sonoran Glass Art Academy, 633 W. 18th St.

SonoranGlass.org

fri 23-sUn 254th AvenUe street fAir 400 arts and

crafts booths, 35 food vendors, performance stages,

street musicians, food, jugglers, kids entertainment,

face painting, balloons, more. 10am-6pm. Free.

624-5004, FourthAvenue.org

sAt 24CLAssiCs And CoCKtAiLs A charity

benefit inspired by the Swing Era of music, fashion,

food, & cocktails. 5:30pm-9pm. Tucson Mall Pavil-

ion between Brio and Cheescake Factory. $35. 797-

3959, SAACA.org

everGreen CemeterY toUr Visit

gravesites of Tucson pioneers. All proceeds benefit

Arizona Historical Society. $15. 9am-11:30am. Ev-

ergreen Cemetery, 3015 N. Oracle Rd. 770-1473,

ArizonaHistoricalSociety.org

sUn 25sonorAn sPrinG CeLeBrAtion

Featuring music, dance, food, art & a silent auction

by celebrity auctioneer Chuck George. 4pm-7pm.

$100-$125. Tohono Chul Park, 7366 N. Paseo del

Norte, 742-6455, TohonoChulPark.org

sAt 31t.A.W.n. sPrinG festivAL The Tucson

Area Wiccan/Pagan Network celebrates the season

with rituals, workshops, merchants & entertainment.

8am-7pm. Free. unitarian universalist Church, 4831

E. 22nd St. 792-6440, Tawn.org

BAiLe de LAs fLores The 93rd Annual

Baile de Las Flores: Dress in Fiesta style attire and

enjoy rooms filled with music, dancing & entertain-

ment. Proceeds benefit St. Luke’s Home, a non-

denominational, licensed, assisted living facility for

low-income, elderly Tucson residents. 6pm-11pm.

Tucson Country Club, 2950 N. Camino Principal.

BaileDeLasFlores.org

moCtoBerfest See story page 18. Mocto-

berfest.com

sAt 31-sUn 1Arts in the PLAZA Features fine art and

live jazz from more than 100 artists. Sat, 9am-4pm;

Sun, 10am-4pm. St. Philip’s Plaza, 4280 N. Camp-

bell Ave. 529-2775, FineArtFest.org


A DeCADe oF Big DRUMMingby Kelly Lewis

ODAIKO SONORA, TuCSON’S only Japanese Taiko group, celebrates 10 years this month and to celebrate, the non-profit is releasing a book dur-ing the Tucson Festival of Books called Asako: The Girl Who Saved Her Village.

“For our anniversary, we thought about making a calendar or some-thing, but we realized that we were doing folktale in the schools for years, and we decided to turn [the folktale] into a book,” said Karen Falkenstrom, co-founder of Odaiko Sonora.

Odaiko Sonora is a drumming group that practices, teaches and per-forms Taiko, an ancient Japanese art in which drummers beat the big drums in rhythm. (Taiko means “big drum” in Japanese.) The art form was once used to signal the onset of war or to implore the gods for a plentiful harvest—these days it’s more commonly used as a performance art, often to accompany heritage festivals.

Asako: The Girl Who Saved Her Village is a folktale written by Odaiko Sonora and illustrated by Nadia Hagen that accompanies several Taiko songs. There’s a tsunami and earthquake in the story (and an earthquake and tsunami song), a festival song, and a harvest song after Asako saves her village.

It’s a tale that Odaiko Sonora has been teaching to students in a hand-ful of local schools to great success.

“We teach the kids once a week, for ten weeks, how to play songs, and there are folktales that fit into the songs,” said Falkenstrom. “In the per-formance, the kids read the narrative part and each of the grades perform their song.”

Odaiko Sonora will perform sections of the book at the Tucson Festival of Books at 4 p.m. on Saturday, March 10, and Asako: The Girl Who Saved Her Village will be on sale.

Odaiko Sonora was founded in 2002 by Karen Falkenstrom and Rome Hamner. What started as a small hobby between friends has now grown to an 501c3 arts organization with over 70 annual community projects, a warehouse space called Rhythm Industry that is also home to several

other arts groups (including lo-cal performance groups Flam Chen and Batucaxe), and an annual budget of over $100K.

“We built a really solid group very quickly and we were able to grow a very strong and diverse group quickly,” said Falkenstrom. To date, the drumming ensemble in-cludes Falkenstrom, Ham-ner, three understudies and several drummers, together making up a crew of almost 20.

“Our art form is really loud,” said Falkenstrom. “It’s kind of like music, plus martial arts, plus some dance. Taiko has a broad appeal because it is music, it is physical and it is very much a team sport.”

At their core, Odaiko Sonora is dedicated to increasing familiarity of Taiko within our community. Having performed to over 55,000 people in the last year alone (including 7,000 kids), there’s a good chance you’ve seen them—or rather, heard them.

“For 10 years we have been a really solid little group,” Falkenstrom said. “In terms of the administrative, artistic and financial aspects of what makes an organization great, we’re pretty solid.”

Interested in learning how to play Taiko? Odaiko Sonora offers open classes for youth and players of all age at their studio, Rhythm In-dustry, 1013 S. Tyndall Ave. For more information on classes, visit TucsonTaiko.org. n

Upcoming Performances include: Race for the Cure at Reid Park, March 25 and the Rhythm Industry Review at Rhythm Industry studio, 1013 S. Tyndall Ave., March 31.

odaiko sonora at 2nd saturdays, June 2011.

“Asako: the Girl Who saved her village” book cover illustration by nadia hagen.

odaiko sonora at 2nd saturdays, feb 2012.

Photo courtesy K

aren Falkenstrom

Photo courtesy K

aren Falkenstrom

ArtsZ


Arts Z

A Week oF DeliCioUS CHAMBeR MUSiCThe 19th Tucson Winter Chamber Music Festivalby Jared R. McKinley

IT IS A pleasant surprise to many that Tucson, nested in the middle of a state with a reputation for being uncouth, wild and rustic, has enough patronage to support something as sophisticated as the Tucson Winter Chamber Music Festival. Music lovers can be thankful that Tucson is more refined than its reputation would suggest.

For over sixty years the Arizona Friends of Chamber Music has show-cased internationally renowned chamber music groups, performers and composers for the Tucson audience throughout the calendar year.

Peter Rejto, artistic director of the festival since its inception, has bril-liantly programmed the 19th season, presenting a series of five concerts with introductory commentary and a gala dinner with music selected by festival musicians. Also part of the festival are open rehearsals, a youth concert and master classes for musicians.

From March 4 to 11, international ensembles of first-class musicians perform compositions both familiar and rarely-heard by modern and clas-sic composers. There are also original commissions being premiered, this year by two brilliant (and young) composers - Lera Auerbach and Pierre Jalbert.

Russian born composer and pianist Lera Auerbach, with members of the Tokyo Quartet, presents Trio on Friday, March 9, 7:30 p.m. Lera Auerbach is the youngest composer on the roster of the prestigious mu-sic publishing company Hans Sikorski (home to Prokofiev, Shostakovich, Schnittke, Gubaidulina and Kanchel). Her shifts between tonal, lyrical and angular, dissonant statements are authentically crafted with economy while expanding on the opulent language of predecessor Dmitri Shostakovich.

Prominent American composer, Pierre Jalbert, premieres his Piano Quartet on Sunday March 11, 3 p.m. His composition style is tonally ori-ented, articulating statements with rich instrumentation backed by suave, contemporary (at times dissonant) harmonies. His music encompasses great emotional range; his inspiration deriving from his own personal ex-periences.

In addition to the original commissions, on March 6 Apollo’s Fire Ba-

roque Ensemble performs Mediterranean Nights: Sultry Songs and Pas-sionate Dances from 17th Century Italy and Spain, reputed to break into a “jam session” which according to The Columbus Dispatch sounds like it ”might have been heard 300 years ago on an Italian beach.”

The gala at Arizona Inn, Saturday, March 10, includes dinner, an open wine bar and the following music selected by festival musicians:

André Previn’s Trio for Oboe, Bassoon, and Piano is a composition that uses widely spaced chords and jazz-like rhythms, a great illustration of Previn’s enthusiasm for both “serious” and popular music.

Originally intended as a movement for an entire string quartet, Hugo Wolf’s Italian Serenade is a lieder inspired by Joseph Freiherr von Eichen-dorff’s Italian-themed novella Aus dem Leben eines Taugenichts (From the Life of a Good-for-Nothing). He never finished the other movements but this became his most famous piece.

Written for French horn, Robert Schumann’s Adagio and Allegro was the result of his interest in writing “hausmusik,” which were compositions to be played at home, in private.

Said to be derived from a Spanish dance, Johan Halvorsen’s Passa-caglia (Duo for Violin and Viola, after Handel), is a demanding piece that employs such technique as double stops (the playing of two or more tones simultaneously on the violin and related string instruments).

Tickets are $265 per person for all five concerts plus the gala dinner and performance. If you want to attend just the gala, tickets are $150. The other concerts can be individually attended for $25 each. Free events include: open rehearsals (which take place at the Leo Rich Theater on March 7, 9, and 11), the youth concert (March 8) and master classes for musicians (March 10). n

All concerts except for the gala are at the Leo Rich Theater, 260 S. Church Ave. The gala is at Arizona Inn, 2200 E. Elm St. Tickets and complete schedule information are available at ArizonaChamberMusic.org or at 577-3769.

Jeannette sorrell, harpsichord and conductor of Apollo’s fire Baroque ensemble, also performs.

Photo by C

hautauquan Daily

Lera Auerbach will perform an original commission.

Photo by F. R

einhold


arT GallEriES/ExhibiTSArt GALLerY American Daze/Russian Haze by Alex Arshansky opens Mar 2.

Artist’s reception is Sat, Mar 3, 4pm-7pm. Thu-Sat: 11am-4pm; and available by

appointment. 1122 N. Stone Ave. 624- 7099, HolyJoeStudio.com

Arthritis foUndAtion Western landscape and portrait paintings in oil

and pastels by Tucson artist Gay Scheibl continues through Apr 4. Mon-Wed, Fri,

8am-5pm; Thu 8am-12pm. 2102 N. Country Club Rd, Ste. #3. 603-5666, Azacp.

com/ArthAssoc.php

ArtseYe GALLerY Chris Gall: Please Don’t Tell continues through Mar 15.

Mon-Fri, 9am-6pm; Sat, 10am-5pm. 3550 E. Grant Rd. 327-7291. ArtsEye.com

BLUe rAven GALLerY Crazy For Color continues through Sat, Mar 24. All

Things Great and Small opens at the end of March. Thu, noon-4pm; Fri, noon-5pm;

Sat, 11am-5pm. 3042 N. 1st Ave. 623-1003, BlueRavenGalleryandGifts.com

Center for CreAtive PhotoGrAPhY Photo Fridays, an exclusive

look at CCP’s renowned fine art and photography, is Fri, Mar 2, 11:30am-3:30pm.

Free. Mary Virginia Swanson: Ansel Adams: Advocate for American Photography is

Thu, Mar 1, 5:30pm. Artist’s talk and book signing by José Galvez, Mon, Mar 19,

5:30pm. Artist’s talk by Newton and Helen Mayer Harrison is Tue, Mar 27, 5:30pm.

Artist’s talk by Carter Mull on Thu, Mar 29, 5:30pm. Mon-Fri, 9am-5pm; Sun, noon-

5pm. 1030 N. Olive Rd. 621-7968, CreativePhotography.org

ConrAd WiLde GALLerY Seventh Annual Encaustic Invitational contin-

ues through Mar 31. Second opening reception is Sat, Mar 3, 6pm-9pm. Wed-Sat,

12pm-5pm. 439 N. 6th Ave. #171. 622-8997, ConradWildeGallery.com

ContrerAs GALLerY Hackneyed Taboos & Tin Ears Too opens on Sat,

Mar 3 with a 6pm-10pm reception. Tues-Fri 11am-5pm, Sat 11am-4pm. 110 E. 6th

St. 398-6557, ContrerasHouseFineArt.com

dAvis dominGUeZ GALLerY Paintings by Duncan Martin and sculpture

by Barbara Jo Mclaughlin continues through Mar 17. Paintings by Bruce McGrew

and Tim Murphy with sculptures by Judith Stewart opens Mar 22. Thu-Fri, 11am-

5pm; Sat, 11am-4pm. 154 E. 6th St. 629-9759, DavisDominguez.com

deCo Mostly Black, Mainly White continues through April. Tue-Wed, Sat, 11am-

4pm; Thu-Fri, 11am-5pm. 2612 E. Broadway Blvd. 319-0888, DecoArtTucson.com

deGrAZiA GALLerY in the sUn Way of the Cross continues through

April 15. The Little Gallery presents: Amazing Animal Portraits by Paul Hopman,

through Mar 9; Watercolor by Brian Bill is Mar 11-Mar 23. Clay Sculptures by Amy

Kyle opens Mar 25. Daily, 10am-4pm. 6300 N. Swan Rd. 299-9191, DeGrazia.org

the drAWinG stUdio Arizona Encaustic 2012, featuring pigmented wax

art, opens on Sat, Mar 3 with a 6pm-9pm reception; continues through Sat, Mar 31.

Tue-Sat, noon-4pm. 33 S. 6th Ave. 620-0947, TheDrawingStudio.org

etherton GALLerY Don’t Look Now: Craig Cully, Chris Rush and James

Reed continues through Mar 17. This Land, This Sea: Joe Forkan, Nancy Tokar-

Miller and Lisa M. Robinson opens Mar 24 with a 7pm-10pm reception. Tue-Sat,

11am-5pm. 135 S. 6th Ave. 624-7370, EthertonGallery.com

fLorenCe QUAter GALLerY Annual Faculty Show continues through

Mar 23 at William Platz Gallery. The Art Center Design College, 2525 N. Country Club

Rd. 325-0123, TheArtCenter.edu

GeorGe strAsBUrGer stUdio And GALLerY People and

Places continues through March 31. Thu-Sat, 11am-4pm and by appointment. 172

E. Toole St. 882-2160, GeorgeStrasburger.com

JosePh Gross GALLerY An exhibit by Adriana Gallego and Claudio Di-

occhea opens Mar 1. Mon-Fri, 9am-5pm; Sat-Sun, 10am-4pm. 1031 N. Olive Rd.

626-4215, CFA.arizona.edu/galleries

LioneL romBACh GALLerY And Then... by Rebecca Hamlin runs Mar

7-Mar 23. Annual Foundations Exhibition opens Wed, Mar 28. Mon-Fri, 9am-5pm;

Sat-Sun, 10am-4pm. 1031 N. Olive Rd. 624-4215, CFA.arizona.edu/galleries

LoUis CArLos BernAL GALLerY East/Pacific/West: Confluence con-

tinues through Mar 9. Mon, Wed 10:30am-5pm; Tue, Thu 10am-5pm; Fri 10am-

3pm. 2202 W. Anklam Rd. 206-6942, Pima.Edu/cfa

mAdArAs GALLerY Madaras Gallery is at the Tucson Festival of Books Mar

10-Mar 11, 9am-5:30pm. Spring Watercolor Show opens Fri, Mar 30 with a 4pm-

7pm opening reception, continues through Sun, Apr 15. Mon-Sat, 10am-6pm; Sun,

11am-5pm. 3001 E. Skyline Dr, #101. 623-4000, Madaras.com.

ArtsZ

the Loft Cinema by dirk Arnold is part of the exhibit “dirk Arnold: endan-gered Architecture” which continues at the temple Gallery through April 3.

“hackneyed taboos & tin ears too” opens on sat, march 3 at the Contreras Gallery. “she’s A Concept, more or Less” by artist Gary Aagaard is featured.

continued on page 2624 THEZMAG.com | March 2012

oBsidiAn GALLerY Storytelling, an exhibition of ceramic sculpture, contin-

ues through Mar 10. 410 N. Toole Ave., #120. 577-3598, Obsidian-Gallery.com

PhiLABAUm GLAss GALLerY & stUdio Glass 30-40-50 (30th an-

niversary of Philabaum Glass Gallery, 40 years the studio artists have worked in

glass, and the 50th anniversary of the American Studio Glass Movement) continues

through Sat, Apr 28. “From the Ground up,” lecture by Henry Halem, Sat, Mar 3,

1pm. Tue-Sat, 10am-5pm. 711 S. 6th Ave. 884-7404, PhilabaumGlass.com

Porter hALL GALLerY Art by Barbara Smith premieres Mar 1 and con-

tinues through April 8. $8, Adults; $4, Children 4-12; Free, Children 3 and younger.

2150 N. Alvernon Way. 326-9686, TucsonBotanical.org

rAiCes tALLer 222 Art GALLerY Indian Born, American Made fea-

tures traditional and contemporary artwork by invited Native American artists. Opens

Sat, Mar 3, with a reception from 6pm-9pm, and exhibits through April. Fri-Sat,

1pm-5pm & by appointment. 218 E. 6th St. 881-5335, RaicesTaller222.webs.com

sACred mAChine Quantum Mysticism, featuring the art of Daniel Martin

Diaz, continues through Mar 31. Wed-Fri, 1pm-4pm; Sat, 4pm-9pm; Sun, 3pm-

6pm. 245 E. Congress St. 777-7403, SacredMachine.com

the soUthern AriZonA WAterCoLor GUiLd Simply Art be-

gins Wed, Mar 7. Awards reception is Fri, Mar 16, 5pm-7pm. Members of SAWG are

a part of the Picturas Chiquitas exhibit at La Pilita, opening Mar 3. Annual Show with

leaders Bess Woodworth and Pamela Howe opens Mar 7 and continues through Apr

1. Tue-Sun; 11am-4pm. River Center Plaza, 5605 E. River Rd., #131. 299-7294, WaterColor-Sawg.org

stone drAGon stUdio Endangered Cultures by Jim Gruhl opens Mar 16

and runs through Apr 28. Artist’s reception is Fri, Mar 16, 4pm-8pm. Wed-Sat, 11am-

4pm & by appointment, 405-5800. 1122 N. Stone Ave. 624-7099, HolyJoeStudio.com

temPLe GALLerY Dirk Arnold: Endangered Architecture continues through

Apr 3. Opening reception is Fri, Mar 2, 5:30pm. Mon–Fri, 10am-5pm. 330 S. Scott

Ave. 624-7370, EthertonGallery.com

tUCson mUseUm of Art El Nacimiento continues through Mar 18.

Tesoros del Pueblo: Latin American Folk Art, Frida Kahlo: Through the Lens of Nick-

olas Muray, and Frida’s Style: Traditional Women’s Costumes from Mexico continue

through June 20. Annual Spring Artisans Market takes place Fri, Mar 16-Sun, Mar

18; 10am-6pm. (Con)text continues through June 2012. Plus ongoing exhibits. Tue-

Wed, Fri-Sat, 10am-6pm; Thu, 10am-8pm; Sun, noon-6pm. $8, adults; $6, seniors;

$3, students 13+; free, children under 12. Free to all the first Sunday of the month.

140 N. Main Ave. 624-2333, TucsonMuseumofArt.org

UA Art mUseUm The Border Project: Soundscapes, Landscapes and Lifes-

capes continues through Mar 11. Matt Eskuche & Matthias Düwel: Consumer Con-

sumption continues through April 22. Plus ongoing exhibits. Tue-Fri, 9am-5pm; Sat-Sun,

noon-4pm. $5 adults; children/students/faculty, free. 1031 N. Olive Rd. ArtMuseum.arizona.edu

UA PoetrY Center Sharlot Hall and Hattie Lockett: An Arizona Centennial

Celebration continues through Mar 31. Be Mine: Collaborations between Writers and

Artists continues through Mar 30. Mon/Thurs, 9am-8pm; Tues/Wed, 9am-6pm; Fri,

9am-5pm. 1508 E. Helen St. 626-3765, Poetry.Arizona.Edu

WiLde meYer GALLerY Introduction to Tucson opens Mar 1; the group

show includes Martha Braun, Kristen Knight, Melinda Curtin, Stephen Morath with

paintings and sculptures by Jim Budish, Alix Stefan, Barbara Gurwitz, Ka Fisher,

Sherri Belassen and others. Art And The Natural World also opens Mar 1. Mon-Fri,

10am-5:30pm. Wilde Meyer Gallery, 3001 E. Skyline Dr. WildeMeyer.com

arT GallEriES/ExhibiTS coNTiNuEd

ArtsZ


ARIzONA OPERA For its second-to-last show in the 2011-2012 season, Arizona Opera is pulling out all the stops with a dazzling performance of Verdi’s classic, epic “Aida.” This one has it all, huge sets, a processional with live ani-mals, a love triangle and, it’s set in ancient Egypt – what more could you want? Following its premiere in 1871 in Cairo, this opera was performed at 155 opera houses around the world within just ten years. Some have described it as a Cecil B. DeMille film come to life due to its scope and scale, and its elaborate sets and costumes must be seen to be believed. Catch a performance March 3 at 7:30 p.m. or March 4 at 2 p.m. at the Tucson Music Hall, 260 S. Church Ave. AzOpera.org

zUzI!On March 2 and 3, ZuZI! Dance Company presents “Gotta Have HeART: A No Frills Dance Happenin.” The event features new, experimental, ex-citing and fun adventures in dance. The first evening’s performance is a youth night and the second night features an adult choreography show-case. ZuZI! Dance Company is a Tucson institution, with a dance school and performance space in the Historic “Y” at 738 N. 5th Ave. Tickets are just $10 both nights. Visit zuziMoveIt.org for details.

BALLET TUCSONThe annual “Dance & Dessert” event, which pairs dance performances with a dessert reception is now in its fifteenth year. Highlights of this year’s performance will include the premiere of a work entitled “Bolero,” by the company’s Ballet Master Daniel Precup. This is the next in a se-ries of works by legendary choreographer Antony Tudor as presented by Amanda McKerrow and John Gardner. As in years past, scores of Tuc-son’s finest restaurants will be on hand to offer guests tastes of their fin-est desserts. Dance & Dessert XV takes place March 9, 10 and 11 at the Stevie Eller Dance Theatre, 1737 E. university Blvd., on the university of Arizona campus. For more information visit BalletTucson.org.

BROADwAY IN TUCSONWhere were you in 1987? If you were anywhere near a radio, the songs in “Rock Of Ages” will likely generate a lot of nostalgia for the heyday of ra-dio rock. Featuring songs by Journey, Styx, REO Speedwagon, Foreigner, Pat Benatar and more, this musical love story between a small-town girl and a big city dreamer is set on the Sunset Strip. A five-time Tony nomi-nated Broadway smash, the play is soon coming to a movie theatre near you with an all-star cast that includes Tom Cruise and Alec Baldwin, but you can see the original, live on stage at the Tucson Music Hall, 260 S. Church Ave., March 13-18. BroadwayInTucson.com n

by Herb Stratford

Broadway in tucson’s “rock of Ages.”

Photo by S

cott Suchm

an


PErforMaNcESAriZonA friends of ChAmBer mUsiC The 19th Annual Tucson

Winter Chamber Music Festival is March 4-11. Mandelring Quartet performs Wed,

Mar 21 at 7:30pm. TCC’s Leo Rich Theatre, 260 S. Church Ave. 577-3769, Arizona-

ChamberMusic.org

AriZonA onstAGe ProdUCtions The Marvelous Wonderettes re-

turn to the stage in a benefit for the Southern Arizona Humane Society on Sat, Mar

24-Sun, Mar 25. Temple of Music and Art, 330 S. Scott Ave. 270-3332, ArizonaOn-

Stage.org

AriZonA oPerA Aida, a love story between a slave and Egyptian commander,

shows Sat, Mar 3 at 7:30 and Sun, Mar 4 at 2pm. TCC’s Music Hall, 260 S. Church

Ave. 293-4336, AZOpera.com

AriZonA rose theAtre ComPAnY You’re A Good Man, Charlie

Brown takes the stage Mar 10-Mar 11, Mar 16-Mar 18. Fri-Sat, 7pm; Sun, 2pm.

Ticket prices vary. Temple of Music & Art’s Cabaret Theatre, 330 S. Scott Ave. 888-

0509, ArizonaRoseTheatre.com

AriZonA theAtre ComPAnY The Great Gatsby, inspired by F. Scott

Fitzgerald’s great American novel, continues through Sat, Mar 17. Various show

times. Cafe Bohemia, a season of diverse new works from bold and inventive play-

wrights, is Sat, Mar 10 at 10:30pm. The Kingston Trio performs Mar 20-Mar 21 at

7:30pm. Temple of Music and Art, 330 S. Scott Ave. 884-8210, ArizonaTheatre.org

BALLet tUCson Dance & Dessert shows Fri, Mar 9 at 7:30pm; Sat, Mar 10

at 2pm, 7:30pm; Sun, Mar 11 at 1pm, 5pm. Stevie Eller Dance Theatre, university

of Arizona, 1737 E. university Blvd. 903-1445, BalletTucson.org

BeoWULf ALLeY theAtre ComPAnY Radium Girls, a tale based on

terrifying illnesses plaguing employees of a company, begins Thu, Mar 15. Various

show times. Old Time Radio Theatre presents classic radio shows every 1st and 3rd

Tuesday of each month at 7pm. Beowulf Alley, 11 S. 6th Ave. 882-0555, BeowulfAl-

ley.org.

BerGer PerforminG Arts Center In Concert presents Karan

Casey, John Doyle & John Williams on Mar 16. Laverne Lawrence, Sat, Mar 17. Ian

Tyson in concert Fri, Mar 23, 7pm. Berger Performing Arts Center, 1200 W. Speed-

way Blvd. BergerCenter.com

BLACK CherrY BUrLesQUe Tantalizing burlesque performance on Fri,

Mar 2 at 8pm and 10pm. Surly Wench Pub, 424 N. 4th Ave. 882-0009, TucsonBurlesque.com

BroAdWAY in tUCson Rock of Ages - an arena-80s-rock love story takes

the stage Tue, Mar 13 through Sun, Mar 18. Various times and prices. TCC’s Music

Hall, 260 S. Church Ave. 903-2929, BroadwayInTucson.com

CArnivAL of iLLUsion Most weekends in March, witness Sarlot and

Eyed’s mind blowing performances. See website for various dates and times. Tucson

Double Tree Hotel, 445 S. Alvernon Way. 615-5299, CarnivalOfIllusion.com

CiviC orChestrA Conducted by Dr. Herschel Kreloff, the orchestra pres-

ents a free classical concert with music by two of Spain’s greatest composers, plus

Beethoven’s Symphony No. 8. Mar 11, 3pm. uA Crowder Hall, 1020 E. university.

COTMusic.org

foX theAtre Women Fully Clothed perform Sat, Mar 17 at 7:30pm. The

Manhattan Transfer and VIP Dessert Reception on Sun, Mar 18 at 7:30pm. Man

in Black: The Music of Johnny Cash featuring Robert Shaw and the Lonely Street

Band on Fri, Mar 23 at 7:30pm. Fox Theatre, 17 W. Congress St. 624-1515, Fox-

TucsonTheatre.org

the GAsLiGht theAtre Where there is injustice, you will find The Two

Amigos! Continues through Sun, Mar 25. Concerts include: Todd Thompson and

Friends in Monday in the Park on Mon, Mar 5 at 7pm, Big Band Express performs

Mon, Mar 12 at 7pm, and The Manhattan Dolls perform Mon, Mar 19 at 7pm. Gas-

light Theatre, 7010 E. Broadway Blvd. 886-9428, TheGaslightTheatre.com

invisiBLe theAtre Lucie Arnaz In Concert! on Fri, Mar 2 and Sun, Mar 4.

A Woman of Independent Means shows Fri, Mar 9 to Sun, Mar 11. Invisible Theatre,

1400 N. 1st Ave. 882-9721, InvisibleTheatre.com

Live theAtre WorKshoP Shirley Valentine continues through Sun, Mar

18. All Together Theatre presents Goldilocks and the Three Bears on Sundays at

1pm until Sun, Apr 1. Etcetera, the late-night arm of the Live Theatre Workshop,

presents Wit which continues through Sat, Mar 10. Various times and prices. Live

Theatre Workshop, 5317 E. Speedway Blvd. 327-4242, LiveTheatreWorkshop.org

neW ArtiCULAtions “Power-dance” on Sat, Mar 31. 7pm-10pm. NEW

ART and WMG team up to create a dance that animates the community potential of

green infrastructure on Tue, Mar 27 at 3:30pm. Walk the Watershed tour with Eric

Dhruv of the Ironwood Tree Experience on Sun, Mar 11 from 1pm-3pm. New AR-

Ticulations Dance Studio, 1013 S. Tyndall Ave. 270-4352, NewArticulations.org

not BUrnt oUt JUst UnsCreWed The improv comedy troupe per-

forms Fri, Mar 2, 7:30 pm at Revolutionary Grounds Coffee House, 606 N. 4th Ave.,

for audiences of all ages. Another performance is Fri, Mar 16, 7pm at Rock N Java

Café, 7555 W. Twin Peaks Rd. Free. 861-2986, unscrewedComedy.com

ArtsZ“shirley valentine” continues at Live theatre Workshop until sun, mar 18.

Photo courtesy of Live Theatre W

orkshop.

Pierre Jalbert, composer, performs an original piece at the Chamber

music festival.

Photo courtesy A

rizona Friends of Cham

ber Music

continued on page 3028 THEZMAG.com | March 2012

odYsseY storYteLLinG series (Neither) Here Nor There: Stories

From Life on the Borderlands shows Thu, Mar 1 at 6pm. Free. university of Arizona

Art Museum, 1031 N. Olive Rd.730-4112, OdysseyStorytelling.com

PCC theAtre Arts Curtains continues through Sun, Mar 4. Shows: Wed-

Sat at 7:30pm, Sun at 2pm. Mano A Mano: Piano Recital on Sun, Mar 25, 3pm.

Show prices vary; see website for details. PCC Center for the Arts Recital Hall, 2202

W. Anklam Rd. 206-6670, Pima.edu/cfa

rhYthm & roots Janiva Magness performs Sat, Mar 10 at 8pm. Johnny

Rawls performs Fri, Mar 23 at 7:30pm. Jessica Fichot performs Fri, Mar 30 at 8pm.

Suite 147 in Plaza Palomino, 2970 N. Swan Rd. RhythmandRoots.org

the roGUe theAtre The New Electric Ballroom by Enda Walsh continues

through Sun, Mar 11. Shows: Thu-Sat; 7:30pm. Various ticket prices. 738 N. 5th

Ave. 551-2053, TheRogueTheatre.org

stUdio ConneCtions A View From The Bridge, by Arthur Miller, shows

Thu, Mar 1-Sun, Mar 18. Various times and prices. Studio Connections, 4625 E.

River Rd. 329-3707, StudioConnections.net

tUCson Convention Center Trans-Siberian Orchestra - Beethoven’s

Last Night is Thu, Mar 29 at 7:30pm. Tucson Convention Center, 260 S. Church Ave.

TucsonConventionCenter.org.

tUCson sYmPhonY orChestrA Just For Kids presents TSO Wind

Quartet at the Tucson Symphony Center on Sat, Mar 3 at 10am and 11:15am. Mas-

terWorks Series presents Mozart and Beethoven at Catalina Foothills High School on

Sat, Mar 3 at 8pm and Sun, Mar 4 at 2pm. Classic Series presents Missa Solemnis

at Tucson Music Hall on Fri, Mar 9 at 8pm and Sun, Mar 11 at 2pm. Concert Special

presents Live And Let Die: Tribute to the Music of Paul McCartney on Sat, Mar 10 at

7:30pm at Tucson Music Hall. TSO Pops! Series presents Cirque de la Symphonie on

Sat, Mar 24 at 7:30pm and Sun, Mar 25 at 2pm. 882-8585, TucsonSymphony.org

tUCson GUitAr soCietY Guitar In The Woods at Woods Library on Thu,

Mar 1 at 6:30pm. Eduardo Minozzi Costa in recital at Holsclaw Hall on Thu, Mar

22 at 7pm. Misael Barazza-Diaz in recital at Holsclaw Hall on Sat, Mar 24 at 7pm.

Hosclaw Recital Hall, 1017 N. Olive Rd. 342-0022. TucsonGuitarSociety.org

UA’s AriZonA rePertorY theAtre Julius Caesar continues

through Sun, Mar 25, various times and prices. Marroney Theatre, 1025 N. Olive

Rd. 621-1162, web.cfa.arizona.edu/theatre

UA dAnCe Still Here-Student Spotlight runs Thu, Mar 1 to Sat, Mar 3 7:30pm

and Sun, Mar 4 at 1:30pm. Prices vary. Stevie Eller Dance Theatre, 1737 E. univer-

sity Blvd. 621-4698, web.cfa.arizona.edu/dance

UA Presents Bill T. Jones/Arnie Zane Dance perform Sat, Mar 3 at 8pm;

Patti Lupone performs Sun, Mar 4 at 8pm; Amsterdam Baroque Orchestra & Choir

performs Sun, Mar 11 at 7pm; The Capitol Steps on Wed, Mar 14 at 7pm; Wait

Wait... Don’t Tell Me! shows Thu, Mar 15 at 7:30pm; Shirley MacLaine performs Sun,

Mar 18 at 6:30pm; Alvin Ailey American Dance performs Fri, Mar 23 at 8pm; Poncho

Sancez & T. Blanchard perform Sat, Mar 24 at 8pm; Noa and Mira Awad perform

Sun, Mar 25 at 6:30pm; Larry King appears Tue, Mar 27 at 7:30pm and Ben Vereen

performs Sat, Mar 31 at 6pm. Prices Vary. Centennial Hall, 1020 E. university Blvd.

621-3341. uAPresents.org

ZUZi! dAnCe ComPAnY No Frills Dance Happenin’: Gotta Have HeART

shows Fri, Mar 2 and Sat, Mar 3 at 7:30pm. $10. Gabriel Ayala Trio performs Fri,

Mar 16 at 7:30pm. Safos Dance Theatre performs Sat, Mar 31 at 7:30. Zuzi’s Little

Theater, 738 N. 5th Ave. 629-0237, ZuziMovieIt.org

PErforMaNcES coNTiNuEd


MuSEuMS/ExhibiTS AriZonA historiCAL soCietY Cemetery Tour, the annual grave site

tour, is Sat, Mar 24, 9am. See the website for details or call 886-3363. Museum

locales are: Main, 949 E. 2nd St.; Downtown, 140 N. Stone Ave.; Ft Lowell Museum,

2900 N. Craycroft Rd. Hours & admissions vary. ArizonaHistoricalSociety.org

AriZonA-sonorA desert mUseUm Art of Conservation continues

through Sun, Mar 11. The Wildlife Art of Ned Aldrich begins Sat, Mar 17; opening

reception, 2pm-4pm. Regularly: Desert flora and fauna, animal presentations, Rap-

tor Free Flights, more. $14.50, adults; $4.50, children 6-12. Daily, 7:30am-5pm.

2021 N. Kinney Rd. 883-1380, DesertMuseum.org

Center for CreAtive PhotoGrAPhY Speaking in Tongues: Wal-

lace Berman and Robert Heinecken, 1961-1976 begins Sat, Mar 24. Permanent

Collection Exhibition, curated by Ansel Adams opens Sat, Mar 24. Free. Mon-Fri,

9am-5pm, Sat- Sun, 1pm-4pm. 1030 N. Olive Rd. 621-7968, CreativePhotography.

org/Exhibitions

fLAndrAU sCienCe Center Biters, Hiders, Stinkers & Stingers contin-

ues through early summer. Explore the science of venom, camouflage, sharp fangs

and poisonous skin. Mon-Fri, 10am-3pm; Thu-Fri, 6pm-9pm; Sat, 10am-9pm; Sun,

1pm-4pm. $7.50, adults, children 4-15, $5, under 4, free. AZ Students with ID, $2.

1601 E. university Blvd. 621-STAR, Flandrau.org

JeWish historY mUseUm Jewish Storytelling Festival continues

through Sun, Mar 25. Exhibits open Wed-Sun, 1pm-4pm. $5 non-members. Free for

members. 564 S. Stone Ave. 670-9073, JewishHistoryMuseum.org

LA PiLitA mUsUem Evening Art Walk Exhibits featuring Southern Arizona

Watercolor Guild: Barrio Scenes, Sat, Mar 3, 11am. Mariachi Las Agualitas and

SAWG Reception, Sat, Mar 10, 2pm. One-Day Talabera Truckload Sale, Sat, Mar 3,

12pm-7pm. Tues-Sat 11am-2pm. 420 S. Main. 882-7454, LaPilita.com

mArs & BeYond Our solar system & Mars, featuring the cutting-edge sci-

entific work by uA teams. Mon/Thu/Sun, 9am-5pm; Sat-Sun, 9am-6pm; 2nd Sat-

urdays, 9am-9pm (features 2 for 1 admission, 5pm-9pm). $18 adults, $14 college/

seniors/military, $10 children. Science Downtown, 300 E. Congress St. 622-8595,

ScienceDowntown.org

soUthern AriZonA trAnsPortAtion mUseUm 7th Annual

History Talks weekly on Sundays, Mar 4-18, 3pm, ParkWise conference room. See

the Transportation Booth on the uA Mall during Festival of Books, Mar 10-Mar 11.

Silver Spike Festival is Sat, Mar 17, 9am. Free. Tue-Thu & Sun, 11am-3pm; Fri-Sat,

10am-4pm. 414 N. Toole Ave. 623-2223, TucsonHistoricDepot.org

tohono ChUL PArK Arizona Centennial Exhibition continues through April

2012. In celebration of the centennial, the exhibits feature art that focus on the flora,

fauna, landscape and culture that defines Arizona. Wildflower Tours begin Thu, Mar

1 and continue every Tue and Thu through April. Artful Gourds exhibits starting Thu,

Mar 8. Mexican Arts Sale: Mar 22-Mar 24, 10am-4pm. Spring Plant Sales: Mar 28,

3pm-6pm; Mar 31, 9am-5pm; Apr 1, 10am-4pm. Daily events: Reptile Ramble,

Eco-Station Walks, more. See the website for other events. Daily, 8am-5pm. $7, 13+;

$5, 62+ & military; $3 students; $2 children. 7366 N. Paseo del Norte. 742-6455,

TohonoChulPark.org

tUCson BotAniCAL GArdens Butterfly Magic, Arizona’s only live

tropical butterfly exhibit, continues through April (special pricing for this exhibit).

Barbara Smith: Landforms and Lepidoptera opens Thu, Mar 1; reception, Fri, Mar 9,

5pm-9pm. Regular entry fees: $7, adults; $3, children 4-12. Daily, 8:30am-4:30pm

(except holidays). 2150 N. Alvernon Way. 326-9686, TucsonBotanical.org


historYZ

ON ANY GIVEN Saturday, the Southern Arizona Transportation Museum (SATM) buzzes with the energy of rapt intrigue from the visitors’ curious minds. Children, and adults, of all ages and rac-es play with toy trains and engage with interac-tive, bilingual displays that explain the evolution of our area’s transportation.

But from the squeals of delight heard on a recent Saturday, the children’s excited reaction to Steam Locomotive #1673 cutely conveyed that the locomotive is clearly the coolest, big-gest piece of fun to be found at the museum. Housed next to the train tracks just north of SATM, at 414 N. Toole Ave., the locomotive was built by Schenectady Locomotive Works in 1900. In 1955, it was one of the stars of the mu-sical “Oklahoma!,” filmed near Elgin, Ariz.

After choo-chooing more than a million miles, #1673 was retired and donated to the City of Tucson. From 1962 to 2000, it was stationed at Himmel Park. In 1994, due to the efforts of the 1673 Task Force, the group of concerned citizens succeeded in having the locomotive placed on the National Register of Historic Places and was subsequently refurbished after years of maintenance neglect.

Moved to its downtown home in December 2000, the locomotive could only be admired from the ground as there was no access for the public to safety climb up inside the cab. Over a decade later, in March 2011, Fletcher J. Mc-Cusker, Chairman and CEO of Providence Cor-poration (whose grandfather was a Southern Pacific switchman for 40 years), made it pos-sible for visitors to view the cab of engine #1673 by providing the means to erect a stairwell and platform.

“Ken [Karrels, SATM Chairman] showed me the train and I said ‘Too bad you can’t go up there’,”McCusker explained. “He [Karrels] said all they would need is stairs. I said, ‘I bet we can fix that,’ and called Patricia Schwabe, who sent her welder to look at it, and we had them up in about a week.”

It is a cool thing to be able to get up inside the cab and ring the bell, and for McCusker’s donation, he is being recognized at the SATM’s Benefactor of the Year at the March 17 Silver Spike Festival. Other honorees include Rail-roader of the Year Eddie Pectol and Volunteer of the Year, Henry Zappia.

SATM Chairman Ken Karrels said Pectol was chosen “for his years of service to the Southern Pacific Railroad as a conductor and his bound-less energy in restoring Locomotive 1673 while at Himmel Park.”

Zappia, Karrels said, is being honored “for his consistent problem solving skills and ability to find resources for others.” Zappia is a for-mer Southern Pacific Railroad Engineer, Arizona

Ranger, Old Pueblo Trolley and Operations Di-rector for the Southern Arizona Transportation Museum, Karrels said.

The Silver Spike Festival commemorates the March 20, 1880 arrival of the train to Tucson and features the 1880 Silver Spike that was presented by Estevan Ochoa to the Southern Pacific Railroad president for building the line to town. n

The event is Sat., March 17 from 9 a.m. to approximately 11 a.m. and includes re-enact-ments, 1880s music by the 4th Cavalry Regi-mental Band, children’s activities and other surprises. Visit TucsonHistoricDepot.org for details or call 623-2223. The museum is open Tue-Thu and Sun, 11 a.m.-3 p.m.; Fri-Sat, 10 a.m.-4 p.m. At 3 p.m. on Sundays in March, 4-18, SATM hosts history talks at the ParkWise conference room, 110 E. Pennington St.

fletcher J. mcCusker, in engine 844 november 2011, is being honored as the sAtm’s Benefactor of the Year.

Photo courtesy K

en Karrels

by Jamie Manser


BUsiness Z

TAlking TURFA Downtown sports arena gives players an indoor option

EVERY WEEK MORE than 2,000 people from age four to 74 take to the turf at the Maracana In-door Sports Arena. And whether they’re playing soccer, dodge ball, lacrosse, ultimate Frisbee, or flag football, they have Mladen Kozak—and his desire to be his own boss—to thank for it.

After being an electrical engineer lost its lus-ter, Kozak wrote a plan and set out to find fund-ing for his business idea, opening their doors in August 2010.

“I knew from playing soccer here that Tuc-son needed a turf indoor arena. It was hard in the beginning but now we are growing, and more and more players know about us,” he explains.

So what’s behind the arena’s name? Look no further than Serbia or Brazil. The name of the stadium where the Red Star soccer team plays in Belgrade, Serbia, is Marakana. But they of-fered a nod to the largest stadium in the world, Rio de Janeiro’s Maracana stadium, when choosing the spelling.

Coming from a long line of soccer players, Kozak, whose family is originally from Bosnia and Herzegovina, understands the passion be-hind the game: “For generations my family was and still is in soccer. My grandfather, father, and brother played professional soccer in Bosnia and Switzerland.”

Although he strayed from tradition, choos-ing to play professional volleyball over soccer, Kozak is a regular on his own field. “We just started semi-pro soccer team, the Maracana Futbol Club, and I am part of that not only as owner but as a player, too.”

The arena organizes the men’s, women’s, co-ed, and youth soccer teams, while all other sports are put together by the players them-selves. Whether joining a league for one or all of the four soccer seasons, or grabbing a pick-up game, the two fields at Maracana provide a comfortable place to play year-round.

“The most rewarding part of my job is when I have kids’ teams play in the morning. Before I open the main door I can see them all outside trying to get in,” Kozak shares. “As soon as I open the door the only thing you hear are the screams of excitement as they stampede into the arena. It always gives me chills.” n

Maracana Indoor Sports Arena is located in the Armory Park Neighborhood at 555 E. 18th St. For more information check out TucsonSoccer.com or call 235-7094.

ALuMINuM CANS AND newspapers, sure. But recycling an entire building? When Leunen Sofa Factory left its longtime 400 W. Speedway Blvd. location, the property might’ve stood vacant for years. Enter BMX enthusiast Ian Abbott. With the help of a stunt biking community hungry for a place to ride, he transformed the 4,600 square foot Leunen warehouse (and much of the materials discovered remaining within) into ramp mecca Premises Park.

Owner Abbott opened the space last July, while “the paint was still wet.” Nowadays, Prem-ises sees “anywhere between 30 and 60” riders each day. “This is a typical Saturday,” Abbott says as BMXers catch air and land tricks around us. Within Premises’ front entranceway, Adan Solis’ shop carries parts by industry leaders like Cult, Animal, Odyssey and Kink. “Normal stuff,” Solis explains, meaning headsets, sprockets, pedals, grips and whatnot. A loft, foam pit and PS3 gaming area are available; the young people who frequent Premises do occasionally take breaks. Nonprofit Premises Park is open daily; helmets are required, skaters are invited, spectators are welcome. Fees, park rules, liabil-ity waiver forms and hours are at PremisesPark.com, 623-7561.

Prefer a place solely for boards? The City of Tucson Parks and Recreation Department has desert skaters covered. Santa Rita Skate Park’s three large bowls at 401 E. 22nd St. received a 9 out of 10 rating on SkateCompass.com. Purple Heart Skate Park, 10050 E. Rita Rd., features 8,000 square feet of mini ramps and ledges. Randolph Center Skate Park at 200 S. Alvernon Way is best for beginners. For hours and infor-mation, see cms3.TucsonAz.gov. Meanwhile, Starr Skates at 2905 E. Broadway Blvd. and BLX Skate Shop, 35 E. Toole Ave., have got gear: Girl and Plan B decks, Venture trucks, Volcom and Vans apparel. Look into StarrSkates.com and BlxSk8.com. Ride safe. n

loCo FoR loCAlby Phoenix Michael

A MexiCAn geneRAl & A TUCSon SonJosé Cosme Urrea elías gonzález

ON MARCH 19, 1836, on the plains of east Texas, Mexican General José Cosme urrea Elías González had caught up with a retreating army of rebels fresh from defeat at Goliad. Now, with the rebels surrounded and cut off from reinforce-ment or retreat, the General was determined to strike a decisive blow, because, in his words “I desired to obtain a triumph for our nation on this day to celebrate my birthday.” This he did, capturing over 300 rebels as prisoners, yet an-other military disaster that nearly destroyed the cause of Texas independence.

The future general was born at the Presidio of Tucson in 1797, into a frontier elite of Basque army officers whose descendants would domi-nate affairs in the region for decades. He too pursued a military path, and by dint of his loy-alty, courage and competence, he rose through the ranks and was a general by the age of 38. However, politics put him at odds with his su-periors. He called for democratic reforms and was a leading opponent of the dictator Antonio López de Santa Anna.

urrea never forgot where he came from. While campaigning in Texas, he travelled with a personal guard of Opata Indians from Sonora. He was at various times his home state’s gover-nor or military commander, where his intimate knowledge of the land and its people proved valuable.

After leading an insurrection against Santa Anna in 1839, urrea landed in prison. He was broken out by partisans and returned to Sonora as governor when the dictator briefly lost power in 1842. The state was by then embroiled in an unnecessary war with the O’odham. Well aware that good relations with Tucson’s neighbors were necessary to the peace and security of the frontier, he negotiated a lasting settlement to the conflict.

When the united States invaded in 1846, he was again called to fight for Mexico, command-ing irregular forces that harassed the yanquis in the northern provinces.

urrea succumbed to the cholera epidemic of 1849, well before he could fully realize his dream of making a more democratic Mexico.

(Note: Texans often hold Urrea responsible for the so-called “Goliad Massacre” of March 27, 1836. Actually, the principled Urrea protested the order to execute the prisoners, and it was carried out in his absence.) n

by Tom Prezelski

by Sarah Burton

A biker cruises the ramps at Premises Park.

Photo by K

atelyn Sw

anson

Photo from

: Villa, Eduardo W

. “Galeria de S

onorenses Ilustres, Im

pusoras de Artes G

raficas,” Herm

osillo, Sonora, M

exico, 19

48


safari


AFRICAN SAFARI inspired style has been a popular sight

to see, from Ernest Hemingway’s infatuation with the safari

and its staple jacket to vintage films such as “Mogambo,”

starring style icon actresses like Grace Kelly and Ava Gard-

ner, who put a little Hollywood glamour into the safari suit.

But it was Yves Saint Laurent who would change the way

we saw the “safari look” forever.

During the late 1960s and into the 70s the “safari

chic” look hit an all time fashion high, due to Yves Saint

Laurent, originally presented as a stylish liberation for

women to experiment with wearing pantsuits and to break

away from dresses. Several of Mr. Laurent’s muses have

been photographed wearing the safari jacket, including

Betty Catroux and the famous photo of Veruschka by

Franco Rubartelli. Yves Saint Laurent was photographed

wearing his creation by Helmut Newton, on the opening

day of his menswear flagship in London.

The look is one that has been labeled as timeless

and can reinvent itself into the cycle of fashion again and

again; we have seen it on modern day designers’ ad cam-

paigns and on the runways of Ralph Lauren and Michael

Kors. As homage to the impact that Yves Saint Laurent

had on the safari look during the 1970s era of fashion,

this editorial is a tribute to the elements of both.

The safari look crawled out of the bush, onto the

runways and into the discotheques. This story takes these

vintage looks and returns them back into the wild. Let’s

go on a “journey” as I take inspiration found in the styles

of the disco era and some touches of Africa, then put

the party right in the middle of a desert safari, disco ball

and all!

Creative director and stylist: Sydney Ballesteros. Pho-

tography and Creative direction: Puspa Lohmeyer. Photo

Assistant: Jill Lewis. Props: Ed Smith. hair: Bekah Root.

makeup: Carly Bonar. models: Tierra Owens and Sabrina

Harwood. Wardrobe: Black Cat Vintage, Desert Vintage,

Buffalo Exchange & Sydney Ballesteros.

*All vintage clothing was provided from local Tucson

boutiques and collectors. n

safaridiSCo

fAshion Z

by Sydney Ballesteros

CommUnitY Z

noTeS FRoM A PlAnT FReAkby Jared R. McKinley

BEEN ENJOYING THE balmy spring days? It’s time for warm sea-son crops. You might have started early (protecting from frost). Now there’s no procrastinating; espe-cially with long season crops like corn.

Go crazy! (It’s time, but be pre-pared for a late frost, it can still happen.) Peppers, tomatoes, corn, beans, squash, basil. Heck, get freaky. Plant some chayote, water chestnuts, or bitter melon.

And start meal planning. I have made a habit of taking a look at crops that are coming along and looking online for recipes. This makes dinner more adventurous, less mundane.

You still can have lots of cool season vegetables going. Some keys to keeping winter stuff from bolting: keep watered and fed well, try to always direct seed (avoid starting in containers whenever convenient) and make sure indi-vidual plants are not crowded (thin those seedlings). As it gets warm-er, lettuces and other greens will get bitterer. This ain’t so bad. Be tough, it’s healthy.

The landscape needs love as well, even if it doesn’t feed you. Nourish those plants. This is also the time to trim trees, frost dam-aged plants, and pretty much ev-erything else. It’s a great time for your compost pile. n

Jared McKinley maintains a gardening blog, Tucson Urban Gardener, at PlantFreak.word-press.com.

Photo by N

adine Roselle

WHeRe We liveby Phoenix Michael

IMAGINE LIVING WITHIN walking distance of Fourth Avenue’s action and uA’s academics, yet far enough removed from said attractions to avoid congestion and crowds. Such is the pleasure of life in cozy Feldman’s Neighborhood, tucked north of downtown between Stone and Park from Speedway to Lee. Despite its proximity to campus and nightlife hotspots, noise com-plaints and red tags are nearly nonexistent in this area populated by small families, couples and students.

Residents of contributing properties to this historic district can attest to its charm. On Drachman Street, so named for Arizona’s departed philanthropist and job creator, dog walkers wave hello as they pass by. Barefoot water harvesters plant agaves and wildflowers in their yards on Mabel Street. Mini-dorms have thank-fully been held at bay. A newly installed bike boulevard with traffic-calming circles connects Feldman’s with the El Cortez, Keeling and Amphi Neighborhoods to the north.

During the early part of the 20th century, this cor-ner of town was known as “Lung Hill” due to the num-ber of tuberculosis sanatoriums clustered here. Sev-eral remain today serving alternate functions. Whitwell Hospital (1906) is now The Castle Apartments, 721 E. Adams St., whose reasonably-priced 32 units feature Saltillo tile floors and 11-foot ceilings. St. Luke’s in the Desert (1918) currently operates as St. Luke’s Home, 615 E. Adams St., providing 64 units of assisted liv-ing housing to elderly individuals of limited financial means.

In fact, Feldman’s Neighborhood is home to a slew of noteworthy local businesses and organizations in-cluding the critically-acclaimed nonprofit Invisible Theatre Company at 1400 N. 1st Ave. The weekend of

March 9-11 sees Emmy Award winner Susan Clark in Elizabeth Forsythe-Hailey’s “A Woman of Independent Means.” Box office manager Phyllis Goodman speaks with pride when she says Invisible Theatre “entered its 41st year at the beginning of the season.” With just 80 seats, productions staged here are highly conducive to audience-performer intimacy.

At the same time, Invisible Theatre is “always look-ing to expand and get more people in,” says Good-man. That means utilizing additional venues. Invisible Theatre brings the prestigiously-pedigreed Lucie Arnaz to the larger Berger Performing Arts Center, 1200 W. Speedway Blvd., on March 2 and 4. Tickets are avail-able from OvationTix at InvisibleTheatre.com.

Additional civic-minded groups operating out of Feldman’s are child abuse prevention leaders Casa de los Ninos at 1101 N. 4th Ave. and The Montessori Schoolhouse with its preschool/kindergarten classroom at 1127 N. 6th Ave. The multicultural Siloam Freewill Church, 628 E. Adams St., promotes compassion and unity in its teachings. First Southern Christian School at First Southern Baptist Church, 445 E. Speedway Blvd., encourages spiritual growth among its students.

Incredible edibles may be obtained during your visit to Feldman’s at The Garland Bistro; visit 119 E. Speedway Blvd. for a tahini eggplant salad or mush-room quesadilla. The Greek Patio at 1135 N. Park Ave. is Feldman’s answer to Athens, with gyros and tzatziki galore. PDF menus are at GarlandTucson.com and TheGreekPatio.com.

Learn more about Feldman’s Historic District by visiting the neighborhood association’s website at NeighborhoodLink.com/Feldmans.

invisible theatre Company’s lights beckon to feldman’s neighborhood arts lovers. inset: tB sanatorium Whitwell hospital (1906-1911) transformed into today’s the Castle Apartments.

Photos by M

ead Z. Mier


CommUnitYZ

UA’S CoMMUniTy gARDenby Katelyn Swanson

THE PLOTS ARE dug, the soil is in, and uA students, faculty and the general public are able to root themselves, and edibles, within the com-munity.

The university of Arizona “Garden in the Desert” team, a division of Students for Sustainability, has developed a 1,600 square feet community garden that is open for rent to people affiliated with the uA and the neigh-boring residents. The garden is north of Speedway, between the Highland Avenue garage and Mabel Street, and holds over 40 plots for growing fruits and vegetables. It recently opened on February 29.

The organization had a viewing of the garden for the first time last October at Perk up at the Park, a uA community event promoting health and wellness. The introduction was just a preview of what is now open to the public.

To make growth possible the team used a contractor to dig the plant beds and move the dry earth. They then installed an irrigation system and filled the plots with nutrient rich compost.

The garden’s up-front costs were $25,000 according to Chester Phil-lips, the graduate student advisor for Students for Sustainability. The costs were funded by the uA Green fund, which annually generates about $400,000 through student fees for sustainable projects on campus.

The garden plots are three feet wide and 20 feet long with some varying in size and are currently available. Gardeners are able to raise a variety of produce conducive to the desert including greens, strawberries, and squash. Renters can also participate in workshops and benefit from the help of the team with planting and caring for the plants. The area also features a shed for storage purposes and tools for use during certain hours

of the day.“I think it will be a great program that will bring the community togeth-

er. It will also give people a base for those who don’t have land resources themselves,” said Sarah Kortemier, a prospective plot renter. “Also people will know where it [produce] is coming from because they’re growing it themselves.”

“It’s all about establishing greater food sovereignty and being empow-ered by the process of growing your own food,” said Laura Hanson, project co-manager for the Garden in the Desert Team.

Rent for plots start at $40 for four months, $50 for six months, and $70 for a year. Smaller plots will be determined by square footage and priced accordingly. There is also an option of sharing a plot and splitting the cost in order to make participation more feasible.

“I really want everyone who wants to do it to get a chance,” Hanson said. “Right now, we have mostly staff and faculty, but we would like to have and an equal number of community and faculty.”

Plots are assigned on a first come first serve basis. Those interested should refer to the Students for Sustainability website to reserve a plot.

“There is something here for everyone,” said Sophia Montes, a previ-ous team project manager. “The only thing you have to have in common is that you want to do something good.” n

For more information, contact Chester Phillips at [email protected] or Taryn Contento at [email protected]. For further details, visit sites.google.com/a/uasfs.com/home.

UA Community Garden plots await planting.

Photo by K

atelyn Sw

anson


food Z

v Fine THAi Dining From Bangkok to Congress Streetby Kelly Lewis

V FINE THAI DINING, 9 E. Congress St., brings the spices of Bangkok to downtown through an eclectic menu that modernizes old family recipes and makes foodies swoon.

“We have a new concept beyond traditional Thai food,” said Chef Red-man Jarrell, who owns the restaurant with his wife Vila. “I like to tell people that it’s not just Thai food, it’s good food; we can take a popular French or Italian dish and create a Thai equivalent.”

Formerly Vila Thai on university Boulevard, V Fine Thai Dining has reformed since their relocation downtown last May. Their menu has been revamped, they have a new private room for parties, and their outdoor space is draped in traditional gold and oranges, the colors of Buddhism

“There are nine Buddhas here to honor my father, who is a Buddhist monk,” said owner Vila Jarrell. “Nine is the highest number in feng shui, so everything we do here is nine.”

Vila grew up in Bangkok and returns often. Her family has been in the restaurant industry for most of her life, and many of the dishes at V Fine Thai Dining originated as family recipes.

But the mom-and-pop style of Asian restaurants isn’t what they are going for here.

“It’s been challenging because a lot of people don’t want to pay more than seven dollars for Asian food,” said Redman. “We want to show that Asian food can be fine dining as well.”

The menu at V Fine Thai Dining is diverse, ranging from traditional Thai menu items like Pad Thai, to more eclectic fusions such as the Mekhong Sirloin ($18), a 10-ounce center cut top sirloin that is grilled and topped with a Mekhong (Thai Bourbon) black peppercorn garlic sauce, mush-rooms and red onion.

“It is center-of-the-plate cuisine,” said Redman. “We use wild seafood, premium beef, all natural chicken and fresh vegetables.”

It’s also healthy. V Fine Thai Dining was the first of several Tucson Original restaurants to be selected and awarded for their healthy menu as part of Michelle Obama’s Health and Wellness Initiative.

“I’m so happy and so proud,” said Vila. “I have so much fun. This is exactly what I want to do.”

Part of the success that V Fine Thai Dining has seen comes in part from the owners’ hospitality and progressive stance on both their menu, and how their restaurant should be run.

“People will come in here and say, ‘V, where are all of the Thai people in your restaurant?’ and it’s been difficult to break through those ethnic stereotypes,” Vila said. “People don’t realize that 60 percent of Thais are actually Chinese. So, I just say, ‘what do you think a Thai person should look like?’”

As a delegate who represents the state of Arizona for the Tourism Au-thority of Thailand, Vila infuses her love for her country in everything she does.

“That’s why we do this,” Vila said. “We do this for the love of country and the love of food.” n

The restaurant is open for lunch 11 a.m.-3 p.m. Tuesday-Friday; dinner is 5 p.m.-10 p.m. Tuesday-Saturday. Happy hours are Tuesday-Friday, 3 p.m.-6 p.m. and 9 p.m.-close Tuesday-Saturday. V Fine Thai also hosts live music. More information is online at TucsonThai.com and by calling 882-8143.


food&drinKZ

French Fridays: ooh-la-laby V. K. Embee

haPPy hour

START THE WEEKEND with French flair at Ghini’s French Caffe’s “Fabulous Friday Happy Hour.” From 3-6 p.m., come alive with a drink from the $3 menu. Try the Vanilla Citronade, smooth and silky with housemade lemonade and vodka infused with vanilla syrup. Or the lively greenhouse made mojito, vibrant with mint that’s blended, not muddled. Perhaps James Bond would prefer it this way. Glasses of wine are $1 off, and bottles are $5 off.

Food specials are available from 3-8 p.m. and include a menu of reasonably priced small and large plates. The quintessential French sandwich, Croque Monsieur ($5), is sliced ham layered in a creamy-tangy blend of béchamel, gruyere, and parmesan on box French bread, baked in a “salamander.” This gadget toasts quickly at high temperatures, and takes it name from the legendary amphibian that was immune to fire. Creamy, tasty Cilantro Corn Chowder is a luscious Soup du Jour ($4.50), served in a clear glass mug that showcases the beautiful color and texture. Tomatoes with Basil ($5) are flavorful, especially on slices of baguette.

Save room for an eye-popping, mouth-wa-tering dessert. The Opera ($5) features espres-so butter cream, rich but not too sweet, with a chocolate treble clef swirled on top. The Car-men ($5) is a gluten-free almond cake. Straw-berry Shortcake ($4) is light and delightful, with a homemade biscuit, fresh plump strawberries and whipped cream, adorned with strawberry coulis and chocolate syrup.

Amidst the casual café décor are touches of European elegance and élan. With elaborate glass chandeliers above you, and the play of light from prismatic plastic water glasses, you could almost pretend you’re in Paris, sans cou-ture and cigarette smoking. n

Ghini’s French Caffe is located at 1803 E. Prince Rd. Find out more at GhinisCafe.com or call 326-9095.

Photo by Vikki D

empsey

Fini’S lAnDingBeached in the Desertby Valerie Vinyard

TuCKED AWAY IN an unassuming space on the northwest corner of Swan Road and Sunrise Drive is Fini’s Landing, a fun new bar and res-taurant that is the brainchild of Douglas Finical and Scott Mencke.

“This isn’t a fishing bar. This isn’t a boat bar. This is a beach bar,” Mencke said.

Pull open the metal flip-flop door handle to walk inside, and a distinct beach vibe sur-rounds you, with framed historical and more recent photographs of beaches and their cul-ture. A colorful mural of a marlin and a woman “billfighter” adorns one wall and was painted by local artist Joe Pagac.

The former Larocca’s location at 5689 N. Swan Rd. opened Feb. 16 to offer guests a re-laxed yet classy experience.

“This has an atmosphere that we haven’t been able to find up here,” said Jenna Cart-wright, an interior designer who lives about a mile away from Fini’s Landing. “The food was fantastic, the views are amazing and I like how everything is set up.”

The menu reads like a stroll through a sea-side village. Consulting chef Timothy Stevens of Surefire Restaurant Solutions, a Tucson-based restaurant consulting firm, described the menu as being “inspired by fresh, local ingredients” that’s “seasoned by the founding team’s experi-ences of Mexico Baja, Southern California and the Florida Keys.”

As the university of Arizona successfully battled Washington State in hoops on the six televisions, Mencke said there often will be vi-brant music that ranges from island to classic rock. Take a seat in one of the booths, at a table or perch on a barstool around a 22-foot polished mahogany and maple bar shaped like a sailboat to enjoy food and drinks, and a 4 to 7 p.m. Mon-day through Friday happy hour.

Some of the more intriguing menu items, with most prices in the $7 to $15 range, include tostones, which are Caribbean-fried green ba-nanas dusted with garlic and served with a house hot sauce; Oysters Ensenada topped with chorizo, carmelized onion and cilantro-lime aioli; Dockside Ceviche with fresh bay scallops prepared Key West style and served with house-made tortilla chips; Alaskan salmon filet on a

beach roll with Bahamian peas and rice; and Loreto tacos - beer-battered wild-caught Alas-kan cod with house slaw and prickly pear and citrus cream sauce.

Besides seafood, other dishes include all-natural, hormone-free chicken and a build-your-own-burger with grass-fed beef. A variety of unique wing recipes include a delectable Rum and Coconut, where wings are drenched in coconut rum glaze and tossed in freshly grated coconut.

Fini’s owners Finical and Mencke met while lifeguarding at Amphitheater High School in the ‘80s. Mencke, who lived in the Florida Keys for a while, formerly managed The Hut on Fourth Avenue with Finical. Both left The Hut last year to open Fini’s Landing.

Capacity is about 300, and the room in-cludes garage doors that open to a spacious new patio facing the mountains. One wall of is full of windows and opens up to gorgeous views of the Santa Catalina Mountains. n

Fini’s Landing opens at 11 a.m. and closes at 2 a.m. daily. Go to FinisLanding.com for more information.

A mural by Joe Pagac adorns a wall at fini’s Landing.

Photo by K

atelyn Sw

anson


en_roUte Z

ART in (BeTWeen) MoTionby Carli Brosseau

JOE O’CONNELL WENT to Cushing Street Bar to do research. He watched pedestrians, cars and their speed. Then he went by the west side of the Tucson Convention Center to check whether there were electrical lines to interfere with the crane he’ll need for installation.

These days, O’Connell often makes art for other cities. But he is now among the 12 artists chosen to design stops along the modern streetcar route, and he’s happy to be working at home. He and his collaborator, Blessing Hancock, have taken advantage of the opportunity for close ob-servation. They go out to note the details, even while their studio is scat-tered with the project’s already fabricated component parts.

“Some art works at 35 miles per hour; some doesn’t,” O’Connell said. “A lot of our ideas come from observing (the environment and past art-works). We give people what they want rather than what they ask for.”

To know that, familiarity is key. O’Connell and Hancock determined that their streetcar stop, at the intersection of Granada and Cushing streets, would be seen mostly by pedestrians, but also from vehicles. In response, they designed chains of triangular panels of color-changing LEDs whose hue can be controlled by the touch of a button.

“It’s a metaphor for communication, connection and control,” O’Connell said. “We like honoring people’s choices and giving them a little control over the environment, at least until the next person gets there.”

It will take less than a minute to change the color of each of the panels, he said. The system works by allowing a person to press a button and hold it down until the closest panel turns the sought-after color. upon the but-ton’s release, the color shifts down the chain and the person can choose the color of the next panel through the same method.

The result is an act of communication, personal but communal. A suc-cessful public art project, in O’Connell’s view, is popular and regularly enjoyed. It both reflects and helps to create the identity of a place.

The same ideas apply to the streetcar system more broadly. City ad-ministrators hope that the streetcar — at more than $196 million, Tucson’s largest transportation investment and the perceived linchpin of downtown development — will communicate the city’s values, not to mention being popular and in regular use. The stops, in their words, will provide “vi-brancy” to an otherwise utilitarian idea.

It will still be a while, however, before we see the stops in action. The timeline will be pinned down this month, when the city confirms its choice of contractor and issues a notice to proceed, said Shellie Ginn, the street-car project manager for Tucson’s Transportation Department. The stops will likely be installed toward the end of construction, which is now ex-pected to wrap in mid 2013.

The system will feature eight unique stops and 17 stops total along the almost 4-mile line. Even though the installation date hovers unspecified on the far horizon, design of each stop and the vehicle maintenance and storage facility is finished, and artists are beginning fabrication, said artist Simon Donovan.

He and Ben Olmstead, as the project’s planning artists, chose the proj-ect’s theme — flow — and designed the nine stops that will not feature

large public art. Those stops will include an LED panel featuring poetry curated regularly by the university of Arizona Poetry Center.

“I see all of the arts as siblings,” Donovan said. “This really is a writing town. It seemed like a natural solution” to partner with the Poetry Center as a way of creating stops that have a dynamic element and showcase what Donovan calls “one of Tucson’s gems.”

Donovan and Simon’s signature stop, the line’s eastern terminus at Helen and Warren streets, not far from the Poetry Center, will also feature poetry. A giant head molded out of metal letters — and modeled, by the way, by a local poet — will blow letters into another LED screen scrolling poems in cobalt blue.

The planning artists also designed art for the maintenance and trans-portation facility, the back of which will be seen across the railroad tracks from Maynard’s Kitchen and vehicles on the planned Downtown Links road through downtown. “Enjoy the ride,” it will read in perforated blue script, an homage to neon, to maps at public transportation stops and to the words’ multiple meanings. “It’s a message for the public and a philosophy on life,” Donovan said.

The art is paid for by Tucson and Pima County’s Percent for Arts Pro-gram, which allocates one percent of the budget for capital improvement projects for public art. The Tucson Pima Arts Council facilitated the artist selection process and brought the artists under contract in 2010. n

For more information on the streetcar and its public art, go to Tucson-Streetcar.com.

Conceptual render-ings of streetcar spots’

art elements by Ben olmstead and simon

donovan.


Brian lopez’s new release showcases a unique blend of genresby Eric Swedlund

ALWAYS EXPANDING HIS interests, Brian Lopez is a guitarist who em-braces styles as diverse as classical, mambo, indie rock, cumbia, pop and folk.

That restlessness reflects a broad and unusually varied musical edu-cation, all of which Lopez brings to bear on his first full-length solo al-bum, “ultra,” out March 6 in the united States on Tucson’s Funzalo Records.

“I like to have my hand in a lot of places to soak up the knowledge of a lot of different genres and then I put it back into my own melting pot,” Lopez says. “This is the first chance I’ve ever had to be myself and write stuff that comes straight from my heart.”

There’s a cinematic drama run-ning through the songs on “ultra,” with melodies that float and twist amid rich instrumentation – violin, cello, accordion, upright bass and lap steel guitar – that creates a time-less and entirely unique blend of the styles Lopez has soaked up as a mu-sician. But it’s Lopez’s high-register vocals – supple with a hint of elu-siveness – that are the album’s most alluring draw.

Lopez, who studied classical gui-tar and has a BFA in music, builds his songs around vocal melodies, a process he compares to a com-poser writing a classical music piece around a first violin melody.

“I know what kind of music my vocals work best with and I write music that fits a melody,” he says. “I seem to have some knack for the dramatics, that’s easy for me to do. I take pride in throwing weird music school nerd chords into things peo-ple think are pop songs. ‘Montjuic’ has a lot of weird things, but it just flows.”

While still fronting Mostly Bears, Lopez began playing solo a couple years ago as a way to move away from the fad chasing of indie rock and make music that could be more timeless. The solo act quickly grew to a full band, all while Lopez was playing mambo with Sergio Mendoza Y La Orkesta and chamber pop in Marianne Dissard’s band.

“I went in completely different directions with every musical endeavor

I could get my hands on,” he says. “I’m only interested in things that will broaden my musical scope.”

Stepping beyond indie rock, Lopez says he felt his schooling come into play a lot more, with all the tedious early morning hours of practicing scales providing a rich foundation for writing and playing his own music.

“ultra” came together over time, with recording and mixing sessions at Loveland, WaveLab and Waterworks studios. Though it’s a new record stateside, it was released last fall in Europe, earning Lopez a feature in the German ver-sion of Rolling Stone and a 4.5 out of 5 star rating in Germany’s Musik Express.

Now 29, Lopez looks forward to a heavy touring schedule in 2012, with 13 Western shows opening for the Heartless Bastards and nine Eu-ropean shows, all in a month. He’s also joined the new larger version of Howe Gelb’s Giant Sand, with a new record underway and festival and European performances.

Gelb in particular is a mentor to Lopez, a longtime do-it-yourself art-ist who’s proven that staying power can come through hard work, dedi-cation and musical restlessness. Busting his ass in music school, soaking in diverse styles and chip-ping away at the business end of music for nearly a decade, Lopez feels he’s finally breaking through.

“It’s getting a lot more real. It’s a career now for me and it feels good to be at this level. I want to be doing this when I’m 50, to stick out and remain relevant,” he says. “You got to keep moving and grow-ing and you got to stay interested. There have to be fresh, new ideas and you have to offer something different every time.” n

The CD release is March 9 at Plush, 340 E. 6th St. Lopez also performs at Club Congress, 311 E. Congress St., on March 30 opening for Heart-less Bastards. Visit BrianLopezMusic.com for track samples from Ultra.

Photo by K

athleen Dreier_E

sens Photography

tUnes Z

Stepping Beyond indie Rock


Tucson’s community radio station, 91.3FM/KXCI.org, features cuts from the following new albums this month.

LYLE LOVETT, RELEASE ME (CURB RECORDS)Lyle continues his streak of great quirky coun-try-pop records with this gem, featuring con-tributions from k.d. lang and a mix of original tunes and covers of Chuck Berry and Townes Van Zandt.

BRUCE SPRINGSTEEN, wRECKING BALL (COLUMBIA)

The Boss has described his 17th studio album as a set of “angry patriotic” songs. The CD features 11 new tunes, including a few never-before-recorded but long-time live favorites.

ANDREw BIRD, BREAK IT YOURSELF (MOM & POP MUSIC)The multi-instrumentalist (and Bonnaroo favor-ite) returns with his first album in three years, recorded in a stripped-down fashion in his barn. Andrew Bird plays the Rialto Theatre on April 20th.

THE MAGNETIC FIELDS, LOVE AT THE BOTTOM OF THE SEA (MERGE)Stephin Merritt and crew are back – and so are the synthesizers! After abandoning that instru-ment, the band re-embraces it on this new re-lease of catchy, short tunes.

FUN., SOME NIGHTS (FUELED BY RAMEN)The band follows up their debut (Aim and Ig-nite) with another collection of playful, friendly sing-along pop rockers. Janelle Monae guests on the especially catchy “We Are Young.” The band performs at Rialto Theatre March 23.

tUnesZ

kxCi’S BARRio FeST FUnDRAiSeRRocking el Presidio neighborhood on April 7by Jamie Manser

CALL IT BARRIO FEST, call it Calexico & Friends, call it Festival in El Barrio - That which we call a rose, by any other name would smell as sweet…

And by sweet, we are talking about the amazing music scheduled for the annual spring festival/KXCI fundraiser headlined by Calexico y Amigos. An outdoor afternoon and evening of local and national acts; food, arts and crafts, and activities for the kids await on Saturday, April 7 on North Meyer Avenue between the Tucson Museum of Art and Old Town Artisans, starting at 2 p.m.

In 2010 and 2011, Barrio Fest was centered along South Meyer Avenue in Barrio Viejo but festival co-organizer Charlie Levy said they are interested in rotating the event through various local neighborhoods.

“Tucson has so many great neighborhoods,” Levy explained. “We’d like for [residents in] differ-ent neighborhoods to have the experience of the festival and the music, and the great community it brings.”

Attendees of previous years’ festivities can attest to Calexico’s singer/guitarist Joey Burns’ de-scription about the vibe and demographics, when he says: “I am always amazed at the end result – watching families and friends gather in the streets enjoying the food, drinks and music but mostly just being in some of my favorite streets and neighborhoods in Tucson.”

Sergio Mendoza, who performs again this year with his band Y la Orkesta, said the event is “al-ways different and it’s a lot of fun. It’s for a great cause, to support community radio, but at the same time it’s a great excuse to get the community to come together and throw a big street party.”

It is important to celebrate what we have – musically and artistically – in Tucson, via support-ing our community radio station that makes these local sonic connections possible through the air waves at 91.3FM.

Calexico, renowned locally and internationally, has fiscally rallied behind KXCI with concert fund-raisers for about a decade, with shows that started at the Temple of Music and Art, moved to the Rialto Theatre and have morphed into the recent years’ outdoor multi-band, multi-stage, multi-block parties.

“I would have never imagined that the first couple of benefit concerts would have grown into something as cool and fun as this,” Burns said about the fundraiser’s evolution.

It is a musical and energetic reciprocity that sustains KXCI’s independence from commercial sway, to keep it solvent so its diverse voices stay on the air. The last two Barrio Fests collectively raised approximately $30,000 for the station.

Burns said he became a fan of KXCI back in 1990: “I loved driving around town hearing the wide array of different cultural influences from the community. I hadn’t heard a station like that before and so immediately gravitated toward the left end of the dial at 91.3FM. The other thing that really stuck out were the voices of the DJs and their connections to the music and local events. As corpo-rate radio became more popular, eliminating the hands on and spontaneous approach to the radio DJ, KXCI stood out as the soulful station resonating with what Tucson means to me.” n

National acts this year include Grupo Fantasma and Megafuan, local acts were still being solidi-fied as of press time, but, as Levy said, the goal of the event’s line-up is to honor Tucson’s musical traditions, its Hispanic influence, and the organic, grassroots nature of the town and of KXCI. Details at KXCI.org and RialtoTheatre.com; tickets are $19 for KXCI members, $23 general, $26 day of show.

Grupo fantasma perform the KXCi Barrio fest, April 7.

Calexico & friends headline the KXCi Barrio fest April 7.

Photo by A

ubrey Edw

ards


tUnesZ

liVE MuSic17TH STREET MARKET840 E. 17th St. 792-2588,

SeventeenthStreetMusic.com

Sat 3: Outlaw Rebels

Sat 10: Rich Hopkins and

Luminarios

Sat 24: Kevin Pakulis and Amy

Langley

Sat 31: The Determined Luddites

2ND SATURDAYS DOwNTOwN Congress Street,

2ndSaturdaysDowntown.com

Sat 10: Scott Stage – up With

People, The Cornerstone Band,

The Guilty Bystanders, Rich

Hopkins and Luminarios. Fox

– Five Way Street, Congress –

Foxtails Brigade, Combo Westside

BOONDOCKS LOUNGE 3306 N. 1st Ave. 690-0991,

BoondocksLounge.com

Mondays: The Bryan Dean Trio

Thursdays: Grams and Krieger,

except Thu 15

Fridays: Neon Prophet, except

Fri 30

Sat 3: Tony and The Torpedoes

Sun 4: Heather “Lil’ Mama” Hardy

hosts Tony Furtado

Sat 10: Chuck Wagon, House of

Stone

Sun 11: Kevin Pakulis & Amy

Langley

Sat 17: The Mollys & Friends St.

Paddy’s Day Party

Sun 18: Last Call Girls

Sat 24: Kristin Chandler Band,

Black Cat Bones

Sun 25: Railbirdz

Fri 30: Whole Lotta Zep

CLUB CONGRESS 311 E. Congress St. 622-8848,

HotelCongress.com/club

Fri 2: Leslie & The Ly’s

Sat 3: Jenny Owen Youngs

Mon 4: Gift of Gab

wed 6: O’ Brother, Junuis,

Sleepdriver

Thu 7: The Modern Art Tour -

Miniature Tigers, Geographer,

the Chain Gang of 1974, Pretty

& Nice

Fri 9: The Pretty Reckless,

The Parlor Mob, B. Bravo, The

Starship Connection

Sat 10: Foxtails Brigade

Sun 11: Peter Case & Paul Collins

Mon 12: Blitzen Trapper, The

Parson Red Heads

Tue 13: Rachael Yamagata, Madi diaz

Fri 16: Dread Zepplin

Sat 17: Whole Lotta Zep

Sun 18: Cults, Spectrals, Mrs.

Magician

wed 21: The Coat Hangers, White

Mystery, Velvet Teens

Thu 22: The Aggrolites, Mike Pinto

Fri 23: Holy Rolling Empire, Young

Hunter

Tue 27: American Royalty, Cherub

Fri 30: Heartless Bastards, David

Vandervelde, Brian Lopez

Sat 31: White Rabbits, Gull

FOX TUCSON THEATRE 17 W. Congress St. 624-1515,

FoxTucsonTheatre.org

Fri 23: Man in Black: The Music

of Johnny Cash

Thu 29: The Pink Floyd

Experience

THE HUT305 N. 4th Ave. 623-3200,

HutTucson.com

See the website

LA COCINA @ OLD TOwN ARTISANS 201 N. Court Ave. 623-6024,

LaCocinaTucson.com

wednesdays: Jazz with the

Elephant Head

Thursdays: Stefan George

Fridays: Greg Morton & Friends

Saturdays: Dance! Dance! Dance!

w/ DJ Herm

Sundays: Sunday Brunch with

Miss Lana Rebel and Kevin

Michael Mayfield

Sat 10: Way Out West CD Release

Party

Fri 23: Coming Out! A Queer

Dance Party

Sat 24: Carnivaleros

Sat 31: Clan McCallion & Friends

LIVE ACOUSTIC VENUE ASSOCIATION (LAVA)Abounding Grace Sanctuary, 2450

S. Kolb. LavaMusic.org

Sat 3: Way Out West, Nancy

Ruybal of Katy Creek Band,

Jeanne and Jerome

Sat 10: Sabra Faulk & the Angel

Band

Sat 24: Bill and Kate Isles

Sat 31: Bright and Childers, Ice-9

PLUSH 340 E. 6th St. 798-1298,

PlushTucson.com

Thu 1: Dutch Holly

Fri 2: Seashell Radio, The Silver

Thread Trio, Will Johnson

Sat 3: EMA

Sun 4: Ben Siems

Mon 5: Mikal Cronin, Bleached,

Acorn Bcorn

Tue 6: Black Jackalope Ensemble

wed 7: Ivan and Alyosha, Kaia

Chesney, Clinton Rice

Thu 8: Katie Haverly

Fri 9: Brian Lopez, What Laura

Says, Shrimp Chaperone

Sat 10: Said the Whale

Mon 12: Saviours, Holy Grail,

North

wed 14: Naim Amor

Sat 17: The Dusty Buskers, The

Haymarket Squares, Silver City

String Beans

Mon 19: Lost in the Trees, Poor

Moon

Tue 20: Amy Ray of the Indigo

Girls featuring Lindsay Fuller and

Jeff Fielder

Sun 25: Stefan George

Fri 30: The Growlers, TRMRS,

Golden Boots

Sat 31: Igor and The Red Elvises

RHYTHM & ROOTSPlaza Palomino, 2970 N. Swan

Rd. 319-9966, RhythmandRoots.

org

Sat 10: Janiva Magness

Fri 23: Johnny Rawls

Fri 30: Jessica Fichot

RIALTO THEATRE 318 E. Congress St. 740-1000,

RialtoTheatre.com

Thu 1: Henry Rollings: The Long

March Tour

Fri 2: Pink Floyd’s Laser

Spectacular

Sat 3: That Is All: An Evening with

John Hodgman

Sun 4: Sublime with Rome,

Everlast

Thu 8: Deadmeat Tour with Steve

Aoki, Datsik

Sun 11: Asking Alexandria,

Trivium, Dir En Grey, Motionless

In White, I See Stars, The Amity

Affliction

Thu 15: Edward Sharpe & The

Magnetic Zeros, Rocco DeLuca

nancy mcCallion performs with the mollys & friends on march 17 & Last Call Girls on march

18 at the Boondocks & with Clan mcCallion on march 31 at

La Cocina/old town Artisans.

rich hopkins and Luminarios perform on march 10 at 17th street market and at 2nd saturdays downtown.

Photo by E

llie May


Sat 17: Devil Wears Prada, Every

Time I Die, letlive, Oh, Sleeper

Sun 18: Feed Me With Teeth, AC

Slater

Mon 19: Of Montreal, Deerhoof,

Kishi Bashi

Thu 22: The Careless World Tour

with Tyga, YG

Fri 23: FuN., Avalanche City

Sat 24: Whitechapel, Miss May I,

After the Burial, The Plot in You,

Structures

Fri 30: Polyphonic Spree

SKY BAR 536 N. 4th Ave. 622-4300,

SkyBarTucson.com

See the website

SOLAR CULTURE 31 E. Toole Ave. 884-0874,

SolarCulture.org

Tue 6: Typhoon

Tue 13: The Mynabirds, Big Harp

Mon 19: Yellow Ostrich

Tue 20: Kevin Devine & The

Goddamn Band, The Front

Bottoms

Fri 23: Howe Gelb, Nive Nielsen

& the Deer Children, Marianne

Dissard, Kia Chesney

Sat 24: Perfume Genius

SURLY wENCH PUB424 N. 4th Ave., 882-0009,

SurlyWenchPub.com

Mondays: Black Mondays with DC

Matt McCoy and a weekly guest

Fri 2: Black Cherry Burlesque

Tue 6: Artphag

Thu 8: An Evening w/ Richie

Ramone

Fri 9: John Wayne Bro

Sat 10: Fineline Revisited

Sat 17: St. Patricks Day!

wed. 20: Death By Stereo

Sat 23: Spasmfest

Sun 24: Bricktop, Crashed Out,

City In Vain

Fri 30: Siobhan Fashion Show

other Live mUsiC venUes inCLUde:

BLUEFIN 7053 N. Oracle Rd. 531-8500,

BluefinTucson.com

CASA VICENTE 375 S. Stone Ave. 884-5253,

CasaVicente.com

Tuesdays: Live Classical Guitar

Wednesdays: Live Guitar

Thursdays: Classical Guitar

Friday and Saturdays: Flamenco

Guitar and Performances

CHE’S LOUNGE 350 N. 4th Ave. 623-2088,

ChesLounge.com

CUSHING STREET BAR & RESTAURANT 198 W. Cushing St. 622-7984,

CushingStreet.com

DELECTABLES RESTAURANT & CATERING533 N. 4th Ave. 884-9289,

Delectables.com

KINGFISHER 2564 E. Grant Rd. 323-7739,

KingFisherTucson.com

LUNA BELLA 2970 N. Swan Rd.

LunaBellaRestaurant.com

NIMBUS BREwERY 3850 E. 44th St. 745-9175 &

6464 E. Tanque Verde Rd. 733-

1111, NimbusBeer.com

Way out West has its Cd release party at La Cocina/old town Artisans on march 10.

sublime With rome performs at the rialto theatre on sat, march 4.

LAvA presents Wes and nancy ruybal at Abounding Grace sanctuary on sat, march 3.

Photo by M

arc Thomas K

allweit

Photo by Lori Faith M

erritt

seashell radio releases Slick Machine at Plush, friday, march 2. the last tucson show before fen ikner moves to nYC.


LifeintUCsonZ by Andrew Brown

Left to right, top to bottom: Veteran Tucson reporter Bud Foster at a Rick Santorum Rally; Kids at the Rodeo Parade; The Electric Blankets record release show; Danny Martin hand printing The Electric Blankets record cover; Dan Hernandez spinning at Hotel Congress; The Electric Blankets 7 inch release show.


zocalo magazine - march 2012

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